i swear people around me are so forgetful! how am i remembering an important fucking appointment you have the next week and you forget what fucking exam i’m writing that i worried for about a whole damn week????????
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The Vast isn’t just about heights and the sky it’s about the smallness of the beholder it’s about looking into the sky at night and wondering how you can possibly matter in a universe of this size it’s seeing the ocean and getting vertigo as you realize how big the world is it’s people watching in a busy city and getting that feeling realizing you’re just a fleeting and lost memory in someone else’s life if they’ve noticed you at all it’s understanding that the people around you are full and whole people the way you are and you don’t matter to them it’s standing out in the middle of an empty field and seeing the horizon touching the grass and thinking is this all it is, is it just this forever
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A thing on Uran and Helena in Pluto
Okay a short little thing on Pluto. Uran and Helena are my absolute favourite characters in Pluto. Urasawa has always had amazing side characters, from Mr. Rosso in Monster to Lee Harvey Oswald and Jackie in Billy Bat to God in 20th Century Boys, but very few have tied off the emotional ends of the story like Uran and Helena.
Maybe I'm projecting here but much like myself I feel like Urasawa is absolutely obsessed with Frankenstein. And he recognizes the influence Frankenstein has on Dr. Umataro Tenma. Or at the very least, the similarities between the two. And so when he made the protagonist of one of his most popular works Monster, Dr Kenzo Tenma, he solidified that connection. Kenzo Tenma calls back to Victor Frankenstein needing to end his creation while also calling back to Japan's other famous Tenma, thus making the connection explicit. Another throughline between the three of them is that all three are father figures to their creations and have obligations to their children, though all three have varying levels of success with them.
I've only read what I like to call Urasawa's "Core Four", conspiracy minded thrillers that are essentially road trips featuring usually two main protagonists that we see the world through, Monster, 20th Century Boys, Pluto and Billy Bat. Though I still haven't caught up to Asadora and that could still possibly fit this mold, Urasawa's Core Four share a lot of themes and ideas. One of the most important being the responsibility for one's creations, whether it was Kenji Endo and the Book of Prophecy or Kevin Yamagata and Billy Bat or Dr. Kenzo Tenma and Johan, all of his protagonists could arguably be seen as someone with the need to take up the responsibility of their creations. So where do the protagonists of Pluto fit in there? That's where Uran and Helena come in.
But first, we should take a look at Pluto's themes. While I could be wrong, at a cursory glance, I feel like the general consensus towards it's themes is that it's about hatred. I don't really think that's what it is as I feel like Urasawa is more trying to show us what it is to be human and what it is to be alive. And in that, he has a hidden protagonist in Pluto. Someone who's influence snakes through the plot and isn't seen much, but without who the story's themes would remain incomplete. Pluto tackles what it is to be alive through many things, such as memory, sadness, grief, hatred, love and parenthood. But none of that works without the realization by Tenma of his own mistakes. And Uran and Helena bookend these revelations and are absolutley key to understanding that.
In my favourite chapter of the series, Chapter 37, Uran goes from person to person as she finds a way to deal with her grief and eventually comes across Tobio's grave, Tenma having left recently. It's an absolutely beautiful chapter that shows Uran's humanity and Urasawa's love for sharing these kind and soft moments. But it also sheds a light on Tenma as Uran realizes someone who was grieving has just left. Without saying much at all we realize that Tenma has finally realized his mistakes. In the process of grieving one son, he lost the other. While remembering Tobio, he let Atom go. His grief towards Tobio is clear in the following chapter, Chapter 38. All of the things he wanted Atom to be; Tobio come back to life, Tobio's ghost punishing him, Atom rejected. And Tenma could only see that rejection, and not what he had, another son.
Uran shows us very clearly what Pluto, the story, is. It's a chapter in their lives. And we've come into a story nearing the end for Tenma. And it's through the humanity of two absolutely amazing characters in their own right, Uran and Helena, that we are able to so fully understand Tenma. Despite being robots, these two characters are the most alive of everyone. They love fully and freely and are catalysts of change. Uran's vibrant and full of life in a way that really sticks out. And Helena has such depth that it's evident in every scene she's in. She's not pointed out to be made by any famous scientist so all the life she has is her own. These two represent the life of robot's more than any other characters in the series.
So it's that much more poignant when Helena finally breaks down after putting on such a strong front of everybody. Grief intersects and she brings out Tenma's sadness as well. They've both been putting up such strong fronts that it's heartbreaking to see them collapse. It completes Tenma's growth and strikes a heartbreaking contrast between the two. Tenma became the way he is through the loss of his son whereas Helena doesn't even get to remember her own loss. It makes you wonder if the grief for her and Geischt's child compounds her sorrow too.
Without these two and their grief, a large part of Pluto becomes inaccessible. Pluto is largely about death so when two characters come in who've never had a hand in the grim work of taking life, you see the world through a lens that's absolutely crucial in order to fully connect with all of the character's and their situations. Death and Grief has scarred the characters in Pluto. Time and time again they've chosen the worst path. They've chosen revenge and hatred. But Uran and Helena are different. Without them, the story is incomplete. They provide an alternative. They provide the path towards healing.
im sorry for this one:
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Please don't take it the wrong way but I've seen some people complaining about people in their early 20s and I have some thoughts. And I know 'haha, people make fun of other generations we're all having fun' but I don't think that's what I'm seeing.
It seems like people are claiming that the "your brain doesn't finish developing until you're 25" thing is starting to cause us to act younger than we are, and that we seem underdeveloped as adults in comparison to what older people were like at our age. That we act like we're still 16 and it's *annoying.* And these complaints are apparently regarding how we are in real life, not just being annoying online.
And don't get me wrong, we're still accountable for our actions. And I do understand what it's like to feel frustrated in adult spaces with such varying ranges of maturity and experience.
But these often seem to be the same people acknowledging that the cost of living crisis, the housing crisis, and a lot of politics as a whole have been drastically and rapidly declining for several years, particularly because of covid, and I'm not sure why they're not connecting the dots.
Like, yeah. I turned 18 in 2020. I won't get into details but it was very hard and very scary. I do sort of still feel like I'm 16, and I do still feel very lost and confused and unsure of myself. Most of us do. I know that I'm an adult and I have to act accordingly, but being annoying isn't a crime. If you have a more specific complaint then maybe don't direct it at an entire age range. Being able to exist normally around annoying people is part of being an adult, even I know that.
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I would actually argue that despite the very dubious choice to turn a very real and politically complex tragedy into children's entertainment, Anastasia is probably the one of the most romance novel-like traditionally animated movies out there
and a lot of it probably has to do with the fact that while obviously Anastasia is Anastasia, so much of the film's framing is on Anya and Dimitri's relationship, from the literal beginning with them as children, AND you get about as much of the story from his POV as hers
compared to the older Disney princess movies where the "heroes" have no personalities, a movie like The Little Mermaid which I love and find romantic and I love Eric but lbr a strong POV he does not have, or a movie like Hercules which has a legitimately great romantic subplot, but there is quite a bit of the movie which doesn't have much to do with the romance directly (again tho... excellent romantic subplot, Hercules and Meg are underrated as fuck)
really it does feel like a dual-sided romantic arc in Anastasia, and the best kind where she actually has a lot to do outside of falling in love and can't help but fall along the way, whereas he honestly has no reason to exist except for this woman but he is GREATLY INVESTED in tormenting himself about it, which strengthens his voice
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