#i don't understand the context to this at all

[gglitch1dd]

Anger and Misunderstandings Pt2 of 2

DILF Midoriya Izuku x Wifey Reader

Context: An anon had asked me what if we had Angry Dilf Izuku but one of his kids disrespected reader, like what happened with angry Dilf Katsuki. Sorry for losing your question Anon.

[PART 1 OF 2] [Midoriya Izuku Masterlist]

This was a very interesting one to write considering the fact that Izuku grew up with basically a single mother and we’ve never seen him seriously punish the boys..

Note: Disrespect, previous arguments, angst, effects of bullying and feeling left out. Happy ending.

"YOU SAID WHAT TO MOM AND DAD?!"

Asahi winced as he sighed. He put his head in his hands. "I know."

"No I think you DON'T know." Toshinori emphasised as he stood in front of his younger brother, Kane at his side, standing as a mediator with his hands in his pockets. The blond teenager was also surprised by the events that Asahi had just expressed. Toshinori sighed as he ran a hand through his hair. "And this is why we need to start beating kids again." Kane let out a humoured scoff. "And you've been here how long?"

They sat in their grandmother's apartment, Inko having gone out to buy groceries. Asahi lifted his head up to look at his brother. "A week." He revealed. "Mom came to pick me up Sunday night but I told Obaasan that I wanted to stay with her for longer so she told mom she'd look after me."

Toshinori nodded. "Okay, that might be the smartest thing you did in the past three months." He answered. Toshinori put his hands together. "Forgive me brother, but I have to be blunt with you." He warned as he took a step forward closer to his brother. He took off his slipper and raised it. "WHAT THE HELL DID YOU THINK YOU WERE DOING!?" He swatted his brother in the head with his slipper.

"OW!" Asahi raised his arms to protect himself from his antics.

"WHO THE HELL DID YOU THINK YOU WERE TALKING TO!? YOU SWORE AT MOM!? ARE YOU FUCKING INSANE?! AND HOW THE HELL COULD YOU SAY THAT TO DAD!! FOR THE SMARTEST KID I KNOW YOU SURE DO STUPID THINGS! YOU DUFUS!" Toshinori shouted as he swatted his brother with his slipper hard.

"OW! CAN YOU CUT IT OUT!"

"DID YOU CUT IT OUT WHEN MOM ASKED YOU TO!? NO!" Toshinori shouted back at him with a pointed look. "IF MOM AND DAD WON'T BEAT YOUR ASS, I'LL DO IT FOR THEM!"

"OW! THAT'S NOT FAIR! YOU HAVE ONE FOR ALL, YOU CAN KILL ME YOU KNOW!"

Toshinori scoffed as he slapped his brother on the back side of the head. "Mom and dad won't mind! They can always just make another son!" He shouted.

Kane let it happen for a few seconds, feeling that it was rightfully deserved. You were the closest thing to a mother to him, and so rightfully so, he thought Asahi deserved a good beating, but maybe that was the Bakugou in him talking. "Alright Toshinori. The little shit gets the drift." He stated putting a hand to Toshinori's shoulder.

Toshinori huffed as he stopped his assault on his brother, putting down his slipper and slipping it back onto his foot. Asahi carefully lowered his arms, seeing that he was in the clear. He put back on his glasses with a frown at having to undergo such assault

Toshinori scowled down at his brother in disappointment. "What possessed you to speak to mom that way?" He asked lowly. "She does nothing but give her everything for us. She devouts her entire life to her sons and here you are treating her like trash." Asahi looked down away from his brother swallowing down the heavy pill as he fought back tears. "And I don't think you understand just how goddamn lucky you are."

Asahi paused as he flicked his gaze up to his seventeen year old brother. His eyebrows furrowed. "What?"

"Asahi." Toshinori let out a breath. He tried to find the words for it. "I don't think you understand just how much dad loves mom." He tried to explain to his younger brother. "Now don't get me wrong, dad loves us to bits. He'd do anything for us. But dad is the terrifying ability to cut off all emotions when it comes to certain people and Uncle Kacchan and our grandfather were two of those people." He listed on two of his fingers, Kane nodding in agreement. "Dad arguably loves mom more than he loves us. Who can blame him? Dad has known mom for over two decades but he is just getting to know you and who you are becoming. Honestly, I expected a harsher punishment than just 'go stay at grandmas' but I think we both know that that's even more painful."

Asahi looked away from Toshinori not wanting to aknowledge it. Half of Asahi wished that you and his father had just done something, anything else, but send him away was another sort of pain he wasn't sure how to digest. That his dad couldn't bring himself to be around him for a day because of the things he said, it was a terrifying realisation.

Toshinori sighed as his shoulders dropped. "Now tell me why on earth did you disrespect mom." His younger brother didn't answer immediately. "Boy, I will pick up my slipper and-"

"Because it's not fair!" Asahi burst out.

Kane's eyebrows raised in surprise. "Huh, it worked." He let out surprised.

Toshinori's eyebrows furrowed in confusion. "What's not fair?"

"Life!" He shouted. "Do you know how it's like to be the youngest kid in your grade and be quirkless? People think I'm some weirdo at school!" He motioned to the side. "Kids don't want to be my friends and if they do, it's because I'm the Number One hero's son not because I'm me!" He motioned to himself as fat Midoriya tears fell from his eyes. "I hate it! I can never fit in no matter how hard I try! And it doesn't help that mom and dad are so fixated on you!"

His older brother raised his green eyebrows up in confusion. "On me?"

"Of course you!" Asahi shouted. "You're the eldest son of the Number One hero of Japan! You have dad's quirk! You are constantly praised and upheld as this miracle child and you're so much like dad it leaves me (and I'm not sure about the others) in your shadow!"

Toshinori paused before letting out a chuckle at how rich this was. he put a hand to his face. Asahi paused as he looked up at his brother in shock that he was laughing at him. "Oh you must be kidding, Asahi. I'm the eldest! I'm the experiment child! You don't want to be me."

"Of course I'd want to be you!"

"NO!" Toshinori now adamently denied with a pointed look. "No you don't. Asahi..." He took a moment chuckling to himself, deciding to be transparent here. "I don't think you understand, I have nothing, absolutely nothing other than One for All." He stressed, his face falling of all humour. "You think you want to be me? My entire existence was based off the fact that I was expected to take dad's place as the Number One hero. I'm lucky that I wanted to be a hero but that's also because I've got nothing! I'm not smart enough to get into a good university degree, I'm not passionate enough about anything else to work at it to be good enough to earn a living for myself. All I have is this passed on quirk and the entire legacy of our father resting on my shoulders."

Asahi froze as he looked at his older brother. Toshinori looked at him with glossy eyes but he didn't shed a tear, he just frowned as he looked at Asahi. Kane took a step forward and put a hand to Toshinori's shoulder.

It snapped the other teen out of his daze as he sniffed and straightened up his posture, he put a smile to his face, hiding whatever baggage he held over his head.

"But you..." He motioned over to Asahi. "Man, you should hear the way mom and dad talk about you. The way they praise you. Dad had to spend hours talking to deans in universities around this country to give you a shot and prove how smart you were and that he wasn't just trying to use his name to get you special privileges. Mom always tells her friends about how one day you're gonna do something extraordinary." Toshinori was being honest with his younger brother. "You are more like dad than I could ever be. If he had never been a hero, he probably would have been just like you. So smart and talented without needing to be a hero to prove his worth, which is what he hopes for you."

Toshinori let out a shaky breath as he chuckled.

"So how about you get off your sorry butt and we head back home and you apologise, hm? I'm sure mom would make a good katsudon too! Hopefully dad wouldn't eat it all by the time we-"

Toshinori stopped talking as he looked down at his younger brother who had his arms wrapped around him. Asahi had ditched his glasses and had buried his face in his chest. "Thanks Toshi." He let out lowly.

Toshinori scoffed with a roll of his eyes. "Okay, okay, no need to turn into a sappy piece of brocolli. I didn't do anything."

"He really didn't. He beat you more than he did anything productive." Kane expressed.

Toshinori glared at his best friend. "And why are you even here?"

Kane shrugged. "Just had to make sure you didn't kill your brother. As your mothers favourite son, I can't sit back and let that happen."

"Are you, as a Bakugou, really telling me that your my mom's favourite?"

Kane ignored ignored Toshinori as he looked down at Asahi. His crimson eyes were gentle despite the fact that he always seemed rather monotonous in expression. "Asahi, let me give you a piece of advice." He started. "As someone without a mother and a present father, you are very lucky." He expressed. "Truly. Don't take that for granted."

Toshinori and Asahi glanced at each other before looking at Kane. "Kane, do you need therapy or something?" Toshinori asked. "Like seriously, are you okay?"

"I'm fine."

"Are you sure? Because I swear I've never seen you smile in more than three years."

"CAN WE FOCUS ON THE REASON WHY WE ARE HERE PLEASE?!"

You sat outside reading a book as Koda and Shoyo tried feeding the bunnies. Your two youngest sons, five and seven, were hand in hand as Shoyo tried to teach his younger brother how to do it. Your husband held you back against him as the both of you sat in the hanging cushioned seat. His eyes were closed as he held you against his chest, quiet.

You turned to look up at him, hickeys littered his neck. You kissed his jaw making his green eyes fluttered open. He looked down at you before giving you a gentle smile. He let out a hum as he tightened his arms around you and kissed your neck.

You ran a hand through his curls with a chuckle. "Tired, Mr Midoriya?" You asked him amusedly.

"Only if you go back upstairs with me." He gave the condition that made you giggle.

You gave him a look with a raised eyebrow. "Please." You let out in disbelief. "We have spent more than enough time in the bedroom today." You reminded him.

"Not nearly enough, in my opinion." You felt his lips move down to your own. You couldn't help but smile at the kiss, glad he was having a good time this fine evening as the sun began to set. You kissed him back.

"Mom! Dad!" You both turned to see Hero standing at the sliding door. "Look who's here!"

Stepping from behind Hero was your eldest son as well as his best friend. You smiled. "Toshinori! Kane! Hello boys." You waved at the two of them, not having seen them in person in the past few weeks. However, peaking out from behind was Asahi. Your eyebrows raised in surprise, not having heard from Inko to come and pick him up.

"HI MOM!" Toshinori waved over to you as he came down the steps of the patio to the garden. He walked over to you and bent down to kiss your head. "Evening dad."

"Hey kiddo." Izuku smiled, giving his son a fist bump. "How's school?"

"Fine. Uncle Shinso says hi by the way. Also, what's on your neck?" Toshinori's eyes went into a glare aimed at his father.

You giggled as you turned your attention to Kane. Kane stopped not too far away but his crimson eyes were on you. "Hello Kane." You stood up from where you were seated on top of Izuku.

"Evening, Aunty Y/N." He greeted you with a gentle smile.

You walked up to the now tall boy. Just like Toshinori, he was now taller than you and much bigger too. You put your hands to cup his face making him visibly ease. "Look at you, you're so tall now. How's training been?"

His gaze softened as he eased into your touch. "Just fine." He told you gently. The blond boy was like a son to you and you smiled, happy to know you could support him.

"Can you help me by bringing Shoyo and Koda inside? It's getting dark."

He nodded his head. "Of course, anything for you." He answered honestly, moving to go fetch your two youngest.

You smiled before turning to head back inside, ignoring Toshinori and Izuku's bickering about how much touch was too much, regarding you. You entered your house as you walked to the kitchen. You checked on dinner that was in the two ovens. The smell of lasagne wafted through your kitchen making you smile.

"Mom..." You paused as you turned around to where Asahi was. Fourteen year old son stood by the island counter, his eyes downcasted as he refused to look at you. You noticed that his hands were shaking as he stopped, keeping his distance away from you. "Mom I'm... I'm sorry. I-I didn't mean- I mean I did mean but I didn't intend to hurt you. I just... I hate school and it's been so rough for me and then there's you and dad and Toshinori and it's all just-"

This was the first time you saw your son so emotional. Sometime before the age of eight, Asahi turned rather analytical and fact based. You knew it was just his personality and whenever he did need to talk, he would come to you and talk, but now... now here he was, tears falling from his eyes as he tried to apologise to you.

"And I know dad won't forgive me and I don't blame him but please... please don't give up on me." He finished, closing his eyes.

You gave him a sad smile as you put down your oven mitts and walked over to your second eldest son. You carefully cupped his face in your hands making his eyes open to look at you. You wiped his big tears from his face as you looked down at him. "Asahi, if there's one thing about your father that I know, is that he has a very big heart. Families fight and argue, me and your father do it to, but if there's one things we don't do, is give up on each other. Sometimes we need space but we'll come back stronger. So it's okay." You whispered as you smiled down at him. You saw him try to fight back a sob but you just took off his glasses and pulled him into a hug. You pat his back the same way you used to when he was a baby and that was when the flood gates opened.

You silently chuckled. Midoriya's and their tears.

"Dad."

Izuku was still outside when everyone had gone inside to set the table and get ready for dinner. Izuku turned to look at Asahi. He turned back forward to look at the dark garden. The bunnies hopped into their rabbit house safe from the fears of outside. Angelica-Nina's daughter, just as fiesty as her mom, sat in his lap, her dark black ears with white tips were laying against her back as she loafed herself on Izuku's lap.

Asahi took a deep breath as he walked over to where his father sat on the steps of the patio. "Dad I..." He wasn't even sure where to start. His father's presence had never felt so imposing like now. He swallowed down hard, mustering up the courage. "I know I disappointed you and I'm sorry. What I did and said to you and mom was horrible. I just... it's been so hard at school. I don't have any friends there and I guess trying to fit in made me forget my values. I know that's not an excuse and I'm sorry. I really am. I... I can understand if you're angry at me and if you'd want me to continue staying at Obaasan's place, and Toshinori said I should prepare for a slipper to the head from you as well and-"

"Asahi." The sound of his name from his father made him stop.

Izuku motioned down next to him, tapping the space next to him. Asahi silently listened as he walked over to his father slowly. He sat down beside him. Izuku looked up at the sky and the few stars that sprinkled the sky since they were so close to the city.

Izuku drew in a breath. "I remember many years ago, when I was actually your age, I made my mother cry. And not out of worry or happiness." He revealed. Asahi stared up at him with wide eyes. "All my life until high school, I was quirkless. I was treated below the rejects and I had no friends in school after the age of seven. When I was fourteen a new phone had just came out that I wanted because everyone else was getting it.

The bullying seemed to only get worse considering the fact that I was not as well off as the other kids. So I asked your grandma if I could get that new phone. She said no, because we didn't have the money for it. She was a single mother that had to provide for her and her son. I got angry, mostly due to the fear of being left out. I shouted at her and screamed about how I just wanted to be like the other kids. I will never forget the look on my mother's face when I stopped speaking."

Asahi looked up at his dad seeing something in his eyes he rarely saw. Regret and anger turned at himself. Izuku was always close with his mother so the thought of him actually shouting at her seemed something so out of character of him. "Then... then what happened."

Izuku sighed. "She got me that phone a month later, at the expense of her own self of course." He revealed. "However, I found the receipt and returned it the very next day untouched. It wasn't worth the pain of the one person who loved me." Izuku turned to Asahi, looking down at his son with a gentle smile. "I get it, and I'm sorry that you have to go through that Asahi." He put a hand to his son's back. "I'm sorry that you've been feeling so lonely, but the way you spoke to me and your mother was not okay. You understand that?"

"Yes."

"Good. That's all we've got to sort out. Your mother and I will put you in a new school if you really want." Asahi's eyes widened in surprise. "You're a smart kid so the time you're out of school you can catch up in no time."

Taking Izuku by surprise, his fourteen year old son hugged him. "Dad." Asahi let out muffled. "You're a good dad."

It took Izuku a moment but his gaze softened as he put his arm around Asahi and squeezed. "Thank you."

-Glitch1d

*pushes away the Midoriya family adopting Kane one-shot to the back*

#izuku midoriya x reader #izuku x reader #mha x y/n #deku x reader #midoriya x reader #dilf izuku midoriya #dilf izuku x reader #dilf midoriya #dilf deku #midoriya izuku angst #izuku x reader angst #midoriya izuku x reader

[nohoperadio]

That cool bee book I was talking about a while ago mostly refrains from philosophical digressions (which I think is a strength, I appreciated how the author had total confidence that just clearly presenting the facts about his subject would be enough to make a fascinating book without the need for any "...and here's why that should blow your mind" editorializing, and he's totally right), but there was one towards the end I've found myself thinking about a lot, which is: he wants people to stop using "self-consciousness" (i.e. the concept exemplified by the mirror test but used implicitly or explicitly in tons of other contexts) as a criterion for which animals can be considered sentient/morally relevant/having significant inner lives/however you want to describe it. Not, as you might expect, because he thinks it's an unreasonably high bar to meet, but because it's such a low bar that it produces no distinctions: he argues that basically any animal with any kind of developed central nervous system has to have some kind of self-consciousness almost by definition.

The example I remember best is: imagine you can see an object in your visual field getting closer to you. No matter the specifics, it's obviously always going to make a huge difference to how you evaluate this situation whether the cause of the object getting closer is a] the object is moving towards you, or b] you are moving towards the object. If a, then something might be pursuing you or falling on you or a thousand other things that are just not even worth considering in the case of b. But visually the two cases are indistinguishable; if you're going to be able to track the difference, your brain has to be putting at least some work into keeping tabs on what your own intentions are and what choices you're making as you move through the world, predicting the expected consequences of those choices, and maintaining a fairly tidy mental separation between stuff in the world that you're making happen and stuff in the world that's just happening of its own volition. Otherwise, every time you walk towards a rock you'll freak out and think the rock is rolling into you, or vice versa.

And it's not hard to see how this applies to your entire sensory world right, it applies to sounds and tactile sensations and even feelings internal to your body to some extent, if you're going to both perceive the world and take actions in the world then it's mandatory to mentally separate yourself and the world before that's going to yield even an ounce of helpful information, you just can't function successfully on the most basic level if you're processing stuff that you're doing on the same level as stuff that's happening, if you're in that state then you simply don't have a usable model of the world at all, you just have chaos.

So you can very easily eliminate a certain seductive narrative about the evolution of consciousness, which starts with very primitive animals who are mentally processing nothing but basic sensory inputs, then as you rise up the chain more complex animals are forming concepts of objects and building up a more nuanced understanding of the world, until finally you approach humans and the mind becomes so subtle and sophisticated that it gains access to this special advanced meta-level of thought where it can even understand itself! No, the self is precisely the one idea that has to be in place from the very beginning, before any of it has even the most rudimentary practical value. Self-consciousness isn't the pinnacle of the mind's evolution, it's one of the lowest, most basic foundations that everything else builds off of.

I think this is really cool stuff! I don't know enough about the relevant academic philosophy of mind debates to say how far all this does or doesn't speak to that, maybe someone will tell me the "self-consciousness" concept being attacked here is a strawman somehow, I don't know. But it's definitely impacted the way I (just a dumb guy who likes creatures) think about our small small cousins and what their lives might be like and I think it's super interesting. If you think it's interesting too then maybe you wanna buy The Mind of a Bee by Lars Chittka and read it. It's mostly not about this stuff, as I say it's light on philosophy and heavy on bee-life immersion, but if you actually read this whole post then you're probably in the market for that I feel like.

#creatures: they've got a lot going on #I think we'd better just let them get on with it #nohopereadio #uninteresting

[pikahlua]

MHA Chapter 421 spoilers translations

This week’s initial tentative super rough/literal translations under the cut.

1 おまえらもかよ omaera mo ka yo "You guys too, huh?"

2 そっちもな socchi mo na "And you as well."

3 警察から"まだ戦える者は"って……！ けいさつから"まだたたかえるものは"って……！ keisatsu kara "mada tatakaeru mono wa" tte......! "[I heard] from the police, 'Who is still able to fight?'......!"

tagline A組続々… エーぐみぞくぞく… EE-gumi zokuzoku... Class A, one after another...

4 相澤先生が黒霧を味方につけたって聞いてーーー あいざわせんせいがくろぎりをみかたにつけたってきいてーーー Aizawa-sensei ga Kurogiri wo mikata ni tsuketa tte kiite--- "I heard that Aizawa-sensei got Kurogiri to join our side---"

5 友だちがまだ戦ってんの見てーー… ともだちがまだたたかってんのみてーー… tomodachi ga mada tatakatten no mite--... "I saw that my friends were still fighting--..."

6 行かずにいられましょうか いかずにいられましょうか ikazu ni iraremashou ka "And I felt like I had to go."

7 意識がある内は…どこへだって！ いしきがあるうちは…どこへだって！ ishiki ga aru uchi wa...doko e datte! "As long as I'm conscious...to wherever you go!"

8 勝つ為にここまでやってきたもんね かつためにここまでやってきたもんね katsu tame ni koko made yatte kita mon ne "We've come this far for the sake of winning."

9 今日踏んばれなきゃ きょうふんばれなきゃ kyou funbarenakya "Today we have to stand firm."

10 何の為にヒーローを夢見たかわかりゃしねえ！だ��らよお〜〜 なんのためにヒーローをゆめみたかわかりゃしねえ！だからよお〜〜 nan no tame ni HIIROO wo yumemita ka wakarya shinee! dakara yoo~~ "For what reason did we dream of becoming heroes! That's why!~~"

11 みんな…！ minna...! "Everyone...!"

1 オイラたちが OIRA-tachi ga "We"

2 来た‼︎ きた‼︎ kita!! "are here!!"

tagline No.421　WE ARE HERE　堀越耕平 ナンバー421　ウィー・アー・ヒア　ほりこしこうへい NANBAA 421  UII AA HIA  Horikoshi Kouhei No. 421 WE ARE HERE Kouhei Horikos

1 灰色の肉が並んでいる… はいいろのにくがならんでいる… haiiro no niku ga narande iru... (literal.) "Gray bodies are lined up..." (context.) "You are all just gray bodies to me..."

2 本来ならば僕は弔の一部として…もろともうちくだかれていたのだろう ほんらいならばぼくはとむらのいちぶとして…もろともうちくだかれていたのだろう honrai naraba boku wa Tomura no ichibu to shite...morotomo uchikudakarete ita no darou Originally, as a part of Tomura...I probably would have have been destroyed along with him.

3 だが daga But,

4 与一が砕ける音を聞いた時 よいちがくだけるおとをきいたとき Yoichi ga kudakeru oto wo kiita toki when I heard the sound of Yoichi smashing to pieces,

5 僕の世界は色褪せた ぼくのせかいはいろあせた boku no sekai wa iroaseta the color of my world faded.

6 執心を喪い しゅうしんをうしない shuushin wo ushinai "I've lost my passion,"

7 故に ゆえに yue ni "therefore,"

8 喪失の穴に通る攻撃はなくーー… そうしつのあなにとおるこうげきはなくーー… soushitsu no ana ni tooru kougeki wa naku--... "there is no attack that can pierce through my loss--..."

9 僕は止めを免れたのだ ぼくはとどめをまぬがれたのだ boku wa todome wo manugareta no da "I am the one who escaped the final blow."

10 今なら理解る いまならわかる ima nara wakaru (kanji: rikairu) "Now I understand,"

11 緑谷出久 みどりやいずく Midoriya Izuku "Izuku Midoriya."

1 悲劇こそが人を強くする ひげきこそがひとをつよくする higeki koso ga hito wo tsuyoku suru "It is tragedy that makes people stronger."

2 そう思わないか？ そうおもわないか？ sou omowanai ka? "Don't you think so?"

3 どうだろね dou daro ne "I don't know about that."

4 あんたらみてーに起伏に富んだ人生じゃねえから あんたらみてーにきふくにとんだじんせいじゃねえから antara mitee ni kifuku ni tonda jinsei ja nee kara "My life is not full of ups and downs like all of yours."

5 「明日の実技置いてかれねーよーに」とか…そういう事でしか俺は頑張ってこなかったな 「あしたのじつぎおいてかれねーよーに」とか…そういうことでしかおれはがんばってこなかったな 「ashita no jitsugi oitekarenee yoo ni」 toka...sou iu koto de shika ore wa ganbatte konakatta na "I had no reasons to try my best other than things like...'I don't want to be left behind at tomorrow's practicals.'"

6 それに sore ni "Also,"

7 今日まで大変そうだったよ きょうまでたいへんそうだったよ kyou made taihen sou datta yo "until today, he seemed like he'd had it rough,"

8 かつてガンギマリだった彼は かつてガンギマリだったかれは katsute GANGIMARI datta kare wa "and one time his face was so intense and distant*." (Note: What Sero is saying here is that one time Shouto had this look on his face that is described by the Japanese slang word: gangimari. Gangimari refers to an intense, eyes-wide face that comes from a marijuana high. It also refers to a feeling of emptiness that comes with the high. If you search for images of the face, you'll see it's often a frightening look. I believe Sero here is referring to the face Shouto makes at him in their sports festival battle in chapter 34, so I believe this description is meant to refer to how Shouto was overwhelmed with anger and mentally somewhat removed from the fight itself.)

1 悲しー事なんざ かなしーことなんざ kanashii koto nan za "[I think] such sad things"

2 あるよりない方が良いだろ‼︎ あるよりないほうがいいだろ‼︎ aru yori nai hou ga ii daro!! "would be better not to have than to have!!"

3 赫灼 かくしゃく kakushaku Flashfire

4 熱拳 ねっけん nekken Fist

1 早くリカバリーガールの元へ…！ はやくリカバリーガールのもとへ…！ hayaku RIKABARII GAARU no moto e...! Quickly, to where Recovery Girl is...!

2 婆さんも怪我人(?)をX続けて限界(?)だ…XXできるかどうか… ばあさんもけがにん(?)をXつづけてげんかい(?)だ…XXできるかどうか… baasan mo keganin(?) wo X tsudzukete genkai(?) da... XX dekiru ka dou ka... (Note: This line is only partly legible. I've skipped figuring it out in the interest of time and may come back to it later. The gist of this line is something like "The old lady is also at her limit with injured persons... Whether or not anything can be done...")

3 あんたいても母さんたち熱いだけだ あんたいてもかあさんたちあついだけだ anta itemo kaasan-tachi atsui dake da Even with you here, mom and the others will only be hot.

4 行きなよ いきなよ iki na yo So go.

5 まだ少しでも まだすこしでも mada sukoshi demo Even if it's [just] a little,

6 力が出るんなら ちからがでるんなら chikara ga derun nara if you can muster [any] strength...

7 ってな！ tte na! "That's what"!"

8 荼毘に勝ったって聞いた時ちょっと思った！ だびにかったってきいたときちょっとおもった！ Dabi ni katta tte kiita toki chotto omotta! "When I heard you won against Dabi, I thought about that for a moment!"

9 ……ありがとう… ......arigatou... "......Thank you..."

10 戦える奴召集完了 たたかえるやつしょうしゅうかんりょう tatakaeru yatsu shoushuu kanryou "Recruiting of those who can fight complete."

1 ガイズ‼︎今日が分水嶺だ‼︎ ガイズ‼︎きょうがぶんすいれいだ‼︎ GAIZU!! kyou ga bunsuire da!! "Guys! Today is a watershed [moment]!!"

2 行こう‼︎最後の大仕事だ!!! いこう‼︎さいごのおおしごとだ!!! ikou!! saigo no ooshigoto da!!! "Let's go!! It's the last big job!!!"

3 手負いのヒーロー…これだけの数がいて何も感じないのは…寂しいものだな ておいのヒーロー…これだけのかずがいてなにもかんじないのは…さびしいものだな teoi no HIIROO...kore dake no kazu ga ite nani mo kanjinai no wa...sabishii mono da na "Wounded heroes... With just this number of them here I don't feel anything... How lonely."

4 オールマイトに届きえぬ屑肉に オールマイトにとどきえぬくずにくに OORU MAITO ni todokienu kuzuniku ni "You scraps of meat who can't match All Might,"

1 掃き掃除だ はきそうじだ hakisouji da "I'll sweep and clean you up."

2 逸らせえ‼︎ そらせえ‼︎ sorasee!! "Deflect!!"

1 速ぇ…！ はえぇ…！ haee...! "Hurry...!"

2 一つの挙動に数十人で対処しなきゃ ひとつのきょどうにすうじゅうにんでたいしょしなきゃ hitotsu no kyodou ni suujuunin de taisho shinakya "If dozens of you have to deal with a single action."

3 戦いになんねえ！ たたかいになんねえ！ tatakai ni nannee! "this won't become a battle!"

4 みんな離れないで‼︎ みんなはなれないで‼︎ minna hanarenaide!! (literal.) "Everyone, we can't be apart!!" (contextual.) "Everyone, we can't be scattered!!"

5 一かたまりになって戦おう！ ひとかたまりになってたたかおう！ hito katamari ni natte tatakaou! "Let's fight as one bunch!"

6 行かなきゃーーー いかなきゃーーー ikanakya--- "I have to go---"

7 体が…！ からだが…！ karada ga...! My body...!

8 戻ったのはあくまで数分 もどったのはあくまですうふん modotta no wa akumade suufun "Only a few minutes were returned [to you],"

9 腕を失う少し前まで… うでをうしなうすこしまえまで… ude wo ushinau sukoshi mae made... "to a little bit before you lost your arms..."

10 継戦のダメージは残ったままだ けいせんのダメージはのこったままだ keisen no DAMEEJI wa nokotta mama da The damage from the rest of the battle remains.

11 …どれ程長く激しい戦いを… …どれほどながくはげしいたたかいを… ...dore hodo nagaku hageshii tatakai wo... "...What a long and violent battle..."

12 …っ ... "...gh!"

13 僕は…OFAをなげうちました ぼくは…ワン・フォー・オールをなげうちました boku wa...WAN FOO OORU wo nageuchimashita "I...relinquished One For All."

1 ないのか⁉︎ nai no ka!? "It's gone!?"

2 歴代の"個性"は……でも… れきだいの"こせい"は……でも… rekidai no "kosei" wa......demo... "The successive generations' quirks are......but..."

3 短い時間だったけど… みじかいじかんだったけど… mijikai jikan datta kedo... "[I had it for] a short time, but..."

4 "無個性"の僕に染みついてる… "むこせい"のぼくにしみついてる… "mukosei" no boku ni shimitsuiteru... "it's ingrained in me [as I'm] quirkless..."

5-6 オールマイトがそうだったように OORU MAITO ga sou datta you ni Just like with All Might.

7 まだ残り火があります まだのこりびがあります mada nokoribi ga arimasu "I still have the [lingering] embers."

1 残り火があれば…AFOあいつは… のこりびがあれば…オール・フォー・ワンあいつは… nokoribi ga areba...OORU FOO WAN aitsu wa... "If I have the embers...then that All For One..." (Note: This line is partly cut off, so I made some educated guesses.)

2 ……緑谷 ……みどりや ......Midoriya "......Midoriya,"

3 傷薬と包帯あと…体を冷やしちゃいけない きずぐすりとほうたいあと…からだをひやしちゃいけない kizugusuri to houtai ato...karada wo hiyashicha ikenai "After a wound salve and bandage...don't let your body relax."

4 避難先の方々からだ ひなんさきのかたがたからだ hinan saki no katagata kara da "It's from the people who evacuated."

5 メンズノンノの全サ第五弾Tシャツ…！ メンズノンノのぜんサだいごだんTシャツ…！ MENZU NON NO no zen SA daigodan T SHATSU...! "A Men's Non-No one-size-fits-all fifth edition t-shirt...!" (Note: Men's Non-No is a men's fashion magazine.)

6 走ろう☆ はしろう☆ hashirou ☆ "Let's run ☆"

7 僕らは君の力が必要だし君も僕らの力が必要だ ぼくらはきみのちからがひつようだしきみもぼくらのちからがひつようだ bokura wa kimi no chikara ga hitsuyou da shi kimi mo bokura no chikara ga hitsuyou da "We need your strength, and you also need our strength."

8 この手を握ってくれ青山くん このてをにぎってくれあおやまくん kono te wo nigitte kure Aoyama-kun Please grasp my hand, Aoyama-kun.

1 頑張れ…‼︎ がんばれ…‼︎ ganbare...!! "Do your best...!!"

2 皆 みんな minna "Everyone"

3 一緒に戦ってくれてるよ いっしょにたたかってくれてるよ issho ni tatakatte kureteru yo "is fighting together!"

4 デクさん DEKU-san "Mr. Deku!"

5 緑谷兄ちゃん みどりやにいちゃん Midoriya-niichan "Big Bro Midoriya!"

6 デク…！ DEKU...! "Deku...!"

1 頑張れ がんばれ ganbare Do your best!

tagline 少年は走るーーー しょうねんははしるーーー shounen wa hashiru--- The young man* runs--- *(Note: This word can mean "boy," but it's also the word All Might uses for Izuku that often gets translated as "young man." Both work.)

#my hero academia leak translations #mha 421 #bnha 421 #my hero academia manga spoilers #final arc spoilers #the pothead sero fics are about to explode

[buttdumplin]

The sweet, lovely poly 141 boys and their Spanish-speaking latine partner.

This was meant to be a quick little thing, but boy did this get away from me lmao. This is the fluffiest shit I've ever indulged in and I love it. Big thank you to @mikichko for inspiring and helping with this!!!

CW: poly 141, gn!reader, latine reader, mexican slang, hint of d/s dynamics in Johnny's

Price, god love the man, is the one who seems to stumble the most. It's almost comical, considering the fact that Spanish and Arabic are so similar due to their histories. But there's a big difference between the Spanish he's learned to recognize and what you throw at him on the daily. He truly thinks it's because of his age, window of acquisition and all that. John does not expect to be able to speak fluently with you, but he does at least want to understand you. What he really wants, though, is to make you feel more fully at home with him, and he is forever grateful that you feel comfortable and safe enough with them to embrace all parts of your identity.

"Hola, amor mío. How was your day?" you greet him from the couch, eyeing him from tip to toe and almost whistling at seeing him in uniform. "Sigues rechulo, mi güerito, so I assume all went well?"

John swings down to kiss you, gripping the back of your neck to prolongue the kiss, trying to soak in as much of the affection as he can while also disguising the fact that he still doesn't fully recognize what came after.

"Yours was good too, I trust?"

"Yeah, but my brother called. El güey still con sus pinches mamadas and asking for my help. Aguas, in case he shows up this week."

"I... will keep an eye out, dove."

"Call me si les arma pedo and I'm not around."

He just nods sagely and squishes up against you on the couch, letting your warmth seep into his tired bones.

Later that evening, he rounds up the boys while you're in the shower and pulls out a small notebook where he's written things out phonetically. John may not have all the knowledge he needs, but he sure as hell is good at getting it.

"'Güey,' that's the brother's nickname?"

"No, that's like 'man/guy.' But it's also an insult. But not always," Johnny supplies.

"Fuck me, okay. 'Rechulo' is... I got nothing for that one."

"The 're' is for heavy emphasis, 'chulo' is 'cute/handsome/pretty.' 'Re' can go on practically any adjective," Simon steps in.

"'Aguas' and 'pedo' CANNOT be what they are, right?"

Kyle takes his hand and chuckles, "No, sweetheart. The first is like a warning, the second a fight or scene or scandal. In this context."

John's shoulders finally relax and he lets out a heavy sigh, putting the final touches on his notes of the day.

"Thank you, boys, for your patience and your kindness. And your secrecy," John huffs a little laughter and gives them his sweetest smile, the one where you can see the dimples poking out through the beard.

They all reach over to gently caress him, taking turns kissing the parts of him they can reach.

"Thank you, John, for trying so hard."

~

Beautiful, wonderful Kyle, the delight of a man that he is, is the one giving it as good as he gets. He's the one crooning in your ear, showering you with the most decadent terms of endearment, knowing full well they make your knees much weaker in Spanish. He'll use the advantage every single chance he has, don't doubt that for a second. But truly, it's the soft seclusion of those moments that he cherishes most, when you're looking up at him with big bright eyes, knowing you fully trust him to take care of you.

You're grumbling away as you wash dishes after dinner when Kyle comes up behind you, arms making the way slowly around your waist, chin dropping onto your shoulder.

"Oh, tesoro mío, look at you working away, working so hard for us."

You refuse to look at him and give a fussy pout. He knows it's your least favorite of the house duties. So much so that you're always willing to do almost anything as long as you don't have to touch wet food.

"It looks like you've done enough, cariño. Come join us in bed."

"No. None of you wanted to trade with me so se aguantan," you try to wiggle and bump his head away from yours.

"Come on, cosa hermosa, we need you with us to settle for the night," he pulls your hands from the water, drying them and turning you towards him.

You immediately bury your face into his chest. Can't look him in the eye, he'll win you over the moment you do.

"So they send in the smooth talker, huh?"

Kyle laughs, clear and bright, and he wraps you back up in his arms, gently cradling your head until you give in and look up at him.

"Or," he says, making you both rock gently, "I'm trying to sneak in a little solo time."

Your body melts against his as the words sink in, big eyes blinking softly up at him, "Besito?"

"As many as you want, mi vida. Until you grow bored of me," and you're letting out a sweet sigh as those soft lips meet yours.

His hands move to bring your body closer to his, to milk this quiet moment for as much contact as possible, to sear it all into his memory.

"You two are awfully quiet out there," Simon calls from the bedroom and it makes you break apart with a little jump.

You hear frantic rustling that has to be Johnny, "Hold on, what happened to doing the dishes!"

A chuckle escapes the two of you, sparkling eyes meeting in the low light from the stove hood. The sound of John huffing to get comfortable floats in from the bedroom.

"Just a minute more, hermosura," he mutters against your hair. "Wanna stay here a bit longer."

"Really liking all those pet names, aren't you?"

Kyle laughs again and gives you a squeeze, "Mean every single one of them."

And you happily linger, not pointing out that you've noticed an endearing pattern of Kyle wrapping up nights in the kitchen with you in his arms and a faint love song echoing down the hall for you two to sway to.

~

Beloved, darling Simon, he hides his own understanding of the language. He understands it nearly perfectly, with just the tiniest margin of error, nothing too big to bring attention to it. Overall, he's able to catch almost everything you mumble. It's not to be sneaky or anything like that, Simon would never do anything to compromise your privacy. It's more that he doesn't quite see the need to verbalize it. To him it's nothing special, no need to make a spectacle. Instead, he lets it seep into his actions, ever the acts of service lover that he is.

You're spread out on the couch, on the phone with your mother, complaining, "Como chingan los del trabajo. Me pidieron un reporte para el viernes y ahora me reclaman que todavía no se los he dado y apenas es miércoles."

There was a tension in your shoulders when you came home from work, he didn't miss that. Caught you jolting to a stop mid-stretch. And as the call goes on longer, Simon picks up on more.

"No he tenido chance de lavar ropa, ni una putisima pijama... Traigo un pinche antojo de mole, pero es un chingo de trabajo y ahorita no le puedo dedicar el tiempo..."

He quietly moves to gather the boys as you continue ranting and pace around the room. You're too caught up in your call to see them forming a massive huddle and their nodding at Simon right as the break and throw their joined hands in the air.

By the time you're off the phone, it's dark out and you notice the house is quieter than usual. You move to look for the boys (they can't have left without telling you, right?) when Simon pops out from the hall, crooked smile you love so much adorning his face, and he simply takes your hand to pull you into the bathroom. A hot bath greets you, some honeyed bath bomb already dissolving in the water and your laptop set up on a bucket besides the bath, your comfort show already pulled up and ready to play. Simon then points to your softest pajamas washed and set out on the counter for you.

"And you'll help me with my lotion too?"

He kisses your forehead, "When do I not?"

"The boys?"

"Setting up dinner. Kyle and I are making your favorite."

You whip around to face him, eyes wide and excited, "With fresh tortillas?"

With a low, affirmative hum Simon pulls you in closer and just holds you. He doesn't say anything, he doesn't need to. But he lends you his strength, which is all he can really hope for. The steady beat of his heart and the warmth of his arms around you help release the tightness in your body. Letting out your own little hum, you give him a squeeze and he squeezes back harder, crushing you in the way he knows you find comforting. There's a soft devotion in his tenderness with you, an unshakable support in every single thing you do.

"So you gonna undress me too, or...?"

A peal of laughter escapes you as he playfully swats at your butt, "Undress yourself. I've got cooking to do."

A day without hearing your laughter is a day poorly spent to Simon.

He's almost to the door when you pull him back into you, hands tugging on his shirt to bring him down to your height. His own laughter rumbles in his chest as you cover his face in loud kisses, and he stays locked in place. He will for as long as you need him to, never mind his back. If it's gonna go out eventually, he'd rather it go out from his time spent like this.

~

Johnny, bless the boy, is desperate to hear it, to have you address him directly. You speak plenty around the house, on phone calls with friends, talking back at the tv (some shows have been put on temporary bans, or at the very least you're not supposed to watch them alone), at the lovely crooked cat yall adopted. You shower them with pet names with every breath you take. And he loves it all! Loves that you so willingly share so much of yourself with them. But Johnny boy is dying for something specific- "Love, why don't you call me papi?"

When he voices it, it's a complete surprise. Simon and Kyle both laugh so hard so suddenly that they find themselves choking on their own spit. Price himself is caught so off-guard that he fully looks up from the dinner he's prepping in the kitchen, raw chicken slipping out of his hands and plopping back into the flour bowl. You at first laugh it off lightly, thinking it was one of his cutesy jokes he makes to get a giggle out of everyone. That would have made the most sense, honestly. But when he looks away, big blue eyes shining with the softest hint of embarrassment, it sinks in.

You shift in your seat a fraction, "Johnny, I don't even call any of you that in English. You know it's not exactly the same thing, right?"

"I know but the little old lady from the corner shop calls me "papi" and so does the older man who brings the water and other people too and it's always so affectionate and so I thought..."

He spares a glance at you, hoping he hasn't completely overstepped.

"Where did this come from?"

"Ale let it slip last time we grabbed coffee and the joy on Rudy's face was so blinding that I thought maybe we should try it."

"Honey--"

"Please, just once."

"But I--"

"It doesn't have to be a title! It can be soft and casual, no expectations."

"You don't--"

"I promise I'll be good for it."

Oh.

Your gaze meets the other boys' and you all take a good look at your Johnny. At some point during his pleading he brought himself down to kneel in front of you. His broad shoulders are slumped forward in submission, his hands clenched together so tightly his fingertips are completely white. Price nods at you, the other two eagerly nodding along as well.

Leaning forward, you grab him by the jaw, gently bringing his head to rest against your thigh.

Running your fingers through his hair, you utter out a low, "Sweet little thing like you just wants to be good, don't you papi?"

Johnny's eyes glaze over slightly, a shy, dazed smile growing on his face. There's not an ounce of hesitation in him as he nuzzles his face into your thigh, just sweet elation. Pleased grumbles escape the others, making Johnny's smile grow bigger.

You make sure to add it into your regular circulation.

#poly 141 #poly 141 x reader #poly 141 x latine reader #cod x reader #simon ghost riley #kyle gaz garrick #johnny soap mactavish #captain john price #ghost x reader #gaz x reader #soap x reader #price x reader #i cannot emphasize the poly of this enough #this is truly some of the most self indulgent shit i've ever written and i've never been happier lmao #honestly this is just precious moments with each of them #i'm definitely going to be writing more 141 x latine reader #prepare to be fucking sick of me #frfr tho this is the first long thing i've written in years and ngl it feels good to be doing it again #also yeah i tend to sprinkle in commas like they're condiments

[colourme-feral]

Random notes on the translation of Kare no Iru Seikatsu / Living with Him ep 3

This much is fine; Kazuhito kun is here after all.

He can do whatever he chooses to do.

He's really the most perfect of perfect. On top of that, he even took part in Koshien (notes here)

Damn/wow, he's even mentally tough. 'Perfect (this)', 'perfect (that)'. You're saying that too much

Ryo kun, are things are going well (with Kazuhito)?

But I absolutely don't want to force things. I want to prioritise how you feel.

It's not that I need an answer or anything like that. I'm just letting you know that this is just how it is for me. That's all it is.

Even though this is how I am feeling, I don't even understand it very well.

But maybe it's because we're close and all...

So (I) said (we) wouldn't *It would be closer to: I told you we wouldn't (kiss), didn't I? Note: Japanese leaves out a lot of words and favours context, as the sentence above shows

If you (Ryota) are fine with it, I don't mind things as they are Note: Japanese relies on context and leaves out subjects, so Kazuhito says そのままで, which means as things are, but it isn't specific about what exactly that is.

I wasn't planning on saying anything, but (I got) found out anyway *That was subject free 🤡🤡

Wait, before sleeping, shall we do it? What? Note: Much like in English, the verb, 'やる', which means do, can be used in an innocuous way or to suggest sex, which is why Ryota is taken aback

This type of relationship where I have nowhere to escape to; I've already told you I like you... (Kazuhito is going through things thanks to his unrequited feelings and Ryota's attempts at making Kazuhito feel better or things less awkward between them are just making it harder for Kazuhito who is unable to get away Ryota, whom he lives with, or from his feelings for Ryota.)

(... I mean,) things are hard for you too, huh... Note: Ryota says "つか", which is kind of a continuation of a thought or conversation in this case, which relates to how put together and perfect Kazuhito tries to present himself.

What is this half asleep behaviour? Note: A closer translation may be 'what are you half asleeping', which makes little sense.

Kare no Iru Seikatsu / Living with Him language notes・Other language notes

#i feel like since i'm making these translation notes. i'm paying attention more to what's happening and the words used. #truly living the no thoughts; head empty life over here lol #kare no iru seikatsu #living with him #language my love my pain

[cannellee]

Hi. This is about the alpha South x omega x alpha Mikey post for clarity.

Imagine how furious alpha Mikey would be if he found out that alpha South already got omega (name) pregnant.

I think he would go nuts lmao

TOKYO REVENGERS OMEGAVERSE ☆

୨୧ alpha! south x omega! reader x yandere!alpha! mikey (read this for more context)

— mikey finds out you're pregnant with south's kid

cw : delusional mikey, violence, slight breeding kink, baby trapping

a/n : btw I don't like yanderes who are violent towards their s/o, so mikey acts sweetly towards reader even though that might not be a representative reaction!! I hope you'll still enjoy!

my masterlist: ☆

it would definitely not end well for any of you.

while dating south, you were in such a vulnerable state of mind that you got carried away. he showered you with the affection you came to miss and crave when you were with mikey and you honestly didn't give too much thought about what you were doing with south at night...

it wasn't surprising for you to end up the way you did, little bump on your stomach, which you always caressed and touched after you learned the news.

south was fine with having his omega pregnant, only thing which prevented him from being fully happy was his worry for your safety.

now imagine you left mikey's side for more than two months, so that your belly could show a little. you're growing more and more stressed because of south's behaviour, it's suspicious and weird and with your hormones being all over the place, you're feeling even more distressed.

when you follow him and are met with the most unexpected sight, your breathing quickens and your scent couldn't be more sour. you were sensitive before, but now that you were pregnant that's another story.

when you threw yourself on south, all mikey could feel was pure anger and grabbed your arms roughly to pry you off of him.

yes you were fragile, mikey knew that. but when you fell on your side after he simply pushed you away, he flinched at the pained whine you involuntarily let out.

he looked at you, confused and worried. albeit his initial rage, he managed to decipher your scent between all the strong pheromones of all the alphas out there. it was sweet, sugary and very soft. mikey would've recognisable it with no efforts.

but something wasn't right, something was different. you watched as he breathed through his nose, frown deepening at the foreign aroma around you. your strawberry pheromones were all over the place and decoupled, and among it, a nice new smell of pink sugar grazed his nostrils.

it smelled divinely good, but most importantly, it stirred up mikey's instincts in an abnormal way. he felt on edge, protective thoughts circling in his mind. it's like you wanted everyone to be aware of how fragile you were, to have them know you were powerless and in need of reassurance.

and when mikey looked you up and down, that's when he noticed your slightly round belly, a protective hand over it.

wide eyes, mikey took a while before actually understanding what exactly he was seeing, completely shocked. he questioned you with his eyes, hoping you would simply shake your head 'no' and grace him with the answer he wanted to hear. but you didn't and he couldn't feel more enraged.

he furiously looked at south and wasted no time in showering him with punches. all his yelling hurt your poor ears as your hands did nothing at trying to cover the noise.

mikey was unstoppable as he screamed profanities at south, promising him to never let him go unless he was perfectly sure he would never touch you again.

not only did you run away from him and gave yourself to another alpha, but that bastard even had the audacity to get you fucking pregnant. the marks mikey had left on your body months ago were deep enough to surely be still present ; it was a clear indicator that you were somebody else's. anyone would have backed off and refuse to have sex with you. but this asshole just had to ignore all those claims and deliberately court his omega.

mikey was simply blinded with rage as he hit him relentlessly, aiming for south's weak spots, wrecking his limp body as much as he could.

you couldn't muster the courage to move and you had no choice but to witness mikey's terrifying actions. you were still on the floor, silently sobbing because of the more than monstrous scene in front of you.

fortunately, your current state had made your scent more easily detectable so that you could communicate your desires and troubles better with your alpha during such a vulnerable time.

it flew right to mikey's nose, instincts to take care of his omega took over him and he found the control in himself to actually stop his butchery.

you saw mikey whip his head towards you, instantly letting go of south's bruised body. he slowly came up to you, disapproval written all over his face and urge to take you away from here eating him up alive.

he couldn't get his eyes off of your belly when he helped you sit down properly. he didn't know how to feel about this. be mad at you ? get into an argument with you to convey just how fucking furious he was ?

truthfully, you weren't to blame here, mikey thought. you were just a poor omega seeking comfort, south was the one who took advantage of you. he exploited your need for a strong presence next to you when mikey couldn't give you that.

you could've said anything to deny his words, mikey was clearly not admitting that it was a choice you made consciously. his lovely omega would have never betrayed him this much.

amidst the chaos, he couldn't think properly and instead chose to end his fight with south. he had to make sure you were safely taken away from south's greedy hands, in mikey's home where it was definitely the safest for you to stay considering your condition.

you should be cocooned by your alpha inside a warm nest, safe and sound and surrounded by reassuring items. but instead you're out there in the wild, all alone and unsupervised and trying to stop a fight right in the middle of a place crowed with thousands of alphas.

mikey was fuming, absolutely devastated by how poorly you were taken care of and the rage he felt was incomparable to anything he had ever felt.

he knew he would have done a better job at protecting you and while he had that tiny hope the baby inside you was his, at this time it really didn't matter in his eyes.

all he could see was your shaking form, forehead sweating from how much pressure you were under. your alpha was supposed to provide you anything, shelter you and protect you, especially during such a precious moment of pure vulnerability.

but here you were. you couldn't count on anybody and mikey's heart shattered upon seeing your tear-stained face and defenceless arms desperately trying to defend your poor excuse of an alpha.

he carefully carried you away from this place, placing a jacket over you to prevent you from getting sick.

you had no words to say in this situation, you simply had to follow what mikey wanted and considered to be the right thing.

he placed you gently on the soft bed, showering you with his clothes to remove all foreign smells from you. mikey had to claim you again, make sure you were scented from head to toe. this is what good alphas do to soothe their omegas after all!

and this was his priority at the moment. to put you to sleep, get your mind off of south and all the problems he brought to you.

you were easier to manipulate as the hormones of pregnancy made your omega more receptive to the orders and voice of an alpha. you could try and fight off your instincts, mikey still had the upper hand and wouldn't give up until you obeyed and followed what he considered as the best choice right now. you needed rest and that's what you were gonna get.

and the hectic day soon got the best of you that you finally dozed off, calmly breathing in the familiar scent of mikey's sheets.

your sleeping figure helped mikey release a bit of tension, knowing his omega was right where she belonged and that her future pup was in good hands.

all that remained to be done now was to get your stuff back from south's apartment and take care of south himself. there was no way he was gonna let some stranger be the father of your kid. you belonged to mikey and by extension, the child you bore was also his, he wouldn't have it any other way.

he'll go out his way to find south again and prevent him from claiming your child, probably aiming to kill him in the process. mikey was going to be the only support in your life, the only pillar you'll need. he'll be the only one present during your pregnancy, guaranteeing you to never let you feel hurt or scared ever again.

you won't go out again as well, he saw how today affected you and quickly understood it was all too much for your poor little pregnant omega heart. too sensitive and emotional...

mikey will force you to stay still, waiting at home for him until you finally give birth. his instincts are so strong and overwhelming, he'll enter a blind rage if his omega isn't cocooned in the warmth and safety of her nest, in her alpha's home.

he's actually somehow glad you got pregnant, although he would have preferred to be the biological father. but now he has a great excuse to keep you by his side. he exploits your weaknesses and lack of financial support to insert himself into your life for good. he scares you into thinking you need him to keep you safe, that alphas will rush to hurt you once they learn you're this helpless and trying to raise a kid on your own.

he'll definitely get you pregnant soon after you give birth, wanting a kid of his own blood. he's so deep into a possessive state of mind that he wants nothing more than to see you all cutely waddle around the house because of the seeds he put into you. he wants to claim you in the most primal way. his intentions are mostly triggered by your past with south but also because he feels like baby trapping you is the most efficient way to keep you right next to him.

in the end, mikey's commitment towards you will grow significantly in the future. once south is disposed of, he'll purely focus on you, knowing nothing will ever get in between the two of you ever again.

#cannelle★ #omegaverse tokyo revengers #tokyo revengers a/b/o #a/b/o tokyo revengers #alpha tokyo revengers #hybrid tokyo revengers #tokyo revengers headcanons #tokyo revengers hybrid #tokyo revengers omegaverse #tokyo revengers x reader #tokyo revengers imagines #tokyo revengers omegaverse drabbles #tokyo revengers omegaverse headcanons #tokyo revengers omegaverse imagines #tr omegaverse #tokyo rev x reader #mikey fluff #mikey imagines #alpha mikey #omegaverse mikey #south omegaverse #south terano #alpha south #south x reader #south terano headcanons #yandere tokyorevengers #tokyo revengers yandere headcanons #omega!reader #alpha x reader #anime omegaverse

[sophie-frm-mars]

Liberal Dissociative Amnesia

The Cass Review is the most discussed political topic among trans people in the UK right now. The 388 page report by Dr Hillary Cass examines the gender services available to young people in the UK and concludes that young people are being let down, gender services need to be taken out of reach for trans people under 25 and a new system which urges avoiding transition at every turn needs to be created which will refer people at age 25.

I just watched Michael Walker on Novara Media say "I think there are some very difficult questions here that I really don't know the answer to", and I find myself baffled by statements like this. I did actually understand in watching what specific questions he thought were "difficult", and I think someone could probably answer them pretty effectively to a standard he was happy with if he had a well informed trans person who he trusted in his life. The problem is, the whole segment was presented with as much equivocation and both-sidesing as possible, this constant air of "what if"

I feel like I'm observing a dissociative amnesia that people like this run into when discussing something that people they can easily see are bigots have declared to be scientific and complicated and requiring serious scrutiny. The Novara team understand the broad wave of anti-trans attacks happening across much of the world, particularly America and Britain, right now, even if they won't necessarily call it genocide - so why does this story exist completely devoid of context? Why is it suddenly time to ask "difficult questions"?

Walker wonders out loud about people on a spectrum where at one end people would have always been cis under all circumstances and on the other they would have always been trans, and in the middle of course are people who might transition if it's easier and there's less stigma. His point as far as I can tell is that somewhere in there it could get TOO easy to transition and then people will do it and regret it. Do I need to bother saying this is why we have informed consent?

It's like the people trying to wipe us out are playing Simon Says with the most progressive of our liberal media. The progressives can see bigotry for what it is most of the time and then somehow suddenly it becomes ✨special science bigotry ✨ and, perhaps because there's an institutional weight behind it, perhaps because it claims to be a serious study, or perhaps just because of the aesthetics of intellectualism the progressive journalists mysteriously forget about the whole wider context of transphobia around the world and have to apply rigorous journalistic standards to it.

"There's social contagion!" "No that's bigotry"

"They're just undiagnosed autistic people!" "No they're trans AND autistic"

"They're coming after the kids!" "No, that's age old queerphobia"

"✨Simon Says ✨ there's social contagion!" "oh well this warrants very careful discussion, I need to think very hard about this before taking a side here, it's a toxic culture war debate and we must remain ✨rational✨ when discussing issues like this..."

[cripplecharacters]

I'm writing a story set in the 1800s that has an intellectually disabled character. how would you recommend I get across that they are intellectually disabled given that the respectful terms wouldn't really have existed then?

Hi!

I think that the best idea would be to just show the symptoms of their disability. Show them struggle with tasks (which ones would depend on the severity of their disability), if they are able to do so they could speak differently when compared to other characters - I often forget words when speaking, repeat myself because I didn't understand the answer to a question (or realized that it was the answer), or have to ask someone for a TLDR because I got lost in what they were saying (even if I'm actively paying attention). Sometimes I also have to circle multiple times to a single idea to "get it out" properly because it's hard to conceptualize it all at once. Your character could also get overwhelmed or stressed more easily.

Also, often ID comes with physical symptoms so they could have dyspraxia like me! In case their ID is caused by a syndrome, it could work to describe the facial features that come with it, e.g. I think most readers would be familiar with how a person with Down Syndrome looks like. But the most important part is to show the actual symptoms of the disability!

If you want to name the disability without using slurs, "delayed" or "mentally disabled" or "having a slower thought process" could also work. They wouldn't be my primary choices in most contexts, but for historical fiction it's a bit different. "Handicapped" also started being used in the late 19th century, it's not necessarily a slur but it's still offensive. You could go for something like "fallen behind their peers" if you want.

I think that it would be a good idea to mention in some kind of author's note that your work is a piece of historical fiction and that those terms aren't preferred now (and show those that are, i.e. intellectual disability in most places and general learning disability in the UK). A lot of people don't know this, so it could be genuinely educational!

Thanks for your ask, I hope this helps!

mod Sasza

#mod sasza #anonymous #intellectual disability representation #terminology #historical fiction

[thekidsarentalright]

Idk if you have talked about this (you probably already did) but I'm just curious, in your opinion what is the kids aren't alright about? Have you done any analysis on the song?

i probably Have analyzed it but i can't find it and its been so long so. will Happily ramble here about what i think its about <3 tbh this is the most beautiful ask i could ever get thank u <3

since you asked what i think tkaa is about, i'm not gonna do this in the normal way i analyze songs, which is a more line-by-line style to paint a picture of the whole story of the song, but instead just wanna like. ramble fksjdnf about it and what it means to me

i think the entire meaning of the song can be summed up by the line, "and in the end, i'd do it all again / i think you're my best friend", which really is to mean that i think that the overarching theme of the song is that life can be worth repeating and going through again for the people that you go through it with. connection and relationships give life incredible meaning, even with the bad things, even with sorrow and darkness, love makes it worth it- i'm yours, when it rains it pours, stay thirsty like before, as the song goes. when the storm comes, as the rain starts pouring and destruction closes in on you, wouldn't it be more comforting to have somebody beside you? facing the chaos with their hands in yours? wouldn't it be worth going through the storm again (stay thirsty like before) just to have those moments with the people you love?

and normally when i analyze songs, i very much try to stay away from analyzing them in a way that is very personal to pete/the members of the band just because... i don't wanna be presumptive! but, this song feels like one of the few that i Can't look at separate from pete and the band. no song feels more like a love letter to the band, and even to the fans, than the kids aren't alright. this band has known each other for over half their lives, they have been best friends and brothers for longer than they haven't been. every up and down each of them have gone through since they met each other, they have gone through together, they have seen their darkest sides and deepest depressions and through it all have Still chosen to love each other and stick together. as the rain has come and poured on them, as the storm that is life shipwrecked the band and sent them stranded in seemingly opposite directions, the love remained. the found each other again, because they were willing to do it all again for each other. their love and friendship is the purest embodiment of the song, and is the thesis of fall out boy as a band, to me. even through destruction and overbearing egos and inner turmoil each of them were experiencing that we are likely to never know the depths of- they Chose that their bonds were worth it, their bonds made life worth living and fighting for.

i feel that spirit, that life is worth fighting for if you have someone/something you love to Live for, is perfectly encapsulated by the lyrics, "and it's our time now if you want it to be / maul the world like the carnival bear set free"- if you want, life is ours for the taking regardless of the rest of the world. carnival bears were often mistreated and repressed, beaten down for acting in their nature, if one were set free they would finally truly be Free to be how they wish to be. in the context of the song, because we have each other, we can take the world on how We want, we can be who We want to be, Together. This is also something that i think is the thesis of fall out boy- the band of underdogs for underdogs, fighting for a space in the world to be safe and express themselves how they want to, and because they've found each other and an audience that Understands them, they can maul the world like the carnival bear set free. they are mauling the world, with every song released and show performed, they're taking on the world on their terms as a united band of best friends. and with their fans behind them, that spirit is embodied tenfold, making this song not only feel like a song for the band, about the band, but Also about the fans and for the fans.

before coming to any sweeping conclusion, i wanna talk about the bridge, because i feel like it is the last piece that does fully show what i think the song is about in totality. The bridge goes, "sometimes i just want to sit around and gaze at my shoes / and let your dirty sadness fill me up just like a balloon"- other than the carnival bear line, i believe this might be my favorite lyric of the song (which is saying a lot in a song of banger after banger line), as i feel the imagery it paints is just so heartaching and melancholy in such a beautiful way. there's a lot here in these lyrics, from how in the genius annotations pete annotated this line with a still of someone's shoes and a bunch of guitar pedals on the ground- something he would no doubt gaze down at when gazing down at his shoes while recording or performing, hammering home the meaning of this song being about/for the band and the fans. they share their sadness with each other, with the fans (to an extent), and the fans share their sadness back- music is always a reminder of the bond we all share in our heaviest moments, as is the guitar pedals being present when gazing down at your shoes in sorrow or guilt. another point i want to make is about "gaze at my shoes" perhaps being a play on words about "shoegaze" as a genre of music defined by guitar distortion and effects and a dreamy/ethereal feel- connecting the picture, the lyrics, the meaning of the band and fans always being there and music being a connection between us all, in a way. essentially, i feel this lyric is just a very melancholy, beautiful way to say sometimes its very easy to just wallow in your feelings, but having somebody with you to help take on your sadness, having these connections and these bonds, can make it lighter.

to try and find a way to summarize it, i really do just think the kids aren't alright is about love. in its purest form, it's about love. loving other people enough to live for them, finding the bonds and connections that give meaning to a meaningless existence, allowing yourself to feel pain in equal measure with pleasure. these are things that make life what it is, without these things life would be numb, meaningless nothingness. in the purest way, i believe the kids aren't alright is about what it is to be human and to love with reckless abandon, to be free to be and feel and love even if pain is present. Because pain doesn't diminish the love or light you can experience in life, and allowing yourself to believe anything less is to deny yourself a instrumental piece of the human experience.

#i truthfully did not mean to ramble this much but i simply cannot overstate how much this song means to me and how important it is #like it is my ethos as a human being it is my guiding light it is everything to me and putting it into words is!!!!! very important to me #anyways. thanks again for sending this writing this all out was a joy <3 #asks #anon #analysis.txt

[lesbiancarat]

want to give my two cents on the AI usage in the maestro trailer--

i think seventeen doing a whole concept that is anti-AI is very cool, especially as creatives themselves i think it's good that they're speaking up against it and i hope it gets more ppl talking about the issue. i also understand on a surface level the artistic choice (whether it was made by the members, the mv director, or whoever else), to directly use AI in contrast to real, human-made visuals and music in order to criticize it. i also appreciate that they clearly stated the intention of the use of AI at the beginning of the video

however, although i understand it to an extent, i do not agree with the choice to use AI to critique AI. one of the main ethical concerns with generative AI is that it is trained on other artists' work without their knowledge, consent, or compensation. and even when AI generated images are being used to critique AI, it still does not negate this particular ethical concern

the use of AI to critique also does not negate the fact that this is work that could have been done by an actual artist. i have seen some people argue that it's okay in this context because it's a critique specifically about AI, and it is content that never would have been done by a real artist anyway because it doesn't make sense for the story they're trying to tell. but i disagree. i think you can still tell the exact same story without using AI

and in fact, i would argue that it would make the anti-AI message stronger if they HAD paid an artist to draw/animate the scenes that are supposed to represent AI generated images. wouldn't it just be proof that humans can create images that are just as bad and nonsensical and soulless as AI, but that AI can't replicate the creativity and beauty and basic fucking anatomy that's in human-made art?

it feels very obvious this was not just a way to cut corners and costs like a lot of scummy people are using AI for. ultimately it was a very intentional creative decision, i just personally think it was a very poor one. and even if some ethical considerations were taken into account before this decision, i certainly don't think all of them were. at the very least i feel like the decision undermines the message they want to convey

i would also like to recognize that i myself am not an artist, and i have seen some artists that are totally on board with the use of AI in this specific context, so clearly this is not a topic that is cut and dry. but generative AI is still new, and i think it's important to keep having these conversations

#melia.txt #also want to add that as musicians svt are more directly threatened by AI generated audio than they are by AI generated images #and yet AI generated images is what was used in the video #and i guess the MV director/production company are the ones directly responsible for putting that in there #whether it was their initial idea or not #and they work in a visual medium so perhaps that makes it more 'fair' but idk it just feels like #the commentary is around music. which makes sense. and using human produced music/sound #but then taking advantage of AI images #idk just feels weird #i mean i don't like it either way #like i said in the main post i understand the intention behind the creative decision #and i'm still happy svt are speaking against ai at all i do think overall they're doing a good thing here #i just don't agree with the creative decision they/the production company/whoever made #edit: deleted the part about not boycotting svt over this bc ppl were commenting about boycotting bc of the 🛴 stuff #i meant specifically /I/ am not calling for a boycott because of specifically the ai stuff #was just trying to make a general point that im not making this post bc i want to sabatoge svt or whatever #bc kpop fans love to pull that catd whenever u criticize anything #so yeah just removed that bit bc i dont want ppl getting confused what im talking about #respect ppl boycotting because of scooter/israel stuff but thats not what this post was intended to be about #edit 2: turning off reblogs bc im going to bed and having asomewhat controversial post up is not gonna help me sleep well lol #may or my not turn rb's back on in the morning

[sideprince]

I've seen the same post a hundred times now. Sometimes it's a few days old, sometimes it's from years ago, but it's always the same. Some anti posts about how they don't understand how anyone can like Snape because he was so awful, and then there's a long reply that goes something like, "imagine this happens to you, and then this, and then this" to describe Snape's experience. Sometimes there's some James Potter hate thrown in.

Look. You can go through describing a character's entire experience but you don't really need to. Here's the thing that antis don't understand:

For all her faults (and they're big, bigoted ones) Rowling understood a really integral part of the human experience and conveyed it through Snape. Everyone needs love and to feel accepted. It's that simple. Snape became a Death Eater to seek acceptance (Rowling has confirmed this, though I can't remember the source - whoever wants to add it please do), because it was the only way he could find any.

Snape's understanding of morality, like everyone's, is subjective. Some readers understand this and some don't. When faced against a morality that says there is good and bad in the world, everyone makes choices based on their personal experience. Context is everything. Someone who experiences pain and suffering will not see the person inflicting it on them as moral. That's it. 'How can this person be good when they caused me so much suffering?' = human psychology. Most of the people who think 'I'm a bad person and deserve this' have been gaslit and abused into thinking so, because it's not a natural reaction - it's one that has to often be socialized into someone at a young age, exactly because it's not natural. Everyone is the hero of their own story; no one sees themselves as a villain, because they see the valid aspects of their own perspective.

You can write essays on how vulnerable people needing acceptance is what cults and fascists exploit to recruit vulnerable people, or on how the standard anti's un-nuanced reading of Snape both ignores canon and displays a disturbing lack of empathy or compassion, but at its core it just boils down to context. From Snape's perspective he experienced cruelty, therefore the people inflicting it must be cruel. Again, it's that simple. He was a person, like any other, except he was fictional so he wasn't even real. On the flip side is James Potter, who, for all his faults, didn't get to live long enough to get a chance to change and grow unlike Snape, and I think the Snapedom also needs to acknowledge that.

They're fictional characters representing things an author wants to say, not sports teams, not martyrs, and not all good or all bad emblems that define your identity depending on how you feel about them. It's depressing how much time is wasted arguing with bullies and trolls whether from the Marauders fandom or just random antis. I literally can't find more than three blogs to follow without this argument coming across my feed daily. I know the Snapedom is Not OK™ and that's kind why we're all here, and I know that my take is super unpopular but like Snape, I don't care what others think: this fandom has been having the exact same argument for years and nothing has changed. There's fanart and meta and fic and so much content out there appreciating this character, you're not going to change an anti's mind who's deliberately trolling in the tags, so why are you trying? What are you getting out of it? What does it give you? It's exhausting just scrolling past it.

#The thing about morality is that it's subjective #the religious leader who's a beacon of moral purity to their congregation #is a source of selfishness and pain to someone they abuse in secret #is that abuse victim immoral for rejecting the values the religious leader represents? #the congregation might think so because their definition of morality relies on the religious leader being a moral guide #the victim might not think so though because how can something be righteous if it causes suffering #look this is just an example of how perspectives can vary and I know there are more possible takes on that example #my point is that the idea that there's no clear 'good' and 'evil' there's only power/what you do with it is actually how psychology works #'good' to one person can be pain to another #'scourgify' is an innocuous household spell that cleans stains until it's used to waterboard someone #context matters more than labels like 'light' and 'dark' magic

[skaldish]

Oh my god I just had a horrible realization. It's a really personal one so please bear with me but I need to share it because…Idk, maybe it's not just me.

But I realized. I didn't actually grow up being a part of any culture. I grew up with seeing culture around me, and sometimes participating in culture temporarily, but I was not raised with a cultural identity of any sort whatsoever.

I identify as an American only because I live in the US, not because I'm acculturated American. I only have the cultural senses I have because it just so happened to be what I was surrounded by.

None of the stories told to me, none of the food I ate, and nothing I wore, were used to convey "This is who we are as people" by my family or community. Stories were just for entertainment, food was just for eating, and clothes were just whatever I liked wearing from the department store. These things weren't, in any way, identity, outside of things I could use to express my own personal identity if I wanted to.

Fuck, I wasn't even given the cultural knowledge associated with the class I was raised in. No leadership skills, no business sense, nothing.

"But what about religion?" No religion either. My family has culturally Catholic leanings, but it's residual and unrecognized.

"What about being white?" The fact that I can't describe what "being white" even means—beyond how I've heard it described—goes to show you my expertise in the matter.

"What about subcultures?" I only know how to participate in subcultures as either a spectator or as a guest. No culture has ever identified me as belonging to it, despite welcoming my participation, and I can't consider myself part of cultures if they don't claim me.

In terms of my cultural identity, I'm completely blank. It's like I have no name.

I write all this because I was thinking about why some Scandinavians would be upset at me using "Heathen" (as well as bigger questions of cultural appropriation in general) and came to this realization.

For the record…I don't consider myself Heathen because I identify as part of Scandinavian culture. That would be absurd. I use "Heathen" because I accidentally befriended a Heathen god. Loki hid his identity from me for years, and I was very upset when when he finally told me who he was—I felt like he betrayed me, and also like I was going insane, because my worldview prior to that did not support the existence of gods.

I dug deep into learning about Norse paganism because I knew understanding Loki within his cultural context was vital to understanding who he is. The reason I started digging around in Scandinavian culture directly, though, was because—surprise!—nothing we have published in the US actually has this context.

…I'm embarrassed to admit I wasn't aware "cultural appropriation" describes a situation where one person walks into another person's culture and says, "Yes, this is my home now," like a cuckoo taking over another bird's nest. I always thought it was a function of mishandling a culture—using it in ways that was careless and ill-informed—but no, it's taking away other peoples' identities in the name of playing dress-up for yourself.

"You're robbing me of myself for your own stupid aesthetic desires!" That's how I imagine it must feel.

It disgusts me to think that's how my actions may have looked.

#zan speaks #personal #I need to figure out how to resolve this but idk #no culture has gone 'ah yes that's clearly one of ours' before #not even the ones I'm demographically a part of #I'm upset yes but also extremely bewildered by how this happened

[cressthebest]

Crimson Rivers thoughts pt. 20

chapter 35:

1. 😟 james’ first kill had a wife and two little girls. i- these chapters always start off by hitting hard

2. “James, who is—for some reason—glaring at Frank like he's kicked his cat. James doesn't even have a cat. His cat is dead. Has been for years, so Sirius isn't sure what that's all about.” 😭😭😭😭 girl wtf

3. “Pandora marches off after the mayor with the clear determination to organize that poor man's entire life, which maybe he needs, honestly.” queen 👑

4. girl, why is james so possessive of sirius around frank?

5. ALICE MENTION!!!

6. awww james is jealous. that’s actually kinda funny

7. poor frank is caught up in a lot of jealousy

8. i’m far too worried for effie and monty. like, unreasonably worries

9. i- bernice was a mother to an INFANT. i- all these people who are young parents fucking hurt. i know that’s the point, but it hurts

10. ew, we have to deal with the malfoys and blacks i don’t want to do this

11. “For example, Regulus did not understand when he was a child that Bellatrix is fucking insane. He understands now, of course” 😭😭

12. 😧 bellatrix just- got away with murder. and she did it just to make her younger sister’s life a little easier. he didn’t even do anything wrong. i- regulus is right in calling her fucking insane

13. “Narcissa is not, and never has been, fragile. Oh, she pretends to be, sure, but she's as dangerous as her sisters, especially because you don't expect it.”

14. 💕💕NARCISSA💕💕 asexual lesbian queen

15. “”I want to raise a child. He wants to train a Victor."”

god, that hurts. lucius needs to go rot in a ditch

16. i hate bellatrix, but she’s honestly a pleasure to read about

17. 😧😳 FUCKING WILD. every time reg tells someone not to touch james or he’ll [do something], nobody ever believes him, then he follows through with exactly what he threatened. also, maybe bella needed her hand to be stabbed with a fork

18. i love that sirius has no context, but he is IMMEDIATELY gonna throw fists with bella, no questions asked

19. REMUS LUPIN!! HE RETURNS!!!! MY LOVE!!

20. AWWW PANDORA IS A QUEEN!! THIS IS A SURPRISE FOR SIRIUS

21. SCREAMING CRYING THROWING UP!! HIS WORDS ARE “HI SWEETHEART” I AM NOT FREAKING OKAY

#marauders #regulus black #james potter #fanfic #jegulus #sirius black #remus lupin #pandora rosier #pandora lovegood #bellatrix lestrange #bellatrix black #narcissa malfoy #narcissa black #sunseeker #starchaser #wolfstar #frank longbottom #crimson rivers

[livelaughlaios]

As for Shuro/Toshiro... lemme see if I can put this coherently. The long and short of it is, this is Ryoko Kui doing the thing she does in which she uses the dungeon as a neutral background in which characters with different ideas can clash and come to terms with each other. We're not supposed to side with Toshiro, but we are not supposed to side with Laios, really, mostly because there is no "right" and "wrong" here.

A character who is heavily coded as autistic and comes from a northern europe coded culture (low-context - information is supposed to be conveyed in the most straightforward and clear way possible, even when said way is considered rude) meets another character who is extremely shy and comes from a japan coded culture (high context - info is supposed to be inferred by a mix of behaviour and conversational allusion, maintaining peaceful interpersonal relationships takes precedent over efficiency).

Neither of them are inherently wrong in the way they approach the other. Yes, Toshiro shouldve said something, but he doesn't know how. He was not taught how to handle someone like Laios. Conversely, Laios was not taught how to read between the lines and understand what a person is trying to convey if they are not speaking directly.

Since Laios is the main protagonist and we see most of the story from his POV, and also since most people on this website are American (low context culture), its easy for people to assume we are supposed to side with him. But I don't think that's the author's intention at all. Remember - Kui is Japanese writing for a primarily Japanese audience. From THEIR POV Toshiro's behaviour is perfectly understandable. It's also worth noting that there is a lot of extra material that gives further context to the Toshiro/Laios relationship.

One of the main points, for example, is how Laios gets Toshiro's name wrong. When they first met, Toshiro is immediately an object of curiosity to Laios BECAUSE he is a foreigner from a faraway land. Laios immediately invites himself to become his friend and starts asking question after question. When he finally remembers he's supposed to ask for Toshiro's name, he misunderstands it as Shuro, and Toshiro is too shy to correct him. "Renaming" the foreign side character for the benefit of the Western main character is an extremely loaded symbolic choice from Robinson Crusoe's Friday onward. I am not aware of the particular history of this trope in Japanese literature, but other elements of Toshiro's story suggest that renaming in his culture is something that is often done to slaves. Ryoko Kui is generally very deliberate about details like these. I highly doubt this is a random choice.

Of course Laios does not do it on purpose and Toshiro understands this and decides to let it slide, but its still something hurtful that Laios does to another person without even realising that hes doing it. This is a type of mistake he does often and he will do again across the story.

Again. Not saying Toshiro is perfectly right either, but there is a reason why they finish the meeting on relatively decent terms - because they BOTH recognise how they went wrong.

Toshiro realises that he needs to be more direct and determined about what he wants, but this is a reality check for Laios as well. He has been able to coast by so far in the dungeon without giving much thought to other people's wants and needs, thanks to the help of friends who care for him and are willing to follow him, but the story is changing pace and scale. Soon he might have to make some difficult decisions that involve the life and death of others. He needs to learn to listen.

This is why the Toshiro confrontation happens in the same span where we see Chimera!Falin going on a rampage, and Kabru trying to establish a friendship with Laios to assess what kind of person he is. Several narrative threads are coming to a head - the conflict with Toshiro is the tangible result of the tensions we saw around Laios' uncaring attitude from the beginning.

#shuro/toshiro #laios #meta #those are mostly confused notes sorry if they dont make much sense #meowing to myself

[laughhardrunfastbekindsblog]

A question of loyalty: an analysis of two perspectives in season 1

The past few years, I have loved rewatching season 1 with the context of the finale, because it has been so interesting to really see things from Crosshair's perspective.

Our first hint that maybe Crosshair's motives aren't what we first thought:

Hunter's (and our) perspectives on the issue are further challenged:

And then we reach the ultimate accusation:

So, let's take a look at both sides.

POINT #1: "Crosshair was the one who kept attacking the squad! How could he POSSIBLY accuse the squad of betraying him??"

COUNTERPOINT: Because from his perspective, they had. We as the audience know the whole plan was for the squad to get Crosshair back after they escaped the brig on Kamino - in fact, Hunter was prepping to go back for Crosshair at the same time Crosshair was coming for them - but Crosshair doesn't know that. He had been arguing with his squad ever since Order 66, trying to get them to understand how important it was for them to follow orders, and they had yet another disagreement right before he was singled out. His inhibitor chip gets intensified, he gets sent after his brothers (as if Tarkin needed to do anything else to thoroughly disgust me...), and he finds them in the hangar prepping the Marauder to leave. (Just to reiterate: from Crosshair's perspective, he had recently been arguing with his brothers, and now he finds them readying to leave.) Hunter never tells him that they were coming back for him; instead, they engage in some back-and-forth about surrendering and following orders before the shooting begins.

Having left him on that note, it would be all too easy for Crosshair to work himself up over the perceived abandonment - especially if he started feeling any sort of regret over his actions toward his squad (finding a way to blame the other party is, after all, a common defense mechanism).

And every time they cross paths thereafter, instead of his brothers apologizing or listening or trying to come with him, they keep running away from him after arguing with him about how he's being controlled and forced to obey orders. I can't help but imagine that any mention of "programming" only served to stoke Crosshair's ornery side: he and his squad are "superior," after all; he can't be controlled, he is being a good soldier and following orders because HE chose to, not because of some stupid chip. (Cue Crosshair claiming it "doesn't matter" when he got his chip removed: his ideology remains the same, thank you very much.)

And so, from Crosshair's standpoint: his brothers abandoned him, they won't even talk to him except to try to convince him he's wrong about everything, and they're ruining any chance they have of finding "purpose" by remaining soldiers and serving the Empire.

POINT #2: "Hunter and the others didn't try hard enough to get Crosshair back - actually, they didn't try at all."

COUNTERPOINT: I think we overestimate just how much time passed between the Batch escaping Kamino and the events on Bracca (unless the squad was just hanging around in open space for weeks at a time, which I doubt). Consider how quickly events occur in the first eight episodes:

The squad narrowly escapes Kamino

They try to lay low at Cut and Suu's, but that lasts maybe two days before they are on the run again

The Marauder crashes

It's necessary to find a way to scramble the ship's signature, so they have to make a quick landing on Pantora

Enter Fennec

Well, now they have to find out why a bounty hunter is after Omega

Enter Cid

Cid pretty much immediately starts blackmailing them

They have to do another job for Cid - we don't know exactly how much time passed, but Cid doesn't seem to be one to wait to order the Bad Batch around, especially as this next job reasserts her claim on them.

Rex reappears - we don't know exactly how much time passed here, either, but I would guess Rex sought them out as soon as he was tipped off about them.

(Lest anyone think Tech must have just given up on the chip scanner after the Marauder crashed, remember that he needed comparative data in order to properly use the scanner. I can only imagine how much it must have eaten at Tech to not have any way of finding a source with the necessary data to complete the scanner - especially considering everything else going on - until Rex miraculously showed up.)

So, until reuniting on Bracca, there is precious little time or opportunity for the squad to formulate a plan to get Crosshair back... And then Bracca happens. Here, they are confronted by Crosshair, who responds to genuine pleas to reconsider his stance by hitting them where it hurts: "Aim for the kid." Crosshair then sets things up to literally incinerate them, and they barely make it out alive before being attacked by Cad Bane.

Now, they had seen what the chip had done to Wrecker, true; but Wrecker had previously acknowledged that he understood the chip existed and was willing to have it removed, AND it was squad+Rex against Wrecker (and even then they barely managed to subdue him). Crosshair refused to acknowledge even the possibility of a chip influencing his actions, obviously wasn't willing to have it removed at that point, had never shown any inclination of wanting to rejoin them, and squad+Rex against Crosshair+vast Imperial resources would have been suicide - ESPECIALLY since Crosshair proves time and again that he can predict their moves. There's no way around that.

So what does the squad decide to do? They run. They can't take Crosshair with them, but they aren't going to try to kill him either.

Crosshair remains too well protected for the squad to go after him, but we can see on Hunter's face as the squad leaves Ryloth after peripherally tangling with Crosshair that the situation REALLY doesn't sit well with Hunter.

And yet... WHAT ELSE CAN THEY DO?

So, from Hunter+squad's perspective: as far as they are aware, Crosshair is refusing all offers of help, and trying to go after Crosshair would be suicide. Crosshair can't be rescued if the squad is all dead.

An impasse, then.

ANOTHER FACTOR TO CONSIDER:

But the accusation of disloyalty goes far beyond Crosshair believing the squad left him behind; he sees disloyalty in the fact that they apparently don't share the same views. It's not just a conversation about why/how Crosshair was left behind; it's also an argument over ideology, as Hunter tries to point out the Empire's flaws while Crosshair is determined to remain a soldier with the one purpose he has always known.

And then we reach the climactic revelation: Hunter is trying to convince Crosshair that maybe his views are being controlled by the chip - only for Crosshair to tell Hunter he already knows about it and the chip is gone, AND he won't even tell Hunter when it happened. We can make educated guesses as to when Crosshair's chip was removed, but Hunter has been spending all this time trying to keep everyone else on the squad safe from a fellow brother who is being controlled by an inhibitor chip... only to find out that maybe Crosshair was acting of his own volition for who knows how long. This, I believe, is the point where Hunter started to consider Crosshair as having actually betrayed the Batch.

And no matter when the chip was removed, Crosshair is still convinced that the Empire is the right side, and believes that anyone who won't join the Empire is against him.

So, before the confrontation on Kamino: Crosshair is convinced the squad has abandoned him. Hunter and the squad can't feasibly do anything about it.

During the confrontation on Kamino, we learn that unless the squad is willing to join Crosshair and the Empire, he's going to continue to believe they have disowned him. And the squad will not join the Empire, much as they love Crosshair.

CONCLUSION: Crosshair's and Hunter's perspectives are both equally valid, especially based on what they know and later learn of the other's stance. Hunter rightly points out that wanting different things doesn't mean they have to be enemies; but as long as the rest of the squad members aren't willing to support tyranny enforce order, Crosshair will consider them disloyal to him, since they are opposed to the views he stands by, the views that - at that moment - define him. It will take other perspectives, outside the squad, to shift Crosshair's views (but that's the topic of another essay 😉). In the meantime, having finally had the chance to hear the other's side - even if they don't agree - Crosshair and the Bad Batch separate on at least marginally civil - if strained - terms... Though both still consider the other to be guilty of betraying the ideals of Clone Force 99.

#the bad batch #tbb #star wars #star wars the bad batch #clone force 99 #this is longer than i intended it to be #sorry not sorry #from a certain point of view #tbb hunter #tbb crosshair #tbb analysis #just passing the time until the series finale #by (over)analyzing certain topics #still rooting for a full reunion #i love them all so much

[md-confessions]

Trigger Warning for abuse since I am going to be talking about it a lot.

My honest reaction to TSM anon's confessions/posts trying to justify J's treatment of N. (They're so ass)

Ok so uhh... Anyway I'll try to debunk some of the points:

First of all: yes the fuck she is abusive! Search the damn definition on Google or the dictionary, it's exactly what she's doing, like beat for beat.

Let's start with two examples: one from the manor and another from copper-9.

J kicking N in the manor flashback: for context N and V had literally just bumped into each other, made a spark and both were trying to clean up the mess they made, then comes in Ms. Tenth letter of the alphabet with a kick to N's face for like no fucking reason whatsoever.

J stepping on N's chest while he clearly struggles: In the pilot during the scene that introduces the Alphabet squad during J's introduction she has her foot on his chest while saying he's useless, terrible and if she could, she'd kill him herself and N is very clearly struggling to even breath.

Those two very clearly ARE abuse, the second one even has a tinge of verbal abuse!

Ok so TSM tried to justify both these actions by us not knowing the full context.

The context of the kick is that: there is none, that kick was completely unprovoked, so J had absolutely no reason for kicking N aside from him being in her way from the "move it moron" line, and she changes up her attitude completely at Tessa being there, her visor showing those hollow eyes that drones show when worried or scared.

But even if you say "oh but N was in J's way so she kicked him out" but she could have just, you know, MOVED A LITTLE BIT TO THE RIGHT?!?!? And also that does not excuse kicking a person in the face.

Context of the second scene is: THERE IS NONE, ONE AGAIN! The reason that scene exists is to show that A. J is abusive towards N, and B. J is a hypocrite! Let me explain, A is very self explanatory, stepping on someone's chest and verbally abusing them is very clearly well... Abuse and B is to show that even though she calls N useless, N has shown throughout the rest of the series he is a very competent fighter, arguably better than his fellow DDs and also that even though J was pretty much insulting N for being weak, she got killed by a Angsty bisexual 18-year-old with a pen and a Railgun made out of like, scrap.

I don't know how you can genuinely look at those scenes and go "J isn't an abuser" even though yes she fucking is.

Also I dead ass forgot that second post aside from the "why would Cyn put N in the squad if his abuser?" Part, which has a very simple explanation: it wasn't Cyn, it was Mr. Solver of the absolute fabric itself! It used Cyn as a host, Cyn wasn't in control, she prob has been dead for a long ass time.

The solver is sadistic and it likes fucking with the alphabet squad, take V as an example: it allowed V to keep her memories, just to make V's trauma even worse.

The solver thinks it's funny to traumatize people so why wouldn't it think putting a person in the same team as their abuser wouldn't be?

Anyways I've been typing this since 5:30 AM, and now it's 6:50 and I got school so I'll stop here, if you got anything else to add put it in the reblogs ig...

Final note: I haven't been abused myself (not that I remember) so I can't really fully grasp the concept, but still, J's treatment of N is like, the dictionary definition of Abuse, I'm very bad at understanding other people and their emotions and I'm not super great at analysing characters but this shit is so obviously abuse seeing TSM over here trying to say otherwise is giving me a brain aneurysm.

Anyways have a good day/evening/night or whatever time of day it is :D

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#md confessions #murder drones #abuse cw #serial designation j #serial designation n #serial designation v #md cyn #the absolute solver