#i don't mind which way you interpret it

[iwritenarrativesandstuff]

When discussing or analyzing Dazai, one thing I hope you will keep in mind when reading anything I write about him is that from my perspective, he is always, always both.

What do I mean by this? Well, I find there tends to be a general split among people who hold the opinion that "he's a manipulator and will always be manipulative" and "he's doing his best to be good and helpful and live up to Oda's last wishes for him", of which, neither is completely right - because he is both. But even among the people who hold to this dual-nature interpretation, I find that his individual actions and motivations still tend to be thought of in a dichotomous manner - is it manipulative, or genuine?

Again, I think it's always both.

Dazai has a very pragmatic view on a lot of things - he is always looking for the usefulness of things and people so that the situation turns out in his favour. He's incredibly adept at this, and his prediction and placement and careful reveals are all manipulation tactics to get his allies and enemies doing exactly what he needs them to. I don't think anyone can contest this since we see it over and over in the series.

But that's not all there is to it. He's not solely manipulative and he does, to some extent, sympathize with others - I think there are several instances of this in the series, but I want to stress that this has been apparent since Chapter 1!

For context, Dazai is recalling what Atsushi said to him a few minutes earlier, but it's very interesting that it should be this specific part of the conversation. He could've flashed back to the part where Atsushi said he had nowhere to go; no money, no food - he is about to trick him into joining, after all, and this is the key piece he uses to basically force Atsushi into the Agency. But instead it's Atsushi's self-deprecation that catches his attention, and it really does, because even during the conversation, he turns to look at him after he says this with an odd expression.

You could say that this makes Atsushi easier to manipulate, if that's your angle, but that can't be solely it, because in the later conversation with Hirotsu, we know Dazai was planning to bring Atsushi into the Agency and set him up as one half of the new Double Black the moment he met him. The panel shown there is the riverbank, set much earlier in the day than this scene. He was already planning to pair him with Akutagawa since he figured out he was the tiger, so what's with this reaction?

Well. Sometimes the simplest explanation is the best.

He manipulated Atsushi into joining with the intention of utilizing him in his future plans. He also helped him and gave him a place to belong, and importantly, he likes this kid! It's both.

I think much of it might be that his brain just kinda works way too fast - he's such a natural at crafting these elaborate plots and seeing how things connect and gathering useful people like resources that it's practically automatic - though this is not a great means when you're trying to be a kinder person. There's an omake, I believe, that has him saying "I like using my head for justice", i.e. using these underhanded means to act for the better. Not great, but those are the kind of gifts he has. He's way more suited to exploitation, but is choosing to use these tactics to save people now, which is quite reminiscent of what he tells Kyouka. Kyouka's talents lie in killing people - when what you're good at isn't who you want to be, what do you do? Well, I expect you use what you have, even if it's not ideal.

Now, about the current situation with Sigma - I think he definitely likes him, and is intrigued by him and his situation. We did get a little thought bubble where the guy amusedly compares him to Atsushi, and you can't tell me he doesn't care about Atsushi (listen to the onsen drama cd, or read 55 Minutes if you somehow don't believe me). But also, it's undeniable that Sigma is in a very vulnerable position of being homeless and having had no one be genuinely kind to him before. His trust is very easy to earn, and with the latest chapter, Dazai has now saved his life multiple times. There is, as always, a practical purpose he needs him for. And I have to be somewhat amused because Dazai is quite literally telling Sigma everything he ever wanted and needed to hear. It's a brilliant means of quickly endearing himself to Sigma - but I don't think that's all it is.

Look. The most honest moments we get in this series from Dazai are, interestingly for an expert manipulator, when people are at their most vulnerable. In spite of every pointlessly cruel act he inflicted on Akutagawa, his first meeting with him was open and transparent; much like the orphanage director, it seems he thought this treatment would make him strong and adaptable (he's wrong but that's not the point of this). He cuts Kyouka off in irritation and says "don't give me that" when she implies that she would fail the entrance exam. He tells Atsushi it's normal to cry after losing a father figure and to feel however you feel, even if that person caused you nothing but incredible pain and cannot be forgiven. He refuses to entertain Sigma's assumptions that Dazai sees himself as a superior being to him.

Selective honesty can also be utilized to great effect; Mori does this, and undoubtedly it serves this purpose for Dazai too. But I want to stress that I do sincerely believe this is all still honesty from him. Manipulation, or genuine?

Both. It's both.

#or to summarize: Dazai is a gemini (derogatory) #<- said as a fellow gemini (also derogatory) #the few exceptions to the always both rule are basically any of his interactions with odasaku #and the bit in sb where he tells chuuya about what activating corruption will entail #most everything else appears to have a dual reason. #to be clear: there's lots of ways to interpret dazai - but this is the approach i personally use in my analyses #so i'd love it if you guys would read my dazai analyses keeping this standpoint in mind :) #i think instead of debating 'is dazai bad' which is seriously kind of irrelevant to me #i'd love to talk a bit more about how dazai is actually quite helpful but also equally presumptuous about what will help people #we could also talk about the fine line between protectiveness and possessiveness with him too. #or about how drawn he is to kind people who value life likely because he's hoping to find answers or a vicarious experience #anything except the 'is he good or bad' debate. i don't like it. :/ #bsd #bsd meta #bsd analysis #bsd dazai #storyrambles #oof i never know how things like this are going to go over.

[hephaestuscrew]

I'm not the first person to say this, but there really is something groundbreaking about the lack of romantic plotlines in Wolf 359.

Wolf 359 is a story aimed at and about adults. It's partly about what it means to be human. It's partly about how we exist in relation to other people. It's partly about interpersonal connection and understanding. It has character relationships at its heart. It features so many moments of love and care between characters. It takes place across just over two years of the characters' lives, with 61 episodes and a main cast that grows to a decent size.

And despite all this, the show doesn't feature a single canonical 'on-screen' romantic (or sexual) relationship. Perhaps that shouldn't be as rare as it is, but it's one of the many things that makes Wolf 359 special to me.

#Wolf 359 #w359 #Obvs there's Minkowski's husband and Eiffel was with Kate #but neither of those are focal points #and we don't actually hear Kate or Koudelka #Before Jacobi declared he liked the menfolk #there were a fair few people expressing frustration at the lack of canon queer rep in w359 #which I do understand cos that's something lots of people go to fiction podcasts for #and I do understand why it matters to ppl #but a part of me thinks that when you interpret 'queer' in that broader sense about questioning/ defying societal norms #there is something arguably queer about making a show like this #and deliberately not having a single canon romantic relationship between the main cast #For a show to ask 'what makes us human?' and not even vaguely put romantic love on the table as a possibility #that's queer to me #At any rate it's really refreshing #When I first started listening to Wolf 359 back in 2017 #there was a part of me bracing myself for a shoehorned-in romantic plotline #I felt like the question was 'who' and 'when' rather than 'if' #because that tends to be the way #It blew my mind when I realised this show didn't treat romance as a necessary ingredient #This is not to knock shippers for doing their thing btw #People can explore possibilities outside of canon #I'm just talking about how I feel about canon #And yes these are feelings I have as an aro person #but I do think it's valuable and refreshing in general not just for aspec people

[questing-wulfstan]

So, I watched Remainder (2015), because I'm a simple gal who enjoys watching Tom Sturridge play various shades of unhinged gremlin on my screen and, I have my own theory :

I don't think the black out at the end is the fuse to a new loop and that it starts all over again. I think the black out is Tom's death. That Tom's been dying the whole time.

At the beginning, he's declared clinically dead, and I don't think he recovers actually. Rather, the movie is a 1 hour and 43 minutes-long stretch of the few seconds between the accident and Tom's actual death, throughout which his 'life flashes before his eyes', as the established expression go. Except part of his brain is already destroyed from the squashing, and the memories stored in it are erased, and Tom has to do with what is left for his 'life review'.

Except he does not, he's terrified of death (as human beings usually are), and he takes refuge in this ultimate surge of brain activity, lets it delude him that it is, in fact, reality. Thus, it makes no sense to him that parts of his memories are missing, and he fixates on these and endeavours to recover them, like he ought to be able to do since his brain is intact and he believes himself to have already gone through the process of, and succeeded in recovering his motive functions.

And stubborn, sort of patient, repeat has been the method to recover his motive functions, it ought to be for his memories as well.

He 'fixes' his life ー or, his memories of it ー as he goes too. I don't think he was running away from the bank robbery when he's squashed at the very beginning. The first and last scene of the movie are nearly identical, except for one detail : in the first scene, when he looks back to Catherine, she smiles and goes down the stairs towards him. She does not in the last scene.

I'm not sure what exactly was happening before the accident, but it's reasonable to infer from the informations provided throughout the movie that he found out Catherine was 'a real cunt', to quote Greg, packed his things and stormed out. That is why she's so hopeful when he turns and look at her in the first scene.

Except that is a failure, and not something Tom's unconscious want to replay last before his death, nor something he wants to go through ー again ー at all. So he reaches for something else, and grasps the memory of the news of Christopher's death. I don't think he was actually close to Christopher, but his death is 'glorious' to Tom, much more so than his own. And this might not be his own life, but if he can piece motive functions, and memories back from oblivion, surely with enough practice he can make someone else's memory his. So when he reaches the end of his life's tape, Catherine doesn't go down the stairs hopefully towards him because now he's the one who hurt her, he's dangerous, and she fears him, fears what he's capable of. The other way around than what actually happened. And much better.

Plus now, he's turned the flashing of his life before his eyes as death creeps on him into a whole other thing. Respite. Reprieve. A second chance. And surely more chances will be granted to him. Now he's in a time loop that will resume 'until the universe runs down'. Now he's endless.

Except he's not.

#remainder #remainder 2015 #tom sturridge #to be honest I think of this entirely in terms of death of the author / director in this case #it's an interpretation that works and that I personally find compelling #but I don't pretend it's the one the movie was written with in mind #the movie is very much up to interpretation #and oh boy am I interpretating #but mostly it was a nice thought exercise to come up with an alternative theory to the time loop one #which is entirely valid btw !! #so an alternative theory as I was saying which is entirely rational unlike the time loop theory #as the movie is otherwise entirely rational #(I mean the narrative not the character) #but again this one isn't in any way superior to the time loop theory !! #anyways #if you are wondering yes it was entirely deliberate of me to call Tom 'endless' #it's the Sandman and Tom (Sturridge)'s phenomenal acting that lead me to watch Remainder and I'm not going to pretend the contrary #allez fini de disgresser dans les tags #la bise #mes tags on s'en fiche

[the-cat-at-the-theatre-door]

Semi negative below the cut - 

Here's the thing like...fundamentally, what the majority of the US Tour 6 indicating that they believe "the wrong cat died" really shows to me is that the understanding of the show has been somewhat lost over the years.

This is no disrespect towards any of them, and I believe that joking about this subject is absolutely within an area of general fun and lightheartedness (we do it literally all the time), but at the end of the day it misses the point.

#there’s a difference between joking/poking fun about things not happening and then...legitimately believing them. #extemporize back chat #like...here's the thing - it's about the concept of being deserving of forgiveness #not rewarded or not punished #and sure i will absolutely joke that gus deserves it *at least once let the poor man sleep already* #but like fundamentally and narratively that's not the point #dying and being reborn in Cats is not literal...it's allegorical #it's a metaphor #and it seems like the younger generations are really pushing that 'we have outgrown allegory' angle #because they don't understand it #and here's the thing again like i don't even believe grizabella 'dying' is necessarily the right choice #in purely objectional fact because it makes it seem like they would rather be rid of her than deal with the enormous work forgiveness takes #but we're not *dealing* in purely objective and interpretive fact - we're dealing with by saying grizabella was the wrong cat to die #you are inadvertently saying that she did not deserve to be forgiven #which like *fair* you are absolutely within your right to read the show that way but like...just say that #that's where the subjective reading comes in #and no i don't think they all legit believe this - they're doing a bit or doing it in character or just answering for the sake of answering #but still #it's a purposeful push of ignorance from the host #idk i was thinking the wrong cat died needed to die on the vine back in 2019 and i haven't changed my mind since #EDIT: and another thing...Gus...did nothing wrong that we know of - not counting the revival he isn't even *involved* in the shunning #of grizabella - even *asparagus* isn't involved in that much because the performer has dipped off stage #he literally is just brought in has no idea where he is and leaves - he doesn't *need* to be forgiven to achieve acceptance in his society #there is nothing to forgive him *for*

[anyataylorjoys]

I need people to understand that when I talk shit about men I'm talking shit about a specific breed of men. they are cisgendered, they are in many cases anglo with conservative views, they are almost always hetero-identifying, they assert their (fragile) masculinity when threatened and use it to their advantage while they fear the liberation of femininity or genderless concepts, they see the world as a conquest, and everything in it for the taking. "just say dudebro" well. that word doesn't hold enough weight to me.

#someone got mad at me for writing something that could be interpreted as transmisogynistic which went over my head when I wrote it #bc I have a one-track mind about the breed of men I'm speaking of when I'm speaking of them. this is the breed. #I'm trans/masc/nb tho so yeah? I am excluding transmen when I talk about dudebros because I don't view myself that way #also bc people who have the lgb(t) experience don't behave like this. I said what I said #'you talk shit about white men a lot for having a white man as an icon' yeah not him<3 he is not of the breed. bye #if I've ever made any of my fellow he/him lesbians or trans men mutuals feel some of way I do apologize so yeah putting this out there #💭

[vanilkaplays]

And so it starts. Somebody in the BG3 fandom sees a post they don't like by somebody who probably hasn't even finished the game yet to know the full context, and they need to be like, "Is anyone going to make a callout post about that?" and don't wait for an answer.

#why do people who are clearly passionate about character analysis #which is a great thing! #have to word their posts in such a confrontational way? #like 'sorry darlings but I do hope that you noticed that x character is actually going through xyz' #'ah but clearly you don't know any better. not LIKE I DO' #can't they just write their interpretation normally? #I don't even disagree with the core of the post but like ffs chill #some people aren't even done playing #maybe let them have fun and fall for the things they're supposed to fall for and discover the things they're supposed to gradually discover #and tag your fucking spoilers #sigh #sorry don't mind me #just a little annoyed #I'm disabling reblogs because I don't want to start anything

[rotisseries]

omg guys my narines playlist fucks so hard

#LIKE. THIS IS NASTYYYYYYYYY #<-sorry I'm just saying that cause unpunishable by miss ethel herself is on #and this is the first time in 3 and a half weeks that I've listened to anything other than unreal unearth btw #anyway I'm listening to the playlist both because I really want to but also cause whenever I make a playlist #I need to listen to the whole thing at least once. see it in action #to make sure it's actually good #cause I have this tendency to get powerhungry with the song adding and I'll just add more and more songs I like #while getting looser and looser about whether or not they actually fit the prompt #and I check if they fit just by pulling up the lyrics which is sometimes different from actually listening to the song #like sometimes you look at lyrics and you're like yeah I could interpret this my way #or yeah it mostly fits but the few lines that don't are ignorable #and then when you actually listen to the song you're like oh no you CAN'T interpret it that way and those lines AREN'T ignorable #so yeah I gotta do playlist editing basically because I lose my mind #like do I really need six of the kim petras halloween songs on here. debating on if turn off the lights really fits. I'm not sure #also btw tbostuals I am taking critique on the playlist. tell me if I've lost it please tell me if I need to get stricter on a song #but it does fuck. this playlist does fuck I'm having so much fun

[shopcat]

i am the only one who even cares like as in about whatever it is i'm talking about IM SICK LET ME BE SICK anyway... basically everybody difference i'll put the sick stream of consciousness in the tags this time

#🐾 #as gay steve i feel i must have a certain love for gay steve which i do and i also think he's bisexual and it's not that they even coexist #or different worlds where one is gay and one is bisexual But that he is both i enjoy both. i think he's bi i mostly think he's gay bc i've #done the thinking there ALL MY CRAZY POSTINGS and i do think gay steve is like . peoooe are mean abojt it so i get defensive too like #FUCKING. HEY. just Fuck of... but hes the most beautiful bisexual for me and my mutuals and the people who get it #but when people don't get it well that makes me mad bc IM BISEXUAL >:( you are making it stupid and i hate you #the original reason i was even talking abt it yesterday was that crazy person who was like #when i joked about him being gay they were like no... he's not gay... He's drowning in pussy #like shut the fuck up you freak oh my god #i think soooo hard about things it's almost like i've got some sort of spectrum based Thing.... #i also do think diff situations calls for different THANGS like i love different concepts much like everyone i just don't have a pinned #down like. interpretation of him and i do find it a BIT odd when people DO if they do it in a certain way. also what i was talking about ☝️ #like ages ago i did a poll on what ppl interpret him as gender and sexuality wise and i do think it's fun to like go hard for a particular #hc but i also like most. if not all. i am most partial to transbi simply because that's what i am #partial to mean. but also bc i am transbi too actually like that's true ☝️ If you think about it ☝️ #that's the beautiful thing ..... Everybody difference for real #i think him being like genderfluid/bigender/nonbinary of some kind is the most popular gender hc. well i know it is #CIS DOESNT COUNT YOU CSNT HEADCANON SOMEONE CIS IDIOT HE IS CIS ALREADY DIE #anyway. and i love that too i love it so mch. transgender th world #so yeah if he's gay i love it if he's bi and it's GOOD i love it and it's always good when it's my own mind and my friends. and mutuals #etc. when he's a trans guy i love it the most but honestly it's pretty equal atp #i did get the feeling slash thought yesterday though that one time i saw someone refer to a guy with top scars as she/her like in that #joking way that even i do and i wanted to blow my own head up #like i think it's common cents 💰 to not apply your own hcs to someone's already formed work .. #i do also think the trans but not transmasc hc is bc it's ... not EASIEST but it's les complicated is why it's so popular #just like it's less complicatef for him to be bi for some ppl who aren't as connected to it but still do it and that's when it gets weird #cuz like i've already had people be like oh he can't be trans he had sex with nancy SO. yeah... people are insane actually #sts

[nebulaleaf]

heehee hoo hoo procrastinating things so i rant here

#this is all on my mind because recently i interacted with one of those like... twitter akechi stans who are in an echo chamber of #akechi/akeshu. and its just impossible to talk about anything because a)the characters can't be divorced from each other. akira only exists #to prop up akechi and be his cute bf and in a way vice versa for akechi but at least he's allowed to be a bitchy asshole/have more emotions #and its considered 'cute'. #b) in those circles there's a very specific interpretation of akechi that really grates me which makes it even harder for me to take things #seriously or speak when whatever we're talking about is completely at odds. #and its not like I'm inserting myself into akeshu convos and going 'wow youre wrong' we were literally just talking about akira and akechi. #no romance. just them as characters and about the persona awards and its just bah bah bah bah bah shipping #and akeshu is a good pairing but man some of y'all make me go 'damn its not That good' #UGH and that's another reason why i find it hard to hold a conversation about anything regarding royal. because it all fucking boils down #to akeshu and 'maruki being the no.1 akeshu shipper hehe!!!' thats WEIRD you know thats really weird right #and so tiring. i know 3rd sem focuses on akira n kechi's relationship but like. you can talk about it in a way that isnt sosssososohggtgrgh #running out of steam for this rant i forget my original topic i just wanted to yell #idk man i just want nuance. please. i think this ends up being true for any fandom that gets too steeped in shipping #but Fuck nuance is one of the core themes of persona 5 and yet people don't have any

[evergreenempress]

hot take for the Black And White Thinking website but you don't have to have a black or white opinion on tone indicators actually. they do in fact have good qualities and bad ones. yes they are another set of rules to memorize for some AND that's the way many neurodivergent people navigate social interaction already. yes some people don't understand or misinterpret them BUT they're largely unintrusive to the actual sentence so if you don't understand one you can... still read the sentence and ignore it. you can acknowledge that they help other people even if they don't help you. you can acknowledge that they are inconvenient or difficult sometimes as well as being helpful. it's okay

#cece speaks #this isn't prompted by anything btw it's just stray thoughts #they're a mixed bag for me personally. not because I mind using them #but because I can have kind of a deadpan way of talking and texting #and I feel like the rise of tone indicators have had a mild contribution into people treating me like I'm bitchy when I don't use them #which I don't love! i think there's underlying ableism in assuming an autistic person is mean for not communicating correctly #AND I have memory issues that lead to me forgetting what they mean or to use them and people can be rude about that #but they have also helped with my anxiety and bpd a lot to have things explicitly stated #in a way that doesn't leave much room for other interpretations or confrontation #and I think it's okay that it's kind of a mixed bag for me! #it's not a hellish invention from twitter or a lifesaver for me. i don't get why people feel the need to make such a big thing of them #ask to tag #just feeling opinionated tonight I guess lmao. you're welcome to counterpoint me if you want but i will ignore you if i don't care (likely)

[benadril]

Funniest thing ever ever forever is when a popular bully desperately tries to get me to like them but fails miserably

#this one girl was sitting ON my table going like “whyyy dont u like me im just trying to be friends with you” #like ??? take the hint idk mind you im cool w her friends and they just gave me some genuine pity looks #so i just told her that i don't like her really loud and she was like “whyyyy” #and then EYE was like because u bother ppl!!! u bother ppl who clearly do not wanna be bothered #and the look on her face i gen almost feel bad #like is she insecure ???? does she feel weird because im cool with everyone else but her??? #which is valid of me btw considering she's kinda mean #but i feel a little bad about it cause she just walked off and said loudly in a pity way to her friends like #“guyssss he doesn't like me even though im just trying to be friends” #because like i know what shes doing because i do it too sometimes #like making everything you say a performance for everyone around you #if you're good at it and you do it effortlessly then its easy but obviously it takes a bit of mental energy #and you keep doing it because it gives you positive validation from other ppl yk #so i empathize with her sort of I mean i feel bad a little bit #whatever maybe i interpreted it wrong and she's just mean. idk lol #ben's conscious stream #ben highschool hours

[stargazeraldroth]

Rainy here again to agree with you on your tags!

People definitely get very… Intense? About how very specific characters are portrayed by the fandom, regardless of how canon that portrayal may or may not be. I swear, it’s the same reason I interpret Error as such an asshole sometimes, in my own AUs- I’d be much more open to him being a better person if people weren’t so. Damn. Insistent. On him being the good guy and slandering Ink in the process.

If 404 is as hyped up as Error’s alleged moral superiority is, then I can see why it’d annoy you so much… I don’t actually know much about Alphatale and the characters, but it seems like something that’d get to me, especially if it’s played in conjunction with making Ink out to be the bad guy.

🌧️ Rainy Anon 🌧️

I'm gonna keep it real with all of you, I genuinely don't remember much about Alphatale. I remember bits and pieces, but I haven't actually checked the AU's canon in a while... both for Alphatale and Alphaverse. I don't even know what the difference between them is. All I know is that I care about 404 and sometimes the Astral Mother when her involvement is convenient for me, and that I feel like I'm entering an active minefield whenever I have to go to the wiki to check something.

Honestly, I do kinda understand why people can be so insistent about sticking to the canon. I do think knowing what's canon and what isn't is important! I'm not trying to downplay the canon or the work put into the AU. While I'm not the biggest fan of Alphatale/Alphaverse, I do think there's a lot of passion and care put into the project by its creator, and I admire that. I want to be like that, able to create and work on an ambitious AU project regardless of what people might think of it! I honestly don't have much serious beef with the AU, all of my irritation and dislike for it comes from people who try to pressure me into perfectly abiding by it. It's the same situation as my relationship with the FGOD concept: I don't hate it, I actually quite like the concept, but fans end up ruining it for me.

And before anyone says anything, yes I know, I shouldn't let other people ruin things for me. But after so long of the same stuff, it gets tiring. I feel like if I were to include 404 in something and then abide by Alphatale canon, it would be more limiting to my creative freedom than its inclusion is worth. My creative freedom- in my own AU- would be far too limited if I took every canon factor into consideration. And that's not fair to me, or to anyone who is trying to make an AU.

Because, see, people generally disregard the complete canon for characters like Ink, Error, and the twins on an almost daily basis. When you make an AU for Undertale, you kinda have to accept that people might interpret your characters differently and aren't guaranteed to stick to the canon details. That goes for anything in general, not just the Undertale community. But it especially applies if your AU/characters are very popular in such a big community. You don't have to agree with it, but you do have to accept that things like this will happen. Not just as a character creator, but as a fan of such works too, because I can guarantee that everyone has strayed from canon at least once. If everyone strictly abided by canon, I bet more than half of the Undertale community's content wouldn't exist. Hell, even Underverse- one of the most popular pieces right now- wouldn't exist because parts of it conflict with the characters' canons.

For example, Nightmare canonically cannot feel anything other than negative emotions. Dream cannot hate anyone, even the douchebag that he calls his brother. I believe it's canon that Ink doesn't remember tearing his soul apart, but I'm not 100% sure, I think I'm like 50/50 on that one. And yet, we don't always take these factors into consideration when making content.

AUs exist for fun. The whole point is to have fun with a bunch of different ideas. And when it stops being fun and feels more like a chore, where there's too many set-in-stone rules to follow based on what characters you include, then there's a problem. If we don't get shit for turning Ink into evil incarnate or wobbifying Error into the UwU-pocalypse that everyone hated, then why should people get shit for straying even the tiniest bit from 404's canon? I'm genuinely asking, what makes 404 so special compared to everyone else? What makes 404 above everyone else to the point where we aren't allowed to have even the smallest bit of fun with his character? What makes 404 the one where we have no choice but to follow every single aspect of canon?

I nerf 404 when I include him in stuff. I make him weaker than he is in canon. Why? Because it's convenient for me and fits my AUs. If I kept him as overpowered, untouchable, and unbeatable as he is in canon, then there's no point in including him at all. Because then he could either just solve the problem with a snap of his fingers or, in the situation where I have him as the villain, there's nothing that can be done. I change his character to fit into the AU because that's the only way his existence will work.

And I know what you're gonna say, "But Stargazer, you don't HAVE to include him!" yeah, you're right. But I also don't have to include Ink. I don't have to include Error, the twins, Reaper, CORE, etc. But I still do. Because I like their characters and it's fun. It's the same for 404- I like him and it's fun to use him in a story. Also, some parts of his canon just don't work with the AUs, such as him being Error's mentor. He's also just not as mysterious as some people seem to think he is... if we're taking all of canon into consideration, it's very likely that Ink knows he exists lmao, and it's not just some "I saw someone who looked like Error... but white!" (this sounded funnier in my head)

Also, just wanna mention this piece: Some of the canon with 404's character directly conflicts with the canon of other characters, such as Error, who canonically DOESN'T have a mentor, which makes it counterproductive and hypocritical to the argument of sticking to canon in the first place.

Anyway, I have a lot of feelings about 404 and I have a lot of passion. Unfortunately, I don't have the ability to really communicate my thoughts in a way that's very coherent, so I'm sorry if I'm like. All over the place with this. There was more I wanted to say, I think, but I don't remember what it was. I also wanna give a quick shoutout to those people who comment stuff like "404's the strongest Sans" on stuff where he isn't involved or doesn't exist!!!

I guess the main takeaway from this would be that it is possible to be compliant with canon aspects while also having as much creative freedom as you want, and you shouldn't sacrifice your own enjoyment for your own AU just because of canon. AUs exist because people deviated from canon, so arguing that you absolutely have to abide by canon 100% is going against the very foundation of AUs. And abiding by one AU's canon 100% can interfere with the canon of another AU (for example, I believe Comyet confirmed that Canon Ink wouldn't do the X-Event, but Cross's canon requires Ink to do it, which is a direct conflict/contradiction of canon), so you may as well just have fun with doing whatever the hell you want.

Honestly, I've been pressured into just. Stopping some fanfics entirely because of people constantly leaving comments about my 404 portrayal not being 100% accurate to canon. Yet every other characters gets a free pass?? Erm... okay?? And if you leave comments like that, giving unwanted "corrections", I just have one question for you: Why? Literally why? What do you get from this? What motivates you do to this? And yes, I know I said one question, but I don't care.

Like I don't always like how FGOD stories/AUs portray Ink and/or Dream as villains, but do I leave comments preaching about canon or anything? No, I just stop reading it. I get nothing out of leaving that kind of comment except being an asshole, and I'd probably make the author feel bad. Which I don't want. Their work doesn't exist to cater to my wants and what I think is best, their work exists for THEM. Just like how my AUs and my work exist for me. Yeah, it's fun to share them with people and interacting with others because of them is a nice feeling, but at the end of the day, they only exist because I want them to.

I'm just gonna end it here. My head's starting to hurt and I'm worried that if I continue, I'm gonna get too passionate about my opinions and start sounding cocky or like a righteous ass.

#anonymous asks #i don't think it's necessarily bad that i'm passionate about this stuff and voice my opinions #but i do think that i can be a bit too... arrogant? #like sometimes i read what i say and worry that i come across with an “i'm better than you” attitude #which i don't think i'm better than anyone #i don't think my opinions make me above anyone else #but i have problems with tone and how i come across #and i know it can be hard to interpret that stuff through a screen #i like to think i'm very open-minded and fluid when it comes to this stuff #but i feel like the way i word my thoughts comes across as being opinionated and tearing others down #maybe that's just my anxiety but #i guess i'm also just worried about hurting people's feelings #i care a lot about creative freedom and being able to make whatever we want with fiction #but i'm worried that care sometimes makes me look a certain way? #idk #that or i feel like i HAVE to defend my opinions and i can't just. have them #also if we're talking about straying from canon #then we can't ignore dadmare and found family bad sanses #that is the complete opposite of canon and you all know it #but we love it all the same #you can pry dadmare and wholesome dreamtale twins from my cold bloody dead fingers #damn i'm ranting in the tags again #is this gonna become a trend #i hope it doesn't i would hate that #does this count as a vent #i don't really know if it does #i try not to vent because i feel bad

[navree]

ok i got gotten by this week's wayne family adventures, i really got gotten, i cannot lie. it got me.

#personal #for one i'm always a fan of jason and barbara being buds in any capacity #so them helping steph is always a plus #for two i just really like when jason gets to be the emotionally healthy one #it just jives with this idea i've had in my head about how he's been through so much genuinely heinous shit #that he's able to actually see a lot of things pretty clearly #and yeah he does know what it's like to be angry at your lot in life #and to be let down by parents when they're meant to protect you #willis and catherine and bruce all fucked him up even while loving him and sheila literally murdered him #so having him clear-eyed on that aspect of himself even when he's still sorta messy with bruce #(i mean not nearly in wfa the way he is in most canon they're shockingly well adjusted here but still) #in order to help steph who's younger and who needs that older friendly reassurance #listen i like that i genuinely like that from a characterization standpoint #it's just one of the few times jason's wfa characterization has meshed with the one i have in my head based on comics i've read #(not a bad thing that wfa doesn't always jive with my interpretation of canon it's a different canon and it's meant to be harmless fluff) #(which i appreciate i don't mind a little fanservice when was the last time this fandom was fucking serviced) #anyway yeah i enjoyed it #probably even a bit more than the last jason centric two parter

[she-who-fights-and-writes]

“Show, Don’t Tell”…But This Time Someone Explains It

If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”

Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).

More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation. 

The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)

1. What Does "Show, Don't Tell" Even Mean?

“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.

EXAMPLE 1:

Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.

EXAMPLE 2:

Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.

EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")

Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.

Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.

Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating. 

As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!

2. How Do I Use “Show, Don’t Tell” ?

There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.

In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.

i. Help When Your Writing Feels Bare-Bones/Soulless/Boring

Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?

It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!

Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)

ii. Add More Depth and Emotion to Your Scenes

Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.

Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."

Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."

iii. Understand that Sometimes Telling Can Fit Your Story Better

Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!

Initial Impressions and Character Opinions

If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).

2. Tone and Reader Opinions

Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.

3. Pacing

"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.

iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!

If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.

Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!

3. How Can I Get Better at “Show, Don’t Tell”?

i. Use the Five Senses, and Immerse Yourself!

Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?

Smell? Hear? See? Touch? Taste?

Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.

EXAMPLE:

TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut. 

The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)

ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer

Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.

Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.

(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)

If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?

How do the actors convey things that can't be experienced through a screen, like smell and taste?

Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.

iii. Listen to Music

I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.

Here’s a link to my master list of instrumental writing playlists!

iv. Practice, Practice, Practice! And Take Inspiration from Others!

“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!

If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.

In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!

If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !

Hope this helped, and happy writing!

#writing tips #writing advice #writing help #writeblr #booklr #writers #writing #show #creative writing

[whatsnewalycat]

RUTHLESS

Stepdad Joel Miller x Reader

Rating: Explicit (18+ ONLY)

Word Count: 5.1k+

Warnings: DDDNE, literally just a fucked up stepdad/mom's bf fantasy, could read "mom" as tess but I don't name her or assign physical features to her or reader, post-outbreak, reader is def over 18 but not by much so yeah age gap, NON-CONSENSUAL, power imbalance, unethical d/s dynamic, slapping, spanking, punishment, orgasm delay/denial, humiliation, degradation, face fucking, anal sex, little to no aftercare

A/N: Category is "That old man would fucking never... but if he did..." Please be mindful of the warnings and don't read if it might trigger you. Sorry, mom. Sorry, God.

[ my masterlist ] [ taglist ] [ AO3 ]

------

Within the secluded world of your big noise-canceling headphones, you scan through silence on the CB radio, pausing for a few seconds on each channel before moving on to the next. 

Channel 11: Nothing. 

Channel 12: Zilch. 

Channel 13: Nada. 

When you turn the dial to channel 14, though, you pick up chatter and start transcribing. 

Channel 14 7/17/22 19:56

—got a bundle of carrots today. Budaydas, onions, too. Want me to come by tomorrow and make some stew? Over. 

Got enough for the kids? Over. 

And leftovers. Over. 

I’ll be at Margie’s around supper time. Over and out. 

The air goes silent.

After a minute goes by with no follow up transmissions, you glance at the clock. 7:58. Almost time for check-in. 

You tune the radio to channel 32 and review your transcription. 

Many people speak in code, encrypting their messages in seemingly benign conversations. To the untrained ear, they’re normal exchanges, people making small talk about jobs and rations and kids. Goodnight calls and check-ins that use predictable inquiries to convey messages. 

—got a bundle of carrots today. Budaydas, onions, too. Want me to come by tomorrow and make some stew?

Most of it you can translate from memory. The drug traffickers that use channel 14 have frequented the same lingo for years. Likely because of the high turnover rate of personnel. There’s less confusion that way. Confusion in communication raises more alarm bells for eavesdroppers than using the same code words across the board. 

You flip through your cipher for channel 14, searching for budaydas, but find nothing. Scrunching your nose up, you say the word out loud, “Budaydas. Buh-day-das.” 

Carrots, onions, budaydas in a stew. 

“Oh,” you nod in understanding, then jot down your translation, muttering under your breath, “Fucking Boston accents.” 

(Someone) picked up tranquilizers, benzos (budaydas = potatoes), and opioids. The caller wants to meet up and trade as previously agreed. 

The rest of it is easy enough to interpret without the use of a cipher. You probably don’t need to write down the translation, but do it in case your mom or Joel need to reference the notes at a later date. 

There’s enough to distribute product across their network of dealers in Boston QZ, plus more to stockpile. They’ll meet at their hub in Area 1, Margaret St, at midnight. 

You exhale through slack lips, glancing at the clock as it ticks over to 8:00, then pick up the microphone and hold down the speak button. 

“Radio check.” 

A few seconds go by before you hear a familiar gruff voice crackle over the radio waves into your ears, “Loud and clear. Over.”

Your nostrils flare when you hear him. Joel Miller. The bane of your existence. Your de facto stepfather, only because you don’t really remember life without him by your mom’s side. 

This isn’t to say he’s a father figure to you by any means. The two of you never shared the kind of heartwarming paternal bonding moments you read about in books. That would require warmth and vulnerability, which he distinctly lacks. 

Once, when you were maybe 11 or 12, you made the mistake of calling him Dad. The way he looked at you made you feel like dirt. Fire burning behind his dark eyes, he corrected you with one stern syllable that taught you your place: “Joel.” 

You sit up straighter and take a moment to gather yourself before responding. 

“Did you get your message from Uncle Paul? Over.”

“I did. Over.” 

“How’s the weather in Kansas City? Over.” 

“Cloudy. Over.” 

Fuck. 

You swallow around nothing, then clear your throat and ask, “And Grandma, how’s she? Over.”

“Fine, just busy is all.”

You exhale a sigh of relief that melts the tension between your shoulders. Joel continues. 

“Anything new with you? Over.” 

Tapping your fingers on your notes, you answer, “Rumor has it the market is gonna be busy tomorrow. Harvesting time, I guess. Other than that, same old same old. What about you? Staying out of trouble? Over.”

It feels strange, having a casual conversation with him like this. Even if it’s just a data exchange dressed up as a casual conversation. 

There’s a long pause, then he says, “Fine, yeah. Well. See you soon. Over ‘n’ out.” 

Stiff as a board. Cold as ice. Joel Miller, everyone. Round of applause. 

You snort, rolling your eyes as you unplug the headphones and toss them on the table. It takes a moment for you to re-acclimate to your surroundings. 

The dingy two-bedroom apartment is quiet and still. Outside, the setting sun casts the world in a dark golden haze. A FEDRA patrol vehicle roars down the street, broadcasting the curfew alert from a loudspeaker. Faint shouting from a few units down momentarily piques your curiosity before you decide it’s none of your business. 

You stand from the chair and reach your hands above your head, lungs expanding in a powerful yawn, then take a lap around the apartment to stretch your legs. 

Something catches your eye when you walk by the entry. A note slipped under the doorframe. On the outer fold, your name is written in a familiar scrawl. 

Your heart skips a beat. 

You pick it up and unfold the paper, revealing an invitation. 

I miss you. Come over when you’re done surfing the airwaves. XO, Bert. 

Warmth trickles down between your thighs. A smile spreads across your face. You glance up at the door, then to the CB radio and scanner on the desk. 

Indecision churns in your belly. 

You are explicitly forbidden from leaving the apartment while your mom and Joel are out on runs. A safety precaution you’ve protested dozens of times to no avail. They expect you to stay put and warn them if you notice any signs of potential danger. In return, you receive a cut of the profit and a roof over your head. Security, in short. Which is more than most could say. 

That being said… You break this rule from time to time, when the circumstances allow. 

Like when the Fireflies and FEDRA have been quiet for weeks and there are no smoke signals in sight. Like when you’re five nights into a seven day seclusion and think you might die of boredom if you don’t get the fuck out of here. Like when your boyfriend slips a note under the door and asks you to come over. 

You look down at the paper in your hands, re-reading the words I miss you. 

Fuck it, what’s the worst that could happen? 

—

Just before midnight, you wander down the hallway to your unit, jelly knees wobbling with each step. As you absentmindedly trace your tingling lips, still puffy from kissing, you unlock the door and push it open, then frown. 

The lights are on. 

They were off when you left, you’re sure of it. When you step further into the apartment, your foot catches on something. A backpack. This faint buzzing starts behind your ears as you blink at it, wishing it would go away.

Motherfu—

“Where the fuck have you been?” 

Your stomach plummets to the floor when you hear his voice. A thick knot of panic tightens around your windpipe as you look up to find Joel standing just a few paces away in the living room. 

He stares you down, dark eyes glowing with fury, and questions you again, “Where were you?” 

“N-nowhere.” 

The blatant lie sits sour on your tongue. His lips purse, so you fumble out another, “I went for a walk.” 

“A walk,” he repeats, tone disbelieving, “You went on a walk after curfew wearing that?” 

You look down at your clothing. A short skirt and tank top. Your throat bobs in a guilty gulp, then you meet his eyes again and nod. 

“And when did you leave on this ‘walk?’”

Your mind whirs as you try to come up with an answer. It feels like a trap. You try to calculate an answer that will provide minimal blowback. 

“I don’t know, maybe twenty minutes ago?” 

“Try again.” 

The electricity humming through you takes on a red, frustrated edge, and you snip, “I don’t fucking know, dude. It was a while ago, I wasn’t paying attention. Where’s my mom?” 

“Your mom sent me here to make sure you were alive,” he says pointedly, taking slow, deliberate steps towards you, “We’ve been tryin’a reach you for three hours. I got here an hour ago. That’s a helluva lot longer than twenty minutes, ain’t it?” 

Shrinking into yourself, you search his face. Jaw set, eyes boring into yours. Waves of anger roll off him as he approaches, and you remember all those rumors you heard about him on the radio. The fear you heard in grown men’s voices when they recounted run-ins with that bitch and her guard dog. 

You remember what Bert said about him: He’s fucking ruthless.

“You aren’t supposed to leave the apartment when we’re outside the QZ.” 

“I know.” 

“Then why did you?” 

Your heart thuds against your ribcage. 

Joel has never directed this kind of outright anger towards you. Sternness, sure. Contempt, maybe. But this is different. You’re in fucking trouble. 

There has to be a way out of this conversation.

You drop your gaze to the floor and ask, “Is my mom ok? Did something happen to her?”

“Don’t change the subject.” 

Righteous indignation straightens your spine and wills you to meet his eyes again, “I’m not saying shit until you tell me what happened to her.” 

“She sprained her ankle, but she’s fine. She’s safe,” he tells you, then takes another step forward, “Why did you leave?” 

You respond by rolling your eyes. 

“Answer the question.” 

With an irritated sigh, you search his face, then tell him, “You don’t know what it’s like to be here. Isolated for days or weeks at a time. I fucking hate it. It’s so lonely and boring, I feel like I’m losing my mind—”

“Oh, cry me a goddamn river.” 

You scowl at him, staring him down, “Fuck you.” 

“Watch your fucking mouth, you disrespectful little shit.” 

Red flashes through your field of vision, hot and angry and defiant. You gather the moisture in your mouth on your tongue and spit at him. It splats on his cheek. 

His face twists up with fury for one second before he charges, closing the distance between you. The impact pushes your back to the door with a thud. 

He grabs your jaw, fingers digging hard into the soft flesh of your cheeks. His eyes are hot coals, burning into you. The muscles in his jaw twitch, nostrils flaring, breath shaky. 

When he speaks, it’s through gritted teeth, “You don’t know what it’s like out there.” 

“No, because you won’t let me fucking leave—”

“You should be fucking grateful, you know that? Being here is a fucking cake walk. Your mom ‘n’ I have seen things, done things—horrible things you couldn’t even imagine,” he husks, searching your face, grip tightening so hard it makes you whine. “We keep you safe, and all we ask is that you stay put and keep a lookout for us when we’re gone.” 

Even if you wanted to respond, you can’t. The vice grip he has on your face renders your mouth immobile. 

All you can do is stare back at him, studying his furrowed brow and clenched jaw. Full lips pinched thin as he glowers at you. 

You notice how close his broad body is to yours. The heat radiating off his tightly-wound muscles onto your skin. His ragged breath scatters across your face and wafts into your open mouth. You taste the bootleg whiskey on his breath and your pulse jumps. 

Warmth drips down your spine and pools at the center of you, a horrifying sensation that makes you squirm.

“Were you with your little boyfriend? Hmm?” he asks, eyes darting around your face, trailing down to your body for a moment before returning, “That boy downstairs? Figure you musta been, on account of how you’re dressed.” 

You don’t say anything. You can’t. But it doesn’t matter, because it’s not really a question. 

“Abandoning your post to go out and get fucked, is that it?” 

A whimper slips from your throat as heat swells beneath your skin. 

He wouldn’t be treating you like this if your mom was here. He wouldn’t say these things or be this close to you. Knowing this, you understand that whatever is happening right now is wrong. 

You also understand that you like it. 

You hate that you like it, and hate him for making you like it, but you like it all the same. 

Letting go of your face, he demands, “Answer me.” 

“Fuck you.” 

Before you even realize what’s happening, you feel a sharp, hot sting on your cheek and yelp.

He fucking slapped you. 

“Wrong answer.” 

“What the fuck is wrong with you?” you retort, bringing your hand to the welt forming on your cheek, “I’m gonna tell her.” 

“Yeah? You gonna tell her I found you sneaking in at midnight, too? That you compromised our safety to go out ‘n’ get dicked down?” 

You harden your gaze on him, lips pressing together with disdain. 

“She wouldn’t like that, would she?” he asks, the smallest smirk tugging at the corner of his mouth, “She’d probably kick you out on your ass.” 

“She wouldn’t. You guys need me.” 

“And you need us,” he counters, searching your face, “So what do we do to make sure this doesn’t happen again? Hmm?” 

A dozen inappropriate images flash through your head, each more lurid than the last. An electric, tingling feeling shoots out from the base of your spine and works through your extremities. 

You swallow hard and shake your head, “I won’t do it again.” 

“If I don’t punish you, you will. You’re fucking disrespectful. Selfish. You need discipline.” 

Again, a flash of frustration taints the world red. Crossing your arms over your chest, you scoff, “Just because you’re fucking my mom doesn’t mean you’re my dad. I am an adult and you are not the boss of me.” 

He sighs and takes a step back, planting his hands on his hips. His gaze drifts around the empty apartment, jaw gnashing back and forth for a moment before he returns to twist the deadbolt closed and grab your arm. 

“What the f—” you swat at him and dig your heels into the floor, but it does nothing as he drags you by his steel grip, pulling you stumbling along behind him into the living room. 

He sits on the couch and forces you to lay over his bent knees, one big hand securing your wrists behind your back while the other flattens against the swell of your ass cheek. As soon his touch leaves, it returns, a sharp snap tingling across your skin. 

Shocked doesn’t even begin to describe the chaos throbbing through you. 

“You’re right, you’re an adult. And I’m not your dad,” he asserts, lifting his hand. Your whole body clenches in anticipation. “But as long as you live here, I am the fucking boss of you,” he slaps your ass again, “Do you understand me?” 

It surprises you when you hear yourself sob, “I’m sorry—”

He does it again and again, hissing, “Yeah, you’re fucking sorry now, aren’t you?” 

Each firm slap he lays down is firm, unflinching. Ruthless. 

It overwhelms your senses and becomes the only thing you feel. The universe world narrows down to just his palm on your skin. The reliable and exquisite pain ringing through you. Smack. Smack. Smack. 

Every time he draws his hand back, you don’t think you can handle it again. But you do. 

Soon, you start to crave the impact. His skin on your skin. You can’t feel the start or end of it. It’s just him and you. Pain and pleasure. Sobs and moans, all blended together. 

Far away, you hear him chide you for not wearing underwear beneath your skirt. Then he asks, “Are you fucking enjoying this?” 

Too ashamed to admit it, all you do is whimper in response.

Smack. 

He sucks in breath through his teeth, then grabs the meat of your ass and rumbles, “You do, don’t you?” 

When his grasp on your wrists releases, you pull your elbows beneath you and look over your shoulder at him, watching as he spreads your cheeks apart and stares down between your legs. You’re probably shiny and wet with the evidence of your desire. 

His lips form an ‘o’ when he kneads you back together and spreads you apart again. The motion teases all your hungry nerves and makes you moan. It feels so fucking good. 

You realize then that he’s grown stiff against your belly, hard cock leaving no mistake. 

“You fucking like it, too, don’t you?” you ask him, your voice breathy and amused, “I can feel how turned on you are.” 

Slipping a hand between your bodies, you press against his strained zipper. His cock jumps at the contact, and he groans, dragging his fingers through your slick lips. 

“Oh my god,” you gasp, eyes fluttering closed as you nod in approval. He works your clit in steady, firm circles while you smooth your hand along the big bulge in his pants, letting out a string of whines at the bubbling pleasure inside you. 

You lose yourselves here, both of you squirming and panting and petting the other. So wrapped up with how fucking good it feels that you forget to feel ashamed. 

When he smacks your ass now, you croak through clenched teeth, “Fuck yes.”

He likes that you like it. You can tell by the way he groans and throbs beneath you. This knowledge inspires your pulse to pound and your muscles to tense. 

“Joel,“ you whimper, opening your eyes to meet his heavy-lidded gaze, “I’m gonna fucking come, don’t stop—”

“Did I give you permission to do that?” he asks, slowing his touch to a torturous rhythm, “Did I say you could come?” 

You shake your head and whine, “Please, Joel, please—”

“Are you sorry for what you did?” 

“I’m sorry—”

“Are you gonna do it again?”

“No no no, I won’t, I promise, I’ll be a good girl—”

He groans, tossing his head back as you frantically rub at the bulge in his pants. Your palm chafes against the stiff denim, but you don’t stop. You would do this for eternity if it meant he’d let you find your release. 

“Oh yeah, you’ll be a good fucking girl for me?” he asks, touching you just soft and slow enough to twist your nerves ragged, but keep your orgasm out of reach. 

“I will, I promise. Please, Joel,” you whisper, holding his gaze as your face gets all hot, “Please make me come, please please—”

“Show me you mean it.” 

He doesn’t need to explain what he means. While he takes off his jeans, you scramble off his lap and kneel between his spread knees. His eyes stay glued to yours as you slide your hands up his thighs. 

Batting your lashes at him, you wrap your lips around his swollen cock. He fills your mouth. He feels smooth but hard against your tongue. He tastes salty and heady and when you inhale the musk of him, you moan around his girth. 

Nodding, he anchors his grip behind your head and bucks his hips, forcing his dick down your throat. When you gag, he doesn’t let up, but thrusts into the sensation, grunting, “Fuck. Yes,” before letting you pull off, gasping for air.

You wrap your hands around him, all shiny and slick with drool, and pump his length for a moment while you catch your breath, then take him in your mouth again. 

This time, you sit up taller. You relish the stretch of your lips as you bob up and down. Savor the tug of his fingers curled tight in your hair. Memorize the sound of his huffs and grunts as he fucks your face. The wet squelching gurgle of his cock squeezing down your windpipe. 

“Look at me,” he orders, so you do. 

He’s all blurred from your watering eyes, but you can make out the dark irises and stay locked onto them while relaxing the muscles of your throat to take him easier. When you make an enthusiastic humming noise, he groans. It’s wanton and lusty and lights a fire in your belly. 

Joel has never treated you this hard or soft. His regard for you has always been callous. Closed-off. Indifferent. With your assistance on the radio, he treated you like a tool for survival. Before that, or even in-between smuggling runs, he treated you like some kind of a household pet he had little regard for. Your mom’s responsibility, never his. 

For years and years, you ached for more. 

When you were younger, you used to sit up nights and wonder if he’d ever consider you his daughter. He wouldn’t, though. He won’t. 

But this is something. 

Distinctly, you want to please him. Be the best he ever had. You want to sink your claws into his brain and leave your mark for years to come. You want him to look at you after this and feel a flicker of desire and self-loathing. You want him to think of you when he fucks your mom. You want him to hate how you made him feel. 

When you pull off him and start to work his soaked length with your hands, you pant, “Does that feel good? Am I doing a good job sucking your cock?” 

“It’s good,” he nods, lets out a groan that pinches his eyes shut, then meets your gaze again, “So fucking good, Jesus Christ. Is this what you were out doing tonight? Sucking cock?” 

“Not tonight.” 

“But he fucked you, didn’t he? That boy?” 

You nod, stroking him slower. His eyelids flutter. 

“Did he fuck your pussy or your ass?” 

The question sends a jolt through your middle. You recall the sex you had with Bert. Barely an hour has gone by since he pulled out of your cunt to shoot his load on the mattress, but it feels like a lifetime ago. 

“My pussy,” you answer, then gather a thick, hot wad of saliva on your tongue and spit on his cock. You spread it with a slow churning motion, watching Joel’s face twist up with pleasure. 

“Were you bein’ smart about it at least?” he asks, studying you, “We don’t need you getting knocked up.” 

“He pulled out,” you shrug. 

He grunts in acknowledgment, then sits up and pulls on your arm to join him on the couch, “C’mere.” 

You follow his guidance, lying back on the cushions as he strips off his shirt. 

The only times you’ve seen him shirtless were accidental and slightly embarrassing for both of you. But now, you notice how his smooth chest glows in the dim light. Now, when you drink in the sight of his big arms and broad shoulders, heat bubbles up your spine.

While you pull your tank top off over your head, he tugs your skirt down your thighs, asking, “You ever taken it up the ass?” 

You shake your head. 

His eyebrows jump a little like he’s surprised. A sadistic kind of smirk plays across his lips as he pushes your knees up to your chest, then spreads you apart, the head of him nudging at your backdoor. 

He doesn’t ask for permission. He doesn’t ask if you want it this way, or if you want him to be the first. He doesn’t even warn you about the initial shock and pain you experience when he rocks his hips forward and breaches the tight hole. 

You yelp and try to lurch away from the sharp pain, but he grabs you and holds you there. 

Sitting up on your elbows, you cry, “That fucking hurts, Joel.”

“Wouldn’t be much of a punishment if it didn’t hurt a little, would it?” he murmurs, disinterested, watching your asshole stretch to accommodate the head of his cock. 

The sensation is overwhelming. Like being stabbed or split open. At first, you hate it. You sputter and gasp and shake your head as he pushes himself in further and further. 

Then he pauses the invasion, releasing his steel grip on you to tilt your chin up and meet his gaze, “Just relax.”

His eyes burn into yours, making your pulse jump. You bear witness to his heaving chest and parted lips and feel him twitch inside you. Sparks sizzle across your body, but you still scowl at him. 

“It hurts, I don’t like it.“ 

“It’ll get better, you just gotta relax,” he coaches.

“Why can’t we just have normal sex?”

He grunts, thinks about it for a moment, then tells you, “First off, this is not normal sex,” he points between your chest and his, “This will not be a normal thing, you understand?” 

It stings a little, if you’re being honest. But you nod, “I understand.” 

Nodding, he licks his lips. He throbs inside you, hips jerking a little in reaction. This time, the friction feels good enough to make you whimper. 

“Second, we don’t need another mouth to feed around here,” he says, searching your face, “We’re stretched thin enough as is. You know what I mean?”

“But if you—”

“Pulling out can still stick. This way’s tried and true, trust me.” 

“Trust you,” you scoff under your breath and roll your eyes. 

“What’s that?” 

You meet his hardened gaze, feeling emboldened enough to ask, “Do you fuck my mom in the ass?” 

“That’s none of your business,” he warns. 

“So, what, you can interrogate me about my sex life, but I can’t do the same?” 

“That’s right,” he barks, “Know why?” 

In response, you glare at him. 

He takes this moment of bitter silence to drag his knuckles up your slick, swollen lips. The light touch branches out beneath your skin and makes your heart pound. You gasp a little, but try to hide it. He clocks it immediately. 

“There we go,” he murmurs under his breath, almost as an aside, smoothing the pad of his thumb in soft circles on your clit. Pleasure churns beneath the touch, hot and hungry for more. When you whimper, Joel’s eyes go wild for a second, then he says, “I am the fucking boss of you, understand?” 

You swallow a moan as he arches forward and starts to roll his hips. It feels better now. Good. Fucking amazing, almost. Electric and gooey. He fills you so completely with each thrust, you wonder how you can even breathe. 

“So if I tell you to be home, that’s where you’ll be. If I ask you where you’ve been, who you were with, what you were doing—you tell me the truth. Understand?” 

Nodding, you gasp, “I understand.” 

“You don’t get to ask me about your mom. You don’t tell your mom. You don’t sneak out to go get fucked by some boy who doesn’t even know what to do with you—”

“Holy shit, Joel I’m gonna—” you gasp at the pressure building at the base of your spine, spreading thick and hot and delicious across your body. 

“And you don’t come without my fucking permission. Understand?” 

“I understand I understand,” you cry, literal tears burning behind your eyes at the ache of trying to keep the ecstasy at bay, “Please can I come, please please please—”

“Are you sorry?” 

“I’m sorry, I’ll never do it again—”

“That’s right, you’ll never fucking do it again. Why’s that?”

“You’re the boss,” you beg, your voice so raw and pleading it sounds foreign. He pounds into you now, a wet slap that echoes off the apartment walls. It takes all your concentration to keep your pleasure contained, to not spill over the edges, but you hear yourself babble somewhere far away. 

“You’re the fucking boss. I’m sorry I’m sorry I won’t disobey you again I’ll be a good girl I’ll do anything just please give me permission to come daddy please please please—”

When he moans, loud and depraved, it just about breaks you, but you manage to keep your resolve long enough for him to pant, “Go ahead, let it go.” 

With a choked sob, you untether your pleasure and allow it to expand, growing hot and wide and unlike anything you’ve ever felt. Every muscle in your body tenses up as the sensation swallows you whole, then spits you back up, sending wave after wave across your body.

“That’s it, that’s a good girl,” he grunts, taking his hand from your clit to hold your knees down and fuck your ass hard and fast and ruthless.

It surprises you when heat starts stretching out from the middle of you again. Your heart starts to race as the feeling grows. 

“Ffffuuuuck,” you whimper, “That feels so fucking good—”

“I told you, didn’t I?” 

“You did you did holy shit,” you meet his eyes and nod frantically, “I love it I love it—please can you come in my ass?” 

“Is that what you want? Want me to come in your tight little asshole?” 

A feral noise escapes you, and you sob, “Yes—”

“Do you wanna come too?”

“Yes—oh my god, yes, please please please daddy—”

“Come with me, baby.”

You let the feeling overtake you again, gasping out, “thank you thank you thank you,” as it takes you strong and fast. Pleasure pulses through your body, causing you to convulse and strain against Joel’s grip spreading you open. He releases a moan from his belly and gives you a hard, deep thrust that he holds for a shuddering moment. After emptying himself inside you, he pulls out, falling back to his seat on the couch. 

Chest heaving, you prop yourself up on your elbows and study him. He pinches his eyes shut and catches his breath before meeting your gaze again. 

His expression goes soft long enough for something dangerous to flicker between you. 

Then he turns away and starts getting dressed. 

“Get yourself together, I’m gonna go get your mom.” 

As you sit up, you fold your legs into your body and watch him button his shirt. 

“Joel—”

He looks at you, searching your face expectantly, but your brain goes static and you’re not even sure what you were going to say. 

“This stays between us, understand?” 

His tone is firm but gentle. You swallow hard and nod, “I understand.” 

Nodding, he glances down at your lips, then back to your eyes. He rises to his feet to leave, but before he does, he leans down to press a kiss into your forehead. 

“Good girl.” 

[ NEXT PART ]

#joel miller #joel the last of us #joel tlou #joel miller x reader #joel miller x you #joel miller x y/n #joel miller smut #joel miller tlou #joel miller fanfiction #joel miller fic #tlou fanfiction #the last of us fanfiction #tlou fic #pedro pascal character fanfic #pedro pascal #pedro pascal fanfiction #pedro pascal characters #pedro pascal smut #x reader #whatsnewalycat writes #ruthless joel miller

[sundrop-writes]

Meddle About

Sub!Spencer Reid x Dom!Fem!Reader

‘Cause it's not just a figure of speech - you got me down on my knees.

It's gettin' harder to b r e a t h e .

Summary:

You hate it when Morgan teases Reid. So when Morgan says that you are Reid's 'Mommy' - you verbally fire back without even thinking about it.

Reid vastly overthinks it.

So much so that he ends up calling you Mommy by mistake. And you definitely don't hate the sound of that word coming off his lips.

Sub!Spencer Reid x Dom!Fem!Reader. Co-Workers to Lovers. Smut. Set during Season One.

Word Count: 6,300

Criminal Minds Masterlist | AO3 Link

Detailed warnings and author's notes below the cut.

Warnings: general smut fic - porn with some plot; dom/sub dynamics (but this isn't a pre-discussed dom/sub relationship, the characters just fall into these roles naturally), Spencer is submissive and the reader is dominant; the main theme is Mommy kink - Spencer discovers that he has a Mommy kink after a joke that Morgan makes, referring to the reader character as Spencer's Mommy; Spencer calls the reader 'Mommy' and the reader also refers to herself with that title; the reader uses she/her pronouns and has a vagina (and breasts); it could be interpreted that the reader has larger breasts/is plus sized (but I think anyone of any size could enjoy this fic); the reader is part of the BAU; this is meant to take place during season one (baby Spence my beloved) but there are no other major canon events mentioned and the case being discussed is one that I have made up; some very background typical elements of Criminal Minds - murder, killing, systemic vicimization of women/violence from men towards women (passing mention of bodies being consumed by wild animals); the reader and Spencer fuck while on a case (but they aren't endangering anyone's lives from lack of their attention, so it's fine); mentions of potential injuries from a car accident (theoretical - doesn't actually happen during the fic); very slight threads of Morgan x Reader (mentions of Morgan being attracted to the reader - it could be one-sided); very passing mention of Reid having breeding kink (doesn't take place during the fic, just one of his thoughts); for the actual smut section: this could be interpreted as virgin!Spencer but that's not explicitly stated here (at most, this is just inexperienced!Spencer) (the reader is definitely way more sexually experienced than him); praise kink (we all known Spencer is so eager to be praised); mentions of breastfeeding - Morgan makes a joke about the reader breastfeeding Reid, which later turns into faux breastfeeding kink (the reader doesn't actually lactate, but she lets Spencer suck on her tits and calls it breastfeeding); the reader calls Spencer: 'baby', 'good boy',; descriptions of subspace - but it's not specifically called 'subspace' in the text; thigh humping - Spencer humps the reader's thigh; cumming in pants (Spencer); multiple orgasms/overstimulation (Spencer receiving); handjob - the reader jacks Spencer off while he is sensitive after his first orgasm; using lube as cum; dumbification kink - the reader calls Spencer 'dumb baby' and generally enjoys seeing his intellect drop the more turned on he becomes (Spencer also likes being called this); technically the reader doesn't get to cum, but she gets turned on from treating Spencer like the good boy that he is (and this is more about him). I think that's everything.

A/N: This was directly inspired by the scene from Reid's birthday party, where Morgan says 'Mommy to the rescue!' (talking about JJ) and then Spencer says '...Mommy?' and it seems like he is discovering his Mommy kink in real time. Especially because he is then trapped between Elle and JJ and he makes direct eye contact with their boobs, and he just has such a look of scared kink realization in his eyes. I considered copying that moment exactly and just replacing JJ with the reader character, but this seemed like more fun lmao. I had so much fun writing this and I think this is one of my best fics in a while. I hope you guys enjoy it!!

...

Generally, you hated being stuck with grunt work. 

You knew that it was all part of the job - an important part of it. Paperwork, side interviews, background checks. Sifting through someone’s apartment looking for aspects of what kind of person they were based on their everyday life. 

But you thrived more on being right in the middle of things. You preferred interacting with suspects, chasing people down, harsh confrontation. 

Gideon said that you were overly controlling, impatient, brutally honest - that you had an ‘abrasive personality’ that put most men off. But that was why he often brought you into interrogations with male suspects. Many of the people you caught - men with superiority complexes who targeted the weak to make themselves feel powerful - they hated that you weren’t intimidated by them. That aspect of abrasion between you and the suspects often brought out a lot of information - things they spewed out trying to intimidate you. 

But you weren’t needed on that front today. 

No - instead, you were doing grunt work. The kind of work that made you impatient and generally aggravated. 

The only upside was that you got to do it with Spencer. 

He was one of the only men that voluntarily worked so closely with you so often, because he wasn’t intimidated by you. He took orders from you very well and naturally fell under your authority, bringing a natural chemistry to your partnership when you worked with him. Plus - his seemingly endless stream of ‘fun facts’ was like listening to the radio, which did help to soothe your boredom during these kinds of mindless tasks. 

You were on a case in Texas. Five women raped and tortured before having their bodies hung from a tree and consumed by cotoyes that the UnSub knew lived in the area. Since police had closed in on him, he had gone on the run. He had killed three more women since fleeing, while leaving no clues as to what his ultimate endgame would be or where he would be going next. 

Hotch sent you and Reid to find that out while the rest of the team worked victimology and profiled the scenes of the most recent murders, following the trail he was leaving. 

After spending hours sifting through the suspect’s house, looking for any small clue about where he might be going - you came up empty. When you touched base with Hotch, he told you that you and Reid would be going to visit the suspect’s ex-wife - who lived four hours away. You needed to interview her to see if she could give you any further insight to the man, and perhaps - beat him to the house if she was the ultimate target. 

(A lot of the victims looked like her, and it couldn’t really be a coincidence.) 

You knew that lives were at risk, and it was juvenile of you, but all you heard was: long, boring drive. Boring day. You hoped that Reid would be good company through it. 

Now, you were waiting outside of the police station in the bureau-issued SUV, waiting for Morgan to come and give you the file with the ex-wife’s address and contact information. 

“Did you know that over forty-six percent of Texans own a gun? Texas is second only to Montana in registered gun ownership, where over sixty-six percent of citizens proudly tote their right to bear arms.” Reid told you, continuing to look over the case files that were sitting in his lap. 

When you looked over toward him to reply to this odd factoid, your mind got caught up on something else. 

“Reid, come on, take your feet off the dashboard!” You told him, reaching over to gently smack his knee, trying to encourage his legs down from the awkward position. 

It bothered you for several reasons - the idea that he would leave shoe prints on the dashboard, which was minor and cosmetic, but still annoying. And the fact that if the car did happen to get hit head-on, the air-bag would explode out and push his knees into his chest, causing his shattered leg bones to pierce his organs and possibly kill him. (At the very least, he would never walk again.) 

Speaking of which: 

“And put your seatbelt on!” You barked, now noticing that he wasn’t wearing it past all of the files he had piled into his lap. “You of all people should know how many deaths are caused by not wearing a seatbelt.” 

Spencer opened his mouth to spout out this exact statistic, but before he could get the words out, another voice entered the conversation. 

“Aw, Reid, listen to your Mommy.” 

You were almost startled by Morgan’s voice coming from the open driver’s side window so suddenly. His appearance there as if out of nowhere was so jarring that you couldn’t get caught up on the way he had called you Reid’s Mommy. Your head whipped toward Morgan so quickly that you didn’t notice the flash across Spencer’s features - worry, dawning. You didn’t take note of the way he rushed to comply with putting on his seatbelt. As if he was rushing to please you, even unconsciously. 

“I bet if you’re a good boy, she might even breastfeed you when you get there.” 

Morgan then pursed his lips and made loudly suckling noises, clearly imitating breastfeeding in what he thought was a comedic way. 

Again - glaring at the muscled man through the open window, you didn’t see Spencer’s reaction. You didn’t see the way his large, glassy eyes flickered to your breasts (only emphasized by your own seatbelt crossed over the center of your chest) before he forced himself to focus on the files in front of him so that he wouldn’t feel so caught.

“Shut up.” You told Morgan, your voice so commanding and firm that his simple order was enough to get him to stop his antics. 

“And give me the address already.” You held out your hand expectantly, and Morgan handed you the file, which you placed onto the center console. 

Then, you turned back to him for one last point, determined to have the final word in the conversation. 

“Besides, we both know that you’re the one who’s got an obsession with my breasts, anyway. Just because you stare while wearing sunglasses, doesn’t mean I don’t notice. My eyes are up here, pal.” You told him sharply. 

He let out a scoff at this, and rolled his eyes behind his dark frames - but he made no clever comeback. 

You had successfully bested him. And with that knowledge, you rolled up the window and left him standing dumbly in the parking lot as you sped off. 

… 

You pulled over later to put the address into the GPS system, and you let out a long-winded groan when you found that it was more than four hours away. Four hours and twenty five minutes. 

So you pulled over again to get gas and stocked up on snacks, and you were surprised that Reid wasn’t giving you some lesson about the colloquial use of ‘soda’ and ‘pop’ (thinking that you hadn’t listened the other ten times when he had gone on the same rambling point about linguistics and how language evolves). 

He was being far too quiet for your liking. 

But he was keeping his eyes glued to the files, and you guessed that he was churning over something in that big brain of his, like he usually was. 

You were entirely surprised when the next time he spoke - it wasn’t about the case at all. 

“How - how do you know that Morgan likes your breasts?” He asked, his voice low and mousy, looking straight ahead as he fidgeted with his hands in his lap. 

“What?” You gaped, the word flying out of your mouth as your brain was utterly slow to process what he had just said. 

Hearing Spencer use the word ‘breasts’ was jarring, but somehow utterly adorable. You found it stirring a slight heat within you. Especially because he was still so shy. The whole thing made you want to pin him down and force the shyness out of him. 

Spencer felt the need to further explain himself. 

“When - when you were talking to him, you said: ‘we both know that you’re the one who’s got an obsession with my breasts.’” He said, repeating back what you had said, word for word, using that perfect memory of his. 

You wondered if that’s what he had been doing, sitting there in his seat so silently for the past hour of the car ride - going over the conversation again and again in his head, trying to make sense of it. And because he couldn’t make any sense of it by himself, now he was consulting you. 

Again, you found it so utterly adorable. 

“Morgan didn’t deny it. So - was it a hypothesis based on something, or did you just call him out hoping that you weren’t wrong?” Reid continued, sparing only a singular glance in your direction, a look that you caught out of the corner of your eye with your gaze still mostly focused ahead on the road. 

You found it intensely cute that he was using the word ‘hypothesis’ in this situation. You wondered if he ever turned it off - the textbook big words and the intellect that he always carried himself with. You wondered if you could make him turn it off. You wondered if there was any situation where Spencer Reid could be as stupid as any other man - chasing a bone, desperate to get his nut off. 

For the first time ever - you imagined Spencer Reid underneath you, blabbering nonsense, begging for release with your hand around his cock as you pumped him, red and aching, so slick in your palm. Desperate, empty-headed, beautifully stupid. 

(See, this was what happened when you were forced to do grunt work. You got bored. And when you got bored - you had to entertain yourself somehow.) 

“It was a pretty well-informed hypothesis.” You replied. Now that Spencer had brought the topic up, you certainly weren’t going to shy away from the discussion. “Morgan often brings up my sex life, and wants to engage in detailed discussions about my sexual encounters with me. So I assume that he spends a fair amount of time thinking about me in a sexual way.” 

Reid let out a choked-off noise at this. 

You continued. 

“Plus, he’s always staring down my top. He’s not exactly subtle.” 

“You - you actually notice that kind of thing?” He chirped, his voice becoming a few octaves higher as worry flooded him. 

You bit your lip, suppressing a grin. 

Of course, you had noticed the times that Spencer stared at your breasts as well. He was even less subtle about it than Morgan was. You didn’t mind it when he did it, because you knew that Spencer wasn’t exactly casanova. He didn’t have a different girl every other week like Morgan did, so taking a glance down your shirt when he passed you a morning coffee was probably about as much action as he got. 

Secretly, letting him get away with it was your gift to him. 

“Don’t worry about it, baby.” You told him, the pet name slipping out mindlessly as you reached over and gently patted his knee as a form of reassurance. 

This movement unintentionally drew his eyes toward your chest, especially in his desperation to look anywhere but your face, not wanting to make eye contact with you. But he found his eyes glued to the swell of your breasts once again - hating how perfect they looked, even through the simple cotton shirt and plain bra that you wore. 

“Sorry, Mommy.” The word slipped out before he could even consciously process it. “Sorry!” 

Spencer raised a hand to smack his own face at lightning speed, and slumped down into his seat in embarrassment. 

You bit your lip to suppress a grin. It stirred a filthy heat in your belly. But you knew that Spencer likely needed a while to sit with this and wouldn’t want to talk about it - not yet. So you reached over and turned on the radio, letting the music fill the space so that the silence wasn’t so awkward and gutting. 

…

Spencer didn’t talk for the entirety of the rest of the car ride, which didn’t surprise you. 

When you finally arrived at the ex-wife’s house, his hands were shaking with nerves as he tried to unlatch his seatbelt. You probably should have just left him alone to struggle, but an evil spark, likely fueled by the boredom of the day, flared up inside of you. You couldn’t resist the urge to lean over the console, very purposefully showing off your breasts as you gently pushed his hands away and undid the belt for him. 

“Here, let Mommy get that for you.” You said, distinct teasing on your breath as you mumbled the words into his ear. 

Spencer huffed out a deep sigh and collapsed back into his seat, and pushed his hair out of his face in frustration. But he didn’t say anything more as you gathered the files in preparation for the interview. 

He only spoke when you moved to get out of the car. 

“Look, I-” He began a half assed explanation, and you easily cut him off. 

“You let Morgan get in your head too much.” You told him with a chuckle, opening your door and getting out. 

But as he forced himself to follow you with numb limbs - he knew that this definitely wasn’t all Morgan’s fault. 

… 

The ex-wife didn’t know much. 

She described the marriage as hell - the suspect exhibited all the typical behaviors as a husband that they would have expected. He hated women, and he wanted full control over his wife at the time, which eventually led down the path of divorce. They had to sell the house they had bought together, but neither of them had moved out of Texas since. But he hadn’t contacted her in years. 

She had two young kids from a new relationship, and when the woman stepped out to take a call, you picked one of them up to soothe his cries, hushing him gently while you rubbed his back. 

Because of this, Spencer found himself even more dizzy and confused. 

He knew that it was Frueadian - some deep, misguided part of his psychology - something broken and missing inside of him because of his own fractured childhood. 

But seeing you being so sweet with a kid, especially after the day he’d had - he wasn’t sure if he wanted to be your baby, or if he wanted to shoot his cum so deep inside you that it would ensure he could give you one. 

(Ultimately, he knew that it was likely both - and that didn’t answer any questions for him. It just gave him far more questions.) 

… 

Even though the ex-wife couldn’t give you guys much more than you already knew, Hotch wanted you and Spencer to stay close by in case the suspect decided to make his ex-wife the end game. The two of you would be able to make it to her first if she called for help. 

So you and Spencer had dinner at a random local barbeque place off the highway and Spencer still didn’t talk much through it, other than posing some theories about the case. Even though he was a bit more talkative, he still refused to look at you - he stared down at his plate the whole time. Though whenever he did look up, you noticed that his eyes lingered on your chest - and he still wouldn’t look you in the eye. 

By the time the bill came around and the two of you were ready to leave, you knew exactly what you had to do. 

… 

Spencer waited by the car with his bag while you checked in and got a motel room (needing to stay in town, you got a room for the night). When you came back, you handed him the room key and then moved to get your bag out of the car. 

“Do… you already have yours?” He asked quietly. 

“Hmm?” You hummed in reply, slinging the strap of your go-bag over your shoulder before you closed the back door and used the remote to lock up the car. 

“Your room key?” 

You suppressed another grin. 

“I only got one room.” You told him. “You don’t mind sharing with me, right?” 

You gave him a purposeful look - looked at him through your lashes, bit your lip slightly, and subtly squeezed your breasts together with your upper arms, emphasizing them. You knew exactly what you were doing to him, but hopefully it seemed subtle. 

“I - uh - no.” Spencer stuttered. “It’s fine. We can share.” He gave a grin, not wanting to appear upset, even though his entire body was racked with nerves. 

Spencer followed you to the room and he fumbled with the key with shaking hands for a moment before he sighed and then handed it to you. 

His insides quaked when he saw that there was only one bed. 

He wasn’t sure if he should say anything about it. The two of you had slept in the same room before, but you had never shared a bed before. Sure, you had slept near each other before. He had accidentally fallen asleep on your shoulder on the plane or vice versa. But you had never crawled into bed together with the intention of sleeping together. 

And yes, just the entendre behind it made Reid’s head spin. 

He had a heavy knot in his gut, and hatefully - a distinct stirring in his crotch. He could only imagine how embarrassing it would be for you to wake up and see him compromised in some way. Or god forbid, if you caught him moaning in his sleep because of unconscious dreams that he couldn’t stop - for you to think that he was some kind of dirty sex pervert because of it. 

He felt an overwhelming need to clear the air overtake him. He had no clue how to broach the subject, but he knew that he wouldn’t be able to spend the night like this. He wouldn’t be able to sleep with this anxiety hanging over his head. 

He studied you carefully as you sat down on the edge of the bed, ditching your bag off to the side and heaving out a tired sigh as you began taking off your shoes. 

Spencer put down his own bag and then stood there, fidgeting nervously as he searched for words. 

“I - uh - I am sorry about earlier.” He mumbled out the beginnings of an apology. “What Morgan said was stupid, and I-” 

“I don’t think it was stupid.” 

You let out a chuckle, and reached up the back of your shirt. Spencer found himself frozen, his eyes tracing your every moment as you unhooked your bra underneath your shirt and then moved to maneuver the straps out from your short sleeves while you kept talking. 

“I think he had a point.” You added on. “Good boys should get a reward. And I think you were fairly good today. You didn’t eat all your veggies at dinner, but you kept your feet off the dashboard and you were quiet during the car ride. You definitely get points for being patient during such a long trip, baby.” 

Your voice smoothed into a soothing tone, that word - baby - melting like butter over your tongue in a way that made Spencer’s knees wobble. He hadn’t known it until right now, but you calling him a ‘good boy’ and listing off such mundane things he had done that made him worthy of a reward fired off sparks inside of his brain. 

A breath choked off inside of his throat as you stood up off the bed and peeled your bra completely out from under your shirt. Somehow it was one of the sexiest things he had ever seen, revealing the hard peaks of your nipples and the beautiful natural teardrop shape of your breasts to him through the cotton fabric. 

Spencer wanted to speak, but his tongue felt so heavy and dry inside of his mouth. He knew that he was staring at your chest so blatantly now, but he couldn’t peel his eyes away. He couldn’t even feel ashamed anymore. 

That dull tingle in his crotch had turned into a full on stinging interest, and he unconsciously pulled at the fabric of his pants, trying to loosen some of the tension that was growing, not even considering how it might look to you - him dumbly reaching for his crotch to make it look looser when his hardening bulge was becoming more obvious by the second. 

It was one of the most ‘caveman’ things he had ever done in front of you - standing there with his mouth hanging slightly agape, pulling at his crotch without caring how it looked. You definitely wanted more, wanted to see how dumb he could get. How far you could make him devolve. 

“So what do you say, baby boy?” You hummed, stepping close into his personal space now, causing him to get a whiff of your perfume - something that was only a dull trace after such a long day, but still smelled so good. “Do you want Mommy to breastfeed you? Do you wanna suck on my tits as your reward?” 

You gently ran a thumb across his cheek, and paired with the words, Spencer’s brain short-circuited. 

He knew realistically that you weren’t actually offering to breastfeed him. There was no evidence in your life to say that your body could actually support the production of milk currently - but you were offering to let him play pretend. To suck on your tits with a very sexual air, to call you Mommy without the teasing humiliation behind it that Morgan had hinted at (or maybe Spencer liked that humiliation, he wasn’t even sure). (He hadn’t even known before this morning that he liked the idea of calling you Mommy, but here he was). 

All he could conjure in response was the dumbest, non-human sound. 

“Nngh.” 

It was a grunt from the back of his throat - too much blood swelling to his cock all at once and too much direct attention from you making him dizzy. 

You giggled quietly. 

“Come on, baby. Just say the word. And Mommy will give you everything you need.” 

Spencer inhaled sharply. At this point, he was desperate to get some oxygen to his brain. 

His mind was racing, chanting out: 

‘Yes! God, yes! I want it so badly, Mommy! I want anything you’ll give me. I need you. I need you so badly.’ 

But all his lips could form in the wake of such dizzying lust was: 

“Please.” 

“Good boy.” You sighed. 

You used a hand on his chin to tilt his face up to meet yours, and you consumed him in a kiss - he was hungry and eager to meet your touch, moaning loudly into your mouth, his hands racing to touch you now, rushing up to grip on your hips in the most utterly needy way. He balled the fabric of your shirt in his fists, like he couldn’t get enough of you - like he was afraid you would dissolve away if he let go of you for even a second. 

It was cute, to say the least. 

You only let the kiss last for a moment, though. You pulled away to a disappointed whine from Spencer, which you quietly hushed. 

“Hey, it’s okay baby.” You soothed him. “Come here. Mommy’s gonna take good care of you.” 

You lead him toward the bed, getting rid of his tie in the process, and Spencer stepped out of his shoes along the way. You slid onto the bed and laid up on the pillows on your back, Spencer clumsily following you, crawling on all fours. The two of you had barely started, but he was full-on panting now, racing to catch his breath while his blood hammered through his veins. 

He watched on with eager curiosity while you got comfortable, fluffing the pillow under your head before you then reached down and pulled up your shirt. You pulled the fabric to sit up under your chin, finally revealing your gorgeous breasts to him. 

If he was lost for words before, then he had receded back to a total neanderthal now. 

His mouth fell open and his salivary glands started working overtime as his eyes raked hungrily over your chest - enjoying the pure beauty of the fatty mounds, striped with zig-zagging stretch marks and completed by your hard peaked nipples. 

“Here, come on, baby.” 

You had to remind Spencer what the goal was, guiding him into place with a hand on the back of his head. You helped ease his body to lay on top of yours as he relaxed into you - and his mouth finally found its rightful place on your breast. He became greedy, suctioning hard on your nipple as though he might actually get something out of it. 

Truthfully, he did get something out of this. 

It definitely wasn’t any form of nutrition, but it was something that drove him lustfully insane and made his head fuzzy and warm in the best way. This was the only time in his entire life that he didn’t have ten thousand thoughts running through his mind like the news blasting on television in the background. This was the only time since his first conscious memory that he had actually known his mind to be quiet. 

He felt intensely thankful for it. Intensely thankful toward you for giving him this feeling. 

In that moment, without all the noise, all he knew was the comforting feeling of your fat tit under his mouth, the heat of your body under his own as you cradled him. The soothing firmness of your hands through his hair and down his back - and the distant, sweet purring of your voice in his ears. 

“Good boy.” You hummed, loving the feeling of him moaning around your nipple - so constant and so greedy now that you were sure he didn’t even know that he was doing it. “Such a good boy for me. Such a good boy for Mommy.” 

Your cunt was humming between your thighs, aching so hard at seeing Spencer like this. The usually composed, intelligent, practically robotic Doctor Reid reduced down to a blubbering, moaning, needy mess just because he wanted to suck on your tits. 

Just because you had called yourself Mommy a few times in his presence. 

It was so utterly beautiful, and you wanted more. 

(You didn’t think that you could ever let him go after this. You probably wouldn’t be able to stand the idea of another woman touching him after this. But you would have to think on that more later.) 

You noticed Spencer canting his hips, unconsciously seeking friction against his hard cock while he continued to suck on your breast. With his eyes closed blissfully, drool gathering around his lips where they met your skin in the most utterly adorable way. You couldn’t help yourself - you scooted your knee between his thighs. You then used a hand to help his hips into place, adjusting him so that he was getting good friction against your denim-clad thigh. 

“There you go. There you go, sweet boy.” You hummed, feeling another jolt through your body when he let out a sharper moan against your tit, and began humping your leg in earnest. 

You were quick to encourage him, putting both hands on his hips and helping him along while he greedily hung onto you. He had on your hip, the other hand slipping up to cup fingers around the bottom of your breast, making sure you didn’t escape him while he moved his body against you so frantically. 

“That’s just what you needed, isn’t it, baby?” You moaned out, your voice wavering slightly as the pleasure of it all thrummed through you. “Just a dumb little baby who needed Mommy’s tit.” 

The term ‘dumb little baby’ came flying out of your mouth before you could stop it. Though you knew exactly why it happened. Seeing such a brilliant genius reduced down to this truly did something to your ego. And apparently hearing those words from you did something to him, too. 

He whined sharply against your skin and his hips stuttered abruptly. You knew it wouldn’t be long before he came in his pants, his cock throbbing against the friction of your thigh. And this thought alone caused your mouth to run off without restraint. 

“Such a needy little thing.” You sighed. “You love being Mommy’s dumb baby, don’t you? Not a single fucking thought between your ears, just sucking on Mommy’s tit without a care in the world.” 

Spencer moaned and it sent another jolt through your body - another harsh pang through your cunt. You loved how much he needed you. You loved how much he was clearly eating this up. 

You didn’t even care if you got to cum tonight; you just wanted to exhaust him for all he was worth. Because he was so fucking pretty like this. 

“You gonna cum for me, baby boy? You gonna cum for Mommy? Come on, baby. Cum for me.” 

These words were what ultimately sent him over the edge. Well that along with your strong hands on his hips, encouraging him along while he was mindless and busy mouthing on your breast.

His jaw dropped open, finally loosening that desperate suction on your now slightly sore nipple as he began to pant frantically over your now spit-soaked skin. He moaned hotly while he humped you in an entirely adorable, almost distraught manner - absolutely desperate to have the most friction on his cock while his orgasm overtook him. 

You could feel his needy cock throbbing against you, trapped inside of his pants, shooting off hot ropes of cum that quickly soaked into his underwear and even then, seeped into the fabric of his slacks. You grinned and bit your lip as you felt that wetness even beginning to soak into your jeans, knowing he must have set off quite a big load. 

Spencer soon collapsed on top of you, gulping in air as he tried to catch his breath. 

Any normal person would have taken pity on him (seeing as he was clearly nervous and inexperienced) and wound things down to end the night here. Anyone else would have likely let him rest. 

But again, you felt devilish temptation overtake you. (It was a feeling that seemed to be much more ripe around Spencer Reid.) 

You just felt thankful that your temptation and inclination toward chaos came in the form of lust, rather than something more violent, like the people you studied every single day. Everyone around you should be thankful for that. 

You used your leverage (and the fact that you weren’t nearly as exhausted from the experience) to flip him over onto his back. He let out a surprised sound as his back made contact with the mattress - blinking up at you with shocked, glassy eyes as you moved down his body slightly. 

“Wha-?” He mumbled out the question, only getting out part of the word before you reached for the zipper on the front of his now wet pants. 

“Hey, shh, baby. I just wanna see you.” You told him quietly, causing him to stare down the length of his own body at your hands as you worked. 

You got the button and zipper undone quickly and you let out a quiet ‘fuck’ as you peeled back the wet fabric of his grey slacks to reveal the sight of his simplistic (very Reid) white cotton underwear slightly transparent and stuck tight to his cock, coated in wet, sticky cum. 

“So pretty baby.” 

He only whined in response. 

You couldn’t help yourself - you reached up and pulled down the waistband of his underwear, feeling more lust pricking through you as he was truly revealed to your eyes. He was perfect. Glossy and wet with his own release, his cock pinky red from the exertion and friction, still half hard. You pulled the clothes down over his hips and he lifted his body to help you, clearly glad to be rid of the mess, and the second you untangled the fabric from his ankles and ditched everything aside, you were back on him. 

You skimmed the tips of your fingers oh-so-lightly up his shaft where it was sprawled across his pelvis, and his hips jolted. He let out a bitter gasp - as though cold water had been splashed across him. 

“You said-” He choked on the words as you ran your thumb right underneath the crown, gently pressing into the head, causing him to choke on a moan while his knees quaked. 

You sat on his knees to keep him still and his head became so fuzzy once again. 

‘You said that you only wanted to look.’ 

The sentence died off in his lungs somewhere, and truthfully - he didn’t want to protest. He didn’t want you to stop. 

“Sens-sensitive.” He whined. “Too much.” 

“But you’re so pretty, baby.” You replied, your voice turning smooth and warm like butter again, melting over his whole body, causing all of his muscles to go soft and pliant for you. “Your cock is so pretty. I need to touch you.” 

He let out another strangled noise when you cupped your hand and took him fully in your grip this time, giving one good tug across his cock from root to tip. When you did this again, faster this time, his lungs seized inside his chest - trying to take in oxygen so quickly, as though he were drowning on dry land. 

“You gonna be good for me, baby?” 

“Yes.” He gargled back in response. “Yes, Mommy.” 

He was already so wet from cumming in his pants, and he let out a pathetic dribble of precum as you continued to move your hand - so it was an easy, slick slide. One that sent harsh shockwaves through him from overstimulation. Against his own will, he soon ballooned back to full hardness - becoming painfully swollen in your hand while you sped up your touch and closed your fist tighter around him. It caused the most wonderful hurt between his legs, and made a downright filthy wet sound as you pumped your grip faster along his needy cock. 

Spencer heard wailing and felt the soreness against his throat before he realized that he was the one making those desperate sounds. He distantly wondered what it might sound like to someone else, if the rooms on either side were occupied, if the motel would receive a noise complaint about some frail woman getting fucked to death by her husband next door - because that’s what he sounded like in his own ears. 

But any of those half-thoughts were chased out of his brain the second you flicked your thumb up over the head of his cock and your dirty mouth filled his ears once again. 

“Gonna milk this pretty cock, baby.” You told him, your voice firm. “You gonna show Mommy how much you can cum for me? Gonna show me what a good boy you are?” 

Spencer let out another pathetic sound, his body singing with pleasure at his pure need to prove to you that - yes, he was a good boy. 

He felt tears wet on the side of his face before he realized that he was crying, but it was all too good to ask you to stop. 

You used your other hand to cradle his balls and you swooped down to capture his gasping mouth in another kiss (a very messy, open mouthed kiss that Spencer could barely pay attention to). Spencer screamed into your mouth while he painted his stomach with cum once again.

You only stopped jerking his cock once you had truly milked every last drop from him, his hips seizing up off the bed and your hand almost slipping off him completely from how sloppily wet it was with more of his cum added to the mix. 

He was purely exhausted then. His eyes blinked heavily, struggling to stay open. He vaguely remembered you cleaning him off and tucking him into bed - but he definitely enjoyed falling asleep curled up next to your warmth. 

…

The next morning, Spencer felt hungover. 

He wondered if that’s what good sex always felt like - the combination of endorphins rushing through your body and physical exertion tackling you over. His legs were sore, as though he had run several miles. (Which wasn’t even something he could make a bold comparison to anyway, because he didn’t exercise nearly as much as he should for someone with this job). He woke up starving, grateful when you drove to a diner down the road after checking out of the motel and planted him in one of the booths before going outside to call Hotch in order to touch base with the rest of the team. 

You came back with a small grin on your face. 

“Turns out that tip the ex-wife gave us about their first house in Arlington was pretty solid.” You told Reid. “They caught the guy on his way there. He had another girl in the trunk. They got her back mostly unarmed, and took him into custody.” 

Spencer nodded. “That’s good.” 

When he moved to grab another sugar packet out of the caddy on the side of the table, three of them already open and empty beside his cup of coffee, you grabbed him by the wrist. 

“That’s enough, baby.” You told him. 

His stomach curled, that distinct feeling running through him again. And against his will, that word slipped out - again. 

“Yes, Mommy.”

...

A/N: This is a standalone oneshot. There won't be a sequel or a continuation, so please do not ask for one. If you liked the fic, please comment about the body of work that has been written, or consider reblogging to show your appreciation. If you want to see more Spencer Reid fics that I have written, you can check out my Criminal Minds Masterlist, or you can check out my Masterlists for other fandoms to see if anything catches your eye. Thank you for reading!

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