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sebastianswallows · 30 days

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The Little Death — 2. A dream of life

— PAIRING: Feyd-Rautha Harkonnen x Bene Gesserit!Reader

— SYNOPSIS: A Bene Gesserit gets left behind in the Arrakeen palace. When Feyd becomes the Planetary Governor, he finds her there in hiding. The Harkonnens don't traditionally keep them as truthsayers or concubines like other Houses do, but Feyd might have a use for her. After all, he's never had a Bene Gesserit of his own before.

— WARNINGS: a bit of voyeurism

— WORDCOUNT: 2.4k

— TAGLIST: @elf-punk

The best art imitates life in a compelling way. If it imitates a dream, it must be a dream of life. — Darwi Odrade

She confessed with regret that she did not, in fact, have one of those pain boxes. A Gom Jabbar was available in the palace and in fact was in the Harkonnen's possession as far as she knew, but that was just a poisoned needle tipped with meta-cyanide. What he was after was the… active part of the humanity test. That was only at the disposal of those sisters qualified to carry it out.

She was certain Feyd would do away with her once she explained how and why she didn’t have what he was after and prepared herself internally for death. But it never came. He paused in thought and nodded, and his cool eyes moved away from her with a shadow of sadness to them. Then he turned around, his broad shoulders clad in black exposed to her, and walked toward the table.

“You will come with me.”

He picked up a shigawire reel and shoved it in a compartment of his suit, a small pocket at the side of his chest, then walked right by her on his way out of the room. She followed obediently.

The palace was quiet, free of the usual fuss that filled it during the day — servants scrambling, scraping like traumatised automatons just trying to survive — but as they walked past the way she came she heard a violent sound from the direction where her old room was. They’re destroying my things, she realised.

Her eyes turned to Feyd-Rautha’s back once more, the smooth black of his clothes and white of his skin, and she wondered what plans he had for her. Would he be more subtle with his killing than his brother was, or… more creative? Would she be able to use the stunning word and paralyse him in time to get away? Would she have to kill him instead?

“Am I going too fast for you?” he asked over his shoulder. It was not an honest question, as she could tell from the smile in his voice.

“No?”

“Funny. I can hear you breathing.”

She bit her lip and glared at the back of his head.

They passed from the most shadowed places of the palace into the well-lit ones where snow-white lamps hung in the air. There were more guards in this area too, and she gradually realised they weren’t going to the prisons. They were going to his quarters.

“After you,” he said, stopping in front of a jaundiced pair of double doors guarded on each side by armed guards as still as statues.

She looked up at him warily as she stepped forward. He was still smiling in that cocky, boyish way, but something was incongruent. His awkward pose — not quite facing her, not quite to the side — the bent of his back as if he tried to make himself seem shorter, his arms somewhat aimless at his sides… He was trying to be polite and he didn’t know how.

She stepped inside. His room was nothing like what she imagined. The natural pale yellow of the Arrakeen stone gave it a softness that was at odds with the black linens on the massive bed. Moonlight streamed from the twin window slits on the opposite wall, and on the smooth tables lay an array of little boxes, pots, and cases left half-opened. There was a scent of ink there that cut through the modest smell of disinfectant. He’d only just moved in… He hadn’t had a chance to make the place his own yet.

As she analysed these new surroundings, Feyd stepped in and the doors closed behind them, leaving them alone. The palace seemed all the more distant now.

“My lord na-Baron?”

“Hm?” he muttered as he walked right past her, going to place something inside a drawer by the bed — the shigawire reel.

“W-what… what would you have me do?”

“You can do whatever you like.”

Her eyes slid toward the door. “Can I leave?”

She didn’t expect him to say ‘yes’, but she expected even less what he said next.

“Leave?” he chuckled, looking at her over his shoulder. “Where would you go? You’re my Bene Gesserit now.”

And he continued preparing himself for the night as if it was the most normal of circumstances. A part of her, the most human part, felt offended, but from the periphery of her mind, her training whispered to her what was really going on.

Feyd-Rautha kept his back turned and his attention on the objects in his possession — diskettes of reports he sorted for later reading, the daggers at his belt, the signet ring around his finger — and he spoke to her most dismissively and distantly. He was treating her like a stray cat he had just found and brought into his bedroom. Now he was letting her explore her new home, but he still did not dare to look at her directly, to watch her as openly as he desired. In his every move, however casual, there was nervous self-awareness. Completely opposite to how confident he’d been before he met her.

She’d served the Fenrings before, and the Atreides after them, but until now she had never quite felt owned. Still, if it was a kitten the Harkonnen wanted, that was what she would provide.

Without addressing him, she stepped sideways and turned, letting her posture loosen. Her head tilted back in a light stretch to relieve the tension of expecting death. She moved in a wide arch, slow steps, small sounds, while her fingers traced the surface of the wall for no reason in particular, just to absorb its texture.

“Why do you want me?” she asked in a low and silky voice. Seduction seldom failed with arrogant young men.

“I told you,” answered Feyd rather too quickly, his head bowed as he pretended to clean one of his blades.

“You’ve never had a Bene Gesserit of your own…”

“And it’s about time to have one.”

“Would the Baron approve?”

“It doesn’t matter,” he said, finally looking up at her. He smiled at the sight of her slinking across the room, dark dress trailing behind her. “Things can change, even in House Harkonnen.”

She paused mid-step to smile back at him. “Changes awaken something in us…”

He gave a noncommital hum and started walking to her, his head tilted in a thoughtful way.

“What sort of things do they teach you?” he asked. “At your… Bene Gesserit school?”

“Many things,” she said with an inviting tone. “Control of the self, the mind, the body… Understanding of history. Political strategy.”

Feyd came to a stop before her, a trepidation into his step. He walked until he cornered her in a darkened divot of the room. Standing a full head taller, he looked down into her eyes.

“What do you want to know?” she whispered.

He frowned, that strange smooth brow ridge wrinkling quite innocently, and his eyes betrayed transparent thoughts. He didn’t know what he wanted to know, but he knew he wanted something.

“What does… a Bene Gesserit do?”

“That depends on what our master wishes.”

“But what do you usually do?”

“We teach. We advise. When asked, we serve.”

“Did Paul Atreides have one?”

“Yes. His mother, Lady Jessica.”

The hints of jealousy were faint. There wasn’t much to envy in the dead… But he looked at her with that strange look in his eyes again, that speck of a little boy lost, and something in her instinctively wanted to cup his cheek, to pet him, and hold him close. She did not doubt that something inside of him wanted it too, and her body was just responding to the subconscious observation.

“Can you kill?” he asked.

“If I have to.”

“And have you?”

“Not yet.”

“In that way, I’m better than you, Bene Gesserit,” he chuckled.

And suddenly, his hand came up to grip the back of her neck. She was startled by how quick the movement was, how his body gave no tells that he would make it. A true predator. He pulled her closer, strong fingers tightening against her nape, pressing her against him. Beneath his armour, the plates of his body were strong. Every feminine part of her responded with a cascade of lust — not at the hidden hint of beauty but at the symbol of his pride. He wasn’t just a pampered princeling living through his allotted years of beauty. He brought his body to the peak of its potential. The motion pulled the veil off her head, and his eyes went to her soft mane of hair. His grip stayed firm, but his gaze traversed this new part of her as if it were a landscape, with hills and dales and quiet streams, all flowing down.

“Na-Baron,” she whispered, hand coming up to grip his wrist.

“Shut up,” he said, blue eyes still focused on her hair. “Go to sleep.” And then he let her go.

He turned from her and walked away with the energy of someone ready to run off — but there was nowhere for him to go, and his steps slowed. She watched him as she rubbed the sore back of her neck, watched how his head bowed for a moment as if he’d just woken up, how he walked toward the large square bed, how he started taking his clothes off…

He was a strange sight indeed. A broken psyche that reflected the duality present in his features — cold and frightful, soft and gentle, brutal but not so much from the absence of affection as from the presence of cruelty on top.

“Where shall I sleep?”

“Hm? Oh…” He looked around as if only just considering that fact. “Whenever you like,” he said, giving up quickly on thinking about it. “But here, in this room. You don’t get out of my sight, little witch. Not until I decide I can trust you.”

He pulled the layers of clothes off. First the armour on his back and shoulders, then the belt around his hips, and the second skin of the black suit that hugged his body.

“And… what shall I wear to bed?”

He paused and turned to look at her. His chest was as white as his face, but strong and chiselled, far less delicate. It shone with the sweat of a long day beneath the yellow light.

“Wear?” he rasped, his lips twisted in a quizzical smile. “Why should you wear anything?”

She settled for sleeping in a chair in a corner of the room. Feyd had gone to sleep completely naked, and he’d not been shy of parading his body around. She watched without fear, without shame, taking note of all the ways his muscles worked, the stretch and give of the skin, the scent of sweat, of blood.

Noting how much he seemed to like her hair, she did not cover it again, and after he fell asleep she quietly took the top layer of her clothing off. The Harkonnens were used to having their servants quite exposed, but she was not about to give him cause to think that that was what she was. If she wanted to survive, she had to walk the tightrope of perception. She had to be above him, as well as below. A knowledgeable Bene Gesserit sister, with all the guileless charm of a kitten.

She remained in her shift, a long grey piece held up by two thin straps, and used her dress as a blanket. She did now sleep but instead pretended to as she entered a state of Prajna meditation.

The secret pathways out of the room became known to her, faint currents invisible to the conscious mind. A spy hole existed in the western wall, covered on both sides by thin material. To the north, a doorway with no handle led into another room. Beyond it, sounds of restless sleeping. Three figures — feminine? Outside, the guards stood watch, but one was close to sleeping.

She was almost at the point where exhaustion caught up with her too, and like a slow receding wave her meditation ended. Her body lay relaxed and limp, head resting on her shoulder, hands folded. But with the last thread of her extended senses, she caught the taste of struggle in the room. Rapid heartbeat, frantic breathing, shifting eyes behind closed lids. Feyd-Rautha was dreaming.

Soundlessly, she slid off the chair and left her dress on it. The floor beneath her naked feet was cold as ice, it made her want to shiver, but she maintained control of every muscle as she walked toward the bed. Feyd’s body was twisted in the silken sheets, twitching, tense. Jolts disturbed his restful state as if in his mind he tried to get away from something. She could almost see the phantom trace of touches on his skin.

He slept on his front, arms thrown above his head, legs spread. His tossing made the sheets slip off his back to reveal a taut, tense expanse that ended in soft cheeks. Beneath them, the faintest hint of hairless, purpling swells and a limp length. He was so vulnerable…

As she got closer, she could hear him mutter words in a foreign language. Was that what they spoke on Giedi Prime? She could make out influences of galactic language all the way to those of the old Earth, but it was just enough to only guess what he was saying. The tone, nevertheless, was clear. He’s afraid, she thought.

She crouched at the edge of the bed where his naked foot hung off the side, her brow crested with worry. He was dangerous, she dared not touch him, and however much she wanted to wake him as a simple human kindness she wanted even more to see where his nightmares led.

With a long and frightful wail muffled by the pillows, Feyd dragged his strong beautiful body upwards, curling like a snake. He pulled his knees up to his chest and started shaking. Every now and then, his foot would kick. The sign of running in a dream. The whiteness of his body, pure and pale as chalk, the hairlessness of even his masculine parts, it made him look so fragile, so defenceless. A fascinating specimen. To think, the step just before the Kwisatz Haderach would look like that...

She let her body fall down to the floor and propped herself against the mattress, her cheek upon the bed. And she watched him, following the shadow of his dreams, for as long as the night went.

#Feyd #Feyd Rautha Harkonnen #Feyd Rautha #Dune #Dune part 2 #Dune fanfiction #Dune imagine #Feyd Rautha x reader #Feyd x reader #Feyd Rautha fanfic #Feyd Rautha imagine #sswallow;fanfics #sswallow;made a thing #fanfic;littledeath

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wipbigbang · 29 days

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2024 WIP Big Bang Schedule & FAQ!

Schedule

All times are by 11:59pm PST. Convert time zones.

Sign-ups Begin- April 15th Sign-ups Close- May 21st Check In #1- May 22nd Check In #2- June 15th Snippets Due- July 1st Art Claims Begin- July 17th Check In #3- July 22nd Check In #4- August 6th Rough Drafts Due- August 15th Posting Claims Begin- August 23rd Posting Claims Ends- September 1st Final Drafts/Art Due- September 7th Posting Starts- September 8th

FAQ

What is the WIP Big Bang? Good question! This is a Big Bang with one goal in mind: to clean out your fanfic drafts folder. These are stories that were unfinished for whatever reason, that authors returned to and completed, and the art that goes with them!

Do I need a Livejournal/Dreamwidth/AO3/etc. account to participate? No! You don’t have to have an account on anything to participate, though you will need to have somewhere to post your finished work. Having one or more accounts will help for you to follow what is going on with the bang (we crosspost to Dreamwidth and Tumblr and heavily use our Discord server at the moment), but they are not required to participate. You can always leave comments anonymously or with an opensource ID.

How many fics can we sign up for? We absolutely don’t mind multiple sign-ups. I know one year someone submitted 50 fics to finish, and got at least half of them done. We just ask that when you sign up with more than one fic you give each fic a unique user ID (please do not use the same ID for all your fics...it’s important to have different IDs for the check-ins).

Will I get emails about the bang? We do send out some emails, mostly for snippets and art claims and to ensure communication between authors and artists, but please do NOT rely on getting an email to remind you of due dates. We currently do not keep an updated email list of participants, so we only send individual emails as needed rather than mass emails.

However, email is the fastest way to communicate with the mods. If you have any questions or are having trouble communicating with your artist/author, please do email us! We will do our best to respond quickly.

What do you mean by minimum word count to enter? This is a WIP Big Bang, therefore we ask you to have at least 500 words of your story drafted when you enter.

Can an outline count towards those first 500 words that are needed at sign up? We have admitted work on an outline before so yes, if your outline is fleshed out enough to cover a 7,500 word+ fic, we’ll allow it.

Are multi-chapter fics allowed? Yes, multi-chapter fics are allowed and even more so encouraged if your fic is lengthy.

What about fics that are already posted on ao3 in part? Do those qualify for the bang? It's okay if you have posted a few chapters of your fic already (you never know when the muse deserts you, after all), we just require you to refrain from posting more until posting begins here. All we ask is that you not post any public updates to the fic until September 1st (or August 1st with the mod’s okay). We don’t want you to lose kudos and comments so don’t worry about pulling the fic down, just hold off on updates for now.

Is there a minimum word count? 7,500 words for each finished fic, but the sky's the limit, right?

I see that the fic minimum is 7500 words and that published WIPs are acceptable - but what if the WIP I’m considering is already more than 7500 words? Is the expectation to add an additional 7500 to it? No. You can add as much or as little as you need to finish the story, though we do expect at least 1,000 or so new words if your WIP already meets the word count.

What happens if an author finishes the fic they signed up with but it’s less than 7,500 words? The intent was to go over the minimum but once they got into it the story was shorter than they thought and stretching it out would make it less good. Do they have to drop out at that point? By all means, we want your stories to feel as natural as possible, and if it’s under 7,500 words you may have two options:

1 - Drop the fic for the main BB event, post it now, and wait to post it to our AO3 collection in February when we run our International Fanworks Day celebration of finishing fics that are less than 7,500 words when finished. There’s no art for the fic, but bragging rights are posted to the communities for a week.

2 - If there are enough fics that fit that category, we can do a special day of posting the fics, but you’ll have to forgo art for the fic. I, as a mod, would probably pick November 30th for the posting day, as it’s the last day of posting for the bang and I don’t think anyone will mind more than one fic that day. You can post bragging rights to the community and share the fic with everyone.

Is there anything not allowed? As long as you wrote it and you want to finish it, you're welcome to participate. RPS/RPF is fine. Incest pairings are fine. Things like that I know have been hinted at in questions asked and as long as you tag for them, we’ll allow it. Also, canon settings with mostly OCs is allowed. We just ask that it be tagged properly with any content warnings you would deem fit and be given the appropriate rating for the level of sex/violence there is in the fic. Just bear in mind that while original work is allowed you may not get art for it.

I have a fic I wrote a few years ago, but only the first couple chapters are posted on AO3 because I was never happy with the rest of it and knew it needed major revision. Is that something I could use for WIP Big Bang? The entire fic has been posted, but only on one platform, and it would be rewritten for AO3 and WIPBB. I think revising a fic for posting would work, as long as you have at least 500 words done, will have 7,500 words at a minimum when it’s done, and are planning to add more to the fic. Simply rewriting what you have would be a gray area, but if you’re going to take stuff out and add new scenes, either in the old scenes place or on its own, you should be fine.

What's the etiquette around OC-centric stories? Ones that are set in a well known fandom and use several characters, but still lean a lot on original characters? Are they discouraged, or fine? Based on my own personal experience making art for a story that had a heavy OC presence, it’s not something we discourage at all, but be forewarned when it comes to the art accompanying your fic your artist may not be able to incorporate the OCs into your art. Not everyone makes art of a hand-drawn or digitally drawn nature, so it helps if you have people for face claims ahead of art submissions, and you and your artist communicate regularly. You can also end up with art not featuring the OCs at all, just the canon characters, which is not necessarily a bad thing. Your other options are to bring in an artist you trust with your vision of your OC or to make your own art (we do allow that, we just need to be told during the check-in before art that you’re bringing in your own artist if you go that route, or that you’re doing your own art…there will not be a need to sign up in the artist’s sign up, however), or to opt-out of art entirely. So there’s plenty of options to call on when it comes time for art.

What are 'check-ins’? These are a way for us to see what you've been up to and for you to make sure you're still on track. It will give you a little nudge/reminder if you need it, but they are not compulsory. Basically a form is posted that you fill out with your user ID (unique for each fic) and a checkbox to let us know you’re still participating, plus a section for any notes for the mods.

How are the check in IDs used? They are solely for the mods organizational purposes. Each ID being for a separate story allows us to keep all the information you submit during check-ins and for snippets in one line on our spreadsheet. You don’t have to share your check in IDs with anyone else if you don’t want to.

How much progress should authors be making between each checkpoint? (Percentage-wise from our estimated total wc, I guess?) Ideally, with each check-in, you should be at least 25% closer to finishing. The end word count only really matters in that the fic needs to be at least 7,500 words when done, so it’s more your progress towards finishing that should be measured, not so much the word count.

What are the snippets requirements? In order to allow the artists to make art for the story they claimed, we require you to supply three snippets from your fic, between 500 – 1500 words each. The snippets will be sent to the artist after they have claimed your story. They're to help the artist match your story for artwork the best way he or she possibly can. It’s helpful to choose scenes or parts of scenes that you feel best represent your fic, but don’t feel like they have to be perfect to be submitted. Along with the snippets, we will send your artist the basic fic info and your email, so the two of you can collaborate more if you would both like.

What are the rough drafts requirements? For the rough drafts, stories should be at least 80% complete. You will not have to turn them in to us, just assure us that you are at that point. Anything less is at the discretion of the mods and those authors should speak to one of the mods asap.

What is, and do I need, a beta? A beta is basically a person who goes over your work to make sure that there are no spelling/grammatical errors and they can even be of assistance in helping you with story lines, etc. It is highly recommended that a beta looks over your work before posting. If you are having trouble finding a beta, try this post.

Where can I post my fic/art? Stories and art can be posted to your own personal journal, Tumblr, ff-net, AO3, or wherever you like. For those of you with AO3 accounts, we will set up a collection that will go live on the day of the posting. If you don’t currently have an AO3 account but would like one, you can contact the mods for an invitation code to see if they have any available. You can also add yourself to the AO3 Invites Request queue.

What does posting look like? Do we have to post the whole thing on the day, or can we stretch it out between when posting starts and our date? I’ve had a few longfics get killed by big bangs forcing posting to happen on a given day, and would prefer to avoid that if possible. For most fics, posting to AO3/FF.net/other places will be allowed to start in September and you can stretch it out as many posts as you want as long as the complete fic is up by your posting date (and posting dates go from September 8th to November 15th with two weeks for emergency posting). However, you can send us an ask/e-mail about posting as early as August if you have an extremely long fic/something with a long posting schedule. Mostly what we want is the fic to be completely up on the website of your choice by your posting date, and I know some people don’t want to overwhelm their readers. So we want to work with writers to give them ample time to post the story up to their posting date.

Now, as for posting to the communities, you get to choose which day your link to the story and bragging rights are posted, and as I said, we have a range of dates from September 8th to November 15th with two to three stories posting a day. If for some reason you miss your posting date, you have until November 30th to post to the community, during the two weeks of emergency posting, with a possible extension after that due to the amount of participants needing to post later. So hopefully there should be plenty of time to get a longfic up and posted to the website of your choice and our BB.

Will the three snippets per story we have to send in be the ones we want the artist to make art for? Or can it just be random snippets and then later the artist and I can check together to see which scenes would work best for art? So ideally, you and the artist will be communicating once you’re each sent each other’s contact information, and you’ll give your artist a chance to read all that you’ve written at that point. That’s what happens in most cases. If your fic gets picked by an artist and they don’t work with you, then the snippets you sent will be what the artwork will be based on. It’s a good idea to know that, while most of the time the artists work closely with the authors, there are a few exceptions to that.

How do I know when to post? Posting will be tiered; you'll each get your own posting date that you and your artist will decide on together. There will probably be four fics, plus art, posting per day between September 8th and November 30th. The post with date claims will go up on August 23rd and you'll have to choose your date by September 1st.

Posting of chapters on AO3 or your own blog (or wherever you usually post) generally starts September 1st, but you can post earlier (as early as August 1st) if you let us know you have a long story. However, posting has to be finished by your chosen posting date to the comm. One of the things we're hoping to do with the posted dates is to give everybody on the comm a little bragging time in the spotlight. You know, "this story was incomplete for this long, but I finished this sucker." If you don't have time to post your bragging rights to the communities on your chosen posting date, you can queue up a post ahead of time and we can post it on the date you picked or you can email us your bragging rights and we can post by proxy for you. Either way works for us. Art will be due on the chosen posting date to the comm.

What am I posting to the Livejournal/Dreamwidth/Tumblr community if I’m posting the fic elsewhere? You’ll be posting what we call bragging rights. It’s a small form you fill out and post to the community with a link to your fic (we’ll enable moderated posting to the Tumblr, Livejournal and Dreamwidth communities for members on August 8th). We will post a template for posting artwork and stories to the comm closer to the posting date.

Is there a minimum/maximum requirement for my art? There is no strict minimum, but we do ask artists to remember that the authors are writing a minimum of 7,500 words and your artwork should reflect that. You can do anything you like, including banners, wallpapers, icons, mixes, vids, gif sets, picspams, etc. Suggested guidelines for art are 500x500px (or equivalent of smaller pieces like banner + spacers, cover + icons, etc.) for traditional art, digital art, and manips; 2 minutes for vids; 10 songs + cover art for mixes; and 6 images for gif sets and picspams. We also ask that when you are in contact with the author, you work with them to see if there is anything specific they would like (i.e. a wallpaper, book cover, etc.). The art is your work, but having ideas doesn't hurt!

What are 'art claims'? The claims are when anonymous summaries of the story go up for artists to choose from. Artists sign-ups and art claims are the same thing; we use one form for both things, and that way the authors don’t have to sign up for an event they may not end up participating in. It is based on a 'first come, first served' basis and artists may choose up to three potential stories (in case their first choice is unavailable). If there are more stories than artists, there will be a second round of claims wherein artists may choose a second story to work with. And on until all stories are claimed for art.

If a fic up for claiming is rated explicit (R, NC-17, etc.), please only claim the story if you are over 18 years of age. Some authors may be uncomfortable working with underage artists on explicit works. We do not verify ages in any way for the bang, so this is solely on the honor system.

What do I do if I have problems or concerns about my author/artist? Sometimes authors and artists do not get along and this may cause problems with working together. If this happens to be the case with you, please email the mods and we will try to do what we can so that everyone has a chance to have fun at WIP Big Bang!

If you have not heard from your author/artist in some time after trying to contact them, you can reach out to us via email and we will try to get in touch with them for you.

Can I get an extension? Community extensions may be given in the event that the majority of the authors/artists need one. They may also be given individually under certain circumstances, but this must be discussed with the mods and will only be a short extension for posting. If you are certain that you won’t be able to finish your story in time, please let us know by July 13th.

Can I swap out a fic if my muse abandons it again? When you sign up, you give us the information on the potential fic(s) you want to write. If, say, one fic isn’t working but one you didn’t sign up for is, you can switch them out while letting the mods know if you need to change a user ID you used. It is absolutely okay to switch fics all the way up until snippets are due. By then, we hope you’ll have however many fics you plan on doing to at least 80% completion since rough drafts are due not much later. Just drop an email to the mods at [email protected] with the new information (title, fandom, etc) and if you want a new sign in ID or plan to use the same one for the fic you’re replacing it with.

Can I drop out? We have high hopes that everybody who signs up can actually finish the round and share in the joy of the reveal with us, but real life can unfortunately get in the way and we completely understand! If you feel like you just cannot finish in time and no amount of assistance from us can help you, just let us know by August 13th (if at all possible).

Is it possible to be banned? We do have a banned users list. We hope to use this to encourage participants who are having issues to communicate with the mods. We want to help you! The way the ban works is that participants, either authors and artists, will be banned for dropping out without notifying a mod. This means that anyone who has not posted or talked to a mod by the time the posting period ends will be banned. Dropping out is not in and of itself a banning offense, so please do not panic if you have to drop out! We understand that there are many reasons you may need to drop, and we want to work with you.

Bans will last one round or until the issue is resolved, whichever comes first. To resolve a ban, authors will have to finish and post the story they signed up with and artists will have to finish and post the art for the story they claimed. Three bans will result in a permanent ban from the bang.

Are we allowed to participate without joining the Discord? Absolutely! The Discord server is optional, as just another way to interact with your fellow writers and get updates on important dates. It’s not mandatory you join, however.

I was just wondering if there’s any way to enter the bang anonymously? Like would it be okay to put our work in an anonymous collection on ao3 or something? Unfortunately, I can’t think of a way for that to work. The collection that we use is moderated but it’s not anonymous, and there are the bragging posts that you post on your posting day, which you would have your username on whichever platform you use.

I was just wondering whether I'm sworn to secrecy on which fics I'll be finishing up, or if I can shout it out to the world? No one is sworn to secrecy once they’ve signed up (aside from posting new parts to fic that’s already up somewhere…we ask that you refrain from doing that until at least July 1st)! We will be running Word Wars, where you can add more to a fic in a certain amount of time, and Whine Bars, where you can complain or ask for help or whatever else you feel like talking about when it comes to struggling with a fic, all after sign-ups end on a weekly basis, plus there’s the Discord server for chatting with your fellow authors and artists.

I have a question/concern that’s not mentioned here. If you need help, you can always contact a mod and we will do our best to make sure that you get your story/art finished. The best and fastest method of contact is through our email, [email protected].

#wip big bang #!admin #!2024 #signal boost

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romana-after-dark · 6 months

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Dead Dove December

Hello everyone! This December I’m hosting an event for the Oscar Isaac and Pedro Pascal fandom that I’m calling, Dead Dove December! From 12/01/2023 - 12/31/2023 I’m encouraging others to create something that expresses their deepest and (most importantly) darkest desires. I will be reblogging all pieces of art or fanfiction, and will post a masterlist in January.

Details below the cut…

What is Dead Dove Do Not Eat?

Dead Dove: Do Not Eat, or DDDNE has its origins in one of my comfort shows!

The phrase comes from a meme referencing the 2003 Arrested Development episode "Top Banana", in which Michael Bluth opens a paper bag labeled "DEAD DOVE DO NOT EAT" and, upon discovering that there is a dead dove inside the bag, says, deadpan, "I don't know what I expected." - fanlore.org

In short, what you see in the tags is what you should expect to see in the fic. This can apply for any type of fic, including the fluffy ones, but it’s usually associated with darker themes. That being said, this is your warning that this is a DARK THEMED EVENT. If you aren’t comfortable with darker topics like non-con, excessive violence, blood/gore, death, toxic relationships, 18+ age gaps, and more, then I encourage you not to participate in this event.

How to Participate

For the month of December, post your Dead Dove fanfiction or fan art on your blog. Use the tag #deaddovedecemeber2023 and tag me. You can also send a link via ask or DM if you like! I will not be posting anything for you, just reblogging and linking. At the end of December I will post a masterlist with links to everyone’s works! Side Note - Since Tumblr doesn’t really allow for NSFW art, you can post your work on Twitter or any other site that allows it and just send me that link so I can add it to the masterlist.

Rules

You MUST be 18+ to participate. I will be checking your blog/social media to be sure. Please make sure your age is easy to find. If I find that you’re a minor or if your age isn’t readily present I will be blocking you and you will be unable to participate. You can just add that you are over 18 if you don’t want your age out on the internet. As the creator and promotor of this event, I need to know I’m not interacting with minors given the nature of this event.

The work MUST be dark in some way. There’s no limit to how dark your work needs to be or can be, but it needs to contain some sort of dark theme in order to qualify. If non con isn’t your thing, dub con via stockholm syndrome or brainwash can let you write a more comfortable scene while still remaining dark. Fics and art do not necessarily need to be NSFW.

Do NOT post anything before 12/01/2023. I will not count submissions prior to that date or after 12/31/2023. Masterlsit will be posted in January.

Your work MUST contain the proper tags. I won’t police how detailed your tags should be, but, for instance, if your work contains non-con, and you didn’t tag non-con then your work will not qualify. Please be inclusive in your writing where you can.

You may submit no more than two (2) pieces. This can include a fanfic and fanart, two fanfics or two fanarts. This is to allow someone to write a piece and make a work of art to accompany it.

I’m not going to yuck someone’s yum, but there are some things I’m just personally not comfortable with and since I’ll be reading/viewing all of these, I have a few things not allowed in the event. The list of what’s NOT allowed is shorter than the list of what IS allowed so here’s a list of the things that will NOT be tolerated in this event:

No underage/aged up minor content - To clarify, this includes things popular ships like - TLOU 1 or Show Ellie x Joel or Miguel O’Hara X Gwen Stacy. No "ageing up" minors for the purpose of a fic.

No Bestiality - To clarify, monsterfucking does NOT count as bestiality (at least to me). For example, werewolves, venom, Khonshu, e.t.c. are all allowed.

No incest - To clarify, step-sibling/step-parent relationships are permitted as long as everyone is 18+. Selfcest relationships are also allowed (like Moon Knight or Miguel with his alternate self, e.t.c.).

If you’re unsure if something is allowed or not, you can send me a DM or an ask for clarification prior to posting.

You can use any prompts you want or none, you aren’t tied to any one idea but here are some to get the ideas flowing if you need them!

Also, you can absolutely use a fic to inspire your art, or art to inspire a fic! Your inspiration piece, whether yours or someone else’s does not have to be from December, but you MUST obtain permission from the original creator before I promote your work. Most creators are happy when their work inspires others, and all my fics are open to being used for inspiration, but please reach out to the creator first.

I’m very excited! I’ve never done anything like this before so things may be updated as I go so bear with me! Looking forward to seeing what you all come up with!

Dividers and header made by the amazing @melodygatesauthor

Please consider reblogging to spread the word!

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floofanflurr · 15 days

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Draw this in your style!

Hello!!!!! Wow, there’s a lot of people here now! I wanted to do something to celebrate my 300 follower milestone, so here we are!!! A draw this in your style challenge (invitation?)

Rules and details below!

Rules:

Have fun! If you don't want to do a night sky, it could be a sunrise, sunset, cloud-watching... whatever you want Sans, Frisk, and Papyrus to be watching as long as it's a sky of some kind!

Since someone asked- You can add characters- just don’t take any away!

Don't trace/steal other people's art.

Please @ me and tag your art #star shower dtys. I don't have a twitter, so if you post it somewhere else, please let me know on tumblr so I can still see it!

Anyone can participate!

But!!! As a thank you for following me and also for participating in this, for my followers, there is a couple prizes!

Who qualifies?

Any of my followers on tumblr! They also have to post the dtys art on tumblr, and tag it with #star shower dtys and properly @ me. If you're seeing this, and you don't follow me, you can always follow now!

I also need to be able to DM you if you win!

Who will be the winners?

One randomly selected person!

And! My favorite image at the end!

Detail about winning prizes:

Each winner will get a drawing! One to two characters of your choice, waist up. Plain/simple background. (I have full rights to deny any request I am uncomfortable drawing, and to ask for a different request. Please be respectful.)

Fair warning that my art is a mixed bag when it comes to quality and style - especially when I'm not drawing Undertale - if you do decide to ask for character(s) outside of the fandom.

I will do my best to draw any characters I am unfamiliar with (including OCs!) but I will need plenty of references.

Deadline?

May 25th, 11:59PM Central Time

(This is the cutoff for if you want to be considered for winning a prize - but please feel free to continue to draw this in your style even after this timeframe passes as long as you tag it #star shower dtys and @ me.)

Have fun!!!

#star shower dtys #dtys #undertale #undertale fanart #draw this in your style #sans #frisk #papyrus #fanart #floof draws

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blorbocedes · 1 month

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resharing riddle of rosberg by Will Buxton, because OP who originally posted it deactivated, and it's a very interesting read. since WB recently talked about how he didn't like Nico until they had a breakthrough moment and he realised that's his German sense of humour, this contextualises how people perceived Nico. Buxton wrote on Nico back in 2014, which covers his early GP2 career, the 2014 F1 season and provides a fascinating insight into Nico’s character. Highlights below:

I can’t recall the first time I met Nico Rosberg. All I remember is that I despised him, everything he was and all he represented: the cock-sure, entitled, bolshy son of a world champion. No grace, no humility. Wafting in, a blur of blonde hair and arrogance. A Formula BMW champion yes, but only a few F3 wins and just three years in single seaters gave what I held to be little foundation for such seeming conceit. I disliked him intensely. It got to the point where I held such disdain for him that I would actively seek for our paths to not cross… which was fairly hard given I was PRing the championship in which he was racing. I’d simply ask someone else to grab his quotes for me. They always seemed to be able to pull more out of him anyway.

Nico Rosberg had been quick from the outset, and watching his racecraft develop as the season went on became a growing point of emotional turmoil for me. He was so impressive; seemingly effortlessly rapid and blessed with a precision that was metronomic. But I just couldn’t like him. I wished he’d been a good guy, one I could get excited about. But instead I felt huge sadness that such a wonderful talent had been given to a guy who was apparently such a Class A prat.

I recall the low point only too well. He was breezing past on his way to dinner. His team-mate Alexandre Premat had topped qualifying, and I’d used the staggeringly unoriginal press release headline of “Premat Powers to Pole.”

“Why don’t I ever “power” to anything?” he pointedly sneered as he walked past.

I looked up, trying to figure out what he was talking about. Then it hit, and I wondered why he was being so petty. The headline was simple alliteration. I had probably or would probably use “Rosberg Reigns” at some point of the season on the back of one of his wins. It was just Nico being typical Nico.

“Dick!” I whispered under my breath, just loud enough for him to hear.

Later that night, I needed to talk to his then-PR guy Karsten Streng and hopped into the ART truck to find him.

“Karsten, can we have a chat?”

Out from behind his race overalls jumped Nico.

“Oh, so you don’t want to speak to me then? Huh? What’s that all about? You’d rather speak to Karsten than to me?”

I turned on my heels and walked out.

Karsten ran after me.

“Will, man, you can’t let that get to you. You know he’s only joking, right? Just fire it straight back at him. He’ll love it. He’s really a fun guy… honestly. But if you don’t give it back to him he’ll think he’s got the high ground. He loves a challenge.”

The next day Nico sent some pithy comment my way, so I turned around, flipped him the bird and winked. “Fuck you Rosberg.”

He looked taken aback. I broke out in a cold sweat. This was not behavior becoming of the championship’s press officer. Had I just managed to ruin any relationship I might have had with the man destined to be our first champion?

A smile broke across his face, and we never had a cross word again. Indeed, we started to get on really well. At the end of the season I received a package to my home, from Monaco. In it was an ART team shirt, signed by Nico, thanking me for my support. I had it framed, and it remains one of my most treasured pieces of memorabilia from my career in racing.

Nico was the most savvy driver I ever worked with. Stepping down from the podium after winning the GP2 title, he spoke to the awaiting press in turn, each in their own language. I’d only ever seen him in individual language press briefings, and to see him utilise such cool and calm intelligence so soon after the elation of what was at the time the most meaningful moment of his career left me astounded.

But therein lies the deepest issue with Nico Rosberg. He isn’t just smart. He’s the sort of smart that makes the rest of us question if we’re quite as clever as we thought we were. And at times it can be his undoing.

I’d seen his intelligence and need for the high ground cause him trouble time and time again in interviews, even in the GP2 days. The interviewer would sit down, all smiles, ready to start the conversation. But Nico, fearful of being on the back foot, would fire retorts and wrestle control of the interview back into his own hands. He would put the interviewer at ill ease in order to make himself feel more comfortable with the situation. What resulted was a terrible interview, and the prevailing opinion of Rosberg being precisely the one I’d drawn when first we met: that he was cocky and arrogant. When I came back to journalism in 2008 I had booked a sit down with him at Williams and for the first 2 minutes of the interview, that’s exactly how he was: back against the wall, stand-offish, arrogant, unlikable. I switched off the Dictaphone and asked him if he was going to carry on being a prick or if we could do this properly. He looked sheepish, apologised, and we picked back up with what ended up being a great interview.

All of which led to a question often asked: is Nico Rosberg too smart for his own good?

It’s a question that has come back again this year.

Many will point to Monaco as a stand-out point of the season. I always felt Rosberg was smart enough to pull off that stunt in qualifying, but I never believed he was that cynical or cold. To be a world champion takes more than intelligence and speed. As I argued over Multi-21 last year, while we may hate to admit it, what marks the champions out from the also-rans is the ability to be a complete bastard when the moment arrives. In Monaco, Nico was the bastard and turned that qualifying controversy into a race win that had the ability to completely shift the tide of the season.

That it didn’t, however, is his own doing.

Lewis Hamilton is widely regarded as one of the best qualifiers in modern Formula 1. And yet, with a dominantly fast car at his disposal, he has lost the Pole Trophy to Nico Rosberg, the German amassing 10 poles to Hamilton’s seven. That metronomic precision has played into the Rosberg’s hands on many occasions this season, and more often than not it has given him the upper hand going into the race. On Saturdays at least, Rosberg has proved beyond doubt that he has the pace. But he hasn’t turned that Saturday pace on regularly enough in Sunday’s race.

Mentally, what happened in Budapest was also a tremendous shock. Hungary should never have affected him as much as it did. Perhaps it all comes down to how much brain capacity we consider Nico Rosberg as having, but that August break should have been used to move on from what he perceived as injustice, and start the second half of the season fresh and with total clarity of mind. Rosberg used all of that mindfulness, however, to focus on the negatives and came back to Spa with it still playing on his mind.

That incident on lap 2 of the 2014 Belgian Grand Prix has been poured over to frankly ridiculous degrees. To me, it was a nothing moment. Rosberg could have backed out, Hamilton could have given more room. That both went into it so pathetically ultimately resulted in the damage it did. If Rosberg had truly wanted to teach Hamilton a lesson then he should have gone in hard. That he didn’t is the only reason that Hamilton’s tyre was sliced. Any intent, and Rosberg would have snapped his front wing, bouncing it off the side of the Briton’s tyre. Hamilton would have stormed off into the distance while Rosberg was forced to switch his wing.

I argued at the time that Rosberg needed to embrace one side or the other. He needed to be a hero or a villain, because if he was neither, he risked becoming nothing. And so it emerged after the race that he had told Hamiton he had allowed the impact to happen. A step towards becoming that villain? Perhaps, but it wasn’t enough. And that’s the big sadness of his season. He has been so fast and so consistent, but his inability to pick a side and his attempts at being all things to all people has led to him being left wide open to attack from all sides.

The way he interacts with broadcast crews is an incredible illustration of this. In Monza, in speaking with me on American television he spoke in confident and unashamed tones despite his apparent dressing down by the team over Spa. With the Germans he was the same… almost bullish. And then to the British TV and radio crews, his shoulders slumped forward, his head bowed down, his tone was full of contrition and regret. What he was saying was no different to what he had told the German or international crews, but the way it was said was at total odds with how he had been just 10 seconds before.

Just as in Bahrain at that GP2 finale 10 years ago, I stood in awe. So savvy, so intelligent to his audience… but perhaps, in this instance, a reflection of him trying to be just that little bit too smart.

The thing is, he can be so charming too. He has a dry and sarcastic wit, which can sometimes be played out with a deft finesse. In America and Brazil, he started to have a very subtle jab at his championship rival by adopting Lewis Hamilton’s apparent mot du jour. In almost every interview, Rosberg would drop in a little comment about how “blessed” he felt. Shrewd. Subtle. At times, however, he can be a total child. In Hungary this year I was running from my commentary position to the GP3 podium to conduct the post race interviews. Time is tight at the best of times, but when I arrived at the swipe gates I felt an arm around my waist pulling me back. At first I thought it was an over-zealous security guard. But no. It was Nico, giggling away with a huge grin plastered across his face.

Should he be crowned 2014 Formula 1 world champion, be it through double points or, let’s hope, a barn-storming wheel-to-wheel thriller, some will still argue that Nico Rosberg does not deserve to be world champion. With them, however, I would disagree. Lest we forget, this is the only man who, over the course of a full Formula 1 season, finished ahead of Michael Schumacher as a team-mate. As if to reinforce the point, Rosberg achieved this giant toppling feat not once, but thrice.

His out-and-out pace in qualifying this year has been insurmountable. That he has won the inaugural Pole Trophy is evidence of that. So we know he has the pace, we know he has the temperament to win races, and we know that on occasion he can embrace his inner bastard and drive with the ruthlessness that sets world champions apart.

Nico Rosberg has shown repeatedly in 2014 that he possesses the attributes shared by the best of the best. We should not deny him his glory should he be confirmed as such on Sunday.

#will buxton straight up was writing how nico is a manic pixie dream girl #essential read for nicologists #nico rosberg #will buxton #nicology #longform article

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