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#i cant get out
lovelyunknown · 1 year
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I have a lot of feelings about sonic movies, but mainly
I'm a sucker for found family and this is everything I've ever wanted.
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knifefightandchill · 11 months
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everything is getting hard again.
and i can't help but feel like i'm always doing something wrong or forgetting something important. i'm not sure how much more I can take before i hit the bottom.
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limonium-anemos · 2 years
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*rains super hard outside* me: this is the best weather for writing also me: /empty gdoc open for the next five hours
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I think I am a little stuck.
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epicsauce · 7 months
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text conversation from my dream that i desperately wish was real
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oviraptoridae · 8 months
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here's what ur gonna do. ur gonna get a plain tshirt from anywhere. from ur closet or ur dad or the thrift store or whatever. then ur gonna go to the dollar store or whatever equivalent u have in ur country. ur gonna get fabric paint and a sponge. ur gonna go home and take a cereal box or a cover of a magazine or something similar. ur gonna draw a design on it [or words. or print out a picture and trace it onto the cardstock) and cut out a stencil. then ur gonna use the sponge to dab the paint onto the shirt using the stencil. ur gonna do that thinly in 2-3 coats until it's opaque but not too stiff. then ur gonna let it dry for 24 hours. ur gonna cover that shirt with a thin towel and press an iron against the design for 30 seconds. then ur gonna wash it & wear it. got it?
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im feeling less and less lucid nowadays
i dont know what to do
why cant i remember anything
why does nothing feel real
whats going on
i dont know where i am anymore
when is this
how old am i
why do i not remember anything
i was just at toys r us with my parents
where am i
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hangsawoman · 8 months
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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bulletsgirl · 2 years
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ppl who werent changed forever by youre gonna go far kid by the offspring when they were like 11 and insanely impressionable you just cant understand me
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bishy437 · 3 months
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he won
bonus:
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selfshipping-haven · 2 months
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that's the mood for tonight amirite fellas
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microwave-core · 10 months
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I think it'd be very funny if there was a Zelda game where Ganon isn't the big bad, but when you get to the Gerudo area there's a male Gerudo named Ganondorf there. He has zero relevance to the plot. Not any kind of twist where he becomes the villain in the end, or any kind of side quest. He's just there and that knowledge perpetually looms over your head menacingly.
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mienar · 11 days
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the wandering painter, part one
instagram | shop | commission info
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tottallytoby · 2 months
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theyre being supportive
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firefox-official · 3 months
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are you really surprised that 13 and younger are on here???
I'm 𝙩𝙬𝙚𝙡𝙫𝙚.
Been on the internet since I was 9-
We're everywhere,trust me.
oh my god i was you😭😭😭 this was the kind of shit i was sending blogs when i was twelve omg. I was on the internet when i was nine too it is NOT a brag
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