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#i can't shut up about them
littlescribbs · 5 months
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I need to share this with y'all, coz it's too good 😂😂😂 Tell me I'm not the only one lmao
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ssa-atlas-alvez · 7 months
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I have a new fixation
it's these adorable lil fellas
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miikoissant · 8 months
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ALL I WANT IN A RELATIONSHIP IS THEIR RELATIONSHIIIIIPPP 😭😭😭😭😭
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vivid-vices · 2 months
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for the ask game: your blog is probably sponsored by port mafia.
it definitely isn't but while we're on the subject - mori is the best boss in the world, treats all of his employees kindly, and (as previously mentioned) offers great benefits including excellent health insurance. you should sign up today!!* :)
*long career not guaranteed
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unwinthehart · 2 years
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The fact that Mahmood waited until last night to shave, get a haircut and do his eyebrows is peak italian culture, it's like he was getting ready for a wedding
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marivenah · 1 year
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characters cleaning blood off their partner's face is just PEAK romance actually. bonus points if it's someone else's blood
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chaosandwolves · 8 months
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Hi I'm here to talk to you about the museum scene
Particularly about the moment they start dancing
Please look at this
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Do you see how they both look down?
Well I guess Henry was grabbing Alex' hand not even intending to go much further
But Henry, my dear, this is Alex
As if this man does anything half-assed
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He's like na-uh if we're doing this, we're doing it right with arms and all
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And look at Henry
He tries to be exasperated but he can't even
He just can't help but smile and Alex is like.... Yeah I know it's stupidly romantic but that's what we do
Like Henry took him there showing him who he really is, letting Alex in completely
And Alex just so naturally meets him right there and is like...
I got you
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adh-d2 · 11 days
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Can we talk about Sami for a sec?
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She's not the precocious kid. Not the one with the sweet voice who'll break your heart with their innocence, curiosity, and optimism.
She's not the defiant kid. Not the one who'll rage and fight and inspire you with their rebellious spirit.
But she's the one taking it upon herself to care for baby Bayrn. She's the one gently reminding them of how to keep out of trouble. She's the one trying to reassure the new kid that things won't feel this bad forever.
I'll always have a special place in my heart for the kids that aren't as noticeable as their peers. The ones making themselves as small and silent as possible to keep everyone else safe and happy. Don't worry. We see you too.
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makenna-made-this · 3 months
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Feel like shit just want them back
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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egophiliac · 8 months
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Okay now i gotta know... As someone who only plays on English server but craves every bit of info on chapter 7....
What's the spoon scene? You mentiond it in the Sebek UM poster post.
no pressure tho, I'm just curious
oh, it's a little flashback scene to Silver and Sebek's first magic lesson (moving a spoon) -- it's one of the missable ones, so there's nothing plot-important in it, I just thought that one was really extra cute! 💚 Lilia does such a bad job of explaining how to use magic ("you go, like, SHWOO") that Malleus steps in and teaches them instead. so it's basically just Silver and Sebek staring intently (and audibly) at a spoon while Lilia flails around making noises and Malleus reminisces about how Lilia's teaching style has always been fascinatingly incomprehensible! pure sugary domestic fluff! just rubbing it in how absolutely terrible things have gotten :)
there are a bunch of cute flashbacks like that in the 7-81 and 7-83 maps; it's definitely worth getting them all if you are also fond of the diafam! I swear, this update has somehow managed to make me even more obsessed with this idiot dad and his three adopted dingbats and that should not have been possible.
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poorly-drawn-mdzs · 9 months
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Truth and revenge is best served cold.
[First] Prev <–-> Next
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svtskneecaps · 1 month
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i'm still stuck on the purgatories so here's a list of purgatory 2 moments simply off the top of my head that deserve to be remembered:
aimsey ducking all of axolotl team alone in a cave with literally half a heart
goose gang fucking descending on the raccoon base and absolutely wrecking shop
ethan crankgameplays clutching up for team panda during the capture the flag game by being the only one hanging out in the center and periodically checking the chests, earning them a shitton of flags and clutching multiple rounds
crow team's egg taking 0 damage
pac doxxing goose gang's egg in the last second
shelby shubble as the last member of her team online writing a letter to aimsey and sharing the world's most devastating ten minutes before her team was eliminated with one of the eye creatures (coco? i forgot lol)
badboyhalo absolutely fucking DEMOLISHING the battleship event on like 2 hours of sleep and a dream
wuant(?) stealing a tv from the battleship event and then playing portuguese ice age on it for the crows lmfao
tubbo djing for his team while waiting for the time for a goose gambit
theguill CRASHING THROUGH THE FUCKING CEILING of the raccoon team's hidey hole like the fucking kool aid man in a last effort to save his team and 4v1 or 5v1 ing team raccoon; he lost but that was such an epic fucking moment
theguill and etoiles pvping and each hyping the other's skills the entire time
seapeekay escaping cellbit and baghera and then stealing their boats and rocketing past to tease them about it; that shit was iconic
kenny going mad with power collecting sand on literally day 1
the english speaking squirrels taking actual physical notes on portuguese phrases (i think)
lgbtiba
i may add more this is an off the top of my head list but like got DAMN i like these events :D i like them a lot
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shima-draws · 1 month
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Me: Hehe Sanlu!!!!
Fandom: Oh but Zoro? Where's Zoro? What about Zoro? Including Zoro in this. Adding Zoro here because. Zoro tho
Me: KICKING YOU IN THE SHINS STOP THAT
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skipblebee · 5 months
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HELLO PETRIGROF NATION 🤩🤩 Fionna and Cake finale destroyed me and made me very sad so I couldn't draw anything except silly doodles to cope pls enjoy
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limesquares · 4 months
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a Collection of Mikas :3
first is a little list of a few iterations/aus of my Creature! Their Colossus Fall au, their regular design, and their timeskip design.
me messing around with textures. not much to say lol
also me messing around, this time with painting and lighting. using Mika as a test subject, as usual.
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