Ooh what if Serirei just talking with their past selves, it could be chaotic with past Reigen being extremely energetic, but just imagine kid Seri too being so anxious and his future self helping him out. Now past Seri has a friend weee
OUGH!!!!! ageswap au is great actually that i went a little too far made a comic something like this
Sam's 10 years old and spoilt rotten when her mother discovers she's pregnant. She doesn't realise for the longest time, never really shows much signs until the end, and by the time she does, it's too late. She doesn't know who the father is, it could be her husband, it could be... well, there were others. The baby's small, comes out early, and who's to say when she was conceived. She has her mother's complexion, her dark hair and dark eyes, and Christina gets to keep on lying.
Sam's not sure about the baby at first, everyone made it sound like things would change so much once it got here. But things don't really change at all. Her mother still always has time for her, and she isn't kept awake all night from screaming. Her parents are a little more tense, but it doesn't seem to change anything for Sam at all.
One night, Sam can't sleep. She's awake thinking of all they learned in class. About pregnancies, and babies, and all their needs and how to look after them. She can't stop thinking about it, there's just this voice in the back of her head nagging her, telling her there was something wrong, but she can't quite figure it out. It feels important.
Her feet find her way to the baby's room.
It's cold, the window's open, the room lit up from a nearby streetlamp. The tiny thing is awake with its hand in her mouth, big brown eyes staring up at her. Sam finds she can't look at them for long, it makes something in her chest ache. She doesn't know why.
She reaches out to touch the baby instead, she's icy cold. Sam thinks of what they learned in class, how much babies cry to tell us what they need, how often they need to eat, how they can't regulate their body temperature. She drags her fingers down its chest and thinks of how quiet it always is, how it never cries. How little her parents seem to feed her compared to how much her teacher said they should.
The thing whimpers when she draws her hand away, and in an instant, her hand is back on its chest, fingers spread against the bare skin, the cold suffocating out her warmth. She doesn't know what possesses her to do it, but she picks the baby up, careful to support her head the way they taught her in class. It's so small and light in her arms, she almost feels like a doll.
She watches the way it suckles on its own fingers and wonders when she was last fed. Mother fed her at breakfast, and again at dinner. She wonders if there was anything in between, there's a heaviness in her stomach as her brain goes no. She doesn't know what mother does when she's at school, but something inside of her is certain she knows what the answer isn't.
So Sam carefully creeps down the stairs, baby in her arms, determined to feed it. She's watched her mother make the formula before, curious, she thinks she can manage it. She puts the baby on the armchair, and takes the blanket from the back of the couch to wrap around her, making a nest so the baby can't fall. It whines again when Sam puts her down, but Sam hushes her softly and tells her she'll be right back. The baby can't understand, but it felt right to say.
She makes up a bottle, and checks the temperature, and returns to the armchair. She picks the baby up and settles herself down and tugs the blanket over her lap. The baby drinks the bottle so fast that Sam's worried it might choke, the way she does when she chugs down her own drinks. But the baby finishes the bottle and it feels like there's a balloon in her chest when it yawns and nuzzles against her chest, tiny hand tangling in her t-shirt.
Maybe the baby isn't so bad, she thinks, curling herself into the seat. She doesn't want to take the baby back upstairs to her cold lonely room. No, she can sleep right here in her arms, safe and warm. It feels right. She'll tell her mother in the morning about what they learned in class, remind her the baby needs to be fed more and that she's too cold. Maybe she just doesn't know. She ignores the voice in her head that says she knows.
anyway, i think my hot take regarding the whole canon vs fanon thing for the dpxdc fandom is that fanon is fine but it also gets boring. there's a reason why 90% of the dpxdc creative content feels exactly the same. i'm not trying to like,, shit on anyone's work, but so many of these fics are very, very similar in plot and dynamics. and that's a product of the fact that most of the fandom doesn't actually know anything about dc.
if you're relying solely on fandom osmosis to learn about the characters and events, then you end up missing out on a lot. it's not Bad, but it's basically the footnotes. the sparknotes. the starred review compared to the actual book. you aren't getting a lot, is what i'm saying. and that's why so much of the content feels exactly the same! it's because everyone is getting their info from the same decade old jokes. so creative work ends up blending into each other because the creators don't actually have anything else to work with (because they don't Know anything else) so they rely on the same five fanon jokes and headcanons that they do know.
as a dc fan, i Do encourage dpxdc fans to look into dc and read the comics and be more active on the dc side of things, not because fanon is inherently Bad, but because it opens up so many more avenues for creativity. i'd love to see people talk about danny fighting evil vampire nightwing or going on missions with karen or having fun with kara. but most dp fans don't even know characters outside of the most popular 10 and know even less about any of the plots or universes. so like, it's not exactly a surprise that every fic sounds the same. and like. does that not get boring to you guys?
had a thought. in social species, avoiding getting isolated from the group for an extended period of time is a survival instinct. hunger au grian's implied to have been basically not socializing during his time kicked from hermitcraft, just running and occasionally ducking into some random server to eat and hating himself for it. that's probably not helping his eating disorder situation, if on some level he's associated eating with being kicked out.
Oh yeah for sure :(( i think abt this a LOT, about the isolation he went through during that period before the search party found him. That was almost a full year of not really talking to anybody, never seeking close contact, deliberately keeping his distance except for the few times he snuck somewhere to feed and do the bare minimum to keep his code from falling apart. And eventually, he gave up even doing that, and took to the in-between to just. Move. Keep moving. No real focus, no actual destination in mind. For a very long time, it was move forward or die, and when he finally detected that the search party had tracked him down, he realized he'd only been delaying the inevitable and made a decision about it.
It kinda breaks my heart, ngl. To be so lonely and scared and knowing in your heart that you're living on borrowed time. To run as far and as fast as you can against the inevitable, out of pure desperation and stubbornness. In the fic, i mention that Grian considers getting kicked out of Hermitcraft as a death sentence, and that wasnt an exaggeration. He knew. He knew, deep down, from the moment he got kicked, that this was only going to end one way. Grian's a master of denial, yeah, but you can only look death in the face for so long before you realize it's been here the whole time.
His return to Hermitcraft in particular is gonna delve into this. It's gonna delve into a lot of things, tbh, but his isolation very much changed him. It's gonna be a long road, recovery-wise, with lots of set backs and non-linear healing. And, quite frankly, he may never truly be the same!! It'll be up to all of them to successfully reach a new normal together, once they actually get to that point in the narrative❤️ ;;;
so in silent protector au mike posesses the golden suit, right? is there any scenario under which he'd have a form that's recognizably his? i'm curious what the kids would think of him looking just like their killer when they're aware he's 1. not like. A Living Night Guard and 2. a different dude.
ʸᵒ ʰᵒ ʰᵒ...
In this au, lost souls start out stuck inside the suits, with the suits acting as their new "bodies," before the souls eventually gain enough control to leave the suits and wander in their real forms. It would take Mike a long time to gain control, but eventually he would have the ability to wander outside of the suit. It's just a matter of Mike WANTING that, because for a long time, he wants to stay as far away from the physical world, the ghost kids, and his brother for as long as possible.
I can't see Mike willingly leaving the suit for a long time after his death. Once he and Evan actually start *talking*, though, I think Mike would have a hard time denying Evan if Ev asked him to leave the suit.
The question of how the other ghost kids would react to his actual form is an interesting one, because it actually hinges on a lot of moving parts.
Do the ghost kids actually know what their killer looks like?
A lot of media that I've seen depicts William as wearing the Spring Bonnie suit during his murders, so. Did William wear the suit for *all* of them? If he did, does that mean the only "face" the children have for their murderer is Spring Bonnie? Or maybe as ghosts they saw their killer's face when he took off the suit after killing them?
Do some of the ghost kids know what their killer actually looked like, while others only have "someone inside Spring Bonnie" clocked as their killer? Or did they all see William’s face as their killer at one time or another, either while they were alive or as ghosts being forced to watch him kill others?
I've already decided that the spirit possessing Foxy (Fritz) is the most inquisitive of the kids and the spirit possessing Bonnie (Jeremy) is the most reluctant to accept change, thus explaining their more aggressive behavior in the games.
Jeremy, I think, would go out of his way to avoid Mike if Mike wandered outside of the suit. Snide comments get thrown around about how ALL of them have been more on edge since Mike left the suit, and maybe it'd be best if Mike would just go back in, or at least cover up his face.
Fritz is unsettled by the reminder that the person he has been "befriending" (in a way) has had the face of his killer the whole time. There's discomfort there, but he tries not to let it get the best of him. Mike has no more control over his appearance than the rest of them have control over the disturbing wounds warping their ghostly bodies. Like each other's fatal wounds, it's just something he-- all of them-- will have to get used to. But Fritz does have a version of his killer built up in his mind (assuming he never met William in person; maybe William was the type to mingle in the arcades and whatnot, talking to all the kids as he chose his next victim). And i think Fritz would ask Mike a lot of questions, try to learn more about him, learn more to help separate Mike’s face from the killer Fritz has built up in his head and prove to himself that they're not actually one and the same.
Based on what we know about Suzie from pizza sim, Suzie would probably be one of the kids William targeted from walking around the pizzeria, though whether he lured her while inside or outside of the S Bonnie suit could probably be debated. Like Fritz, Suzie tries keeping her negative thoughts about Mike’s appearance to herself because she knows it's not Mike’s fault, as unsettling as the situation is. But mostly, she tries to keep from rocking the boat because she's never seen Evan this... happy isn't the right word, but free, maybe. There is no wondering why he had to die anymore, no more wondering why he wasn't good enough to deserve his brother's love. Evan finally has what the others lack: answers and an opportunity to heal. Suzie feels guilty for treating Evan so harshly when they first found out Mike’s spirit didn't move on. And Suzie knows that Evan needs love and support and the chance to heal as much as the rest of them, and that she and the others didn't give their Protector nearly as much of these things as HE gave THEM. If Evan can get these things from Mike, too, then she wants that for him.
That just leaves Gabriel, who I haven't put any characterization into at all, if I'm being honest. Inside Freddy, he's the star of the show by day, but by night, he almost fades into the background amidst the antics and aggression of the souls possessing Bonnie, Foxy, and Chica. He's not as active, and when he is, he tends to sit outside your door and FORCE you to use up all your power like he just wants this to be over. Like he doesn't get as much fun out of this as the others. Maybe that's what his music box is: a way of celebrating, almost. Of saying "there's no more power. You have no way left to fight. This is over now, and we can finally have some time of peace and rest before we're forced to do this whole thing again without you."
Maybe Gabriel sees Michael outside the suit, and there's a sense of hope because this has never happened before. This is DIFFERENT. Maybe they won't have to spend the rest of eternity locked inside this senseless routine of being surrounded by seas of faces night and day, all of these faces being people who cannot or refuse to help them. But this is just me spitballing ideas so I at least have something to say; this characterization isn't set in stone and I'm liable to change it if I stumble across something more interesting.
I'm very intrigued by the first thing you pointed out, about Mike looking like their killer while not being a "Living Night Guard." I haven't actually put much thought into the fact that Mike looks like the kids' killer or how they would react to him while he was still alive until now. I still haven't decided yet whether Evan knows his father was a killer in this au, but if he doesn't know, then I'm incredibly intrigued by the idea of Evan hearing the other kids whisper "that's the face of our killer" only to look and see his own brother. Michael heartlessly killed Evan; maybe it wouldn't be too big of a stretch in Evan’s mind to imagine Michael killing other kids, too. Maybe the reason Evan is the one to kill Mike isn't just vengeance against his own death, but vengeance against the other kids' deaths, too, because Evan is under the impression that his own brother went on to murder them.
looking @ old fic i started when i was 14/15 is so funny bc im realizing once again why i never mark fics as abandoned even if its been literal years since i've touched them. specifically i was checking docs for stuff i started and either did or didn't post to ffn.
and its like. nothing is bad??? like i can see where my outside-the-box ideal of fic writing comes from. not just fics but writing in general, i'm p sure. even if it's a total cliche plot setup, there are details on each that rly make it stand out like oh yeahhhhhh i did have this great idea once upon a time.
funny too bc was it executed well in prose??? no absolutely not i wrote like shit when i was 15. would i revive an idea one day and revise it to be less cliche or cringy while still keeping the stand-out elements??? yea maybe. i might. everything i'm currently working on that i started from 2021 up to now still holds my supreme interest, but like i'm not gonna say never.
esp since i write fic first and foremost for my own need and specifically what i like to read, it makes it impossible to consider an idea i've thought extensively about "not worth writing anymore". anyway not making this too long i jus found everything interesting to consider
The shirt's new, Jet thinks when he comes back from the convenience store. He wonders if the old one is stuffed in the new bag, too, or if their new stray had thrown it away.
Zuko's Life Changing Road Trip With The Freedom Fighters AU
i was so fucking sad when facebook encrypted my chats because i could no longer look up any messages from before that and our chat with maja is full of canons for our silly little au that we're creating. but today i found a way to look up old messages and i'm crying from happiness 😭😭😭
Hello! I am here to formally request you may or may not tell me more about this selkieverse. Is it an au where everyone is a selkie (or at least, some bugs are)? Do they just turn into aquatic like bugs instead of actual seals? If actual seals, do you have species picked out for the selkie characters yet? How does it work? Are they even selkies at all? Once more, you don't have to answer if its information you'd like to withold but as local marine biology (mostly seals and jellyfish though) nerd I must know if this may be an au that is like. Right up my alley.
Oh boy, we can answer questions! Technically, we've had this blog for a bit, we just... haven't been using it (we are afflicted with a chronic need to illustrate our worldbuilding and we just Haven't Been Drawing recently).
Not everyone is a selkie, but some bugs are - actual species varies! They're seals, or other assorted... vertebrates, mostly. "Selkie", here, is less referring specifically to seals and more referring to the general category of Bugs With Bonus Pelt. We've got actual species picked out for the selkie characters, but we do want to keep a few under wraps - of the few we can reveal, Leif is a ribbon seal, Mothiva is a leopard seal, Cenn is a yellow-bellied water snake, and Vi... well, her pelt was an ermine.
In terms of how it works - selkies are, more or less, bugs that come in two... pieces, or with two forms. It's genetic, though it can very much skip generations and occasionally appears to manifest from nowhere - generally, you have a few main strains of selkie in an area, maybe with a scattering of other species around. Seals are by far the most common around both Bugaria and The North, and the gene's most common in moths (as far as anyone knows), though it can appear in other species - and, as previously mentioned, sometimes you just get a kid who's a selkie without any previous selkie relatives.
A selkie's pelt isn't present upon hatching, but manifests later - generally either when they metamorphose, in the case of bugs like moths and butterflies, or during one of their first few instars on bugs who do That. It is, functionally, a part of them - a selkie cannot be separated from their pelt for too long, though they can wander farther from it with age and practice, and trying to keep away from it causes fun side effects (like organ failure, and feeling like you're being physically peeled out of your shell, and death).
The pelt itself is, as is typical with selkies, a pelt - seal, or snake, or ermine, or whatever else someone might be. Looks like you'd expect a seal pelt to be - although a selkie's pelt contains a few more bones. Generally, you've got a skull, spine, and ribcage, but it's not uncommon to have a few other bones - they shape the skin, more or less. As is standard, once the skin is donned, they gain the form of their pelt, but the selkie has some control over it - as well as some control over how the pelt moves.
The thing about selkie pelts is that, as they're a part of the selkie, they're functionally "alive" - an extension of the self, an extra limb. Technically, anyone can don a selkie pelt and take on the form of whatever creature they are, but it'll be... strange. Uncanny. They aren't the selkie, and this isn't their form - they're just wearing their skin. Unlike on the selkie themself, the bones aren't going to merge to them properly, they're just going to stick in there, wearing away at their shell until they eventually take it off. A pelt only retains its transformative properties while the selkie it belongs to is alive - once they bite it, it becomes just a piece of leather, though with selkie skin being the only real option as far as skins go, it's still pretty damn valuable dead.
If a selkie's pelt is destroyed, the selkie dies. Likewise, if a selkie dies, the pelt becomes inert. It's a bit like holding a vital organ in your hand - and if the selkie and the pelt are taken too far apart, the connection is severed and the selkie will die even if no damage is dealt to either them or their pelt.
As is standard for selkie mythology, having a selkie's pelt gives you some measure of control over them. Specific degree of control varies, largely based on the selkie - though all selkies can be commanded while you're actively holding their pelt, if they'll keep following that command once you've put it down is a whole 'nother ball park. If you had Leif's pelt in hand and told him to do something, he'd keep doing it even if you put that pelt down later, but if you tried the same with Vi (again, while she had it) she'd stop the second you put it down. With Mothiva, just possessing the pelt is enough - you don't need direct contact, you just need to have it. The effect's at least partially psychosomatic - while it's a direct compulsion with direct contact, anything past that is largely based on if the selkie thinks you should be able to tell them what to do.
The selkie form itself is fairly standard as creatures of its species go, albeit downsized for bug scale. They're around the size they'd normally be relative to a human, relative to an average bug (using an ant as your Standard Human works, here). A selkie is, functionally, both their bug species and their pelt species - behaviors in one form will affect the other, and vice versa. Generally, this'll manifest most noticeably in either tics or diet - a craving for raw fish, an odd sense of territorialism, an impulse to drag dead things to your dumb, bad-at-hunting teammate. It does, however, vary - and a good chunk of selkies do try to keep the fact that they're selkies hidden, especially if they might have reason to fear a stolen pelt.
...this is a whole lot of rambling on Selkie Magic Mechanics and not a whole lot of marine biology, uhh. Hope this helps sketch out the general mechanics for ya! We're always glad to talk about Cool AUs!
I figured I’d finally draw the outfits Luke has for his various occupations over the years in the How Things Change Au.
From his early 20s to his early 30s, he takes after his adoptive mother and becomes a police inspector. He garners quite the reputation too, solving unique cases like he used to with the Professor. But this time, he’s solving cases with his adventurous assistant Lucille Layton and his number one apprentice Hershel Bronev by his side.
Then Targent happens, he’s captured while Leon and Rachel escape with their kids and gets taken to whoever their base was. None of his years there were particularly good, but his first few were the worst. As an inspector he’d been working against Targent and not only that, but he let the archeologist they were after escape and they wanted to make him regret that. At the start, the only one who had his back was a reluctant follower of Targent by the name of Raymond.
Then the group he’d acquired manage to escape, but not without casualties on both sides. Emmy, who was only a child at the time, lost her mother, leaving her an orphan. Targent lost their leader (and a few buildings). They were on the run for a while but when things settled down to a somewhat normal, Luke used the training he’d gotten in Targent to get a medical degree at Gressenheller University. While there he ends up befriending a certain quartet of younger students.