Characters that are younger than Xiao and it feels wrong
Over half the archons (Nahida, Focalors, Furina, probably the pyro archon and the Tsaritsa assuming they were born after the cataclysm. Idk I feel like we assume gods should be the oldest and they just... aren't)
Yae Miko
Dainsleif
NEUVILLETTE
Characters that are older than Xiao and it feels wrong
Ganyu
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Growing Pains
as raven finally gets to be free from her shackles, apple silently chooses to shoulder all the pain that comes their way and bear the burdens of dealing with the horrors of the world so that raven can be happy. because raven has suffered so much and apple decides it’s only fair that she do all she can to prevent raven from any further suffering. it’s her way of atoning for all the hurt she caused raven, because apple knows raven has been and always will be a better person than her. to apple, if either of them deserves to smile, it’s raven.
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really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.
in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:
its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,
oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.
he shows so so much but at the same time reveals so little.
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John Lennon and Paul McCartney performing ‘I’ll Get You’ during rehearsals for The Beatles' first appearance on Ready, Steady, Go!, 4th October 1963. Part 7 (part 1, part 2, part 3, part 4, part 5, part 6, part 8, part 9, part 10)
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this is not going to be well articulated but i think the reason i and lots of other people feel a bit weird about certain aspects of tonights ep is that like. the ratgrinders have literally never posed a genuine threat to the bad kids in any aspect of their lives—social, academic, relationships, even their physical wellbeing, any of it. they bodied the last stand, they bodied the dragon fight. the closest thing to a bad thing happening this season was kristen almost getting expelled and that was all bobby dawn who wasnt even a part of the battle! like i genuinely cant relate to people feeling catharsis at the RGs going down bc i was just sat there like. what did they even do other than be kind of a general annoyance and a little bitchy lmfao
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The Hanged Man Rusts in a Nutshell:
Brian: Don’t be racist
Gawain: No
Brian: Your son is trans
Arthur: That’s literally impossible
Brian: Go sit on the chair that kills people
Galahad: I have literally been waiting for this my entire life
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i tend to talk a lot about the realistic nature of the witcher, its "realistic fantasy," "brutal realism," its references to political realities and inspirations taken from history, and that is all very important to it.
but... i also want to take a moment to say that the witcher, as a tragedy, also fills me with a hope... that such love, such beautiful families and friendships can exist, even if they differ too much to survive in the end. the idea that the beauty and purity of that love even exists at all, in such a fucked up world, despite it and sometimes existing in the very middle of it, is also what makes it realistic. hope is realistic. love is realistic.
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