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#he’s just all of these in one😭
zyana-wyvern · 4 months
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I think the Unascended vs Ascended question can easily be boiled down to a simpler choice. Do you want a vampire or an elf? Because the last elven thing Ascended Astarion has are probably his ears, while the only vampiric traits Unascended Astarion has are just the teeth and functional needs of the curse, while his yearning and ideals are fully elven.
I will always choose the elf and will hc (though Larian themselves suggest this will happen) that his condition will be fully healed at some point, because there are cures for it. I see this as him fulfilling his destiny, succeeding where poor, tragic Jander Sunstar failed, overcoming an immense obstacle despite immense odds, fulfilling the deepest elven yearning - that of absolute freedom.
The other choice can be just as valid and compelling for someone who takes what he becomes seriously, owns it and doesn’t downplay or soften it.
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artkaninchenbau · 4 months
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Crocodile finds a strange stray cat an 11-year old Nico Robin (AU where they met 13 years earlier. Robin's been on the run from the World Government for 3 years. Crocodile's 27 and has not set up base in Alabasta yet)
It seems like I have become possessed. By some sort of demon.
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Bonus:
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wasyago · 2 months
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various tango doodles
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egophiliac · 2 months
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(almost) four years in, and I finally had time to draw something for the anniversary! woo! 🎉🎉🎉
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multishipping
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comradekatara · 2 months
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i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.
but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”
but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.
people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.
until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.
i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.
and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.
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fantastic-nonsense · 2 months
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oh my god all this time I believed that what fanon!Jason stans really wanted to read was Helena Bertinelli's books (because of all the relationships and interpersonal dynamics they keep stealing from her to project onto Jason) but what they actually should be reading are Catwoman books
Selina's the one who killed Black Mask and dismantled his operation after War Games. She's the one explicitly protecting the East End (aka Crime Alley) and going out of her way to protect the women and children of Gotham's underworld. She was the one doing mafia kingpin shit in the New 52 while Jason was off messing around in space with Dick's friends. She was the one protecting the Alleytown kids and trying to root out crime by "taking control" of it.
like Selina literally took over a crime family and united the criminal underworld in the New 52 while Jason was off fighting the All-Caste and Crux with Roy and Kory, I can't believe I didn't make the connection sooner
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dizzybizz · 3 months
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ms jay herself (and apple)
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screwpinecaprice · 2 months
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Just a silly guy, with silly silly thoughts.
@glowweek Day 2
Casual | Surprise
A casual surprise?😬😬😬
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raapija · 7 days
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Love it when Nando gets to dress himself and looks like a regular middle aged guy on a holiday <33
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steampunkedemon · 1 year
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idk but saying tyler being a manipulative serial killer means he can’t be with wednesday is genuinely so funny to me like baby this is the addams family we’re talking about. being a manipulative serial killer should put him at the top of the viable choices for wednesday list.
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spacedace · 8 months
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Had a thought about the Reluctant War and made myself a bit sad and I have no idea if it'll make it into the story proper so I'm going to inflict it upon all you guys:
Dick Grayson on the streets of Gotham trying to do everything he can to help as everyone join the ghosts in fighting the GIW, suddenly has a version of the GAV barreling down towards him and for some reason he can't get out of the way in time.
He thinks he's about to join the army of the dead in a whole new way, when the tank fo a vehicle is suddenly sent flying as something massive charged it from the side. He hears a familiar bellowing and then realizes that it's Zitka, a ghost after passing away peacefully a few years before.
She wasn't apart of the army of the ghosts, wasn't brought in to fight. She's just been following her tiny human child around all these years and now that there's enough ecto in the air to do so, she's going to protect him with all her might.
Dick is emotional, so thankful to have his old friend back, but the city is still in a state of chaos. He gets onto Zitka's back and they get to work, running - flying - around helping to grab the injured and whisk them away to safety or take out other GAVs and the like.
It's absurd and freeing and wonderful all at once to be literally flying through the skies of Gotham on the ghost of his elephant best friend, and if Dick wasn't already on the side of King Phantom he is *now* and -
He gets shot off Zitka's back.
A GIW agent was aiming for the Ghost elephant but somehow *missed* and hit Dick instead. Not enough to injure him too badly, but enough to send him flying off Zitka's back and plummeting to the ground. His grapple is broken, and Zitka is diving for him but she's being shot at and she's not going to make it in time and -
A hand, reaching out to him in midair, familiar with its callouses and strong grip as he reaches out and grasps it, body suddenly swinging in a different direction and muscles acting on memory as he falls into the old, achingly familiar routine of his childhood. His mother, ethereal and bright as she smiles down at him, hanging upside down from a bar suspended from nothing but open sky as they swing and he is let go, flipping on instinct and caught by the steady strong hands of his father.
The Flying Graysons reunited in the skies above Gotham, Dick's ghostly parents determined to ensure their little bird never falls the way they did.
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I saw people talking about how Ted would own so many patterned button ups and had the AWFUL realisation me and this man would share a closet.
(Also long haired Ted propaganda be upon ye)
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I think about these two moments a lot
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of people hanging in each other's arms, being held up when they're overwhelmed (be it in a time of heartbreak or even in a time of joy and relief). And about how so much of Jamie's journey was about him growing strong enough and supported and stable enough to be able to pay that grace forward and hand it out to others.
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guardian-angle22 · 2 months
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911 lone star -> tk + holding carlos' face in his hands
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turtleblogatlast · 11 days
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Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.
For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.
And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.
I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt raph#rottmnt leo#rise Raph#rise leo#I really do love this bit of character writing a ton#again it’s so small but like this is consistent!#little Raph just wanted to have fun with his bros 😭#Leo immediately coming in with the save both times (and more - remember Bug Busters?)#I really love too how none of them pointed fingers like#it was Understood that Leo would speak for them#listen there’s a reason Leo is the Face Man and it’s NOT just because he’s got a pretty face#he can talk both himself and his fam out of situations and I wish we saw it even more because it’s amazing to witness#circling back to Raph his bold nature is something I ADORE about him but I don’t see it brought up a lot which makes me so sad#like this boy is a RAPHAEL he is bold!!#and it’s cute too how the other bros immediately go along with it too#imo the Raph in these tot flashback is the same Raph that glues them all together as a bonding exercise#side note but damn…Leo saves them from punishment in the tot short and immediately gets jumped 😔#but yeah man I think a Lot about the little dynamics between the bros and how those dynamics could have first came into being#Leo being the face of the team and having been it since childhood-#-makes all the moments of immediately choosing to sacrifice himself when HE royally messes up all the more notable#if it’s one bro or the whole group individually he’s more chill about it but often still lets himself be the talker to get them out of it#he will do his damndest to get his brothers and himself out of trouble but once they’re in it he’s in the front with a smile#his own safety be damned#Raph is actually the same in that respect - he’ll jump into danger fists first but all bets are off when a brother is in danger#and like how Leo’s been the face - as the eldest Raph has been the de facto leader of sorts#he’s the one who is shown to make up their games! and I think that’s very cute#anyway their clashing in the movie is so interesting for a lot of reasons but one of them is that it shows how-#-even a longstanding dynamic like Raph and Leo’s that’s WORKED for so long is still susceptible to flaws…and to time
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