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#hans moser
pepimeinrad · 7 days
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Der Theodor im Fußballtor (1950)
Hans Moser (Theo Haslinger Sr.) & Josef Meinrad (Theo Haslinger Jr.)
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rwpohl · 7 months
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dreizehn stühle, e.w. emo 1938
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perfettamentechic · 10 months
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19 giugno … ricordiamo …
19 giugno … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2022: Marina Marfoglia, è stata un’attrice, cantante, modella e ballerina italiana. Ragazza-copertina e modella per fotografie destinate alle cartoline illustrate di località turistiche, recitò fra il 1965 e i primi anni ottanta, comparendo in pellicole del cinema d’autore e della commedia all’italiana molto in voga in quei decenni. Fece parte del corpo di ballo di Don Lurio e della compagnia de…
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satanatemymovies · 1 year
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I took so many cute pictures of my new little cat over the last two days since I got him. But this one sends me.
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ozu-teapot · 18 days
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Toutes peines confondues (AKA Sweetheart) | Michel Deville | 1992
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aschenblumen · 6 months
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Hans Werner Henze, Nachtstücke und Arien. Poemas de Ingeborg Bachmann. Christoph von Dohnányi, director Edda Moser, soprano
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peterlorrefanpage · 2 years
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Let us enter "Tales from the Vienna Woods" (Geschichten aus dem Wienerwald) at its premiere!
(L-R) Peter Lorre, Lucie Hoeflich, Hans Heilinger, Hans Moser (in front), and Carola Neher at the Deutsche Theater in Berlin, November 1931.
Peter Lorre plays Alfred:
The play is set just before the Austrofascist takeover. It tells the fate of the naive Marianne, who breaks off her reluctant engagement with Oskar after falling in love with a fop named Alfred who has no serious interest in returning her love. For this error, she must pay bitterly. Wiki
A fop!
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Peter Lorre, Lucie Hoeflich, Frieda Richard, Carola Neher, Hans Heiliger, Hans Moser, "Tales from the Vienna Woods," 1931.
Dramatist-writer Odon von Horvath won the Kleist Prize for this.
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ahsgotham · 1 year
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somebody had requested a masterlist but i lost my draft as a response for it, so i’m gonna write it out here and hope they say it. these are my main interests and what characters i’ll write for, there are still tons of things not mentioned i’ll write for (such as, i’ll still write for ahs and gotham.)
i primarily write smut now, which is why i post on ao3 more, but i’ll still write sweet stuff, sad stuff, etc.
DEXTER
- dexter morgan
- debra morgan
- joey quinn
- angel batista
- rita bennett
- brian moser
- miguel prado
- travis marshall
- oliver saxon
PENNY DREADFUL
- ethan chandler
- vanessa ives
- sir malcolm murray
- dorian gray
- victor frankenstein
- brona croft
i’ve only seen up to the end of s1 so far, but i will write for dracula and jekyll in the future <3
PREACHER
- jesse custer
- tulip o’hare
- proinsias cassidy
- eccarius
- jesus
AMERICAN GODS
- shadow moon
- laura moon
- mad sweeney
- bilquis
- mr world
- tech boy
- mr wednesday
STAR WARS
- originals (han solo, luke skywalker, leia organa, boba fett, lando calrissian, darth vader)
- prequels (anakin skywalker, obi-wan kenobi, padmé amidala, bail organa)
- sequels (finn, poe dameron, general hux, rey skywalker, han solo, d.j.)
- stand-alones (cassian andor, bodhi rook, han solo, lando calrissian)
- shows (din djarin, cobb vanth, cassian andor, syril karn, obi-wan kenobi)
HORROR
for these ones there’s too many characters i’d write for to list off, so just request someone and see if i’ll write them. if not i’ll tell you.
- the scream films
- the final destination films
- the evil dead films/ash vs evil dead
- interview with the vampire (1994/2022)
- fright night (2011)
- twin peaks
- the mike flanagan-verse
HBO SHOWS
same deal as horror, rq someone and i’ll let you know
- true blood
- boardwalk empire
- six feet under
- the righteous gemstones
- band of brothers
- the sopranos
- succession
- veep
- true detective (only seen s1 so far)
MISCELLANEOUS
- anything i’ve written for previously
- sons of anarchy
- the magic mike films
- you (tv show)
- the top gun films
- scoot mcnairy characters
- mozart in the jungle
- ray donovan
- workaholics
i’m sure i’m forgetting some things, but here you go !! <3 rq and i’ll get to it. some things i might post on my ao3, ianmckinley.
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visionairemagazine · 2 years
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ADDIO A CHRISTINA MOSER, L'ANIMA DEI KRISMA
A cura di Donatella Lavizzari
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Ci ha lasciato Christina Moser, la compositrice e cantante dei Krisma, il duo new wave fondato insieme al marito, Maurizio Arcieri (New Dada) scomparso nel 2015.
Con loro, per un breve periodo nel 1980 si era unito Hans Zimmer (produttore degli Ultravox), attualmente uno dei principali compositori di colonne sonore e vincitore di due premi Oscar.
Niko Papathanassiou, fratello di Vangelis, produsse il loro primo singolo Amore, presentato al Festivalbar del 1976.
Con dieci album pubblicati, i Krisma sono stati dei pionieri con le loro sperimentazioni, spaziando dalla new wave al synth pop, all’elettro/techno, senza mai abbandonare l'impronta punk.
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dankusner · 3 days
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DID YOU GO THERE?
Help us name a lost Austin bar on East Sixth Street
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Somebody should write a history of East Sixth Street.
To be fair, Allen Childs did produce the slender yet instructive volume, “Sixth Street,” for Arcadia Publishing’s Images of America series.
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Crackling tales of Sixth Street turn up in books by Jesse Sublett, Michael Corcoran and Joe Nick Patoski, among others.
A comprehensive history, however, is waiting for an ambitious author.
(Don’t look at me. I’m busy finishing the fifth volume of the “Indelible Austin” series. Expect a box set by the end of the year.)
The subject of Sixth Street history came up again last week when reader Jess Airaudi asked Austin Answered about one of the many long-gone joints on the iconic way.
“I wondered if anything recent has come up about a place I had asked you about some time ago, a bar on Sixth Street near Congress run by two Lebanese brothers, ‘Benny,’ for one, which I think gave the bar its name, at least informally,” Airaudi wrote. “The long bar in front was popular, but it seems a back room was exclusive to highly-placed men who met there gathered round the potbelly stove to eat chili and spin stories. Maybe a poker game, too. I was invited in once in the mid-’70s. Any information would be appreciated!”
My first impulse was to consult Sublett.
If there was even a hint of illicit gambling, this master of Austin noir would know about it.
“I don’t suppose the guy was referring to JJJ’s Tavern?” responded the author of “The Last Gangster in Austin” and other deliciously lurid books. “It wasn’t that close to Congress but it fits the bill in several other respects.”
Airaudi replied that JJJ’s “brings back fond memories of many afternoons I spent with pals at the old ‘Three Hooks’,” but no, it was not the Lebanese establishment of his original query.
Later, Patoski had better luck: “Sounds like Benny’s Tavern, the last ‘men’s’ beer bar on Sixth, on the same 100 half block as the original Antone’s, OK Records, Moma’s Money, the adult book store and Catman’s Shine Parlor.
Margaret Moser broke the gender code and had a draw.
Soon afterwards, Pat Conway, a retired AP reporter, bought the bar and renamed it Don Politico’s.”
Airaudi responds: “Yup, that’s it. Joe’s ‘the last ‘men’s bar’ cinched it.
My young wife once entered to leave some cash as a surprise gift for me and my pals to celebrate getting my Ph.D. from U.T., and Benny and his brother had a good laugh at how timidly she peeked in at the door.
One other thing I remember, even as a ‘men’s’ bar, it was the cleanest, tidiest bar I’ve ever been in.
There must be pictures out there.
It would be great if some showed up. Go!”
The man in the Sixth Street picture.
That is my daddy!
Our exchange about a vanished Sixth Street bar reminded me of several Austin Answered columns from years past.
Two of them involved today’s featured photograph, taken by Hans Beacham in 1958, that appears to capture a part of Sixth Street’s palpable past, that included a jumble of nightlife, retail outlets and entertainment.
The following excerpt ran in a followup column about the photograph on Feb. 11, 2017 under the headline: “The man in the picture. That is my daddy!”
“Geneva Campbell Perius and Bill Campbell, both in their 70s, separately identified the man in a hat — turning and putting his right hand into his back pocket — as their father, the late Heber Campbell.
“Previously, reader Doug Dawson had quipped: ‘That fella looks like he’s fixin’ to draw.’
“‘He was reaching for his billfold,’ Geneva admonishes. ‘Not a gun.’
“Turns out that the elder Campbell, a stone and brick worker, loved walking the lengths of Sixth Street and Congress Avenue on the weekend.
“’My mother would go shopping at Scarbrough and Levine’s,’ Bill says. ‘My sister and I would go to a movie.’
“Geneva says the movie theater was probably the Cactus, located across the street from the Ritz and owned by entertainer Cactus Pryor’s father.
“She also names the young man walking into a bar as her brother, Arthur ‘Bubba’ Campbell.
“’Daddy knew everybody on Sixth Street,’ she says. ‘They’d go to Jo Jo’s place or Freddy Jabour’s.’
Either of those spots still open when Airaudi visited that bar in the 1970s?
What was Sixth Street before it was ‘Dirty Sixth’?
Since the question comes up all the time, I’ll include in the full answer to a reader’s question about Sixth Street’s history that ran in this column on Feb. 15, 2018:
The road east.
Called Pecan Street for its first 50 years, East Sixth Street was the dirt road to Bastrop, hence the principal route toward the most settled parts of Texas since the 1830s.
This roadway stood generally above the high water mark when the Colorado River flooded badly.
A second Main Street.
Other than Congress Avenue, Sixth Street was the most densely commercialized Austin thoroughfare well into the 20th century.
It hosted grocery stores, apparel shops, dry good spots, liquor stores, barber shops, furniture stores and movie theaters as well as saloons, restaurants and inns, including the grand Driskill Hotel in 1886.
Melting pot.
As Austin became more segregated in the early 20th century, East Sixth Street, along with Red River Street, was where African-American, Latino, Lebanese and Chinese merchants and customers could potentially mingle, although along one block, African Americans kept mainly to the north, Hispanics to the south into the postwar period.
Bourbon Street.
After World War II, as more residents and businesses moved out to the suburbs, East Sixth Street increasingly was lined was bars, clubs, brothels and tattoo parlors before inking was considered a near universal rite of passage.
Music Row.
By the 1970s, when liquor laws were liberalized, East Sixth Street was one of the primary magnets for live music, including the original Antone’s.
At the same time, against all odds, the first new downtown residents moved into the upper floors of the vintage brick buildings.
Electric Street. To
borrow a term from composer Sterling Price-McKinney, East Sixth Street became wonderfully electric and eclectic in the 1980s.
Waves of curious tourists, game day celebrants, old hippies, SXSW guests and offduty military personnel joined poets, comedians, entertainers, street food vendors and, for a while, feuding street gangs on this Avenue of Dreams.
Dirty Sixth.
We don’t know who first applied the adjective “Dirty,” as popularized by hip-hop culture, to “Sixth.”
Yet as Central Austin spawned a half dozen other, nattier nightlife districts, East Sixth Street acquired a reputation — embraced by some, reviled by others — for a certain level of intentional rowdiness.
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gasthausnostalgie · 2 months
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Old Vienna
Anno 1957
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Das Renaissancetheater
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ist ein Wiener Theater in der Neubaugasse im 7. Bezirk und dient derzeit als einer der Spielorte für das Theater der Jugend.
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Der Theatersaal, für dessen Einbau wohl die Brüder Eduard und Emanuel Schweinburg verantwortlich waren, befindet sich in einem Mietwohnhaus und umfasst 667 (ursprünglich 844) Sitzplätze. Da es sich um kein eigenständiges Theatergebäude handelt, wird es oft auch Renaissancebühne genannt.
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GESCHICHTE
Volksbühne 1912–1916
Der neu fertiggestellte Theatersaal wurde seit Ende 1912 durch den Verein Wiener Freie Volksbühne genutzt. Dieser bot für seine 25.000 Mitglieder Theatervorstellungen zu sozial verträglichen Eintrittspreisen. Am 12. Dezember fand die erste Aufführung mit Nestroys Kampl statt. Danach folgten unter anderem Hanns Sassmanns Das blaue Aug’, Else Feldmanns Der Schrei, den niemand hört, Georg Hirschfelds Die Mütter und Romain Rollands Die Wölfe. Angestrebt wurde ein künstlerisch und literarisch anspruchsvolles Programm.
Seit Herbst 1916 spielte das Ensemble der Freien Volksbühne unter Arthur Rundt im ehemaligen Colosseum in der Nussdorfer Straße 4–6. Das Theater in der Neubaugasse, weiterhin als Volksbühne bezeichnet, benutzten bis 1918 andere Gruppen.
Wiener Freie Bühne 1920–1932
Ab 1920 nutzte der neugegründete Verein Wiener Freie Bühne das Theater, das nunmehr in Renaissancebühne umbenannt wurde. Zu dieser Zeit traten u. a. Alfred Neugebauer, Hans Moser oder Gisela Werbezirk dort auf. Am 12. Dezember 1923 spielte Ida Roland an der Renaissancebühne die Titelrolle in der Uraufführung von Hans Kaltnekers Mysterium "Die Schwester" die lesbische Ruth.
Von 1925 bis 1931 leitete Josef Jarno das Theater und engagierte Publikumslieblinge wie seine Frau Hansi Niese, Maria Eis, Lucie Englisch oder Willy Trenk-Trebitsch.
Ab 1932 blieb das Theater, von vereinzelten Veranstaltungen abgesehen, geschlossen.
Renaissancetheater 1938–1970
Die Spielzeit 1938 wurde von Felix Lapernikus-Gerald geleitet, zur Aufführung gelangten auch Operetten, wie etwa 1943 Odo Nowosad-Nissens Der Himmel auf Erden oder Nico Dostals Eva im Abendkleid. und Verliebtes Dreieck (1944, Regie: Hans Olden).
Im Sommer 1946 führte Alexander Kowalewski die Operette Der gütige Antonius von Jara Beneš mit großem Erfolg auf. 1947 war Fritz Habeck Dramaturg und stellvertretender Direktor der Renaissancebühne. 1947 inszenierte Franz Pfaudler Nikolai Gogols "Der Revisor" mit Wolf Albach-Retty und Hans Olden (Bühnenbild: Gustav Manker). 1948 pachtete Leon Epp die Bühne als zusätzliche Spielstätte für Unterhaltungstheater. In diesem Jahr wurde dem aus dem Exil zurückgekehrten Oskar Karlweis ein euphorischer Empfang bereitet.
Die erwarteten Einnahmen blieben aber aus und Epp musste überschuldet das Theater bereits 1949 an Paul Löwinger abgeben, der es zur Spielstätte der Löwinger-Bühne machte. Daneben fanden auf der Bühne auch Gastspiele statt, so 1950 von Ludwig Stössel oder 1957 von Harry James.
Theater der Jugend seit 1970
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Ab Herbst 1957 wurde der Theaterraum abwechselnd auch vom Theater der Jugend benutzt.
Seit 1970 wird das Renaissancetheater allein vom Theater der Jugend geführt. Die technische Ausstattung ist für Kinder- und Jugendtheater einzigartig und ist sowohl für Sprechtheater als auch Musikproduktionen geeignet.
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pepimeinrad · 6 days
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Hans Moser & Paul Hörbiger
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rwpohl · 2 years
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gazetteoesterreich · 2 months
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sociedadnoticias · 3 months
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Llega la II Edición de Nudos Cortos, el Festival de Cortometrajes de Sigüenza
El Festival ha presentado esta mañana en la Academia del Cine de Madrid su segunda edición. Por Verónica Estrada | Reportera El Festival ‘Nudos Cortos’ ha presentado hoy, en la Academia de Cine de Madrid (Zurbano, 3) su segunda edición, que se va a celebrar en la ciudad de Sigüenza entre los días 19 y 23 de marzo. En la mesa han estado presentes: Luis Moser-Rothchild, miembro del jurado, José…
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game-set-canet · 5 months
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during winter i love is watching old austrian movies with Hans Moser or Peter Alexander
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