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#hamlet is such a blorbo
secret-sageent · 3 months
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y'all better get ready for so much goth twink slander on here soon we are starting Hamlet next week in my Shakespeare class
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heavy breathing, growling noises
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oxenfreeao3 · 8 months
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This is your semi-regular reminder that fanfic is mainstream.
And I don’t mean, “oh, we talk about Ao3 more openly now.” I mean fanfic is paid for and distributed by major publishing houses.
Like, what do people think books like “The Song of Achilles” even are?
I will holler about this until I’m dead:
The delineation between “cringe” and “not cringe” hinges entirely upon copyright law.
You can publish New York Times Bestselling Fanfic so long as your source material is old enough.
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abracazabka · 2 years
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I wonder if we've always been crazy about blorbos... I imagine we've always frothed at the mouth over little guys. Over Hamlet, over Lancelot, whatever. Humanity is nothing if not deranged blorbo-lovers. It's a bit comforting.
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operagroove · 2 years
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he’s charmed me with his pathetic aura
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People are out there having sane, explainable, rational thoughts about their interests, meanwhile the second I open my mouth to talk it’s just
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handmemyshovel · 11 months
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imagine: horatio, stuck in a never-ending play.
the first go around it’s normal. he doesn’t realize he is in a play, this is just life as it always is. he is coming from college to see his friend and his father’s funeral. but horatio notices the chaos that seems almost staged. but he doesn’t think too much of anything unusual, this is life as it always is! just… chaotic. sad. a friend in pain but what can he do about it? thinking of it… maybe he brought his own friend into this madness, into his death. and as fortinbras steps in and the stage goes dark, horatio is suddenly swept back in time. back to that night.
it’s the second play, but horatio doesn’t know it. he looks at bernardo and marcellus, wondering how he got here. notices how they repeat the exact words that happened nights ago, horatio responds with what seems natural. he says the same things too. and it all repeats. horatio is filled with fear and confusion as it all repeats itself. he tries to piece things together. if all this is happening does that mean hamlet will appear again too? back from the dead? he suggests letting hamlet speak to the ghost and marcellus and bernardo don’t mention anything of the prince’s death. he is still alive then? was it all just a horrible dream? but if it was, why are things going exactly like what happened in that nightmare? why is horatio’s one best friend lying dead in his arms again? why is no one doing anything to stop this? in his confusion he only plays along, unable to comprehend what is happening around him.
until he is taken to that night again. on the spot horatio almost breaks into tears. god, why is he here again? take him away from this nightmare. but there he stays. this time he decides to pay more attention to what’s happening. he makes sure that everything is as remembered, and it is.
he pieces things together in his mind. he realizes that between scenes he would be on stage he has an extremely fuzzy memory of what happened. he realizes that when he tries to say something different than what his head tells him to it doesn’t come out. he can only say what is written. sure, he can change the tone, he can delay the line, but he always says it. another thing he can do is change his actions — as long as it doesn’t mess with how the play is being acted out as it causes him quite literal pain to do so. he does those things as much as he can. he delays lines, tries to say certain lines as if he doesn’t mean them. (e.g. he suggests hamlet speaks to the ghost in a sarcastic or unconvincing manner, gets on his knees begging and clinging onto hamlet for him not to speak to the ghost/duel laertes) another thing horatio makes sure to do is take every word hamlet speaks in. he’s heard it all multiple times now, but it means something, it means something. the words hamlet says to him before his death. horatio knows what’s to come, so why not make the good parts better?
the fourth go around, horatio tries the hardest he can to change what is happening around him. he’s in the flow now and trying to get out of it. it’s his primary goal. but the more he tries, the more he seems to be going mad with hamlet, and ophelia, and about everyone else.
and nothing is changed, not the fourth, the fifth, the sixth go around. hours and hours of the same thing, horatio can’t take it. no one could possibly take it. as hamlet speaks of the longing of death, horatio now understands and agrees. but of course, he could never say that to hamlet, he must encourage him, even if nothing is changed in the effort.
but in the seventh play horatio gives up in trying to change things. he says each line emotionless. his energy in every action is drained. he can’t take it anymore, he simply can’t. whenever he sees hamlet, he is attached to him like a leech. he can’t let go of the man. every time hamlet talks of death he weeps onto him, every line horatio delivers filled with tears, and what does it matter? nothing is changed.
finally, finally, on the eighth play horatio gives up. entirely. he delays each line as much as possible, pursing his lips until his own body forces the words out breathlessly, denying an action until the overwhelming pain of doing so, too, forces him to do it. under his breath he will mumble the lines of others that he now has memorized from the endless times he has already heard them. every death brings him sobbing, collapsing on the floor. he’ll think: “it must be my fault, i always bring hamlet to the ghost, i always bring him in the picture. i make him mad, but i can’t do otherwise, i can’t. and all this harm… i cannot get away from it, i just want away from it. i just want happiness again. for hamlet, for me, for us all.” horatio knows at this point that no matter how hard he tries, nothing will change. and if he doesn’t take action, he’ll be stuck in this hell forever. so, when it comes to the last scene, he knows what he must do.
hamlet is begging in his arms for horatio to tell his story, but horatio can’t do that. he can’t. it’s a horrible way to go out, denying the dying wish of his love, but he can’t do otherwise. he has already tried to change things and he can’t take it anymore. he drinks the poison. and in doing so there is so much pain. the pain of rejecting the play’s reality. but he ignores the aching he has in every muscle, in his head, everything feeling like it’s about to explode. he ignores it. and he drinks the poison. he ends the play. he doesn’t tell the story. horatio finally gets his rest. and, god, he deserves it.
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mihai-florescu · 3 months
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You've heard of "could estrogen have saved her?" now get ready for "could becoming an idol have saved them?"
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i just watched the hamlet movie from 2009 (the david tennant one) and i am soooo. ohhhh my god,,,, girl help i’m hyperfixated on a shakespeare play.
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thealogie · 1 year
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Imagine doing some of the best Shakespeare in modern memory and now you clown around and get dunked on by the least successful big most influential social media website still standing.
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ifwebefriends · 9 months
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Damn Lucy really went “OMG I’m just like my blorbo today” huh?
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santhamantha · 1 year
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The character is Doomed, you say? Melancholy? Burdened with terrible purpose? For gods sake, let me lick him
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bloopdydooooo · 2 months
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sets out a bowl of cream for the cat but it's full of blood and it's for the blorbo
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but when Horatio said “goodnight sweet prince, / and flights of angels sing thee to thy rest” to no one but a room laden with the corpses of the royal family
but when Horatio didn’t have the time to mourn his friend for he had to manage the election to follow 
but when Hamlet to his dying breath could not stick to what he claimed, for when he says “I die Horatio” he continues speaking, when he says “the rest is silence” he makes noise as he dies
but when Hamlet, accused so oft of being selfish, considered only the throne and ensured his vote and endorsement were heard as he lay dying
but when Horatio, the only left alive, echoes the way that naught but a ghost speaks when asked what happened
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Hm? Oh, don’t mind me, just going feral about Kaeya’s hangout :)
This man memorized all his lines and blocking for a play he wasn’t even meant to be in within a half hour, tops. He stood up onstage and addressed his past, his present, and what he hopes to be his future all within a few lines of dialogue (and he looked hot as hell whilst doing so, might I add). He quoted Shakespeare, rejected his destiny, and insulted the gods in one night. And that’s just the best ending… every plotline reveals new insight into our favorite little cavalry captain’s thoughts and woes and I LOVE IT.
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not-a-newt · 6 months
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Hamlet // Yorrick (Mass Effect: Annihilation)
Seems, madam! Nay, it is! I know not 'seems.' / 'Tis not alone my inky cloak, good mother, / Nor customary suits of solemn black, / Nor windy suspiration of forced breath, / No, nor the fruitful river in the eye, / Nor the dejected 'havior of the visage, / Together with all forms, moods, shows of grief, / That can denote me truly. These indeed seem, / For they are actions that a man might play. / But I have that within which passes show. / These but the trappings and the suits of woe.
Thinking about Yorrick and how he would relate to this line (of Hamlet talking about how it isn't possible through any physical means to externally express his drastic emotinal state), as an elcor surrounded by aliens whom he is physiologically unable to meaningfully convey his emotions to outside of the traditional one or two word tone indicators, in spite his characterization as a perceptive and emotionally intelligent character, especially during those last few fanatic moments at the end of the novel
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