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#great film really
hi-im-otter · 1 year
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project adam be one of my fav movies rn
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pokimoko · 11 months
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I can't keep being fundamentally changed as a person by animated movies, it's just not sustainable.
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leandrocrossard · 3 months
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something really cool happened today that i wanted to share:
my nephew is 9 years old, and a stereotypical little boy. he likes dinosaurs, minecraft, and ninjas.
today i walked in on him excitedly watching Nimona with my dad. (minor spoiler warning!)
i had never heard of it, but i sat down and watched some of it, just to see why he was so happy.
he started narrating it, anticipating parts of it, almost as if he’d seen it before. he had.
we didn’t get to finish it, but i watched it on my own, because it looked fun and i wanted to see how it ended.
and i loved it. it was a fun, exciting, fantastical adventure about the importance of acceptance people who are different to us.
and it had a very clear queer subplot.
one that my nephew hadn’t mentioned at all in his explanation of the film. his summary was “it’s about a monster who helps a knight that was framed for killing the queen”.
and honestly yeah, that is what the film was about.
before sharing it with us, he had watched it all, engrossed himself in the story, took it in entirely, and the part he cared about most was whether Nimona got her acceptance. he wasn’t indoctrinated, or confused, or questioning anything about himself.
he didn’t bat an eyelid over a gay love confession. he just enjoyed the film, raved about it, made my 60 year old dad watch the movie about the monster who didn’t fit in.
he’s still the same little boy who’s been asking us how to get a girlfriend.
the only thing a movie centred around queer and queer-coded characters taught my nephew was that those who are different to him are not monsters. that’s it.
and that dragons are really cool.
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bringiton · 8 months
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"Never jump into a pile of leaves with a wet sucker." IT’S THE GREAT PUMPKIN, CHARLIE BROWN (1966), dir. Bill Melendez.
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jarrows · 6 months
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recently i reread a bunch of my favorite sherlock holmes stories (norw my beloved) and felt compelled to create my own diagram for 221B
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bixels · 9 months
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Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.
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TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.
If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.
URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag show club full of trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.
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mikimeiko · 11 months
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Nimona (Nick Bruno and Troy Quane, 2023)
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annonir · 1 year
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Glass onion script team really said "we've hidden the meaning of the film under several layers of plot, but yes. the message is just as obvious as the title indicates. all you really need to see is that powerful billionnaires don't deserve shit and CAN be taken down by force" and it's very direct action of them
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ragsy · 6 months
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If the media landscape is going to be just remakes and reboots from now til the end of humanity, can we at least start doing what Scott Pilgrim Takes Off did, which was recontextualize its previous iterations rather than overwrite them? It never said "the books and the live action film are in the trash now, this is the new canon." What it actually said was "the books and live action film are my predecessors, I will build on what they made and have conversations with what they said." And I think that fucking rules
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jessiesjaded · 6 months
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The Boy and The Heron, 2023.
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stevethehairington · 5 months
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everyone i see saying "omg oliver really said eat the rich!!!1!111!!!!" are COMPLETELY missing the point of that movie. it was not an "eat the rich movie", it wasn't about class in that sense AT ALL. it was very much about desire and obsession and consumption. not class!!
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zosanbrainrot · 12 days
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could you draw Chopper? please
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I have a lot of things that I'm procrastinating on so ofc I'm gonna draw for asks, that makes perfect sense
anyway, I saw film Gold recently and one of the things I liked was Chopper's outfit he had in the beginning!
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art--harridan · 8 months
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[Image description: A digital painting of Jack Goodman from An American Werewolf in London. It shows his face and the top of his shoulders. He's staring off into the distance with a slight smile. His neck is ripped ragged, comprised solely of exposed viscera. The wounds stretch up onto his face, mostly destroying his left cheek. It travels up in two raw lines across his face. Some of his jacket is torn and bloodied too. Jack is mostly drawn with greens and yellows with reds primarily coming from the gore. There's a light blue shirt shoulder in the bottom left corner. Over it, in a dark yellow, there's silhouettes of Jack and David walking. The shoulder looks like a path behind them. The background is mauve, coloured in with scratchy lines.]
Inktober - Day 3 (Path)
Movie - An American Werewolf in London (John Landis, 1981)
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Claudia Black and Ben Browder being captains of their own ship since 1999.
ComicCon 2009 Wintercon 2019 Wintercon 2023
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kiiborei · 5 months
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I watched the boy and the heron and was immediately possessed by the urge to make these ! Its been a while since I've busted out the polymer clay so these are my rough little prototypes (and just sealed with mod podge since my gloss glaze has long since dried out rip) hoping to make more in the new year to sell at some local conventions!
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"Well, I have no need for mortal men. But I have to admit, I do miss being worshiped by them…"
Pose reference from @jookpubstock's 2023 mermaid pack on Kofi
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