A new addition to beautiful villainess female lead ღවꇳවღ
Webtoon name: Isn’t Being A Wicked Woman Much Better? (악녀라서 편하고 좋은데요?)
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There's just something so therapeutic about screaming your lungs out to your favourite songs at a concert
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The latest brainrot✨🔍🩵🤎
Once I actually have time for free drawing again and get out of my awkward “drawing them for the first time” phase it’s over for y’all…
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The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.
Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.
Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.
In saving Marceline, Simon helped to not only to save the world, but also himself.
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My top 10 nonfiction reads of 2023 (the asterisked ones are in French with no translation as of yet) :
Belle Greene, Alexandra Lapierre
The Indomitable Marie-Antoinette, Simone Bertière
Reporter: A Memoir, Seymour Hersh
Red Carpet: Hollywood, China and the Global Battle for Cultural Supremacy, Erich Schwartzel
Empire of Pain: The Secret History of the Sackler Dynasty, Patrick Keefe
Servir les riches, Alizée Delpierre*
La Comtesse Greffulhe : L’ombre des Guermantes, Laure Hillerin*
Le Courage de la nuance, Jean Birnbaum*
The Book Collectors of Daraya, Delphine Minoui
Flowers of Fire: The Inside Story of South Korea's Feminist Movement, Hawon Jung
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I think what makes TLOU show both enjoyable for the new and old fans is that they've kept the main story beats the same but the ways we actually get to these points are extremely different and take full advantage of the transition between mediums. We get a lot more time with the actual characters rather than on exploration and I'm really digging the pre-outbreak exposition we're getting before every episode
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