Steddie Upside-Down AU Part 77
Part 1 Part 76
He’s growing – Steve can feel it eating away at the pathways in his brain. He can almost feel the way the connections drop, making way from something else, something more. It’s like he wants Steve to be able to see the paths he’s carving out of his brain so he can.
They’re dark, and winding, and there’s nothing in there at all. Steve’s being hollowed out, for a holy purpose he can’t quite grasp, but he can feel it, coiled cold and hard in the back of his skull, waiting to give him his own divine prophecy. When the time’s right.
But the time’s not right, and he’s lost in the tunnels of his mind, winding fast, fast, fast through corridors he doesn’t recognize.
It’s like, double vision. He’s looking at Eddie sitting beside him, twirling his frizzy hair in front of his mouth, but it’s dark, too, and the tunnels are winding. Winding, and empty until they’re not.
It’s not until he sees the man that Steve wonders if he’s looking at something internal at all. Because there’s a man he doesn’t recognize walking inside them. He watches him stumble, he watches him fall.
Steve doesn’t recognize the man. But, still. Something twists inside as he watches him collapse, He’s supposed to collapse. Steve knows, he can feel it.
But there’s still something pulling in his sternum. He can feel it, sometimes, when Eddie’s looking at him with big, sad eyes. He wants to wring the sadness straight out of him but can’t – he doesn’t know what’s wrong.
“Something’s wrong.” he says, but he’s not sure if he means the man or the look in Eddie’s eyes, or the way he’s not sure where he is right now.
“What is it, honey?”
The woman who says it looks frazzled from where she’s kneeling in front of him. He doesn’t know her, but she’s holding Will’s hand. He looks at Will, and his eyes match hers – both wide and worried and trained on him.
“There’s a man,” he says. There are vines circling the man’s wrists, legs, trailing up his neck. Steve rubs his own throat, esophagus convulsing in sympathy pain. And just for a second, there’s a flicker of that same man smiling down at him, settling something over his face, letting him breathe.
“Where?” the woman asks, at the same moment Eddie asks, “who?” and reaches out his burning palm to clutch Steve’s knee.
He turns back to Eddie. Eddie who’s touch burns straight through him, who he can feel pulling pulling pulling him in like he wants to incinerate him whole. Steve would let him.
So, he ignores the woman’s question and focuses on the man. “I don’t know him,” Steve whispers. He’s not sure it’s true, he can still feel the way his warm hand had cradled Steve’s jaw as he breathed life back into him.
Eddie’s boring his gaze into him, like maybe he can scoop out the images and muddle through them on his own. “But he’s in trouble?”
Steve nods.
The woman stands up with a grunt, hands braced on knees as hauls herself up. “I’ll try Hop again.”
The name twinges. “Hop, Hop, Hopper,” Steve murmurs, looking back down at Eddie’s hand on his knee like it’ll tell him what he’s thinking. Like it’ll make his brain work better.
“What about him?” Will asks quietly. He’s watching the woman pick up the phone, turning the numbers by rote.
Steve doesn’t know Hopper, but there’s a man with a dirty name plate attached to his dirty chest that reads the same name. “The vines,” he starts, before stalling out, unsure of what to say. “They’ve– they’ve got him.”
Eddie sits up, squeezing Steve’s knee tight, the bite of his fingernails into burnt flesh aching. “Hopper’s who’s in trouble?”
He nods, and sits, watching Hopper struggle, watching Will and Eddie trade looks around him, watching the woman hang up the phone with a sigh.
“Where?” Eddie asks.
Steve doesn’t know. He doesn’t know, but it’s Eddie who’s asking, so he closes his eyes. He closes his eyes and focuses. “There’s dirt,” he says, “and vines, and—”
There’s nothing else. No discernable features of the landscape he both can and cannot see, but he’s squinting into his own mind hard enough that the back of his skull starts aching like it’s splitting open and that’s when he feels it: a pull.
It’s coming from the back of his head, like a migraine, aching at the join between his neck and skull. He lets his head sway with it, then points with the sway.
He closes his eyes, focuses on the man, and lets the pull take him.
It’s like walking through purgatory – following the lines in his mind. He’s going the right way, can feel it just as surely as he can feel Eddie’s burning hand on his elbow and Will’s burning fingers on his ankles.
He doesn’t open his eyes, just walks, and walks, until there’s nowhere to walk anymore.
It’s not until he stops that the implications of the pull yanking him down sink in. He wants to drop to his knees and scrabble at the ground with his nails. But he’s down too deep, and time’s running out.
He opens his eyes and looks down. There’s a rotten pumpkin under his shoe, foot turning it to mush. Beneath that, there’s dirt. Dirt and vines. Steve points down to it, and looks up to meet Eddie’s worried eyes.
“He’s running out of time,” Steve says, watching both Eddie’s eyebrows furrow, and the way the man’s fingers are still flexing on the vine around his throat, keeping it at bay.
“He’s down there?” the woman asks, unhelpful in her hysteria.
Steve watches the reality unfurl in Eddie’s eyes and then looks down at the dirt beneath his feet and watches the man struggle.
People flit around him like ants. He doesn’t pay it any mind. Will and Eddie are here, and everything else is just killing time.
Part 78
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It honestly really baffles me when people say adrien is a boring or simple character, I don’t understand where that comes from at all. Because I think the main reason he’s so compelling are his complexities, but in the same vein those complexities I think make him someone very easy to relate to. Like it’s fine if he’s not likable or relatable to everyone but saying he’s not complex is really just ???? To me. Just looking at how DIFFERENTLY he acts around different people and situations is so fascinating to me. Of course everyone takes different personas and highlights different aspects of their personality around different people but adrien is the king of doing it around the same people to the extent of which having his two personalities be the same is laughable to those who know him personally in his everyday life.
But it’s not out of no where, seeing his home life and the kind of person he’s made out to be by his situation it’s not hard at all to understand that he’s a person who is immensely self conscious. He’s constantly gauging others perception of him and whether or not he is “safe”. What’s more fascinating is the entirely different way this comes out in chat noir. Because adriens personality as chat noir is also deliberate to a certain extent but it’s deliberate in the way that that’s how he wants others to see him. He wants to see self assured and larger than life because in his everyday life he feels small and self conscious. The fact that this dichotomy is so easy to follow in his character but creates such a black and white image in his two personalities is so interesting!
Another thing I find completely fascinating about him are his high empathy and how that actually fucks him up more often than not. He’s acutely aware of how other people might be feeling and can easily sympathize. At the same time though he has a hard time understanding certain social cues and situations and seems very out of his element. I don’t think these things conflict at all. Adrien is someone who easily puts himself in other peoples shoes and can imagine and have sympathy for their situation, but that doesn’t mean he’s going to pick up on the social complexities of every interaction every time. Emotions aren’t the same as communication and when it comes to the later adrien works best with simple and straight forward interactions.
In the same vein because of his aforementioned situations he’s also a character who has a lot of repressed anger and frustration that has been building up for a very long time. In his everyday life, he feels powerless, small, and insignificant. He doesn’t have faith that anyone would listen to his thoughts and feelings and actually take them into account, because by all of his experiences no one really has. This creates a defense mechanism where he shuts himself out before he even gets to the point of sharing how he really feels. We see this really easily in his relationship with Nino. He loves Nino DEARLY, but there is something that we have seen in him constantly putting up walls emotionally. He won’t tell him when he doesn’t find something funny, he won’t tell him if he’s unhappy to do something even when it greatly affects his life because he is at his core afraid Nino will not validate those emotions.
As a result, all the frustration he’s built up from feeling powerless in his everyday life we see just. Randomly bursting out of him in inopportune moments as chat noir. It’s not that adrien is such a violent or angry person normally. But he’s so used to repressing and modulating his emotions regularly that when he feels somewhat safe to express any frustration ALL of the anger he feels constantly bubbling under the surface all of the time just suddenly rushes out, like a dam holding back hundreds of gallons of water. This happens repeatedly, and then as soon as he’s realized he’s let himself get out of control he immediately feels immense guilt and he stops the dam up even tighter. This is obviously not a healthy feedback loop but it’s fucking FASCINATING!!!!
A common thing that I feel like I see fans often misinterpret about his character in my own opinion is just how PRIVATE of a person adrien is. Adrien loves sharing his love and appreciation for those around him because he knows how it feels not to know, not to be sure of that affection. But in the same token, Adrien rarely if ever actually shares his real feelings with those he’s close to. He doesn’t like people prying into his life or his feelings and he is very private about most things. We don’t see him talking about what he likes, we don’t see him sharing with his friends his anger or frustration. And in the end Adrien is the one character who has kept his secrets most closely held to his vest. This is all despite being so grandiose and loud mouthed as chat noir. Even as chat noir, adrien rarely is entirely open about things going on in his life.
To me Adrien as a character isn’t interesting or compelling because he is shy or cute or sweet, but because there are a number of different facets to his personality that I can easily see reasons for and understand where his feelings come from. He IS sweet, but not without misplaced anger, not without repression, not without mistakes and messy emotions. Not without pain that we can both easily see the roots of but also have a wide spread variety of consequences from. We see how his formative experiences affect every aspect of his life even in ways he audience wouldn’t necessarily expect, but make complete sense. That’s so fun and interesting to me!!!! Let characters be messy but try their best anyways!!! Let characters hurt each other and try to put the pieces back together one shard at a time. People have complicated emotions that come out in ways we can’t always foresee or help, people make mistakes because of that. But despite everything adrien is a character who cares deeply for those around him and tries to do right by them despite all the rest of it, and despite sometimes not really knowing how.
It’s things like that that keep miraculous being an extremely engaging and compelling story to me. Most of the general things about adriens character are also things that I find interesting about marinettes as well! Of course the intricacies of her character are completely different, but the general hows and whys and complex motivations for her actions while maintaining the best of intentions are what make them both so interesting to me. So this is just a little love letter to adriens character because I wanted to talk about that and why I find him so engaging!
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