Tumgik
#good job you said it
afreakingmilkshake · 21 days
Text
Tumblr media Tumblr media Tumblr media
good day to draw meta knight gijinka
901 notes · View notes
turtleblogatlast · 12 days
Text
I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt leo#rottmnt headcanons#rise leo#His aptitude with subterfuge sleight of hand stealth and speed really push how being a ninja really comes naturally to him.#it’s arguable that his desperation for the spotlight and validation is an act of subterfuge against himself#note that when he’s offered a job as a mascot he’s fine being unknown#when he and splinter win the battle nexus Leo immediately says ‘they love YOU pops’#idk I think so much about how good a ninja Leo is#and how much his persona is more an actor#Leo as a tot is shown a natural skill at katana too so hear me out-#every Leo is a natural ninja but every Leo’s route in life is directly tied to their splinter so#since rise splinter is an actor Leo too aims for it#and he brings it into his whole life - masking always because a Leo makes what they do who they are#I think that Leo naturally falls more in line with that of a typical ninja#his eccentric performer self is his subterfuge skill just set to an 11 at all times#not that that’s NOT him - like I said it’s still undoubtedly a part of Leo#but? idk I think about little moments like Leo being the only one to choose stealth in bug busters#or Leo being the only one to almost get Gus’s dog tags in The Ninja Art of Hide and Seek (he was so close but luck was against him alas)#like- he’s clearly in his element there and he falls into those skills so easily#it’s like how everyone has skills in so many things but some exceed more in some than others do#like Raph? Raph’s the biggest Hero of the bunch of them let’s be perfectly real here. Raph is THE Hero#All the boys are smart in their own rights but Donnie is THE Genius.#and they all have mystic powers but Mikey is THE Mystic Warrior with immense untapped potential#likewise Leo I feel is THE Ninja#but yeah I love how much Leo goes for the spotlight anyway for better or for worse#he IS a performer again make no mistake! but again the way he does it still lines up with his natural ninja aptitude and I love it#Leo loving magic tricks and magicians so much works doubly well here because like#you’d think he’s focused solely on the performance flair - no it’s ALSO and ESPECIALLY the DECEPTION
522 notes · View notes
royalarchivist · 1 month
Text
[A sad violin song plays over an image of a sad hamster]
Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?
Tumblr media
[ Transcript continued ↓ ]*
Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.
Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!
Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.
* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.
#Pactw#QSMP#Pac#March 18 2024#As much as I love keeping people updated about Pac / the other Portuguese-speaking creators#I think I might not make as many transcribed posts for their clips anymore#I just don't think I'm qualified enough to be transcribing things for a language I don't know#like yeah we have the Qlobal Translator and Aypierre's translators to rely on#And I'm always upfront when I'm not 100% sure about a translation#but I've been thinking about it a lot and it kinda makes me feel a bit icky. Idk.#I might be overthinking this but I just I don't want to spread around translations I'm not super confident about#esp. since I know a lot of people cite my clips in analysis posts or link them to other people as resources#and 90% of the time I'm like ''Hell yeah I love seeing people getting a lot of use out of the archive''#but sometimes I get a bit anxious like ''Did I do a good enough job translating this''#''Am I ruining someone's entire perception of a conversation or character because I left one word out or mistranslated something?''#And like I said that's normally not a HUGE concern since if I'm not certain about a translation I just won't post a clip. but you know#idk it might just be the anxiety talking but I really really don't want to spread bad info#Happy to hear other folks' perspective#I'm really grateful for people like Bell and Pix and others who translate clips and I always try to reblog those#but we don't have a ton of people posting clips & translating things on Tumblr since we're so English-centric#which is part of the reason WHY I like sharing clips of the non-English-speaking CCs#but at the same time I want to do an accurate job representing what they're saying#Maybe I'll just start posting things and give a TLDR context of what they're talking about but not a transcript#that way native-speakers can hop in and add translations if that's something they're comfortable doing#and if not then well. at least I'm not sharing something that isn't super accurate#idk I'm just thinking out loud a bit in the tags#But I'm open to hearing other people's thoughts on the matter#Anyways giant rant aside. q!Pac is NOT doing ok rn
252 notes · View notes
mediacircuspod · 9 months
Text
Obsessed with this scene and will be forever; A very long meta.
Your ‘exactly’ and my ‘exactly’ are different ‘exactly’s’
Tumblr media
The Scene.
Crowley’s exactly means “We need to be safe and together and away from danger. Let me keep you safe.”
Aziraphale’s exactly means “We need to help because it’s the right thing to do, and we fix things when we’re together.”
Note though, that this is the only time they clarify with each other, and they don’t actually say what they mean, they say what they want to do.
“Let’s drop him off and leave him.” Vs. “Let’s take him in and help him.” 
The dissection of this also poses the question, Why does Aziraphale think helping Gabriel is the right thing to do?
And the answer is; Crowley gives him the courage to do what Aziraphale thinks is the right thing and not what heaven decrees is good.
And we can come to this conclusion because Aziraphale for the first time ever, immediately and without hesitation, goes against heaven’s will, without having to be convinced or going through a cycle of indecision or guilt. This is… A. Big. Deal.
Season One. 
Tumblr media
Heaven’s good requires Armageddon to be complete, and under-way. And what does Aziraphale first say about it? “It’s all going to be rather lovely.” “I am not interested[in stopping Armageddon with you].” 
Aziraphale loves the earth in this scene. He loves the people on it. He loves all the creatures great and small. He loves Crowley, too. And he still refuses. He needs Crowley to convince him, and even then he still thinks heaven will see sense once he fixes everything. He still believes that right, and good, and holy are the same thing. Even if sometimes he doesn’t agree with it. 
Now, let’s go through some history. Between the two of them, for sure, but mainly Aziraphale’s. 
An act of defiance; The giving away of a flaming sword. The guilt and worry Aziraphale feels after giving Adam and Eve a chance at survival is not something he gets over quickly. He worries that it was the wrong thing even though it felt right. And the problem isn’t the system that would make doing a good deed the wrong thing, the problem is him. The problem is Aziraphale.
Compliance; The flood. The crucifixion. “God’s a bit tetchy” he says before Mesopotamia is decimated. Aziraphale is clearly uncomfortable with the will of heaven here, but he does not disobey. He does what he is told because the will of God is good and right and correct. He does this same thing with the same reasoning during the Crucifixion of Jesus in 33 AD. Crowley gives us context with a few lines, “Your lot put him up there.” “I showed him all the Kingdoms of the world.” We see a demon who still doesn’t understand why good is so cruel, and knowledge is so evil. And we see an angel that refuses to be conflicted despite his own inherent morality. Because Aziraphale understands why Crowley has questions, he has them too by now. However, Aziraphale has something Crowley didn’t; he has the knowledge of what good intentions and well-meaning questions get an angel.
Doing bad in order to do good. Let’s talk about the Job mini-sode, because let’s be completely real; I’ll never be done talking about the Job mini-sode. 
Tumblr media
Aziraphale starts this episode thwarting evil. Something he is not conflicted about. You have to thwart evil when you’re good. That’s the whole dance at this point. Crowley stops the dance though, he presents a permit. A permit from a higher authority. Meaning that Crowley, the demon, is performing the will of not only Hell, but also of Heaven. A theme that IS THE WHOLE POINT OF SEASON 1. For all their want of a war, heaven and hell want the exact same thing. 
Crowley even states, “The real ‘Big One’ will be between ‘all of them’ and ‘all of us’”. At the end of Season 1 Episode 6.
Aziraphale is horrified by this “permit”. And he goes to check on the validity in heaven, and well. He finds out that it’s real. He doesn’t go higher after that, because he knows you don’t question. He knows he can’t ask why? So he goes to Crowley. If Crowley doesn’t do the evil thing, then Aziraphale doesn’t have to break the rules to thwart it. And well, even though Crowley is a demon, Aziraphale doesn’t actually see him do demonic things all that much. Aziraphale still thinks that Crowley acts like an angel. He’s even starting to think that Crowley is on the side of good. Good being heaven. Crowley denies this, but Aziraphale doesn’t listen. Crowley says, “Kill the blameless Children of Blameless Job” and Aziraphale isn’t going to stop him. The demon has a permit after all. But then something miraculous happens. 
A crow, bleats.
Aziraphale looks at a demon defying heaven, defying hell, and doing good. He doesn’t know it yet, but this is his first glimpse of their side. At this point, Aziraphale still thinks Crowley is a little bit on heavens side, because the demon is a little bit good. But then Crowley keeps saving the Children. Crowley stands before angels and he lies to save the children. He does something bad to do something good. And then.
So does Aziraphale. 
An angel lies to save children. And then that angel thinks that decision is his undoing. He readies himself for a fall that never comes. Because Crowley is going to keep his secret. This is where Aziraphale once again starts acting with his own moral code. It’s important to remember something important though. Aziraphale still thinks he’s the one who’s wrong. Not heaven. The birth of “their side” coincides with the saving of Job’s children. But there’s a problem. 
It doesn’t mean the same thing to each of them. To Crowley it means and end to his loneliness. To Aziraphale it means the beginning of his millennia long struggle of reckoning good with right. Their “exactly’s” don’t match, and they don’t clarify with one another.
Tumblr media
The Book and the Bandstand; Aziraphale doesn’t tell Crowley. He doesn’t say, “Let’s go save the world, I found the anti-christ” He says, “Why would I know his shoe-size?” And Crowley doesn’t suspect a thing. Ouch. They disagree on how to continue. Crowley wants to cut their losses and run away. He wants to do this because he thinks they’ve already lost. And Aziraphale doesn’t give him a reason to hold on because despite everything, Aziraphale wants to be good in the heavenly way. He wants to give heaven a chance to do good, too. A higher authority will surely agree with him. And now, he has the courage to ask. Only after he is turned down by heaven does he make his own decision. He steps into ‘their side’ safely, because Crowley had built it that way. 
And he saves the world. With Crowley, and the Anti-Christ, and a series of human beings. 
Aziraphale retreats to the safety that Crowley has built for them and that he himself has built as well, despite constantly looking over this shoulder. And he finds comfort there. It is the entire reason he finds himself comfortable making his own choices in Season 2, regarding what is good. It’s why he helps Gabriel, and it’s how he gets Crowley to do it too. 
You might even say that Aziraphale embraces ‘their side’ more than ever in Season 2. He includes Crowley in all of his plans, excitedly tells him information he finds, calls the bookshop, the Bentley, and their existence, ours. Oppose this directly with Crowley who, in the name of keeping Aziraphale safe, actually just keeps him in the dark(The threat of extreme sanctions, Gabriel’s trial, etc.)
Tumblr media
Exactly vs Exactly; AND STILL THE ENDING MAKES SENSE. I have a whole meta HERE about the reason Aziraphale made the decision he did, but I want to talk about it a little bit more. Because it’s the same problem. Their “exactly’s” are different, and neither of them asks the other to explain why. 
In this particular case of the ending scene of Season 2, in place of the phrase “exactly” they use the word “together”. 
Aziraphale wants Crowley with him in heaven, because they fix things when they’re together. And Aziraphale has faith they they can fix heaven. “We can be together” is how he presents it to Crowley. Crowley rightly sees this as naive, and he’s upset that Aziraphale thinks he wants to be something he’s not anymore.
He finds it hurtful that Aziraphale wants him to change. 
“We can go off together” Is what Crowley counters. He says all of this is awful, please let us go off somewhere the danger isn’t. Let me keep you safe. Aziraphale doesn’t want to run away. He wants to save the world again. He wants to save it with Crowley. He wants them both to be good, too.
Tumblr media
IT’S THE SAME ARGUMENT. 
Only Crowley doesn’t let Aziraphale win this time. Aziraphale isn’t right this time. And Crowley isn’t wrong. (I mean I don't think he's right either, they need to find a compromise that isn't the toxicity of heaven and isn't the loneliness of running away.) This time he says, “It’s finally too much, you’re finally asking me to do too much.” Crowley for the first time ever, when asked to make the decision between the two of them, chooses himself. Neither of them explain themselves, and neither of them asks the other to do it either. Because asking questions has always been dangerous for both of them. Anyway, this season makes my brain buzz and I love the ending so much.
558 notes · View notes
emotinalsupportturtle · 2 months
Text
I can’t stop thinking of how despite it baffling most non-brits, and most of the Hollywood a-list audience, David Tennant decided to do a skit on his little lockdown rpf show, make a bunch of puns that only people familiar with British culture would get, wear a kilt and be his usual manic self when hosting an internationally prestigious award show
fucking power move
322 notes · View notes
communistkenobi · 4 months
Text
I don’t like when people ask how many books you plan to read/have read this year one because I think that’s a weird relationship to have to books and two because I think even reading a chapter or a portion of something is valuable. this is especially true with non-fiction but even with fiction I think any amount you read, even if you don’t read the entire thing, is not a failure or ‘incomplete’
176 notes · View notes
occidentaltourist · 4 months
Text
bbc: Some sweet #Silvacre content for your FYP ❤️
164 notes · View notes
Text
I've been reading Exodus lately and I've just gotten to the portions where God gives the first commands to the people via Moses (twice), and then goes on to give detailed instructions about the tabernacle and how it should be built, and I'm just... we think art is unimportant?? we think things only mean as much as their functionality?? we so easily fall into the trap of believing that beauty means nothing, that it's cheap and only worth whatever mindless distraction it brings, that it's barely more than a cheap sensual thrill, that buildings should just be practical and plain and cheap, that everything should be functional but ultimately disposable, that paintings and dresses and mugs and curtains and carpets are just pretty but have no real value, that beauty is fleeting and vain and therefore shouldn't be thought about too much, if even looked for at all... we fall into these traps so easily, and we forget that there are chapters upon chapters of painstakingly detailed plans to build one portable worship tent, and those plans have been handed down through thousands of years of human history, because beauty and art and skill in craft is important
#I have to go get ready for work now but I will come back to this#and don't even get me started on the parts about God calling specific craftsmen *by name*#he called them!! by name!!! he said 'this man is good at his job. he creates beautiful work. he will build my temple and make it beautiful'#and even more--God inspired him!!!! it was a calling of GOD for him to create beautiful carvings and tapestries and candlesticks!!!#look even if you're not jewish or christian or religious at all you have GOT to see what it means that all these incredibly detailed plans#for building this tent-temple are extremely important#because even if you don't believe in God and don't think that this is all significant bc he personally gave the instructions#and then helped preserve this record of them so we could still read them today#you do have to see how important they were to the people of that time who first wrote them down#and the extreme care that was taken to record all of those detail#AND the fact that it's been preserved for so long and we can still read all the care that was put into creating this incredible piece#of artwork and worship they made#gurt says stuff#I just. gahhfhhfj. I'm feeling emotional about chapters of the Bible that I can't even fully force myself to pay attention to#bc there's so MUCH and I'm bad at visualizing this stuff and I tend to zone out while listening to it#but the fact that it IS that much!!! that there SO MUCH DETAIL and it goes on for SO LONG that I even struggle to pay attention!!!#that this was THAT IMPORTANT to the people who wrote it and to God!!! as an artist and someone who has always cared about art#this means so much to me ok#christianity#bible verse#bible thoughts#exodus#art#theology
616 notes · View notes
druidonity2 · 5 months
Text
Tumblr media Tumblr media
Study on the lion who cut his mane.
173 notes · View notes
shima-draws · 1 year
Text
I have a lot of thoughts about ONK right now but the main one is how much I fucking LOVE Miyako. Her character development going from “I’m going to reveal the truth about these twins to the public so I can get tons of money” to “I love these kids as if they were my own and I know I can’t ever replace their mother but I will be here for them always” makes me want to fucking cry. She really girlbossed it up with Strawberry Productions too. I’d do anything for her
461 notes · View notes
the-casbah-way · 8 months
Text
forgive the brief jesus chris superstar rant but. there is a very important difference between the pharisees being villains and the pharisees being antagonists. they're technically antagonists because they're actively working against the interests of our protagonist, but i don't believe they should ever be played as villains. they're not evil or bad or wrong. they're terrified just like literally everyone else in the show is, and their actions are completely justified. to me that's the entire point of the musical. it's not about christianity; it's about the impact the roman empire's brutal and violent imperialism had on everyone on all levels. including jesus and judas, but also including the pharisees, and even herod and pilate. when a powerful coloniser forces their presence on innocent people they are the only winners. everyone else suffers, even the puppet kings and high priests who look like they're reaping some sort of benefit from it all. that's roman propaganda. the romans kept native rulers like herod and caiaphas in power to maintain the illusion of provincial autonomy, and keep populations appeased and therefore under control. everyone in the show is acting out of fear of the romans. the one roman character we do see (pilate) is acting out of fear of his own emperor. it makes no sense to cast the pharisees as two dimensional Bad Guys, especially when the same productions that do that usually offer a sympathetic portrayal of pilate. it would be so easy to stage and direct a production in a way that makes it obvious that the pharisees are doing what they're doing because they truly have no choice, and not because they're pure evil and want to kill jesus for the sake of it. it's not only an antisemitic trope but also undermines a really important theme of the musical. if you can see the humanity in the violent roman governor installed forcefully on conquered land then you can afford some humanity for the pharisees too. they are victims of pilate and victims of rome just like everyone else
243 notes · View notes
tubbytarchia · 4 months
Text
Oops I decided to extend the shinyduo animatic
This is the vision I saw from the start and actually I don't think I'd forgive myself if I cut that vision short because of impatience. So this'll take another few weeks haha
In my head a fight involving a centaur looks so cool but can I visualize that? Well I sure. tried
It's so easy to make it look stupid when it's a swordfight between a person and a centaur whose torso and arms are way higher. Logically a centaur would just trample you to death, quick and easy, but that simply doesn't make for good enough imagery here with everything I was trying to cram into this part of the song
130 notes · View notes
seventh-fantasy · 6 months
Text
li xiangyi, yin, and femininity
Tumblr media
we all know that li xiangyi is a character of fractured identities. and li lianhua is an unreliable narrator to his own story. these make him not the most straightforward character to study. but I've believed in treating li lianhua as a part of li xiangyi, rather than separates. and there must be a common thread that ties all of him together. thus, I offer what I have found to be the most useful lens to use to view him as a cohesive whole, regardless as li xiangyi, li lianhua, or any other identity he may reinvent into: his 阴 yin qualities. (yin of yinyang)
this framework suggested by the drama's text itself has helped clarify to me his strengths, weaknesses, motivations, and struggles. by identifying this constant, too, makes it so much easier talking about what has changed in him.
[to the, hopefully growing, boli lhl hivemind @markiafc @ananeiah]
-
there are some notes on the concept of yinyang and chinese conceptualisation of gender I have to preface with.
[disclaimer: of course, I'm not even trying to cover a tip of what experts have extensively studied and debated in a depth it deserves. all I'm doing is try to parse the broad, fundamental ideas that are needed to explain my blorbos through my own spotty brain filter. so there bound to be nuances I've overlooked or some degree of my own interpretation. pretentious but needs to be done.]
阴 yin and 阳 yang are concepts characterised by passiveness, darkness, gentleness, femininity etc, and proactivity, light, toughness, masculinity etc respectively. a very key and handy concept to have in mind is their relationship to each other - which I'll not attempt at explaining better than literal scholars have:
Yin and yang exist only in relation to one another internally as the way warmth-coldness only exist relative to one another. Furthermore, when using yin-yang as an organizational schema, achieving balancing harmony is always the goal, not domination nor subordination of one to the other. [x]
while yin and yang can be symbols of femininity and masculinity, it doesn't mean all female are yin and all male are yang. it's certainly not a strict 1-to-1 equation. the concept of gender in chinese context is more social than biological. this suggests room for fluidity, and shaping of identities, often through social rituals as one journeys through life. it also means that there can be femininity in the masculine, and vice versa - in fact, that's only healthy because you need a good balance of the two worlds. no one part is better than the other. if you think of the two components as relative to each other, they are always interacting and affecting each other, rather than being strict and inert binaries. simply put, it needs to be kept in mind that there are greater nuances in applying yin and yang to the definitions of gender, and to avoid at all cost a simplification of this framework into a binary.
sure, the show has implied that lxy's powers and energy are yin-coded. but femininity is only one of the multiple attributes of yin. so how are we extending lxy's yin to femininity specifically? it's in the text that substantiates and qualifies lxy as feminine. dead women being used as proxies to his character. being literally dressed as a woman in order to put himself into their shoes and feel what they've felt. adopting a name that happens to be very, very feminine - 莲花 lianhua (lit. lotus flower) (it must be caveated that chinese names are NOT gendered. but there are just some names that are more feminine than others.) him coming to lead a life revolving around traditionally feminine, domestic things as li lianhua. him having interactions with the women around him like he's in his own element - no pressure and tension at all, unlike with all the other men.
as such, I'm more willing to use yin and femininity interchangeably in discussing lxy (while it's not necessarily applicable to every point that will be mentioned albeit there being some degree of implied association). and it's for the sake of elucidating what I feel is an intention or very plausible reading of the canon text in parsing feminine experiences in lxy's character. and thus, his queerness.
one last note is that taoism is going be mentioned quite a bit as well because of how much it as a philosophy honours the yin quality. its key tenets include valuing passiveness and inaction as a form of action, and submitting to the nature of things. and we will see how those come up in lxy's life too. (though I'm not gonna attempt to deep dive into it here beyond broad strokes of it.)
-
a huge part of li xiangyi's yin actually manifests in him being a passive person. this applies not just to li lianhua, but also li xiangyi. I know. ok wait hear me out. the idea of yinyang is after all components that can change and are relational to each other: thus, there were points in li xiangyi's life when he was less passive than other points, but they ultimately don't match up to the degree of aggression displayed by other men around him. so relative to their display of proactivity and aggression, he can be considered as passive. the best example is that of shan gudao proposing to launch an offensive on jinyuan alliance, while lxy - as much as he was arrogant about it - was standing his ground on not taking action in favour of peace.
it has already showed up in his childhood as well. he wasn't a particularly competitive child: 从来都没有谁要和你争 nobody has ever thought of competing with you over anything, he told sgd as he recalled of their times growing up. it was in fact sgd who was desperate to control and override lxy's presence. baby lxy did not hesitate at all over giving up on winning in favour of protecting his only rare few close relationships left in the world (given how hard-earned relationships are when they're non-familial !!!!). as much as I resent the one-dimensional writing of sgd, he has served as a very strong marker to highlight on lxy's yin.
-
I've harped on it several times before but this is the time I finally get to explain it proper: my own theory is that li xiangyi became an unparalleled swordsmaster because of his yin/feminine quality, not in spite of it. an interesting point that had been out in the open unclaimed until it was brought up in our friend group is that, li xiangyi does not actually fit anybody's conventional image of a 武林盟主 wulin mengzhu (ie. ruler of wulin). it would most likely have been some burly, muscular, ultra-masculine dude. even if they don't look like the demonic monk, it should be someone more like di feisheng. but. it's li xiangyi, the boyish, delicate-looking kid, who came to the top. (no wonder people - mostly men - love or love to bully hate him like weak men hate powerful women??)
"why didn't they cast someone who looks more like a wulin mengzhu (read: traditionally manly)?" no, no that's precisely the point. nobody said wulin mengzhu have to look manly. and also who is to define the manliness required to be in a place of authority? (or in my other meta, we would ask, who is to define anybody gets to have the authority over anyone else at all?)
by taoist ideal, gentleness is the most refined form of strength. li xiangyi has been haunting and distracting me in my chinese calligraphy practices lately because I'm thinking about how this must be the closest to what it felt like lxy becoming the best swordsman in jianghu. (so pretentiously brainrotten of me, I know, BUT IT'S REAL and I'm suffering.) mastering a chinese art is essentially about mastering a delicate balance between force and gentleness; being able to draw force from softness 柔中带刚 and an ability to maintain this balance. a beginner will instinctively hold a brush for the first time with brute, unrefined force. some fairly reputable contemporary calligraphers, according to my teacher, can be seen as being either too soft or too forceful - but are still able to pass off as good enough. it's then, the master of masters who will have the sophistication of a firm yet flexible control of the brush with the appropriate use of gentleness/laxness that produces a harmony of strokes. this idea extends to any other sort of chinese craft or practice including traditional chinese medicine, and I believe, swordsmanship too. I'm taking a fucking leap of faith here to say this because I practise NO sort of (chinese) martial arts, I must caveat. (someone who does may want to say something...) but theoretically that should be how it works.
it is not for no rhyme or reason, or *handwaves* that lxy emerged to the top AND is almost undefeatable. among a competitive, forceful (ie. yang) wulin, li xiangyi stood out with a power and energy defined by yin (ie. gentleness and stability) that led him to create his signature 扬州慢 yangzhouman. it is characterised by 慢 slowness (my calligraphy teacher says to us all the time to take it slow), and also described by dfs as 中正绵长 - which I would best describe by painting a picture of a steady and stable stream. these precisely speak of the essence of a mastery of gentleness as strength to me.
conversely, dfs's way in mastering power is very largely premised on taking action because he literally had no other choice in the environment he grew up in. both of them develop in opposite ways. it was the case of gentleness for lxy clearly because he grew up in a safe, nurturing environment that had allowed him to be slow and steady at his own pace, drawing on his natural gifts.
-
now top of the wulin world at 17, li xiangyi founds sigu sect. li xiangyi, the boy before becoming menzhu and li xiangyi the leader of sigu sect are not the same.
how then did a (relatively) passive boy like lxy end up founding sigu sect. this lxy is the one who was fostered into competition - though not in an abusive, twisted way. in fact he was raised in a rather taoist way by his shifu: to be honest with yourself and respect your opponent. so he honoured whatever powers he had been bestowed with by nature. he gives into it. even so, at another level, I just have a sense that shifu and shiniang's competitive marital spat had an insidious effect on the boys...though the detrimental effect was more on sgd than lxy. baby lxy feels like a sweet-natured kid who was just in his own zone, you know - some (aka sgd) would say, too much of him even, to have not realised what was wrong at all with his shixiong for years.
that's not all of course. I've always gotten the vibes that his attitude behind forming sigu sect felt more like, this is what all the good men of jianghu do and I will have to do it now especially that I'm the best. it didn't feel particularly personal to me, but rather what would have been expected of him by the social climate of wulin jianghu (eg. lxy saying to 光耀师门 bring honour to his teacher). it's definitely not an expectation from his shifu, who explicitly told him that he was never expected to become a noble figure of any sort, but just to be alive and contented. as concluded by the man himself as li lianhua: "有些人入了江湖是为了立心,而有的人入江湖为的是立命。我却不知道自己真正想要的是什么。some people enter jianghu for the cultivation of the mind, others for a cultivation of a meaningful life. but I never knew what I truly wanted." he was ultimately, unwittingly a passive player in his own story of becoming the great sigu sect leader.
(at this point, as a side note, I do wonder if there were any other similar sects or alliances that function the same as sigu sect that came before it. because I'm damn well sure there must be something, as likely as there must have been generations of wulin legends who came before lxy. but of course, this is not what the story is concerned with at all and I'm ok with that.)
it's crucial to point out that, even despite this being the phase of his yang in the display of taking action and enacting firmness, lxy had still done sigu sect with the sole purpose and manner of upkeeping peace and order (in the way of the pro-universal love, anti-aggression mohist 侠 xia leader of the people). he's still very characterised by yin in my books, especially when vis-à-vis to sgd.
a li xiangyi full of himself and made himself too useful to the people was only bound for a great asteroidal fall, in the concept of 物极必反 - or in taoist lexicon 反者道之动 (ie. anything that has reached its limit will only start developing in the opposite direction). if you think you're above all, you can only go down.
this manifests during the next time he took action - and it was one so forceful that it overpowered even his opponent, dfs who ended up being the passive, receiving party in this case - was in initiating the battle at donghai 10 years ago... and gee oh boy. it didn't end well - for both of them, but even more so for lxy. (dfs was like 'tis but a scratch (shrugs)' as compared to him being ripped off his tendons by jiao liqiao like nezha did to the dragon prince. truth is he had to go into a 10-year healing retreat served by his entourage. :p) ok, I digress.
xiao zijin was quick to attribute sigu sect's fall to lxy's arrogance - in turn setting the stage for lxy's 10 years of self-hatred and the framing of lxy as a villain? irresponsible figure? by jianghu. (god forbid girls do anything! ok for legal reasons, this a joke.) lxy lost his mind in ways I believe he never had in his life there and then upon seeing his shixiong dead. so, you could say he led the jianghu world to ruins out of love (using this term loosely). but it feels inaccurate to say it's due to arrogance. he did not do that out of self-importance or ego, especially when the revenge for sgd was a collective decision made by sigu sect as we know from the flashback. so when llh pinned all fault on himself for being arrogant in the past, it is with caution to take his words because that's the unreliable narrator in him speaking.
-
anyway, it's precisely li xiangyi that is capable of bouncing back from such a fatal crisis, equipped with his yin and a mastery that gave him the power of flexibility.
it's extremely vital to re-establish that literally the only thing that was keeping li xiangyi alive, physically, as li lianhua is yangzhouman. (monk wuliao literally said that to lxy even though he did facilitate in saving him.) it's the yangzhouman that was drawn from lxy's mastery of yin. without yangzhouman, li xiangyi would not even have the chance to become li lianhua and undergo any needed process of transformation. without li xiangyi, there would have been no yangzhouman. no li xiangyi, no li lianhua, get it?
the point is not to deny the change li xiangyi wants to make and has made. but to acknowledge that change isn't about complete erasure and destruction. something from you survives. something in you had kept you alive to have you come so far, regardless of all the bad bits that you want to denounce of. you've always been worth it.
bringing back the thing about his new name: the distinction must be made that he did not pick it because it was feminine but it just so happened a feminine name had resonated with him. (read: he didn't necessarily identify as a woman but identified with femininity. at least within the parameters of canon text.)
he also made an interesting choice to retain his surname for someone who was desperate to sever ties from his past. hmm. or maybe he wasn't that desperate? when li lianhua says li xiangyi is dead, I believe it meant that li xiangyi the sigumen menzhu is dead rather than li xiangyi as an entirety. li lianhua is a returning to the path lxy could have gone if he did not establish sigu sect, the path that shifu wanted him to take. when he walked to the doors of sigu sect in the aftermath, nothing was actually stopping him from going back (people were still around and alive, instead of all dead people, you know)... except for himself. taking that action would have been too much for him. so he went with the flow of life giving him a chance at rebirth and walked away. there, inaction as a form of action.
zhan yunfei and qiao wanmian have said to li lianhua, oh that doesn't sound like li xiangyi at all. but has it been considered that, maybe it was sigu sect's lxy who wasn't the real lxy? sigu sect lxy was one big performance of the values of masculinity and heteronormativity that llh had came to an awareness of, and eventually struggle with again and resist against in the final year of his life. there had only been some glimpses of his true nature allowed (validated by fang duobing talking about lxy at his altar).
imho, most flashbacks of lxy during that period felt impersonal and more like a template of a hero expected to marry his girl at 18. going through all the motions and steps of a normative life even before he was old enough to grasp and explore his own identity and what it meant in the world. no wonder he denounced so much of what he had done as lxy including liking girls. walking away then also meant a walk away from those duties and expectations. li lianhua is li xiangyi liberated from masculine duties and heteronormative performance.
in doing that, he had the opportunity for the first time in his life to explore what he truly wanted, at least within the parameters of what he could afford to do at that point. he could go on to build a domestic, feminine life within the space of jianghu (as I've established here). it's a kind of feminine lifestyle that doesn't quite exist in mainstream society - being a woman there meant to stay put in a domestic space without much room to move socially. nor did it exist in wulin jianghu because even the women there like shi-guniang and jlq were expected to be masculine, aggressive, competitive. so building a mobile home in the space of jianghu is his way of defining the life he wants and can have. li lianhua is the extension of femininity in li xiangyi - and one that can be free.
it's also worth talking about in my opinion what is one of the most important and a favourite dihua moment: when dfs said to lxy that his greatest weakness was to like being a hero. and a swordsman should be without weaknesses. I'm forever wrapped up in how many layers this can be read in. was he mad at lxy for liking to be a hero or having weaknesses, or both? if the former, it was dfs criticising, based on lxy's public reputation, lxy's oversized illusions about being a hero - a figure of masculinity with an unrealistic sense to uphold noble goals eg. saving the world etc. that is actually perfectly logical coming from dfs, the straightforward, no-nonsense, morally neutral guy with no illusions about heroism (in this case, he feels more like a yin). but at the same time, we should understand that lxy's motivations behind the donghai battle are more personal than noble. if any, it was actually the opposite of noble - it was like he was acting out of the role of a caretaker of his family, and at a cost of the peace and order of jianghu he was set on guarding(!!) dfs also knew that lxy was there just for his shixiong. and so, dfs, who happens to be the epitome of yang, can be read as a symbol of masculinity disapproving of lxy for being sentimental and emotional; for having the "feminine" desires to simply want to defend his family (not saying those are exclusively feminine traits but they have been conventionally associated as feminine). I think both layers of reading are correct and should work together to contribute to the complexity of their characters. (we can see how it contributes to lxy and dfs being the perfect yinyang halves to each other, which I will come back to briefly touch on later.)
-
for 10 years he lived a life of seclusion and staying-in-his-own-lane a taoist would be proud of. he knew he was dying and has always been ok with dying, as he claimed. but did he want to die? to think of it, it was the opposite. because in those 10 years when he could have 100% just taken action to take his own life, he didn't. in fact, he lived on and took care of himself in the way shifu wanted him to. he had simply preferred letting nature run its course. if bicha didn't take him, he wasn't gonna do anything. but if he died one day very soon, he would be ok with it too. sure, he was maybe banking on a lead to sgd's whereabouts to appear during his last years alive but that clearly wasn't the only thing on his mind for NINE years because he didn't actively go out seeking for that either. this is basically him telling dfs that he would just lie in the sun and wait for the sweet release of death, if dfs were to force him to fight. not even the mortal threat from dfs was enough to move him into action of fighting back or killing himself.
time and again, lxy as llh was dragged into fdb's cases but not only that, he also maintained an impersonal distance with them. it's starkly different from the usual (wuxia) hero archetypes (for eg. fdb) who would be more impassioned and personally invested in the plight of the victims- or unlike most seemingly aloof protagonists who would somehow grow emotionally invested over time. one of the many things I love about llh is that he never tries a second time to persuade people out of their decisions he finds unwise (eg. him just wanting to move on in response to the girls in 女宅 insisting on staying behind with their slave master at first.) he will not interfere in other people's choices made in their own lives. it's not his business. he didn't even want to be there, to be honest.
however as the story progresses, more and more people - especially men, his past, and the leads to the truth came back to demand and taunt him into doing something. they vary from well-meaning people without any harm intended such as fdb intruding upon his private space completely uninvited and qwm wanting him back; to dfs merely seeking him as a mean to an end initially (eg. I only need him to live long enough to have one last fight); and finally, on the other end of the spectrum, outright aggressive and hostile people like sgd and xzj who wanted him to die. under all this pressure, he tried his best to deflect, but he does waver especially when it comes to matters concerning the people he cares about aka his obsession wish of 10 years of looking for sgd's remains that had lied low until fdb entered his life, and then later on taking revenge for his shifu.
looking for sgd became his final bid at taking action. he was operating on a slim chance of getting some emotional closure from finding out his shixiong is dead for real, yes. what a good plan. but objectively unnecessary. or surprise! uhhh...finding out his beloved shixiong is actually alive and would strangle him for one corn chip? AND OH NO IT GOT WORSE- uncovering a devastating truth about his shifu's death that he could have totally gone on with life fine without knowing if he had continued not caring.
but it is sometimes just impossible not to care - it is only human to care. and he is human, not an icon in the image of a hero. so he took a chance, once more, and it killed him in unprecedented ways. it's donghai all over again. things in life don't go as planned. you fuck around and it fucks you back. finding out the truth behind his shifu's death and his family background from the past did nothing for him as li lianhua living in the present.
it's no wonder that this lxy decisively relinquishes the desire to take action in the end. he goes back to letting nature run its course. and this time, stands firmly to it despite everyone begging him otherwise. wangchuan flower could only give him a recovery (or survival?) rate of 30%. there's a 70% chance of failure and even in the 30% he was not sure what he was to become. in comparison, dfs took a 10% chance game of survival in a heartbeat, and it pushed him to new heights. that's how they differ: he thrives by taking risks and action while lxy the other way round. so, something like that has happened before and he wants none of it again.
-
he leaves lotus tower, only taking his horse and a sack - relinquishing almost every other material belonging he had - and sets off on a journey. before xzj interrupted...where to was he going?? I wonder. we don't know for sure, I think? and are we allowed to know? that makes the scene he had with xzj an understated inflection point in the very last part of his journey. yes, he was already on his way to...maybe die? but not necessarily. you don't have to travel distances with your belongings for that, right? or speak to dfs personally about not wanting to fight? (borrowing one of @ananeiah's takes.) regardless, he was definitely leaving behind jianghu - not only wulin jianghu (he already did that 10 years ago), but also the jianghu space he had carved out in the last 10 years.
what sparked the decision to jump off the cliff in him was dfs's words from the night of their wedding 10th donghai anniversary: 横扫天下容易,断相夷太剑不易 conquering the world is easy, breaking xiangyi sword is not. in the original context, dfs was talking about defeating lxy being harder than conquering the world. but when it came to this scene, it was to lxy about forsaking the very last worldly possessions he had after already giving up on lotus tower and hulijing (including releasing his horse), especially his only connection left to swordsman lxy.
perhaps it had dawned on him that, wanting things at all was bad for him. in the last 10 years, he lived a life of seclusion, wanting very little. but he had still wanted things. there were still things he couldn't let go of that had led him to this state. despite having lived on an identity inspired by a buddhist teaching for 10 years, maybe it was only at this point that he was finally the closest to reaching an understanding of it. (I wish I was knowledgeable enough right now to dive into the possible buddhist reading here but alas. I'll leave it to our resident expert @markiafc)
it doesn't quite matter in the end where he was going after all. what mattered was that he literally went where the water took him and we're not supposed to know where it ends. I'm not seeing this in a bad and pessimistic way though. I think the relief in all this is that he had tried his best to within his abilities. also it's a form of enlightenment in relinquishing a desire, an obsession, a need to take any more action in order to live well. thus his ending felt to me relatively tender, empowering, and kind - albeit bittersweet and heartaching - than other possible kinds of ending, in a story where it was very possible for him to have died under the knives of his opponents or bicha at any moment, outside of his control.
-
if you've come so far in this post, congratulations! but also a reveal is that... you're not immune to the dihua propaganda threaded throughout this post. :P
as mentioned, other men like sgd and xzj in lxy's life were incredibly hostile to him. their yang nature overwhelmingly powers his yin. but dfs is different. dfs is the yang counterpart that fits perfectly to his yin.
dfs's yang is one that contains yin, that mirrors lxy's balance of yang in yin. it was suggested in text they are yinyang-coded meant to complement each other, given that whenever wangchuan flower's yin vs yang properties were discussed, the two men were always spoken about in the same breath. more importantly, as with the above few analyses of dfs's words playing a big role in shaping of lxy's choices with multiple meanings - as well as their day-to-day interactions - we can see that they constantly play off each other.
dfs's yang energy has been used to help lxy prolong his life (though not saving him entirely), while lxy has used his yin energy to save dfs and subsequently helped him attain his breakthrough. dfs has also helped lxy in his breakthrough of yin but not in the same way as dfs's cultivation of his combative powers, and rather, it's for lxy an understanding of his own path to take in life - a cultivation of the mind (both times 10 years before and after). given how significant dfs is in the shaping of lxy's realisation of the yin path - alike his shifu has, it's no wonder that they were the only two people lxy had imagined in his last sword dance of a farewell to jianghu.
with each of them coming together to form the perfect yin-yang model, they're a harmony of yin and yang representing the cosmos. what I also love is that they didn't start out as a perfect fit, but only towards the end of the story was the harmonisation completed, which makes sense for two components that are always in a flux influencing each other. the fact that they were number 1 and 2 of wulin, and being the only ones capable of understanding each other in a level nobody else could... it all reinforces the cosmic sense of their relationship. they're the halves to a whole, fitting in a specific way nobody else can.
(I mean. technically this is going into the space of extrapolation based on a tangential interpretation of canon text, so do take it with a pinch of salt. but of course this pinch of salt can do wonders for a shipper's feast... :P and this certainly could have been a meta of its own expanding on dfs's side of the analysis, but this is it for now in this context.)
-
to think of it, li xiangyi has actually died more than that one time that turned him into li lianhua. first was a death of him as a nanyin royalty - I resent having to bring up nanyin like it should hold any weight to the narrative as far as I'm concerned, but the point being that he had a completely different (familial-based) life before that still stands. then he had a rebirth as li xiangyi, disciple and swordsman to his shifu and shiniang, and later died again when li xiangyi the sigu sect leader took over. lxy the sigu sect leader died at sea in the battle 10 years ago and came back as li lianhua. (just like nezha, died after battling at east sea and rebirthed from the lotus) li lianhua then dies by the end of the drama.
there can be a myriad of interpretations as to what exactly happened to him, including the possibility that he's still alive. regardless, we can agree that li lianhua as an identity has ran its course, and he had to evolve again. but into what form?
in the line of thought of yin and femininity, and how his transformation has been in an increasing degree of presentation of femininity - even way back when I was watching the show, I had the idea of him living socially as a woman post-li lianhua. I don't know what he would be realistically doing or what could be practical for him in such an identity. but conceptually it was sensible and compelling to me before diving deeper into the details. (I have more elaboration to do on this that I won't be talking about here publicly but it is in the same strain of idea as this other comparative meta I wrote.)
I think the next possible identity lxy can assume - alive in the material realm or not - is one that will be beyond a material being. a nameless entity. once you've gone through the phases of life - from not knowing to knowing, and perfecting knowledge, then to the surpassing of knowledge - you surpass all worldly existence, and become one with the cosmos.
I end this off with an excerpt from Tao Te Ching's Chapter 41 (I'm not pretending to have read the whole book ok but I couldn't resist including this):
明道若昧,进道若退,夷道若纇 [...] 道隐无名 The bright path seems dim; Going forward seems like retreat; The easy way seems hard [...] The Tao is hidden and without name. (x)
the character translated into "easy" is the same 夷 yi of li xiangyi's name. somehow this seems to encapsulate the journey of his life: one that seems blessed and smooth-sailing but ending up to be rocky and turbulent. but at the end of the day, after all that he had been through, he will become hidden and without name.
#莲花楼#mysterious lotus casebook#lhl#lhlmeta#my posts#a big win for the inaction fandom. lxy would have been patron saint#this inevitably turned into a 'lhl is a taoist and buddhist story if not a very chinese story' meta hbhjbjhbhjjb#the last thing i do before going to sleep is write this meta. the first thing i do after waking up is write this meta.#i feel so insane writing this. it kept growing like a monster. do you think this is a joke it's like my part-time job now#but it's one of the few times in my life i have confidence in my insanity. so.#crazier thing is. this meta is approaching 6k words yet i still think there must be things i haven't covered.#the last section is so nuts idk how i even wrote it guys i think i was possessed#it's also like the most pretentious way to put that he's dead in this world ok hjbjhbhjbhjbjbh#to be clear iirc the drama didn't say LXY'S POWER/ENERGY IS YIN in the same way it literally said dfs's energy is yang#but it's definitely implied by the explanation of the flower's healing properties for both of them. on top of yangzhouman#also fuck. another reason he didn't choose to save himself was so dfs could have the yang flower which he believed was what dfs wanted#thank u frens mark and ana for indulging my brain in the first time i brought the lxy as woman thing up. for it to have come this far#ofc disclaimer is that a lot of this is my own reading. it doesnt have to be agreed by everyone#i would be very happy though if any part of it resonated with anybody#also a good part of the analysis is based on my memory of the show. though i did revisit parts selectively to verify. sooooo. yeah.
143 notes · View notes
m0e-ru · 8 months
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
did everybody remember when atlus finally restored the attendant social link in the steam port and how stupid it actually was
180 notes · View notes
haarute · 1 year
Text
(if you know, DON'T choose anything please just rb and move along!!)
633 notes · View notes
Note
Probably Muto's car is the Mercedes Benz 190e 2.3 without the airfol 🤓☝️
Idk how you managed to figure that out but they have similar shapes so sure we'll go with that
Tumblr media Tumblr media
57 notes · View notes