okay but WHYYY is no one talking about louis and daniel WHYYYYYYYYYY is no one talking about the greatest grandpa4grandpa relationship known to man and i don’t even mean romantically i mean in the most basic human platonic level their relationship is FASCINATING.
like louis SAUGHT HIM OUT after FIFTY YEARS he FOUND HIS BOY, this horrible infant who DID NOT UNDERSTAND A THING HE TOLD HIM, who saw his raw, decades-old pain and wanted in on it, AND HE GOES BACK FOR HIM BECAUSE HE KNOWS HE’S CHANGED. he can understand now. he can help him find the truth.
and like, they’re both absolutely terrified by each other because they’re both uniquely skilled at getting under each other’s skin and finding that truth (and also because… louis could just up and eat daniel anytime but shhhh…) and it’s because they UNDERSTAND EACH OTHER. louis’s interviewing daniel as much as daniel’s interviewing him, just. pulling teeth from each other’s head, trying to pull out all the rot with such violence and cruelty (from both of them!! daniel is a cockwallop!!) but they want to help each other they CARE ABOUT EACH OTHER.
LIKE THIS????
THIS FUCKING SHIT?????
GAGGED ME. RUINED ME. I HAD TO STOP AND TAKE A WALK AROUND THE ROOM.
(the gifs are from @loumands account btw. great work my guy)
1K notes
·
View notes
saw a take so fucking rancid on twitter i almost deleted the entire app from my phone jesus fucking christ
first of all ao3 is an archive site. this is like going to the library and saying "oh i dont like this" on every piece of media you find that you dislike and thinking they should be stamped with some sort of a marker just cause you didnt like it
you can always click back and leave. fic writers owe you nothing to explain themselves and their creations. if they have mistagged or miscategorized fics, then i understand, however there are report tools for that instead of yelling at the artist tbh
im not saying free works arent necessarily above criticism. but this is just. fucking wild. its common courtesy to just enjoy stuff (or fucking leave if you dont, the back button is free) and if the artist specifically asks for critiques, then give one - constructive that is, shitting all over someones work is not proper criticism, mind you
i just find it fucking wild people are treating art and archive sites as social media these days like this and everything needs to be policed and ~catered to the algorithm~ like. no. ao3 doesnt have an algorithm. you should be able to fucking tell what you like and what you dont like and steer away from that kind of content and let people fucking be with their art. they dont owe you anything (except trigger warnings i'd argue, but i know some people disagree with that as well for some reason), and imagine how much more energy you'd have if you only engaged with things you liked and spent time looking at instead of going to places where you dont enjoy yourself. let alone spending time telling other people you dont enjoy what they enjoy. what a fucking life
878 notes
·
View notes
HOT TAKE
But I like the idea of the phantom world being reincarnated into very unexpected people.
Like I still love the idea of Danny being Martha or Thomas.
Or Dani being another clone, or her being Damian, and Sam being Poison Ivy and or Martha, etc.
But I also like the unhinged nonsense of Sam being a clone in the dc world — ideally Kon, and Dani (or Dan) being Bruce, while Vlad is gasp Thomas Wayne.
HEAR ME OUT
JUST HEAR ME OUT
I just think the idea of Danny finding out that in an alternate world he married a nicer and age appropriate Vlad and had the son the guy has been demanding for so long in their world is hilarious.
The absolute mental breakdown that boy will go through: this is my son, and I love him, look at him go being a hero and kicking ass, but holy fucking Ancients above I fucked VLAD —
And on the other hand, can you imagine Bruce’s reaction? To his alternate mom being a sassy teenage boy, his alternate dad being an older guy ‘preying’ on this kid that absolutely HATES the guy, and being an absolute creep while his alt self **gestures to your choosing** is either a tiny girl menace or the biggest and meanest growling ghost that is BARELY tolerating being in the same space as the living.
But they also hate his alternate dad and would punch him into next week with Mom! Danny.
This man will being going THROUGH IT.
736 notes
·
View notes
I’ve watched FMAB a thousand times but Greed’s death STILL gets me every fucking time. 1. Him realizing that Ling is going to get hurt and possibly killed by Father if Greed doesn’t leave his body, 2. Greed coming to terms with the fact that he’s definitely going to get killed by Father but he’s willing to make the sacrifice for Ling, and 3. Greed discovering that what he wanted was what he had the entire time, and that was true friends who would stick with him through thick and thin, who would share the same experiences and failures and triumphs and still love him despite his homunculus status. I’m so.
Also I’m SO pissed at the fact that Pride got to live but Greed didn’t. In my brain I kept saying “Well yeah I guess it makes sense for all of the homunculi to die bc they came from Father and HE has to die��� but then I remembered that Pride LIVES and that makes me so salty. Out of all the homunculi Greed deserved to live the MOST AND I JUST. FUCKIGN.
574 notes
·
View notes
☆ from gold, i am undone
{☆} characters tsaritsa
{☆} notes cult au, yandere, drabble, gender neutral reader
{☆} warnings blood, implied self harm, implied suicide attempts
{☆} word count 0.9k
You weren't meant to be here.
You can feel it in the marrow of your bones– it weighs you down like heavy shackles, gold bleeding from your pores until it is all you know. The taste of ichor on your tongue, the warmth of its invasion beneath your skin, that gleam of gold that lingers in the color of your eyes like specks of dust.
You are changed, and you are whole.
But you are so unbearably broken.
A shattered piece of porcelain hastily put back together with gold to fill the cracks.
Decoration, in the end, for you are not fit to walk as "mortals" do. This gold had filled every empty crevice of your body, spilled the red into your frantic hands and made you bleed so it's callous gold could make room inside your body. It has taken from you many things, given many more, but you scratch and bite and tear until it drips onto the floor and even then it never leaves. It stains the floor no matter how hard you scrub– a permanent reminder of the sickening gold that molds you into something that used to look like you– that does look like you. Desecrated, yet so horribly divine.
All you see is a monster.
Something new, something old.
A hollowed out shell, wounds left to rot and fester until you suited the image of the Creator they bore upon statues and murals, the Creator worshiped in prayers spoken in hushed whispers and joyous chants praising your magnificence.
But what magnificence is there in detachment? What joy is there to be found in carving a God out of a human? They kneel like lambs before the shepherd, but the flock has made you– and you want to unmake them. Unweave the tapestry of their being stitch by stitch until it all falls apart and the world knows the cost of casting molten gold into the shape of a human, knows the price that has been left unpaid.
You want to take it from them. Watch them squabble and pray, blind sheep stepping into the wolf's open maw– to tear the seams of their being until the world is unwound by your heavy hands.
But you know it will not satisfy you.
Nothing does anymore.
You are no wolf. Only the shepherd who guides.
And with every drop of blood spilled, they ripped the humanity from your very bones until your body was the cast in which they made something anew– something gold, something horrific. A monster as much a God, a beast as much a man.
There is nothing left but absolute authority.
You try again and again to mend this act of desecration, to peel back the outer shell and rend the gold from your marrow– but your body cannot, will not, die. It mends itself back into place no matter how damaged, and all you feel is the uncomfortable tug of your body forcing itself to live. You cannot die, but were you ever truly alive at all?
Yet with every cycle, you know only one constant besides the thrum of golden ichor in your veins– cold.
Ice that burns, ice that spreads and festers and devours. Claws that pull you apart until the gold runs thick, teeth that burrow into your bones and rip it out from the source..eyes that witness the fall of a God with reverence– hungering, all consuming reverence.
You welcome it.
It is the first time you felt pain since you were cast into an image of a being you were not meant to be. The sting of cold upon your skin makes you shiver, your body tries to reject it, but you want to welcome it– for a brief moment that lasts only as long as it takes for you to blink, you see the glint of something familiar in the reflection of her empty eyes. Something achingly, horribly familiar– something human, all the more terrifying for it.
Even when Teyvat itself crumples like paper beneath the weight of her sins – of this desecration anew, this wretched heresy – you allow her hands to do it again. You grasp her hands in yours like chains, willing her to shackle you, willing her to pull you apart and make you whole again. To break you until the gold cannot put you back together again.
You long, each time, for those eyes like spears that lodge into your skin– burrow deep and sting deeper, making gold flow like water. You long for the biting tongue, the cutting words and those teeth like weapons– long to see the spite and anger and impure disgust aimed at the woman of silver who leads you down a hall that ends only in damnation. You follow each time like the lamb led astray by the wolf, but you do not wail in betrayal when she sinks her teeth into your throat and devours you whole.
For is it a sin if you welcome it? Has their God sinned, in the eyes of the flock, for welcoming such heresy with open arms? For allowing the wolf into their home?
Is it a sin to be broken beneath the only hands that have loved you?
Is it a sin to want to love, too, those hands and teeth stained in gold?
Then you shall be damned, you swear it. Damned, but gold no more.
For death is the closest you have ever felt to being human.
172 notes
·
View notes