cursed construction core hi vis bra that came to me in a dream
In the dream I saw it in the window display of a hardware/DIY/trade shop, implying it was meant to be a practical garment designed for actual female constructions workers in a Female Armour level missed-the-brief attempt at gender inclusion
The practical support from the visible underwire combined with the hi vis implying it’s not meant to be worn as an undergarment, I just-
I blame my binge-reading ND Stevenson’s gender comics talking abt masculinity and femininity incl the one abt Victoria’s Secret lingerie yesterday for this monstrosity x’D
Story time: made this piece with an old friend in mind. They had one of those almost photo-realistic art styles and we would respectfully hype up each other’s art
People thought it was weird that they would find interest in my cartoonish style if they already themselves had such an advanced one
But peeps got to remember despite your differences, we’re all still artists and just vibing to our own interests and skills・:*+.
Took one of our conversations as inspo and inserted it - song used is “Blue Boy” by Mac DeMarco
Dick paused almost mid-jump, having apparently turned to the wrong channel but also changed to the perfect one too. At least, perfect in the fact that he had just overheard an interesting thing from Jason, apparently forgetting that his comm was in fact on still.
Damian must have answered, because Jason snorted a laugh. “You can try getting him to leave, he’s taken over my bathtub and keeps eating all my food.”
Hold up, was- Dick had thought Jason was talking about a plush or something, but was he talking about a literal living animal seal??
“I’ll have you know I’m not going to make a poor little baby seal leave, and I’m not putting him in a zoo, brat.”
Oh Gotham, it was a real living animal seal. Dick about faced, rushing towards Jason’s safehouse. How did he get a seal? Why was it in his bathtub?? Why hadn’t he called the proper people for this sort of thing?! He had to get to the safehouse now to see this shit.
I coined the term “funcore” in 2017 and I don’t think some people understand what I mean by this. It’s not the same as “clown core” or “kid core”
It’s more of like a teenage vibe, with scenecore undertones.
Think of being dropped off at a fun park with your friends when you were 14 and you snuck some black lipstick to put on after your mom drops you off.
Think of going on your first date and playing DDR at the arcade.
Think of being dragged to chuck-E-cheese with your little sibling and you and all your friends try to cram inside the photobooth designed for 6 year olds.
Hey all. Over the past couple months, I've gotten a lot of followers who probably don't know about my OCs and portfolio projects that I'm also working on, so I'm making a quick master-post for it!
K.O. CRISIS is a series of artwork––character designs, illustrations, sketches, and animations––inspired by late-90s/early-2000s anime and Y2K culture.
Set in an alternate-history Los Angeles in the year 2001, the story follows disabled Taiwanese-American Ashley Tang as she fights her way to the top of the bracket in the national augmented boxing championship.
As the youngest female fighter in the championship, she'll have to fight tooth-and-nail to defend her place amongst the heavy-weights. While her rare dual arm prosthetics help even the playing fields, it'll take more than brute strength to prove her worth.
But this isn't a story about an underdog triumphing against all odds. Throughout the story, Ashley will push herself to the limit for the sake of validating her existence under the grinding heel of the sports media machine, in a world that values disabled bodies more than their lives. As the championship rages on, one question seems to linger through the roar: Is Ash strong enough to win, or is she brave enough to quit?
Through the project, I'm hoping to explore representations of prosthetic-users in pop culture as "enhanced superheroes," as well as discussions of trans-humanism under medical capitalism, the fetishization of new technology, and the commodification of disabled people as entertainment.
Accompanying her journey include characters like Noora Balakrishnan, a local transfem prosthetics engineer who doubles as Ashley's ringside mechanical cutwoman.
The project is still in its early stages, especially since I sorta rebooted it earlier this year (meaning I'm no longer using past, outdated art for the project). If you enjoy it, you can find more artwork for the project under the #ko crisis tag!