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#five years in the making
therookielove · 1 year
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Reminder that this beautiful girl and very handsome boy are going on a date tonight!!!!!!! ❤️‍🔥Asdfghjkl — iykyk
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prideprejudce · 10 months
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please tell me it’s not true that the one billionaire passenger coerced his terrified 19 year old son into going in that underwater coffin because it was father’s day weekend
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Michael Afton’s awkward family reunion in FNAF 3,,
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cracklewink · 2 months
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Harmony Syndrome Part 5/5
The last chapter of my mlp infection AU! Thank you to everyone who followed along. Some final thoughts on my twitter @cracklewink if anyone's interested : )
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essektheylyss · 1 year
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It is WILD to me how many people just loudly broadcast their intention to scab, as if that isn't the fastest way to brand yourself as someone who will throw anyone else to the wolves in an industry that runs on collaboration, so every writer say it with me
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horang-07 · 6 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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flickering-nightfall · 5 months
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lands on the moon
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transmascissues · 7 months
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gay trans men: isn’t it fucked up that so many cis gay men proudly talk about how disgusting they think our bodies are, get violent when they realize they were attracted to one of us, push us out of community spaces because they don’t think we belong there, invalidate the orientation of the cis gay men who enter into relationships with us, accuse us of raping the cis gay men we’ve had sex with, aggressively misgender us and make assumptions about our bodies, act like their personal lack of desire to be with us means we must be fundamentally unattractive and morally reprehensible, and generally treat our existence like a personal attack worthy of a violent response when all we’re trying to do is exist?
those cis gay men & their friends: oh my god, you’re literally trying to force your disgusting female pussy onto gay men! this is conversion therapy! you’re a predator and a rapist and you deserve to die!
gay trans men: …we literally do not care if you have sex with us. nobody said anything about that. a lot of us are t4t, asexual, and/or already in a relationship, and the rest of also don’t want to have sex with you that badly because we would much rather be fucking someone who actually likes us; this has never been about who we personally want to sleep with. we’d just really appreciate it if you could treat us like human beings and not actively try to make the gay community hostile toward our existence. you don’t have to be attracted to us, just don’t be awful to us? and maybe, once you have that part down, ask yourself why you were so quick to assume a subset of queer people are all violent predators?
those people: HOMOPHOBES! EVIL GROSS FETISHIZING RAPIST HOMOPHOBES!
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puhpandas · 4 months
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family photo 2.0
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mixtercandy · 6 months
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Shout out to the REAL fnaf mvp SPARKY THE DOG !!
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fortunelowtier · 6 months
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WE FUCKING WIN
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lexezombie · 1 month
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Maybe putting a 7ft metal creature on unstable wheels is a bad idea--
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extra background-less version:
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oddishblossom · 2 months
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gifsets cannot do this scene justice i need you to hear this scene
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hellspawnmotel · 7 months
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remember when I did this?
well I did more
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almond-gallery · 3 months
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zzz
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a trinket from the tardis
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