[EXECUTIVE JURY INTERVIEW] To Create the Best Work, Must Be Unreasonable
- Interview with Joji Jacob, regional chief creative officer, Havas SEA + NA & co-founder, BLKJ Havas Singapore
Joji has developed his creative expertise over 20 years with some of the biggest and best agencies in India and Singapore such as FCB, Ogilvy, JWT, BBDO, and DDB. He became regional chief creative officer of Havas SEA + NA in February this year, retaining his leadership role as creative partner at BLKJ Havas Singapore, the agency that he co-founded in 2016. He is also a member of Havas’s Global Creative Council, and of chairing the APAC Creative Council. Under his leadership, that agency had built a notable portfolio of clients, including Great Eastern, Amazon, NinjaVan, Singapore Tourism Board, the Republic of Singapore Air Force, Economic Development Board, Reckitt Benckiser, IMDA, Hyundai, and MediaCorp.
Before co-founding BLKJ, Joji was the group executive creative director of DDB Singapore for nine years. Under his watch, the agency became one of the most awarded agencies at every important award show. DDB Group was also judged Agency of the Year at the Marketing Awards, at the Singapore Hall of Fame Awards and by Campaign Magazine. Joji himself was also named Singapore’s Most Influential Creative Director by the Institute of Advertising Singapore and South-East Asia’s Creative Person of the Year by Campaign two years in a row, and he headed up DDB’s Creative Council in Asia.
Joji talked to MAD STARS about making work that wins awards, what he will be looking for in the MAD STARS jury room, launching his own agency and the work that makes him say, “I wish I’s done that”.
----------------------------------------------------------------------------
Q. It’s the creative dream of many to launch their own agency. What made you do it? What challenges did you have to conquer and what helped BLKJ to be successful?
A. Starting BLKJ was one of the many fortunate events in my life. It so happened that the perfect conditions and people came into my life at the right time. We were four friends who decided that we had something unique to offer to clients and talent. What made us successful was our sole focus on the work. As a person who had only dealt with all things creative, the biggest challenge was wrapping my head around the financial aspects of running a business, and I’m still very much at sea when it comes to that.
Q. What are your own secrets for adapting in a fast-paced creative field?
A. I try to remember two things: One, we are all the same; we are driven by the same dreams and demons. Two, we are all different; each of us is shaped by the distinct culture we grew up in. So, I try and keep space for both these realities when dealing with my colleagues.
Q. You have led agencies to many award wins. What do you think are the most important “Ingredients” for winning awards?
A. One word - Unreasonable. If we want to create the best work for our clients, we have to be unreasonable. Unreasonable with ourselves, our people, our clients. We have to be unwilling to settle for the easy.
Q. What will you be looking for in both work and jurors as you oversee judging at MAD STARS?
A. I’ll be looking for work that brings to life strong insights with meticulous execution. People only absorb things that have both meaning and beauty.
Q. What skills and talents have you relied on to become – and be - a successful creative leader?
A. I believe in the potential of everyone that I have the good fortune of working with. My job is to make that potential bloom by creating the right conditions.
Q. What five pieces of work (outside MAD STARS 2024 eligibility period) make you say, “I wish I’d done that”?
A. These combine what I value most in any work - insight, intelligence, and exceptional craft.
----------------------------------------------------------------------------
<Thank You, Mom - Strong>
Location: United States
Brand: P&G (Procter & Gamble)
Agency: Wieden + Kennedy Portland
Thank You, Mom - Strong is part of a series of 'Thank You, Mom' campaigns by global household products company P&G, an official Olympic sponsor since the Olympic Winter Games Vancouver 2010. This campaign was released in time for the Olympic Games Rio 2016.
The campaign follows four Olympic athletes through their difficult journey to Rio, depicting challenges such as an oncoming tornado, a car accident, airplane turbulence, and a reprimand from their coach. It highlights how their mothers were there for them, providing inspiration, courage, and confidence in moments of fear and vulnerability.
"It takes someone strong to make someone strong."
Focusing on the idea that a mother's "STRONG" builds great athletes and inspires them to constantly take on new challenges, the campaign tells the story of the love and dedication of mothers who must be strong themselves to raise their children to be strong.
Image Source: IOC
------------------------------------------------------------------------------
<City Light>
Location: India┃Brand: Happydent┃Agency: McCann Erickson
A young man sneaks across a bridge and into a palace. Everywhere he goes, instead of traditional lights like streetlights, car headlights, and chandeliers, people are sitting in place of these lights. Later, in the evening, the people waiting in the chandelier above the king's head take out gum and start chewing it, illuminating the king with a dazzling, gaunt smile. Along the way, streetlights, cars, and stadiums are all lit up by the bright, gunchie smiles of the people chewing the gum.
The message is playful, suggesting that chewing Happydent White gum will make your teeth white and clean, giving you a "sparkling smile and fresh breath." According to Making Trends India, the ad "City Light" doubled Happydent's overall brand awareness score and increased its gross national product by 102% year-on-year. Additionally, it was the only Indian work to be recognized as one of the "Top 20 Ads from the 21st Century" in 2015 by the global advertising industry evaluation report, The Gunn Report.
----------------------------------------------------------------------------
<Going home>
Location: Republic of Korea┃Brand: Hyundai
Agency: Playground Production
The first of Hyundai's new technology campaign videos in 2015, "Going Home," was a project that utilized virtual reality to alleviate the pain of displaced people living with their hometowns buried in the ground. The 2D satellite map of North Korea was transformed into a 3D map, allowing a displaced grandfather, Kim Koo-hyun (90), to virtually travel to his hometown.
When a Hyundai Genesis car carrying Kim arrived at Imjingak and entered the address of his grandfather's house into the navigation system, a large screen, installed in advance, displayed a 3D video that realistically reproduced the road to his home. The journey started from the North-South Entry and Exit Office, passed through Kaesong and Pyongyang, and finally reached North Pyongan Province. The 3D video showcased buildings, roads, and alleys of North Korea, as well as natural elements like mist on the river and swaying wildflowers. The video captured the grandfather's overwhelming emotions as he watched his hometown come to life.
At the time, "Going Home" received 17.9 million views within a week of its upload on YouTube and was well-received by consumers both domestically and internationally.
Image Source: Hyundai Blog
------------------------------------------------------------------------------
<PETRONAS Deepavali 2003: Boyz In Da Hood>
Location: Malaysia┃Brand: Petronas┃Director: Yasmin Ahmad
Hinduism's biggest festival is the Festival of Lights, also known as Deepavali or Diwali. It's the New Year for Hindus and a national holiday in Malaysia. Every year, companies in Malaysia create special ads and videos to celebrate the holiday, with Petronas, the national energy company, being one of the most popular.
In 2003, leading Malaysian female director Yasmin Ahmad created "PETRONAS Deepavali 2003: Boyz In Da Hood," which is still considered one of the best commercials of all time more than 20 years later.
Names give people a fleeting glimpse into our identity, but some people with non-English names feel the need to change or shorten them to make them more understandable to people outside their culture. Yasmin wanted to send a message to young Malaysians that they should embrace their unique identity and not make themselves smaller to be accepted by others.
In the commercial, a young man changes his name to Sam to impress others with a "cool" name and slang. Grandma Paati tells him to embrace his original name and culture, handing him a traditional Malaysian vegetable to give to his mother. The message is clear: we should learn to accept ourselves in whatever form we are.
----------------------------------------------------------------------------
<Me, My Autism & I>
Location: United Kingdom┃Brand: Vanish
Agency: Havas London
In 2023, Vanish, the garment care brand committed to helping clothes live longer lives, launched a campaign in collaboration with Ambitious About Autism, a UK charity aiming to improve the lives of young people with autism spectrum conditions, including autism and Asperger syndrome. The goal of the campaign is to raise public awareness and understanding of the autism spectrum and provide more opportunities for those affected.
Autistic girls are three times less likely to receive a diagnosis than boys, while new research from Vanish and Ambitious about Autism shows diagnosis for a quarter of girls takes two years or longer. The same goes for Ash, a 15-year-old girl. Diagnosed with autism just 18 months ago, it took Ash three years to receive this diagnosis. Through the <Me, My Autism & I> campaign, Vanish aims to increase awareness and give a voice to girls on the autism spectrum.
The video realistically portrays Ash's life. She wears the same hoodie to school every day and, apart from being a bit more sensitive and prone to panic when her routines are disrupted, she is much like her peers. One day, her sister, frustrated with Ash, hides her hoodie. Ash panics when she realizes her hoodie is missing, illustrating the importance of familiar and comfortable clothing for those with autism.
For autistic individuals, well-worn and familiar clothing serves as more than just garments—they are comfort objects. According to new research conducted by Vanish and Ambitious about Autism for this campaign, 92% of autistic individuals are affected by sensory sensitivities, 73% use clothing to help manage these sensitivities, and 75% find it crucial to maintain the shape, smell, and feel of their clothes. Wearing familiar clothing has a direct impact on the mood of 81% of autistic individuals, and over one-third (34%) of them say that their attachment to certain clothes made them consider the possibility that they might be autistic.
Vanish promises to help maintain these comfort clothes so they can be worn for longer, ensuring that those with autism can continue to feel secure and comfortable. Keeping and washing these clothes properly is essential.
---------------------------------------------------------------------------
You’ve seen the interview with Joji Jacob, the executive jury!
We hope the interview with Joji, a veteran CCO with over 20 years of experience, will be helpful for your entries.
The 2nd Entry Deadline for MAD STARS 2024 ends on May 31st (KST)!
After the 2nd entry deadline, a late fee will be applied for entries in the Professional division until the final deadline (15 June).
We look forward to seeing your unique MAD creative solutions.
👇🏻Submit to MAD STARS 2024👇🏻
0 notes