Hiya! May I ask for a fluff alphabet for Price, if you haven't done that already. Since I saw in a recent post you only do 8-9 letters at a time now (which is okay!), may I specifically ask for: A, B, C, F, G, H, N, & Q? Thank you! 💗
Hey there! Sure you can! I've been in the mood to write something for Price anyway, so this came at a good time ^^
Fluff Alphabet for Price
A ctivities - What do they like to do with their s/o? How do they spend their free time with them?
On the one hand, he really loves going out to do something with you. Something along the lines of the occasional short hike, taking care of your shared garden or even just taking a stroll through the city, taking in all the sights and finding new ones you weren’t previously aware of. Those are things he likes to do when he’s been home for a while now. However, if he’s gotten home not too long ago then he’d much rather just stay in and sleep a little bit. Will want to cuddle you or just have you be his background noise. Don’t be mad at him if he dozes off while you’re watching a movie together, he’s just extremely tired and needs that rest.
B eauty - What do they admire about their s/o? What do they think is beautiful about them?
He admires how resilient you are. Price knows that life isn’t easy, that it always makes an effort to throw one impossible thing after another at you, but you never seem to give up. No matter how rough life gets, no matter how often it knocks you down, you always get up, dust yourself off and continue to smile. Even if it really took its toll on you, you strive to make your life better. Although it may get you down when you’ve had the worst day of your life, you still won’t stay down forever. You do what you can, and that’s what Price loves about you.
C omfort - How would they help their s/o when they feel down/have a panic attack etc.?
When you’re sad he’ll give you a hug, provided you’re okay with it. He’s a very good hugger, his hugs are very comforting and warm. Afterwards he’ll put on your favorite movie or series and watch it with you. If enough time has passed and you still feel down, then he’ll cook something you really like. Although he knows he can’t make the sadness go away forever, he’ll try to temporarily cheer you up. If you need to talk, if you need some advice, he’s also your man. If you have a panic attack then he’ll try to calm you down by taking you to a location with few people. Price can talk for a while if he needs to, so he’ll ask you to focus on his voice. Might also give you a rather simple task to take your mind off of things, such as counting backwards from 100.
F ight - Would they be easy to forgive their s/o? How are they fighting?
If it’s you, then he would forgive pretty easily, as long as it’s not something too big. If you accidentally knock down a mug he likes, then he might sigh and be annoyed, but he’ll forgive you. If you cheat on him, then he won’t. He’s usually calm and collected, even while fighting. Sure, he could be aggressive towards you and snap at you, but he loves you, so he tries not to. It’s sort of obvious when he is annoyed, his sentences become much shorter and he’ll actively try to get away from you. Won’t yell at you, won’t do any erratic movements either, but if he’s too angry then he’ll simply walk away from you until he’s calmed down.
G ratitude - How grateful are they in general? Are they aware of what their s/o is doing for them?
Yes, he is aware and he is very grateful. How could he not be? You have the patience of a saint when it comes to him. He knows it’s rough to be with someone who is part of the military, he’s away more often than not, but you still decided to stay with him. You cook for him when he’s tired, you draw him a bath when he’s sore, you reassure him when he feels like you deserve better than him. You’re so much more than what he deserves, he doesn’t feel like he could ever repay you for everything you’re doing for him. He tries, though, but it’s never enough. Price could give you the universe and it wouldn’t suffice.
H onesty - Do they have secrets they hide from their s/o? Or do they share everything?
Aside from the obvious, such as military intel, he doesn’t really hide anything from you. Price doesn’t see the point in keeping secrets from you. You’re together, aren’t you? You deserve to know just about anything about him. He might not tell you everything from the get go, but once you’re close enough you can ask him about anything. You wanna know about his time as a private? Sure. How he came to be a captain? Yeah, he can talk about it. Just ask and he’ll likely tell you. But in the same vein he hopes that you trust him enough to tell him just about anything as well.
N icknames - What do they call their s/o?
He doesn’t really use very many nicknames. Just the classic ones, such as “love”, “sweetheart” and “dear”. Sometimes he feels the urge to call you “sunshine”, but he usually represses that since that’s what he’s called his soldiers before. As much as it would fit you, he tries not to bring work home. He likes to call you by your name too, though. But aside from that there’s nothing he really calls you.
Q uirk - Some random ability they have that’s beneficial in a relationship.
He can keep calm in just about any situation, so he won’t lash out on you. He has an air of authority to him, so it’s not too often that someone is being a dick to him. And that extends to you as well. Price is a well respected man, so not very many people will come up to you and demand something from you. You, too, will be respected by most people, he’ll make sure of that. Regardless of whether you’re shy and timid or loud and boisterous, no one will bad mouth you. Price can fight, he will protect you. He will also fight for your honor if he needs to. He may have self restraint most of the time, but no one should ever talk badly about his partner.
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5guys
comments on em under the cut <3
quincy:
-Jagged scars bc he did it himself with. a big knife.
-no sixpack. just bc.
-many pubes. other bodyhair is a bit less bc he isnt on T (<- excuse bc i couldnt make it look good /hj)
eiden:
-pretty neat scars. got them done fairly early in his life.
-left his abs bc he really tries to keep em. dont particularly like it but :/ i feel like its part of him idk
-was on T a few years before getting isekai'd, aster helped him find a replacement.
dante:
-NEAT surgery scars. got them done, after his parents died, by top-level surgeons (+ didnt have big boobs to begin with)
-nips+snakebites+eyebrows pierced. hes a royal man he deserves it.
-left his pack bc i think he uses it as a coping mechanism....
-has been on proxy-T since a few months before his parents died.
rei:
-tiny boobs tiny scars. did them himself aswell.
-navel pierced bc hes a slut so ofc.
-no abs. this man does nothing to keep himself in shape.
-not on T but has found some remedy that has permanently lowerd his voice
-main reason for transition was so he could be in hiding better, he really doesnt care for much else.
balde:
-no nips.
-main control panel is in his abdomen bc its easily defendable. distinct connection of panels at the lines where they open bc i didnt want him to have abs and this works <3 + i couldnt figure out a reason behind topsurgery scars other than that <3
-no pubes bc hes a ken doll down there (i forgor)
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This week on "CJ needs to gush about DAO": Morrigan's dark ritual.
I adore Origins because depending on how serious you take roleplay, every decision you make is a thread that leads back to your origin, and in this case of the ritual, who you choose to romance can have a major impact on how you handle this choice.
For context, my canon run is with a female Tabris who romances Alistair and keeps him as a Grey Warden, and is close friends with Morrigan. It's more in character for my Tabris to reject Morrigan's ritual and not even bring it up to Alistair, which would result in her leaving him behind while she makes the ultimate sacrifice in killing the archdemon... however, agreeing to convince Alistair to do the ritual with Morrigan is the only choice in the entire game where I break roleplay because I'm selfish and weak and I want Tabris to live.
I have a lot of strong feelings about the ritual, like it hurts me. It makes me want to chew on furniture. I can talk about it until I can talk no more. I so badly want to be strong enough to remain in character and reject the ritual.
Let me explain: Tabris survives an origin that deals with sexual assault. She gets kidnapped on her wedding day, she watches the other kidnapped women and her husband get murdered, and then is too late to save Shianni from being assaulted... and Tabris carries that trauma with her throughout the entire game.
If the way to save her life is to ask the two most important people she cares about; one being her lover and the other being her best friend; who she knows hate each other, to have dubiously consensual sex in order to make a baby to absorb the old god soul... she's saying no. The last thing Tabris would ever do is put someone into a sexual situation where consent is at all dubious after what she saw happen to Shianni and nearly happened to herself. She'd rather die than force that upon Alistair and Morrigan.
That's what I mean when I say origin affects everything; I know some will side eye that with "Really? Your warden would rather die than let Alistair sleep with another woman? It's one time, and Alistair agrees to it, so no one needs to die?"
Let me be clear in saying this isn't a "Morrigan slept with my man" issue. Sure, that part's awkward and it sucks, but that's not even breaking water tension, let alone diving into the deep waters to the core of the issue.
For my Tabris, this is about betrayal, consent, and accepting fate.
The person offering Tabris this deal is someone she thought of as a trusted friend who has actually been lying to her the entire time. It doesn't matter what Morrigan's intentions are now or if she genuinely wants to save the wardens. She knew from the beginning why Flemeth sent her with them, she admits as much. She knew a warden would need to make the ultimate sacrifice and then leveraged that to get what she wants. Morrigan waited until the night before, when Alistair and the warden learn one of them has to die to defeat the archdemon, and took advantage of the high running emotions and possibly the fear of dying to make the warden agree to her ritual.
At least, that's how my Tabris interprets this confrontation. She feels betrayed by someone she came to love like a sister and went out of her way to help Morrigan with her mother upon learning what's in Flemeth's grimoire. And then that someone tells her no one needs to die, she just needs to convince Alistair to sleep with her... which is a huge fucking problem.
The Alistair and Tabris romance is slow; it took a long time for either of them to be comfortable with being emotionally vulnerable and trusting each other with basic intimacy, let alone sex. Tabris is mortified at the idea of putting Alistair in this situation. Not only would it feel like a betrayal on her part to ask that of him, but she knows the last thing Alistair ever wants to do is father a bastard who then goes on to grow up without him. How could she possibly ask him to do that?
Then you consider that ritual or no, there isn't a guarantee that they'll survive anyway. Say they do the ritual and Tabris dies anyway; she made Alistair sleep with Morrigan in order to save her and then she died anyway. Or if Alistair dies then Tabris gets to live with the fact that the last person Alistair was with was a woman he hates because she asked that of him… and either way, Morrigan gets to walk away with what she wanted.
Tabris led the group, and she's accepted that if Riordan dies [which he does] then she'll be the one to make the sacrifice, even if it means breaking both hers and Alistair's heart.... except she doesn't because I'm a coward who doesn't want to lose her because my worldstate isn't good without her in it but I also refuse to lose Alistair so I just pretend it plays out differently in my head it's fine-
But... that's how I play Tabris and view the situation. My friend @pi-creates and I have discussed the dark ritual at length. While I play a Tabris who romances Alistair, Pi plays a Mahariel who romances Morrigan, so we have vastly different interpretations of the ritual itself and Morrigan's intentions.
Which yeah, it makes total sense that someone who romanced Morrigan with a different origin, and has the option to do the ritual with her rather than asking someone else to do it, wouldn't see this the way I do.
To quote Pi: "Playing as a male warden in the Morrigan romance makes the whole situation feel different, and maybe it’s because she’s presenting it differently due to the emotional connection, but it feels more like she’s opening up about her initial instructions (that she had been given by Flemeth) and offering a solution to avoid the possibility of death. And for my Mahariel, the constant threat of sudden death has haunted him from the start – he caught the blight and was ripped away from his clan (something he did not want to do in the slightest), got forced into a Grey Warden ritual that could kill him, was forced into a battle that could kill him, going on this whole quest that he never wanted but has now become responsible for regardless of his thoughts on the matter… the dark ritual may be one of the few moments where he is presented with an option to decide if he wants to walk into certain death, or take actions of his own volition to stop it.
"The idea of the ritual still feels like a dodgy thing to do since the ultimate outcome is unknown at that point, he’s taking Morrigan at her word that it will save the warden and that this child would be unharmed, just with an old god soul that she isn’t exactly clear on why she wants that and is determined to runaway immediately after the battle to secure it properly. It could be interpreted that it’s purely a preservation thing, but I’m biased to wanting Morrigan's intentions to not be power based.
"But also, taking part in the ritual isn’t as outlandish for my warden since he and Morrigan have already been involved in an intimate relationship. It’s the future of the ritual that is scarier – the idea of this old-god baby, and the idea of Morrigan insisting that she’s leaving afterwards when Mahariel and her have a loving relationship. He’s hurting, but he doesn’t want to die, he doesn’t want Alistair to die, he doesn’t want Morrigan to leave, he definitely doesn’t want pregnant Morrigan to leave on her own… it’s complicated, but for completely different reasons."
And I find that fascinating. I want to know how other players approach this part of DAO, what origins they play, and who they romanced. Seriously, this is an invitation to anyone reading to share their thoughts.
What about a warden who doesn't even have Alistair in their party because they made Loghain a warden? Is there anyone out there who has Loghain do the ritual with Morrigan and why? What about male wardens who don't romance her? Do you choose to do it with her anyway, or do you ask Alistair or Loghain to do it? Do you tell Morrigan to fuck off with the ritual? Why? Who makes the ultimate sacrifice in that case? And what about Morrigan herself? How do you interpret her intentions/motivations? I want to know.
I'm telling you, this is a discussion that gets me excited, as most discussions about DAO do.
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Movies that attempt something different, that recognize that less can indeed be more, are thus easily taken to task. “It’s so subjective!” and “It omits a crucial P.O.V.!” are assumed to be substantive criticisms rather than essentially value-neutral statements. We are sometimes told, in matters of art and storytelling, that depiction is not endorsement; we are not reminded nearly as often that omission is not erasure. But because viewers of course cannot be trusted to know any history or muster any empathy on their own — and if anything unites those who criticize “Oppenheimer” on representational grounds, it’s their reflexive assumption of the audience’s stupidity — anything that isn’t explicitly shown onscreen is denigrated as a dodge or an oversight, rather than a carefully considered decision.
A film like “Oppenheimer” offers a welcome challenge to these assumptions. Like nearly all Nolan’s movies, from “Memento” to “Dunkirk,” it’s a crafty exercise in radical subjectivity and narrative misdirection, in which the most significant subjects — lost memories, lost time, lost loves — often are invisible and all the more powerful for it. We can certainly imagine a version of “Oppenheimer” that tossed in a few startling but desultory minutes of Japanese destruction footage. Such a version might have flirted with kitsch, but it might well have satisfied the representational completists in the audience. It also would have reduced Hiroshima and Nagasaki to a piddling afterthought; Nolan treats them instead as a profound absence, an indictment by silence.
That’s true even in one of the movie’s most powerful and contested sequences. Not long after news of Hiroshima’s destruction arrives, Oppenheimer gives a would-be-triumphant speech to a euphoric Los Alamos crowd, only for his words to turn to dust in his mouth. For a moment, Nolan abandons realism altogether — but not, crucially, Oppenheimer’s perspective — to embrace a hallucinatory horror-movie expressionism. A piercing scream erupts in the crowd; a woman’s face crumples and flutters, like a paper mask about to disintegrate. The crowd is there and then suddenly, with much sonic rumbling, image blurring and an obliterating flash of white light, it is not.
For “Oppenheimer’s” detractors, this sequence constitutes its most grievous act of erasure: Even in the movie’s one evocation of nuclear disaster, the true victims have been obscured and whitewashed. The absence of Japanese faces and bodies in these visions is indeed striking. It’s also consistent with Nolan’s strict representational parameters, and it produces a tension, even a contradiction, that the movie wants us to recognize and wrestle with. Is Oppenheimer trying (and failing) to imagine the hundreds of thousands of Japanese civilians murdered by the weapon he devised? Or is he envisioning some hypothetical doomsday scenario still to come?
I think the answer is a blur of both, and also something more: In this moment, one of the movie’s most abstract, Nolan advances a longer view of his protagonist’s history and his future. Oppenheimer’s blindness to Japanese victims and survivors foreshadows his own stubborn inability to confront the consequences of his actions in years to come. He will speak out against nuclear weaponry, but he will never apologize for the atomic bombings of Japan — not even when he visits Tokyo and Osaka in 1960 and is questioned by a reporter about his perspective now. “I do not think coming to Japan changed my sense of anguish about my part in this whole piece of history,” he will respond. “Nor has it fully made me regret my responsibility for the technical success of the enterprise.”
Talk about compartmentalization. That episode, by the way, doesn’t find its way into “Oppenheimer,” which knows better than to offer itself up as the last word on anything. To the end, Nolan trusts us to seek out and think about history for ourselves. If we elect not to, that’s on us.
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I don't understand why people seem to dislike "Girl Dinner" and "Girl Math" so much.
Like, it's not about girls being unable to take care of themselves or make smart financial decisions. Girl Math is literally just about how under the capitalism small purchases that add up to a large number don't feel as expensive as one large purchase. It's the same phenomenon as being willing to pay $10 for a product but not $8 + $2 shipping. Or spending cash feeling different from spending on a credit card.
Or like why a bunch of people just started talking about how being a bimbo is just quirky sexism.
Yes, women can achieve great things, and they can be smart. We all support women's rights. But we gotta support women's wrongs as well.
After being told that you have to be smart and strong and do everything a man can do or you're a bad feminist and you're setting the movement back fifty years, the ability to just be dumb and carefree feels like taking off a bra.
Yes, women can be smart. But they can be dumb too. We can be weak and dumb and that doesn't make us "bad feminists" or "quirky sexists". It makes us human. And shaming women for their freedom to enjoy their life however they want is counterproductive. Men get to be as dumb as they want without shame, so why is it that when women are the ones who are dumb, you get offended and try to shame them into acting the way you want them to?
We can't have equality until you guys stop shaming women for every little thing they do. We can't have equality if we don't support women's wrongs.
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