Tumgik
#everybody's music
deathberi · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
2K notes · View notes
luuurien · 2 years
Photo
Tumblr media
Sarah Kinsley - Cypress
(Electropop, Indie Pop, Dance Pop)
The latest EP from Sarah Kinsley is her best body of work to date, a technicolor swirl of psychedelic dance-pop and the thrilling emotional narratives heartbreak can bring. Cypress' incredible polished production combined with Kinsley's improved voice and layered songwriting makes for an experience that simply can't be beat.
☆☆☆☆
Though Sarah Kinsley has lived in New York most of her life, Cypress is steeped in the imagery and mythos of the West Coast. Named after the trees dotted all across California's cities and highways, there's a glowing sunlight filtered through Kinsley's midnight cocktail of rich synth tones and hustling pop songs that makes for a whole different experience than the orchestrally-decorated sound of last year's The King or the full on chamber arrangements of her debut EP The Fall, a new point in Kinsley's discography where it feels like new miles of new ground is being broken. Taking hold of electronic production more than ever before, Cypress' production is huge and richly layered, dropping many of the defenses she used to put up in her music and letting the music flow more passionately than ever. "Can we make art and still save a part of ourselves?" She asked Clash in early May, and Cypress answers that with a resounding yes. While parts of her past music's sound have been removed and modified to fit Cypress' gushes of hot-blooded emotion, it's still the same person behind the music - she's changed, but it's still Sarah Kinsley completely. Firstly, Cypress sounds absolutely exquisite, Kinsley taking her ability to layer and perfectly mix her orchestral compositions on previous EP's and translating it to a more electronically-minded, brightly-lit synthpop sound that works perfectly with her strong and gripping voice. Lead single Hills of Fire sees her swooning atop a shuffling 80s drum pad, bright strings and horns, and shimmering 80s synths that light up the sky in beautiful iridescent blues and greens, Kinsley spilling her desires and fears out onto the floor and lighting them up with kerosene as each chorus is even bigger than the previous one. There's not a quiet moment to be found across Cypress' five tracks, even the heartwrenching finale Lucky Drive lavishly outfits its ballad structure with dark background harmonies and distorting vocal effects that make what would have been a beautiful, but simple ending into one of the most stunning songs in her entire discography, wonderfully complex in sound but barebones in structure. What Was Mine throws a more usual pop tune into the mix while preserving the EP's feverish sense of speed, and centerpiece Green is by far the best song she's ever put out, a perfect built from simple acoustic tune to a massive arena song with backing harmonies, massive horns and an electric guitar solo - all the saccharine things that usually make a song feel like it's trying to be bigger than it really is - but the emotions Kinsley sings of are so intense and urgent that this is the only sound that could ever possibly convey them. It's a short EP that doesn't leave much up to the imagination, Kinsley's more forward sound here pushing her music down onto you with the pressure of an avalanche, the Northern lights colors of her music blanketing her all-out attack on the senses with grace and spellbinding beauty. She's given herself to the sky, letting her emotions pour out into the ether and not trying to hide their size and shape anymore. She's hurting, she's reflective, she's freed from heartbreak and held back by it, everything that she couldn't say before Cypress gives her the chance to materialize into the world. It's a powerful tool to wield, and Kinsley knows just how risky it can be to open yourself up artistically as much as she has here, but that doesn't stop her for a second. Cypress is the most sure of herself Sarah Kinsley has ever sounded, and every moment of it restates just how mercurial a talent she truly is.
0 notes
sonknuxadow · 10 months
Text
sonic music from the evil mirror dimension:
DIE and FORGET
NIGHTMARES of a PUNISHMENT
DEFEATABLE
it DOES matter
BUSY days (DYING in paradise)
FINITE
LIMITED possibility
869 notes · View notes
secondbeatsongs · 7 months
Text
"Everybody Wants to Rule the World" with every first beat removed
395 notes · View notes
spaciebabie · 2 years
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Aftermath >;3
Start / Part 2 / Part 3 / Part 4 / Part 5 / Part 6 / Aftermath (you're here!) / Super Secret After Credits Sequence Haha Funny
rejoice
Bonus:
Tumblr media
8K notes · View notes
80s-music-tourney · 1 month
Text
THE FINAL ROUND!!!!!!!!
It’s been a long and hard road for these two songs, but now it’s time to decide for good.
Tumblr media Tumblr media
Thank you everybody for being here every step of the way!!!!!!
290 notes · View notes
harringroveera · 3 months
Text
Tumblr media Tumblr media
What if ST was a musical instead?
330 notes · View notes
anniflamma · 4 months
Text
I'm too impatient to wait for uploading anything on my work of the Ruthlessness animatic. So, um, here is a sneak peak and I think I made Poseidon a freaking analog horror creature…
222 notes · View notes
reallyhardy · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
"you have so much to enjoy, and be, and do."
"i thought we'd do it together."
the lord of the rings: a musical tale at the watermill theatre, 2023.
bonus:
Tumblr media
244 notes · View notes
sleepanonymous · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
253 notes · View notes
lunamustdiexx · 7 months
Text
Tumblr media
336 notes · View notes
asher-p-music · 6 months
Text
album cover for my first single!
Tumblr media
trying my best to build traction on here lol. Hope you'll listen when it's done!
235 notes · View notes
soapdispensersalesman · 6 months
Text
Tumblr media
177 notes · View notes
popstarryeyed · 2 years
Text
i've heard that people don't like the sexy baby line but i haven't seen anything on tumblr so i must conclude that it is the tiktok children, the sexy babies themselves, who hate it because they don't get it. don't worry sexy babies. give it a few years. you'll understand soon enough.
1K notes · View notes
cemeterything · 1 year
Text
not enough music videos that make use of low-budget, campy, but oddly endearingly high effort and sincere horror movie effects and settings these days. i'm talking real goofy, over the top theatrical shit. fog machines and rubber bats and plastic skeletons and spiders and tombstones and fake bright red glittery blood and party store halloween costumes. we need to bring that back.
1K notes · View notes
tamperedtrap · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I LOVE THIS GAME!
Robert Cuccioli as Henry Jekyll & Edward Hyde and Linda Eder as Lucy Harris in 1998 NBA All-Star Halftime Show Commercial
445 notes · View notes