#every convoluted plot point and realization

[radicalbears]

Fun fact: I've started reading Star Trek TOS books this year, and they are a TRIP.

I've read six of them so far: The Vulcan Science Academy Murders by Jean Lorrah, Doctor's Orders by Diane Duane, Strangers from the Sky by Margaret Wander Bonanno, Spock's World by Diane Duane, Sarek by A.C. Crispin, and The Motion Picture novelization by Gene Roddenberry (and also Harold Livingston and Alan Dean Foster since they wrote the screenplay)

I have some Thoughts but this may be long so opinions below the cut!

I can't pick an absolute favorite, they're all so much fun for their own reasons. Objectively, Spock's World and Sarek are the two best, with Spock's World being my favorite of the two. I love any story that takes a long look at the Vulcans- either individual characters or them as a group- and these two do a fantastic job.

The Vulcan Science Academy Murders is not objectively good- the mystery is so easily figured out, some of the book is just a little bit insane, and there's way too many exclamation points- but it is a LOT of fun. Also has a very sweet perspective of Vulcans and the way they care for eachother.

Doctor's Orders is literally just this: Kirk, thinking he'd only be gone an hour, makes McCoy acting captain. Kirk proceeds to go missing. Due to Starfleet regulations, McCoy is stuck as acting captain until Kirk or Starfleet relieves him. (It's very funny watching both McCoy and literally every bridge officer be stressed about this)

My least favorite is probably Strangers from the Sky. It's extremely convoluted- there's a plot where Kirk is having nightmares about a suppressed past memory (a memory that, is being remembered because the events of this memory were recently published as a book), and half of this book is us just. Real-time reading this past memory? Either way, the memory is of the Actual first human-Vulcan meeting- when a Vulcan ship crash landed on Earth before the official first contact. The surviving Vulcans were rescued by a couple kelp farmers, and the story surrounding them is actually really sweet. The Enterprise crew has almost nothing to do with this story, they're only there because of a time travel incident. It really just feels more like the author wanted to tell this story, but because it didn't have any known characters in it, they were forced to involve the TOS cast. Still a decent read, just Very convoluted.

Finally, the Motion Picture novelization. Boy, this really reminded me that there really is not much that happens in this movie, though somehow it's more interesting than the movie. This is not to completely dump on said movie- I don't hate it, but it certainly is my least favorite. The novelization is really cool though because it adds a LOT of context for what Spock is dealing with. We get more of his inner monologue- something I actually wish we could witness better in the movie. V'ger is a really good character foil for Spock- the way V'ger is was Spock's end goal, yet Spock realizes that V'ger nothing like how he actually wants to be.

The word T'hyla is also just. Casually invented in this novelization, with the explicit purpose of describing the relationship between Kirk and Spock. This book ALSO acknowledges rumors of Kirk and Spock dating in a footnote, and has Kirk "address" these rumors (aka make some weird statement that doesn't actually clarify anything). Beginning of this book is a Wild time for Spirk fans.

Anyway I'm waiting on my library to get in the novelization for Wrath of Khan and Search for Spock. I also just picked up the first two volumes of the Year Five comics. Idk how deep I'm gonna get into Star Trek novels, but I'm at the very least still going strong.

Oh yeah I also tend to take photos of passages/lines I enjoyed from these books, lmk if any of y'all want a deeper look into any of these books- I can post the photos of my favorite bits!

#anyway more people should read star trek books they're fun #even if they're completely not canon #if you're out here reading fanfic you can deal with that #star trek #star trek tos #star trek books #diane duane

[deltaengineering]

Winter Anime 2024: Payday

Metallic Rouge

Metallic Rouge hasn't ended yet, but I am quite certain that at this point it's unsalvageable. I can give it one thing: it's going for a specific ~vibe~, and nails it. Why anyone would want to evoke the ~vibe~ of "deservedly forgotten 2000s sci-fi seasonal" is beyond me (I won't provide an example, because if I could remember it it wasn't forgettable enough), but there you go. Truly, Bones have outdone themselves with this celebration of their 25 year legacy.

It's hard to even start, but the one thing everyone is certain about is as good as any: The plotting and structure of this show is a complete mess. Some consider this "ambitious", but I don't think an ambition of "let's throw in every half baked thing we can think of and try to glue it together with proper nouns" is worth celebrating. We've got insipid and illogical worldbuilding that ultimately goes nowhere, brave political statements on the level of "slavery sure is bad but don't be rude about it", metaphor bombshells like a character who schemes behind the scenes and styles themselves the "puppetmaster" and constant plot twists that explain things long after I've given up on even trying to make sense of anything. That's where the ~vibe~ comes from: everything that has ever vaguely annoyed you in a mid anime is somehow in this one all at once.

This wouldn't be so bad if it had characters that are entertaining on their own, but here we meet the most bizarre creative decision: the one thing it has going for it is the Diet Dirty Pair banter between Rouge and Naomi, which elevates a few episodes to "decent", but of course they spend half the show seperated. And by themselves, Rouge likes chocolate and is as dumb as a brick with charisma to match, while Naomi is sassy and mysterious and that's it. The rest of the characters (and naturally, there are far too many of them) are either irritating or at best just bland.

So if this is Bones pulling out all the stops, at least you should expect the production values to be high, but even that is a mixed bag. Metallic Rouge looks quite mediocre for the most part until it's time for a dedicated Sakuga Cut™, which might be a fight or alternatively just a random one of the dozens of boring hallway conversations (that Crunchyroll of all things is treating this as a joke really says it all). And even the fights aren't all that great, because this show somehow manages to have bad sound mixing and music beds that I'd call interesting in theory but don't work well as a score. At least it has a stellar OP, but even that seemed a lot better before the show actually came out.

I might bump up the score a point if it ends exceptionally well (which it won't), but even in that case... it's still bad. Please go back to sourcing your deep plots from Weekly Shounen Jump, Bones. ~3/10

Bucchigiri...

Bucchigiri..., on the other hand, has the exact opposite problem: While Metallic Rouge is a convoluted tangle of inconsequential plot, this show is just happy to phone it in. It almost feels like a rerun of fall 2021, where Metallic Rouge is the new Fena and Bucchigiri... is the new Takt:Op. It leaves an agreeable first impression, with a bold, colorful look, unusual setting, expressive direction and kinetic animation – but everything not entirely superficial is an excuse, and a "dog ate my homework" level of excuse at that. If all you want is bromantic burly brettyboys going through the motions, get your fanfic pen ready, but don't expect the show itself to provide significantly more than character designs. It doesn't help that the main character is particularly bad, with his gimmick being "annoying disinterested horndog". These non-characters keep going in circles slapping each other's asses and being not very funny for two thirds of the show, until a very generic "sensitive best friend is tempted by evil" drama plot appears because even yaoi shippers realize that eventually something has to happen, which boils down to Matakara going around slapping everyone's asses again, but now it's supposed to be sad. And then that doesn't work at all, because for character drama you need characters. Who knew.

Of course the funny bit is that this is pretty much what I asked for. I gave SKOO shit for only being good at the wacky parts while the heartfelt drama and more fleshed out characters fell flat. Well, now the director's followup work is just the wacky bits and feels completely hollow for it, and then the exaggerated drama lacks anything to back it up. Maybe just do better, I suppose. Oh yeah, and this also hasn't ended yet but with how completely predictable it is I feel like I've already seen the final episode. ~4/10

Undead Unluck

You can take the Shounen out of the Jump but you can't take the Jump out of the Shounen. I don't usually touch the Weekly Shounen Jump brand for good reasons, but Undead Unluck definitely had one of the strongest first impressions for one in a long time, if only because it has leads that aren't Goku and Vegeta again. But it also had a flashy, devil-may-care attitude with absurd nonsense happening left and right, a bonkers setting that is actually interesting in its own right and production value to back it up. In short, it was Fire Force with arguably better characters. When it's firing on all cylinders, Undead Unluck is a very fun time.

The problem is that Undead Unluck is firing on all cylinders about as often as a Cadillac V8-6-4 with a flaky ignition distributor. Primarily it has a massive padding problem: The amount of recapping and flashbacks to things that just happened is patently ridiculous and I say that as someone who has watched two seasons of My Hero Academia. If you include things like OP and ED, I feel like calling roughly a third of this show's runtime literally repeated content is not a wild exaggeration. And that's only literally repeated content – since this is Weekly Shounen Jump, there is also a lot of restating of facts and tedious explanations. I can't even blame this just on Jump Editorial, because a lot of the time it seems to be in service of hitting the right cliffhangers – but if both source and adaptation have severe pacing issues, it all compounds to the worst pacing in any show I've seen a considerable amount of.

And then, even in the coinflip of time when it's actually doing anything, it's obviously not always at its best either. This is honestly acceptable from a show that goes wild – with these you have to take the bad with the good. I didn't care much for the lazily metafictional final arc for example, but it would be perfectly fine if it didn't (quite expectedly at this point) do its core statement twice in as many episodes in a row, only with more screaming the second time. It's good when it's good, sure, but it would have to be outstandingly brilliant to make the whole thing worth it – which it isn't, so it's not. 5/10

Mahou Shoujo ni Akogarete (Gushing over Magical Girls)

My standard line regarding any extra spicy fanservice anime show has always been "you know you can find real porn on the internet easily, right". Gushing over Magical Girls (which is, aint gonna lie, a genius title translation) is a pretty good example why: Even though it is pretty damn explicit, it still isn't on the level of actual porn, and then the extended moaning and wriggling sequences just take up so much of the time that it gets tedious pretty fast. And a lot of the "other" content of the show is just blatantly an excuse to make the porn happen. There's some edgy comedy too, but I think characters like Kiwi are more annoying than anything, so that didn't do much for me either. Then the middle section of the show is an excursion where our protagonist villains go sex up a couple of more villainous villains, which feels like it's missing the point even by its own standards. Also, be aware that with hentai content come hentai production values, and this one is definitely below average. None of this is particularly unusual.

However, I kept watching this one, and the reason is pretty simple: I don't actually object to spiciness in principle, and in the beginning the show did a pretty good job of portraying Utena's awakening to a bunch of fetishes. That she then started an awkward on-and-off anonymous BDSM relationship with an actual magical girl was even better. I honestly have to say that this is a brilliant concept, even if it wasn't executed to a level where I was certain it was intentional. Also, while it's arguably the "main plot", it's a fairly small part of the show and when it didn't show up much in the middle I was sure the show had lost me. I do have to admit though that against all odds, Gushing does stick the landing, with a final episode that really pays off that plotline in the best way you could reasonably (see above) expect. It's a bit of a rough ride, but this show delivers.

So I'm two minds about Gushing over Magical Girls. If you just consider it a hentai OVA that somehow escaped to television (which is not an unreasonable standpoint), it feels surprisingly ambitious and well thought out. But as a regular TV show, it just has too many weaknesses to ignore. Still, even though I can't call it good, I still think it's a more interesting curio than the score might make it sound. 5/10

Hime-sama "Goumon" no Jikan desu ('Tis Time For "Torture", Princess)

Oh no, this has "torture" in the title, what could it mean? Yeah, I think at this point everyone knows that it's a joke (one might even say... The Joke) and let's leave it at that. It feels like every season there's some fluffy and cute comedy that I quite enjoy for no profound reason. The Alleged Torture here simply doesn't do anything wrong, manages to find just about enough angles to its one joke to not get boring, and features nice designs and enough production value to deliver a smooth ride all the way to the end. It occasionally does something beyond its one joke, and that tends to turn out cute and chill as well, like Tortura's modest OL home life. Really the only thing I don't like about this is the manzai reaction antics of the sword – explaining the joke is always questionable, but it's especially so when there is exactly one punchline that never changes. In any case, this one is hardly essential and there are many others like it, but sometimes you just want something sweet and inoffensive that still puts the effort in. And this is definitely one of those. 6/10

Kusuriya no Hitorigoto (Apothecary Diaries)

I feel like I should like this show a lot more than I actually do. This is because it is made of great ingredients: Very nice looks, a setting with tons of potential, mostly interesting characters and in particular an amazing main character. Maomao is just great, she has tons of personality and a funny oddball charm that is tempered by a smart and stoic attitude. The beginning of the show, where Maomao plays the streetwise intruder into the stilted world of court intrigue and manages to cut through the bullshit like nobody else could, is pretty excellent.

However, as the show went on, it became clear that I just don't agree with the direction the plot takes. Of course it turns out that Maomao is actually deeply involved into the court drama in half a dozen ways (without ever telling the audience about it, which smells of retcon). Of course the focus shifts to other characters like Jinshi or later on Lakan, who are far less interesting. Of course there is a romance with Jinshi on the horizon. I don't want to be that guy that is mad that a show doesn't turn out to be what they had wished it to be, but it's still a letdown.

And that's not mentioning that the daily business of the show, various levels of detective work, is hardly solid gold either. It's just bad at mystery writing – most "cases" turn out to be massively contrived and then Maomao walks in and just guesses the solution out of nowhere. The large-scale mystery (who is Jinshi, really?) is not much of a mystery at all but Maomao can't figure it out because apparently she has to solve these complicated and tiny problems before she can realize the simple and obvious large one. And then there's the drama, which is effective enough in the moment but seems to be mostly built on a foundation of allegedly smart people acting much more stupid than they should.

So overall, I think this is still a good show simply because Maomao is fun to watch no matter what, but I just don't think the writing can quite hold up its part of the bargain, and that is kind of a bummer. 7/10

Yuuki Bakuhatsu Bang Bravern

Bang Bravern arrived with a simple, but quite amusing thesis statement: What if you had a tacticool, Armored Core-like mecha setting but then everything changed when a super robot show invaded. That's pretty funny. It also just so happens that Masami Oobari knows that the likes of Top Gun tend to have a certain undertone, and also made Bang Bravern explicitly homoerotic. That's even funnier. Add to this the fact that the epic super robot action genre is inherently hilariously over the top, and you have the makings of a very amusing show. Now, I could just leave it at that, because that's what Bravern is. An over the top and self-aware love letter to the super robot shows of old, with a couple of additional comedic angles.

In other words, it's like all super robot shows that have been made in the last two decades. Yeah, Bravern is undeniably quite entertaining, but I also don't think it's anywhere as unique as people seem to think it is. The "super in a world of reals" joke in particular doesn't really come into play that often, apart from when that side of the show keeps introducing dozens of characters that then proceed to not do anything apart from standing on the sidelines. The gay love affair does matter more often, but seems to run into diminishing returns because once you've done "come inside me" (which it does in like episode 3), you really have nowhere to go. And besides those two, well... it's charmingly exuberant and features all the goofy tropes, but it lacks the absurd hugeness of a TTGL or the meaningful subtext of a Gridman – and that's only shows that I have actually seen as a non-fan of the genre. I suppose fans will gladly take it anyway, because the genre is somewhat rare nowadays, but Bravern doesn't exactly blow me away. Still, you can't deny the fun. 7/10

Sousou no Frieren (Frieren: Beyond Journey's End)

So here we come to the big dog. The show that's pulling Doraemon numbers on Japanese TV, has been riding a comfortable #1 spot on MAL for months, and has inspired an unfathomable amount of porn. And the real surprising thing is that it's the first show in a very long time that I think comes even close to deserving that level of hype, especially early in its run when it absolutely isn't the kind of show you'd expect to do this – apart from the production values being about as good as TV anime gets, naturally.

Frieren starts out as an uniquely focused narrative that explores as many angles as it can out of a complicated mess of legacy, memory and regret through the lens of a pretty simple and generic RPG trope. It achieves this almost entirely through one of the best casts I've seen in a long time – Frieren may not be quite as charming a protagonist as Maomao, but she has much more depth and more importantly, every character that matters in her show is almost as good, and their relationships are even better. In its first-cours adventure mode, when we're just wandering around having more or less episodic encounters and plot points that drift in and out of focus with a wistful tone but splashes of goofy comedy, Frieren is quite excellent and would have been my show of last year if I had considered it eligible.

But then it slams in a new gear with the elegance of a tractor driver who thinks clutches are for pussies. Suddenly we're doing a proper Shounen Exam Arc and we're getting a lot less of this and a lot more of this. Now to be fair, this is a long running manga and it probably could not have kept doing flashbacks to Frieren being too dense to realize that Himmel was hitting on her 80 years ago forever. But still, the mage examination arc just really isn't Frieren at its best. It's not even that the content is particularly bad (maybe apart from the really quite rough beginning), and I do understand the long-term benefits of introducing a bigger cast of characters for future use, especially when they turn out to be quite good eventually... but it all just takes way too long. There's still great moments here, but that's usually a small segment of the established good stuff or, failing that, Frieren dropping a sick ass spell. Yeah, I won't even blame this on the action, because said action is incredibly well done and still quite brief, but you really didn't need a full season of theorycrafting and skill discussions to get those explosions. In short. Frieren temporarily turns into Full Metal Alchemist with better leads, and while this would be high praise for almost any shounen manga, it isn't for the one that has demonstrated it can do far better.

There is one real upside to this distraction arc though: Unlike, say, the plot problems of Apothecary Diaries that are here to stay, none of this irreversible, which Frieren immediately makes clear by snapping back to its best behaviour the second they leave the designated raid zones. The ending is as good as any part of the show, with the skillful writing and great tone we have come to wish for. Frieren may not be as consistently excellent as it first appeared, but it is still pretty damn good – and not on a purely superficial level either, because it obviously can have outstanding writing when it wants to and the fundamentals are rock solid too. 8/10

Yubisaki to Renren (A Sign of Affection)

And the top spot of the season goes to... a show that may not be the most ambitious, but does absolutely nothing wrong. Yubisaki to Renren is a fluffy romance where a very cute girl meets a very nice boy, and then no drama happens because not everyone in the world is a fucking idiot. I think my delight with this says more about the absolute state of romance anime than it does about the show itself, but I also have to say that while the plot of this show might be simplistic, it takes great care to set everything up in such a way to get away with said simplistic plot.

Obviously the core of the setup is that Yuki is deaf. But, quite smartly, the author doesn't make the story about Yuki's problems with not being able to hear, but rather about how her world is just... limited. And Itsuomi is a dude with an uncommonly wide worldview and experience. Opposites attract, and there you go. The show basically gets all the grounding it needs from that simple setup for free, then throws in a bit of complicated history among the larger cast. Then just make Yuki incredbly cute and Itsuomi an uncommonly levelheaded adult who will take measures to prevent any pointless drama before it gets out of hand, and you have a show that's just 100% a good time all the way through. So the leads (i.e., the thing that matters way above all else in a romance) are great, and the rest of the cast is more than fine too, even those who would instigate such drama – it can't get annoying, because they never succeed.

Really if I had to say something negative about this show it would be that it's still superficial compared to a show at its skill level that does go hard. I mean, it's about two nice people falling in love and nothing goes wrong, which isn't exactly a lot. There is maybe also the idea that Itsuomi may be a bit too perfect, but I'm just more than happy to see a male lead in a shoujo romance that is neither an abusive jerk nor a bland cardboard cutout. In a perfect world, something like Yubisaki to Renren should feel a bit bland and generic, but in the real one, there just isn't much like it. 9/10

#anime #review #winter2024 #metallic rouge #bucchigiri?! #gushing over magical girls #undead unluck #hime sama goumon no jikan desu #kusuriya no hitorigoto #yuuki bakuhatsu bang bravern #sousou no frieren #yubisaki to renren

[namjhyun]

MOVIE REVIEW | The Boy and The Heron (2023)

This is rumored to be Miyazaki's last film, his decision to retire or not is still unclear. Every story he brings to life it's special but if this is truly his last then he goes out like the absolute master of his craft that he has proved to be over and over again through the years.

It took me watching this film twice and some serious thinking before I could even write about it. This is complex story that will required some deep introspection from its viewers. I also recommend watching it in the original japanese language because it goes better with the tone of the story, mind you its original title it is "How do you live?" and you can expect that level of thought process in the storytelling.

The Boy and the Heron is animation in its highest art form. It will challenge you, it won't waste unnecessary time in exposition and it will ask something of you as an audience member. You will connect to this story on a level that you won't realize leaving the movie theater but perhaps will click a few days later because this story doesn't immediately give you all the answers.

I went into this film knowing absolutely nothing about the plot because I trust Studio Ghibli's work and like to be surprised by them, and I got just that when I realized this is perhaps Miyazaki's most personal film to date. If you know something about his personal life, you will find similarities between him and the protagonist, where he lives and his family.

It's clear to me after much thought, that this story is an allegory about the creative process. It could be creation from the point of view of a child building worlds to learn how to let go of grief, an old man trying to hold on to his creation, a young girl challenging time and space to reunite with a loved one, or even small souls floating into space to become creatures in other realm. All of these aspects and other related themes are explored in a narrative that, at times, can feel convoluted and disjointed but you need to trust the process.

Also, I loved the fact this film is entirely hand-drawn and it made me feel nostalgic for this type of art. The animation is stunning, visually astonishing, with a mixture of techniques, that makes each frame a painting I could easily hang on my walls and stare at for hours.

I have a feeling this is the kind of film we will be talking about for many years to come because that's the entire point of the film: it presents you ideas, thoughts and themes so you can go and build your own understanding of the world and life.

Rating: 10/10

#movie review #japanese movie #the boy and the heron #hayao miyazaki #studio ghibli #2024

[trickstarbrave]

the biggest problem with skyrim i see people critiquing it not point out isn't just "the writing is shallow"

i mean it is. but a lot of games have overall shallow writing without that being an issue. sometimes you dont need 90 pages of lore for smth. sometimes simple events can spiral out of control into massive problems. the elder scrolls series definitely has a world so complex though that it should have more interesting and detailed writing, but the biggest problem with skyrim isn't that

the problem is video games are not just writing and a setting. there is game play, themes, characters, and often multiple overlapping stories/plot lines in that setting. And all need to work together as cogs in a machine or the whole thing doesn't fucking work right. it's like making a play, and while i almost fucking failed script analysis in college (dont ask), i do understand that, and how different parts of the experience are weighted as a decisions

skyrim is a game that is heavily weighted towards gameplay and exploration of a setting. its primarily a sandbox game. thats all well and good, a lot of my favorite games are. it is a power fantasy that is (supposed to be) about play choice and agency. and almost nothing in the fucking game actually reinforces and works toward it. in fact it often directly contradicts it.

skyrim tries to bring up a number of themes, especially in the main story quest. stuff like morals, power, how to wield power, what actual justice means, and the nature of violence. and it does absolutely fuck all with it. if i as a dragonborn misuse my power at best i will piss off the guards which literally can happen to anyone. most of the time no matter what i do no npc gives a fuck who i am. i can be the thane of every hold in skyrim, most of the population will still be rude assholes to me.

take paarthurnax. we all hate and bemoan the dilemma we are given. either kill dragon grandpa or be locked out of the blades stuff from now on. it seems like such a stupid choice to the point one of the most popular mods is telling delphine "shut up im in charge". but i think, even if its subconscious for most people so they don't even realize it, the reason this choice is so stupid has nothing to do with the fact we like dragon grandpa (or at least not the whole thing), but because the entire empire is built upon horrific war crime after horrific war crime of emperors with dragon souls. tiber septim did absolutely heinous shit on and off the battlefield. he killed innocents. raped. abused. lied. manipulated. and he never really repented, unlike paarthurnax. what does he get? well after a convoluted scheme we learned about back in daggerfall, he gets to be a whole ass fucking god and gets worshipped. there are potentially elves who remember his reign of terror and being ruthlessly slaughtered and removed from their homes, their cities burned and families killed, all out of greed from this motherfucker. and they are the bad guys for opposing his worship. they are portrayed as cartoonishly evil mass murderers, torturers, schemers, etc etc and at no point do we get a genuinely sympathetic take from a thalmor agent where they list out all of his war crimes and horrible shit he did that still effects them to this day, and to top it all off the empire left them to fend for themselves during the fucking oblivion crisis.

so as delphine bemoans all of paarthurnax's war crimes and horrible things he has done, how no amount of repenting can make up for it and he's too dangerous to leave alive and we should kill him Right Now because what if he, even by accident, succumbs to his nature as an Evil Dragon and does horrible things again, she is also actively defending the horrific, much more recent war crimes of other Evil Dragons just in mortal form. if delphine has a point, then so do the thalmor, but they are just cardboard bad guy elf nazis and the empire can do no wrong.

violence is rewarded time and time again, but THESE characters being violent is bad. because. all dragons are evil and able to be corrupted by power, but the player if they decide to be a massive asshole don't really face that much scrutiny besides ultimate gameplay inconvenience. because this is a sandbox power fantasy! you should make your own choices without being punished! but that means the story about power, the cost of violence, justice, and morals, as well as your greater place in the world can have no gameplay weight. and if it has no weight in the most important part of the experience, then it has no fucking weight at all

i could go on and on. like how the dragons are supposedly intelligent creatures with their own language, culture, customs, and morality system but are basically for most of the game about as smart and engaging as the average bear or wolf you encounter on the road outside of 2-3 dragons in heavily scripted, linear conversations during the story, but we'd be here all day.

#skyrim #tesblr

[tropes-and-tales]

A Package Deal

December 6:  Mittens/Kid - Parent and child’s caretaker (Benny Magalon x F!reader)

(From the winter prompts found here)

CW:  Single dad Benny; convoluted plot; I dunno.

Word Count:  1538

AN:  Requested by anon!

Benny Magalon didn’t necessarily feel any sort of way towards children before.  He always assumed he’d have kids someday, after he met a woman and married her, but it was just an assumption about a hazy future when he, a detective with Major Crimes, necessarily lived in the present.

It all went out the window when his girlfriend got pregnant and decided to keep it.  He wasn’t sure they’d last as a couple, but he thought he’d at least have a partner to co-parent with.  Six months after the birth of their daughter, though, his girlfriend split without a word.

It was the worst six months of his life—sleepless nights, a yawning black hole of terror that he won’t be able to handle single parenthood.

Six months after that, she sent paperwork signing over any and all rights to their daughter, Ava, and Benny realized he had no choice but to handle his new life as a single dad and sole provider to his young daughter.

-----

He’s not completely alone.  

His parents help a lot.  His mother and sister are invaluable; they help him navigate the tricky world of infants with their sleep regression and unformed skulls and burgeoning immune systems sensitive to every germ.  He has cousins who pitch in, who show up with one-dish meals that require only a quick reheating, who quietly tackle the mountain of laundry that accumulates during the work week.

Hell, even the guys help out in a pinch once in a while.  It’s a sight, Connors sitting at Benny’s kitchen table with Ava and coloring in her My Little Pony coloring books.

His best help comes from next door.

Benny meets you when he’s at his absolute lowest point:  abandoned and left to care for an infant, he manages to find a little bungalow that he can actually afford the mortgage on.  He desperately wants to give Ava stability, and something about owning a house—albeit a small one—with a tiny backyard makes him feel like he isn’t failing completely as a father.

He meets you the day he moves in—his next door neighbor.  You’re an illustrator; you work from home.  Ava’s red-faced squalling pulls you from the tranquility of your home as he struggles to handle his daughter while directing the movers.

“Need help?” you ask that day, and in the five years since, you’ve been nothing but a blessing in both Benny’s and Ava’s lives.

-----

It’s hard to pinpoint when he falls for you.  Certainly, you’re a lifesaver almost immediately:  you step in when Benny’s called into work at all hours.  How many times, in that first year, do you sleep on his couch and watch over his sleeping daughter so that he can keep his job and health benefits?

And once he hits a rhythm, how many times do you bring dinner over for him and Ava under the flimsy guise of having too much for just yourself?

And who waves off his thanks, even when he’s so heartsore that the words crowd in his throat, that a woman who happens to live next door to him is more loving to his daughter than her own biological mother is?

Sure, the torch Benny Magalon carries for you is likely driven by the care you give to Ava, and to him too.  But he thinks in another universe it’d be just the same, a gradual revelation to the person you are—because you’re kind and selfless, but you’re also talented and funny.  He knows all your quirks and habits, how you hate to wear socks and live in sandals, how you bake things that taste delicious but look like dogshit.  How you drink your coffee, how you hate ice in your drinks, how you have a dainty little giggle but a hearty, wall-shaking sneeze.

You are friendly with the other people who help with Ava—namely his family.  His mother especially takes a shine to you, thinks you’re an absolute angel, and she gives Benny not-so-subtle hints that you’d be good for him too.

He never makes a move.  He lets that torch burn low and steady without ever letting on how he feels.  He thinks you must think him pathetic, the loser next door who needs your help, and he can’t imagine what you’d see in him even if he had the courage to ask you out.

-----

Somehow Ava turns five, and you’re as much her family as any actual Magalon.  You greet her when she gets off the bus from kindergarten, and you watch her until Benny gets home.  

It’s one of his favorite things, picking Ava up from your place.  By now, he has a key to your place (and you have one to his), and he loves to let himself into your house.  Loves rounding the corner to see his young daughter at your kitchen table eating a snack, and two of you drawing or coloring or paging through a picture book.

It’s better than any drug, the way the two of you both turn to greet him, both of you with smiles to see him.  When he’s having a rough week at work, he leans into the fantasy a little, pretends that he’s coming home.  That he lives there with you and Ava, and that he’s not just there to collect his daughter and take her home to their own house.

-----

It must be said, though:  if Benny loves you in secret, then Ava is unabashed in her love for you.

She’s at that age where she notices the family configurations of her fellow kindergartners.  Fathers, it seems, are optional—Ava rattles off the names of her classmates that have absentee dads with no compunction at all.  But she herself is one of only two classmates without mothers, and there comes a point when she draws the natural conclusion that her warm-hearted neighbor who watches her each afternoon should just go ahead and be her mother.

It’s one of the most difficult conversations of Benny’s life.  Ava is so damned earnest and there’s no convincing reason why you can’t be her mom.  How can he make a five year-old understand that he and Ava are a package deal?  And how you probably aren’t interested in signing up for anything more than you already do for them?

Ava seems to understand the gentle terms he uses to couch the situation, but he catches the stubborn pout of her lips when he turns away.  He knows the expression all too well:  his daughter isn’t defeated.  She’s only biding her time.

-----

Christmas is just around the corner, and Ava is old enough to help with gifts for friends and family.  He takes her to the Grove one weekend with a list of people to shop for.

Benny is not good at gift-giving.  He’s awful, in fact.  With family, he just slides a gift card across the table to them.  With the guys, it’s as simple as giving them a bottle of booze.  And Ava is easy enough—she gives him an exhaustive catalogue of things she wants from Santa.

Where he struggles is with you.

What can he even get a person like you?  You have an outsized place in his heart, but he can’t express that via a holiday gift.  He can’t get you jewelry or anything intimate, but anything else (candles, chocolates, whatever the fuck other things he can’t think of at the moment) is too impersonal for the woman who takes care of him and his daughter for no reason other than her own kind heart.

Ava has a better handle on you.  Kinda.  Maybe.  At least, she doesn’t hesitate to find what she thinks is the perfect gift for you.

“Here, daddy!” she says, and she lets go of his hand to run over to a display of gloves, mittens, scarves.  Of all things in California…

“I don’t think so, peqūena,” he replies with a chuckle.

She pulls a pair of bright purple mittens off of the display and turns to him with that pout.  “For when she’s in the snow.”

He smiles, holds out his hand, and she gives him the mittens after a beat.  “It doesn’t snow here very often,” he points out.  In fact, Ava only knows about snow as a concept from the holiday movies they’ve been watching…

When he goes to put the mittens back, her pouting lower lip starts to tremble, and Benny realizes that he’s about a minute away from tears.  It’s been a long day for a little girl, and the Grove is busy, and she is late for her nap…

“Okay,” he says, hasty to head off the impending meltdown.  “You think she’ll like purple?”

Ava sniffs dramatically and nods.  “It’s her favorite color.”

Benny takes the mittens and goes to pay, his daughter’s hand gripped in his own, and he doesn’t bother to correct her—purple is her favorite color, not yours.  

It’s fine.  He’ll let Ava give you the mittens as her gift, and maybe he can come up with something nicer, from him to you.  Something that will magically capture his feelings for you without being forward or creepy or too much.

#benny magalon #benny borracho magalon #benny magalon x reader #benny magalon imagine #Borracho Magalon x Reader #borracho magalon x reader #borracho magalon headcanon #borracho magalon #den of thieves #tropes-and-tales #winter prompts 2022

[princess-of-purple-prose]

i wanna get into ORV but i still don’t understand it 😭😭

CACKLES SO FUCKING LOUDLY (Caps: cackles so fucking loudly). Ahem. [cracks knuckles]

Okay so ORV (Omniscient Reader's Viewpoint) is a webnovel which is currently being adapted into a webtoon, and I really enjoy both!! But if I had to pick one, it's the webnovel no question <3 I talked about accessing both here!

I went into it completely and entirely blind except for the main character's name, which was probably the best thing I've done for myself all year, but my summary for you (which I had to stop myself halfway through and cut down for size THRICE):

ORV follows Kim Dokja, an isolated and lonely office worker whose contract is expiring and whose only (and I mean only) joy in life is a massively long, horrendously convoluted webnovel called "Three Ways to Survive in a Ruined World". He is the only reader in the entire world of this novel, as everyone else had long since fallen off about ten chapters in due to the fact that it fucking sucks-- but that means that when his subway ride home is interrupted by the world ending in exactly the way it does in his favorite story, he's also the person with the best chance in all the world to see the apocalypse through to a happy ending.

The novel, as indicated by the title and premise, is SO meta, and never in a cheesy or grating way-- ORV chews you up and spits you out with how incisively, brilliantly, and beautifully it works its themes, and every single character and character dynamic will grip you by the motherfucking throat. It is the funniest thing I've ever read and I've almost cried about it in public multiple times and I keep zoning out and staring into the middle distance during dinner because I keep having new belated realizations about its ending. It may look long and intimidating, but it doesn't FEEL long because the pacing is incredible, and also it constantly lampshades itself by acknowledging that the in-universe apocalypse is incredibly stupid and by having multiple scenes where the characters lay out past plot points in great detail and then go "wow this sucks and is stupidly overcomplicated." ORV is complex and beyond intelligently written, but it never takes itself too seriously, and it's better for it <3

ORV is hard to explain because it is so much all the time. In the best possible way, half the time it sounds like a fanfic-y fever dream. Kim Dokja IS bisexual and he IS autistic and he IS INSANE. It is impossible to encapsulate because everything I could say about it would fall short of its actuality, and Tumblr functions on recommending things through hyperbole but ORV is literally just like that. ORV is about the power of fiction and it's about meeting your blorbo in the flesh and immediately annoying him so bad he tries to kill you and it's about staggering, world-defying love of every kind and it's about your friends kinkshaming you and it's about learning to live with the fact that you deserve to live. I will, very genuinely, never be the same after reading it. This is the worst rec post in the world and I sincerely apologize. Please read ORV

#I'M SORRY I WASN'T SURE WHAT TO ADDRESS FIRST SO I JUST VOMITED STUFF OUT #you don't understand i'm too volatile about this novel to be trusted to say literally anything coherent about it #but also orv completely fucking defies simple summaries or the mere concept of conciseness #so this took me. like. embarrassingly long to write. let's not talk about how long exactly #aw hey fuck this i had a TON of further tags written and then tumblr somehow nested a tag within another and had an UNHOLY meltdown on me #i am truly too tired to rewrite them all :( #so i'll leave off by saying: it's a truly gorgeous story #PLEASE give it a try-- and let me know if you do!!! #blaquesails #asks #kay talks #honestly i'm sorry again this is so so so long and you got the SHORT version of the summary 😭😭😭😭😭 #orv recs

[raiquen]

Book Review: The Father Thing, Philip K. Dick

My Review in a Tweet:

In retrospective, I felt like I read it more like a chore, trying to read all five volumes this year. It has some good stories that left me thinking about the implicancies, but it was mostly filled with basic or uninteresting science fiction stories.

Complete Commentary:

I'm back! I just finished the third volume of Philip K. Dick's short stories, "The Father-Thing". I have to say, from the get-go, that it was probably the weakest one so far, with lower lows and not so great highs.

The more frequent topics and themes on this anthology are:

Ideologies and their radical extremes: from absolute polarization of society to political opinions taken to their most extreme realization, the author critizices and explores different ideas of his time, some of them being direct comments on recent publications.

Humanity and evolution: what will it be of humans in the future? The fate Philip K Dick envisions for us is rather dark or depressive in most of his stories.

Technology and humanity as a trait: Our relationship with technology is an evergreen topic in science-fiction, but in this anthology, it has a withered quality.

Clash of civilizations and classes

I'll make a short commentary for every short story, already ranking them from the one I liked the most to the one I liked the least:

Upon the Dull Earth: I realized while ordering up the stories that this was the one I liked the most and not the next one on the list. It feels more like a fantasy short story, but the ending is closer to a (cosmic?) horror tale.

The Golden Man: fantastic pace, fantastic ending.

Shell Game: the absolute paranoia of this colony and the TWIST. Loved it.

Sales Pitch: PKD said many people didn't like this story's ending and that he agreed with them. I disagree with both, the ending is great, but maybe because we like more cynical stories nowadays.

The Hanging Stranger: I love the ending, more themes of paranoia.

The Last of the Masters: it's unusual to read about anarchy, but it was very interesting, specially on the efforts to preserve some kind of hierarchy and burocracy.

Foster, You're Dead!: amazing satire, still relevant today.

War Veteran: I would really like to see this story adapted in a movie or series, it has great potential as a political intrigue/thriller.

A World of Talent: I rank it this high because of how convoluted and complicated the mutants' powers were. The plot itself dragged a bit too much.

Strange Eden: I like the ethereal feel of the story and the kind of "cautious tale" of the ending.

To Serve the Master

Fair Game

Pay for the Printer: I feel like we are headed this way with automated production and the lack of appreciation for manual crafts.

The Turning Wheel

Tony and the Beetles: relevant in today's political landscape.

Exhibit Piece: I despise the nostalgic feeling present in science fiction stories that imagine such a disastrous future that anything is preferred than that present, even flawed pasts. Even then, it's well narrated.

Null-O.

The Chromium Fence: I liked this satire as a valid commentary on today's need to always "pick a side", how pointing out valid critics to either viewpoint is considered as expressing symphaty for the other one. I disliked the ending, it felt like an easy way out.

The Eyes Have It: I liked it because it was fun, but I put it lower on the list because it feels very out of place in this anthology.

The Father-Thing: I liked better the author's explanation of this story, not the story itself.

Psi-man Heal My Child!: after reading A World of Talent, it felt very repetitive and unnecessarily complicated.

The Crawlers: pretty uninteresting.

Overall, I would give this book a:

6/10.

My other 2023 readings.

#2023 readings #my 2023 readings #philip k dick #book #books #book recs #the father thing #science fiction #sf literature #literature #mine

[heartfullofpony]

School Raze

Rewatching the Season 8 finale, rather a lot comes to mind. The underrated genius of Cozy Glow as a villain. Chancellor Neighsay's surprising integrity - the fact that all of his villainy came from an earnest impulse to "protect Equestria," and that he was willing, in light of new evidence, to pull a 180, and change his entire world view - no easy feat.

I'll be writing a more in-depth analysis of these two episodes in general, but first, I would like to focus on something a little bit more personal.

Since MLP: FiM ended, I, (Sprocket here), have come out as trans/non-binary. Since last I viewed this finale ("School Raze, Pts. 1&2"), my perspective has changed a great deal, and there are themes explored here that hit way harder than before.

For those who don't remember, "School Raze" opens with one of Starlight's spells failing. Then Twilight's. Then Rarity's. Then comes a summons from Celestia. And a letter from Starswirl the Bearded.

The upshot? Equestria is losing its magic.

Cozy Glow puts the idea in Twilight's head that it might be Tirek, and packs Twilight's bag to aid in their journey to - you guessed it - Tartarus.

To make a long story short, the Mane Six get stuck in Tartarus (but eventually bust out). Cozy Glow imprisons Starlight Glimmer in a magic-glyph-sphere-thing; Chancellor Neighsay locks up the Young Six (minus Sandbar) for being eeeeeevil non-ponies; and when they eventually get busted out by the CMCs, the Young Six makes their way down to the catacombs under the Friendship School, where they discover Cozy Glow's evil plot - Starlight Glimmer imprisoned - and Equestria's magic, draining (via a glyph-a-majig that Tirek had taught her).

[Caught up on the convoluted turn of events? Good.]

Anyway, as the Young Six are trying to figure out how the buck they are supposed to free Starlight, and restore magic to Equestria (without causing a massive magic explosion that would destroy the whole school), in comes Cozy Glow with an army of students.

She points an accusatory hoof at obvious racial minorities. She riles up all the kids around her, and proclaims that [paraphrasing here] "it all makes sense; you're trying to steal Equestrian magic because you have none of your own and you're jealous."

The WHOLE SCHOOL surrounds the Young Six. It turns into a mob that won't even listen to the CMCs.

While this had always been a powerful moment, for me, it now hits even harder than before, and strikes a nerve that is a bit more personal.

Here on Earth, and particularly in America, violence, (and violent rhetoric) against LGBTQ+ people is on the rise.

I have grown accustomed to assessing danger levels in every scenario. Being in the wrong place at the wrong time - being completely surrounded by those willing to believe the worst about you - it's a terrifying thing.

The social commentary behind the very existence of the Young Six - and the obvious mission of the show to foster respect and tolerance for diversity - had always been intentional.

To be 100% clear, those themes had always been noble ones worth exploring.

However, I felt a little essay was necessary just to highlight the difference between respecting themes, and living them - that this episode, while rough around the edges in many ways, does a great job of demonstrating the horror of prejudiced panic responses to tragedy - of putting you, the viewer, in the shoes of folks that the angry mob might turn against.

In Equestrian fashion, the episode ends with a bit of a Deus ex Tree of Harmony, and a realization on the part of the students (i.e. angry mob) that the Young Six were actually exemplifying the lessons of friendship way more than Cozy Glow was.

The Mane Six and the princesses ultimately return. Cozy Glow is apprehended and imprisoned, but the real glory here goes to the Young Six, who embody what friendship really means, and more importantly, act as a lens for the show to tackle themes of social injustice on a level that children can understand.

The nightmare scenario that the Young Six experience here - of being in the wrong place at the wrong time - of being accused, but neither listened to nor believed - of ending up in a powderkeg situation, simply for being different - it's a very real possibility that millions of people face, (and we factor into decisions in our daily lives).

Kudos to "School Raze, Pts 1&2" form dramatizing that.

Discuss.

-Sprocket

If you enjoy essays like these, please consider supporting my work on Patreon.

#my little pony: friendship is magic #brony #my little pony #mlp #mlp:fim #analysis #inspirational #fandom #mlpfim #racism #young six #transphobia #prejudice

[unlimitedhorsepower]

been rotating t&b2 cour2 in my mind like a 5D object...

i wanted to write more comprehensive post to air some of my grievances, and of course finally releasing my exclusive statement on my special beast ryan goldsmith.

however when i started to write this i realized i have a shitton of thoughts and could rewrite the entire cour if i really thought about it, so i actually mention most characters in this self-indulgent essay of mine and you can just skim through if you were interested in my thoughts.

i talk a lot of yuri here even if i went into this thinking that ive already talked about him enough, because he fascinates me...

anyhow, here they are, my more comprehensive thoughts under the cut because theyre not spoiler free:

this is unbearably long: ive bolded some key sentences that build up to something if youd like to skim it instead of reading it. i also suggest you using Ctrl+F to find mentions of characters you care about because ive literally mentioned every single character in this in some way and it genuinely is incredibly long and convoluted.

i talk about some characters way more because i wrote those parts earlier and felt more full of energy. i also talk a lot about ryan. perhaps even more than he deserves! but he is my favourite character, youve been warned. i didnt even mean to make him seem so important because hes not, lmfao.

ill say, it can definitely be a bit confusing if its not being read it order but like, meh... i guess it was also more important for me to get my thoughts out so that i can have other thoughts again.

this entire thing got away from me and at many points devolved to me not only ragging on t&b2 but extensively discussing my alternatives which couldve imo built the entire thing into something more worthwhile...

ive added like three screencaps to make it a little more exciting to scroll through, and if i have energy left im gonna add more images to make it less like a huge wall of text, which it is. but right now i just wanna post it because i genuinely spent 10 hours straight writing this and then woke up today and spent another 10 hours writing it.

i think this is my therapy over yuris arc, because that genuinely made me sick. maybe im unreasonable and just pissed off about that specifically, but who knows. not me!

so, to begin... t&b2 cour2.

hmm.

i initially called it “good” and said i enjoyed it besides yuris arc, but that feeling was born from the sheer emotional turmoil yuris death gave me. in comparison, everything else in the cour was fine- great, even!

there can be missteps and flaws that diminish your enjoyment but that are easy enough to fix in your mind, and then theres a misstep of the sort of a character dying after the narrative spends a lot of time giving me what i can only describe as trauma porn.

i already wrote about that here, so ill skip some of the things related to yuri (i just cant get over it... i keep circling back to him throughout this document because hes such a central figure to what we got and what i thought we would get).

cour2 had such a solid basic understanding of characters, but there was just way too much going on at the same time and way too many loose plot threads. cour2 was like building a house of cards on top of a solid brick foundation and expecting it to hold water.

cour1 isnt perfect, but it was pretty good in introducing us to new concepts, new characters (three new heroes to our ensemble cast, one returning talent from the rising who needs less establishing, and the new villains, and more) and the new plot threads, but i also feel that misogyny unfortunately played a great role in who got arcs and what sort of arcs.

season1 isnt perfect either, of course, but one could imagine a sequel follows up tonally with its predecessor and also improves upon it, especially because this has been explicitly suggested by the creators (like improving on nathans portrayal, for example!).

cour2 majorly failed to follow up on the promises of cour1 and the overall promises of what t&b is like in tone and content. there were too many plot threads and too many characters. i wouldve entirely cut out aurora and large parts of yuris/lunatics “arc”. the latter i wouldve tied into LL audun and a greater plotline of mr.legend and heroism.

speaking of mr.legend, yuris hallucinations of him were excessive and felt extremely cheap. i know i said i wouldnt focus on yuri, but i feel like i have to... mr.legends force ghost saying anything will never amount to any healing or retributive action from the man himself, but i felt like i was supposed to feel it was “good” he knew those things.

i felt that the narrative was telling me that indeed, yuri had loved his father once, and he had positive qualities, but i already knew that. i also never doubted that both of his parents had once loved him- its just that those things dont take away from how poorly they treated yuri in the end.

im willing to extend some sympathy to yuris mother, but to mr.legend, never. in one of the mangas mr.legend in the past asks young maverick to wipe his memories of him ever having powers (even though the memories will return to him in due time since thats a major thing to change) so that he can be free of the guilt he feels.

even without that, i already knew that the real mr.legend most likely felt some sense of guilt over his actions, not just the mr.legend force ghost/yuris hallucination.

i know: i simply dont care! he may have been put into a shitty situation and suffered, but it was his choice to hurt others. it was him who used his status to fix fights and beat his wife and child. he was in a position of power, and he took advantage of it to make himself feel better.

side note, alcoholism keeps being equated to evil by it being explicitly referenced with mr.legend and gregory sunshine even if by itself its a taxing addiction and addicts are people who are suffering, not caricaturish evildoers. antonios drinking habits have been equally worrisome sometimes -if you look at his schedule in KOW the rising, he is very much using alcohol to drown his sorrows- and this briefly comes up in cour1.

in cour2, its played up for jokes: antonio took ivan drinking and ivan drank way too much and did funny things while he was drunk (more on this later). antonios just different actually, because hes fundamentally good.

it was shown to us that mr.legend was very active in the match fixing himself... i think it wouldve been more fitting to show child yuri spying on his fathers discussion with maverick trying to suggest it to test the waters of seeing how easy it would be to manipulate mr.legend into it, perhaps about to offer him coffee to signify hes about to change memories if he needs to, and mr.legend jumping on the offer instead of declining it and shattering yuris high opinion of his father.

maverick not being included just reminds me how yuri is somehow a secret child nobody knows about. we remain in the dark on how yuri ended up taking care of his own mother and what he did to attain the position of a judge.

we still dont know the details of who covered up mr.legends death and why and how. it wouldve only made sense it was maverick, but how the hell did he then not know that yuri must be the one with the powerful NEXT power?.. how did he in general not recognize yuri once he became a judge? was he not distrustful?

more importantly, why did he not try to manipulate yuri? wouldnt it have been a huge boon for him to find a vulnerable child who is mr.legends son no less, and to raise him into a tool like he eventually raised barnaby?

i could see that yuris mother olga (i think its officially translated as origa, but its definitely olga) actually protected him back then. after all, he was the only remaining family she had left, even if she too grew to resent yuri at some point for some reason (and somewhat understandable, given how she was portrayed in s1 accepting mr.legends treatment: she had submitted to her fate and become traumatized).

however, olga has calmed down from her potrayal of throwing plates at yuri in s1 and the change happened without explanation but an acknowledgment from the caregiver, and she is never given any depth as to why she could blame yuri so deeply and fervently in some of her more lucid (?) moments.

in cour2, she becomes just a vessel for inflicting more trauma on yuri, and its her only purpose: shes not her own character. shes a woman, specifically a mother, and thats all we need to know about her.

i know that my tinfoil hat theory of gregory sunshine being yuris biological father is implausible at this point after all that talk about hero blood in yuris veins, but it wouldve genuinely given olga much more depth to give her a reason (not a justification) on why shes been so aggressive towards yuri and blames him specifically, if yuri had been an illegitimate child or somesuch. but i wrote about that already in the linked post and its replies.

back to parental figures, i think laras mother zamira was a great character in cour1. shes not a morally good character, no, but i think her portrayal was strong? it was very clear to me that shes treating lara as an extension of herself instead of her own person. she controls her and her life, and she reprimands lara for having thoughts and feelings beyond her control.

it is her who has set lara on this path to heroism, and it is for her benefit. lara is a vessel for her to life through, and this could be easily contrasted with yuri and his burden about being mr.legends son.

however, in cour2 the entire premise is undermined when zamira is proven to “actually care” about lara. if i dont remember wrong, paolin even says that “she reminds her of her own mother”, which i was meant to understand in a positive way. this is presented in tandem with mr.legend(s ghost) somehow “really caring about yuri” in that odd scene they had together.

its also proven that zamira wasnt an unreliable narrator about her prior tennis partner pamela, because we see pamela easily blame NEXT for existing in the news as proof that she is cruel. i get the sense were supposed to think zamira was just sad and trying her best to raise lara and make sure nobody takes advantage of her like she was taken advantage of.

i frankly dont care! she had, undoubtedly, treated lara the way she treats her in cour1 for laras entire life: shes 14. it leaves a lasting mark she can never take back. “im sorry” doesnt even begin to fix it.

i wrote about yuri adopting lara here, so i wont delve into some very specific AU, but it wouldve felt much more reasonable and realistic for lara to be freed from her mother, not even necessarily in the way my pipeline dream describes, in a way that couldve emphasized yuri and his good qualities.

t&b has never been free of misogyny and other issues, but i feel like this cour really brought a lot of those issues to the surface instead of improving on them... instead of a nuanced portrayal of a fractured mother-daughter relationship, we were given something that just felt like underlining the fact that zamira is a mother, of course she cares about lara in more ways than for her own benefit.

zamira is a mother like olga, and thats what we “needed” to know about them in addition to knowing that they experienced trauma that just made them forget about their motherhood for a moment, but we learn that olga cared too, she even made those cookies. their mother-son relationship is similarly glossed over.

lara -like yuri- is done a great disservice in the process of redeeming abusive parents. shes a kid who killed a villain on accident in self-defense in cour1, and it felt significant. cour2 doesnt bring this up as a plot point in any way.

i was imagining her getting a much bigger arc that couldve overall easily tied into revealing mr.legend as a horrible parent instead of being its own distinctly separate arc.

speaking of mr.legend being exposed, it was ridiculous that yuri revealed mr.legends awfulness to kotetsu and barnaby and it fell fully flat due to kotetsus and barnabys reactions, or rather due to their lack of reactions, which was strange for them both.

its realistic enough to have yuri do something like that, even if it was sudden: it feels like he was under a lot of duress and clearly seeking help in any way he could, justifying it to himself in some “logical” reasoning for it because i dont think he would consciously realize he needs and wants someone to believe him.

before i get into that and how i think they shouldve reacted with far more compassion, i want to say that to me its clear that kotetsus career in heroism has led him to neglect kaede, especially in the past when kaede didnt know that her father was a hero. this is brought up a bit in cour1, and for example is prominent in the beginnings additional scene where kaede begs for her father to show up at the ice rink just this once.

the series shows their father-daughter relationship mostly from kotetsus side, so that we know hes trying his best and really wants to be involved in kaedes life but hes genuinely busy, but if you think about it from kaedes perspective, kotetsu hasnt always been a good father to her and kotetsus business doesnt take away from his failings.

misogyny plays a role in this portrayal, and that i cant blame kotetsu for as a fictional character, but the fact that some of his actions are played for jokes and the fact that he continues doing them bother me, like pretending hes doing yoga like kaede suggested and instead of actually doing it. i wish he was more honest with her, even about those little things!

narratively in the rising, again, kaede is forced to adopt a tomoe-like role in encouraging her own father to continue his hero work, which isnt cute to me at all. its extremely emotionally taxing to have to be more responsible than your own parent and give them advice.. in cour2 she is again protecting her father from the truth that his mother is bedridden (nothing, afaik, comes out of that by the way?).

why is kaede protecting kotetsu, and why does she feel the need to do that? shes a child! she should be able to depend on his father, not feel like she has to protect him just because hes a hero.

those things frustrate me about kotetsu and the narrative around him and kaede, because i think this moment especially couldve used to do something about this dynamic and parenting. however, every parenting-related thing in cour2 was atrocious.

kotetsu has flaws and i think he has done wrong despite trying his best (sometimes your best isnt enough!), but he isnt cruel and genuinely does care about kaede, and he cares about others even if theyre not his family (he is a busybody, after all). he is a single father and a widower whose late wife pushed him into hero work, and his old mother supports him greatly, as does his brother.

despite family being so important to kotetsu, he ends up not reacting much to yuris admission that mr.legend beat his wife and child. doesnt that seem like something he wouldve focused on? good-hearted as he is, wouldnt he have been utterly shocked to hear that someone who “saved” him couldve been so thoroughly rotten?

it shouldve shocked him more than match-fixing and clinging to the identity of a hero: imagining himself becoming a cruel parent (and a husband).

i think he shouldve admitted that his own hero career has caused him to neglect kaede, and that he didnt even properly realize until as of late how much it had affected her- that he has flaws too and cant claim to be special or that mr.legend was an outlier, and that he cant imagine how hard it mustve been for yuri to go through that.

it wouldve been far more compassionate of him, and he really has a lot of compassion for others! i refuse to watch that scene again right now so maybe i remember some part wrong, but still: in my opinion he was a dick to yuri, and very defensive about himself. he didnt try to console him, it felt like he wanted to set himself apart as a better person than mr.legend.

i dont understand why he didnt at least try to find yuri after hes stormed off and hes realized that he said stuff yuri probably didnt want to hear? thats a thing kotetsu does all the time: he meddles. he gets things wrong, sure, but he meddles, and pulls people aside to have a chat with them and to try to help (like he later on does with barnaby).

kotetsu believes in heroism and his ideals of heroes, and its also very personal and family-related to him, so for him to be more shocked by mr.legend clinging to his hero image than the abuse part explicitly was a weird narrative choice to inflict more pain on yuri. i dont think yuri felt understood at all.

i think kotetsu wouldve been able to discern the most important part of this: that mr.legend was a bad father and husband, and he shouldve extended compassion to yuri (even if yuri didnt ask for any). thats what he did with barnaby in s1 as well!

just like kotetsus nonreaction to what really mattered in what yuri told the two of them, barnaby didnt have much to say which made the entire scene feel more callous.

its a deliberate choice, and its as odd as kotetsus reaction.

barnaby saw his parents dead in front of his eyes and was taken in by maverick and regarded him as a parental figure he could depend on up until the moment it was explicitly revealed to him that maverick had killed his parents and used him like a tool.

i could understand kotetsu initially being defensive (hearing someone he was “saved” by being thoroughly awful is not easy!) if barnaby had chimed in and snapped kotetsu out of it, which wouldve also played into the idea that people need others to support them and also to “steer them on the right path” so that kotetsu manages to focus on the most important but also the most painful part even if it also hurts him to think about, including admitting to his own failures as a father.

i think barnaby shouldve immediately been sympathetic towards yuri, and it couldve also signified how far he has come from his first appearance in s1 where he explicitly had closed himself off from others, and perhaps even realized that yuri is acting like he once did and is deeply lonely.

his sudden admittance to being mr.legends son is an urgent cry for help!

canonically, the moment started and ended and neither kotetsu or barnaby cared enough to say anything nice or follow after him. i think it was out-of-character, and they were forced to act like that to make sure yuris downwards spiral would continue. it was cruel.

the plot often felt explicitly manufactured towards a certain endpoint instead of feeling natural and in-character, going so far the narrative took explicit steps to prevent certain things from happening.

the “prevention of things” was especially obvious with ryan.

this is going to be long because not only is he my favourite character, but ever since his introduction in the rising he has occupied a specific niche that couldve played into the theme of questioning who really is a hero and why, and what makes a hero.

because karina forms blue golden with ryan, i dont think i can discuss ryans lack of any real arc without bringing her up, especially because karina and ryan have both been positioned as being more of “main characters” than the rest of the supporting hero ensemble, which is why i especially expected more out of them.

karina has been central ever since the pilot of t&b, in which she is featured: she has a lot of connections to kotetsu including her childish crush, and out of all heroes, it is her who kaede calls when she wants to plan something, and ryan was introduced as a main character in the rising and embodies traits from both kotetsu and barnaby, including visually.

to begin with, ryans themes from the rising arent contradicted by cour1 setting him up as having very personal beef with gregory sunshine, the most prominent antagonist because the heroes never properly meet rosicky and LL audun is a last-minute addition (who wouldve deserved more screen time, more on him later).

in cour1, we come to know that gregory caused ryan collapse a building on himself and nobody helped him, his fellow heroes laughing at him before they leave him bleeding underneath rubble. in cour2, we see more of it and that he didnt only get buried underneath large amounts of rubble, but that he majorly injured (or worse) a large amount of civilians as well.

again, im not sure because im not going to rewatch, but i understood it was supposed to be the same instance as the one where his fellow heroes laugh at him, unless its just a nightmare he has that civilians were injured as well.

regardless, he was personally affected by gregory, and he wants gregory to not to run free, and its a fact that hes actually very emotional and acts impulsively under duress, like trying to leave sternbild the moment he thought karina was going to ditch him as a buddy (because he, like yuri, is actually lonely and wants people to understand him but gives up way too quickly).

he also breaks the door into gregorys apartment without a second thought (this is breaking&entering!), and later on we see him yelling and gesturing at blue goldens manager in a quick background scene about their new contracts.

however, his reaction to mattia allegedly ratting them out to gregory is “slightly miffed” at best, even if gregory was so close to being caught by him. it feels unbelievable to me, especially because i think his loud and genuine emotions are his strength but also his potential flaw.

i think he shouldve acted way more unreasonably emotional about it, instead of only bringing up how anyone can betray you at any time. to take a detour to karina for a bit, it was also ridiculous that karina had nothing significant to say to that.

she has difficulties speaking up sometimes, but karina shouldve been allowed to feel personally slighted by ryan after all the buddy hero arcs being about trusting each other.

it seems that she can only be given arcs that revolve around men and not, for example, her feelings about herself and being able to take pride in being a very hard-working hero, idol, and now a friend too, especially when the new manga shows her reoccurring troubles in trying to balance different aspects of her life like studying and being a hero.

it wouldve stung to hear ryan say that like he was brushing her off: did ryan learn nothing, and was he just saying all that stuff earlier to put her at ease instead of being genuine? it also ties into ryans issue of always being genuine but his eccentric personality making him seem fake/suspicious, like in the rising.

his personality felt utterly stagnant in cour2 with smug quips, however, and he was just positioned as “morally good” instead of the narrative allowing him to reasonably continue his arc and meaning for the narrative by going after gregory as a hero even when its against the law.

some of the themes of ryans character pair off with yuris and any arc he couldve been given with gregory wouldve been perfect to compliment an arc with yuri/lunatic, the truth about mr.legend, how LL audun couldve tied into that.

yuri is positioned as a vigilante, even a villain, but hes shown to save kotetsu on-screen, and he follows his code of justice very strictly. we know his reasons to act the way he does, and he is sympathetic. ryan, on the other hand, is positioned as a hero, but he can be kind of a prick and his idea of justice is remarkably lax in some ways. we can make a good guess why he acts like that, and like yuri, he is sympathetic.

they both are characters kotetsu and barnaby know well, and theyre both more severe than the titular protagonists. kotetsu has bent the rules on occasion to act according to his idea of heroism, but in my opinion ryan is set up as someone who would explicitly break rules for his idea of heroism (or lack thereof).

ryan is a good person and very much a hero, but he isnt the flawed but idealistic hero full of passion like wild tiger, or the humble and pure-hearted storybook hero like sky high, hes the egotistical heracles clad in the golden pelt of the slain nemean lion who knows just how good he is (and thats all he has going on for him, that ego of his).

its obvious that he can be a bit selfish: in the rising he uses his gravity dome to not only to save the building, but he traps all the other heroes in it, including pulling sky high from the air. from the movie commentary track ive gotten the idea that he did it on purpose since he can control the height of the dome he creates.

he also stretches out his dome later, so it begs the question if it was ever necessary to get any of the other heroes trapped in it to begin with.

he does save that building and the civilians within and causes no significant harm because he really is good at being a hero and hes not evil, but the narrative shows that he doesnt treat heroism like the heroes of sternbild do: he lacks the same sense of honorable justice our sternbild heroes have.

being a hero is first and foremost his career, which is why he brings up that “the money is good”, and because hes positioned as an experienced hero, he mustve started out as a child, given that he is younger than barnaby (even if in my opinion is not so much younger than he is).

the rising is strongly themed around justice day and the myth, and its also about him seeing the heroes of sternbild care about each other and their bonds with each other, instead of them all regarding each other as competition like hes used to people treating him, given how unbothered he is by figuring out barnaby didnt only distrust him but outright suspected him of being a villain.

due to seeing the bonds of the heroes of sternbild, he starts to “carry a heart of justice” as per the myth. barnaby suspected that he is a villain and the goddess of the story even if he ended up being more like the people cast aside by the goddess for their selfishness.

in the end he makes a choice: he can stay and keep the central bond between kotetsu and barnaby broken, or he can leave and mend the bond his hiring caused and bring the two of them back together as a duo. in the last shot, the winged lion of apollon media faces away from the camera like the way ryan leaves, while the justice tower smiles.

justice was enacted and she approves of it, and funnily ryan never thought that he could be a part of these bonds which is why he wholly leaves sternbild. in his KOW the rising schedule he meets up with a lot of people but theyre all just acquantaices, and he talks with his iguana. he moves around a lot, its in his title of the “wandering gravity prince”.

he lacks bonds like yuri lacks them, but by giving him a buddy partner in t&b2, he becomes more of a part of sternbild heroes, but its not just going to change who he has grown into overnight.

its intentional that ryan has wings on his hero suit like the ones the goddess is portrayed with, and the rest of his imagery plays into the this theming of the goddess/the sun while echoing kotetsus “tiger”.

lions are associated with the sun, even the zodiac sign leo is ruled by the sun. royals and gods have been linked to the sun in many places, so his old hero suit and title play into it. gold, similarly, echoes this sentiment.

in the opening, ryan “sun” is composed of the streets of the city and missing its center where the sponsor is displayed, but knowing the legend, its where the city was caved in, and it uses the same colours as the illustrated parts of the legend of justice day (in which the sun is displayed similarly, and yes, if you disagree on it looking like the sun, you could be right, perhaps that part is a coincidence.)

yuri is shown in the opening of the rising as well, his slide after ryans and his red moon the central piece of his background and juxtaposed with ryans hollow sun.

and i want to be clear, ryans background changes into a sky full of stars before yuris slide is displayed, which also makes sense for ryan because the heroes of sternbild are portrayed as stars more than once (and its funny for ryan to be the sun because the sun is just a star, its just closer to earth. hes not special, hes just loud about it).

its also significant to me that all heroes are portrayed with slides with a side-view of buildings in the background whenever applicable, even keith who can literally fly: it is ryan who has a momentary birds-eye view.

its the opposite of yuris, in which the lines around his red moon are buildings as if someone was looking upwards from the ground and also somewhat echoes the parts, including colour-wise, where the people are trapped in the cave by the goddess.

lunatic features prominently in the rising once yuri figures whats going on, and kotetsu gets to talk to him about how hes trying to save virgil/andrew from the burden of having killed and whatnot. the entire movie is themed around a holiday called justice day and showing mercy and who deserves mercy and why?

i genuinely thought that ryan being brought back indicates that tiger&bunny continues to question what being a hero really means, by giving the titular protagonists and the narrative someone to contrast with lunatic while ensuring kotetsu and barnaby can stay on the side of “good”/heroes for the sake of them being the main characters.

it wouldve been a purpose fulfilled for ryan to go against the law and becoming a vigilante because of how badly he wants to catch gregory: he has a huge personal reason to do so.

instead of the narrative following the logical conclusion of ryan going rogue due to how badly he wants to see gregory out of the streets, we get a scene specifically to explain why ryan cant follow through with the logical next step of his arc?

what a waste of everyones time, and i get the sense that the writers understand how strongly ryan feels about it (the foundation is there!) because it required both the company owner and manager to hang karinas fate over his head to ensure he doesnt just go on his merry way.

(i dont, by the way, understand that scene, and i cant bear to look at t&b2 scenes again... if you can explain it to me, then please do lol. like i specifically dont understand why ryan doing anything would cause harm to karinas privacy.)

not only wouldve it been meaningful for the entire narrative and ryan, this couldve so easily been used to give karina a satisfying arc that also shows that she is just as capable and deserving of an arc as the guy heroes of the cast, especially as the most prominent woman hero. now, instead, she ends up being a plot device to make ryan feel one way or another.

even if blue goldens buddy arc included ryan realizing that he doesnt need to protect karina, it was immediately undermined by “protecting karina” being his only reason to not go rogue to find gregory?

instead of letting ryan go rogue and giving karina agency in going after him by his own choice, we get that. what was the point?

one buddy pair explicitly going against the (unjust!) law couldve served to put lunatic in a different light and interrogate the hero system as a whole, and it wouldve make sense for it to be blue golden due to their proximity to the titular main characters.

realistically i imagine ryan would have enough respect for karina to tell her beforehand what hes about to do, but unaccustomed to working together with people, he would imply that hes going alone and karina puts her foot down about it: shes not going to stop him, but shes not letting him go alone, because shes going with him.

it is her decision, and it gives her agency and an active role.

they cant have a character essentially say “yeah misogyny and gender roles and that shit is kinda fucked up” and then follow it up with Absolutely Nothing and also give karina an another arc about her crush on a man.

karinas potential as a character is squandered time and time again. in s1 its incredibly easy to miss that shes almost always the 2nd on the hero leaderboard because more attention is paid to her funny moments like her “cutie escape” and general fanservice which is awful by the way, considering that for the most part of it she is a child.

its also realistic for the idol industry, and at times the show comes close to making some sort of commentary out of it but it never quite manages, in no small part because karina is never allowed to really shine.

either way, shelving the heroes couldve been more impactful for muddying the waters about the hero industry. the cartoonishly evil interference from the cops only serves to promote the view that the heroes are acting Morally Good because theyre being hindered by not the hero system and the law but the individually selfish police chief and ouroboros interference, and serves to imply lunatic is definitely Morally Bad for acting outside of the law.

it is eventually agnes who “gets everyone to break the law, together!”, and it undermines any reasonable narrative meaning for the entire thing and makes it feel like our heroes couldnt be heroes for a bit for the sake of a meaningless and boring shock twist included for some shock value because nothing really comes out of it.

having blue golden go rogue and the police going after them wouldve forced their hands into actually fighting against non-heroes and the law, not just being on the run while they try to find gregory. ryan and karina could cause significant infrastructure damage very easily to make sure the police dont catch up, and it wouldve been easy to summarise it as collapsed roads frozen over.

while i wouldve in this hypothetical scenario loved an extensive focus on this because ryan is my favourite, i think the whole “going rogue” part couldve been conveyed without taking up an absurd amount of screentime, and couldve easily been condensed for time by having the other heroes watching a news segment about it which wouldnt have felt an out-of-place gimmick given that heroTV exists as a central thing and the fact that this has happened more than once in t&b...

kotetsu and barnaby, and the rest of the heroes could be watching a live feed, and surprised to spot ryan and karina on the run because its unlike they wouldve announced thi. our hero ensemble, especially the protagonist pair, would know that theyre not evil and that they definitely havent turned against the people of sternbild, no matter that theyve now been labeled dangerous NEXT vigilantes.

they couldve been compared to lunatic, which is a very overt way to make the hero ensemble question lunatics status as a vigilante both loved, hated and feared by the general public.

it would be ridiculously easy to play up ryans “evilness” by including a reporter from that introductory press event in the rising where he just randomly used his power on all people in the room to introduce himself (why did he do that. hes so quirky and random.), and then another shot from the rising where he traps all heroes in the gravity dome and thats feels like proof enough? they couldve also recycled the animation.

the narrative couldve made a statement on positioning medias reaction to the beloved idol blue rose on the run as “ryans bad influence” instead of granting her agency, and maybe some of the heroes couldve thought that as well, leaving it to someone else (most likely kotetsu because he is our main character!) to remark that karinas not the type of person to let ryan talk her into this sort of thing and that she mustve instead agreed with him.

having ryan on the hunt for gregory feels natural, but it couldve also been meaningful for karina.

another established thing about gregory is that hes a fucking creep. and karina has dealt with creeps her entire life due to being objectified idol. in cour1, we see that guy trying to hug karina “just this once!”, and it wasnt made into as much of a big deal as it shouldve been because we focused on ryans feelings instead.

that wouldve been fine if it was brought up again, and its utterly wild to me that it feels like they perfectly paved the way for karina to have some sort of arc with gregory herself with ryan bringing up “hug the gregory”, but then the show entirely bailed on it? why the hug theme, then?

it couldve been plot-relevant for karina and the narrative to question what being a hero means for her when her career in heroism has notably led her achievements being belittled in favor of “cutie escape" -moments and even now the media thinks shes out here because of “ryans influence” and not her own choice.

frustrated karina affirming the media somehow that shes doing this for her sense of justice, not because of ryan when some civilian fan of hers tries to save her, the poor little girl, from this vigilante escapade: what wouldve yuri thought of that?

to give karina cool moments wouldve been more impactful and couldve been plot-relevant instead of the disjointed ~girlboss moments~ of rosicky telling gregory to stop being a creep which equated to so little when rosicky is also killed by gregory.

capturing gregory couldve meant something, not been a footnote, and by showing us that fight with blue golden and gregory, they couldve showed us what they half-heartedly tried to show with the quick LL audun fight scene, with karina being the one who ends up protecting ryan after he was knocked out first?

ryan doesnt even need to have his skull caved in like that, all they wouldve had to do is to give ryan a reason to use his power and not be able to let go by having to continue holding something down with his gravity, calling back to barnaby accidentally letting him get knocked unconscious because he wanted to save schneider, except karina actually saves him.

in the process of capturing/pursuing gregory, karina wouldve had a reason to give us some sort of opinion on what she thinks about creeps without it being shoehorned in and how she has to tolerate them because theres so many loopholes in the law but finally, gregory is the one she can fight back against and its because now other people agree that hes evil!

also i genuinely think ryan wouldve loved to not only capture him but to beat the shit out of gregory because he really is different than our heroes from sternbild (and i think he wouldve been justified to do so too, lol).

to exemplify the themes of bonds, karina couldve stopped him but remarked that she feels like gregory wouldve deserved it, and she couldve vocally acknowledged shes having doubts on whether lunatic is so wrong or not, because has anyone or the hero industry itself ever really protected karina from creeps? no!

lunatic is actually making some sort of point when he kills a guy who is a serial killer of women? a bit drastic but hey. it works. that guy cant kill anyone ever again.

it would mean so much for karina to acknowledge that there indeed is something wrong with the hero industry as it exists now and heroes and heroism isnt just “morally good” by default, which also begs the question whether vigilantes etc are ontologically evil by default.

and personally, i dont think ryan would disagree with her? he is well-traveled and has seen so much more than just sternbild: im sure he has met corrupt heroes and heroes who arent even nice or “good”. im sure some places have very fucked up hero systems?..

they couldve made both ryans and karinas arcs mean something by having them face off against gregory (ive been talking of capturing, but they wouldnt even had to been successful and instead gotten captured by the police themselves or been forced to retreat), and it feels so obvious to me?

both members of blue golden wouldve gained something out of it, the overall plotline wouldve gained something out of it, and the setup of the plot wouldve benefited?

the viewer would also know that gregory deserves anything coming for him regardless of the media/public opinion because he is a freak, and the heroes too could explicitly acknowledge that maybe theyve been too harsh on lunatic by not trying to understand him like how blue golden is now misrepresented by the media without any grace? is lunatic just a killer, or... he does keep talking about that justice, after all.

both ryan and karina have interacted plenty with our protagonist pair, so it wouldve served well to draw kotetsus and barnabys attention to it. continuing to question lunatics “evilness” feels so central!

some of the children already said in the cour1 in that that law class of yuris that they thought lunatic was really protecting them and kotetsu was there to hear it, and then nothing came out of that? are you fucking kidding me? he was just like nope, wrong! its evil, end of story.

its like they were given the perfect foundation to do something interesting and valuable, and they didnt end up do any of that just to punish yuri for daring to exist in the way they forced him to exist since t&b is who made yuri the person who he is... but anyways.

yuri is prominently featured in cour2 for all of the wrong reasons, but his prominence couldve been interesting instead: he couldve been standing there looking over the heroes reacting to two of their friends gone rogue and given a cryptic statement on how it seems theyre no different than lunatic in the eyes of the public now that theyre pursuing their own brand of justice...

and everyone couldve been like alright director petrov:)! but also genuinely considered this while yuri is just there, observing the discussion and wondering how their bonds with the two new vigilantes makes it harder for them to be so sure who is a villain to be stopped and who is not.

unrelated to things i think explicitly realistic or in line of t&bs spirit, if i could choose i wouldve also had ryan and lunatic interact.

i think it wouldve been in-character for lunatic to show up to question what ryans going to do with gregory once he finds the man, with ryan answering genuinely but flippantly while karina is bewildered ryan is just trying to have a casual conversation with an fire arrow dramatically pointed at him.

lunatic questions his end goal, like are you gonna kill that guy maybe, and ryans like i dunno, i didnt think that far. now that you mention it maybe i should lol? and karinas like im sorry what is wrong with you?

we couldve gotten the yuri petrov comedy hes hard to rope into by having ryan act like he usually does with lunatic? you try to be dramatic and brooding when some guy is arguing with his emotional support buddy hero girl? ryans only prior interaction with lunatic is in the rising and saying that he looks creepy: he didnt care about a vigilante showing up because he knew the mecha flying over sternbild was the thing he should stop.

its funny because ryans notable trait is “treating everyone equally”, i dont see why he wouldve acted differently with lunatic, and to imagine karina interacting with lunatic because he showed up and ryan isnt having a normal reaction to it by being concerned. but why would ryan be concerned?.. hes good at insight and im sure he knows lunatics justice is very serious to him, and ryan knows hes not a killer so why would he be concerned right now?

but yes, the barebones idea of using ryan especially as a vessel to force the hero ensemble to reconsider vigilantism and lunatic couldve in my opinion been done without the two of them ever interacting directly, because its about what they stand for in the narrative.

what we needed to see was kotetsu (and barnaby) forming some sort of opinion on this, since we mostly see the hero side through kotetsus eyes: he is the main character, after all. all the narrative had to do was let ryan to go do what he clearly wants to.

my description of this all is very elaborate and keeps the entire thing somehow separate from the other heroes, but i think the idea or something akin to my elaborate view couldve been conveyed in a fairly conservative amount of scenes, because the cour only has limited time!

theres also a huge potential for the other characters to join in on the vigilante shenanigans like what ended up happening in the end in canon with all of them “going rogue”, and ryan and karinas involvement couldve been greater than other heroes but still far more smaller once kotetsu and barnaby get their ball rolling over the matter...

t&b2 has a lot of characters, and i think they couldve made it work, but the scenes wouldve had to been carefully picked without wasting scenes on counteracting things they had already set up?..

i dont feel like i can answer the question of “what narrative purpose did it serve to make sure ryan doesnt try to capture gregory on his own?” without pivoting back to “it had to be like this so that yuri would suffer and die and our heroes would stay morally Good unlike lunatic!”.

like, i LOVE ryan, hes my favourite character! and many of the scenes he was in i couldve lived without, because they didnt really add anything of worth to the overall narrative or plotline save for reminding us that he exists.

the entire thing where blue golden separates from the other heroes to go try to find gregory in the jail itself was similarly needlessly drawn out and condensed all the same?..

i understand it as necessary somehow (for the current plotline) to introduce LL audun, but because ryan and karina dont really have anything to do with the guy, it feels wasteful.

the pacing felt awkward to me overall. i was actually bored in some of the first episodes of the cour! and after that, everything starts happening so fast: the LL audun situation is especially sped through.

in cour1, heroes got progressively taken out until only “the essentials” in completing the arc were left, which was a great idea for the sake of stretching the limited screentime available.

it also had real in-world impact, unlike blue golden getting up a while later even if gregory flaunted that “it was so easy for LL audun to kill heroes”. it served so little purpose and was a waste of everyones time for a cheap “shock” because since it happened off-screen, i easily guessed they wouldnt kill a character off like that.

in cour2, we start knocking out heroes very late to the episodes and its not even semi-permanent. it wouldve been way more sensible to have some of the cast get knocked out somewhat early to let the remaining heroes to shine! they couldve even made to go berserk by gregory, so that we couldve then knocked HIM out and then gotten most of the heroes back for a grand finale of sorts, probably facing off LL audun and accompanied by lunatic.

even in the canon scenario, subaru couldve charged in (his whole thing is that hes hot-headed and a bit stupid even if his heart is in the right place!) and thomas couldve shown up earlier, eliminating many scenes that had little worth and focused on efficiently introducing LL audun.

they couldve had that fight with him and thomas couldve swiftly explained key details about him for exposition and made it natural because we already knew hes a fan. i also think their arcs werent so bad i suppose, but them fighting together was the conclusion to the mr.thomas buddy arc, so getting knocked out for a few episodes because theyre still rookie heroes and a bit silly wouldve made sense...

especially when they already were in the last fight in cour1!

it wouldnt have been a disservice to their arcs and wouldve given others more time to shine, and it wouldve been interesting to have other heroes react that the rookie team is presumed dead? they wouldve been fighting even harder against LL audun!

which leads me to say that the one good thing about cour2 for me was LL auduns character, but his potential wasnt realized. he was so prominent as imagery in cour1, with the twins and thomas both idolizing him.

we also know that mr.legend was a corrupt hero and there probably were others? instead of auroras introduction (it was such a gimmick), and gregory getting so much screentime for being creepy, it wouldve been far more interesting to focus on the fact LL auduns time active in vigilantism overlapped with mr.legends time as a hero.

i keep coming back to this, but LL audun couldve been the perfect setup for mr.legends crimes becoming public? it wouldve added intrique to the viewer too by have mr.thomas presumed dead and LL audun fighting the remaining heroes.

that wouldve made it harder to believe mr.legend really sucked so much by the general public and many heroes! kotetsu and barnaby wouldve felt inclined to share some part of what they learned from yuri earlier?

i feel like this wouldve been such an interesting way to make kotetsu and barnaby realize even more things about mr.legend, the hero system itself, medias part in who gets to be a hero and whos not, and lunatic... in a deeper way than the canon, half-hearted attempt at sympathetizing we got, because i just think its not in-character to have them react like that!

in-show its mentioned that LL audun “started to think hes a true hero around his tenth year in prison” but it felt like pure ouroboros/maverick interference to me (even if the current narrative mightve meant it for real).

wouldnt it have made more sense that LL audun was actually a "true hero” fighting against the establishment of the hero system itself, not because he hates heroes, but because he had figured out it was already rotten to the core becasue of maverick?

his simple nature was refreshing (in the same way i really liked fugan and mugan because they were villains but also funny about it) and kept the scenes with him light-hearted, a quality ive always been fond of in tiger&bunny. i do like intense scenes, but i think tiger&bunny should also be a little bit funny and not hard to watch.

he couldve lost his grip on reality a little bit since he spent decades in solitary confinement and focused very hard on his idea of heroism, or maverick couldve even fucked with his thoughts and made him into a ticking time bomb of wanting to destroy so many random people if he ever got out?

how the hell did maverick, mr.legend and the heroes of that time, realistically defeat LL audun back then? its not explained (again i could misremember) and its not important to the canon as-is, but imagine if the canon had focused on idk, being nicer to yuri and on the angle of mr.legends crimes and what if maverick, with mr.legend in tow, had promised to destroy sternbild if LL audun doesnt let them have their way?

it wouldve been, i feel, very easy to let us catch on that maverick was manufacturing LL auduns crimes and spread them on the media for the benefit of mr.legend and heroTV, and that LL audun couldnt stop maverick because he had been honorable about it, like a “true hero”?

hundred power is extremely versatile since it heightens all senses and weve seen that it can even boost recovery, and he can activate it almost continuously: what was it that stopped him from cracking mr.legends skull like an egg once the man himself had fully lost his power, given the canon itself features mr.legend worried about having to face someone he cant realistically win against?

LL audun outright refusing to kill mr.legend and/or maverick feels like the logical conclusion to the question of why he could be defeated. it would also give kotetsu something to think about, to realize this on the screen as our main character!

mr.legend was the hero who saved kotetsu, and then he learns from yuri that mr.legend was actually an awful person, and then, as i suggest, he sees a buddy hero pair go rogue- and then they all have to go rogue?

and to bring all of that to a satisfying conclusion, he faces off against LL audun, with the man questioning gregorys claims about who the real villains are because theyve all protected each other.

some further exposition later he could learn that mr.legend wouldnt have been able to be so awful if LL audun had just killed him when he had the chance, and that maverick couldnt have manipulated barnaby and been evil overall if LL audun hadnt taken up my suggested deal from maverick to voluntarily get imprisoned to protect sternbild and had gone the lunatic route instead?

kotetsu has always been so against killing people, and i dont think hes wrong to think so (well yes i think he is wrong. i think its morally okay to kill evil people! albeit not without emotional consequences for the person taking up that burden like lunatic. but i think its important for kotetsu to disagree with killing) and he wouldnt have had to abandon that principle of his, but this troubling reveal couldve given the narrative way more depth?..

and when kotetsu talks of the goal in the rising being saving virgil/andrew from himself: couldnt he have recognized the emotional toll lunatics actions take on him, and the emotional toll LL audun has taken due to his inaction?

like a real bit of some gray morality that actually has a purpose!

thinking about it makes me want to break something- i feel like everything was so perfectly set up for something like this, and not even this scenario but the concept of sympathizing with yuri further and helping him heal!

it couldve happened without revealing that lunatic is yuri and letting yuri continue in his position as the director of the heroes after the season has concluded (i wouldve enjoyed this personally so that i can imagine him out there), because i feel that revealing mr.legends crimes wouldve changed yuris position so significantly, and for the better!

kotetsu, as the main chracter, wouldnt have had to reveal judge petrov is mr.legends son either, maybe just lunatic for example! imagine yuri seeing people condemn his father? that wouldve been incredibly cathartic? that people agree that whoever mr.legends family was, they mustve suffered, truly and deeply?

yuri couldve gotten a scene like what kotetsu got at the end of the rising, with heroTV broadcasting random people having various positive opinions on him instead as he stands somewhere, contemplating taking off his mask and killing himself for his sins and his justice and whatnot while kotetsu and barnaby arent able to calm him down?

we couldve had a dramatic scene like that, and one of the manga chapters features that scene where yuri revealed his face to the terminally ill woman who had wanted to know who the man behind the mask is: he couldve even revealed himself to kotetsu and barnaby at least since theyre the main characters and still retained his anonymity by using his fire to shield himself from heroTV.

and on the broadcasted heroTV screen people from across sternbild could thank him for what hes done: could yuri, at that point, deny himself the possibility of being forgiven in some way?

it couldve also given us the hilarious dynamic of kotetsu and barnaby at least (and just for me, as a treat, ideally most if not all heroes) knowing that yuri is lunatic but they have a pact to keep his secret.

lunatic half-bleeds to death before jumping off but he doesnt set himself on fire and we dont see him fully fall but it serves as a momentary death fakeout.

then theres an ending scene of judge petrov opening the door to the hero lounge to give a briefing (returning us to the start of the season with yuri briefing everyone about buddy heroes) and he looks incredibly beat up.

agnes asks what the hell happened to him and he says he “got caught by one of the rampaging NEXT” or something else not unbelievable but ridiculous with a straight face, and none of the heroes contradict him.

like, wouldnt it be on-brand for kotetsu to try to joke about it while barnaby tried to shush him and causing someone like keith to quip that he doesnt really get it, isnt it a secret? and agnes could just scoff because whatever are the heroes talking about now...

my dream scenario is everyone laughing about this with yuri who is also laughing a little in confusion because now he has those bonds he hasnt had before? ngl i dont care i just want to see him happy lmfao<3

anyways see how ive lost the plot of this opinions document? bible-length and ive rambled about various topics, jeez. i also said i wouldnt talk about yuri so much but he just feels like such a central character and i like it- i just wish theyd been gentle with him instead of whatever we got. and yes, im about to talk about yuri again...

its unfortunate that with such a big cast, again, only the titular protagonists are often given scenes to interact with plot-relevant matters personally and with any depth...

of course, kotetsu and barnaby should remain at the centre of it all since theyre the protagonists, but cour2 especially included us seeing tidbits from the perspective of so many random characters, it begs the question why add so many bits from characters when i think its pretty clear the fans are interested in tiger&bunny for the ensemble cast too and want to see more of them?..

sorry to fervent mario the announcer fans or something i suppose, but if cour2 had used its time more wisely, we couldve gotten great moments from various heroes in the same time we didnt get anything done?

wasnt a single writer aware that the fandom adores the titular protagonists but theres also large fandom pockets for the other hero characters AND yuri? didnt anyone think that s2 and its buddy hero premise couldve more effectively been used to give us more lore and funny moments also for the supporting cast?

this makes me, for example, think of the scenes where everyone is deliberating X rampages and gregory things.

youre telling me that weve got all of these characters in a room and youre capable of making them act in-character while interacting with each other, but you chose the most boring ways to do it in pursuit of some sort of unneeded seriousness?

those scenes by themselves couldve been majorly improved by playing into what ive seen as the strength of tiger&bunny, with the way every hero has a distinct personality easy to play up for light-hearted moments without making it unnatural or forced?..

for example, they could be trying to talk of something serious when ryan, kotetsu and subaru get into a nonsensical argument because theyre all so loud and kotetsu and ryan actually get along well, so they couldve argued on purpose to ease the mood, while subaru got really serious about the argument because hes 17 and goofy?

barnaby, karina and thomas are all collectively sighing because of course their buddy partners are acting like this, and this goes on while keith is trying to get a word out on something actually valuable he thought of but hes too polite to interrupt the conversation, so nathan has to raise her voice and be like “boys can we please calm down keith wants to say something<3 you have 30 seconds before i get mad!″

and kotetsu, ryan and subaru are forced to apologetically sit on the floor or something, just to let keith convey an actually good point he came up just now while listening to them argue. expositional scenes dont have to be boring and lifeless?

of course its sweet to have them work together, but giving them light-hearted moments wouldnt have diminished that. theres just so much potential with the cast we have, and while they had a great foundation, the real potential was never really reached.

the way they neglect the strength of their ensemble cast repeats with who interacts with lunatic/yuri. and i know- kotetsu and barnaby are our main characters here, but sometimes i feel like hes in protagonist jail, because there are so many great interactions to pursue with him that could actually add something to the narrative!

nathan was kind of accidentally framed by him in s1, but we dont really get any follow-up on that. and for me, one of yuris greatest moments is in the manga when he saves keith (civilian) from dying while keith is trying to save the two criminals from dying himself, and keith is never none the wiser about it.

but thats more of a self-indulgence than a realistic critique, i imagine. however, from this i can get to talking about the heroes i didnt yet mention, because i can see so many ways to tie the supporting cast into the narrative and not just include scenes for “fanservice”.

the peripheral material has done this and more, why not include some of it in the show?

this is all mostly just a lot of musing on how underutilized everyone was, and how a lot of it felt disjointed and a bit wasteful of the time they had to convey the entire story.

ill start with keith: it was disappointing how he only smiled through the entire cour2, especially when you think about LL audun, who pretty much shares his “simple” worldview on heroism. we didnt even see him fight LL audun at all if my memory serves me right.

he didnt have any reaction to when the heroes get shelved, and keith arguably has pretty much no other life than being a hero, but he never has any sort of thoughts about the matter.

closest we get is firesky reminiscensing on the moments they had respectively gotten their hero suits, and keith remains one of the heroes whose backstory we know absolutely nothing about. i actually thought keith would drop some backstory lore there, but he didnt.

i feel that cour1 did a fantastic job on telling us what sort of guy he is in the episode nathan complains about him to kotetsu and barnaby: he is insecure despite all of his fame and how “perfect” he is without trying by nature, and he still he tries to act even more perfect to make sure other people would like him.

cour2 didnt really give us anything? i was genuinely expecting keith to break down at some point and that he was trying really hard to act unbothered to not make anyone else lose heart, especially after kotetsu remarked in cour1 that its keith and nathan who are really doing most of the advising around here and not himself and barnaby, the real senior buddy hero pair.

it wouldve not only given us a continuation of things from cour1 and given keith some sort of arc for the 2nd cour, but it couldve given us a character-driven moment used to show us why its kotetsu who is the protagonist even if we all know keith is such a picture-perfect hero.

ive always thought that kotetsu is more approachable than keith on purpose: hes a very normal person with normal concerns that are easy for many to relate to, and that is his charm and his strength, and he doesnt particularly stand out or excel, hes in the hero business purely out of his conviction and doing his best.

wild tiger isnt the most popular hero, but he has dedicated fans, okay! hes goofy and easy-going and meddlesome, and hes trying to make the world better, whereas keith could never be the protagonist in the same way kotetsu is because hes just too good, like how nathan found his projected perfection unnerving.

to let kotetsu participate in reassuring keith (since hes the protagonist and a busybody!) besides nathan as his buddy partner couldve served as a plot point to strengthen the idea that kotetsus various flaws are a part of what makes him great, and it couldve been used in tandem to again, interrogate the narrative about what heroism is, who can be a hero, and so on and so forth.

and with regards to my earlier thoughts about LL audun, keith represents the same type of ideal LL audun at least thinks himself to be, and the sort of ideal LL audun couldve embodied if they let me write t&b2, lol.

there couldve been some sort of plot-relevant parallel there that lets kotetsu actually figure out that LL audun is genuinely thinking hes doing the right thing and gregory was taking advantage of him- something to let kotetsu take the initiative in making LL audun question whether he actually is fighting against villains or not, because LL audun randomly questioning it himself was a bit too convenient.

it couldve been a time for kotetsu to shine with what he does best, trying to talk his brand of sense into the people hes fighting against, like how he always has a lot to say when hes facing off lunatic, or how in season1 his entire plan for making people remember who he is includes him showing up in his old hero suit and talking to them.

isnt that part of kotetsus charm as a protagonist?.. and LL audun wouldve been perfect for a discussion, because his personality wouldve lended itself to a very campy “two heroes having a dramatic discussion during a fight”.

i suppose i also personally dont need or want kotetsu be really good at fighting with the most powerful NEXT power, because thats not what makes him a fun protagonist. him goofing off and slipping on a banana peel on his way to an arrest makes him fun, and him talking the socks off of his opponents is just part of his way of being a hero.

kotetsu is into the whole “superhero flair”: heroes need to have secret identities, and heroes need to be a bit campy with thematic outfits and have dramatic discussions while they fight, and thats the spirit of tiger&bunny, isnt it? isnt that what were here for?

i at least never watched tiger&bunny for a yuri petrov suffering arc, when tiger&bunny has had an uplifting message throughout even if it tackles more adult issues due to the adult protagonists?

either way, to return to keith, i just feel like hes overdue for having that sort of very human moment to his character, because his nuance has largely been confined to manga and peripheral materials... it wouldve been nice to see him get a big moment on-screen.

even in cour1, the episode with firesky is largely shown to us from nathans perspective. having keith break down wouldve also been a great way to show how serious the shelving of heroes is and making the situation feel tense because keith especially is always so happy.

it couldve been a tipping point of sorts, where everyone starts to lose heart whether theyll manage to figure out the X rampage issue or not, because despite the boring seriousness of those scenes, i at least never felt a real sense of urgency or huge concern about them not being able to be heroes?

keith confessing that he is having a very hard time with the circumstances and making everyone visibly falter wouldve actually left an impact, and couldve let kotetsu shine as a protagonist by him trying to pick up the pieces.

it couldve also have bit of a callback to that scene where in the beginning movie hes called everyone together and claimed that the heroes and barnaby want to meet each other and everyone gets upset and leaves, one by one, but i guess it couldve been more that everyone leaves buddy pair by buddy pair since the season makes a big deal of pairing them up with them buddy pairs whenever possible.

it wouldve made me sad but not in an utterly desperate way because i know that the heroes will pull through and save the day, it wouldve been a good sort of sad.

this couldve also given nathan more of a spot to shine, because shes keiths buddy hero partner! she wouldve been there for him, but i also dont want to suggest any sort of reduction of nathan to a mammy stereotype-adjacent spot where her main function in the narrative is to take care of others, but more on nathan later.

the scene where nathan offers to hire keith as a secretary especially perplexed me and was left in the forefront of my mind. it was funny and cute, but thinking of keith losing his hero status and not immediately looking into civilian ways to help like finding volunteer organizations to sign himself up for them is so unbelievable to me, sorry...

and because i think cour2 shouldve used their episodes and screentime wisely, any such things with keith couldve been, again, tied to the bigger themes of heroism and such, right on the nose in fact! i dont think its far-fetched to have a moment of hopelessness by having keith break down and then reveal later on that hes signed himself up to ten different volunteer organizations when prompted by kotetsu.

one remark and everyone figures keith is so sad too, but hes still trying so hard to help?

keith is in many ways the best of them, and even if he was so crestfallen and suffering, hes juggling ten volunteer jobs at once even as people have complicated feelings about NEXTs due to the X riots and whatever. hes trying so hard to get people to like him and hes troubled by having NEXT powers and possibly putting people in danger if he lost control somehow (like, is he bad by showing up as keith goodman without admitting first thing he has NEXT powers, and also maybe without admitting hes sky high, as if it was a crime).

it was actually so odd how none of the heroes were ever really concerned about losing control?.. especially the heroes with powers that have the capacity to be really destructive?

and to return to keith, in my opinion he wouldve also suffered with the very human desire to be a hero again: its a huge part of his identity and it occupies almost all of his time! i think he would feel guilty that even if hes helping still in his own way by volunteering, he would specifically want to be reinstated as a hero.

it would feel selfish to him, that he has such a private desire. hes also extremely introspective and he canonically spends a lot of time thinking. he couldve delivered a very neat and conscise but very human monologue on the topic and it wouldve given the other heroes a great character-driven moment to share a bit more about how they feel about the situation?

to have our hero ensemble shelved from hero work and dedicate no scene for them to talk about how they feel about it specifically is such a waste, when it couldve showcased their personas and furthered the plotline by having them remember why theyre heroes in the first place and/or why they want to continue being heroes, etc...

what bothered me with firesky was that they also felt oddly separate from the rest of the cast at times during cour2 and the trailer made their role seem far bigger than it ended up being.

they had a bunch of nice scenes together that very funny and showcased their personalities, but i was very disappointing how those scenes kind of failed to tie into the main plotline so that they were just... there. even though theyve been a part of the main cast since the start:/

they didnt even get a major fighting scene with a big bad because LL audun knocked them out off-screen.

nathan suffers from many of the things keith suffered... she also didnt really have any significant role and well, it wasnt too bad i suppose, it was just oddly disjointed.

the heroes met up at helios energy, i think, but they couldve done so much more with nathans position as the CEO of helios energy.

it has always been a footnote in the show, even if the new manga shows us that nathan is aware of various changes in the hero system before anyone else by getting to participate in the discussions about those changes as her own boss! which is also weird ethically, but i guess its not taken so seriously.

it could have been easy to make nathan more prominent because of her CEO status. what if wed gotten to see the mayor talk to a wider board of people that included the owners of the hero companies etc and nathan was allowed to be there, hearing the talk about shelving heroes and being like wow! that certainly is a suggestion, but!..

this couldve also been used to emphasize that as his buddy partner nathan knows how important keiths job is to him? she couldve even alluded to how some heroes have really dedicated their entire lives to hero work and this is no joking matter!

instead of us getting scenes of the mayor and the assistant or somesuch, we couldve literally had a character there and given her a moment to shine while keeping it plot-relevant?.. she couldve given kotetsu and barnaby some insider knowledge on how to talk with the mayor, too?

i think her being a CEO and a hero is interesting because i dont think “CEO” is a very heroic civilian job, but i dont know if id want the series to ever delve into it overmuch because i dont know how it would be respectful to nathan who has suffered from being reduced to a homophobic/transmisogynistic stereotype before...

not like nathan is the only rich hero either, its just very different to gain income from only from hero work versus being a CEO. the peripheral material sometimes comments something about it like a gag strip making nathan say she wishes the heroes wouldnt go on a strike due to her being one of the shareholders.

what this does remind me of is that i dont think t&b2 really had any significant commentary on how money makes things go around? in s1, it felt kind of prominent. kotetsus old hero company literally went bankrupt and antonio suffers from his unpopularity driving down his sponsors profits.

its why the heroes have to also keep up appearances- its not enough to just be a hero, you have to work to be popular as well. in s1 kotetsu & barnaby cant go to a crime scene because theyre doing an interview and other popularity stuff so their hero alerts were cancelled for the duration.

we get the whole “ouroboros controls everything, actually!..” and a vague allusion to affecting The Economy, but thats it?

anyway, disregarding all of that, i feel like they couldve used nathans CEO status for something. what if she had put her career and status on the line to use her connections and money to reacquire the hero suits of those whose companies had really put them under lock and key...

i also think back to momentarily developing some sort of mega optimism brain rot and thinking that karina couldve had some sort of gay crush plotline with the girl who was trying to pretend shes rampaging and how incredibly sweet it wouldve if the noted LGBT icon of our lineup, nathan, gender-haver extraordinaire, had been able to support karina with that... like yeah ryan wouldve been there for her but... hes ryan. lol

overall, i thought the buddy pairs were fun, but man, i want to see the hero ensemble interact with everyone and not just one assigned "important” character per hero. it also made a lot of scenes a bit disjointed with how buddy pairs were a bit separated, in my opinion... it worked better when it was just kotetsu and barnaby, because theyre the main characters! of course theyll have more plotlines than the others.

one thing i already found a bit strange at the start of cour1 is that nathan didnt talk with antonio almost at all, and we know the new director is a huge antonio fan (which is actually funny to me, and you can see the antonio love shining through).

but.... in prior content nathan has also been regularly paired up with antonio, and i dont mean in a shipping sense (even if that has happened as well but it has only really been to make gags on nathan being creepy because of her poor portrayal before), just that theyve specifically been portrayed as friends before.

so it feels like nathan got sidelined purposefully while making antonio have that entire thing about agnes seep from mainly peripheral content into the main show... (i have a huge brain and am a gay antonio truther, btw.)

it left a bit of a bitter taste in my mouth that someone who has some say over the happenings in the show (?) and loves antonio hasnt acknowledged their friendship in any way... and nathans portrayal prior has been unfortunate, so it wouldve meant something to see nathan get to be friends with antonio with the gross sterotypes removed?

its not enough to say things have changed and you want to improve on nathans portrayal: i want to fucking see it!

while their dynamic is funny, the above has made me worry that nathan and keith were paired as a buddy pair because the writers didnt have anything better to do with them and keith is “naive enough” to hang out with nathan without them having to address anything about nathan properly, and cour2 really didnt ease my fear about it.

like one thing nathan has done explicitly in various material is to behave in a specifically “boy crazy” way which i as a lesbian dont really care about, but i think it wouldve meant something to let nathan act in that way without making it weirdly creepy and uncomfortable, and instead let nathan be a whole person of her own.

i am a serial friendzoner of everyone except characters who havent interacted in canon (lmfao) but the purposes of respectfully portraying nathan and proving that the horrible stereotuping is over, i think there couldve been real narrative worth in her being canonically romantically interested in keith and have that relationship develop, to show that nathan is so much more than those creepy stereotypical actions forced on her characterization before.

it wouldnt have to be keith in the case they didnt want to introduce any romance between the hero ensemble, but any romance plotline for nathan couldve been used to show they really did want to improve on nathans portrayal like nathan would deserve.

it couldve easily been used for a scene in which nathan properly brings up their identity because sure, its been discussed some more in peripheral material and the rising improves on what she was given before, but still retains multiple harmful elements... and it just makes me mad to imply youre going to improve on stuff like this and then not do anything with nathan.

as far as i know, her civilian outfit in the rising seems to be inspired by a japanese comedians gag character called “hard gay”, whose ensemble includes a leather bodysuit, and hard gay isnt exactly a respectful portrayal.

i also love to read tiger&bunny opinions online through google translate, from people who would understand nathans identity/possible tropes better than i do by the virtue of being LGBT+ and japanese.

one of the things ive seen raised is that nathans declaration of self-love in the rising is more compassionate than their prior portrayal, but that it unfortunately is somewhat of a trope in itself given the wording of it, which i think further explains how i think nathan wouldve deserved a bigger role?

theres also the recurring issue of misogyny, because nathan specifically says (dirctly copied from netflix translation): “they say a man is made of courage, and a woman is made of love. so what does that mean for people that are gay? we are invincible!”

men being courageous and women being loving is a cliche, which they included as a narrative choice and is not nathans fault... and t&b2 really didnt improve on the baked-in misogyny, which ive already talked about...

and ill be honest, i dont know how nathan romance shenanigans couldve tied into the main plotline lmfao, but they couldve called back to s1 and keith asking the girls for romantic advice, except now it wouldve been keith with the younger girls in tow trying to advise nathan, which wouldve been funny.

it wouldnt even had to have been a fuck you to people who like firesky romantically, because nathans plans couldve fallen through (by for example having the guy have been an antagonistic force in some way, perhaps interested in getting close to a hero after theyve been shelved just for the gossip, like an evil reporter, to make a point about media) and they couldve included a buddy hero scene afterwards where nathan remarks how keith would not do that.

because its true, keith would not do that, and it wouldve given people something fun to elaborate on?..

instead of remarkable improvements for nathans character besides the passive “no more creepy things”, we also get that scene at the end of the skyfire episode where subarus quip comes across as somehow homophobic to me, and i genuinely dont know what im supposed to feel about it. if youre wiser, then please enlighten me.

at this point i realized that talking about each character individually might kill me, because i have so many opinions, and maybe i should focus on buddy hero pairs a little better since thats how they were given to us in s2.

i also probably have more opinions on keith and nathan than the rest because keith is one of my favourite characters and i do really like nathan too, im just frequently haunted by the narratives past crimes against nathan and the currently occurring crimes as well, lol.

talking of subaru, his buddy partner thomas, and his sister ruby, why didnt they do something with thomas and the fact that nathan has been mentioned to have a little sister she cares a lot about? that couldve tied into the plotline?

i was very surprised ruby had no particular role and felt very separate from the rest of the narrative, and how nobody except subaru seemed to notice thomas wasnt present?

subaru begrudgingly (because hes 17 and wants to be independent) asking nathan or the firesky duo for advice because kotetsu saw he was acting weird and pulled him aside to talk about it and directed him to nathan on the subject matter couldve been a fun addition.

it couldve again showed that kotetsus strength is more than just some imaginary scenario where hes the smartest and strongest with all of the answers, because its not true. kotetsu couldve put himself down about it like oh bunny, i couldnt do anything, see! its those two giving advice again!

but barnaby wouldve correctly assessed that its only because of kotetsu subaru is doing this, and without kotetsu meddling, nathan or keith wouldnt have noticed to help subaru either.

mr. thomas overall had an alright arc. ruby was introduced, but much wasnt done with her. i sincerely thought she wouldve been adopted by ouroboros after everything that happened in cour1 and the mentions of orphans.

this drives me up the wall, because yet again, they had an obvious route to question heroism and villainy, and who is a victim of their circumstances and what acts exactly are evil.

kotetsu and barnaby wouldve had a lot of sympathy for ruby just because of their own backstories and personalities, and nobody else wouldve been unsympathetic either?

ruby is reduced to “little sister who loves and supports thomas”, and thats all: she barely has any real agency, even if it was her who sought thomas out. her personality is “gentle and understanding”. she continues the theme of being a woman in the show being reduced to narrative vessels to make the guys of the show do or feel something...

i also talked about them a bit earlier, so i dont have much else to say.

but one huge unresolved plot thread is their entire company? why did they even introduce the owner and manager of jungle when they werent relevant? and why did they seemingly sabotage subaru in cour1 by having his PDA not go off when heroes were called?

i thought it was significant? i thought jungle was sabotaging him?.. nothing came out of that?!

origami rock kinda won... they had a lot of good scenes. antonio was clearly beloved by the narrative. ive also spent two days writing this post so im kinda sick of writing it and this is one of the last parts im bothering to comment about so itll be kinda short, but...

like i mentioned earlier, alcoholism was kind of painted as something evil people do and antonios drinking problem was kind of bypassed entirely, when i feel like its a major thing for him? in the KOW the rising schedule, he really goes hard in on drowning his sadness and loneliness in alcohol.

it was also made into a joke moreso, with antonio and ivan apparently having gone drinking together?.. i feel like a more healthy direction for antonio wouldve been them focusing on things ivan wants to do... like, ivan went out drinking? seriously?

i guess that does feel like a major step for him in the sense that hes less shy and far less mortified by knowing he did silly thinks while drunk which is good for him to be less self-conscious... but its also like... i dont know, just weird me out that antonio would introduce ivan to that part of his life, which i felt was just his loneliness coping mechanism.

last but not least, kid cat... they really got the short end of the stick. they even lived in a dorm together and nothing ever really came out of that? it felt like a waste. i already talked about them a little bit.

paolin didnt really get a separate arc but she did really shine in cour1 at least, and maybe its just me but the whole situation around laras mom and kid cat being shoved into it soured their entire thing for me, especially the part of paolin comparing laras mom to her own mom, again... oof. that shit hurted.

i disliked that paolin was pushed into somehow vaguely motherly/caretaker-esque role with lara with her even looking up those damn parenting books and her fun energetic and somewhat goofy personality wasnt so well preserved. i wish a girl character was allowed to be goofy while still having serious and cool moments: they could do this with subaru but not paolin.

i already talked about karina earlier, but again, even if its actually incharacter and natural for karina to be be “the responsible one” in her dynamic with ryan which i do enjoy, i cant help but notice the narrative forcing all girl characters into that sort of role... i would include nathan (haver of gender) in this, because i feel like being goofy on the occasion is very central to her as well, but hmm.

its not even that i dislike karinas and nathans dynamic with their buddy hero partners, its just unfortunate that all girlies had to do similar things, because i cant ignore it... t&b2 really goofed with that.

it disappoints me personally that even if i dont understand how it wouldve made any sense wrt the narrative, i wish paolin had allowed to show her gender non-comformity somehow?.. i probably had my hopes up after hearing about them essentially saying they want to add a bit of representation into t&b2.

but i suppose that mainly meant ruby mentioning she has two dads and the girl with an ex-girlfriend.

all of the girlies got sidelined, which ive already talked about...

i feel like karina got the most major arc which does make sense because shes more of a main character than the rest, but it was also taken a little bit too seriously in my opinion, i wish the characters clearly treated it as karina being a teen who has a crush on some old guy because teens do that.

it was also kind of like a waste for me... i didnt need so many scenes about it personally. shouldve made karina do things for herself.

i have to admit that for a moment i genuinely thought that karina talking to that fake rampaging girl about her unrequited love for an ex-gf was going to awaken some feelings in karina, lmfao.

another thing about mr.legend i didnt manage to fit anywhere is that we still dont know his name? hes just mr.legend, even yuri doesnt say his name. it makes sense, but narratively, this ensures that mr.legend remains the stuff of myths. it feels like this is what they wanted, but it sucks!

to give him a name behind the hero gimmick wouldve brought him down from his status to that of a normal human. ive always been certain that petrov is yuris mothers maiden name as well, so dropping mr.legends name wouldnt have immediately implicated “yuri petrov” of anything.

nobody even knows he had a family! it feels like maverick scrubbed all of that clean, just in case.

as for mattia, i think his character has worth but is used wastefully: not only is he the one to develop the drug that drives much of the plotline, he gives us more insight to the worldbuilding of t&b and normal peoples opinions on NEXT powers. he doesnt hate the NEXT, but if he could choose, he would have NEXT powers himself.

this sets him apart from other similar characters like ben or saito, who are both normal people at the periphery of the heroes without NEXT powers who have been portrayed heroically in the past, since he explicitly wishes he could attain a sliver of the heroism he sees barnaby have, and he thinks he needs a NEXT power to be able to do so.

this couldve been, yet again, used to reinforce the theme that heroism is so much more than just having a powerful NEXT power. mattia couldve also been used more intelligently, and while connecting him to barnaby is nice to give him a new friend, some of his functions couldve been covered by kotetsu or some other members of the hero ensemble.

it couldve worked better if, for example, the hero ensemble had more strongly reacted to suspecting mattia to have ratted them out. i already said that i think ryan wouldve been more than annoyed about it, but the moment couldve been used to showcase various characters and their reactions to it!

i think the moment couldve been drawn out instead of being immediately resolved, maybe even included something about how mattia needs to prove himself to not to be a spy for ouroboros, not because i think its reasonable, but it couldve meant something to have our heroes be utterly wrong about someone!

i come back to this again and again, but it couldve been used as a point that the heroes arent necessarily right just because theyre heroes, and that mattia couldve worked with saito and proven himself to act more “heroically” (alongside saito!) than how the heroes treated him.

and, unfortunately, the narrative itself undermines mattia because of auroras existence.

she introduces a huge plot hole for me. mattia has worked hard to try to develop a NEXT drug, and has actually gotten results, its just that he hasnt gotten the specific result he wanted: why doesnt he just mail that drugs composition to aurora and have her complete it, since her unclear NEXT power seems to have no limits and gives her a vast intellect without even trying?

in fact, when theres any sort of problem, why dont we ask aurora about it? if shes so important, why havent we ever heard of her before? her inclusion didnt feel natural at all.

i really hated aurora, because her character felt so cheap and gimmicky in every possible way. sure, she was foreshadowed in cour1, but since she obviously didnt exist in s1, it felt incredibly stupid that there conveniently is one single person ouroboros has to assassinate to ruin all relations between people who have NEXT powers and those who dont...

her power makes no sense: if shes so fucking smart and has been Thinking of ways to better the world for literally decades, then why capitalism all over the world?

i do think its realistic to expect she cant force the world to become an utopia, but the way shes introduced and dealt with doesnt really give me a well-nuanced view of her. she looks to the side and saves some lizard species form extinction with an idea.

i think her character couldve been interesting if they had used the whole season to set her up and i guess made the themes of the season somehow align with her and “not being able to fix the world alone no matter how smart you are etc” and included her as the brain and LL audun as the brawns and how neither of them could ever fix the world alone according to their opinions, and only in their bonds can our heroes find the most of their strengths, including connections with other people like how kotetsu could chat with a child in s1 to ease him down from his rampage at the ice rink etc.

buuuut i feel like that couldve been the plotline for some other season altogether. now that we know LL audun, he could get him back later and see how hes doing, etc... in the case he was given more nuance or something and not just sent back to jail, i mean.

theres also the moment where aurora opened her eyes and i guess i was supposed to feel it was significant but i genuinely didnt care. like okay. yeah i noticed that. no i dont care that the day was saved and “she felt comfortable closing her eyes again”.

was that purposeful?.. the implication that shes closing her eyes from the world?.. and she only opened them when she realized she personally was in danger?..

that was so wild to me, i still dont know what the purpose behind that was, but that certainly was how the overall arc felt about yuri. eyes closed, who cares if some guy suffers for no reason.

rosicky was interesting to me, and it was a waste she got shot before she could have any sort of discussion?.. she just felt like a cheap trick to get yuris body fucked up. it couldve been an interesting moment overall, but, well...

not like were going to get anything about yuri reacting to how all of that went down? so it was just... weird.

and then rosicky died and gregory "won” their little squabble, and i wish gregory had fucking exploded because lunatics been making some points and i fucking hate him...

also just to return to the ouroboros ties of the season, they made ouroboros so all-powerful it was stupid and lost a lot of meaning to me. like alright, they can do anything, why are we even fighting, and why is rosicky alone in charge of this operation... makes no fucking sense, its such a forced situation.

the ending of cour2 was... well, it existed. i mean, i dont personally mind kotetsu retiring for good overmuch i suppose, but i think with everything that happened (especially in the way i think things should have happened) he couldve just continued as proof that even people without NEXT powers can be superheroes...

and also as a some sort of proof that it was mr.legends refusal to change any part of his hero image that really did him in: kotetsu could cling to his heroism while accepting hes just a guy without powers and not make it such an issue.

and i suppose if he retires, i wouldve loved to see him take some sort of director-like role instead: i dont think he would be able to let hero stuff go completely, but him being a senior you ask for advice would still give him a lot of things to do.

right now its also a bit of my fear, if they have any thoughts of continuing tiger&bunny in any way ever and yuri had to die so that kotetsu could take over the spot he ended up occupying as a director...:( genuinely makes me make a sad face in real life.

by the point we got to the end they had already fucked up the entire premise and any message they wouldve hoped to send and if they had some sort of uplifting message after yuris death, i failed to understand it. but it felt like a giant fuck you to the fans of the show called “tiger&bunny” to get that last bit of tiger&bunny pair disbanding because of reasons.

i mean, theyre not even remotely my favourite characters and i dont think about them overmuch, but leaving it more open-ended wouldve been so much more fun for so many fans? they really fucked up the shows undercurrent of interrogating who can be a hero and why in the first place, but like...

yeah that shit sucked ass sorry. i dont even have anything to add. people who showed up to see more kotetsu and barnaby content getting that half-hearted discussion about where theyre gonna go from here and then showing their plaque in the “true heroes” hall...

i feel like it undercuts kotetsus character so much, because hes always been the “underdog”, and hes pulled through everything that came before this. they explicitly mention that hes been working really hard to supplement his waning power, and then leave it at that: if i was supposed to understand from that part that kotetsu isnt really retiring or anything, it didnt really come across due to the other circumstances.

and again, i dont even really care about kotetsu! its just that he really exemplifies the tone of the show as a fact, and i like to think i have a modicum of media literacy. and by undermining the uplifting message of the show, they directly undermined him, and by undermining him, they further muddied the spirit of t&b.

i feel like an ending i wouldve killed for is one that couldve included that sort of tour of a museum, but it wouldve showed mr.legend paraphernalia being moved away from “true heroes” and also included our protags being inducted in there if they so wished, but leaving it more open ended... and definitely proving that mr.legend was not worthy of being thought of as a hero.

it was weird that the second league isnt brought up at all during the entire season from what i can remember? i dont even have anything significant to say about it, but i think second league heroes are and have been important, just by existing, to the narrative asking the viewer who really is a true hero and who insnt and what it all means.

they just didnt care, just like they didnt care about that question and yuri. again, they fully ignored anything they had set up before, and kept introducing new characters when old side characters couldve been brought back.

i have some thoughts on the police chief being a younger version of the police chief from double decker... im unsure if the implication is that double decker is more than a spiritual sequel and its not just cameo, or if its something more.

mattia did off-handedly mention that hes developing now trying to develop a drug that takes NEXT powers away if i read and understood it right, which would, i guess, make a canonical disappearance of NEXT powers possible.

i have actually never seen double decker myself, but i understand it references tiger&bunny while being separate and clearly “in the future” from it, and as far as i understand, it doesnt have people with superpowers.

i personally think that imagining double deckers world as a canonical sequel to the world of tiger&bunny sucks, but i dunno what the real implication there is.

i also want to talk about the art direction of t&b2 since im airing out my opinions and complaints, so why not: the art direction kinda sucks. everyone has been smoothed and thinned down and the essence of t&bs charming style has been lost in some ways.

you can really see the jump between older art and the newer art with ryan, for example... ill talk about ryan now because this is my post and i love this guy.

he is downright ugly in some parts of the rising, and i love calling him ugly, but in a serious way, yes, i think hes explicitly supposed to be handsome (because what else does he have going on for him even except being loud and looking good lol).

hes just a different kind of attractive than barnaby who is pretty, and theres various scenes in the rising where you can see that barnaby has more of a button nose while ryan has a sharp, short nose, unlike yuri for example, who just has a large nose overall (and its his charm point!).

ryans most notable quality is that his eyes are drawn to look hooded and deep-set with straight eyebrows that make his strong brow even more prominent, and he usually has a very distinct wrinkle across his forehead.

and what does he look like in t&b2? certainly nothing like that.

i know that the rising has a much larger budget for the designs than the episodic show, and either way they wouldve had to simplify ryans design to translate it into the episodic format. and we all know the goofy parts of season1 they fixed in the bluray release...

that never was a huge problem, and i wouldnt mind it. yes, i guess ryan couldve been changed for marketing, but he looked like that through-out the entire movie and was hugely popular regardless and BECAUSE of how he looks. but its not just ryan, its that the art direction changed drastically, and it made all the characters look so much more generic and samey.

just after the scene i screencapped above, you can see barnaby and ryan from further away with less detail for a scene that passes by quicker, and you can see that less care was used to make them look good but they still were kept distinctive and different. (and sorry to barnaby, i caught him in in the middle of a movement, so he looks extra goofy.)

t&b2 doesnt even have a lot of scenes that i can remember that really let the chracters emote and make goofy faces: kotetsu has always been hugely expressive! i want to see him make a funny face! kotetsu is also the main character, and part of his thing is being an Old Man (even if he isnt even that old for real, but thats beside the point).

he has wrinkles around his eyes in that shot even if its not hugely detailed, and in contrast i feel he was very smooth in t&b2. the art direction felt as aimless as the bullshit plotline, and equally as uncaring towards established characters!

everyone was drawn very samey. another example to me is the scene in cour1 where thomas inspects keiths pectorals is just sad, because hes been thinned down like everyone else. what was there to inspect? absolutely nothing.

this screencap from s1 has more to inspect than the scene where keith is supposed to be noticeably buff. by the way, this entire scene with the girlies and keith has more personality and goofiness than most of cour2.

and heres a screencap of keith from that episode, where his face shape and features are distinct.

ts been a decade and i know that anime production has gone through changes in this time and netflix-style mass drop of episodes may be harder on people in general, but comparing my s2 screencap below to the screencap above just makes me miss the old style because im scared to but s2 keith next to the one above... his eyebrows were so sadly thin and so were his face and body.

you know, lunatic doesnt even have a distinctly large nose, and his eyes arent even particularly sunken and he doesnt have many wrinkles around his eyes like i think is charming for him, because everyone is just smoothed down... and the above screencap isnt even a good example of it, but the charming thickening of lines at some parts is entirely missing in t&b2 from what i can remember? i feel like the linework used to be stronger and more interesting overall.

anyhow, yes, t&b was also fixed up for the bluray release but i feel like the atrocious-looking parts are kind of funny to look back on. i wonder if theyll be editing s2 visually? (and please revise the entire storyline for yuri too, thanks.)

speaking of s1, where did this entire sentiment disappear to? into the ether?

also, i cant help but be plagued by thoughts because the episode i got those keith screencaps from, kotetsu & barnaby are interviewed by kids who are taking the reporting very seriously, and their reaction to kotetsu saying the person he looks up to is mr.legend is lukewarm at best.

then barnaby talks of his parents and robotics, and they light up, which is funny because barnaby is way more popular, but it also narratively, in my opinion, shows that especially the new generation of sternbild thinks mr.legend isnt that impressive and would be more willing to accept that despite the myths around him, he was a man who severely sucked.

theyre ready for new heroes to commemorate, ones that really deserve it, and they (even in cour1!) dont see lunatic as a villain but an antihero who protects them.

oh well.

thanks for reading, even if you didnt read all of it and just read interesting parts or skimmed through it! i guess writing this was like free therapy for me because i need to deal with how deeply yuris cour2 canon arc affected me lmfao.

i dont think ive ever been so blindsided and taken aback by the total surprise i felt at the direction his arc took and that definitely factored into how deeply it fucked me up because if i couldve anticipated that yuri could for example die, i wouldve been a lot more normal about it.

but out of all things, i cant believe that tiger&bunny would do that to me, and make me see all of that pain... genuinely fucked up not going to lie. fugan and mugan and their father being shot to death is one thing because its shocking of course, but yuri has been in the show since the start.

yuri has existed in the minds of people for over a decade, now, so it feels so unexpected they would so callously kill him off, it feels entirely uncharacteristic, and i feel like its not something that anyone couldve expected, and maybe it wouldve been less shocking if season2 had come out like, say, an another year after the rising...

but still, i dont understand how we make the jump from yuris portrayal and the overall themes of the rising into t&b2 and his role in cour2. its wild, i dont know how to get over it.

breathing through gritted teeth how i published a few fanfics with yuri in a huge hurry before cour2 dropped because i wanted to have them started in case some major yuri details drop and ill feel compelled the rewrite the yuri parts of them but huh... well.... cry laugh

i love imagining scenarios with my favourite characters, but i tend to include yuri in the core ensemble cast of heroes: trying to imagine any post-canon shenanigans feels so hard right now like watching a VHS reel that ran to the end and has to be rewound, and actually makes me incredibly sad.

theres that new audiodrama coming out with ryan featured in it and i cant even be excited because i just get sick, like physically... i guess imagining myself casually engaging with tiger&bunny content makes me feel like im spitting on yuris nonexistent grave. woe is me. fuck you tiger&bunny2 cour2. TL;DR - my opinions, this entire post condensed somehow:

the whole arc for yuri felt like a giant fuck you not only to him and all of the fans too, and same with the ending kinda

ryan was brought back for a fun cameo only because he never became plot-relevant really so what was the point lol? screentime waste

plot points set up in cour1 and further before were ignored and scenes were specifically used to counteract them?!

big misogyny moment for all woman characters of the show

hero ensemble overall was underutilized

new characters/excessive focus on side characters like the fucking mayor and the police chief in cour2 felt gimmicky and unnecessary and generally didnt add much worth. i dont care show me my funny heroes instead

they tried to do too many things and lost sight of why t&b has been so great and why the idea of a more self-conscious t&b is so exciting: of course the show has had a lot of flaws, like nathans initial portrayal, and to imagine a show that has the same spirit but improves on those flaws is amazing. its just not even remotely what we got</3

never expected a flawless show but there are flaws that you can headcanon away and there are flaws that undermine the entire theme of the show this far. i dont know how to make s2 any better after seeing cour2 without totally ignoring any of it happened

cour1 wasnt even bad. it was solid. shit just hit the fan in cour2

the art direction was a huge downgrade, but maybe it was just budget constraints, so i dont know how harsh i want to be about it.

leave a comment if you want, lo, i love to talk, its relaxing. i also mightve mixed shit up so dont embarrass me too much if you notice any overt mixups since i really did marathon the cour once and i dont know how i can bear to look at it again. i also have some confusion over some parts of the story which i detailed above in my manifesto so if you wanna educate me, please do, lmfao...peace out...

#tiger and bunny #tiger and bunny spoilers #meta #t&b2 #t&b

[phtalogreenpoison]

MBS WIP! part 4 folks!

And while Milligan does come to the conclusion that he really likes Moocho, he decides that he wants what is best for Kate first, which first means focusing on his relationship with his daughter and THEN working on a romantic relationship.  (and obviously Moocho would agree to this too and is just a huge green flag for the both of them 😊)  So he’s relatively worked out this crisis and has a plan for how to approach this, but then he worries again like oh no what if my daughter is homophobic because of just general society in early 2000s and 2010s, here specifically in 2009-2010 for between the first adventure and The Perilous Journey (as myself someone who is very queer and was at the time homophobic because I was a child who absorbed all the shame and religious and societal guilt surrounding queerness).  So because he wants to check, and perhaps broaden Kate’s perspective because he knows she is a very accepting and loving kid, Milligan discreetly talks to Moocho who responds to all these convoluted fears with a simple, “nah the circus was gay as hell no way is she uncomfortable with that.”  While Milligan realizes he may have overthought this, he still resolves to answer any lingering questions for her about sexuality because he wants to be there for her as she discovers herself and wants to teach her to be open and supportive, whether that is towards herself or others.

So after getting advice from Moocho (yet again), Milligan gives Kate the talk (this is all happening in the six or so months to a year after they’re all reunited and they’re settling down by the way, so in between books 1 and 2).  I think it’s hilarious that it keeps cropping up that whenever Milligan doesn’t know what to do as a parent, he asks Moocho’s opinion.  This is not in a pressuring way, he just cares what Moocho thinks as they’re pretty much co-parenting Kate at this point. 😊

Finally, Milligan talks to Kate, and she of course is like ugh awkward, especially because come on, she’s like 13-14 in this, she already KNOWs, but being herself, she does find it practical.  (There’s also a quiet part of her that starts to warm up because it’s something A Parent does for their kid, and she gets that now too.)  And she really likes being a girl!  But sometimes she wants to be something more… like just a person? Just a performer? Someone who’s capable and looked at for their talents, not their gender?  Cue confused Milligan noises, as he was prepared to look into sexuality stuff, but not gender because that just didn’t cross his mind at the time he was planning this. Though if he thinks back, he does remember one time he met someone openly trans while training for his job, and he also remembered Moocho mentioning someone more androgynous.  So they do the research as a family!  Both into nonbinary identities, particularly genderqueer and gender nonconforming (what would later be known as demigirl because that term was first used in 2010), and what Kate eventually settles on for the time being is she/they, they/she, they/them, or she/her as her pronouns!  Of course, it’s a growing process, but they totally all bond because of this.  There are many late nights of hot cocoa or apple pie over which these discussions occur, with Moocho falling asleep on the couch every time while Milligan and Kate are still wide awake chatting.

ALSO unrelated, but Milligan and Moocho totally plot together to get Kate her falcon Madge because Obviously they are discussing presents for her birthday (or missed birthdays 🥺) and they want to be the Cool Dads TM.  Moocho knows Kate has her license, and Milligan has a contact who connects him to a falconer.  Perhaps Madge was initially injured as a chick, but was nursed back to health, but became slightly too tamed to be released into the wild.  SO, Madge is the perfect bird for Kate to care for because they have the space, time, and knowledge available to take care of Her Majesty the Queen. :)

#kate wetherall #milligan wetherall #moocho brazos #moocho/milligan #mysterious benedict society #mbs #original content #the mysterious benedict society #tmbs #also also #madge the falcon #i've got one or two more parts i need to edit after this #and then i'll start working on posting some one shots :) #genderqueer kate wetherall #can you tell i'm projecting

[projecttreehouse]

to outline or not to outline

whether you're a seasoned writer or writing a novel for the first time, every new novel poses its own challenges. one novel may require a detailed outline that turns your wall into a pepe silvia conspiracy theory board; another novel may tell you, "that conspiracy board's crazy! pepe silvia's the state of pennsylvania."

if you take george r.r. martin's approach, "there are two types of writers, the architects and the gardeners."

no one should make an argument for what you should do because that's ultimately up to you and your novel. that's why it's important to understand the pros and cons of outlining to determine how you'll begin and move through your novel.

the benefits of outlining:

predictability; you will know what happen in your novel. you've essentially written out your novel without the embellishments.

structure; while the act of writing can be the hardest part of novel writing, an outline ensures that you have structure. because you know how the novel is supposed to go and how it fits into the plot-mountain structure, it might be easier to jump straight into writing.

simplification; outlining also helps to simplify what may originally seem complicated or convoluted; if you have an intricate plot, outlining using notecards or post-it notes on a wall might help to connect all of the pieces together, ensuring that everything flows or makes sense.

what outlining may make difficult:

flexibility; outlines don't always work out for the best, even after you've already written them. if you're extremely rigid and like to stick to the plan, a detailed outline might make it difficult to be flexible. a rough outline might be more beneficial to you in this case.

spontaneity; as you write, you'll begin to deeply understand your characters and their motivations. you may realize that you need to redirect or re-write the plot altogether or include another plot-point that doesn't directly fit into your pre-existing outline. be prepared to fail, and be prepared for change. you can plan as much as you want with an outline, but there will always be something new that you won't originally see.

if you don't outline:

to begin a story, you obviously need a seed, so you start with a world, a character, a theme, an idea. you may start your novel with only one of these or all of them, and you let them grow. you write, not knowing where your novel will go.

edit; you're already going to have to edit any novel. no writer is absconded from the act of editing, but you may need to edit more than most. if we use martin's analogy, you'll have to prune your wild garden of a novel and shape it into the novel you desire.

motivation; writing a novel is hard enough, and finding inspiration or motivation can be even more difficult at times. be prepared to have a routine so that when motivation is lacking and you have no plan or outline to stick with, you at least have your routine.

surprises; be prepared to write without knowing much about what you're writing. this is the fun part or the most daunting part, depending on how you look at it. you get excavate your story and uncover what makes it shine, the twists and turns that are yet to come. you get to experience your novel just as much as any other unsuspecting reader.

are you architect or the gardener? the pirate who hides the treasure for your readers or the adventurer, letting your novel guide you whichever way it takes? is writing about the product or the experience?

happy writing! let us know what approach you decide to take, and reblog if you find this helpful!

#writing tips #writing advice #writing help #writeblr #writers of tumblr #creative writing #novel writing #nanowrimo #writers #write it

[withgreatpowercomesmyfuckingdick]

Do you have like a discord or group you soundboard off of to create your plot ideas? What's your process like?

Oh lovely, the only group I soundboard off of are the voices in my head

Thanks for the ask! see below for my rambling extended answer lol

Wasn’t kidding though, I have no sound board but myself. I’m a hardcore editor so, even though typos get past me, I’m always looking at my writing from a very critical “does this make sense” angle and tweaking until it does. Continuity pleases me. I like for my writing to connect, for things to line up. I’m not against maybe having a beta in the future? I’m unfortunately very bossy when it comes to my writing though, maybe even a little conceited, so maybe I need to save some poor soul from a toxic relationship and just not seek a beta period lol.

Although my process…hm, hard to describe, because I can’t say the process is necessarily consistent. I don’t write linear at all.

See, what happens is: I know my big events. I have hallmarks in the story that are non-negotiable for the progression of the primary plot (Cloud’s story of being in the past, his ultimate mission to save Gaia). Every major event that happens, including the ending, I’ve had marked out for weeks now. Granted, I’ve made some changes as the plot progressed, but knowing my main events allows me more wiggle room for bits of foreshadowing. The parade was one of those hallmarks, because it was sort of the lever for the Firsts really going “Okay what the fuck is wrong with this kid.”

Along with those are subevents, which aren’t as rigid but also need to happen. Those are for the progression of aspects of the plot, such as romantic developments and Cloud’s ‘day to day’ realizations. Scenes like that include Sephiroth and Cloud bumping into each other at night and Angeal tending to Cloud’s wounds.

What happens in between, I freestyle. As ideas come to me, I write them out. So I’m actually writing very often, it’s just that what I’m writing isn’t necessarily for the next chapter so much as a future chapter. I have a document specifically for flashback ideas and a separate one for event ideas, and a ‘scrapbook’ for things I discard in one scene that I sometimes use somewhere else.

MILD SPOILERS FOR 16 IF YOU HAVENT READ YET: As I write a chapter I outline what events I want to happen and what’s the point of those events. I joke about 16 mostly being flashback, but when I choose a flashback to include in a chapter (because trust me, I have a lot) I am always keeping in mind (1) what the next major event is and (2) how that characterization of Cloud will give more depth to his reaction to the event. 16 is very responsibility and community focused for a reason, specifically highlighting how Cloud refuses to abandon things he finds himself responsible for even if it injures him emotionally. And it’s there because that’s going to be important soon ;)

something i get stuck on often (and i bitch abt it in 16’s A/Ns) is dialogue. I love dialogue but hate writing it. I’m the sort of person who needs to describe expressions and movements CONSTANTLY and I’m always struggling to balance keeping immersion in a scene and not writing too damn much. To circumvent my tendency to avoid those scenes, I’ll usually write a bare bones scene with nothing but the dialogue and the speakers’ names, sort of like a play script, and then go back and fill in details once I’ve written in emotional shit and other more crucial scenes.

Overall, when I write I just be Back On My Bullshit™️ and kind of spazz all over the place, deleting what won’t make sense in the long run and keeping what I think can be twisted well around the main events. You probably weren’t looking for an answer this fucking convoluted but uhhh hope you enjoyed anyway! 😆

#liddle’s asks #wgpcmfg

[fostersffff]

*sidles over* so.....heard you got upset over ZTD......I'm something of a ZTD hater myself....idk if you have the mental RAM to really get into it rn considering your current projects but I'd love to hear you complain about it at length

So, granted, it's been... seven years (!!!) since I played it, so I don't remember every minor detail, but I can absolutely talk at length about The Fucking Stupid Thing That Fucking Sucks And Makes (Almost) Everything Bad In Retrospect

(big dumb spoilers for ZTD beneath the break)

Of the (admittedly few) VNs I've read, nothing has deflated me harder than getting to the Transporter Room. 999 did a really good job of building up to the idea of morphogenetic fields, and VLR then took that concept and slowly ramped up the "power level" with shifting, so the player could accept greater feats of psuedoscientific nonsense. But that was the universe, and the suspension of disbelief held.

Then, in a single fucking gameplay segment, Uchikoshi went "oh yeah ayylmaos are real and they left an Actual Time Machine that works in the exact specific way that I need for the plot to happen the way I want it to". It cheapened basically everything else that happened afterwards, too! Like, Sigma and Diana realizing Phi is their daughter should be an emotional megaton, and it felt like that at the time, but there something gnawing at me that has since widened out into a cavern because the way they got there was so unbelievably convoluted and unearned.

Delta also sucks in a way that is... kind of what I was expecting? Living up to the hype from VLR was always going to be a long-shot, but then he actually gets lamer as time goes on. On the subject of "shit not being introduced", he gets a set of powers that is effectively parallel to shifting called MIND HACKING because there's literally no other way that he could manipulate the events of the game into happening the way they needed to, so he just got a set of powers that could manipulate the events of the game into happening the way he needed to.

Another thing that jumps out at me is that 80% of how Mira was handled was actually Really Fucking Good, but the last 20% sucks so hard it, again, almost invalidates all of it. Smoking hot uninterested super babe dating The Biggest Loser On Earth who seems (to the player) like she's just there to have big titties for the player to look at is then revealed to be a violent serial killer who can only feel when she's murdering, which is the actual reason she's so uninterested and "dating" the loser is so she can murder him later. But then it turns out (checking the wiki real quick to refresh my memory) that one of her first victims was the loser's mom, which actually tied into everything else that ever happened in the series. And then they have the audacity to throw in the happy epilogue where they're like "BABE WE'RE MARRIED NOW AND WE'RE GONNA GO USE THE (fucking) AYYLMAO TRANSPORTER TO CURE YOU OF YOUR BRAIN PROBLEMS". Not everyone needs to have a happily ever after ending!

Carlos sucks too, but in a benign way for the most part? Like, he's there because they needed three people on a team, and he's a Main Character Man, and that's about it. It's very funny that the Grand Finale is him pointing a gun at Delta, like this has been his story all along, when it should probably be Akane beating him to death.

Also, the last and most obvious thing, the "style" of ZTD was always an annoying point, because even though the character artwork is gorgeous, they instead decided that they had to use some of the stiffest looking 3D models "to appeal to Americans" or something (even though the American fanbase evidently was cool with character portraits considering they bought 999 and VLR in the first place), made worse by the fact that it's originally a 3DS game, so even uprezzing doesn't help all that much.

I think that's all I can remember, but seriously: more than anything else, fuck that Ayylmao Transporter.

[the-way-astray]

i feel like a lot of keepblrers would enjoy the hollow star saga (a dark and hollow star, a cruel and fated light, a grim and sunken vow). it's basically kotlc if kotlc was canonically gay. (warning: long rant ahead, if you're interested. this is going to seem very negative, but i promise i'll talk about the positives, too.)

there are four main characters, arlo, nausicaa, aurelian, and vehan.

arlo is basically sophie when it comes to personality. like. she's kinda the most generic female ya protagonist that's sort of shy and gets pushed around a lot except for when the author decides 'hey, she needs to stand up for herself' at random points. then she'll randomly snark for two lines and go back to being the protagonist that kinda lowkey has no distinctive personality traits. she's also clearly the author's bias. you will see what i mean if you look through the chapters. just like sophie, she spends most of the first book being scared of the council.

nausicaa is basically keefe if keefe was a lesbian. she has that snarky, bad-girl vibe and is kind of a loose canon and doesn't care about anything except her love interest (arlo). this of course means she's the fan favorite (i really don't like her, but i don't tend to like characters like keefe so i'm biased as hell don't listen to me). when i tell you she's exactly like keefe (in terms of personality). like. i want you to know that she's exactly like keefe. their senses of humor are comically similar.

aurelian gives off tam vibes, if tam was more central to the story (and white). looking in from the outside you'd be like 'omg what a broody man. what emo thoughts are going through his head. why is he looking at me like that. i'm going to sink into the ground, he clearly hates me. i probably shouldn't piss him off, he'd probably kill me.' and then you see his thoughts and he's just the most average guy out there. like. he's just a normal guy but everyone (including the author) sees him as this emo and broody guy that just glares constantly and is really standoff-ish.

another thing about nausicaa and aurelian is that the author really tries to get you to buy into the fact that they have this intense rivalry, but it falls so flat because they barely interact and it’s so one-sided. very tell-not-show. does that remind you of a certain dynamic in kotlc? that’s right, it’s keefe and tam.

vehan is the one main character that i really can't say is exactly like a character from kotlc but to me he's what fitz could've been if shannon hadn't mangled and massacred him. he's kinda pathetic, ngl. like sopping wet rag vibes. but also he's really sweet. a true cinnamon roll. he spends a lot of time dragging aurelian places and trying not to piss aurelian off because he thinks aurelian hates him (i'll give you one guess who his love interest is). also the author randomly tries to make him flirty at one point and it was so funny how much it didn't work for his character.

and even in other aspects besides the characters, i want you to know that this series is basically just kotlc. the characters are fae, so they are all young and beautiful, they have powers, there's an abusive mother that’s evil but her son doesn’t realize she’s evil, the plot is convoluted as hell and takes way too long to get to the point, the world is described as bright and colorful, the sense of humor is just like the sense of humor in kotlc (which is personally not my favorite but i digress), the author spends a ludicrous amount of time in one character's head really drilling into the audience how much he has a crush on this other character, the incessant use of italics every other word and of course the all-white cast except for a few people here and there.

there's a ridiculous amount of lore that gets introduced in the first book alone, and i think people in this fandom would have a lot of fun with that, too (even if some of the lore is highly, highly irrelevant).

also this author's writing sin is definitely info-dumping. when i say their fatal flaw is info-dumping i want you to know i'm not fucking around when i say that. they will just info-dump a whole couple pages, and the information never becomes relevant. and it happens a lot (this is the author's debut so that might be the reason). here's an example of a massive info-dump:

(none of the above ever becomes relevant, in case you're wondering.)

there are good things too, though. like i'd definitely say that the hollow star saga is better than kotlc. there is a character i like named celadon who eventually becomes more central to the plot. all i'll say about him right now is that he's arlo's cousin and the relationship between him and arlo is genuinely endearing in some aspects. some plot twists were pretty well executed and the second book is absolutely better than the first. this author's strength is definitely backstories. the backstories, especially in the second book, are pretty solid.

only two books are out right now and the third is coming out soon (late november, if i'm not wrong) and i'm dying to read it. the author said the entire series will only be four books, i think, but i don't really trust authors when they say stuff like that anymore so. we'll see i guess.

and if all that wasn’t enough to convince you, i offer you this one final piece of motivation: at one point, nausicaa makes a twilight reference.

basically what i'm saying is: you should read the hollow star saga.

#kotlc #tagging kotlc so that people see this even though it's not about kotlc really #kotlc fandom #keepblr #read it read it read it i know i did i terrible job of marketing it but i still think you should read it #i can't explain it fully but just. the VIBE of the story just OOZES kotlc-ness to me #there are so many things in that series that i just KNOW the kotlc fandom would have a blast with if you all knew this series existed #there's so many opportunities to make cursed content and whatnot #hhhhhh i just NEED you guys to be aware of this series' existence #even if you don't end up reading it #it almost feels like the author read kotlc and then was like 'huh. what if i made this gay and shortened the series' length' #THAT'S how similar the vibe feels to me #a dark and hollow star #a cruel and fated light #a grim and sunken vow

[fishing-lesbian-catgirl]

hello i know a little bit about guilty gear and understand much less, but uh if you want could you do a lore dump on axl low?

I’d be happy to! His story isn’t the most plot significant but it is certainly interesting.

Note: I will be referencing events talked about in my other post so I don’t have to describe every single thing.

An important thing to know about Axl is that his lore is supposed to be convoluted and confusing, because his whole gimmick for the early games is that he is constantly being hurtled back and forth through time against his control. Most of his story beats involve him happening to appear at a certain time and place and be involved in the plot before being thrown through time again.

Axl Low was just a mostly ordinary (for a guilty gear character) guy in late 1900s Britain. He was very skilled at martial arts and took it upon himself to end gang assaults in the neighborhood by fighting gang members. He was apparently very successful and managed to run gangs out of the area without a single casualty. He was dating a girl named Megumi, who he was deeply in love with. They both swore their futures to one another, but fate had other plans. In a completely separate timeline, Megumi was the one chosen to become the vessel of the magical focus that was created by the combined will of humanity to achieve a bright future during the various apocalypses. Megumi was granted godlike power and became I-no. In 1998 in Axl’s timeline, his nearness to Megumi for some reason caused him to be hurtled through time to the year 2178, 3 years after the end of the Crusades.

He spent the next 2 years searching for a way back to his timeline with no success. But then he heard about the Sacred Knights tournament that supposedly granted a wish to the winner, so he joined. The whole thing turned out to be a hoax caused by Testament to resurrect Justice. He aids in the plot to stop Justice and Sol Badguy succeeds in killing Justice. Axl was let down that his opportunity to go back to his time was a lie, but then the crowd of the tournament cheered him on and he realized he could make new friends in this future, right when he reached out to the people he was hurtled through time again.

Most of Axl’s story goes along these lines, he appears at a certain place in time, partakes in whatever plot hijinks is happening, and then gets thrown through time again. None of it is particularly important, and I’m trying to avoid just paraphrasing the wiki page, so I’ll just get to the parts that matter for his overarching story arc. Just know that he does time traveling shenanigans and meets his own double a couple times, at one point he gets sent back to 1998 but before he can talk to Megumi he is whisked away again.

Anyway he eventually learns of That Man and tries to seek him out because he’s supposedly a time traveler. He then meets I-no, who works for That Man at the time. His next important time slip involves him being sent to a desolate future version of 2192, where The Original tells him to deliver a message to That Man, Axl doesn’t understand what the message means but agrees all the same. Then he’s slips through time to Bedman (a creepy guy who lives his entire life in a dream strapped to a robot bed, I don’t really understand Bedman’s lore other than that he tries to kill people a lot of the time)‘s nightmare theater, but before Bedman can kill him, I-no pulls him back through time to the desolate 2192, intending to kill him for knowing about the existence of The Original. He explains that he has a message from The Original so she sends him back through time to give the message to That Man.

Afterwards Axl realized I-no’s time powers can send him back home, so he tracks her down, but when he finds her he learns that if he were to be sent back in time, it could potentially change and destroy the timeline he is currently in, so I-no doesn’t want to do it. Axl gives up on returning home and tries to find purpose here in the future, he eventually even learns to control the time powers he has, allowing him to slow down, compress, and potentially even freeze time.

From this point on Axl doesn’t slip through time much if at all. He tries not to look back on the past, but eventually realizes it would be possible to trade places with Megumi, bringing her to the future at the cost of himself, but that it wouldn’t succeed at bringing them together.

Axl starts having premonitions of the future, including one where Happy Chaos (who used to be The Original) tells him that they haven’t seen eachother since 2192 (the year he met The Original in the desolate future). Axl gets a premonition that something bad is going to happen at a certain area of the city, on the day when it happens, Happy Chaos blows up a building to free Nagoriyuki (a black vampire samurai and one of the coolest characters in guilty gear) as Chaos intends to take control of Nagoriyuki and use him for his plot to restore I-no to godhood. When the explosion happens, Axl freezes time and teleports the civilians in the building to safety, where he meets and has a brief conversation with I-no.

At the end of the Strive storyline, when I-no has ascended to godhood and is fighting with essentially everyone else who don’t want her to abuse her power, Axl tries to reason with her, but it doesn’t work. Axl and Ky distract her, and Sol Badguy steals her magic electric guitar and uses it to strike a presumably lethal blow to I-no. While she lay there presumably dying, Axl cries and begs her to remember something. With I-no defeated Axl finds himself alone in a park, when suddenly Megumi from his timeline appears next to him bearing a message from I-no. I believe the implication is that I-no did what Axl considered earlier, trading places with the Megumi from his timeline to bring her to the future, this way in the end Axl and Megumi finally get to be together, and I-no’s whereabouts and even whether or not she is still alive remain a mystery. And Axl and Megumi lived happily ever after.

I just wanted to say that since Axl is one of the few characters with a definitive concrete end to his story arc, I’m curious how/if it will be continued whenever the next guilty gear releases, but that is a long ways away

#guilty gear #Axl Low #I hope this was more interesting than just reading a wiki page #although I can’t guarantee it being any more informational at all

[doberbutts]

Yesterday an article popped up about how Kingdom Hearts 3 sold more copies than any individual game within the series combined and how that was actually bad for future of the Kingdom Hearts series and it just seemed like a lot of pessimistic nonsense and it made me realize that’s what bothers me about so much journalistic interaction with entertainment media nowadays.

It was saying how Kingdom Hearts 3 was overburdened with tying all the loose ends together rather than it being its own plot (agreed) and as a result was completely inaccessible to new fans due to the overly convoluted nature of the plot. Which like. Did we play the same game? I’m not saying the KH series isn’t bloated with enough tangential plotlines to make me wonder if the creators have some serious commitment issues, but KH3 introduced the cutscene theater and continuously referenced past games and story beats over and over and over again starting with the intro and continuing throughout the game to the point I thought it was a little masturbatory. Maybe it’s because I played every game in the series that I could easily identify each callout to something from a different game they were tying in but there were so many “oh you wouldn’t remember, let me remind you” and “don’t you remember?” and “ah yeah that was a while ago well let me explain” points that I felt the game was more “interactive cutscene” than “actual videogame” by the ending.

It then followed up by saying that KH3 outsold all of its predecessors so much that the success was actually a failure to draw new fans to the older games of the series and thus they wouldn’t understand the plot. But, KH3 wasn’t resold or returned at high rates to match the high sales costs, which implies that most people did play and enjoy and engage with it even if they hadn’t bought the previous games. That... kind of implies they either did understand the plot, or they watched any of the “Kingdom Hearts Movie” cutscene compilations on YouTube to catch up on things they weren’t getting, or they accessed the earlier games in ways that gaming stores’ reporting sales don’t track (piracy, private resellers, streamers, etc).

And thus, due to KH3 absolutely killing it with the sales, the future of the KH series is bleak because it’ll be bloated with new fans who have no idea what’s going on. Even though KH3 finished the currently overcomplicated story and we’re supposed to be getting a brand new story arc with the new set of games.

And it finished with saying that Kingdom Hearts is overall a weak sell (despite it being stupidly popular and having fantastic sales for many of its games) because the complicated plot doesn’t re-explain itself for new fans jumping in halfway through. Which at that point I’m just a little curious if the author of this article understands what a series is and how series work.

Like. I’m not saying I disagree with the heart of the statement “each entry in a series should stand on its own and not need outside explanation”- but I think if you are relying on established events that happened in a prior entry to the series, you’ll slow the plot down by rehashing what people who’ve experienced the series in the correct order already know. I started my KH journey with Chain of Memories, you know, the gameboy advance game. Did I understand every story beat? Nope. But it was enjoyable enough on its own that I knew I liked Kingdom Hearts as a concept and I’d be looking for other entries to the series. I played 2, and then backtracked to the first one while waiting for everything that came after. Then I played in what was more or less the correct order. I started as a new fan midway- admittedly, at the second entry to the franchise rather than all the way at the end- and realized that I really liked this series.

The article also complained quite a lot about the inaccessible nature of the rest of the KH series and how it’s a bajillion games spread across a bajillion consoles and I also had the same complaint once upon a time, but in a world post-KH3 where you can get literally the entire series to-date on two discs (I guess 4 technically- with 2.8 and also 3 itself) all for the same console, that’s a weak argument to be making. As long as you have a PS4 and roughly 300 hours of time spread between multiple games, the entirety of the series is readily accessible for under $100. Less, if you know how to emulate.

It just seemed very odd to me. This game sold so well and that’s bad because it means its inaccessible to new fans and dooms the series to fail in the future. How does that even work?