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#even if it doesn't make sense
hopefulcanary · 1 year
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scrubbing in, with chapel and bones
idgaf if they canonically don't do this for whatever reason, we're all here for the #aesthetic
who are they about to tend to? eh, probably jim.
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quimbionics · 2 years
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anyway i just think marcus should experience very human-like symptoms of ptsd despite being an android — namely panic attacks. hundreds of system errors that throw absolutely everything out of whack all at once, causing his internal cooling systems to fail and he overheats to scorching levels as a result. system overloads that override control over his bionics and cause all of his abilities to glitch on an even greater scale than the rats. system failures that corrode the voluntary nature of his built-in bodily functions — leaving him a crying, sputtering mess as his sensors go haywire
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srabaskerville · 2 years
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38 for the Handwriting Asks <3
Thank you for the ask!
38. Favorite quote(s)
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"It's a dangerous business, Frodo, going out your door. You step into the Road, and if you don’t keep your feet, there is no knowing where you might be swept off to" - J.R.R. Tolkien
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bookwyrminspiration · 2 years
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If Fintan were to have wings in your wings au, what would he have? Also yes the pirate shirts are very sexy and brb gonna go read chapter twenty to see the Fintan boyo
!! wings au questions, the way to my heart!
If Fintan's wings had grown, I think they would've ended up as an amalgamation of a bunch of different wings all thrown together due to...lore things in the story I haven't fully touched on yet. I mentioned scales around the base, so I think he would also have some dragon inspiration--but not necessarily the same species/coloration as either Marella or Linh. I don't think I specified the color in chapter 26, but I'm thinking a deep deep maroon bordering on black in terms of scale color, but that the leathery appearance of those wings would be mixed with feathers. Phoenix feathers, more specifically.
Phoenix's have kinda become an important motif in the story and Fintan would be another great place to add one. It fits with the fire theme he's got going along with his mindset of a new world rising from the ashes that he had in canon, which has kinda carried over in a new application in the wings au. And I tried to make all the wings a representation of some aspect (or more than one) of the character, like them in wing form.
A few areas of leathery wing would likely be replaced with sections of thin insect wing membrane, though no specific insect comes to mind. Aside from the dominating dragon/phoenix combination there'd just be a confusing mix of other animals/creatures showing up in little places in contrast with everything else that doesn't quite work together but has been forced into cooperation, if that makes sense.
Essentially, his wings would be confusing and not fully one kind if his had grown. They'd have been incomplete, pieces put together in ways they aren't supposed to be but that he has to work with.
And hooray! Glad the pirate shirts are sexy enough for you. He is wearing them in I think every scene he's in simply because I decided that's what he was going to do
I hope you enjoy chapter 20 for the Fintan content at the beginning. He comes back after that in chapter 26-28, though I will say if you just skip around some things might not make sense at all because there are like 250k words of content all related to each other to give context that is missing if you just skip around. But! Either way I hope you enjoy!!
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indybluemage97 · 8 months
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Next up we have Codemus "Cody" Jackson Brown. The showoff knight of the group
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uncanny-tranny · 7 months
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The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:
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plagispec · 10 months
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they should let ryan gosling promote every movie ever as if he's playing ken in it from now on. does he know what the movie is about? is he even talking about the movie he's promoting? who knows, but his kenxcitement has captivated me i want a billion tickets now.
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loumands · 1 year
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I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently
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woolysstuff · 5 months
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I AM SO NORMAL ABOUT HIM
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Evil!Sun my beloved (Edit// This Evil!Sun is from TSAMS and is not an AU of mine guys)
Bonus doodle
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Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.
Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU
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coldbycrossfade · 6 months
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MAN THAT REALLY COLORS THIS RESPONSE IN THIS CONVERSATION SO DIFFERENTLY FOR ME
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onesidedradiostatic · 1 month
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was gonna make a joke about this and have this be a shitpost instead but honestly may pass out soon so I'll type this seriously cause I have no energy to come up with a clever joke
it's interesting how vox's insults in stayed gone are literally just different ways of saying "you're old and outdated you're old and outdated you're old and outdated you're old and outda" tackled with a bit of "you're a coward" in there, whereas alastor's insults are not jabs at vox being new or modern tech, but rather his practices, "clout-chasing mediocre video podcast" he's saying he's a pandering, attention-seeking sellout, and he targets at vox's insecurities, questions his power, then makes fun of him for still being salty about his rejection.
I feel like it's pretty telling how vox's insults are just SO shallow, while alastor's cut deeper and more personally. while you could say, alastor may be just better at roasting than vox, I feel like it could also tell you something about alastor's hatred of vox being based on actual reason, which makes sense, he is the one who rejected the idea of being on a team with vox, the one who decided to make the decision to step away from their friendship. there were likely legitimate things about vox that alastor started to notice he didn't like.
whereas vox's hatred is extremely petty, he's still pissy over that rejection, he has no reasonable reason to hate on alastor's practices or medium. literally ALL he has is constantly repeating how tv is better and newer and how radio is worse and older, that he literally uses that SAME snap back even after alastor has his part "what a dated voice!" "you're looking at the future! he's the shit that comes before that!". he has NOTHING on alastor. if you asked him to make a list about what he hated about alastor he would probably just give you 10000 synonyms of "he's old and outdated" and be unable to come up with anything non-superficial. because the falling out on his part, from his perspective, was being rejected. and after that, BLIND RAGE. he hates alastor. he does. but he can't reasonably tell you why.
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marvelsmostwanted · 4 months
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This is sad but unfortunately I think this is just going to be the norm for the next few years as streaming services die a slow death.
HBO Max should in theory be able to make money from a show that was at one point the top new series in the US. At the time, David Jenkins said "This is what happens when a major media company invests in inclusive mainstream stories" (agree!) but unfortunately that major media company, like all streaming services, has a terrible business model that can't support that investment.
This is an interesting article about how streaming services are losing money and scrambling to make it back by trying to convince people to buy cheaper, ad-supported options or bundling with other streaming services. Unfortunately for them, I think that's like... all of the options? At some point they're just going to continue to lose money. Making shows is expensive and very few consumers are willing to pay more when they could just cancel and use a cheaper service (or, you know. 🏴‍☠️)
This is also a good article that was written after Shadow and Bone was cancelled by Netflix about whether it could be saved:
"The problem is that while saving shows used to be plausible, at times, the cost of Shadow and Bone combined with the fact that streaming services are really, really starting to cut back on spending means that this would be an extremely tough sell. WB Discovery’s Max is being lambasted for killing finished projects for tax breaks to chip into its massive debt. Disney Plus has done the same thing and has said they will cut back on things like expensive Marvel shows. Amazon Prime is mired in expensive creator deals going nowhere and throwing insane amounts of money at projects they are realizing are not panning out. Paramount Plus losing $500 million a year. NBC’s Peacock is losing $650 million a quarter."
TLDR; Streaming services have reached such a dire point financially that they have to cancel some of their most popular content (Marvel shows on Disney+???? These have seemingly been very successful; it's wild to read that they're "cutting back") in the desperate hope that a new season of something that's cheaper to make will get more attention.
What I gathered from these articles is that steaming services are dying a slow death and sadly, a lot of good shows are going to go with them.
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snarkspawn · 8 months
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wizard in the streets, warlock in the sheets
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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dogmasquerade · 2 months
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god okay disco elysium fans try and understand the consequences of actions challenge. jean is a dick but also he's like that... for a reason. kim has literally only just met harry he has no frame of reference for the past and NEITHER DOES THE PLAYER. Jean's been with harry since he was sober. he's seen the downfall. harry's gone clean before and all that happens is he fell in again. none of yall have had to be friends with an addict and it shows. it's constant. its painful. eventually compassion fatigue. you just can't care like you used to because every single time you offered a hand it got bit. sunk cost fallacy forces you to stay but its like poison. toxic, eating away at you, an albatross. you can't leave him but you can't live with him. you know hes hurting so so bad but the hurt spills from his overflowing heart into anger and its directed at you.
anyway td;lr jean's got good reason for giving up on harry, martinase was just his final straw. its not just "ough you shouted at me while being mentally ill once and now im mad :(" its "i have watched you systematically destroy yourself from the inside out. you are burning alive and every time i try to help you i get burnt. you have embraced the flames at this point and i don't know how else to help anymore. you arent who i used to know."
EXCEPT HE DOESN'T EVEN DO THAT BECAUSE HE CAME BACK. he came back literally as soon as the waterlock got fixed. he still fucking cares.
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