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#eugenio lucas
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Ensenada con peñón, by Eugenio Lucas (Madrid, 1817-1870).
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adoniseverywheremen · 3 months
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Eugenio Elverdin by Lucas Ricci
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fine-arts-gallery · 1 year
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Rebellion In The Monastery (1817-1870) by the circle of Eugenio Lucas Velásquez.
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Eugenio Lucas y Velázquez - Allegory of life and death, 1856.
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Eugenio Lucas Villaamil - Arriving at the Theatre on the Night of a Masked Ball (ca. 1895)
Of the vast production of genre paintings that spans Eugenio Lucas Villaamil's career, particularly interesting are his urban scenes and, more specifically, his street scenes with ordinary, everyday themes. These are almost always frivolous and festive in style and revolve around figures from high society during moments of entertainment in public.
This scene with a markedly Parisian air (recreated in the artist's imagination) is set on a rainy night outside a theatre with an imposing façade. At the doors, the guests at a masked ball gather. The ladies draw their cloaks around themselves to keep the rain off their striking costumes and take shelter under the umbrellas of their male companions, intent on getting quickly inside, where the lighting for the occasion is almost blinding.
Here, as in most scenes like this one set at night, the subject served as a fine excuse for the painter to exhibit his skill in depicting artificial light bathing buildings and reflecting off wet pavements, in contrast with the dark, inclement night.
Furthermore, Lucas Villaamil demonstrated his mastery when it came to rendering crowds of people in motion (a true speciality where this artist is concerned). The figures were formed with extremely rapid, nimble strokes that sketchily define their outlines, thus increasing the sensation of haste and agitation as they hurry to shelter from the rain (with the result that the splendour of their costumes can barely be glimpsed). The artist's synthetic methods are even more extreme and evident in the representation of the theatre's architectural elements and the wet street, painted here with broad, vigorous, thick and very effective brushstrokes, although he never paused to correct the drawing. This was very typical of Lucas Villaamil and explains why scenes of this kind, which he found easy to sell on the contemporary market and generally repeated only with slight variations, as their success was guaranteed, are so prolific in his work. (source)
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philoursmars · 1 month
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Louvre-Lens : il y a une expo : "Mondes souterrains : 20.000 Lieux sous la terre".
Horst Von Harbou : photo extraite de "Metropolis" - 1927
Nathanaël Schaeffer + Julien Aubert : visualisations extraites de simulations numériques du processus de convection et champs magnétiques dans le Noyau terrestre (simple, quoi !)
François Girardon : "Pluton enlevant Proserpine" - XVIIe s.
Gautier de Metz - "Image du Monde, le Christ en Majesté" - XIIIe s.
Eugenio Lucas Velasquez : "Scène de l'Inquisition" - 1851
Pierre Brébiette - ''L'Enlèvement de Proserpine'' - 1625
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aitan · 1 year
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Sul solito ((( aitanblog ))), la mia prefazione a “Chaborrillos“, interessante e suggestiva traduzione realizzata da Fernando Cid Lucas delle poesie dialettali scritte negli anni ’20 del ‘900 da Ferdinando Russo e dedicate agli “Scugnizzi” dei bassifondi napoletani.
Tra le illustrazioni e le foto prese dalla rete e delle quali (colpevolmente) ignoro l'autore, si intravedono, in questo breve video che ho realizzato per l'occasione, sculture di Gemito e quadri di Antonio Mancini
Il frammento musicale di sottofondo è tratto dal "Canto allo Scugnizzo" di Carlo d'Angiò ed Eugenio Bennato (Musicanova, 1978).
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diasdesol05 · 1 year
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Eugenio Lucas Villaamil
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villings · 2 years
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(...) y sintomáticamente revolucionaria a agravar este estado de irritación aguda exasperándolo hasta su imposible negación, hasta la negación exasperante de lo imposible en donde la muerte para ser devorada como una mujer se libera de sus sumas traumáticas y se ilumina cualitativamente taumatúrgicamente y adorablemente de humor
Gherasim Luca
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dumbbitchhour · 1 year
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Eugenio Lucas Velázquez, La suerte de varas, 1855 x
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hzaidan · 12 days
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01 Work, The Art of War, Eugenio Lucas Velázquez's The Ambush, with footnotes
Eugenio Lucas Velázquez (1817–1870)The Ambush, c.1850–1870Oil on metalH 35.5 x W 50.8 cmBirmingham Museums Trust The theme of travellers waylaid by bandits was a common one in the eighteenth and early nineteenth century painting as the Napoleonic wars brought chaos and lawlessness to many parts of Europe. Criminals, deserters and the remnants of defeated armies often turned to highway robbery as…
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Dos monjas (Two nuns), possibly by Eugenio Lucas (Madrid, 1817-1870).
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artesplorando · 4 months
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Eugenio Lucas y Padilla | la difesa di Saragozza
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marcogiovenale · 5 months
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stasera @ fango radio: 'vocale', a cura di elisa longo
https://fangoradio.com OGGI, lunedì 11 dicembre, alle ore 23:00, nuova puntata di Vocale, un esperimento di poesia trasmesso da Fango Radio. Questo il link per ascoltare la diretta:https://www.fangoradio.com/(Mentre il link per riascoltare le puntate precedenti è https://www.fangoradio.com/shows/301)Con le voci diAmelia Rosselli letta da Elisa LongoMichelangelo CovielloAntonio LilloRosaria Lo…
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Eugenio Lucas Velázquez - Exorcism.
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Published: "Alessandro Magno e l’Oriente" editor Filippo Coarelli, Eugenio Lo Sardo
Good day and happy week-end everyone, I’m Elena from Italy and thank you for reading Alessandro III di Macedonia- Alexander the Great and Hellenism! MANN’s exhibition in Naples has now ended and as I had already announced the exhibition’s catalog had been published which however was merely a catalog with the explanation of Alexander’s life and the photographs of the exhibited works. Now Electa…
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