Tumgik
#eowyn is a king who just wants to be a marshal of the mark
If you're still doing the character opinion bingo - Eowyn?
I am *always* doing Character Opinion Bingo
Previously asked: Elrond, Gimli
Tumblr media
Ok so.
I love Eowyn, obviously. I have eyes and a brain. Of course I love Eowyn.
However. My opinions on her story arc would be received by most of fandom as akin to hitting a wasps nest with a baseball bat due to:
a) my general dislike of Faramir. Guy can go suck an egg.
a pt II) my general dislike of fandom's tendency to jack off about how UWU Faramir is when he's just a bit of a wet blanket and a tit
b) my view that her ending is sad and sucks and she deserves better because
c) you can have healing and all that nice shit and still be a warrior and ride into battle and bop around on horseback annoying the living shit out of your brother who is now king by giving him 500 aneurisms
This is also why I only half-crossed out "I'm obsessed with their character arc" because I like it but also I'm mad about it because I wanted so much more for her and her ending. She becomes a fucking housewife in Gondor. This is Eowyn "so you're saying my role is in the house while men get glory then I can burn in it once the men don't need it anymore" daughter of Eomund, Shield-maiden of Rohan, child of the House of Eorl. She's not here for your cottagecore fantasies with wetblanket Faramir. (this includes you, too, tolkien)
--
A fandom thing that bugs me is that in the Eowyn tag I'm inevitably dumped into the part of fandom that has internalized western approach to information preservation and share Tolkien's belief that the Rohirrim, due to being an oral based culture, are somehow inferior to Gondor who are a writing based culture. I don't think they're conscious of this fact, but it's there and I dislike it. There's this occasional infantilization of Eowyn where people are like "oh it's so sweet Faramir will teach her how to read and write and all the nice CiViLiZeD things of Gondor and she'll idk I guess teach him something of her people's culture but only so they can write it down" and alksdjhgakghdkjlgdfgj
both are equal! both are equal!
also maybe rohan doesn't want to write down their stories! maybe they have reasons for that!
--
ok also, love that bit when Eowyn tells Aragorn "bitch if you say the word 'duty' to me I will not be held responsible for my actions".
'You are a stern lord and resolute,' she said; 'and thus do men win renown.' She paused. 'Lord,' she said, 'if you must go, then let me ride in your following. For I am weary of skulking in the hills, and wish to face peril and battle.'
'Your duty is with your people,' he [Aragorn] answered.
'Too often have I heard of duty,' she cried. 'But am I not of the House of Eorl, a shieldmaiden and not a dry-nurse? I have waited on faltering feet long enough. Since they falter no longer, it seems, may I not now spend my life as I will?'
'Few may do tht with honour,' he answered. 'But as for you, lady: did you not accept the charge to govern the people until their lord's return? If you had not been chosen, then some marshal or captain would have been set in the same place, and he could not ride away from his charge, were he weary of it or no.'
'Shall I always be chosen?' she said bitterly. 'Shall I always be left behind when the Riders depart, to mind the house while they win renown, and find food and beds when they return?'
'A time may come soon,' said he, 'when none will return. Then there will be need of valour without renown, for none shall remember the deeds that are done in the last defense of your homes. Yet the deeds will not be less valiant because they are unpraised.'
And she answered: 'All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more. But I am of the House of Eorl and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death.'
'What do you fear, lady?' he asked.
'A cage,' she said. 'To stay behind bars, until use and old age accept them, and all chance of doing great deeds is gone beyond recall or desire.'
then they talk about the paths of the dead. There's no bit where he’s like “I don’t see a cage in your future” like in the move. 
And aside from Aragorn's valid point of "you took this charge on you to rule Edoras in your uncle's sted you can't, exactly, just uh...abandon that" - I just love their entire exchange in this scene. It's so much more complicated and nuanced than what the movies show and also far more true to the world Tolkien was creating.
It also continues to highlight how Grima and Eowyn are foils for each other - aside from the subversion of gender norms (Eowyn is obvious in this, Grima's subversion is more subtle in the book), they both have strong desires and a sense of what they are owed and they go about getting it in ways that run contrary to their culture: oathbreaking.
Grima oathbroke when he took up with Saruman, obviously. Eowyn oathbroke when she left her post as Edoras' ruler and guardian - which she swore to the king she would maintain. They both did it to gain things they wanted. Eowyn just, you know, has morals and a spine. Grima has neither.
--
I just. Love Eowyn. And want more for her than was given in the books, or even in fandom.
I also love Dernhelm and wish we saw hell of a lot more of him. More screen and page time for Eowyn-Dernhelm and Dernhelm-Eowyn! We deserve it!
8 notes · View notes
theemightypen · 5 years
Note
miserable + "They're wrong about you"!
Lothiriel truly never thought to find herself in this position.
After he’d broken her heart–and their all but certain betrothal–two years previously, Eomer, son of Eomund, Third Marshal of the Riddermark, had not been high on the list of people she would expect to find herself defending. Even now, with the truth behind his sudden change of heart revealed by Eowyn–Wormtongue’s quest for Eomer’s estrangement from his uncle had not been limited to things in the Mark, it would seem–she cannot bring herself to forgive him in full.
Oh, she understands it had been an impossible situation. He could never have married without the blessing of his uncle and king. And that combined with Wormtongue’s less-than-subtle hints of harm befalling her should he maintain the connection had pushed him to it. But he had lied. Painfully so, saying that he did not love her, that she had been little more than a passing amusement, too young and too flighty to have truly won his heart–
Well. It still stings, even now.
But that does not–cannot–matter now, not with the murmurs flying unchecked before her.
“He is handsome enough, I suppose,” Lady Candis whispers, “but Elbereth knows all of those Northmen are savages.”
“I heard tale he has a terrible temper, as well,” Lady Himmeth says. “Likely as much a brute in the bedroom as he is on the battlefield!”
His shoulders–broad as ever, much as she hates to find that she remembers that, that she can still be affected by the sight of him–are stiff, rigid with the effort of not reacting. It is highly likely the women are unaware of how keen his hearing is, but the fact that they are saying such things at all rankles her to the core. Eomer and his people had sacrificed so much so that Minas Tirith might stand, that all of Middle Earth would not fall into darkness, and yet they still spew such venom!
It does not help that she knows, perhaps better than anyone, that their statements are false. Oh, Eomer has a temper, fierce and bright, but he is no raging monster! He is kind, despite it all, and brave and intelligent. And gentle–Valar, how gentle he had been with her, before it had all gone so wrong.
Lothiriel knows Eomer well enough to recognize the signs of his discomfort, even if he is not exactly the same man she had loved so ardently two years before. Hardly a surprise, considering the death of his cousin, his uncle, and sudden ascension to the throne. But his discomfort is tinged with something else–
It is misery, she realizes, that keeps him silent. Misery and loneliness, and Valar help her, she cannot stand idly by while these two vipers have it in their power to wound him.
“Tell me, my ladies,” she says, gratified when both women jump, clearly having not noticed her quiet approach. “What would your brothers say, to hear the King of the people who saved their lives so maligned?”
“Lady Lothiriel,” Lady Himmeth recovers first,  her dark eyes alight with spite, “I am surprised to hear you defend him! Especially considering the rumors surrounding the pair of you. I wonder if it was not just your heart he rode off with two years ago, if you still can find it in you to speak well of him.”
Lothiriel looks at her evenly, even as her stomach twists with anger. Before she can even open her mouth, however, a tremor of awareness snakes up her spine. Eomer is suddenly beside her, looking as stern and foreboding as she has ever seen him. It jars, sharply, with the memories of the gentle suitor he had been, and even with the cruelty of their last meeting. Her heart gives a painful–and shameful, she thought she was passed this, over the loss of what could have been, over him–lurch.
“Say what you will about me, my lady,” he says, voice tight with barely controlled rage, “insult my home, my horse, my temper. But you will not speak of the princess in any way other than with respect.”
Lady Himmeth turns bright red and Lady Candis appears to want to sink into the floor. “We beg your pardon, Your Grace,” the younger woman murmurs. “And yours, Princess Lothiriel.”
“As you should,” Lothiriel says, latching onto her anger to prevent herself from feeling anything else. “And consider yourselves lucky that you are more wrong about Eomer King than you could possibly understand.” At that, she turns to face him fully. His eyes are as dark as ever and bear into hers with the same intensity as they had two years previously.
Oh, Valar, it hurts. It hurts to see him so close, it hurts to still be so angry at him, it hurts to not be able to rage at him the way she wants, or to kiss him as she used to.
But to reveal that would break her and that Lothiriel will not allow.
“Thank you, Your Grace,” she says, sinking into a flawless curtsy.
Lothiriel turns on her heel as soon as she has risen, not giving him or either of the women time to speak. Elphir catches her eyes from across the room, his face a study in worry, and she makes her way towards him.
“Lothiriel,” he starts to say and the concern in his voice nearly undoes her.
“Don’t,” she whispers. “Please, Elphir, a drink.”
“You know, the point of these balls is to enjoy yourself,” comes Eowyn’s voice.
Eomer grits his teeth. “I am aware of that, Eowyn.”
“Then why do you look as if you’ve been kicked in the arse by Firefoot?”
He turns his head to glare at his sister. “I do not.”
“Well, you’re doing a remarkable impression of an Orc’s scowl, then,” she says, unaffected by his glare after years of being on the receiving end of it. “What has upset you?”
Eomer swallows, thickly, and risks a quick glance across the room, towards dark hair and bright eyes that are as every bit as beloved now as they were two years ago. Her back is to him, of course, but he would know her anywhere. In any world.  
Eowyn follows his gaze.
“Oh,” she says, in a completely different tone. “Oh, Eomer.”
“Don’t,” he manages to choke out. “I have no one to blame but myself.”
Eowyn frowns. “Is it truly so hopeless? I told her of Wormtongue’s machinations myself and she seemed to believe me.”
“I broke her trust. And her heart,” Eomer mutters. “Thoroughly enough so that she would have no cause to care for me again. Wormtongue had little to do with that.”
She squeezes his hand. “Perhaps. But both hearts and trust can be mended. If you are willing to try.”
There is nothing he would try harder for, but that matters very little if Lothiriel is unwilling.
“Try,” Eowyn insists. “I do not think it is as impossible of a feat as your thick head is making it out to be.”
Eomer snorts, despite himself. “Thank you for that ringing endorsement.”
“And,” she adds, something dangerous in her voice, “you will not forgive yourself if you do not.”
38 notes · View notes
Note
for the quiet night in ask: how did Grima make his way into your heart? And why do you ship him with Eomer? I've been meaning to inquire about this for long hehe (also I love your theme! think this is the first time I see it)
I am so sorry, you’re getting an ESSAY. 
I’ve been wanting to talk about my Grima feels FOR SO LONG. 
HE SNAKED HIS WAY INTO MY HEART. 
Um, tl;dr I have a soft spot for the bad guys who clearly have a complicated history with those they are opposing and I think Eomer/Grima have a fun opposites-attract dynamic and I love a good redemption story. 
I don’t touch on literacy and Grima in this because that’s strictly the films and it’s worthy of it’s own post entirely. 
-
I’m trying to think best how to break this all out, because it gets a bit long and rambly. I’m using both book and films for this, as a note. Since I tend to mash up different aspects of those Grima’s in my head, give the guy some eyebrows, and call it a day. 
So, first off, his history. Now, we don’t really have anything to go on in canon here. All we know, in both book and film, is that Grima “was once a man of Rohan” (ROTK). In the book, Gandalf says: “This here, is a snake. To slay it [Grima] would be just. But it was not always as it is now. Once it was a man, and it did you service in its fashion.” 
Grima evidently has served Rohan for some years at this point. We know that Theoden’s enchantment/possession began three years prior to TTT. In the books there is no possession. Theoden’s enchantment relies on the powers of words and their suggestions. Something Tolkien was well aware of carrying great weight and import in Anglo-Saxon culture. You tell a man he is old and infirm, he will become old and infirm. 
I understand why Jackson went the possession route - explaining Anglo-Saxon engagement with galdorcraeft/witchcraft and the power of words etc. and how that influenced the development of Rohan in the span of like 7 minutes of screen time wasn’t happening. Possession works for the same purpose, but in a language the modern audience is familiar with - especially in visual mediums. Grima is circa 40 when TTT happens, same age as Boromir for reference. So, let’s say he’s been an advisor for 10/12 years at this point. He has therefore been a good servant of the king longer than he’s been a traitor. 
Hence, the outreach. And, in Brad Dourif’s wonderful acting, Grima’s clear desire to go home to his king. In the book it’s more subtle. Grima chucks the palantir out the window at Orthanc and it’s stated that he wasn’t sure who he was aiming for, Saruman or Gandalf, because he couldn’t decide who he hated more. 
Honestly? Legit. I would also hate the guy who reduced me to “it” pronouns. But maybe that’s my gender identity stuff playing up ;) 
(Granted, in the full quote Gandalf reverts back to “he”, for context. And I’ve said this before, in another post, that it makes sense for Gandalf and as a writer, I agree with Tolkien’s decisions for that scene.)
Now, for some speculation. Not that I haven’t spilled a tonne already. MORE SPECULATION. This time bringing you long term effects of bullying and never having loving relationships modelled for you! Because LOTR, at the end of the day, is all about trauma and how maybe not to deal with it. 
So - motives. 
We know Saruman’s motives. Indeed, he tells them to us in FOTRK: “[to] have power, power to order all things as we will, for that good which only the Wise can see” and to achieve “the high and ultimate purpose: Knowledge, Rule, Order; all the things that we have so far striven in vain to accomplish, hindered rather than helped by our weak or idle friends.”
Great. Super straight forward. And from the man’s own mouth. 
Grima’s though, always come to us second hand. In the books it’s Gandalf telling us (Gandalf can mind read, so yes, maybe he is accurate). In the films, it’s Eomer guestimating. 
But Grima never actually tells us, himself, what his motives are. 
(a quick aside: if some dude is shoving me up against a pole and threatening me, and I hear someone walking by, of course I’m going to look over at them and it by no means indicates my desire to shag that person. Now, of course, we know from other scenes this is the case. I’m just saying. It’s natural to look over at the person walking by while you’re being jumped by the Third Marshal of the Mark who is twice your size. anyway.) 
So what are his driving forces for treason? What made him go to this point of no return then keep going even when people offered him a way back. 
It is important to note that his treason required him to forswear his oath to his liege lord. I don’t know how to convey what a big deal that would have been, in modern terms. But it would have been huge. Forswearing/reneging on oaths was a massive cultural taboo in Anglo-saxon [AS] England (and general, early medieval Europe). 
And, as Rohan is based on AS England (I forget if Tolkien was cagey about this. He was sometimes a dumb shit and coy about things so was like “noooo it’s not STRICTLY AS England….but it’s clearly AS England with more horses and a light dusting of vikings and the Danelaw”), we can assume it carried as much weight for them as it did for the historical people. 
(Indeed, it’s implied, if not directly stated, in the text what a big deal oath breaking is. Don’t say “oath breaking” too loud or the Silmarillion fandom will come out of the woodwork)
The big takeaway: BIG DEAL TO FORSWEAR YOUR OATH. 
And he did it! Which is why I don’t buy the “it was because of Eowyn and like some nice jewels.” You don’t betray your country, you don’t forswear your oath to your king, simply because you’re hot on the king’s niece and Saruman might give you a raise. 
And, as a liege man to Theoden, he was part of Theoden’s household so would have eaten, worked with, lived with everyone else in the household (Eomer, until he becomes Third Marshal; Eowyn; Hama; Theoden’s guards etc.) 
So, you live with these people, eat with them, drink with them, spend all your time with them, for circa 10 years then you do a bunk and betray them? Something happened. I suspect it was years and years of things happening. 
Overall, I think it to be a combination of things. As is usually the case for these sorts of crimes. In this case, a nice mix of fear, desperation, greed, resentment, anger and desire. 
Fear/Desperation: So, to Grima’s mind the world is ending. Why wouldn’t he think this? Hell, even the Wisest and the Fairest (i.e. wizards & elves) think it’s ending. Why wouldn’t this poor bloke from some small country nearby to Mordor not think it an existential threat to an unimaginable degree? 
Grima is sat here in Rohan looking at Mordor going "oh fuck" then who are the leaders left? Denethor (slightly bonkers) and Theoden (past his prime and lacklustre, like his father and grandfather). 
This is not a man with a strong moral fiber. Or...any moral fiber, let’s be real. He does not have the fortitude to stick it out through hopeless situations. And it would have been hopeless to his eyes. And those around him (see: Eomer’s do not trust to hope… Sure Saruman was a problem, but he wasn’t just talking about the white wizard).  
Gandalf’s plan, which none of these people were ever wholly aware of, was a goddamn Hail Mary pass and it worked. Barely, but it did. NO ONE had reason to believe it would, though. And those are people in the know. Not someone like Grima who has no fucking clue what Gandalf et al is up to. He sees Gandalf then like … Nazgul torture him on the planes of Rohan (Unfinished Tales). He sees Gandalf then bad things happen. 
Lathspell indeed. 
Greed & Desire: I don’t think I need to go into these ones too much. They’re pretty self explanatory. Grima and Black Phillip hung out and the goat asked Grima if he wanted to live deliciously and Grima, like any normal person, said: um, yes please? Also, Eowyn was around being badass, beautiful and untouchable. 
Resentment/Anger: Alright, more probing in the dark. I suspect, for one reason or another (and these reasons would vary depending if you’re looking at books or movies), he was someone who was always treated as other/differently, teased, picked on, isolated, overlooked, doesn’t measure up to Rohan’s military ideal of masculinity. All of which creates an underlying resentment issue.
And nothing festers quite like resentment. 
On top of that, I also suspect he was always told he was a snake/untrustworthy/not worthy etc. and if you're told something enough, and you don't have anything or anyone else telling you the opposite, there is a strong chance you become that thing.
It's a chicken and egg: the face you wear to the world tells the world how to treat you; the world tells you what you are and that is how you shape your face.
THEN you add in Saruman. Who is clearly, in the text, abusive. Which, if there were any inferiority/bullied etc. issues that are informing Grima’s actions, Saruman is just going to amplify it. 
“You are a traitor because you’re a snake, and you’re a snake because you’re spineless, weak, nothing more than a creature that crawls on its stomach on the ground. Snakes are bad, evil things. Which is all you’ve ever been. Barely deserving of the good treatment I give you etc.” <-- all of which is basically a summary of what Saruman has been saying to him for a few years at this point (in the book, it’s only tangentially implied in the movies). 
So Grima sort of morphed himself into what he believed himself to be, fuelled by that perversity resentment causes: Oh you think I’m a snake? I’ll be the best goddamn most poisonous snake you ever did see. Just watch me. 
He is trapped in this situation. A hutch to trammel some wild thing in. 
Which leads me to an interesting point that I think gets lost sometimes: Narratively, he and Eowyn are similar in what they are experiencing. Isolation, being overlooked, misunderstood/misrepresented, don't fit into societal roles and expectations etc. They just go in very different directions in how they respond to it.
I think that's why, in the film, it was smart to have her give pause and listen to him because what he's saying resonates. He is, in some ways, speaking as much for himself as her. But then, of course, he's also just trying to shit disturb and make mischief so of course, at the end of the day, any sympathy he is attempting to convey is laced with poison.
I do wonder, too, if he's the first person to see her fear and her frustrations and acknowledges them out loud. Which is powerful. To have someone see you. Damn shame it's Grima. Still, Eowyn (in the film) paused and listened for a reason.
-
A brief aside on my idle, ill founded thoughts on gender and Rohan: 
One of the reasons I think Eowyn and Grima go in diverging directions, is that Eowyn is performing masculinity, in her society's accepted interpretation of it. Masculinity, in Middle Earth, is clearly the norm. And in Rohan, it’s a very particular iteration of military-focused masculinity that is idealized (you can bet, men who killed like 10 orcs were awarded places in court above Grima who served as advisor for like ten years but hasn’t killed an orc ever).
Eowyn’s desire to live/perform this more masculine ideal caters to the subconscious thing of “Masculinity is Natural Neutral Ideal” so of course you would want to be more like A Man. Whereas Grima is the opposite, not performing masculinity according to Rohan's accepted view of it.
And gods, in Anglo-Saxon culture (therefore, Rohan’s, most likely. I see no evidence to the contrary) is that a difficult position to find yourself in. Back in AS England, being called argr, unmanly, or to be accused of ergri, unmanliness, was one of the worst insults you could throw at a man (indeed, some laws said you could kill a man in retaliation for calling you such things). I would bet my shirt that people used such insults about Grima in this world. Which is all kinds of messed up.
-
Now, my interest in him is my general love for a good redemption arc for the most hopeless of characters. It’s why I struggle to call Boromir’s arc, when he’s written as living, a redemption arc. Because I don’t know he has much to redeem himself for. In his own mind, sure, yes, but externally? Not in my view, at least. He has things he’s done wrong and needs to make amends for. But that’s different from redemption.
Grima, on the other hand, is one whose walk-back from evil would be a full on redemption arc. And I like it because he’s not nice, he’s not pleasant. He will never be nice or pleasant or cheerful. But learning how to love and be a good person doesn’t require niceness. 
Saruman could be plenty nice. Sauron could be plenty nice. Look what they turned out to be.
And in my writing, I do hope I’m treading that line between creating an understanding of who Grima is without Kylo-Ren-ing him. Or, woobiefying him, as the old parlance was. That’s the line I’m really aiming for. I want people to not hate him. I want them to understand him. Oh, still condemn him, still judge him, disagree with him, acknowledge and know he did bad things and isn’t a nice person. But the end game is to add some understanding and nuance.
Shades of grey.
Also I’m a sucker for challenging redemptions.
--
Why Eomer/Grima? 
Because I am an agent of chaos. 
More seriously, I was never overly taken with the Grima/Eowyn approach, personally, which is obviously popular (um...within the Grima world), and closer to canon. There are some beautifully written fics and art out there for the two of them, so if you’re into that. The creators in that nook of fandom are top notch.
I always liked the drastic opposite of Grima and Eomer. As I noted above, Grima and Eowyn are two sides of the same coin. Both bitter and resentful and trapped. And that’s a lot of fun to play with, and i get it. But for me, I love a good strong contrast of personalities in my pairings. (If that uh … isn’t readily apparent.)
I think both Eomer and Grima would have a lot to teach each other and in some really interesting ways that neither would expect. I can see both getting under each other’s skin in that way where you’re sort of always thinking about them.
Grima is also someone who has had very little love in his life (I suspect he wants it, he just doesn’t know how to give or receive it). Eomer is someone who has lost a lot of people (parents, quasi-uncle for a few years there. I think it’s why he’s so controlling over Eowyn. Didn’t want to lose her). And I think there’s something in there where they could help each other grow. But I’m a sucker for some beauty to be there, in the end. Some hope.
Mostly, though, I think it boils down to their dynamic and the angst potential. Eomer is this brash, forthright, fiery third marshal of the mark who may or may not think things through. Big of heart, dumb of ass. Then there’s Grima who is quiet and reserved, cynical, critical, always has a plan or five, gets by via his wits etc. Lots of fun potential there. 
49 notes · View notes