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#environmant
astarte-salon · 3 months
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Prompt: Living room, modern minimalist style, lighting, studio lighting, realistic and exquisite craftsmanship, floor to ceiling glass, realistic texture, exquisite details, (Lei Tan Tan Tan), perfect composition, (Hasselblad x2d 100c), low, high, tilted, natural, soft, wide, perspective, award-winning photography, uitra high-definition images complex, spatial photography, commercial photography, award-winning photos, (reality), realistic high-definition, sharp focus, Super detailed --ar 9:16 --v 6
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ivorryvagner · 1 year
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 Dolphins in the stormy ocean. Sea waves, foam and beautiful watercolor dolphins. Desk mat with dolphins print.
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lakesbian · 1 year
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[slapping diagrams up on the wall and taping them into place] I Have A Theory. i am unironically fucking sure that the first four seasons of infinity train were foreshadowing some shit about the structure of the train and the wasteland that would have been fully revealed in the last four seasons if it hadn’t been cancelled. 
there’s this one little line in the tape car that was never really paid much attention by the fandom (at least not to my knowledge) beyond mild interest, and that’s always been weird to me, because...
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come on. the fact that lake even says “that robot’s out of his mind” in response to it? it’s absolutely screaming “obvious foreshadowing for a major aspect of the train’s functioning obscured only slightly by the fact that it’s being delivered in a quirky-random one-one line.” 
this is how one-one works as a foreshadowing tool, it’s established time and time again in book one. he says something with intense implications like “my memory has been terrible ever since the change,” atticus and us viewers go “what change?” and one-one follows up with “my new haircut, didn’t you notice?”
...and then later you find out that the “change” he’s referring to is That Time Amelia Took Over The Train And Tore Him Asunder.
so one-one casually saying that one of the cars on the train has “the universe projected on the outside”? pause the goddamn video, we’re gonna take a second to think about The Fucking Implications of that one! 
obviously, outside of the train is the wasteland. [hits my remote button to cue the wasteland structure slideshow]
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(spot lake and alan dracula in that last one for a bit of megalophobia about the scale of the train!)
the wasteland appears to stretch on infinitely in all directions, to accommodate the infinite train, with curvature implying some sort of spherical structure. despite this, attempts to venture too far horizontally from the train result in meeting an incredibly strong repulsive force akin to an invisible barrier in a video game environment. when a passenger receives an exit, the wasteland’s apparent sky opens up in a circular vortex to produce a flexible glowing tube which the passenger can travel through to return to earth.
two things here:
1. the horizontal invisible barriers imply that the wasteland has built-in structural limits or “walls” of sorts rather than being a natural and unlimited environment.
2. the vortex and tube that appear when a passenger receives an exit are analogous to structures we see on the train. to a more limited extent, so are the invisible walls. 
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when simon tries to find an exit to the debutante car by going through the ceiling panels, he reaches the equivalent of an out-of-bounds area in a video game. he reports with legitimate terror in his voice that “grace, there’s literally nothing out there. it’s just a black void.” a reminder that all car environments are artificially designed with built-in structural limits as opposed to being natural and extensive locations. very much similar to the invisible walls in the wasteland.
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when lake enters the tape car, what appears to be the legitimate ceiling/roof of the car opens up into a circle to allow the pod in. 
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when the unfinished car starts coming apart and opening up, what appears to be the legitimate sky of the car forms a circular vortex. when the sky breaks into fragments and disappears, it’s revealed that the sky was just part of the car’s ceiling rather than a true sky. it was illusory, 2-D. the real frame of the car is behind it.
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when we see the inner workings of the tape car, it’s shown that passengers travel from the memory farm to the number machine by...being sucked into an opening that looks a lot like a miniature circular vortex and then down through a flexible tube.
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yeah. flexible, glowing tubes.
the tape car “projects the universe on the outside.” the outside is the wasteland. the wasteland can open a circular hole in the top, in what appears to be its sky, to let passengers in or out. just like how the top of the tape car opens a circular hole to let pods in. just like how the unfinished car forms a circular hole when its faux-sky is opening. just like how a circular hole with a vortex-like appearance is opened in the passenger farm to take passengers in. passengers are taken in through the wasteland via a flexible, glowing tube, and similar tubes are used to ferry passengers through other parts of the train.
i don’t think the wasteland is a discrete environment or dimension the train happens to be traveling through, i think the wasteland is part of the train. the wasteland is being projected by the tape car. it’s the car’s universe projected on the outside. i’m gonna go as far as to say that the wasteland itself is a car with its environment being generated outside of the car’s frame structure instead of inside of it. the vortex and glowing tube look like other parts of the train because they are part of the train, and everything about them is operating on the same technology. the vortex is the same mechanism as the tape car’s pod opening on a larger scale. the wasteland exit tube is a type of mechanism related to the other tubes we see. the invisible barriers are there because cars have artificial limits like the black void outside the debutante car building.
nothing about it is more incomprehensible or supernatural than the rest of the train. the vortex, the invisible walls, the tube--they’re technological aspects of a simulated environment just like parts of any other car! the sky is a very real ceiling that can open to take passengers in/out the same way the tape car’s ceiling can open to take pods in! the wasteland is a really fucking long box with horizontal barriers and a ceiling that looks like it’s a sky but is still a ceiling. the wasteland is the self-generated pocket dimension the train runs in. the wasteland is the car that has every other car in it. 
hell, it even fucking has denizens!
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amelia turns atticus into a ghom by shooting him with an orb gun. there are orbs for ghoms, just like there are orbs for every other train asset and denizen. ghoms aren’t some random fucked up monsters from nowhere, they’re denizens that had to be intentionally placed in the wasteland via construction using their orbs, and they exist for the same purpose as the invisible walls--to keep passengers out of the wasteland and on the train. the wasteland is quite literally the car that holds every other car in it, complete with its own denizens. it’s big and extremely inhospitable, but it still checks every single box for being something designed as part of the train.
in conclusion: 
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...wait, don’t go anywhere yet. bonus observation about train doors, because it’s related enough to this post that putting it into a separate one would be weird and contextless:
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when lake and jesse receive their exit, we get a really good shot of the tube. look at the perspective here! the door is opening into the wasteland, and the tube is extending through it and connecting to the door. we should be seeing the inside of the tube, but instead we’re directly faced with arizona. arizona is inside the tube. it’s like rather than the tube being ready to take us up through itself and back to earth, the tube is displacing earth, pulling it down through the tube and putting it right in front of us.
it actually looks like it’s just working exactly like tesseracts do in a wrinkle in time. which i absolutely cannot paraphrase coherently, so here’s a screenshot:
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i think that when passengers go through the doors, the wasteland’s ceiling opens up much like how the tape car’s ceiling opens up--except because the wasteland is opening into earth, a location which exists outside of the train’s pocket dimension, it’s more complicated than just pulling open a circular hole. time and space are bent. the vortex/tube is the train opening up to pull earth into the wasteland car, bringing it directly to the door within the train so that exiting for the passenger is as simple as stepping through.
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passengers taking their exits are being pulled through the entire tube and simply just taking one step through a doorway at the same time. note how long the tube is in lake’s view of it from inside jesse’s tape, and note how a mere second after jesse and lake run into the tube they step out the other side. time and space are being fundamentally crunched, stretched, and altered to make the exit through the wasteland’s ceiling feel seamless despite the interdimensional fuckery involved. it is Straight Up A Tesseract. 
thank you for coming to my tedtalk i will now be heading out to bang on hbomax exec doors so i can demand the last 4 seasons in which it Surely will be revealed that basically everything in this post is real and true
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highlifeboat · 7 months
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I'm late to it but: anything more to say about the Mia and Ashley college roomies thing? Cause honestly that made the brain vibe and I'd love to hear more if you have anything to share.
SJKBDSFKSD Ashley and Mia College Roommate Headcanon Time! (Also you're never to late to ask about any of my stuff. As long as I can actually remember when you're referring too pfff)
Pre-Ashley being kidnapped/RE4:
Obviously Mia went to college for Bioengineering, but I think Ashley went for Political Science. Just because she found it interesting.
Cannotically, Ashley goes to the College of Massachusetts. Sooo, they both went to an out of state college.
I don’t know how expensive college was in the early 2000s, out of state or otherwise, but you know Mia had to hit that grind in order to afford to go there.
Mia had no fucking clue who Ashley was when they met. She knew the name “Graham” was familiar, but didn’t even stop to consider she was sharing a room with the fucking President’s daughter.
Which was probably a relief to Ashley, because Mia just treated her like… a normal person.
They didn’t talk a whole lot initially. There were no bad vibes between them, it was more just awkward “Oh yeah, I guess I kind of live with this stranger now.” and not really knowing each other.
Fortunately, they got to know each other pretty quick. Because that’s what happens when you share the equivalent of a box with a person.
They learned they had really similar tastes in movies and music, so almost every weekend they’d go and rent a movie to watch (and, depending on the quality, make fun of) or just put on tunes and study together.
They also probably bond over having emo phases (I have NOT forgotten about Ashley’s casual wear alt costume in the RE4 Remake being the most 2000s emo look and I live for it)
It took Ethan coming down for a visit and pointing it out before Mia realized who Ashley was. And when she did she was lowkey mortified about the fact she’d most likely been making an ass of herself.
This somehow did not change their dynamic much, however, because the bar was already set and Ashley loved Mia’s goofiness and unabashed “This is who I am” type attitude.
Ashley caught on that Mia was trans pretty fucking fast. Mostly just from how she acted, as it reminded Ashley of herself in her own early stages of transitioning, but also because she once overheard Mia on the phone with Ethan complaining about having to fight in order to be roomed with a girl.
She never told Mia she knew, but she knew.
After their first year they just requested to have each other as roommates again, because they vibed well.
Post RE4 (More catered to Mia’s side because Ashley was busy being possessed and trying not to die)
When Ashley went missing in 2004, it kind of fucked Mia up for a little bit
It was just one of those things that’s like… it’s not really a traumatic experience, but it still sticks with you for a long time because of how weird/jarring it is.
It’s not like they were best friends or anything, but they were still buddies and it struck Mia as strange when Ashley went home for a few days and then just… Never came back.
She did try to call her, but never got an answer and eventually stopped trying.
Waking up every morning and seeing your missing roommates stuff still placed how they left it and their bed made and their whole side of the room looking so lived in yet feeling so vacant was… something.
Eventually someone came and collected Ashley’s things, and coming back from a class to see all your roomies stuff cleared out when you still have 0 idea about what happened is somehow worse than the previous point.
Mia would eventually find out Ashley was, in fact, alive, but she still  had no fucking clue what really happened.
Ashley did eventually go back to college to finish out her degree, but by that point it had been a few years and Mia had graduated, so they never actually saw each other in a college setting again.
They probably would have reached out to one another sooner. But Ashley had lost Mia’s number when her phone was broken and Mia only had the number for that phone. (She never did delete the number, but she did lose it when she eventually got a new phone)
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pellinni-photo · 1 year
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countryside scenery in autumn. forested hills on a sunny weather with cloudy sky. calm nature landscape in fall colors - countryside scenery in autumn. forested hills on a sunny weather with cloudy sky. calm nature landscape in fall colors
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veni-vidi-victor · 11 months
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So did you hide your carrd because you got called out for lying about Vietnamese to hashtag own tankies or
what are you talking about. my carrd is right here and i dont have my race on there because i dont feel like its necessary to advertise it? it doesnt make me any less asian, you're just weird and racist. also what are you talking about "own the tankies" ive been shunned by family members for my current political views being "too communist"
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I opened up my dishwasher and there was a cockroach in it and i full-on screamed and closed it up and i think it's still in thrre
and clearly I need to wash those dishes again bc there's no way to prove they haven't been trod on by a cockroach
but also it looked like a german cockroach so there's probably even more so.ewherw... in the walls...... nesting.........
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perenlop · 1 year
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supposed to write more of my screenplay but having a “i hate everything ive ever written” moment
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fernvictor · 2 years
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introducing ourselves back to the education system via sniffing each other through the door aka learning japanese on duolingo
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vitruviopao · 2 months
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greenearthsociety · 6 months
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not mine but definitely watch this and listen up!!!!!
it takes thousands of years to form a healthy forest and we dont have thousands of years to save the planet!!!!!! we cant replant our way out of the climate crisis, we need to make the big changes and stick to them
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astarte-salon · 6 months
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Novemeber Fields
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subscribe1 · 9 months
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"Revolutionary Proton Battery: Affordable, Safe, and Green Power for the...
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tnrevehicles · 11 months
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bubblesandstuff · 1 year
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(via Golden hour photography of a jungle mountain iPhone Case by Remco Kouw)
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pellinni-photo · 1 year
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closeup of water drops on the lawn. grass backdrop in spring - closeup of water drops on the lawn. grass backdrop in spring
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