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#emerald is also there but you like.
cgspirl · 2 years
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ouahg [death]
i'm literally the only person here who gives half-a-shit about ryder because i am. insane and cool but mostly insane
i haven't slept right in the 3 weeks after seeing this movie thank you mr peele for the visceral psychological damage /lh
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alfheimr · 7 months
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i drew this way over a year ago but i think i just forgot to post it here. ingo adventure dx
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marinaiguess · 7 months
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Small comic based on the headcanon that Blaze can sense it whenever Sonic goes Super through the Sol Emeralds (and their glowing). So, during the events of Frontiers, she grows extremely worried...
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quietbirdee · 2 years
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birds 🤝 lizards 🤝 bugs: just chilling upside down sometimes
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aquickstart · 5 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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birdcatt · 7 months
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ok so i KNOW hero/darkrai and/or partner/darkrai is very much a road of hurt/comfort. HOWEVER i think hero/partner/darkrai has Comedic Potential
forbidden version where leaf doesn't have floppy ears below the cut
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miodiodavinci · 9 months
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hey!! it's Fafnir of the Boreal North!! he is a completely normal knight who just so happens to look eerily like a corpse i assure you nothing will happen if you come closer and stick your fingers through the bars of his enclosure w
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mimiriko · 1 year
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stsg have their own ways of spoiling you.
gojo looks at you like you sprouted a second head when you decline the two overflowing bags of dior. he’s like “wtf. just take it.” and you try to get it through his thick skull that you don’t want it and you’ll have to owe him later. his ears go red because he’s insulted you think so lowly of him!!!! why would he want you to pay him back!!! in the end he leaves them in your closet while you sleep and rips off the tags so they can’t be returned. he’s petty and wants you to enjoy life but has 0 communication skills
geto is a manipulative KING. he’ll take your hand and walk you to places. keeping your mouth filled with goodies and constantly talking so you don’t notice when the credit card is swiping and how many bags are in his hands. mother hen tendencies. you realize at the end of the day and sulk while he looks at you fondly and says you can repay him by trying on all the clothes. or make him something hand made
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strangerlittlethings · 3 months
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I just finished tress of emerald sea and I'm CRYING. What do you mean Charlie would stay as a rat forever because he loves tress so much he would never put her at risk??????
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Okay I just need to say that I knew I'd like this Tailstube as soon as I saw the thumbnail (after all, I am a Sonadails enjoyer, and Tails is literally in the middle of them in the thumbnail)
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But I think probably something that stood out the most to me when I watched it was just
The hints that Shadow and Tails have a relationship outside of Sonic??
The first thing that tipped me off to this was that not only did Tails convince Shadow to join in on his show, he also convinced him to stick around to its natural end?? You know, Shadow. The guy you can't force to do anything and frequently will just dip if he's bored or doesn't want to be there. But even while Sonic was annoying him and he made it clear he wanted the "interview" over with, he still never made a move to chaos control out of there because of any of this.
And the second thing that tipped me off was this:
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When Shadow is both confused and annoyed at Sonic, he chooses to complain to Tails about Sonic. And so Tails steps in to try to "explain" what Sonic meant by what he said (i.e he told Shadow something much nicer in the interest of getting them to be on better terms). The fact that he looks to Tails to complain to about Tails' own best friend and possibly even to explain that which he does not understand in a social context tells me just how highly he regards Tails. And since both Shadow and Sonic are being childish here, it's amusing to see Tails regarded as something closer to a trusted figure with more power here.
From an objective analysis standpoint, of course this means they have their own friendship. And this is a prospect I enjoy (The idea that Tails and Shadow are good friends)! It actually means a lot to me that Tails could form a frienship or bond with Shadow outside of the context of Sonic (in terms of who initiates it and for what reason it's initiated).
But, my friends, from a biased standpoint, I'm shipping trash. And to me this Tailstube was a fun show for Sonadails fans. Honestly, Tails staging this episode to get Sonic and Shadow to talk and "bury the hatchet", as well as how he acts during the show, read a lot to me personally like a guy trying to get his two boyfriends (who happen to be rivals) to get on better terms, if not just tolerate each other. I quite like the idea of Tails dating both of these idiots and just trying to get them to play nice when they're all together (although frankly I think the ideal scenario for Tails in my biased reading is that Sonic and Shadow get together as well).
This is also not to mention the dynamics showcased here! Sonic and Tails as best friends, with Sonic assuming that he and Tails were gonna talk shit about Shadow behind his back, and Tails trying to get him to play nicer. Shadow and Tails as friends, with Tails trying to convince him why he and Sonic are in the perfect position to become friends and helping him out socially, and with Shadow choosing to do something he doesn't want to because of Tails, as well as looking to Tails to complain to when Sonic is annoying him or when he doesn't understand something. And then there's Sonic and Shadow. In short, their relationship in this episode reminded me a lot of the dynamic I plotted out for that Sonadow post I wrote up where the two just beat the crap out of each other. In slightly longer terms, I find interesting how Mr. Flynn maintained Sonic and Shadow's dynamic during SA2 (with Sonic bothering Shadow and trying to fight him, while Shadow is just annoyed that Sonic won't leave him alone) while also showing the audience that they are rivals. And in longer terms...Sonic was clearly seeking a fight during this episode. And the facial expression, the mocking, his tone of voice, it doesn’t really matter whether or not he actually dislikes Shadow and believes they could never be friends. He's trying to annoy Shadow and goad him into a fight because he wants to fight Shadow so badly it makes him look stupid. And we can tell by how he expresses his confusion to Tails that Shadow is just not getting this. To him Sonic is just being annoying and confusing. Sonic is targeting him specifically, and Shadow shoots back with his own words. And so it's also pointed that Shadow reciprocates/actually decides to fight Sonic when Sonic specifically challenges him. He doesn't respond to Sonic trying to goad him on, but when Sonic challenges him specifically he's much more interested in opposing him.
Anyways guys I love Shadow and Tails having a soft on the side relationship while Sonic flirts by convincing Shadow to fight him somehow😂💖
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leavingautumn13 · 10 months
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remember that time i wrote 40k words of pokémon emerald fanfic and then just. didn't post it? warmup sketches today are based on that
anyway you'll never guess who my favorite character is
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sonknuxadow · 5 months
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VERY important images
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p-ogman · 1 year
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Sounder
(This is for @silverpracticality for the @technoblade-gift-exchange !!!)
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tekatonic · 9 months
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I'm skipping a few drawings in-between these two for the sake of being related-ish, but we'll come back to those.
Technically this Chaos design could be considered OC-ish I guess ? Chaos is a deity here, and quite a major one considering chaos energy is the aura in everything ! Here he is mortal, for purposes.
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toh-infodumping · 2 years
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I really enjoy how its Skara between Viney and her that notices something is really wrong with Hunter.
We see the girls at first smiling that he woke up but as he starts to question the reality of things (by jumping to conclusions), she's the first to frown. All he really did was breathe heavy too.
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As when he said "This! This is an illusion!" That's when Viney frowns.
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Then he stands up and her expression changes into even more confusion.
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Until he falls.
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Viney doesn't even have time to react but Skara does. She gets into a pose where she looks like she wants to catch him but is unsure at the same time. That confused lift your hands and try to catch reflex but you end up just kinda standing there.
Yet, she's the first to approach him and grab him.
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But when Hunter is focusing on Viney, Skara's expression is so worried
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And when the attention turns to her, she's still worried but she smiles and tries to calm him down
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It's just really sweet that she's visible worried and concerned about him with how their last interaction ended.
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ride-a-dromedary · 7 months
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I personally think a nice way to give us more chances to talk to Halsin in Act 3 is giving us the option to ask him for a new story from his 350 years of life, and we get a new tidbit of information that changes based on how high his approval is, or whether or not he's being romanced. If the approval is low, he shares little or refuses. I want a chance to hear about how much he studies, meditates, and hibernates and not just the salacious parts!
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