#do i understand peoples emotions all the time? no

[yinyuedijun]

translation

Aventurine doesn't like being understood, but he does like understanding other people. It is essential for manipulation, for scheming, for control. And he likes controlling you especially—for keeping you close but your heart a comfortable distance away, for opening your legs when he wants the pleasure of your body, for playing your emotions however he needs. And the day will come when that skill will be invaluable—the day when he must die without shattering you. (Or: You are the only person in the universe who understands Aventurine in his mother tongue. He often regrets teaching it to you.)

5k words. gender neutral reader, established relationship, angst, non-graphic sex (reader bottoms, anatomy neutral), themes of cultural loss, references to slavery, aventurine’s canonically implied desire to die. MDNI.

Aventurine cannot lie in Avgin.

Deception does not come easily to him in his mother tongue. His command of it is too weak—and too kind. The universe was a different place in the days when his life was coloured by the warble of Avgin dialect. It felt simpler, partly because he was a child and partly because Sigonia was yet untouched by outsiders. There were no corporations, no casinos, no commodity codes. His entire world was sand, desert, mother, sister, father (or more often—ghost), goddess, tent, wagon, luck, sin, rain, blessing, Avgin.

Katican.

Aventurine is sure that he knew more than just those words. He was fluent as a child. He had conversations with his sister that were complex enough to make his heart hurt, though perhaps his heart was just constantly aching anyway. But the rest of his early words escapes him. He could maybe dredge them up if he thinks long enough, but he also isn't sure if his tongue and lips could form the shape of them anymore. Sometimes he still counts in Avgin, memorises phone numbers in it, but he doesn’t remember the last time he actually strung together a full sentence in the language.

When Aventurine was first stolen into slavery (a word that he had not known as a child, and still doesn't know in Avgin), he wasn’t given a Synesthesia Beacon. He had to rely on his ears and his wits, deciphering the harsh edges of the Katican dialect and then the strange garble of Interastral Standard Language. By the time he had a Beacon installed, it was already translating all speech into Standard—his dominant language.

Sometimes he feels a little aggrieved by it, but at least it wasn't Katican. He'd have blown out his brains if it were.

But it is easy to console himself: Avgin is not a useful language anyway. Dead languages have no value, and the Avgin dialect was killed along with its people. You can’t perform commerce in a dead language, can't negotiate contracts, can't enter a gambling den and use your silver tongue to rob people blind. You can't use a dead language to fell governments and extract resources; you can't use a dead language to bring an entire planet to its knees. You can’t use a dead language to gamble your life; you can't use it to save yourself from the gallows.

You cannot deceive people in a language that is defined by sand, sister, goddess, ghost.

Aventurine cannot lie in Avgin. His command of it is too weak, and there is no one left to which he can lie, anyway.

When you ask Aventurine to teach you his first language, he gives you an amused look.

“Why Avgin?” he asks. “No one speaks it anymore. I can teach you Common Sigonian if you’d like. Or we could learn Xianzhounese together. Maybe Intellitron code? I know a little.”

“You speak Avgin,” you argue.

“Not often,” he says. “And badly when I do.”

“But it's still your language. And I want to understand you.”

Aventurine has to stop himself from laughing. Understand him? He hates being understood. When people understand him, it makes him predictable. And unlikeable. Hardly a position from which he can manipulate people in.

You understand him well enough to know that.

“You'll have to give me a better reason than that,” he says neatly. “Make it worth my while. Reward me.”

You look at him as you ponder, your eyes lingering on his. Perhaps trying to read him, though he prefers to think you're just enjoying the sight of them.

“I’ll teach you my language as well?”

“You mean—you'll reward my hard labour with more work?” he says, lighthearted.

You frown at him despite the joke. “You don't want to understand me better than what a Synesthesia Beacon would allow?” He blinks, pausing. “It’ll be convenient too. We can talk shit about other people in public and no one will understand us.”

Aventurine considers you. He doesn't like being understood, but he does like understanding other people. It is essential for manipulation, for scheming, for control. And he likes controlling you especially—for keeping you close but your heart a comfortable distance away, for opening your legs when he wants the pleasure of your body, for playing your emotions however he needs. And the day will come when that skill will be invaluable—the day when he must die without shattering you.

He also likes the idea of talking shit in public.

“I'm listening,” he says, voice lilting. You lean in, smiling. Sweet. It makes his heart feel something he isn't used to. Something addictive. Something disgusting. He scrambles to cover it with one of the usual tools: humour or distraction or maybe just plain old lying—his most reliable weapon.

“I'll throw in a kiss?” you try.

He hums. “Just one?”

“One per day.”

“Three.”

“You drive a hard bargain.”

“Well, I am a businessman.”

You snort, but he knows you're endeared. You have very noticeable tells when you’re flustered.

“Okay,” you say. “Three kisses on days you teach me.”

“Deal.”

Aventurine remembers more Avgin than he thought he would.

It comes to him slowly, painstakingly. You aren't interested in structured lessons, and he wouldn't be able to provide them anyway. He has a nonexistent grasp of grammar aside from this sounds right and that sounds strange, and Avgin dialect is both so niche and so dead that no textbooks are available. The scholars have abandoned the language as much as the politicians abandoned its people. Aventurine only has you, his fragmented memory, and whatever questions come to mind as you live out your days with him.

Mostly, you ask him about basic vocabulary. Sometimes you ask him to repeat sentences from your conversations in Avgin, like he’s some kind of multilingual parrot. Each prompt forces him to wade through the fog in his mind, the one that’s been shrouding his childhood memories until now. He's startled at how naturally the old words roll off his tongue: One, two, three, four. Good morning. Good evening. Good night. Sweet dreams. Five, six, seven, eight. You're lying to me. Why do you always lie to me? I don't know what you're talking about. Nine, ten, eleven, twelve. Welcome home. Have you eaten? Have some bread. I made you stew. Twenty, thirty, forty, fifty. That was dangerous. I thought you wouldn't make it back to me. Sometimes I think you want to die. One hundred, one thousand, one million, one billion. I'm sorry. Come here. Let me kiss you. Don't cry. Don't cry. Don't cry.

When you say, How do I ask you to let me hold you, he answers easily. He'd heard the words so often as a child: Let me hold you, Kakavasha. Let Mama hold you. His mouth forms the sounds without conscious thought.

He regrets it almost immediately.

When Aventurine hears it from you—stilted, halting, but no less gentle—he stops breathing. Let me hold you. You say it all the time in Standard, but it feels different in Avgin. More painful. A strange sense of panic closes in on him when he's wrapped up in you, thinking in Avgin, thinking sand, sister, goddess, ghost. He holds you tightly, like the rags cut from his father’s shirt, or his mother’s locket won back from the shell-slashers, or a bag of poker chips beneath a card table, clutched within his trembling grip.

“Aventurine, is something wrong?” you ask in Avgin, and he replies in Standard with his usual smile.

“Hm? No. What could be wrong if I have you here?”

Lying is one of his greatest tools. Sex is another one. So he says, “I think I'd like my reward now,” and he runs his lips along your jaw, your pulse, the spot over your heart (there's a word for that in Avgin but not Standard, he tells you), until you're laughing. I thought you wanted three kisses, you tease, and he replies, Who said I wanted to kiss you on the mouth?

But he coaxes open your thighs, and once he's inside you, he collects his payment properly. He kisses you, and kisses you, and kisses you—and you swallow his lies whole.

There are some things that Aventurine doesn't teach you. Mostly, they’re things that he can’t teach you.

There are countless gaps in his Avgin. His speech is painfully childish—probably more childish than it was when he actually stopped speaking it. He doesn't know how to swear (something that disappoints you) and he doesn't know how to flirt (something that devastates you). He doesn’t know any words that would be useful for work either: commercialization, governance, stakes, winnings, profit. When you ask him what his job title is in Avgin (“Was senior management even a thing in Avgin society?”), he laughs and gives you the word for gambler.

Then there are the words that he remembers—has remembered his whole life—but never says. Not to you, and not to himself. He doesn't teach you any prayers. He doesn't teach you any blessings. He doesn't teach you about Mama Fenge, or the Kakava Festival, or how the rain fell when he was born. When you ask him, What holidays did you celebrate when you were little? he shrugs and says, We didn't have any. Sigonia’s too bleak to do any partying.

Then you ask him one day, while your bodies are spent in the afterglow of sex, sticky with sweat and sweetness, how to say I love you. And he goes quiet.

Love is a cheap word in Interastral Standard. In the language of globalisation and trade, love has been commercialised, commodified, capitalised for power. You say it to him in many contexts: I love this, I love that, I love you. He hardly ever reacts, and he's never said it back. It would feel unnecessary and also cruel if he did: Aventurine has only ever said the words himself as either a joke or a manipulation.

But love feels different in Avgin than in Interastral Standard, doesn't sound like a thing that can be traded or bought. Kakavasha only ever said the word love to his mother, to his sister, to his father's grave. Love in his mother tongue feels priceless.

When Aventurine thinks about you saying it—I love you, Kakavasha, in clumsy, earnest Avgin—something so painful swells in his throat that he can hardly breathe.

“There is no word for love in my language,” he tells you.

You blink. “Okay, then what's an idiom for it?”

“There is none. There’s no word or phrase expressing love.”

You raise a brow. “That’s hard to believe.”

“Is it?” He smiles. “There’s no Avgin in the known universe who cares about love. Only scheming, thieving, and treachery—and you can't do those things when love is involved.”

You look at him in alarm. “Why are you saying that?” You're practically squirming in your discomfort. “I don't know why you think I'd believe such a racist stereotype.”

“It’s not a stereotype,” he says. “I'm not talking about the Avgin culture. I'm talking about myself.”

After all, he is the only Avgin left.

It is an unfair thing to say. A cruel thing to say. After all the laughing and kissing and crying and fucking, after all the tender eyes and gentle words from you—it is probably the worst pain imaginable: I don't give a shit about you. He waits for you to cry.

But you only stare at him calmly, studying him. You brush the hair out of his eyes, seeing them clearly.

“If you lie to me all the time,” you say in Avgin, “eventually I'll stop believing anything you say.”

Aventurine is speechless. His heart does that addictive, disgusting thing again. He thinks about leaving, but then you say, Let me hold you, and he can't do anything other than obey.

Avgin dialect was once included in the Synesthesia Beacon list of functions. The Intelligentsia Guild added it before the Second Katica-Avgin Extinction Event, when the IPC was trying to get a political foothold on Sigonia via the Avgin people. The language was alive then, with enough value to be included into the Synesthesia LLM by the linguists.

But since the Extinction Event—since Kakavasha ran away from home—the Synesthesia data on Avgin has been stagnant, a fossil. Aventurine knows because he's subscribed to software updates for certain languages (Avgin Sigonian, Common Sigonian, Interastral Standard, and now your mother tongue). He gets pinged every time there's a new addition for slang, for neologisms—but there hasn't been a ping for the Avgin dialect since he had the Beacon installed. The live translation function hasn't even been available since the previous Amber Era. When he checks its page on his Synesthesia app, it's very clear why—

SIGONIAN, AVGIN DIALECT SPEAKERS: 0 STATUS: Extinct END OF SERVICE: 2156 AE

The complete death of the language has led to an irritating dilemma for you and Aventurine. You keep running into words that he doesn't know—this time not because of his childlike speech, but because they never existed in his language to begin with. Ocean, tropical, rainforest. Starskiff, accelerator, space fleet. Stock market, shortselling, mutual funds. Black hole, event horizon, spaghettification. All things that never came up for Kakavasha, but now come up for Aventurine, and the language has not evolved to include it.

He always wants to switch to Standard to discuss these things, but you're insistent on speaking in Avgin as much as possible. He doesn't know why, but he doesn't mind humouring you—partly because he likes to indulge you, and partly because he’s grown used to hearing the honeyed timbre of Avgin dialect in your household. The place would feel strange without it.

So you start filling the gaps with other languages, filtering them through the lyricism of Avgin. Loanwords, he thinks they’re called. You take ocean, tropical, rainforest from Amazian; starskiff, accelerator, space fleet from Xianzhounese; stock market, shortselling, mutual funds from Interastral Standard. For the astrophysics terms, you try directly translating them—with limited success.

“Can't I literally just say ‘black hole’?” you ask in Avgin, and he nearly spits out his coffee.

“Please don't. That's a dirty word.” He can't bring himself to say what it means, but from the way you’re laughing, you can clearly guess.

“I thought you said you didn't know how to swear.”

“You've just reminded me how.”

“You're welcome.” You look on the verge of cackling. Aventurine finishes his coffee and wonders when you're going to surprise him with your newfound vulgarity.

“Let's just do the space terms based on Standard,” he says. Begs.

“No, that's so boring.”

“Then let's do your language.”

You open your mouth. Close it. Give him a blank look.

“You don't know how to say those words in your mother tongue either, do you,” he intuits.

“Well, ‘spaghettification’ doesn't really come up in everyday conversation, does it?”

“Then maybe we don't need it.” He smiles, senses an opportunity. Smells blood. “How about ‘love’? I'd much rather know how you say that. I bet it sounds beautiful.”

You give him a long look. Your eyes are vulnerable when you share it: Love. I love you. He’s fascinated by the sound of it. Your voice is never that fragile when you say it in Standard. It's never so earnest. He repeats it, staring at you, and your gaze falls to the ground. His mouth curls.

“I like it,” he says. “Let's use that. It'll sound nice in Avgin.”

You try to recover. “Sure. That works. But back to ‘black hole’—”

And the two of you continue like that for days, weeks, months. It feels like a complete bastardization of his mother tongue on some days, in some conversations. Almost unrecognisable. But it doesn't feel bad. It’s all he has, it's all you have, and when he walks into your home, he starts speaking it without thinking: your bastard, patchwork language. The Avgin dialect that exists only in your house. A tongue that can only be understood by a liar.

And then, one lazy Sunday morning, he gets a familiar ping. He expects it to be Interastral Standard, as usual. The language balloons with each planet that the IPC colonises.

But instead, he opens his screen and freezes.

SIGONIAN, AVGIN DIALECT SPEAKERS: 2 STATUS: Endangered. SERVICE RESUMED: 2157 AE NEW UPDATES: 103 loanwords and 5 neologisms added.

He can't stop looking at the status. Endangered. Endangered, which means dying, but alive. The Avgin dialect is alive again. The Intelligentsia Guild determined it, so it must be true. But Aventurine can't agree: there are no Avgin speakers in the known universe other than the two of you, and what you speak isn't real Avgin. The Avgin spoken by his mother and father and sister is dead; the Avgin spoken by Kakavasha is dead. The festivals are gone; the deserts have been terraformed. There are no wagons; there are no dances; there are no prayers. There are no blessings, and he has no home—

As long as you are alive, the blood of the Avgin will never run dry.

His throat locks up.

“Aventurine?” you ask. Your voice is drowsy, but concerned. “Is something wrong?”

He looks at you from his phone, a polished smile on his face.

“No.” His syllables are plain and efficient in the noise of Interastral Standard: “Just looking at details for a new assignment. It’ll be a long one.”

“Oh.” You frown. “Will you be away from home for a long time, then?”

He stops himself from swallowing. “Yes, I'll be away from the house. For several months, probably.”

“Okay.” Your voice is small. “Take care of yourself, okay? I'll miss you.”

Each word you speak resonates with heartbreak. It always does in these conversations, even in Standard—but the sorrow is amplified in Avgin. His mother tongue has an inherently sad quality to it, he's noticed. His people have lost so much over their history—their language is one of loss. It's his language of loss. Kakavasha did all his grieving in Avgin; Aventurine has never felt sorrow in Standard. When the language died, so did Kakavasha—and all his regrets with it.

“You'll come home to me, right?” you ask. It's a beautiful sentence in Avgin. A heartrending one. He feels something that he hasn't known since he was a child.

It's a feeling he has to kill.

“Yes,” he says in Standard. “Of course I'll come back.”

This is not the first time that Aventurine has been mistaken for dead, but this is the longest time.

The latest world to join the IPC network was a tough acquisition. It had been ruled by a despot who wreaked havoc on both the people and the planet, and who was too stupid and reckless to resolve conflicts with his trade partners. He probably would have blown up the whole star system had he been left to his own devices. Aventurine had no qualms about bringing him to ruin, nor did he have qualms about nearly dying in the process.

If things had gone his way, he'd either be dead or missing. This would have been the perfect opportunity to do the latter, actually—to be freed from the IPC. Free to drift alone, speaking with strangers in strange, unfamiliar tongues. No connection to his past, to the cruel history of his luck, to his commodity code. No tether to his inherently unjust destiny. But instead he's back in your house, pockets heavy with his borrowed wealth, speaking to you in his bastardised, childish Avgin. I'm sorry. Come here. Let me kiss you. Don't cry. Don't cry. Don't cry.

Your Avgin is—shockingly fluent. He doesn't know how. He can't think about it right now. All he can process is the wounded animal noise of your speech as you yell at him, as you cry. Like an injured songbird, or a weeping child. Why did you leave, why did you lie, why do you always lie to me, why don't you give a shit about me, you spit. Why do you want to die, why do you want to die, why do you want to die, you keep saying. Sand, sister, goddess, ghost, he keeps hearing. Sand, sister, goddess, ghost. Don't leave me, big sister. People will die. Why do you have to go?

“I’m sorry,” he tries again, this time in your language. “I'm so sorry. Come here. Let me hold you.”

You collapse into your mother tongue. Aventurine is both relieved and horrified. Relieved that he doesn't need to hear the language of his grief—horrified that he needs to hear yours. He's never heard you cry like this. He's never heard you break like this. These must have been the words you used when the soldiers found you hiding in your closet, when they dragged you out of your home. You were just a child.

Aventurine doesn't know the words you are using—you've never taught them—but he still understands them.

You're very malleable when you’re sad; even more so when you're hysterical. Aventurine understands this about you, and he understands how to calm you—this time in your native tongue—and he understands how to kiss you. He understands that you need to feel close to him. He understands that there are ways to accomplish this other than sex. A normal person would talk it out, have an honest conversation, come to a mutual understanding, and maybe even stop trying to kill himself. They wouldn't fuck you into the mattress while your face is still wet with tears.

But Aventurine is not a normal person. He doesn't know how to have an honest conversation, and he doesn't want to be understood. Lying is his greatest weapon, and sex is a close second. So he kisses you until you’re too breathless to cry, fucks you until you can't think, and makes you come so hard that you’re in too much bliss to grieve. And maybe it's horrible of him, but he enjoys it. He enjoys the way your body takes him in so easily, the way your nails dig into his back, the way you tighten around him when you climax, so wet and needy for him. The way you beg for him in your language for liars as he spends himself inside you: I love you, Aventurine, I love you, I love you, I love you—

Only because it feels good. This is all only because he enjoys fucking you. This is all only because you enjoy fucking him. This is all it'll ever be, and it'll be this way until he gets to meet his end.

(Some months ago, Aventurine started dreaming in Avgin.

It surprised him when he first noticed it. The last time he remembers having a dream in his native tongue, he was twelve years old and still in chains. And even then, it had become a sporadic, strange thing. Awful to wake up from. One minute he was with his mother and sister on a cool, rainy day, speaking fluently in Avgin as he laughed and played—and the next minute, he was being shaken awake in his cage, hearing the cruel lash of Katican.

But ever since he's started speaking Avgin with you, he's been dreaming in it. Vividly. Sometimes he's a child in these dreams, and sometimes he's grown. He's always back in the Sigonian desert, among the tents and the campfires and his family wagons. His mother and sister are alive. Sometimes his father is too. The skies roar with thunder and the stellar winds are always harsh, but they always keep him cocooned up in their arms. He's always warm.

Sometimes Aventurine dreams of nicer days. Clear skies, warm sun, cool breeze—all blessings from the Mother Goddess. On these days, he tends to be an adult, and you tend to be there with him. Your Avgin is fluent but strange, filled with funny loanwords and peculiar slang. His father likes the neologisms and starts using them—but only in wrong ways. His sister finds it embarrassing and keeps apologising to you.

His mother loves you. She loves you so much it hurts. This is how I know you're blessed, Kakavasha, she says, glowing. You’re so lucky to have found such a kind person.

Kakavasha knows this. He knows he's lucky, and in his dreams, that isn't a bad thing. In his dreams, his luck means that his home is not violently excised from his heart: his father never dies; his mother never dies; his sister never dies. The tents are not burned; the wagons are not destroyed. He is never forced to forget his people's dishes, their songs, their language, their joy. And in his dreams, his luck means that he meets you anyway, without all the loss and the chains and the lying.

In his dreams, he is able to bring you to the desert. He is able to teach you the Avgin he spoke as a child, to cook all the meals his mother used to make, to share with you their coffee and their tea. He teaches you prayers. He teaches you blessings. He tells you about Mama Fenge, about how the rain fell when he was born. He takes you to the Kakava Festival, shows you how to dance, sings to you all the Avgin songs until you're singing back. He presses his palm to yours in prayer; he kisses you in devotion, not avoidance.

Sometimes the two of you still fight, the same fights that you have in real life, but he handles them with honesty. He listens to you. He apologises to you. He tells you that he’ll change, and he means it—because this world is a kind one, and he has no need to be so cruel to you.

In this kind world, when you lay in bed with his arms tight around you, you smile at him and say, I love you, Kakavasha. You say it in Avgin—real Avgin, not the dialect born from genocide and deceit—and when he responds, there's not even a little bit of insincerity in his voice. Because Kakavasha never became Aventurine in these dreams, so he has no Interastral Standard in which he can lie to you, no silver tongue with which he can manipulate you, no commodity code that inspires his fear of being controlled by you. Kakavasha only knows Avgin, and he only has his sand, his family, his goddess, his home.

And he has you. Finally, he has you.

He kisses you, and kisses you, and kisses you—and then he tells you the truth.)

.

.

.

Aventurine cannot lie in Avgin.

You noticed this very early on: whenever he lies to you, he always switches to Interastral Standard. Probably he wouldn't be able to do it in his mother tongue. His command of it is too weak, and the words he knows are all too kind. He speaks with the innocence of a child, and children cannot deceive people in the way that adults can. Children cannot perform commerce or negotiate contracts. They cannot use a silver tongue to rob people blind. They cannot save themselves from the gallows.

So Aventurine’s Avgin is defenceless. Vulnerable. So vulnerable it hurts. You are not so vulnerable in your first language because your captors spoke it on occasion, and you learned to lie in it to gain their pity. You told Aventurine that knowing it would help him understand you, but this was a deception. Aventurine’s mother tongue was a language of trust, but yours is a dialect of abuse.

The Avgin language died before Aventurine could be gutted by it; this is why it disarms him so completely. This is why he’s so indulgent and so warm when you use it with him, why he yields to all your requests. Not requests for money or gifts—you’re certain those are meaningless to him—but for affection. Let me hold you. Let me touch you. Let me kiss you. He can never say no.

This is also why he loves hearing you speak his mother tongue, you think—it makes him feel at home, it makes him feel safe. Maybe it even makes him feel loved. He never seems so at peace speaking any other language, so you try to use Avgin as much as possible. You like seeing him happy. You like it even if it means you need to teach him your own native language in exchange, even when it means you need to hear him say all the things your captors used to say. You don't mind it if it's him. You never mind the harm he inflicts on you, especially not when it brings you closer to him.

It is convenient that he cannot lie in Avgin. You only wanted to learn it in the first place because he talks in his sleep—mostly in Standard, but sometimes in his native tongue. And now that you know he cannot lie in Avgin, you also know he's always being honest in his dreams. Honest when he throws his arms around you in his sleep. Honest when he grabs you so tightly that you bruise. Honest when he buries his face into your neck and whispers prayers into your skin.

Most of the words he says are common ones, the earliest vocabulary that he taught you. But there are some things he's withheld from you—and to learn those things, you had to track down linguists from the Intelligentsia Guild, bribe them with your dirty money, have them give you all their deprecated, extinct data. It felt two-faced, and it was violating, but it was the only way. You already know that Aventurine would rather die than translate his feelings for you, would never want this part of himself understood.

I'm sorry for always leaving you.

I'm sorry for making you cry.

I can't bear the thought of losing you.

Freedom would be too lonely without you.

I don't want to hurt you anymore.

I don't want to lie to you anymore.

I missed you.

I want you.

I need you.

I love you.

end

afterword

#aventurine x reader #hsr x reader #honkai star rail x reader #x reader #hsr smut #aventurine smut #lol it isnt really smut but it is nsft i suppose #nsft #yueshuo.fics

[psychelis-new]

pick a pile: "What a beautiful flower you are"

take a breath and choose the photo or number that calls you the most to read a few words reminding you of how strong, worthy and important you are through every step of your journey. remind yourself of how flower can stand up in the rain and how they may grow through concrete. no matter what is going on, remember that at the end of the day you are always the best, strongest and most valuable flower around at any given time. you can't compare with anyone else, cause you're unique.

don’t take the reading too seriously. only take what resonates with you and leave the rest. if you're not called by any pile, let this reading slid as it may not hold messages for you. if you're called by more than one pile, there may be messages in each of those piles. remember that is a general reading and some things may not resonate with you. energies can change and readings are based on present ones (as you read); you're always in charge of your life. readings do not substitute real life experience nor professionals/doctors advices.

(photos found on unsplash)

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pile 1

You make beautiful things grow around whatever negative may happen. You find the positive side in anything that happens and know how to start all over again from anything, trying to make it better. You welcome and nurture what hurts, you transform it in seeds that one day will give life to beautiful flowers just like you. I think you help a lot especially people around you in this process of seeing and finding a positive side, a different side from which to look at what happens and what has happened. You give new povs and new life to scraps and past (it could also be something you like to do creatively/practically, btw). I think those coming in touch with you are deeply changed and inspired by you. You probably forget to use this beautiful habit of yours for yourself too. Please, include yourself into this. You're as deserving of beautiful things as others. Nurture your own pain too, and do anything you can to make it grow into something beautiful and bright as you. And don't close off from others, don't hide your pain from those who'd love to help you. Let them do it for you. You deserve as much as you give away.

song: obsessed | mariah carey (don't be overly obsessed in helping others to the point of codependency, help yourself as well)

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pile 2

You may have experienced some difficult relationships (eg. family, love, friends, colleagues...) and now you kind of buildt a multi-layered wall around your heart so that people won't be able to make you suffer/betray you again. And yes it's hard for people to get in and hurt you but also to love you. And yes it may make you feel strong and in control but I think you may be also struggling a lot because of this. Being so overprotective of yourself, despite ofc understandable (it's a defense mechanism), is making you feel lonely too because it's blocking your connections from growing. You've been through a lot and you're still here but it's not because of your walls that you made it through. It's because of the love that pulse inside of you. Have a talk with your emotions, with your wounded ego, and realize that not everyone is here to hurt you. You're very much hurting yourself first by not letting others in in fear of something that may never happen. You can survive anything, you can defend yourself, you can call people out or ask for clarifications. It's not you the naive/"wrong" person if you trust others and they let you down or betray you. You cannot control what others do with what you give them, nor you're responsible of/guilty for that. Come back to you, master your emotions.

song: pure shores | all saints

- ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ -

pile 3

I think at times you're confident and well but other times you let your self doubt come in between and make you fear you're saying or doing something bad? Ruining something or the day of someone else? Like you end up falling easily and fast into this negative mental pattern of being useless and inherently "bad" (guilty? unworthy?). I think it's a matter of growing acquainted with your boundaries, setting some healthy ones and not fear being judged (it may have happened a lot in your life) for them or not being appreciated anymore or abandoned if you stopped pleasing others. We need to respect ourselves too, not just others (and pleasing them is not the same as respecting them anyway: you can disagree/say no and still be respectful). It's like you forget about your worth (it doesn't depend on how good you perform) all of a sudden in fear of being left out. You may feel unsafe in setting your boundaries especially when stressed out (or it just may stress you as said), like you may fear being perceived as rude and left alone. It may be that you got manipulated or gaslighted into feeling always wrong, guilty or bad if you didn't acted as "expected of you". I'm sorry about this: remember you are inherently good and worthy, and you have the right to stand up for yourself. You won't end up alone. Find your inner balance and peace, go slow. You're already perfect.

song: underdog | you me at six

#pac #pick a card #pick a pile #pick a card reading #pick a card tarot #pick a picture #pick a photo #divination #clairs readings #psychic readings #intuitive readings #tarotblr #tarot readings #tarotcommunity #tarots

[pinknipszz]

IT'S BUZZCUT SEASON, ANYWAY

⤷ gojo satoru, ryomen sukuna, and fushiguro toji

SATORU thought it was going to be a harmless prank. hair grows back after all.

well. he didn’t anticipate his “harmless prank” to cause this much emotional distress. 

“it’s so ugly!” you scream, hiding your tear-stained face in your hands in a desperate attempt to forget the horrific image of your sweet, sweet boyfriend and his white buzzcut. entirely dismissive of the fact that you’re in a public setting—a park, actually—satoru quickly scoops you up in his arms with consolation on his lips.

“it’s not that bad baby,” he swears. “it’ll grow back in a few weeks anyway.” you spiral at his words as images of that vile haircut flash in your mind. after putting you back on your feet, satoru tries to pull your hands away from your pretty face, but his efforts turn futile once he hears something along the lines of: “it is that bad!” 

it comes out as a hoarse, incoherent muffle, but he understands it nonetheless.

“i’ll wear a wig!” he blurts out desperately. "there's a shop down the street. we'll buy one right now." your shoulders stop shaking as you fall silent, and for a moment, satoru thinks he made the right choice of words. however, when you barrel into another fit of loud sobs, an unretrievable part of him chips away.

with a heavy heart, satoru sighs and holds you against his chest, cradling your head. he really fucked up this time. people throw him strange looks, but others—especially women—only sigh and shake their heads sympathetically at your anguish. no one can really blame you for reacting like this anyway. 

“SUKUNA,” you gasp in awe at the sight of him. 

you’re hardly seated yet, but the thin glass shield does little to spare him from the bewildered look on your face as you gawk at the short, neat buzz in place of his usual slick back. he feels his eye twitch.

when the officer coughs behind him, sukuna throws a mean look over his shoulder before ripping the telephone off the wall and holding it close to his ear. he only gets to hear your sweet voice once a month, and he’ll be damned if you waste it on his hair. “don’t ask about it,” he gruffs out. “tell me what you’ve been up to.”

you blink once—twice, even—before mirroring his actions and grabbing the prison’s janky telephone (having done this so many times, you don’t even wince when you touch some mysterious residue left by the previous visitor). you try to speak, your lips curling around the syllables of a word, but not a single sound escapes your throat. 

sukuna rolls his eyes at your loss for words. “come on. talk to me, doll.” his light tap against the glass earns him a warning that you don’t quite catch from the officer, but by the quiet string of curses that leaves the receiver, you guess it must have something to do with cutting his minutes. which you absolutely did not want.

“i think it fits you,” you say hurriedly. “you have a nice face, so the buzz works really well.” your delivery wasn’t the most elegant, and you might have even stuttered in between, but sukuna nearly groans when he hears you again. god he misses you. more than you miss his pretty pink hair.

TOJI thinks his life can’t get any worse—or at least that’s what he thought before getting into a car accident last week. by the grace of god, toji survived with only a few minor injuries, but his hair, now full of a million tiny glass shards, wasn’t so lucky. once he realized that they were impossible to wash out, toji knew there was only one thing left to do.

a loud shriek echoes through the apartment. 

“toji—why are you bald?” you point an accusatory finger at your boyfriend of three years, standing in the middle of your bathroom with a towel around his waist. maybe under different circumstances, you’d be drooling over the delicious sight, but how could you possibly do that when his hair is so close to his scalp!

toji simply won’t stand for this slander. now don’t get him wrong. he loves you more than anything in the world, but the last thing any guy wants to hear is his name and the word “bald” in the same sentence. “i’m not bald goddamnit!” he barks back with equal ferocity. “it’s called a buzzcut. get it right, woman!”

the hilarity of the situation has you doubling over in laughter. tears are ruining your mascara, but you don’t half the mind to care, and neither does he as tension melts away from his shoulders. toji chuckles and shakes his head at your desperate wheezes. honestly, this interaction could’ve gone much, much worse.

(masterlist) | (a/n: i don't think anyone else in the series would get a buzz tbh)

#jujutsu kaisen #jjk #sukuna ryomen #sukuna x reader #sukuna x you #toji x reader #toji fushiguro #satoru gojo #gojo x reader #jjk gojo #jjk sukuna #jjk toji #sukuna #toji #gojo #jjk headcanons #toji fushigro x reader

[ur-local-anti-hero]

Speak now

James Potter x Malfoy!Reader

Summary: If the marauders are against something, its agaisnt pureblood families ideologies. Sometimes that implies to wreak havoc on a white veil occasion.

Genre: Hurt/comfort, Fluff and a tiny bit of Angst. Arranged Marriage

CW: Forced Marriage, Familiar problems, talks about blood purity and blood traitors. Breaking into a weddig idk.

Word count: 2.2K

This is part of my Speak Now (Marauders’ version) collection 

“So don't say yes, run away now. I'll meet you when you're out of the church at the back door.

Don't wait, or say a single vow. You need to hear me out”

When you were younger you saw a fair amount of weddings. They were always presented to you as big emotional events in which two people promised eternal love to each other. 

Even when you didn't know anything about love as a kid, it was no wonder that you yearned to have your own wedding once you grew up. It was a dream to have your own white dress, a beautifully decorated venue and a partner you loved so deeply you’d be willing to spend your whole life with them. 

Looking back maybe you should’ve known better. The first sign should’ve been your surname. A Malfoy has expectations they have to meet, keeping the bloodline pure, for starters. 

The second one should’ve been your parents’ loveless marriage, when you were younger you used to wonder why they’d married at all, now it was quite obvious. 

The third and most evident should’ve been when Andromeda Black was disowned. At that time you didn’t truly understand what that entailed, and why it was such a hassle that she wanted to get married. Now you understood that the problem was not the wedding, if not the groom. 

All your fantasies about the commonly named ‘Big day’ were completely shattered when your 18th birthday came, and with it a letter from your parents which contained the name of your soon to be husband. You tried to fight it, which only made your parents move the date of the wedding forward and get you out of Hogwarts, your education didn’t matter anymore to them now that your future as a housewife was inevitable. And being away from Hogwarts also meant being away from the ‘bad influences’ in your life. 

Now the corset of your white dress was suffocating, you felt trapped. Looking at the mirror was like looking at someone else. The girl with lifeless eyes and heavy make-up that couldn’t hide her eyebags was supposed to be you, yet it felt like a perfectly modelated version of yourself, made to impress the high class families attending the wedding. 

Narcissa’s gentle hands were bradding your hair, finishing your look before the wedding. Usually her presence was able to calm you down. Ever since she married your older brother, Lucius, her presence was regular in family gatherings and you’ve always felt some kind of kinship with her, seeking shelter on her whenever the phony and pompous encounters became too overwhelming.

You could attribute your shifted feelings towards her to the fact that she was unknowingly preparing you for eternal misery, or maybe because she was replacing the ones who you would’ve chosen as bridesmaids - there was no place for muggleborns in an event celebrating the union of two pureblood heirs -. Or even because it was her little cousin the one you were to wed. 

“You look beautiful” said Narcissa once she was done with your hair. 

You nodded and gave her a small thank you. However, you disagreed completely, the girl she was looking at was not you, it was your parent’s perfect daughter. 

“You do look lovely, father and mother are going to be delighted” your brother’s voice came from the door, where he was leaning on. “I brought you some company” he gestured behind him. 

Pandora and Dorcas stormed into the room, the former embracing you into a tight hug when they spotted you. Lucius and Narcissa left the room. 

“How are you holding up?” Pandora asked as soon as the door closed behind Lucius and Narcissa. Her arms were still holding you tightly, Dorcas standing behind her. 

You shrugged at her, not being able to talk due the knot in your throat and the tears threatening to fall from your eyes. You kept your eyes glued to the mirror. 

Pandora stepped out of the hug and stood next to Dorcas, who had yet to speak. 

“Evan and Barty are with Regulus, I swear I never thought I would see him in a tux” said Dorcas, trying to make conversation. The thought of Regulus being in the same situation as you didn’t make you feel better, the knot in your throat was getting tighther by the second. You promised to yourself you wouldn’t cry anymore, to be honest you thought you had run out of tears days ago. 

“Sirius is here too” Pandora was trying to distract you from the wedding. If she was being honest with herself there was nothing they could do to make you feel better. But maybe knowing that your best friend was out there could help a little. 

That made you finally look away from the mirror, a small wave of hope cursing through you. If Sirius was here it meant that James could be too. In the eyes of your family his family’s name was not good enough for yours, but maybe it was enough for him to be a guest. 

Maybe it was selfish to wish for him to be there when you knew how much it would hurt him, but you needed to talk to him, he was the only one who could actually comfort you right now, the only presence that would make everything feel normal again. You yearned to feel his touch against your skin and his lips against yours, even if it was for one last time, as a farewell. 

“Is he… Is James here?” you spoke for the first time. 

The answer was clear in the pitiful look they gave you even before Pandora replied with a soft ‘no’. 

You don’t know what did it, if the look in the faces of your friends or the fact that you would never see James again, but tears started rolling down your face. In seconds you were being embraced by Pandora again, and Dorcas’ hand was wiping away your tears. 

“It’s okay, you are going to be okay” Pandora didn’t believe her own words, but there was little she could do to calm you down and you both knew it. 

There was a knock on the door and your dad’s voice came from the other side “Y/N, it’s time” 

Pandora gave you a squeeze before letting you go from the hug. They both left the room, not without giving you a forced smile. 

“Oh, merlin” you said to yourself as soon as you were left alone, going back to the mirror, you wiped the few tears that were left on your face, and tried to fix the smudged make-up around your eyes with your fingers. You didn’t want to give your parents the satisfaction of seeing how much this affected you. 

Once you looked mildly presentable again you exited the room. Your father was waiting for you and he offered you his arm to lead you towards the venue. 

You could see the whole venue from the end of the aisle. The green and black motives contrasted beatifully with the white flowers decorating the aisle and the top of the altar. The guests were placed in black chairs at both ends of the aisle. 

You weren’t brave enough to lift your glaze from the ground, knowning that you wouldn’t see the love of your life waiting for you as you had dreamt since you were a kid. The heavy veil of your dress made your steps slow and lethargic. 

It was not until you were halfway down the aisle that you gathered enough courage to finally look at the man in front of you. Instead of the boy with unruly curly brown hair and eyes filled with love, there standing was Regulus, his black hair slicked back and eyes drowned by the same defeated look you wore. 

Once you reached his side everything went in a blur, all you remember is him taking your hands into his and the officiant talking. 

“If anyone has any objection, speak now or forever hold your peace” 

You were really going insane because you swore you saw James standing at the end of the aisle, wearing a tuxedo and with his hand up in the air. 

“I oppose!” His voice was loud and clear, your eyes widened. 

All the guests' eyes went to his figure and several surprised gasps were heard. Maybe you were not hallucinating. 

───✥───

If Fleamont Potter ever found out how James was using his inherited cloak of invisivility he’d be horrified, or maybe oddly proud of his son. 

Not even James thought he would ever sneak into a highly patrolled wedding on a common Tuesday, but honestly if someone had told him a year ago he’d be doing this he wouldn’t be surprised. 

Sneaking in a wedding filled with pureblood families and slytherin students was the perfect setup for a Marauders prank. However, what would have surprised him would’ve been the reason for interrupting a white veil occasion. Dating a Malfoy was something he hadn’t expected to ever do, but you had gotten past all his defenses with your kind and bright personality that proved to be so different from your family’s pretentious ways. 

Therefore, he was now standing on the aisle you had walked minutes ago. He had a perfect view of you and Regulus from his stance, your white dress was gorgeous, and your hair was neatly done. If it weren’t for your puffy and bloodshot eyes, and the obvious defeated look in your face, a look that had no place in a wedding, he could almost believe this was a normal marriage ceremony. 

When you had received the letter from your parents you had been inconsolable, and rightfully so. James had tried everything to stop the wedding, he even went as far as asking your parents for their blessing and to be the one you'd wed instead of the Black heir. Turned out to be useless as his family had been marked as blood traitors for eternity. 

But James isn't known for giving up easily, and the Marauders were not going to let an opportunity to cause havoc pass by. 

With the promise of being on his best behavior, Sirius had convinced his parents to attend the wedding as a guest, acting as a mole for his friends' plans. Remus and Lily were outside the venue with their ride home -a couple of broomsticks they borrowed from Hogwarts' supply closet. 

And the last part of the plan, and its success rested on James' shoulders. 

The preacher spoke 'Speak now or forever hold your peace' James smirked, that was his cue. It was on. 

James took off his invisibility cloak and without a single trace of shame or shyness in his voice James stated loudly "I oppose!"

James would've loved to stop for a moment to memorize the looks of complete horror in the faces of the guests, but he had to be fast and make total use of the element of surprise. 

Without hesitation James sprinted towards the altar. He could see the way your brother had stood up and pointed his wand at him, his spell being intercepted by Sirius' expelliarmus spell. 

As soon as James made it to the altar chaos erupted from everyone in the venue, he could make out the shouts of your parents and some spells that were being intercepted by yours and James' friends. 

At the sight of James Regulus let your hands go, he raised his arms in defeat and left the altar without much hassle. 

"Gentleman" James greeted Regulus' groomsmen, Barty and Evan who were just as stunned as everyone, all they could do was nod in acknowledgement to James, not even trying to interfere. 

"Hi, love" he was finally looking at you, your eyes were wide with surprise and tears were gathered in your waterline. James took your hands in one of his and the other was raised to stroke your cheek. 

“James what- how-” you were completely astonished, and unable to formulate a single phrase. You knew your boyfriend loved you, and the lengths he would go to prove it, but you would have never guessed he’d be willing to break into your wedding ceremony. He was always proving you wrong. 

“Hey Peter, mate, it’s your moment to shine” Following james’ words a rat came out of his pants’ pocket. 

And suddenly Peter was standing in front of you. He pushed the appalled officiant slightly to the side and took his place. 

Peter cleared his throat before speaking “Do you, James Fleamont Potter, take Y/N Malfoy as your wife?” 

“I do” 

“Do you, Y/N Malfoy, take James Fleamont Potter as your husband?” 

You could hardly mutter a low “I do” before Peter spoke again 

“I declare you husband and wife. You might kiss the bride” 

James didn’t hesitate for a moment. To add dramatism he spun you around and dipped you, holding your weight with his arm. And without waiting for another second he kissed you, sweet and slow, conveying all his love for you with that gesture. 

When you became breathless you broke the kiss and looked at James straight into his beautiful eyes, which only show deep adoration. “I love you” you mouthed to him, which made his eyes sparkle with joy and a wide grin to break into face. 

He took you in his arms bridal style and walked down the aisle. You coudln’t even care about the chaos and spells that were aimed your way, all you could look at was James. 

And as he muttered “I love you too, Miss Potter” you knew he’d do anything to prove his love for you. 

Author's note: This one is of my faves of the collection ngl, James is my soft spot Thank you for reading! Likes, comments and reblogs are welcomed and very appreciated. I'd love to hear what you thought about it so don't be shy!! To be part of the taglist Dm me or send me an ask <3 Taglist @feral-posts @izuoyarmin @aremuslupinsim @yourfavgay @imobsessedwitholiviarodrigo 

#marauders fanfiction #marauders x reader #marauders #marauders era #james potter #marauders fic #james potter x reader #james x reader #james x you #james x y/n #james potter x you #james potter x fem!reader #james potter hurt/comfort #james potter fic #james potter x yn #james potter fanfic

[deancasbisexual]

Jensen said Dean was in shock during the confession. That's how he played it. So, if he wasn't having BIG emotions in that scene, that's why. It's not that Dean was uncomfortable or that Jensen forgot how to act. Dean's brain was literally shutting down because it was a lot for him to process. And the poor man could barely process it even after Cas was gone.

I'm just tired of seeing people make fun of how he reacted and saying he should have fell to his knees, sobbing, and confessing his love back. Like do you guys not understand how overwhelming that situation must have been for him? First death was LITERALLY after him and Cas. He thinks they're both about to die bloody and he thinks it's his fault. So, it was already a very high stake situation. And then suddenly Cas was dropping the bomb that he made a deal with the Empty. And then he confessed his love for Dean and completely obliterated Dean's image of himself. And then he died right in front of Dean. All within, what? Ten minutes? Of course he was going to be in shock. That's a lot for a human to process in such a short amount of time.

Cut Dean some slack. I guess that's what I'm saying lol.

#destiel #deancas #supernatural #spn #dean winchester #castiel #jensen ackles

[byerseason]

why byler is the only logical way to end stranger things: a personal opinion

long post incoming. i've been thinking about what else can they do other than canon byler or is there any logical way which would please everyone. but i genuinely can't find any logical ending.

first of all, let's see the options i heard from people who doesn't think byler is gonna happen.

not adressing will's love for mike, mike never finding out about it and will's arc simply focusing on supernatural part : well, we all know that's impossible. not after spending a whole season to show us his deep love for mike. also it's confirmed that an emotional arc for him is what is gonna tie up the story.

"his love for mike was for him to explore his sexuality, he's gonna have another boyfriend." : they could easily show it to us without bringing mike into it. the byers moving to california was a perfect chance for it since it's a place better than hawkins when it comes to LGBT, they could easily give him a love interest, include him to their journey to find el just like they included argyle and give him a good character arc in s5, just like robin in s4. well, they didn't.

"mike is gonna reject will" : okay, then what was the reason of making him fall in love with mike? did the writers want to write a horrible story for the only gay child in the group? especially after showing us how miserable he feels about mike and how much he loves him? no.

now let's look deeper at the character arcs. my biggest reason to think byler is the only logical way is: will byers

i don't think i have to mention how much will suffered throughout the show and how he needs the happiest ending. they left season 4 at a point where everything about that love triangle is unresolved and they're obviously going to do something with it.

we all know mike is the one who understands will the most. he always been, since the very beginning. we've been shown that their bond is different and special. in a scenario where mike rejects will, we all know this is gonna be ruined. will is not gonna magically bury his love and go back to being besties with mike. and for mike, it's not possible for him to ignore will's love for him and stay friends as nothing happened. it would ruin their friendship for absolutely nothing.they can't simply take the only one who understands away from him.

will said he wants to spend the rest of his life with mike for two times. even if he doesn't have any hope, he desires it. so why giving him a love that he will never have? in this scenario will's character arc is literally "the gay kid always thought he will never have love just because he is gay, he thinks it's wrong and he is a mistake, well yes, he was right! he will never find the love and just watch the other straight people have it. thanks for watching stranger things." will's arc should be an arc where he is proven wrong, where he understands it's okay to love, where he is loved the way he loves, purely. otherwise his character arc is gonna be useless. where did we leave will in s4? he was thinking there's no chance for mike to love him and he has zero hope-- he ripped off the band aid. if mike rejects him the character arc and all the build up in season 4 becomes useless. he was at zero, and he is still at zero.

like i said giving him an arc where he is loved the way he loves was easy to be done without mike but now it's too late. they made it super clear that will doesn't want to be loved, he wants to be loved by mike. mike hurts him yet he still thinks mike makes him feel like he's not a mistake at all. that's not a simple crush. that's pure love. as a writer of a show you don't spend too much time to sympathize the characters love to the audience -something you never did with your other characters, at least not as much as will- you don't show them pouring their heart to a gift, just to waste it, just to make the character feel the worst they can feel just to make the person they love happy. will loves mike such a way that he prioritizes his happiness over his. this is what is gonna pay off.

the second character whose character arc needs byler: mike wheeler

mike has always been the most complicated character of the show, but most of his actions have no explanation other than him dealing with his own feelings. the show introduced mike as the leader of the party and i think it's okay to say he was one of the main characters in season 1 & 2. what happened after s2? a crazy character downfall. the audience started to dislike him and think he is useless. he didn't have any character development in the past 2 seasons. why? why? why?

because we all just watched him struggling. dealing with something inside of his mind that we don't know.

let's talk about a scenario where byler doesn't happen. this makes all mike's arc about being a love interest since s3. no development, no explanation for his behavior in the past 2 seasons. of course mike is traumatized and never talks to anyone which effects his behavior a lot. but there's still an unanswered question. why is he distancing himself from will specificially? the writers showed us that they understand each other the best, they know each other the best and notice if somethings wrong, so why is he distancing himself from the person who he needs the most as a best friend?

this is where we start to think if the problem is will himself, for mike.

why did we make will fall in love with mike just for mike to distance himself from will for no reason and make will upset? did we want will to suffer for no reason or create an empty storyline?

if mike is not how we think he is, he is going to end the show with an empty character arc who is nothing but a love interest, a side character. if mike ends up how we think he is, he is going to be the best onscreen representation of internalized homophobia. people think he is useless or just an asshole but he will turn out to be a perfectly written character who has his own arc.

people love to say "gay people didn't exist in 80s, byler would be unrealistic." which is completely wrong. gay people DID exist in 80s and they DID find love. did they have peace? they didn't. this is why mike and will are gonna be a real representation. we watched all the real struggles they went through. even if we don't get to see them as a couple, they will know they love each other by the end and that's what matters. and there's nothing unrealistic about it.

#byler #mike wheeler #will byers #byler endgame #byler analysis #byler proof

[communistkenobi]

in that post abt the gender unicorn graphic, in the comments the idea of the “split attraction model” is brought up and you say you dont want to litigate that. however, im really curious what your opinion is bc i have some ideas abt it too. i feel like its sort of an incomplete analysis? like, people feel different ways about others and that cant really be flattened into like two modes of attraction. but i personally would call myself aromantic and bisexual so obviously i have some level of investment of the idea. anyways i just ask because in general i find your analysis and opinions compelling

thank you! re: this graphic

My issue with splitting “physical attraction” and “emotional attraction” is that it does the same naturalising trick that the chromosomes-as-the-symbol-of-sex does - by splitting the emotional from the physical, this implies that physical attraction is natural, without emotion, and by the same token that emotion can exist completely detached from the physical body of the person you emotionally desire. Like I just don’t think this is true! For example, the idea of “casual sex,” ie sex that is devoid of emotion/emotional investment, is a social construction, it is a sexual act that is being contrasted against societal norms of “serious sex” or “invested sex” or whatever you want to call it - sex that is being done in the context of a monogamous, married relationship, or an otherwise exclusive long-term one. the base social unit of much of western society is the nuclear family, and the nuclear family is “ideally” produced by monogamous, cis-heterosexual, racially homogeneous reproductive sex. That is the norm by which all other sexual behaviour and activity is judged by.

and to be clear I’m not using “emotional” in an idealistic or moral sense, I am not using it as a shorthand for romantic feelings, I am purposefully using the language the graphic is using - I mean any emotion. Like just to be super clear, I’m not suggesting that people who have casual sex all secretly love the people they fuck, or that sex has to always be a serious emotional endeavour, or that people who do not feel sexual attraction to the people they have romantic feelings for are secretly lying, but that I don’t think sex is something that can be devoid of emotionality entirely. Like I think we are engaging in this Cartesian body/mind dualism where the physical acts we perform are somehow wholly separate from our emotional states. Pleasure has an emotional component to it, I don’t know how to articulate my experiences with pleasure that do not involve some level of emotionality, and emotionality has a physical character to it. Like in fact I think this graphic is treating emotions as ideal states - it reminds me of like old misogynistic psychological theory that described rationality as an absence of emotion, that to engage in rationality is to move away from emotion. It treats rationality as “out there,” objective, natural, detached from social influence, and emotion as “in here,” in our hearts, ruled by the social. And this distinction is made on the idea that the social world is detached from the physical world, which is pure idealism.

this is not a dismissal or denial of anyone who feels a disconnect between their sexual and romantic desires, such as asexual or aromantic people - while I am neither of those things, I have experienced intense physical desire for the person I’m fucking while actively dissociating during sex as a result of dysphoria/heteronormativity/etc etc. by the same token I have also felt emotionally compelled to be physically attracted to someone without actually feeling physical desire. These are both emotional states that were in conflict with my physical desires, or rather my physical desires as I understood them at the time. our ability to interpret and understand our desires is itself social! otherwise heteronormativity wouldn’t be a thing. We don’t have unmediated, unemotional access to physical desire, which I think this graphic is arguing, intentionally or not.

so having complicated, contradictory, disconnected, or otherwise ‘non-normative’ relationships to our emotional states vis a vis physical desire is obviously very real, and the reason they are real is because physical desire is also socially mediated and constructed. What and who we find attractive, why types of bodies, physical and character traits, etc are attractive to us are all part of (joker voice) society.

now, idk how you easily communicate this in graphic format. perhaps these things are unsuited to the medium of easily digestible graphics, or perhaps I’m limited in my imagination. either way I don’t think bifurcating emotional-desire-as-social and physical-desire-as-natural is particularly helpful

#asks #disabling reblogs because um. well you know what tumblr is like #this is not ‘ace discourse’ or whatever the fuck I’m not doing that shit and if you start on here I’m gonna block you #even old new york was once new amsterdam

[thefirst3chapters]

Unpopular opinion (maybe): Luke's ultimatum at the end of Season 3 inadvertently reinforced Jess's choices that stopped him from finishing high school in the first place.

Disclaimer: The intent here isn't to attack Luke for how he handled things. The overall effect of Luke's presence in Jess's life is undoubtedly positive and instrumental to where Jess ended up. Luke was put in an unfair position that he wasn't prepared for, he genuinely cared and tried his best with the knowledge he had, and it would have been well within his rights to say no to Liz to begin with or to Jess when he came back after the car accident.

From what Jess tells Rory in "Teach Me Tonight," it sounds like he never had much academic support from adults, which is of course why Rory's belief in him will end up meaning so much. Details about Jess's childhood that are revealed once Liz is around suggest that Jess didn't have trustworthy adults in his life and had to learn how to be self-sufficient early. Even though we as the audience can see that Luke is responsible and trustworthy through his own actions and his relationships with people who have known him for many years, Jess doesn't have the same history with him, and it can take a long, long time to unlearn those survival instincts. Additionally, Jess's Walmart manager, as gregarious and pro-corporate as he seems to be, doesn't appear to engage in the practice of pressuring introverts to socialize (which happened to Rory at Chilton) and allows Jess to do something constructive and work toward a tangible reward. Some people get these benefits from going to school, but Jess didn't. Then there's a layer of youthful hubris here because Jess really did seem to think that he could manage all of this and go to school just enough to graduate based on what he tells Rory in S3 E17, Luke in S3 E18, and the principal in S3 E19. With of all this information in mind, it's really not surprising that Jess would prioritize work above school. His logic is self-destructive but understandable, and his fatal flaw ends up being that he committed to more responsibilities than a person could reasonably handle. This isn't the standard media portrayal of ditching school.

Luke's approach to being Jess's guardian is fairly hands-off. After Luke's "laying down the law" talk in the first episode Jess is in, the only requirement we see enforced is that Jess has to work at the diner, which Jess complies with. Luke didn't know Jess was working at Walmart at all until Jess bought his car, he didn't know Jess was eventually working more than full-time hours, and he didn't know Jess was missing as much school as he was. (This last one suggests a significant oversight at the school, which is another story.) When the extent of Jess's work hours is brought to his attention and Lorelai speculates about what is going on, he tells Lorelai that there is no way Jess would skip school and doesn't investigate further. When he realizes Jess is working some days instead of going to school, he offers to pay Jess more at the diner (and later steals his car) to prevent him from working at Walmart (the place he worked before he had a car to earn the money to buy it???) but doesn't press him about what is really going on.

So after all of that, it turns out Jess didn't go to school enough to graduate. Luke does give Jess the option to stay in Stars Hollow and keep going to school, but I could never blame someone for not being able to have a rational conversation immediately after a stranger randomly shows up, claims paternity, and runs out. The emotional damage of that incident really can't be divorced from what happens here. Luke is of course also in crisis mode. Jess didn't graduate because he worked too much, so now he's in a position where his consequence is to keep doing what got him into trouble, only this time he doesn't have anyone looking after him. This isn't what Luke is intending, but his ultimatum basically reinforces Jess's mindset of prioritizing work (i.e. short-term financial security) above school and his reluctance to trust other people, and it reinforces Jess's family history (ironically not including Luke) of abandoning difficult situations (in this case, the aftermath of the fight with Dean) and relationships (in this case, Rory) instead of facing them. Jess ends up on his own with the money he had from work that he was saving for a different car, so he probably thinks it's a good thing he worked as much as he did, and he ends up without adult guidance or restrictions to help him sort all this out and repair the harm he caused. This could have turned out much more darkly than it did, and it's really a miracle that Jess got to where he was by the time he was 21.

When Jess is with Jimmy in California, he acknowledges that he's failed and doesn't know where to go from there. It probably isn't outlandish to think that Jess was earning more as a full-time forklift driver than what he is earning during Season 4. Factoring in the lower cost of living in Stars Hollow or somewhere nearby compared to New York, he probably could have been able earn a decent living if he stayed at Walmart (even if he wouldn't have been better off in the long run). That's probably why Luke's "I'm sorry I didn't think driving a forklift for the rest of your life was good enough for you" stung. It was likely a much better situation than whatever Jess is in mid-Season 4.

In late Season 4, Jess seems resigned to where he is. He doesn't complain or blame anyone else for his circumstances, even when Luke repeatedly mocks him in New York. (Even mid-Season 4, Jess doesn't express anger toward Luke about anything other than Luke stealing his car until Luke provokes him multiple times.) Maybe Jess was already thinking about writing a book or studying for a GED during Season 4, but his posture and mannerisms seem to suggest defeat more than anything else. At this point, Jess might not be envisioning anything other than what he has. It is only after Luke accepts Jess for who he is, and stops seeing him as a failed project, ("You are who you are. I cannot change that, and I'm going to stop trying.") that Jess really starts to move forward. Although Luke isn't even very positive in how he says this, it's still the sort of affirmation Jess always needed and maybe never received from a family member before. Then, he's honest with Luke about his emotions, he's receptive to Luke's advice, he expresses appreciation for what Luke did for him, he offers Luke a way to stay in contact, and he makes a commitment to pay him back even though Luke says he doesn't have to do so. He tries (and fails, for the time being) to make amends with Rory, and after all of these things happen, he progresses into the version of himself that returns in Season 6. Jess pursues a path that Luke doesn't quite understand but has accepted and is proud of (it's also a path that Rory does understand and is proud of, and both forms of support are so important).

#gilmore girls meta #luke danes #jess mariano #diner guys

[ninjakk]

Hey!!

I recently saw someone claim that Wei Wuxian was starved of conversation on his journey to Yiling with Lan Wangji and Wen Ning and so board he needed to chat to people before they ascend the mountain. I hadn't really noticed this until it was mentioned. What do you think of that scene?

I love your meta and fics btw. You use your understanding of the novel in your writing and it's just *chef's kiss*

Hi anon 👋🏻

Personally, I've not seen any comments regarding the above - but we can certainly look at the text in question 😊

Let's take a look at the scene in question:

Several days later, they arrived in Yiling.

The Burial Mounds were less than five kilometers ahead of this small town. Although they didn’t know exactly what awaited them there, Wei Wuxian had a feeling it wasn’t anything good. But Lan Wangji was right by his side, his gait steady, his gaze cool. Wei Wuxian had never been one with any sense of crisis to begin with, and with the way Lan Wangji looked, he was even less likely to get nervous at all.

Passing through the small town of Yiling, he was awash in the sounds of the local accent. It was invigorating and incomparably endearing. While he wasn’t planning on buying anything, he couldn’t help but strike up conversations in the local dialect with the street vendors. Only after he’d had his fill of socializing did he get down to business.

“Hanguang-jun, you remember this town, right?”

7S translation

So the scene opens with WWX gushing over how safe and happy he feels around LWJ. He's just so thankful to have someone by his side, someone he can fully depend on and is there for him, should he need it. This very much echoes his thoughts from when they began their descent from the Cloud Recesses, at the start of their journey here. For someone nearing the place he met such a gruesome end at previously, he seems incredibly content and calm - all thanks to LWJ. So straight away, we are reminded of how WWX feels around the other man. It's there for a reason, to set the scene. WWX is relaxed and enjoying himself because he's with LWJ.

They have just arrived in a city he is very familiar with. It's the place he both lived as an orphan and frequented as a man while residing at the burial mounds. He is surrounded by the accent of his "home" for the first time in over 13 years and it's making him feel sentimental. I also think it's a great parallel between when WWX finally visits Lotus Pier in the coming chapters and how desolate and subdued the place has become since JC became sect leader.

I think the above reaction is very normal considering the emotional impact it obviously had on him. WWX has already stated on numerous occasions that LWJ makes him happy and he enjoys his company, but he's also very sociable and likes to look around markets and chat with vendors - there's even a scene in the novel which states as such and many other examples. Although WWX is running around chatting and exploring the stalls, LWJ is still by his side. Doing so does not subtract from his obvious enjoyment of having LWJ's unwavering presence.

We see more than enough evidence that WWX happily chats to LWJ and that he, in turn, even responds and asks questions also. There seems to be this mind-boggling misconception that LWJ literally doesn't speak, and if he does he's like some caveman that can't communicate effectively, when it's the exact opposite. LWJ talks when necessary and is very succinct with his words - he's a true gentleman of their time. Of course, in comparison to WWX, he's much less chatty - but when he does talk it's sincere and relevant. WWX loves this about him! He's also an incredible listener and doesn't miss a single thing WWX says, which WWX also appreciates! Hardly anyone listens to all his ramblings and holds them all so dearly!

It's funny, because although WWX chats to anyone and everyone, it's obvious he enjoys conversing with LWJ the most. He treasures the fact they are on the same wavelength and understand each other implicitly 🥰

Aww! Thank you so much anon! I'm glad you are enjoying my meta and fics ❤️

I hope I managed to answer your question! Have a lovely day 😘

#mdzs #mo dao zu shi #wei wuxian #lan wangji #wangxian #mdzs novel #anon ask #answered ask

[profounddefendorcrusade-blog]

Just to clarify

Dalv is NOT supposed to be that present in this game. He's been a loner for a long time. He's only started making friends again during the events of uty. Plus, if you know his backstory… it becomes understandable why we don't see him that much. Character-wise, it makes 100% sense.

The reason why Martlet feels like she's not on screen that much (she does get a good amount of screen time) is because she's scatterbrained. That's why we never get a "full" section with her like with Dalv (Ruins), Star (Wild East) and Ceroba (Steamworks). That's why the Snowdin section focuses more on other characters. Martlet comes and goes but always means well. Again, it has to do with her personality, and I think it's clever writing, much like with Dalv.

The reason we spend so much time with Ceroba is that a lot of things have been tied to her and her family right from the start and it all unfolded perfectly imo. There is foreshadowing:

Just had to get that out quickly because I heard some people complain about this stuff.

...also I forgot to mention how some complained about Ceroba's arc "not being completed by the end of pacifist"

To that, I say: IT MAKES SENSE. She's gone through too much trauma for it all to be resolved so soon. Healing takes time (Martlet gave a nice speech). I always thought that, by the end, the whole point wasn't for Ceroba to get closure, but to TAKE THE FIRST STEP (which she did)

The difference between her and Starlo (both have been through a lot in their own way) is that he's more idealistic and hopeful by nature (as we can see after he quickly bounces back from basically having his entire life shattered). Ceroba is emotional. Too emotional. She needs more time. Let's respect that and be patient.

#uty #undertale yellow #ut yellow #ceroba uty #uty ceroba #ceroba ketsukane #dalv uty #uty dalv #martlet uty #uty martlet #uty chujin #chujin uty #chujin ketsukane #i wish folks would look at things from different povs #instead of instantly judging these lovely characters

[too-antigonish]

Morse and drinking in the 70s...

Long....because I can't write short. And obviously, a lot of you will already know this stuff...

Just want to take a moment to talk about alcohol and alcoholism in the context of the early 1970s and remind folks of how totally and completely different it is from how we see it today.

Drunk driving had not been outlawed in most countries. Not only that, it was widely regarding as funny—funny enough to be used as a regular “gag” in movies. Problem drinking was also seen as funny. There were regular cartoon strips about it. The “drunk” was a funny stock character in all sorts of plays and movies.

Alcohol was ubiquitous. We’re not just talking liquid lunches. We’re talking drinking at work, while you work—just as you see in Endeavour. Think about that for a second.

And politely saying no wasn’t something you did without social consequences. It wasn’t just seen as a personal preference. Unless you had a specific, acceptable reason, turning down a drink was often seen as stand-offish and judgmental or as a social snub. Teetotalism was regarded as rather naive and ridiculous—not something any man or woman of the world would embrace.

In the early 1970s, there was no widespread understanding of alcoholism as a disease. It was still seen very much as the consequence of personal weakness—still a matter of “If you cared enough or tried hard enough, you wouldn’t do this so it must be a character flaw.”

Plus, most people, “normal” people don’t have problems with alcohol, so if you do then there’s something abnormal and defective about you—most likely something you brought upon yourself.

And as a “personal weakness” and a “defect,” the shame around it was profound and the secrecy matched. If someone went away for treatment, it was very much akin to an unwed mother going off to have her baby and then returning without the child. You never spoke of it. You pretended that it had never happened.

If you were a kind person, you also didn’t go out of your way to parade babies in front of her or talk constantly about children when she was with you. But refer to it directly? Never. Ask for help? Never. It was always something to be hidden. Everyone did their best to forget that it had ever happened and saw this as the "kindest" thing to do.

When Morse returns from his “cure,” it would simply be assumed that everyone would pretend that nothing unusual has happened. Why he’s  just been off on a tour of the West Country and nothing else! Hope you had a lovely time! That sort of polite fiction was exactly what he would have expected upon his return. Anything more direct—at least in a public setting—would have been shocking to him and everyone else.

Where things break down, however, is in the more personal interactions. His relationship with Thursday is such that they can at least broach the topic of drinking. When they do, my impression is that Thursday is well-aware that Morse not “cured.” However, in the context of the time, saying this would be akin to saying, "You failed," because there was no disease model of alcholism in widespread use. You went to be cured and it worked or it didn't.

However, I'd also add that Thursday is almost to the breaking point with the cumulative strain he is under. He can’t cope with the “burden” of Morse being in a precarious state and he knows it. He feels desperately guilty about that—as well as about other things like Strange and Joan or about life having moved on so much while Morse was gone—and so he just shuts down. 

Shutting down is Thursday’s go-to strategy when he’s overwhelmed. We’ve seen him do it many times before. And part of that for him, is that he pretends that the people around him are ok—even if they are anything but ok. Not surprisingly, he does it the most with the people he has the closest emotional ties with—Win, Joan, Sam, and Morse.

So the only way that Thursday can cope is by having Morse be perfectly fine. Conveniently, his preferred coping strategy fits exactly with his society's expectations about how alcoholism works. If Morse is "cured," you don’t need to worry about sparing him the constant offers of alcohol in the same way that the young unwed mother might hope to be spared babies. You certainly wouldn’t embarrass him (especially after he’s been through the humiliation of rehab) by drawing attention in any way to a possible to the idea that he still has a problem. 

And finally, a last note on time context. The scene in the pub where Morse has that first drink after finding out that Joan is marrying Jim is utterly heartbreaking for so many reasons. One of those reasons, however, is that we know it’s the first drink—and that the first drink leads to the second, and so on and so forth. Then Morse says to Thursday, “They said the, the odd beer, the odd shot, does no harm…"Everything in moderation," they said,”  and we automatically assume he’s lying.

I’m fairly sure that those scenes were meant to be interpreted through our modern viewpoint. However, it’s worth noting that again, the model of alcoholism in the 1970s was nothing like what we have today. The idea that someone with a drinking problem/addictions needs to abstain entirely was not even close to universal at that point. It’s perfectly possible that the advice Morse is quoting is the advice he received!

#itv endeavour #endeavour morse #shaun evans #fred thursday #endeavour: prelude #thursday thursday #sort of #but mostly meta about alcohol in endeavour and the 70s

[muffinrecord]

I've been pretty positive about Yuu so far, but watching her magical girl story... hmm.

Basically I like everything about Yuu, but man that serial killer bit is the only thing that really sticks out as an overt bad choice. Having Nagisa stand around and watch Yuu kill people is such a weird choice, it feels more like fanfic than actual canon. Like this doesn't feel like something that could happen in Magia Record-- or hell, even in Madoka Magica either.

For example, Sayaka has a scene on a train where some dudes are being sexist assholes and it's left up to the viewer to decide if she kills them or not. It doesn't go: Sayaka killed them and also they were calling out for help the entire time while Madoka watched you know?

That said, this is something I can see in a bunch of the spinoffs (Kazumi, Oriko, Suzune), but I think everyone agrees that the spinoffs are of dubious quality. I love me the spinoffs but they're a hot mess.

I dunno. It's one thing to know that Yuu is a serial killer, it's another thing to have a character watch her go around and kill people and not intervene in any way. Especially in a story that goes out of its way to not do that. Walpy hitting Kamihama is noted to have no causalities at all (which goes a little too far in the other direction imo but it is what it is), Suzune isn't able to kill anyone in Kamihama and is dealt with by kicking her out (and not killing her), the deaths in arc 2 are mostly accidental and have massive consequences, everyone is forgiven in the end-- this isn't a story that really has "watch someone kill people and do nothing" in it's cards, you know?

I actually liked Nagisa's Wish for a lot of things. For example, I like that Nagisa didn't think she could be a magical girl until she saw Yuu, because she assumed that magical girls had to be good people-- aka, Nagisa did not think she was good. But that's not because Nagisa is a bad person. Nagisa is just unloved, and since she's a young kid, she's internalized that to mean that something is wrong with her, not that something is wrong with her mom. It's heartbreaking to see her go from "I can't be a magical girl," to seeing Yuu the murderer, to then going "oh okay if she can be a magical girl then so can I." Like sweet pea, your mother not loving you is not the same as being a killer. You've done nothing wrong. You are not a bad person for having Feelings and Emotions about the neglect you are experiencing.

However the serial killer/organ seller bit just goes too far for me and it kind of overshadows a lot of the better ideas present in Nagisa's Wish. Like how can you focus on the interesting ideas about justice or self worth when there is a serial killer/organ stealer walking around.

I think that the best qualities of Yuu are her design and how creepy she is-- having her actually go all the way and be a serial killer/organ seller actually makes her less creepy in my opinion. Yada yada, less is more, leave it up to the viewer's imagination. If she was just off, if we just knew that something was wrong with her and that people are disappearing but it's not outright stated what she's doing... I dunno. That would make her a lot more scary to me. A lot of fear can be found in apprehension and outright telling all the details will fill in too many gaps.

Like, the things that we all like about Yuu would be her voice direction, her memory issues, the way her Live2D is designed to be slightly off kilter from everyone else, the gap between her attitude and the darkness she engages in, the weird weaponry she uses and how it changes the way she walks/moves-- all of this is effective because it is offputting and different, not because the narrative is telling us "hey she kills people and sells their organs."

Basically I really love Yuu, but I do have some criticisms for her character and I understand why some folks don't like her.

That said, it did lead to this fantastic line from Kyubey so like,

You take some, you lose some.

#Magia Record #Nagisa's Wish 2024 Rerun #Yuusa Yumeno #Yuu #Nagisa Momoe

[cecilysass]

The Penultimate Partner Episode: Analyzing the Second-to-Last Episodes of Seasons 3-7

So I was thinking about the show’s tendency to do an episode that is explicitly about the Partnership—about the deep abiding bonds between Mulder and Scully—right before the season finale.

This doesn’t seem to happen in season 1 and 2 (the penultimate episodes are Roland and Our Town, respectively, which don’t seem to play the same role). And something different is happening in season 8 and 9, so I don't think they fit as well.

But during the show’s peak popularity, seasons 3-7, the second-to-last episode seems to be setting up baseline emotional stakes for whatever plotline is about to hit. These episodes are giving us the state of the partnership, reminding us how devoted they are to one another. They also tend to have to do with one or both partners having a distorted perception on reality that requires the other partner's intervention in some way. I’m calling them the Penultimate Partner episodes.

So can we look at the themes of each of these Partnership episodes and see development over time? I think yes. It’s gonna be long. I rewatched them all, so buckle up.

Season 3: Wetwired - partnership as trust Season 4: Demons - partnership as loyalty Season 5: Folie a Deux - partnership as shared madness Season 6: Field Trip - partnership as touchstones Season 7: Je Souhaite - partnership as happiness

Season 3: Wetwired  (right before Talitha Cumi)

This episode, like several in the Penultimate Partner episode category, involves a X-file that distorts perception. Because Scully can’t trust her own senses due to the mind control, she also can’t trust Mulder, calling into question the key tenet of their partnership. (And by season three, they have definitely established trust as the bedrock.)

Her gradual mistrust of Mulder in this episode is tense and painful; you can see on her face how much she argues with herself about it even as her mind is tricking her. Others who fall victim to this mind control phenomenon wind up murdering their romantic partner, but in the end of the episode, when they’re discussing what happened in the hospital, they both seem pretty unsurprised that Scully’s paranoia focused on Mulder. They both know, late season three, how crucial trust is between them. They understand that it’s Scully’s worst fear that Mulder would betray her. It’s not even news to them.

What Mulder’s worst fear might be is also hinted at, although it’s unsaid. He’s furious that her life is put at risk by the mysterious informant. When Mulder believes Scully may be dead and he’s going to identify her body, his reaction is chilling. He seems to completely shut down emotionally, not even showing any reaction to the Gunmen. Tellingly, when he is offered a choice between getting answers and going to ID Scully’s body, he doesn’t hesitate—he chooses Scully. (Sometimes people claim Mulder doesn’t show this kind of commitment to her until much later, even until Home Again in season 10, so it’s interesting to see it so unequivocal here.)   

I want to say that Scully’s anxiety about trusting Mulder in this episode is foreshadowing aspects of the cancer arc in the next season, but I don’t think that’s really what’s happening. This episode seems more like an entirely season 3 cap to the Anasazi / Blessing Way / Paperclip storyline, especially the murder of Melissa. Scully’s paranoia calls back Mulder’s in Anasazi, and Scully explicitly blames Mulder for her sister’s murder when she’s drawn a gun on him. Even just the fact that we're there with Maggie, who has a picture of Melissa displayed prominently, tells me that loss is supposed to be on both partners' minds. (Actually, the interaction between Mulder, Scully and Maggie is pretty amazing in this scene; they’re an emotionally complex trio who seem to be communicating on some other level. I love how when Mulder and Maggie are talking to freaked-out Scully they almost sound strangely unreal, almost like they really are speaking falsely. It allows us to imagine the scene as it looks from Scully’s point-of-view, as a massive betrayal.)

Wetwired is, technically, a mytharc episode, as this whole mind control thing seems to tie back into X and the Syndicate. Personally I think the episode’s ending, emphasizing the mytharc-related plot and X’s involvement and whatever tf was happening there, was a little misguided. For my tastes they would have done better to play up the more personal, character-based themes a little more. But I also think this episode was the first real Penultimate Partner episode, and it was setting some patterns that were going to be expanded on.

Season 4: Demons (before Gethsemane)

From the cold open, we can already tell this is already a more personal episode than Wetwired. Mulder is the one having perception problems now; he wakes from a disturbing dream, covered in blood, muddled memory. This is also technically a mytharc episode, but much more concerned with direct impact on character than Wetwired was. 

Scully instantly rushes to Mulder’s aid—walks right into his shower, for heaven’s sake—and absolutely never wavers in loyalty to him, even when he looks real, real guilty and a "rational" person would be suspicious. She is in fierce, must-protect-Mulder mode throughout this entire episode, from the moment she shows up palpating his head with her hands to her back-off behavior with the cops to her badass cold “I know what you do” comment to Dr. Goldstein. She also helps Mulder see through his distorted perception, telling him "this is not the way to the truth" as he holds a gun on her.

In this Penultimate Partner episode, we see something more than simple trust going on, although there’s trust, too. Maybe the word is loyalty or devotion. We see Mulder coming apart and Scully completely and utterly devoted to him. It’s actually very clear foreshadowing for the following week’s episode, Gethsemane. Mulder isn’t stable, and he needs Scully to keep him from “los[ing] his course,” as she says in Demons’ end narration. Gethsemane will follow up on the Mulder losing-his-course idea, and also will explore the idea that Scully’s bottomless support of Mulder isn’t always good for her. (This idea is voiced especially by Bill.) 

There are some ways in which this episode is a neat little bookend to Wetwired. In Wetwired, Scully flees to her mother’s house, desperate and paranoid; in Demons, Mulder, similarly unhinged, seeks out his mother at her house. In Wetwired, Scully sees things that aren’t there, and in Demons, it’s definitely implied that Mulder may be seeing things in his past that weren’t actually there. In Wetwired, Scully pulls a gun on Mulder, and in Demons, Mulder pulls one on Scully. 

I adore this episode, even though it’s definitely vulnerable to the critique that Mulder acts like a self-obsessed loon and Scully a hopeless enabler lol. Especially because it comes before the Gethsemane / Redux three parter, I wish the episode would have explicitly connected his behavior to the cancer arc, as I feel like that would have made his wild choices seem more understandable. If he felt like he needed to find answers faster because he knew Scully’s time was running out and he saw it all tied together with her fate, then we would get why he was acting so rashly. It would also tie more nicely into Gethsemane, which misleads the audience into thinking Mulder has killed himself, in part, because he believes she’s been given cancer to make him believe. But again, I love this episode. Scully showing up and putting that blanket around Mulder when he’s shaking. Her hugging him at the end when he’s desolate on the floor. This shows a partnership that’s been through Paper Hearts and Memento Mori—that’s moved beyond trust alone.

Season 5: Folie a Deux (before The End)

This is another episode about perception—about one partner seeing things the other can’t. Unlike in Wetwired or Demons, however, in this episode the altered perception actually represents the real truth, something everyone else fails to understand. The episode plays around with the tropes of earlier episodes like Wetwired, at first encouraging us to think that it's a delusion that Pincus is a monster, but then convincing us, through Mulder’s eyes, that the delusion is actually reality.  

As other people have observed, this episode ends up being a nice little metaphor for the whole show: Mulder knowing what no one else does, being ostracized and considered insane, asking Scully to find evidence to corroborate him and ultimately convincing her to believe him and see what he sees. Their partnership is, quite precisely, a madness shared by two. 

It’s a monster of the week, not a mytharc, so there’s no distraction of elaborate mytharc plot, just characters and monster. And this is a Vince Gilligan operation, so our focus is definitely on character. From the first scene with Mulder and Scully, we sense that we’re going to be talking about the partnership. Skinner gives them an assignment in Chicago that Mulder doesn’t think is worth it, and he complains in a particularly self-centered way to Scully, which she observes (“You’re saying I a lot.”) The episode is going to be very explicit that while Mulder might be monster boy, they are in this unhinged partnership situation together. Another important moment comes later, when Scully is calling the perp crazy for thinking he saw a monster, and Mulder says, “Well, I saw it, too.” Scully’s careful about-face after that, her delicate avoidance of implying she thinks Mulder is actually crazy, is part of the dance they’re doing at this late season five stage of their partnership. She doesn’t quite believe him, but she doesn’t knee-jerk not believe him either. 

And the foreshadowing of what’s to come in this one, whoo boy. Most obviously, we must acknowledge that 1013 knew exactly what they were doing when Mulder tells Scully “you’re my one in five billion.” A mere seven days from now, a mysterious beautiful ex who believes his theories is going to show up to immediately cast doubt on that claim. And this episode is also toying with the question of whether Scully actually does always back Mulder up when it’s important, when she has to accept she saw something illogical. At the end, does she tell Skinner she actually saw a giant bug in Mulder’s hospital room? We don’t know, but I think it’s implied she doesn’t. That’s all presaging what will happen in The Beginning coming off of Fight the Future. It’s Scully’s little way of resisting the madness, but it also hurts Mulder and damages the partnership, which will be a problem in season six. 

Season 6: Field Trip (before Biogenesis)

Full disclosure: this is my favorite episode. So I’m going to make some big claims about it. This is the ultimate Penultimate Partner episode—the one that best knits together what it wants to say about their partnership and what it wants to establish for the finale. It's a monster-of-the-week episode (another Vince Gilligan ep, with John Shiban) but refers to the mytharc often. It’s also one of the best episodes about their partnership, period. 

This is yet another episode about distorted perception. This time, however, under the influence of a giant mushroom, both partners are unable to perceive clearly, to determine what is real and what is a lie. And when they’re confused, they critically turn to one another to help them see what the truth is.

Coming off of season six, the partnership is rocky. Mulder is frustrated that after so many theories of his have borne out, he still can’t get the benefit of the doubt from Scully, something he explicitly says in the dialogue here. Scully has felt like she’s not been trusted or heard, like Mulder has turned to others (Diana Fowley, for example) rather than his partner.

This is an episode about how they absolutely need one another to be able to make sense of the world—that individually each of their points-of-view are not enough. In Mulder’s hallucination, Scully accepts his claims about alien life forms too completely, not applying enough skepticism, not pushing back against him. In Scully’s hallucination, a world without Mulder, everyone is unacceptably unquestioning of the status quo, refusing to dig deeper, lacking Mulder’s critical acumen and drive. Neither partner likes the feeling of being unopposed, and it makes both of them suspicious about the hallucination’s reality. They may think they want their own view to prevail, but they need one another to be a whole person.

The theme of what’s real and what’s not – and needing one another to discern the truth–is exactly what is picked up and developed further in the Biogenesis-Sixth Extinction-Amor Fati arc that follows this. Scully’s skepticism has to stretch to incorporate more of Mulder’s worldview to make sense of what she sees in the Ivory Coast, and of course, Mulder calls on Scully’s worldview to see through his misleading dream world in Amor Fati. In fact, you could argue Field Trip is really about the idea that Mulder and Scully are one another’s touchstones—the people they need to know what’s right and real. 

Incidentally, this episode also plays around with some of season 6’s other subtextual throughlines: Mulder and Scully’s anxieties about possibly entering a non-platonic relationship, their unease about what a normal, domestic life might even be for them. For the entire episode they’re directly compared and juxtaposed with the Schiffs, a young married couple who died on Brown Mountain. The Schiffs are a tall man and a redheaded woman. They even die hallucinating lying together on a hotel bed after she asked him to “hold her” (although I do seriously doubt 1013 was intentionally foreshadowing a full year ahead). The last shot is of Mulder reaching out to take Scully’s hand across the ambulance, suggesting a kind of partnership beyond just, you know, partnership. Which takes us to the next season.  

Season 7: Je Souhaite (before Requiem)

Truthfully, I don’t think this episode fits quite as well in the Penultimate Partner category. It doesn’t share some of the same traits as these other episodes—it’s not quite as notably about perception, for instance—and it’s not fundamentally about the partnership in the same way. But it does end up commenting on their partnership (even their relationship, really) as part of its theme, so I think we can include it—especially because its position right before Requiem ends up being important. 

Je Souhaite (btw, written and directed by Vince Gilligan) has a bit of an unsettled feeling to it because it was kind of treading water, waiting to see what happened with DD and the series. Nothing too monumental could happen with the partnership or the plot because it wasn’t clear to anyone what would happen next with the show: whether it would end or continue, whether DD would be involved or not.

So we have a story about Mulder and Scully making peace with not having a significant impact on the world—e.g. not bringing about world peace, not introducing invisible bodies to science. Instead, they are content to delightfully share a beer and comment that they have made one another “pretty happy” (as Scully says about Mulder). Through the jinni character, they seem to take the lesson that they can enjoy being with one another, accept the simple happiness that their relationship brings them. Rather than wish for success that comes too easily, they take joy in the little things with one another.

Comparing this episode to the Penultimate Partner episodes that come before, we can really see how Mulder and Scully’s dynamic has evolved by season seven. We have a Scully who is much more open to supernatural phenomena, for example, and whose skepticism seems more like a reflex or a defense mechanism now. Scully’s move towards belief is partially reflected in the plot of the episode: the X-file here really isn’t even science fiction. It is just straight up fantasy or magical realism. Aside from Scully's brief mention of a disease to explain what happened to the mouthless man in the cold open, no plausible scientific explanation for the jinni's long life or wishes is really even floated.

Scully is delighted by the discovery of the invisible body, and Mulder is visibly delighted by her delight. He’s also frustrated by her retreat into doubt when the body disappears, of course. But even the reversal into her old skepticism is half-hearted, as she soon after she's engaging in discussion with Mulder about what his final wish was. This is consistent with the overall blurring of the old hardline believer-skeptic dynamic we see in season 7. It’s also peeking ahead to Scully’s coming role as resident basement believer in season 8. 

The last scene, with the beers and Caddyshack, is meant to be a callback to djinni Jenn’s comment that she wishes she could “live my life moment by moment... enjoying it for what it is instead of... instead of worrying about what it isn't.” Mulder, we see, is taking a cue from her. (And good for him, as we almost never see these characters do this. Except on rare baseball-related occasions.)

However, this episode’s position right before Requiem—and right before the events of season 8—ends up giving this scene a real bittersweet bite. We know, after Requiem, that they were probably a romantic couple at this time. We know, after Requiem, that this time is going to be their last happy time together for a long while. Later in season 8, we learn that one lingering wish of Scully’s in season 7 is that she wanted to conceive a child with Mulder. And of course we know, after Requiem, that she gets her wish—but with a vicious catch, with a terrible side effect, much like what happens with the jinni’s wishes. 

So that’s my academic thesis on that. I know others have pointed out the existence of this type of episode before. What did I miss? Do you think I am wrong to leave out seasons 1, 2, 8, and 9? Why do we think these episodes focus so much on distorted perception? Interested to hear others’ thoughts (if they make it through this lol).

#the x files #x files meta #penultimate partner episodes #wetwired #x files #demons #season 3 x files #season 4 x files #folie à deux #season 5 X files #field trip #season 6 x files #je souhaite #season 7 x files #mulder and scully #fox mulder #dana scully #MSR

[akimojo]

i don't mind seeing people interpret hope and lightning as having romantic connotations surrounding them in the lr lore, but i personally think claiming it to be proven as canon really undermines just how badly bhunivelze fucked with hope's head

"bhunivelze developed a romantic obsession with lightning because he absorbed hope's heart!" yes, but that's not all there is to it. you gotta keep in mind that bhunivelze used lightning to psychologically mess with hope for centuries, he used her image as a tool to get hope to obsess over the past and wish for nothing more than to be reunited with her (remember that the last time hope ever saw her was at the end of xiii, while everyone else aside from vanille and fang had come back at that point), and she had such a major hand in inspiring hope to become the person, the leader, he'd become since then

bhunivelze didn't inherit hope's emotions until after he had become obsessed with lightning as a symbol of the past. if you view hope's and lightning's relationship as platonic/familial (like i personally do) then bhunivelze becomes so much more sick, and it adds to the misogynistic undertones in his behavior toward mwynn and etro, his own family. he took something pure, the admiration a young boy had for an older woman who replaced his mom as his female role model, and twisted it into something dark, inappropriate and obsessive, something that would serve him. that's what he inherited. he was never able to love his mother or daughter, how could he possibly understand the familial love between hope and lightning?

bhunivelze's sudden feelings for lightning is, in my opinion, meant to disturb us because of how innocent hope's admiration for lightning actually is. turning hope back into a kid sells that even more, it specifically draws out lightning's maternal instincts toward him, just for her to be faced with what bhunivelze has twisted it into after centuries of torture. bhunivelze isn't representative of hope's and lightning's relationship, they're victims of his abuse of the human heart

again, interpreting them as romantic is fine and dandy if that's how you see them, but i feel like claiming it's all "proof that hope x lightning is canon" ignores a lot of important details surrounding them and bhunivelze, more specifically it downplays the absolutely devastating impact bhunivelze had on hope's state of mind, and subsequently, lightning's rage upon seeing it for herself

#im not really into the ship at all so i could be just as biased lol but thats my take on it #i havent gotten into the last two books yet so who knows maybe im missing something big #buuuuut in terms of bhunivelzes obsession with lightning? i wouldnt use it as proof of anything #bhunivelze is a sick fuck and VERY unreliable if youre looking to use his behavior as evidence of anything romantic #especially when the main takeaway from his backstory is his cruelty and indifference toward the women in his life fghjgyjh #final fantasy xiii #lightning returns

[hiyyihrts]

I'm not sure why anyone would be upset about Colin gaining experience when the whole point is him understanding why he's not as invested in that sort of thing because there's no emotional connection between him and his partners which in turn makes him examine his relationship with Penelope when he realizes how he feels about her. It's sex vs making love here and because he's yet to really be in love those experiences will pale in comparison to being with Penelope. That's the whole point. While some want Colin to be a virgin along with Penelope to gain that experience together, there's something to be said about Colin understanding he was doing it wrong hence why he felt nothing more than gratification, if that. He doesn't yet understand the act of making love because he's never been in it so he's merely sating a physical need. I would want him to have more practical knowledge than Penelope. The better to pleasure her with, you know?

No that totally makes sense anon!

I can’t speak for everyone but I’m not angry or anything over the choice of him being with other people before Penelope because, like you said, he probably doesn’t understand the difference between just purely sexual satisfaction and making love with some you cherish and care for. And we could be entirely wrong on this lol.

I personally wish we could see more tropes of teens/young adults falling in love and learning their sexual awakenings together. And I know the above and what I’m about to say isn’t the case with Polin, but I find a lot of the preferred romances to be a bit icky/a power imbalance with wanting someone who has so much experience being with someone who has none. It kind of gives me the ick anymore and that’s why I think it’d be nice to see something a bit different from time to time.

Again, not saying this is Polin at all or really any of the Bridgerton couples, it’s just something I’ve noticed within the genre as a whole that irks me.

#bridgerton #polin #bridgerton s3 #bridgerton season 3 #penelope x colin #colin x penelope #colin bridgerton #penelope featherington #ask #answer

[sparring-spirals]

I got to say I really liked the episode (despite only having watched exu calamity of the exu series) and I think maybe Matt needed a breather after so many fast paced, lore filled episodes.

however, I am kinda bummed that the fcg processing has been put on hold for (at least) two weeks now and that means that, despite them being great actors that truly merge with their characters at the table, their reactions will be much less raw and there’s a chance some of them will forget tidbits of information, emotions they felt when it happened because they (as role players) will have had time to process it out of the game and it might create a dissonance in the game. tbf I kind of felt the difference even between the end of ep 91 and the beginning of 92 but it made sense because technically they were still running and couldn’t afford to process. idk. I have hope that we’ll still see that raw emotion, but I fear it won’t be as impactful as it could’ve been, especially if they’ll have to put the “reporting for duty” hat on immediately when they get to the camp

I think being a little bummed about the sort of unexpected hiatus on the Bell's Hells/Post F.C.G processing is super understandable! As someone who also really did enjoy the Crownskeepers return (hello im still yelling about Opal internally), I'm kind of in the same camp of being kind of thrown/disappointed about not getting to really dig into/sit with the Bell's Hells post-F.C.G loss. Like, LOVED the Crownkeepers, fascinating second half, kind of meh on the specific timing.

I'm holding my reservations about whether they're going to have to keep running/moving once we return to their portion of the story, since hey, until it happens (or doesn't!), we don't know, so I don't feel like getting too in my head about it until then.

That said! I do think that in general the cast puts characterization and staying true to the emotions of the character/story as a very high priority within the campaign. I think you're right that it won't be the exact same as if they had done a big emotional blowup/goodbye/processing scene in the same ep where they lost F.C.G, or immediately after. I don't think that means it has to be less impactful, just that- yeah, they'll have had more time to actually think/process it.

But they're also all professional voice actors who have, IMO, thus far shown how much they think about the inner lives of their characters and enjoy really digging deep into the emotional/interpersonal aspects of roleplay.

My assumption (my hope?) is that with additional time to think about + process a devastating/deeply emotional loss for their character(s), they'd choose to lean into that more, and not less. It wont be the same as the immediate raw reactions, thats true! But i dont think that means it has to be less impactful, even if they (as people) have had more time to process, and will be choosing how their characters, fresh off the loss, react. I dont think thats a guarantee it will be less impactful/emotional (maybe the additional thinking would actually enhance the reactions being true/insightful to the characters vs gut reactions from cast), but it will be different.

But if the cast chooses to lean into the heartbreak/emotions, and the circumstances of the BH in the upcoming ep enable it, I'm sure they can still kick my ass (emotionally), timeskip or not.

In general, I'm cautiously optimistic about what could happen next! Even if I don't love the timing thus far. I think there's still plenty of ways for me to get what I'm hoping for wrt F.C.G/BH. :] There are plenty of ways for me to get let down too, probably, but until it happens, or doesn't, I'm opting to not get too doomery about it. We'll see.

I uh. Hope that helps? A bit? Being bummed about specific things you were hoping for being off the table is totally reasonable. just hoping to lend an alternate way of viewing it, if desired.

(i wrote the sentence: "don't be lamenting your chickens before they hatch" and then went "what the fuck" out loud. i spent 4 hours at work today just doing systems diagramming and my brain is fried. clearly. keeping this here for my own entertainment.)

#im kind of tired im sorry if this makes no sense lmao. i appreciate the ask! sorry if my answer comes off as flippant. i do get where you're #coming from and wanted to share how im personally choosing to approsch it haha #critical role #cr spoilers #c3e92 #bell's hells #spar speaks #ask away! #speculation #fcg #imo its like how we probably wont be getting situations like marisha shellshocked live tweeting after jester saved beau with a cupcake #but we get the cast doing sneaky little tweets before the episode airs but after theyve already experienced it #different for sure. doesnt have to be worse. thats more up to personal opinion i think #i fully wrote that chicken thing and went. thats the idiom right. and then stared at it and went. ... no. its not. #should i have waited to answer this ask? maybe. but oh well. #i should probably get some sleep though