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chaos-le-mieux · 2 years
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Undertale 7th Anniversary: Chara Tribute
The textless version of this will be my submission for the Undertale AU Community Project 2022 This one is a little more involved than last years... well, a lot more involved. And while I think I improved from last year, I still have a ways to go, but at least I'm moving forward. I'm not even sure how to order all the Chara's properly, I might just make a list in alphabetical order with a brief description and a credit/link to the original artist (providing link is available) AFAC Chara: by @askfriskandcompany  - They're the Skeleton Chara with the glowing red hair. "Classic" Chara: © Toby Fox - The original, wearing a green and gold stripped long sleeve shirt and a silver monster soul locket. Cross Chara: by @jakei95 - They're dressed in all white and dark purple, and holding a big knife o vo! Data Chara: by @ask-dcf - She's wearing a black and white poncho and and is just adorable ^ -^ Epic Chara: by @yugogeer012 - They're in a Black and Red tunic, holding a knife that's serrated in the middle of the blade. Error Chara: this version is by me - They're floating near the top with bright Cyan hair. FellswapX Chara: by @fellswap-x  - They're the Chara with one arm in the light and dark purple "poncho" Fresh Chara: Fresh concept by @loverofpiggies - this specific design for Fresh Chara I'm still trying to figure out who originally designed it. They're in the mutli-coloured hat, green vest, and burnt orange pants. GenTem Chara: by www.youtube.com/c/GenTem - They're the ghostly one, bottom middle, with a red "x" hair clip KFC Gang Chara: by @somedancingpineapple - They resemble Classic Chara, but are a ghost, and don't have a locket, actually, some might argue they look more classic than the classic that I drew for this o wo Poketale: Ascendance Chara: by @instaquarius - They're in the white and gold holding a pure red Pokeball, aka a Cherish Ball. Ragnartale Chara: by @naomyart - She's in the red and white dress, elegant and sometimes eloquent ^ -^ Reapertale Chara: by @renrink - They're the floating one wearing a black cloak and wielding a big scythe, though it's hard to see since so many other Chara's are covering it up o 3o TallTale Chara (Corrupted Chara: Final Form): by https://www.deviantart.com/clobertina - They're essential the background. It was hard trying to scale them right, and even then, I think I still made them to small. Those bright purple, yellow, and blues Toptale Chara: by @the-great-pipmax  - They're the ghostly red one, floating all cutely in the center ^ -^ And I think that's everybody hopefully all the links work, and everyone has a good time ^ -^ Enjoy~ Undertale © Toby Fox
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callmertgamecrowd · 17 days
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Watching save data play dual destinies so expect more random "I could fix dual destinies" posts over the next few months lol. Is it going to be me repeated the same things? Maybe so..Sue me.
Anyway prij was right, I 100% believe the move to switch to pheonix was terrible in the first case, like having Athena still take the lead with Pheonix helping makes so much logical sense and would be a great intro to this new character.
However I also think replacing Pheonix with apollo would be cool - have Apollo leading the way for the first half, only to crash out and have Pheonix make his big entetance half way through would have been so much cooler! It would of put Athena'a oh god panic at a more intense spot, have a chance to explore Apollo and Athena's dynamic and also give Apollo a chance to shoe some growth from his game. A win win win in my books.
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closeted-goth · 10 months
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currently have seven (7) [!] different taylor swift ticket stories from seven (7) [!] different country-wide news outlets in my news feed and if u can't beat em join em so How Bout Them Taylor Tickets, Fellas!
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expensesreceipt15 · 1 year
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Instructions to Abstain from Getting Misled Online While Searching For Lucrative Open doors
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#We are searching for ways of bringing in cash on the web#yet how do we have at least some idea which open doors are tricks and which are authentic. Tricks out number the veritable open doors many#Be careful with counterfeit or advertised up audits which just point is to inspire you to purchase the item on the grounds that the analyst#on the off chance that the survey sounds more like an attempt to sell something and assuming connections to the item are remembered for the#Look out for tributes on the deals page don't acknowledge these except if you can contact the individual to confirm there testimonial.You m#Attempt The email client care separated from posing a couple of inquiries about the product#The quality and profundity of the reaction can likewise inform you a great deal regarding an organization or item. fake receipts In the eve#Trick site generally have practically no contact data on the off chance that there isn't address#telephone number or email address stay well clear as these kinds of site will take your cash and run. Additionally pay special attention to#as a general rule you can discover a few genuine surveys which can give great understanding into what your going to buy. Likewise get some#ensure the webpage you expect to manage is Pay-buddy confirmed#All genuine sites are Pay-buddy Checked. Never send cash to somebody who's Unsubstantiated.#In the event that you are discontent with your buy You can continuously have a fair amount of money returned by going directly to the trade#it ought to have a help email address. Essentially notice your receipt code and state you need a discount.
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nasa · 9 months
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NASA Inspires Your Crafty Creations for World Embroidery Day
It’s amazing what you can do with a little needle and thread! For #WorldEmbroideryDay, we asked what NASA imagery inspired you. You responded with a variety of embroidered creations, highlighting our different areas of study.
Here’s what we found:
Webb’s Carina Nebula
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Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, created this embroidered piece inspired by Webb’s Carina Nebula image. Captured in infrared light, this image revealed for the first time previously invisible areas of star birth. Credit: Wendy Edwards, NASA. Pattern credit: Clare Bray, Climbing Goat Designs
Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, first learned cross stitch in middle school where she had to pick rotating electives and cross stitch/embroidery was one of the options.  “When I look up to the stars and think about how incredibly, incomprehensibly big it is out there in the universe, I’m reminded that the universe isn’t ‘out there’ at all. We’re in it,” she said. Her latest piece focused on Webb’s image release of the Carina Nebula. The image showcased the telescope’s ability to peer through cosmic dust, shedding new light on how stars form.
Ocean Color Imagery: Exploring the North Caspian Sea
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Danielle Currie of Satellite Stitches created a piece inspired by the Caspian Sea, taken by NASA’s ocean color satellites. Credit: Danielle Currie/Satellite Stitches
Danielle Currie is an environmental professional who resides in New Brunswick, Canada. She began embroidering at the beginning of the Covid-19 pandemic as a hobby to take her mind off the stress of the unknown. Danielle’s piece is titled “46.69, 50.43,” named after the coordinates of the area of the northern Caspian Sea captured by LandSat8 in 2019.
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An image of the Caspian Sea captured by Landsat 8 in 2019. Credit: NASA
Two Hubble Images of the Pillars of Creation, 1995 and 2015
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Melissa Cole of Star Stuff Stitching created an embroidery piece based on the Hubble image Pillars of Creation released in 1995. Credit: Melissa Cole, Star Stuff Stitching
Melissa Cole is an award-winning fiber artist from Philadelphia, PA, USA, inspired by the beauty and vastness of the universe. They began creating their own cross stitch patterns at 14, while living with their grandparents in rural Michigan, using colored pencils and graph paper.  The Pillars of Creation (Eagle Nebula, M16), released by the Hubble Telescope in 1995 when Melissa was just 11 years old, captured the imagination of a young person in a rural, religious setting, with limited access to science education.
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Lauren Wright Vartanian of the shop Neurons and Nebulas created this piece inspired by the Hubble Space Telescope’s 2015 25th anniversary re-capture of the Pillars of Creation. Credit:  Lauren Wright Vartanian, Neurons and Nebulas
Lauren Wright Vartanian of Guelph, Ontario Canada considers herself a huge space nerd. She’s a multidisciplinary artist who took up hand sewing after the birth of her daughter. She’s currently working on the illustrations for a science themed alphabet book, made entirely out of textile art. It is being published by Firefly Books and comes out in the fall of 2024. Lauren said she was enamored by the original Pillars image released by Hubble in 1995. When Hubble released a higher resolution capture in 2015, she fell in love even further! This is her tribute to those well-known images.
James Webb Telescope Captures Pillars of Creation
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Darci Lenker of Darci Lenker Art, created a rectangular version of Webb’s Pillars of Creation. Credit:  Darci Lenker of Darci Lenker Art
Darci Lenker of Norman, Oklahoma started embroidery in college more than 20 years ago, but mainly only used it as an embellishment for her other fiber works. In 2015, she started a daily embroidery project where she planned to do one one-inch circle of embroidery every day for a year.  She did a collection of miniature thread painted galaxies and nebulas for Science Museum Oklahoma in 2019. Lenker said she had previously embroidered the Hubble Telescope’s image of Pillars of Creation and was excited to see the new Webb Telescope image of the same thing. Lenker could not wait to stitch the same piece with bolder, more vivid colors.
Milky Way
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Darci Lenker of Darci Lenker Art was inspired by NASA’s imaging of the Milky Way Galaxy. Credit: Darci Lenker
In this piece, Lenker became inspired by the Milky Way Galaxy, which is organized into spiral arms of giant stars that illuminate interstellar gas and dust. The Sun is in a finger called the Orion Spur.
The Cosmic Microwave Background
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This image shows an embroidery design based on the cosmic microwave background, created by Jessica Campbell, who runs Astrostitches. Inside a tan wooden frame, a colorful oval is stitched onto a black background in shades of blue, green, yellow, and a little bit of red. Credit: Jessica Campbell/ Astrostitches
Jessica Campbell obtained her PhD in astrophysics from the University of Toronto studying interstellar dust and magnetic fields in the Milky Way Galaxy. Jessica promptly taught herself how to cross-stitch in March 2020 and has since enjoyed turning astronomical observations into realistic cross-stitches. Her piece was inspired by the cosmic microwave background, which displays the oldest light in the universe.
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The full-sky image of the temperature fluctuations (shown as color differences) in the cosmic microwave background, made from nine years of WMAP observations. These are the seeds of galaxies, from a time when the universe was under 400,000 years old. Credit: NASA/WMAP Science Team
GISSTEMP: NASA’s Yearly Temperature Release
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Katy Mersmann, a NASA social media specialist, created this embroidered piece based on NASA’s Goddard Institute for Space Studies (GISS) global annual temperature record. Earth’s average surface temperature in 2020 tied with 2016 as the warmest year on record. Credit: Katy Mersmann, NASA
Katy Mersmann is a social media specialist at NASA’s Goddard Space Flight Center in Greenbelt, Md. She started embroidering when she was in graduate school. Many of her pieces are inspired by her work as a communicator. With climate data in particular, she was inspired by the researchers who are doing the work to understand how the planet is changing. The GISTEMP piece above is based on a data visualization of 2020 global temperature anomalies, still currently tied for the warmest year on record.
In addition to embroidery, NASA continues to inspire art in all forms. Check out other creative takes with Landsat Crafts and the James Webb Space telescope public art gallery.
Make sure to follow us on Tumblr for your regular dose of space!
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omenarchive · 9 days
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C3E091 True Heroism
The Archivists have been hard at work gathering Episode 91 data. You can visit our site for a fuller picture, but some highlights are below, starting with some statistics about our beloved Faithful Care-Giver:
FCG dealt 967 points of confirmed damage over the course of the campaign, with their top damage episode being C3E057 The Sorrow of Molaesmyr, when they did 150 points of damage.
But, as we know, his greatest strength was in protecting his friends. Across 91 episodes, FCG gave 1,452 points of confirmed healing. Their final episode, C3E091 True Heroism, was also their top healing episode with 286 HP.
Additionally, FCG used Transfer Suffering to mitigate 243 points of damage across the campaign. Of all the Hells, he most frequently took damage for Imogen, and took the highest number of points for Fearne.
Appropriately, their favorite spell was Guidance, which they cast 140 times. Their other top spells/features included Cure Wounds, Transfer Suffering, Enhance Ability, and Channel Divinity (Sympathetic Binding).
At the time of their death, FCG had taken more damage than any other PC: a whopping 2,062 points of damage over the course of the campaign.
He got three HDYWTDTs, wished people a smiley day 51 times, and made (or inspired) 66 unfortunate references to having a flesh tongue.
He was made of metal and wires, but he was alive, and because of him, his friends are too.  
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Visit our site for the rest of our FCG highlights, as well as a special tribute that you should make sure to click. As for the Legend of the Peaks, some truly frightening highlights:
Otohan Thull dealt 847 points of damage. With four attacks per turn, they were likely a level 20 Psi Warrior fighter. She had two legendary resistances, and she took a total of 501 points of damage, 299 of these before exalting.
At 399 damage, Otohan took a health potion and healed 66 points. She then took 63 additional points of damage before FCG made their sacrifice.
Presuming that Otohan was not resistant to the damage from FCG’s explosion (79), which seems likely given the particular arcane nature of FCG’s core, that puts her total HP somewhere between 400 and 475 points.
For comparison, these stats put her in the same HP range as a Forge Guardian, the demon prince of undeath Orcus, or an Ancient Dragon Turtle, with more multi attacks and damage resistances than any of them. Terrifying! 
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Visit our Episode 91 page here for more detail about Otohan, and check out our homepage for some additional highlights.
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cheriladycl01 · 2 months
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2026 Rewind - Grid x AudiDriver! Reader
Plot: After some devastating deaths within the F1 industry from unmistakable names in 2025, the FIA decide to make a plan to race at all of the old tracks that are iconic but haven’t been on the grid for a while.
A/N: this is racing heavy with only drivers name dropped, but if you want cool Ted and Crofty with Y/N vibes while learning more about some of the FIA Grade 1 Tracks, have a read!
Credit to celestinovietti for the GIF
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“So Ted, let’s talk about this years line up. It’s just so iconic that I can’t bear it!” David Croft says as they are in the commentator box at pre-season testing.
“Yeah Crofty, obviously it’s so unfortunate the reason behind what we are calling the 2026 rewind because of some losses we had in the industry and this was the way the FIA decided to pay tribute to those people!" Ted explains before the onscreen for the year comes up.
"So, lets go through the year together and analyze it. We're starting of the season strong in the lovely Kuwait, here at Kuwait Motor Town, this is where we are kick starting off this season. It's a high speed track here just north of where we would typically start in Bahrain. This is a track consisting of 20 turns, and is 5.609km of racing ahead. I'm very excited as no-one in F1 history has raced here in an F1 car. Who do you think's going to do well here Ted?"
"Well, there's some really nice corners, and it's a similar temp to Bahrain so i think it's difficult to tell but I can imagine the Audi with Y/N now having done her rookie season learning all those key values about the F1 car and how it works. McLaren will also be good here, really tightening up the constructors championship this year!" Ted offers looking at all the onboard footage.
"Yes I agree, I think Red Bull tend to be quiet strong a the start of the year naturally and its a game for the other teams to be playing catch up!" Crofty agrees.
"Okay, then after Kuwait, we'll be travelling to and correct me if I'm saying this wrong but the Kyalami Circuit in South Africa near the wonderful capital Johannesburg. It's in replacement of the Saudi Arabian Grand Prix, we haven't raced in South Africa since 1993 and what a beautiful circuit this is, its got some really high speed corners and yeah, I think the Ferrari will really be great on those long straights." Ted says analysis the data of the cars in testing.
"And now here we have with us, Y/N Y/L/N Audi F1 driver here to talk through the rest of the tracks!" David says and points to the camera for you to smile and wave before he pulls out the microphone in front of you.
"Hello!" you grin and David and Ted both burst out laughing.
"What did I miss, I'm really sorry i was late!" you smile looking between them and they both nod in understanding of how tight the weekend schedule could be, they are shocked they actually have your time right now.
"It's completely okay, we understand! We've only introduced Kuwait and South Africa, we are about to move onto the changed Australia track! Your thoughts?" he exclaims and you smile.
"Yeah, obviously it's going to be exciting with all these new tracks that none of us have driven, so of course there was a lot of testing in the sims... but yeah its great to be here in Kuwait, and I'm excited to go to South Africa as well!" you smile.
"Yes, and how do you feel about Australia being changed from Albert Park in Melbourne to the Adelaide Street Circuit?" Ted asks with a grin on his face knowing how you felt about the Australian races.
"Well, after the spider incident in 2022, I've always been so scared to drive in Australia" you giggle, before Crofty pulls up the video of you in P4 of the Australian Grand Prix in 2022.
Y/N - Theres a fucking tarantula in my car Race Engineer - Copy that Y/N - No i dont think you guys get it, its on me
"And you ended up pitting there was no time to get it out of the car because of where it was, you were crying for the rest of the race and you were going so quick so you could just finish that you actually ended up winning your first race here and overtaking Charles Leclerc in, what back then was an Alfa Romeo." Crofty smiles and you nod.
"Yeah, so where ever that race is in Australia I know ill be on edge the whole time, I'll have my crew do like 6 inspections on my car before each session to make sure. It was traumatizing i tell you!" you admit.
"So after what will hopefully be a spider free stint in Adelaide on their street circuit we move on to south east Asia where we will exchange Suzuka Japan, for the Fuji SpeedWay, a truly iconic track before going back to an old favorite of some of the older driver on the grid like Lewis and Fernando in South Korea at the Korea International Circuit!" Ted says showing the line up for the races after Australia.
"I'm really excited for these, the atmosphere of the fans is always amazing and the tracks here are great I think Audi thrive on these sort of tracks and yeah, I'm excited to see what we can do there!" you smile, looking at the spinning track layout that popped up on screen.
You move on to Miami's replacement being the iconic Californian Long Beach Street Circuit.
"And we've been tipped of, by a certain Cash App driver that he'll be taking you to DisneyLand while out there?" he asks looking at you.
"Yes, Liam has already been once and when I said about wanting to go to radiator springs he and Daniel jumped on the opportunity to go, which then Yuki and Max wanted to come so it's now turned into this whole massive group trip!" you laugh knowing that half the grid would come with you guys.
"And of course much like the UK Italy is another pinnacle of Motorsport and we've had to change out two of the iconic track Monza and Imola. So for the first change of Italy we've changed it to the iconic Mugello track which I just really love, don't you Y/N?" Ted asks looking at you.
"Yeah I think Lando and Osc will be really strong there, I'd like to think me and Carlos are as well with the Audi this year... so yeah I'm excited for Mugello! Obviously they raced here in 2020 so it's the most recent of all the races this year to make a return so its only really me, Oscar, Logan, Fred, Theo and Kimi who haven't raced there" you smile analyzing the twisty track up on the screen.
"Yes, then we'll be moving onto, what was probably one of the toughest decisions of this year which was switching out Monaco and what to switch out such an exciting race with, so they didn't its the only race on the calendar this year that has remained unchanged!" David explains making you nod.
"I think, where this year is to show the history of F1 and what it means to all of us, the teams and the fans. And by keeping Monaco on there where its such a historic track, i think that's actually staying true to a rewind year!" you smile, you'd always loved the vibes in Monaco, from the fans to the track to how your car performed there.
"Yeah i agree i think it was the right choice keeping Monaco!" Ted exclaims also loving the vibes at Monaco.
"Okay, then moving all the way to the west, we'll be in Canada moving from Montreal over to Quebec at the second oldest track, the Mont-Tremblant Circuit!" David shows the new Canadian circuit on screen.
"Then after Canada we've got a really special double header with two Spanish Grand Prix's at different locations. We have the Valencia Street Circuit and Del Jarama Circuit. Both very exciting and it will be a long weekend in Spain!"
"I'm excited to see a street circuit in Spain, obviously we had Madrid for the last two years after Barcelona, so I'm excited for both Valencia as a street circuit and Jarama which is such an iconic track because of those tights turns and yeah I'm really excited for this one!" you smile.
"Obviously next one was another tough one, Silverstone again another iconic track and the UK has so many other iconic tracks that its hard to choose, there was talks of Aintree, Watkins Glen and Donington Park but ultimately they went with Brands Hatch what do you think on this?" Ted asks looking over to you, holding up a page showing all the different UK tracks.
"Yeah, I think there's some really iconic tracks in the UK, its my home so i grew up racing on a lot of those tracks in different motorsport categories, I think there's ones that are arguably better for Formula one, which is why Silverstone is the main circuit as it gives for the most interesting race, however for me it would have been a call between Brands Hatch and Watkins Glen so I'm glad that they chose Brands Hatch, I've got some great memories there at testing and showcasing the car or working with the Top Gear team, so I'm excited to race there!" you explain, the United Kingdom is the like Monaco in being both a founder and royalty when it comes to Motorsport.
"I 100% agree with that, however I just love Aintree so much and am gutted we wont see it!" David Croft admits.
"So after Brands Hatch we move to Monsanta in Portugal which we haven't raced in Portugal since 2021 because of the COVID restrictions but that was in Algarve so it'll be interesting to see the difference!" Ted offers looking at the next circuit floating on their screen as he zoom's in on turn 4.
"Then, again there another track we hate to see go even if its for one year but Spa, its so iconic and its one of the most dangerous circuits we race now and it's being swapped out for Circuit Zolder on the other side of Belgium! Thoughts?" David asks out in the open.
"I" you start.
"Well I think" Ted also starts and you both look at each other in shock before laughing. You let Ted go first to say his piece.
"Well, I think it's no where near interesting as Spa, and especially where its the last race before a break... I think it's going to be way more uneventful than Spa!"
"Y/N?" Crofty asks looking at you.
"I actually think the opposite most of the tracks have been very high risk with lost of turns and chicanes and hairpins that really catch you out, however this reminds me of the simplicity of Monza and everyone, everyone loves Monza. So i think it will really even out the mid field cars" you says observing the track that had nice long straights and minimal turns.
"I agree with you there Y/N! Next after Zolder we head over to the heavily missed Nurburgring in Germany, the last time we saw it was 2019 so again, up until our 2019 rookies would have driven there how'd you feel about this track Y/N?" David asks.
"Well, it's such an iconic track for so many reasons I really wanted to race there after I watched Lando, George and Alex all race there in 2019, I was actually there in the paddock that year with Ferrari as a part of their driver development programme" you nod, explaining to them how excited you were for it.
"Now next in the place of Monza which we just mentioned we have a complete wild card of the Scandinavian Raceway in Sweden! Now this, this is one I'm excited for it's a beautiful track and has the coldest track temps we'll probably get all season! So it'll be a real fight to see who can protect their tyres and manage them well!" Ted explains and you nod, knowing it would be an exciting race.
"Then after that we travel to France where we haven't been for a while, however the Bugatti Au Mans Track in France is iconic, there are so many great tracks in France like Paul-Ricard or the Charade Circuit or Dijon de Prenois, all of them are great but the Bugatti hasn't been done is so long and really means a lot historically to the sport" David offers, showing you one of the only tracks you didn't feel too excited a lean towards.
"Then, we move back across to Aisa, going to an age of favorite of the age old Sepang International Circuit in Malasiya which is one fans have been wanting to see back on the race calendar for a while so i wonder if this will stay into 2027!" Ted takes over, and you nod.
"I'm also very excited for Sepang! After Malaysia we move onto the first ever FIA grade 1 race track the Chang Circuit in Thailand, how to we feel about this?" David asks directly looking at you.
"Not only is it a beautiful track, but it means that Alex now has a chance to race at his home track while racing under his home flag and I think he's really excited for it. He's in a great car, the Williams has come leaps and bounds and are top midfield contenders and definitely will be up there fighting for race wins!" you smile, knowing Alex was so happy to have this opportunity to race in his home country.
"I agree Alex Albon to win in Chang Circuit, I've put my money on it! Our next circuit it one that NASCAR share with us in F1 taking it back to the Indianapolis Speedway, on the lower F1 circuit of course rather than the Oval that the NASCAR drivers use!" Ted explains.
"Yeah, that lower track is great, you got the nice curve and we'll be able to get to those really high speeds. It's an iconic US track just like COTA!" you admit, taking a sip of the water you'd brought with you.
"After Indi, we'll make our way a little further down south to the Rio de Janiro International Track in Brazil, which is instead of Sao Paulo" David explains looking at the second F1 track in Brazil, it was a nice track but Sao Paulo had been on the roster for so long.
"Then, we are back in Las Vegas, but not on the Strp track that was created in 2023, no we are going back to the Ceaser's Palace Track and I know many people complain about these Las Vegas Grand Prix's because of the timings and the drivers not really liking driving at 12pm!"
"Yeah, i agree they are really strenuous just like Qatar for the heat but I love the vibe Las Vegas brings and I like the whole weekend with all the activities in the fan zone and yeah I'm excited they used Ceaser's Palace rather than the Pheonix Street Circuit which i know they were considering.
"I agree. Our last two races, then consist of the Buddah International Circuit in India and rounding off instead of in Yas Marina in the Dubai Autodrome, which will be a really nice round off" David exclaims.
Slowly you end the interview up, needing to go down to the track to get into the car for you leg of pre-season testing.
What a year it would be.
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herohimbowhore · 3 months
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2023 Special Helmets: An Analysis
Helmets are where we get to see the creativity and personality of drivers come alive. Not too long ago, I looked at and analyzed the normal helmets that all 22 drivers wore. That analysis was heavily focused on color because there isn't much room for creativity in those helmets and color is one of the main things that drivers can play around with to show their individuality and creativity.
However, with the special helmets drivers wear during the season, we see much more about the drivers and their creativity.
In the 2023 season, there were 23 events (with the 22 grand prix weekends and preseason testing) in which a special helmet could be worn, and with 20 drivers on the grid at any given event, there was potential for 460 special helmets. Obviously, every driver isn't going to have a special helmet for every single event.
However, there were 114 instances (that I was able to identify) in which drivers wore a special helmet. Or 114/460 = 0.248 = 24.8% Which is a far cry from the days were drivers were only allowed one special helmet per season.
Methodology
After combing through social media posts, news articles, images from race weekends, and different sessions, I was able to identify 114 instances in which the 22 drivers who participated in the 2023 season wore a helmet that was not their "normal" helmet. I went through this process approximately three times to ensure that I didn't miss anything, but I was doing a lot of this during the end of my thesis and finals time, so there might be some things I missed. In which case please do let me know.
All of this data was put into a spreadsheet:
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The next step was to organize the data and find the meanings given by the drivers for why they wore the special helmets. This again meant more time for social media posts and news articles.
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With the data gathered, there was a need for analysis. While the individual stories behind the helmets are very interesting on their own, they don't tell us much about special helmets as a whole.
The first method of analysis was the number of special helmets per driver. While it sounds straightforward, some drivers did reuse special helmets for more than one race.
The next method of analysis was the number of special helmets per event. Though in the spreadsheet, the Qatar GP and sprint are separately listed due to Pierre having two helmets that weekend, I did count it as one event because it is the only instance in which two helmets were worn in one weekend.
The last method of analysis was the reasoning for the special helmet. In this, the possible reasons for the helmet were considered. Essentially, what was the reason for having a special helmet - as it was given by the driver/team/helmet design?
For this last analysis, I created 21 different reasonings based on the data I had gathered during the research phase. Most of the helmets fit into more than one of the following reasons:
Host Tribute: The helmet heavily features a design related to the city or country they are racing in. It somehow is a tribute to the host.
Team Home Race: The helmet was worn during a race in which the team is somehow based. This could also be a main sponsor home race, i.e., Honda or Alfa Romeo.
Inaugural Race: The first time a race was held at the location.
Home Race: A race in the country that the driver was born in, races for, etc.
Sponsor Collaboration: A driver partnered with a sponsor and it is clearly visible in the design.
Vibes: There's no explanation that I could find.
Livery Match: The helmet features design elements similar to a one-off/special livery.
Team Milestone: The race is a major milestone for the team and the driver has some sort of tribute for it.
Tribute Helmet: The helmet is meant to be a tribute to someone(s) special to the driver. Could be F1-related people or people that are special in their personal livers.
Race Milestone: The race is a major milestone for the driver.
WDC: This one is just for Max Verstappen and the helmet he was gifted by Red Bull after winning the WDC in Qatar.
Artist Collaboration: The driver worked with an artist that was specifically stated.
Night Race: This was only used if I could not find any other explanation for the helmet, and it featured either glitter or chrome.
Race Beginnings Tribute: The explanation for the helmet somehow relates it back to the beginnings of their racing career. Color or design elements from first helmets.
Team Tribute: The helmet is meant to show love and appreciation for the team.
Movie Release Collaboration: The helmet corresponds to a movie that is soon to be released.
Honorary Home Race: While not the driver's home race, the country has become like home and/or taken them in as one of their own.
Investor Tribute: Helmet showcases something meaningful to a team investor.
Embodies the Samurai Spirit: Fernando Alonso's samurai tattoo and love for Samurai culture.
Comeback Race: This was only used for Daniel Ricciardo in Hungary because there was no other reason for the special honey badger on the back of his helmet and it quite clearly said "I'm Back."
Last Race: While Abu Dhabi was a night race, the helmet used during the race did not feature glitter or chrome. It was just a special design different from the normal helmet worn.
There was a caveat with the host tribute and team home race. A helmet that featured location-specific designs was either counted as a host tribute or a team home race. So a Haas driver with a special helmet In the US would be considered for a team home race, not a host tribute, whereas a Ferrari driver with a US-themed helmet would be considered a host tribute. Additionally, for the Las Vegas Grand Prix, special helmets were considered as inaugural race helmets, not host tributes. Unless it was for the Haas drivers, in which case it was a team home race and inaugural race helmet.
Analysis
How Many Special Helmets Were There Per Driver?
There were a total of 114 instances in which a special helmet was worn. However, there were not 114 different special helmets worn. In quite a few cases a special helmet design was repeated over 2 or more race weekends.
Max Verstappen wore a special helmet at 10 different race weekends, but for five of those weekends, he was wearing his WDC helmet. The WDC helmet was given to him after winning the championship during the Sprint race. It was then worn for the Qatar Grand Prix, in Austin, Mexico, Brazil, and Abu Dhabi. So while he wore a special helmet for 10 race weekends, there were only 6 different special helmet designs worn by him. Sergio Perez wore a special helmet at 5 different race weekends. Unlike his fellow Red Bull driver, he did not repeat a special helmet during the season. Each helmet had a distinct design to fit the race weekend.
Charles Leclerc wore a special helmet at 7 different race weekends, whereas Carlos Sainz wore a special helmet at 5 different race weekends. Neither Ferrari driver repeated a special helmet design during the season.
Lewis Hamilton had 2 special helmets during the 2023 season - the second least amount of special helmets for a driver who raced for the entire season. As such, he did not repeat any special helmet designs. Meanwhile, George Russell wore a special helmet at 3 different events. However, he only had 2 distinct designs as the special helmets for testing and the Bahrain Grand Prix were the same.
Lando Norris wore a special helmet at 7 different race weekends. However, he wore the same special helmets for Monaco and Spain, which happened to correlate with the McLaren Triple Crown special livery for those weekends. Oscar Piastri wore a special helmet at 5 different race weekends. Like his teammate, he wore the same special helmets for Monaco and Spain which correlated with the Triple Crown livery.
Esteban Ocon wore a special helmet at 11 different race weekends, which was the most special helmets worn by a driver. However, while he wore the most special helmets, Esteban did wear the same helmet for 4 weekends (testing, Bahrain GP, Saudi Arabia, and Australia). The Baku helmet was the same as his regular helmet, but instead of black lines, he had white lines. So, Esteban did have the most special helmets, it was largely due to a repeat of special helmets at the beginning of the season. There were only 8 distinct special helmet designs. Pierre Gasly wore 8 special helmets during the 2023 season. Each special helmet had a distinct design, Pierre even went so far as to have 2 different special helmets for the Qatar race weekend.
Fernando Alonso wore 3 special helmets during the 2023 season and was one of the few drivers who did not have a special helmet design for his home Grand Prix. Teammate Lance Stroll had 4 special helmet designs for the 2023 season.
Valtteri Bottas had 9 special helmets for the 2023 season and no repeats at any point in the year. He had the most distinct special helmets. Notably, most of Valtteri's special helmets were designed by professional cyclist and partner, Tiffany Cromwell. While Alfa Romeo had been largely forgotten during the season, Valtteri's helmets were extremely memorable with the fun and creative designs. Zhou Guanyu had 6 special helmets for the 2023 season and there were no repeats in special helmets. However, at least one design was the same as his regular helmet but with the colors changed to fit the race weekend.
Nico Hulkenberg wore 6 special helmets during the season. However, his special helmets for Austin and Las Vegas are seemingly the same helmet, while the Abu Dhabi helmet was his normal helmet but with chrome where it used to be white. Kevin Magnussen also had 6 special helmets for the 2023 season. Each helmet was distinct in its design, however like Nico, the Abu Dhabi helmet was his regular helmet with chrome details where it had been white.
Alex Albon had 5 special helmets for the 2023 season. Alex used the same special helmet for Silverstone and Hungary, otherwise the 799th and 800th races for Williams. Logan Sargeant had the least special helmets for a driver who participated in all 22 races with just 1 for his home race of Miami.
Yuku Tsunoda had 6 special helmets for the 2023 season. However, 3 of the special helmets were his regular helmet, but with different colors to fit the race weekends. Daniel Ricciardo had 4 special helmets for the 2023 season. However, he wore the Las Vegas helmet for Abu Dhabi as well. Nyck De Vries had 1 special helmet and Liam Lawson had no special helmets.
In the end, there were a total of 101 distinct special helmet designs worn in total.
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How Many Special Helmets Were There Per Race?
For this analysis, there were a total of 23 weekends that a special helmet could have been worn - testing and 22 races.
Of the 23 weekends, there was only one event that had no special helmets from any driver. Austria was the only race without at least one special helmet for the entirety of the weekend. Considering that Austria is the home race for Red Bull and the race was at the Red Bull Ring, it was somewhat surprising to see that there were no special helmets by any of the Red Bull drivers.
The race with the most special helmets was the Las Vegas Grand Prix. It was the inaugural race and 16 of the 20 drivers had a special helmet for the race weekend that either fit the Vegas vibe or was glittery/chrome for the night race. A consistent theme was that the American races had the most special helmets. In Miami, 11 drivers had special helmets, and in Austin, 9 drivers had special helmets. I believe that this could largely be due to sponsors and a push towards engaging the US markets. Additionally, it was only the second race in Miami and COTA has always been a race that drivers/teams go all out for.
Also, notably, Qatar had 3 special helmets, but only 2 drivers due to Pierre Gasly having 2 different special helmets for the weekend. He had one for the sprint and one for the Grand Prix.
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How Many Special Helmets Were There Per Reason?
As I mentioned above, 21 different reasons were given for wearing a special helmet. In most cases, there were multiple reasons or explanations for why a driver chose a special helmet for a race weekend. Some reasons were much more common than others.
Most commonly, drivers chose to wear a special helmet to honor the city or country they were racing in. These helmets had some sort of design elements that paid tribute to the city or country. So think of the Monaco helmets. A lot of them featured iconic parts of the city. For example, Valtteri Bottas' helmet, while Pac-Man themed had different parts of the Monaco track like the tunnel and piscine. Kevin Magnussen's Monaco helmet also featured iconic Monaco imagery.
The next most common reason was an inaugural race special helmet with 16 of the 20 drivers having a special helmet for Las Vegas.
Home races were also a very common reason for a special helmet, whether it was for a team home race (15), a driver's home race (10), or an honorary home race (2).
There were a lot of milestones celebrated this year for teams and drivers when it came to the number of races that they'd completed. Most notably, Williams reached 800 races, Lando Norris competed in 100 races (as did George Russell, while he did not have a special helmet for the occasion, Mercedes did release vintage-style merch that coincided with George's 100th race weekend), and Charles Leclerc reached 100 race entries with Ferrari the same weekend as Lando and George. While Charles did have a special helmet for the race weekend, it was not originally for that purpose. The original meaning behind his football field special helmet was a host tribute, but when his race milestone was brought up he attributed the green of the football field to Italian pop singer Gianni Morandi's green meadow where hopes are born and connected it to Ferrari.
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Concluding Remarks
Special helmets reveal so much about drivers and what they deem important or worthy of a special helmet. Each special helmet is unique in its own way.
Something I found very interesting is that of the 11 drivers who wore special helmets in Miami, only Nico Hulkenberg did not have a hint of pink on his helmet. While still very Miami, he didn't have the iconic pink color that the other 10 drivers did. And while that can mean absolutely nothing, looking at that in context to his tweet about the pink Force India, it's a little bit more than just not having pink on his helmet.
Or based on Fernando Alonso's Japan helmet, you could go into the connection he's had with Samurais and his back tattoo and nickname.
These special helmets open new avenues to understanding how drivers think and which narratives they want to highlight. There may not be extensive stories to tell with each helmet, but a good chunk of them can take you down a few different paths to understand either the drivers or the teams that they drive for.
And finally, after looking at 101 different helmet designs, here are some of my personal favorites
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Share your favorite helmets or least favorite helmets - I have pictures of all the ones used for this analysis in the Google Docs link attached.
Notes for Special Helmets: https://docs.google.com/document/d/1WWx8gVzkMzy_l6zwG0u1Vx2mAzPOjK3LqOLaz8z6v3w/edit?usp=sharing (I may have been a hater during some of my notes, but in my defense, I was tipsy and I'd looked at a lot of helmets and articles)
2023 Helmets Analysis
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mindblowingscience · 5 months
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James Cook University researcher Matthew Connors has discovered two new praying mantis species with the help of citizen scientists. The finds have been published in Zootaxa. One of these new mantises is not just a new species but an entirely new genus—the classification level above species—and was discovered thanks to citizen scientist Glenda Walter. "We have named the new species Inimia nat—I. nat for short—as it was discovered thanks to the citizen science platform iNaturalist—also iNat for short. "It's a tribute to a new way of doing natural science. With a far greater number of people able to survey a much broader span of both time and space, citizen scientists can provide a wealth of data that would not otherwise be feasible," said Connors. He said if someone were to go outside and find three different insects, there's a good chance that at least one of them would be a new species.
Continue Reading.
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prince-kallisto · 2 months
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I have to spit this theory out before I go back to sleep, but there’s an interesting emphasis about ghosts in the latest book 7 chapter? Okay not really it was just a few lines ANDJXJDJXJ but that’s not the point- 🤣🤣
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Malleus rationalizes Ortho “waking up” by transferring his data and soul into a different body to being like a ghost that’s left its body to be in another vessel.
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Crowley has a very fascinating connection the ghosts and the undead overall. Not only does he turn into a ghost in the prologue with the use of a transmutation potion, the manga implies that he has some degree of control/summoning capabilities of the ghosts affiliated with Night Raven College.
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The first Halloween event further clarifies that ghosts are so abundant at NRC (yet still an uncommon sight to the rest of the world) because the campus is teeming with magic- to the point that even non-mages can see them. A lot of the staff under Crowley’s employment are made up of ghosts (excluding teachers and Sam)- such as the cooks, and have been implied to have been working for him for many decades now, as in Crowley’s personal story, he can’t even remember when he hired the chef from how long ago it was. The second Halloween event then directly shows how ghost possession works, as many of the students get possessed with their personalities and eye colors changing. And then there’s the whole oh Phantom Bride event in general 👀
Edit: there’s also the Ghost Cameras, which Crowley describes that people back then feared the camera because the photos seemed like ghosts when popping out from the frame. The fact that the camera can “capture” a part of a persons soul is forever fascinating and the way it’s directly tied to ghosts 👀
I’ve been wondering if Crowley so readily has ghost transmutation potions so he can regularly travel to the Netherworld aka the ghost realm. Since his ties run so close with the campus ghosts, then it makes sense that he would have these potions for the Netherworld. But now with Malleus saying this…couldnt ghost!Crowley temporarily use someone as a vessel while under the effects of the potion or (*゚▽゚*)
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…I volunteer as tribute ANDJXJDBD no but actually!! I know there’s a lot more canonical ghost lore than this and how they relate to Crowley, but my brain isn’t fully working right now 😭 But with all the latest emphasis of Crowley having duplicates- magical protections in his Special Lessons, and a virtual simulation of him in the Magic Assault Event…👀 There is indeed a slight possibility of his ghost potions returning. The scene in the prologue heavily suggests that Crowley has an impressive control over his ghost form, as Grim is shocked at how Crowley suddenly speeds up- even faster than the actual Ramshackle ghosts. I feel like *someone* in general being used as a vessel feels more plausible every day…
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And actually, we’ve been seeing recent representations of the spirits/ghosts of dead, such as Phantom Ortho & Ortho’s spirit, and the Knight of Dawn. General Lilia in his dream also calls out for Meleanor and Levan, asking them if they’re watching him and if he could join them, before slipping into darkness.
I still don’t understand how a ghost potion actually works ANXIJDHD- does Crowley just temporarily die for a moment or is it all just the superficial appearance and powers of a ghost without actually being a ghost? 💀 But in any case, I wonder if ghosts will be an ongoing theme, as both Book 6 and 7 have been emphasizing the loss of loved ones, so perhaps there is some connection here.
Idk it’s just very twisted wonderland that these characters have been going through a journey of acceptance at the loss of their loved ones and family, and Crowley is over here having the undead under his control, and is essentially “cheating death” by just casually switching from being a ghost to being alive 💀 and if the Great Seven portraits in his office can actually talk (a portrait in the prologue claims that why shouldn’t portraits be able to speak as long as they have a mouth), it’s essentially false representations of the dead speaking to him lol. So him potentially wielding his ghost form and using someone as a vessel technically isn’t that far off from what he’s currently doing in canon- the themes of death are so integral to his character yet he simultaneously treats these abilities as if it’s trivial 🤔 Anyway Crowley cheating death is foreshadowing to levan /j 🤪
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THE FIRST WAVE OF TRIBUTES
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All tributes (With the exception of hellsite-hall-of-fame, God, Jesus, Tarlton, and Wallace) were chosen randomly, as were the pairs (Again, with the exception of 1, 18, and 32)
Information about the polls will be out a little bit before the polls themselves
Polls will open February 14th in the afternoon/evening (EST)
Second Wave will be announced sometime around 6pm EST
Tribute List under cut
@hellsite-hungergames vs. @hellsite-hall-of-fame
Vace (I Was a Teenage Exocolonist) vs. Herobrine (Minecraft)
Regulus Black (Harry Potter) vs. Edward Cullen (Twilight)
Merlin (Merlin) vs. Florida Man (American Mythology)
Gary the Gadget Guy (Club Penguin) vs. Sunny (Omori)
Benoit Blanc (Knives Out) vs. Ridley (Metroid)
Animal (Muppets) vs. Miku Binder Thomas Jefferson (Hamilton)
Clint (Stardew Valley) vs. Data (Star Trek)
Skunk Ape (Florida) vs. Daniel the Manager (Anon's manager)
Waluigi (Mario) vs. Timmy Turner (The Fairly OddParents)
Meta Knight (Kirby) vs. Castiel (Supernatural)
Death (Puss in Boots: The Last Wish) vs. Prince Caspian (The Chronicles of Narnia)
Katsuya Suou (Persona 2: Eternal Punishment) vs. King Arthur (Monty Python's The Holy Grail)
Squidward's Hopes and Dreams (Spongebob Squarepants) vs. Spiders Georg (Tumblr)
Anya Forger (Spy x Family) vs. Katniss Everdeen (The Hunger Games)
Hannibal Lecter (Hannibal) vs. Campbell Bain (Takin' Over the Asylum)
Jasper (Steven Universe) vs. Star Butterfly (Star vs. The Forces of Evil)
Tarlton (A completely real fandom) vs. Wallace (Wallace the Living Wall)
Mikhailo "Mickey" Aleksandr Milkovich (Shameless) vs. Dimitri Blaiddyd (Fire Emblem: Three Houses)
Duck (Don't Hug Me I'm Scared) vs. Everyone from Cats the Musical (Cats the Musical)
Jay Walker (Ninjago) vs. Miles Vorkosigan (Vorkosigan Saga)
Illyria (Angel: The Series) vs. Evan "Buck" Buckley (9-1-1)
Haymitch Abernathy (The Hunger Games) vs. Richard Gansey III (The Raven Cycle)
Ronald McDonald (McDonald's) vs. Amelia Bedelia (Amelia Bedelia)
Matt (Wii Sports) vs. Oswald Cobblepot (Gotham)
Edward Nygma (Gotham) vs. Tumblr Anon Icon (Tumblr)
Gillion Tidestrider (Just Roll With It) vs. Jedediah (Night at the Museum)
Reigen Arataka (Mob Psycho 100) vs. Willow Rosenberg (Buffy the Vampire Slayer)
Alex Fierro (Magnus Chase and the Gods of Asgard) vs. Puss in Boots (Puss in Boots/Shrek)
Jessie Prescott (Jessie) vs. George Costanza (Seinfeld)
Leon Scott Kennedy (The Resident Evil Franchise) vs. Han Solo (Star Wars)
God (Universe fandom/Deadbeat dads fandom) vs. Jesus (Christianity fandom)
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lucyfloyenworkshop · 2 months
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Awakening the Dragon : Malleus Draconia Overblot Theme
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It's been now one year since Diasomnia Arc, “Ruler of the Abyss“ began...
There so many things, too many topics that I wish to talk and write about. About the tribute to Eyvind Earle's art in the esthetics and ambiance of Briar Valley. About the connections between the Arc narrative and its inspirations. About Night Faeries folk and Silver Owl Knights. About Silver, Malleus, Lilia and all the others characters... For tonight I will write down about Malleus Draconia's Overblot Theme.
When the Diasomnia Arc pre-trailer was released, some notes of Overblot Malleus's theme can be heard. The complet musictrack had been finaly revealed during the first fight against Malleus. Even with the few notes in the pre-trailer, this music really give goosebumps. It is dark, eerie, dangerous and yet graceful and noble.
Diasomnia’s Chapter is an intense turmoil of emotions and, after all that happened in the Main Story so far, I realized that Malleus Overblot's theme not just represent the Arc's climax like it had being the case for the six previous Chapter. Not just only about an epic battle music, but also about a character.
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[Beware : the following post content some spoilers for Chapter 7 : Ruler of the Abyss]
Featuring song and music
There is something about Malleus and music.
In his personal data, it's say that his “talent“ is stringed instruments's practice (ref. Twisted Wonderland : Magical Archives and in game data). According to his close relatives, such as Sebek during “Harveston's Kelkkarotu“ event, Malleus appear to be a really talented musician. And yet that aspect of Malleus wasn't fully explored in the Main, Events and Personals Stories. That was just a fun fact about Malleus's hobbies outside school or his daily royal duties.
Then came the performance of Malleus longside Idia and Azul during the Symphorium in the Halloween event Glorious Mascarade : Crimson Flowers and Bell of Salvation.
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It's could be logical since Diasomnia Arc and Mascrade's events released their preview trailers around the same time. But nothing could make us suspected how much deep of that aspect of Malleus's character design is important. Not just as for characterization but also a tribute from Sleeping Beauty.
But to go with Chapter 7 and the Overblot's theme, let's return to the Symphorium, during its preparation as presented in Malleus's Mascaquerade Dress Personal Story [link]. Glorious Mascarade's iconic song Let My Wish Resound ( Twst wiki's traduction [link] ), is the gift of Night Raven College's students to the invitation for Night Bell College's Symphonium and its three main singer featuring Azul Ashengrotto, Idia Shroud and of course Malleus Draconia. In Malleus's Personnal Story, the trio are gather in Diasomnia Lounge for practicing. Both Idia and Azul (and even Lilia), are amaze about Malleus's singing skills. Not just because of his tense practicing, even outside his royal education as confirm Lilia to Idia. If Let My Wish Resound had a special signification for Malleus and his character (his desire and fear about connect with the Outside World and meeting other peoples), the fact that such song, and by extension the music, resound deep within Malleus.
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In Chapter 7, that particular bond between Malleus and music/song is once again up under the lightspot, and even become an major element of the narrative. Just after he took his Overblot's form and cast [Fea of Maleficent] on everyone, Malleus start to humming a lullaby. The medley is the one of Once upon a Dream, Sleeping Beauty's famous and iconic song. There is many things that need to be discussed about that familiar medley and Malleus's story and personal journey and I will in the futur write a proper and complet review about. For now, we can notice that reference make not only as a tribute to the original animated pictures movie but also to Malleus's paradoxe as a character in that very sequence, and, even if it is more subtle, in the rest of the story. Indeed he is now a Dark Fea Lord, becoming in a way Maleficient just like Riddle with the Queen of Heart or Vil with the Beautiful Queen. And yet there is that lullaby medley, that medley which took after Princess Aurora's song. Malleus is depicted as both Light and Darkness, an impression that can be found in his Overblot theme.
The Choir and the Cello, picturing a story
There is two main musical elements in Overblot Malleus' track. The Choir and the Cello.
If is true that in the previous Overblot’s theme, a kinda choir is used in the medley, but its seems to have for fonction to put some extra more tension in the music like we can see in many soundtrack from cinema or video-game, but in the others Overbolt's theme, the choirs doesn't lead the medley. The instrumental instruments does.
But that was before Vil's Overblot and Mascarade Event’s theme, where the chorus and choir became the main leading of the music. In a kinda latin language with Dies Irea's leitmotif, choir become the medley's core and identity.
In popular culture, the choir is generally used as reference to Medieval Age’s music and its esthetics, real or dreamed . From Historical productions such as in Kingdom of Heaven (a Historical Movie setting during the early years of the Crusades) to Fantasy realms Lord of the Rings’s trilogy, we can tell that kinda of music had a special power to increase emotions and ambiance in a song.
In Overblot Malleus's theme, the choir became an extension of the Dragon-Fea’s power and personality. Giving to his character so much strength and presence, just like with Davy Jones's organ and it make a tribute to Sleeping Beauty’s soundtrack. One of the particularity of this Classic Disney Animation Picture, it's one of the very few movie from Disney's Silver Age, than doesn't have song like we see it in Cinderella or in Alice in Wonderland. As explained by cinema historian, Charles Solomo, in the documentary Picture Perfect: The Making of Sleeping Beauty [link], those kind of “Broadway like song“ doesn't fit to that world made of the gorgeous detailed background designed by Eyvind Earl or the music score inspired by Tchaikovsky's Sleeping Beauty Ballet. Only songs in the movie are Once upon a Dream and choirs. Theses ones can be found in several track in the score. One of them, “Aurora's Return/Maleficent's Evil Spell“, is in my opinion, one of most powerful and representative of that directive for Sleeping Beauty's music. At one point of track a eerie and dark voice can be heard and as its materialize Maleficent's presence when Aurora is hypnotize by the curse.
Those choir segments supporting the narrative and characterizing each protagonists. Just like it's happen with Malleus's Overblot theme !
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In Malleus's Overblot theme, alongside the choir, the second main leading instrument is the cello. The using of that particular string instruments in the track make a easter egg to both Malleus’s personal talents as to Diasomnia Dorm's music theme.
Cello, as other stringed instruments, are very often used in movie, video-game or musical composition because of a rich palette of tones and sounds that those musicals instruments can create and so increase emotions. Notes created by cellos are know to be rich and deep, and how depending how it played, it can express joy and light ambiance as epic, nostalgic world, mysteries or tension and terror.
The slight presence electric guitar (recurring in the Overblot music track) give an extra sensation of danger and tension in the medley, but without shadowing the leading of the chorus and the cello. It sound like lightings bolts, and each time the electric guitar is heard it increase choir's powers in the narrative of the medley with attacking notes. Giving the feeling that we are caught into a storm.
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Conjuring the Dragon
As we start listening Malleus Overblot's theme, we fall into some dark or gothic fey world, more that Diasomnia Dorm's. Despite the presence of a electric guitar sound, the music had the same feels as Maleficent's themes from Sleeping Beauty. In fact the very first notes are very similars or at least sharing the same tones than some of Maleficent's leitmotif in “Aurora's Return/Maleficent's Evil Spell“ or in her music entrance.
The musictrack is divise in five segments. First, it start with a very aery voice sound, as we can found in mysterious or dark music track and then the storms began, leading by the choir. With the cello and the electric guitar, its give at that moment (and is reinforce in game by the image of Malleus in his Overblot form), that we are facing some kind of powerful Lord or a Dark Dragon. Malleus had a very complex personality and as far we know, at his core, ins't a evil character. But he is a Dragon-Fea and he had dark powers. If someone put in danger the persons he will care about (friends, family...), he will riposte with all his might and once of thoses times where Malleus's powers are show as dangerous and dark because its are beyond mortal understanding and standard, not as evil. It's true that consequences of some Malleus's actions are terrifying because of his non-human nature and can show him as the Dragon, the most dangerous foe of tales and legends, as the storm parts of the Overblot music despict it.
And at the middle of the music track, just between the two storms part, for a brief moment a calm, noble music segment is played. Its the same medley than the rest of the track but the tone is completely different as tone and ambience from what had been previously heard, even if there is still a certain tension in it. In fact Malleus Overblot's theme where there is a such calm. Yes it's true that in Leona Overblot's theme there is a kinda of “pause“ in the music but the same amount of epic tension. It's sound like if the character taking a short break, checking if everyone is is okay before return to battle. In Malleus's if we got same general medley but the music tale an other aspect of that character, of that Dragon, at the opposite of the Dark Dragon previously depicted. In that segment, the cello leading the music instead of the choir which became calm like lamentation, giving a powerful, melancholic and noble ambiance to the music before the storm restart and end once again on the eerie voice and notes.
That melancholic noble music caught in the storm show all the balance between light and dark that Malleus carries with him during his personal journey. Give him an aura of nobility and danger as we can found it in the Malzeno's theme or Elder Dragons ( Amatsu, Alatreon or Shagaru Magala) from Monster Hunter for exemple.
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Right at the beginning and at the end of the track we got some slight but clear notes of piano. Like cello, that chordophone instrument (musical instrument that use both stringed and percussion (ref, Britanica)), can create intense and emotional ambience. It's true that I wished to heard some organ note in that music track, which could fit to the medieval gothic leitmotif of Diasmonia Dorm but I think it would change the characterization of Malleus in the music track. Organs are, in popular cultures and soundtracks very very bond to the figure of the Evil Lords such as Ganondorf in Ocarina of Time or Dracula in his many adaptations from movies to video-games or it played by shady antagonists like Davy Jones or Erik, the Phantom of the Opera. Even there it's cannon that Malleus know to play organs (Endless Halloween event), it's a piano. To listen those cold and sad notes, featuring a eerie voice, as opening and ending of Malleus Overblot's music theme, give us the ton of the music but also of the character it depicts. In plus to reinforce the feeling of melancholy, its contrast with the storms that reign in most of the track. Like the calm noble leitmotif, the piano show the “softer“, tragic and lonely side of Malleus beyond his dangerous and scaring first apparence and nature as a Dragon and a Dark Fea.
As I was writing that post, I discover that during the battle between the Knight of Dawn and Maleonora, Malleus's Mother, the Overblot can be heard and that discovery make more deeper to Malleus. Making it more personal to Malleus than it's already etablished in the music itself. Far more than I originally suspected.
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During the last showdown between the Knight and Maleonora ant their tragic ending, the use of the Overblot's theme don't make that scene feels like one of Maleficient in the original picture or only reflecting the way the Humans sees Maleonora. As a dark witch, a monster.
The Overblot's theme show her as royal princess, a Crown-Heir and a mother that will do everything in her power to protect her people, the persons she love and her child. Between him and his mother there is big similarities, and not just physical. Malleus had indeed inherited some of Maleonora's traits, but in his heart and his general personality, Malleus is more close to his father Lord Revan, as it's confirmed by Lilia.
"Just like his father, he is a kind person who ins't able to be ruthless“ "(Episode 7 Ruler of the Abbys Part 6, chapter 99)
At the end, that Overblot's theme not just a dungeon's final boss theme or a musical representation of the Arc's aesthetic.
Even more than Diasomnia bgm, this is Malleus Draconia's Theme. Not just his Overblot. His theme, as character, like we discover in both Diasomnia's trailer and Twisted Wonderland's Story. That music score give us more clues about who Malleus really is.
That music can be seen as the refection of Malleus's complex personality. Noble and benevolent, fierce and powerful ..
Both the Greatest Foe than the Devoted Protector.
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Thank you for reading this review/analysis about Malleus. I hope you enjoyed it :-)
Lucy Floyen
Musictrack link : [Twisted Wonderland BGM - Overblot Malleus] (Soundcloud)
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roo-bastmoon · 7 months
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Homage vs. Copying
So I'm not feeling super great these days, but I still dip into Jikook spaces for a quick hit of lovely serotonin and to check up on my friends. Alas, I see some folks raging in the tags that JK is stealing Jimin's original concepts because he's too stupid or lazy to come up with his own... I'm not having flashbacks to BTS' plagiarism scandal, I'm not. I have thoughts--and lots of photo examples--about this topic, under the cut. Let's get into it--and keep it civil, too.
First off--let's just establish that folks have the right to use the Jikook tag to both celebrate and critique Jikook and the fandom around Jikook. People get to write about what they want on their blogs. They get to rant, so long as no one is using hate speech and slurs. (The minute I see that shit, I quietly report.)
Clearly, folks who are angry at Jungkook (or Jimin) come into the Jikook tag because they want attention from Jikookers, and the best use of my time and energy is to self-police and block them. That way I am not infringing on their right to scream into the wind all they like, but I also don't have to hear the noise.
Second off, unless JK called any of us up and said: "Hey, guess what? After 10 years of evidence to the contrary, suddenly I'm incapable of original thought, so I just take advantage of Jiminie-hyung, whom I keep calling out and hyping up and praising and asking to spend time with and traveling with and whose style I also match in my personal life!" maaaaybe we give the benefit of the doubt, and at least entertain the possibility that Jungkook is expressing visual alignment with Jimin because he can't just openly claim him in other ways?
Like, I'm not saying that IS what's going on, because Jungkook doesn't call me up and tell me his thoughts, either. It's fine; I'm not mad. He doesn't even text Jin back. I am just saying we should maybe sit with the idea for a bit and really marinate on what that might mean for a queer couple.
(Or we could just take in things without pronouncing any opinions yet--ya know, until we get more data around Jungkook's choices and how Jimin feels about it.)
It's fine not to assume the similarities are romantic gestures; but it's also fine not to assume the worst--that JK is siphoning off Jimin like a leech. Jungkook was consulted by the Seven stylist and he got to be creative director for his Vogue shoot; he also had some say in his music videos and performance stages. He is making choices deliberately, and it makes no sense to me that he would choose to openly copy a bandmate out of laziness. He has a professional reputation to consider.
Rather, I think this is one of the few places where he has artistic license to tether a thread between him and Jimin. I think he's paying homage.
(Side note: In film and photography, an homage is an imitation of another work. At first glance, it may seem like an homage is a rip-off or a lesser copy, but it actually pays tribute to and honors the source work. Homage is a great way to use other filmmakers' styles and content to crystallize your unique voice as a filmmaker.)
So that's my currently theory about what's going on.
Yet, honestly? None of us really know WHY there's so much similarity in their looks these days. The similarities are now stacking up so much as to be undeniable, though.
Personally, I'm leaning to this being a celebration of the fact that Jikook have always shared similar tastes; it's one of the many ways they click. Jikook know that. The stylists know that. So yeah, when JK gets a chance to observe and emulate (and expound upon) Jimin's style, he does. Because Jimin is one of the coolest people in the world to him. So he shows this in his own creative work and in his own personal wardrobe.
Here's why I hold that opinion at the moment:
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Could this all be the stylists choosing to recycle looks or throw bread crumbs to Jikookers? I guess.
Could this be Jungkook just borrowing from Jimin as a shortcut? I'm not sharing his brainwaves, so I can't tell you there's zero possibility.
But what seems more likely is that of all the artists in the world, Jimin is the one Jungkook has always kept his eyes on. Out of love and respect, not malice and opportunism.
Like with the 1108 and 13 numbers that THEY keep inserting into their own communications, these similarities in style is also an emerging pattern.
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If you feel protective of Jimin, I understand why you'd be wary of so much similarity. But consider what we know of both Jimin and Jungkook over the past 10 years...
While neither of these human beings are perfect (and they will continue to make mistakes), they clearly love each other. And you don't steal from the people you love. But you do honor how amazing they are whenever you get the chance.
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So maybe let's just hear JK out on this?
Okay, that's all the energy I have for this topic. I got deadlines and health tests to power through over the next few weeks. If you comment with your own ideas, that's cool--but please keep it respectful of Jikook and each other. I don't want to banhammer anyone but I will.
Love, Roo
PS Even if I'm not around much, you can be sure I'll buy and stream 3D, and I encourage you guys to give it a chance too! <3
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anyab · 4 months
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Via sdn.world and NasAlSudan
December 21
Amidst the recent developments in Sudan, it is crucial to prioritize the voices of the Sudanese people. We have curated a comprehensive resource that includes recommended accounts to follow and guidance on using specific hashtags to effectively amplify news: Follow these hashtags for updated information and to contribute to the conversation: #KeepEyesOnSudan #EyesOnDarfur #TalkAboutSudan #SudanUpdates #SaveSudan #السودان_خارج_التغطية_الإعلامية #انقذوا_السودان #لازم_تقيف #السودان_يستغيث #الدعم_السريع_مليشيا_ارهابية Your active participation using these hashtags will help bring attention to the unfolding events in Sudan.
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Transcript:
Sudanese voices bring firsthand experiences and deep insights into the country's history, culture, society, and current affairs. Their works offer authentic and nuanced perspectives that external observers may not always capture.
@Bsonblast
@Kandakat_alhaqq
@Amjadalnour
@yousraelbagir
@MohanadElbalal
@Nasalsudan
@Oxdamoe
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Transcript:
Sudan Action Week
An initiative to unite Sudanese individuals and their allies to educate, unify, and mobilize efforts toward supporting Sudan. Started on Dec 17, 2023.
Remaining Themes for the Week
20 dec contact your representatives
Discover various ways to contact your representatives and advocate for addressing the war in Sudan.
21 dec. Centering sudanese voices
Debunking hashtags and identifying the appropriate news sources on social media and online.
22 dec. Day of donation
Amplify and learn about fundraisers supporting Sudanese people currently on the ground in Sudan.
23 dec support sudani businesses
Explore ways to support Sudanese businesses, whether through online orders or in-store shopping.
24 dec. Honouring our martyrs
Reflect on and pay tribute to those who have lost their lives in the conflict.
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Transcript:
Centering sudanese voices
Accounts to follow
@sdn.world
@ana.sudani
@tartola0123
@oxdamoe
@sudan.updates
@project.taghyir
@red_maat
@womenofsudan
@kandakamagazine
@darfurwomenaction
Twitter/ X:
@Kholoodkhair
@taggy_
@mazinB
@sudanwarmonitor
@HkZuk
QQueen Asadoya
@Dicktator117
QElbashirldris_
@minlayla77
@haneeenss
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Transcript:
Centering sudanese voices
NEWS AGENCIES
www.SudanTribune.com
www.DabangaSudan.org
www.SudanWarMonitor.com
www.3ayin.com/en/
www.500WordsMag.com
www.Reuters.com
www.APnews.com
HUMANITARIAN DATA
www.ReliefWeb.com
UNOCHA- Situation Report
www.acleddata.com
JOURNALISTS
@yousraelbagir
@AIMigdadHassano
DAILY NEWS SWEEP
Sign up to the mailing list at
tinyurl.com/sudannewssweep
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Transcript:
#KeepEyesonSudan
Coined in 2020, this is a prominent hashtag used by Sudanese people to consistently raise awareness about Sudan's ongoing issues
#EyesonDarfur
A variation of #Keepeyesonsudan to specifically center the atrocities that are happening in the Darfur, as they have traditionally been far more violent and with less media coverage
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#TalkAboutSudan
A newly found hashtag is gaining traction to shed light on both the crisis in Sudan and the apathy toward Sudanese suffering.
#السودان_خارج_التغطية_الإعلامية
Translates 'Sudan is outside of international media coverage,' This aims to draw attention to the lack of international media focus on Sudan's issues
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#SudanUpdates
An original and consistently used hashtag to share information regarding Sudan's situation and ongoing developments.
#لازم_تقيف
Translates to 'Ceasefire' or The war must stop,' it advocates for halting the ongoing conflicts.
#الدعم_السريع-مليشيا_ارهابية
Translates to the 'RSF is a terrorist militia,' this hashtag is used to expose the RSF's acts of violence.
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Transcript:
#SaveSudan
In response to Sudan's humanitarian crisis and violent conflict. It's used to spotlight the dire conditions and the potential threat to Sudan's existence due to the ongoing war between the RSF & SAF.
#انقذوا_السودان
Translates to 'Save Sudan,' it`s among the prominent hashtags used by Arabic speakers to highlight the current crisis.
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Transcript:
10 HASHTAGS FOR SUDAN
#KeepEyesOnSudan
#EyesOnDarfur
#TalkAboutSudan
#SudanUpdates
#SaveSudan
#السودان_خارج_نطاق_التغطية
#انقذوا_السودان
#لازم_تقيف
#السودان_يستغيث
#الدعم_السريع_مليشيا_ارهابية
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murky-tannin · 7 months
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Some mostly Cellbit backstory centric questions and concepts under the assumption of him being Bagi's brother
(tribute is the word for a player in hunger games if anyone is confused)
Bagi had a name as a child, but Cellbit claims he didn't have one until prison. Was his memory wiped to the point of forgetting his own name? Did he just not consider his name a "real" name?
Were the Feds the reason teenage Cell was so capable of surviving in the wild and killing? Was he trained for the Hunger Games?
If he was sent into the arena because of the Feds, were there other tributes sent by the Feds?
While I think the feds knew about grim reapers (considering Bad is "part time" grim reaper you'd assume he isn't the only one) and were actively looking for one, did they find Badboyhalo through monitoring Cell specifically?
Was the "timeloop" Bad experienced post Hunger Games be a result of the Feds finding and containing him until the island experiment they wanted him for was ready?
Were the Hunger Games in of themself made by the Feds? We know from the (at least) hundreds of hybrids they experimented on they are capable of gathering mass amounts of people and are no stranger to mass death.
Why would Cell be specifically trained more then other Federation tributes if so? Could he have been trained in combat/survival for some other purpose and done something to get him sent into the games as fodder?
If they DID make the Hunger Games, could the games have been an attempt to attract a grim reaper to a specific location while simultaneously gathering data?
Was the reason they used so many children specifically as tributes because of rumors of a reaper with a soft spot for them?
Or was it a rumor of a reaper who enjoyed these kinds of death games? Who preferred to be part of things instead of waiting on the sidelines for people to die and to deliver their souls? The sidelines, where the Feds can't find them as they don't actually have to physically be near a body or soul to reap it. (no idea if that is true but would make more sense then not) But the reaper who canonically would show up to funerals directly and wait till the end to reap the souls must have been noticed by people. Surely there were rumors and stories.
Was Cell monitored by the feds while he was in prison?
Was that how they first found Pac and Mike?
Did Alcatraz belong to the feds?
Could Pac and Mike have ended up at that orphanage in the first place due to the feds?
What is up with Felps???????
Could the feds have been the reason Felps respawned?
Who messed with the boat's coords before it left Australia? Presumably the feds, but they seemed unprepared for the Brazilian's arrival.
Did they want them there, just not that soon?
Could a third party have sent them there?
If the feds did want them, why?
Why were they in Australia???
I have so many more questions and thoughts about post hunger games but I don't have the mental power to write them all rn
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haggishlyhagging · 6 months
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But what exactly is it about women's equality that even its slightest shadow threatens to erase male identity? What is it about the way we frame manhood that, even today, it still depends so on "feminine" dependence for its survival? A little-noted finding by the Yankelovich Monitor survey, a large nationwide poll that has tracked social attitudes for the last two decades, takes us a good way toward a possible answer. For twenty years, the Monitor's pollsters have asked its subjects to define masculinity. And for twenty years, the leading definition, ahead by a huge margin, has never changed. It isn't being a leader, athlete, lothario, decision maker, or even just being "born male." It is simply this: being a "good provider for his family."
If establishing masculinity depends most of all on succeeding as the prime breadwinner, then it is hard to imagine a force more directly threatening to fragile American manhood than the feminist drive for economic equality. And if supporting a family epitomizes what it means to be a man, then it is little wonder that the backlash erupted when it did—against the backdrop of the '80s economy. In this period, the "traditional" man's real wages shrank dramatically (a 22 percent free-fall in households where white men were the sole breadwinners), and the traditional male breadwinner himself became an endangered species (representing less than 8 percent of all households). That the ruling definition of masculinity remains so economically based helps to explain, too, why the backlash has been voiced most bitterly by two groups of men: blue-collar workers, devastated by the shift to a service economy, and younger baby boomers, denied the comparative riches their fathers and elder brothers enjoyed. The '80s was the decade in which plant closings put blue-collar men out of work by the millions, and only 60 percent found new jobs—about half at lower pay. It was a time when, of all men losing earning power, younger baby-boom men were losing the most. The average man under thirty was earning 25 to 30 percent less than his counterpart in the early '70s. Worst off was the average young man with only a high-school education: he was making only $18,000, half the earnings of his counterpart a decade earlier. Inevitably, these losses in earning power would breed other losses. As pollster Louis Harris observed, economic polarization spawned the most dramatic attitudinal change recorded in the last decade and a half: a spectacular doubling in the proportion of Americans who describe themselves as feeling "powerless."
When analysts at Yankelovich reviewed the Monitor survey's annual attitudinal data in 1986, they had to create a new category to describe a large segment of the population that had suddenly emerged, espousing a distinct set of values. This segment, now representing a remarkable one-fifth of the study's national sample, was dominated by young men, median age thirty-three, disproportionately single, who were slipping down the income ladder—and furious about it. They were the younger, poorer brothers of the baby boom, the ones who weren't so celebrated in '80s media and advertising tributes to that generation. The Yankelovich report assigned the angry young men the euphemistic label of "the Contenders."
The men who belonged to this group had one other distinguishing trait: they feared and reviled feminism. "It's these downscale men, the ones who can't earn as much as their fathers, who we find are the most threatened by the women's movement." Susan Hayward, senior vice president at Yankelovich, observes. "They represent 20 percent of the population that cannot handle the changes in women's roles. They were not well employed, they were the first ones laid off, they had no savings and not very much in the way of prospects for the future." Other surveys would reinforce this observation. By the late '80s, the American Male Opinion Index found that the largest of its seven demographic groups was now the "Change Resisters," a 24 percent segment of the population that was disproportionately underemployed, "resentful," convinced that they were "being left behind" by a changing society, and most hostile to feminism.
To single out these men alone for blame, however, would be unfair. The backlash's public agenda has been framed and promoted by men of far more affluence and influence than the Contenders, men at the helm in the media, business, and politics. Poorer or less-educated men have not so much been the creators of the antifeminist thesis as its receptors. Most vulnerable to its message, they have picked up and played back the backlash at distortingly high volume. The Contenders have dominated the ranks of the militant wing of the '80s antiabortion movement, the list of plaintiffs filing reverse-discrimination and "men's rights" lawsuits, the steadily mounting police rolls of rapists and sexual assailants.
-Susan Faludi, Backlash: the Undeclared War Against American Women
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