#clara baudry

[gacougnol]

Clara Baudry

#clara baudry

[stephypublisher1]

Cross Cultural Differences in the Manifestation of Transference Outside the Psychoanalytical Setting

Transference is a phenomenon that, since its identification and description by Freud,1-6 has been the focus of study7-11 by those interested in the psychological principles of human interaction. Clara Thompson12 stated that “transference was not created by psychoanalysis. As long as human beings have had relationships with each other, there have probably been irrational elements in those relationships” (p. 273). According to her, these irrational elements have been quite evident in those relationships in which one person was in a position of authority. She pointed out that “when Freud first described the phenomena which he grouped under the name transference, he was merely clarifying something which has been used unwittingly by physicians in their treatment of the sick throughout the ages” (p. 273). She goes on stating that there is usually an element of dependency involved in these relationships. The other person is quite often placed in a position of authority either by the patient or circumstances. Therefore, not only physicians, but teachers, employers, supervisors, sometimes even a spouse or friend if the patient is dependent on them emotionally, financially, or any other manner, may be the recipients of transference reactions.

Saravay,13 looking at psychoanalytical concepts when applied to the treatment of the medically ill, pointed out that these patients are very often in a regressed state and “in a state of transference readiness.” Such concepts have been the focus of observation by other authors in the field Baudry and Wiener,14 Grossman,15,16 and Kernberg. 17 According to Baudry and Wiener,14 in these patients, the most common defense mechanisms used are denial, regression to a more childlike attitude, with “passive surrender and over idealization of the hospital and the surgeon” (p. 124). This idealization in the transference is a concept that has been largely described by Kohut18,19 in his treatment of narcissistic patients. Without fully endorsing his explanation of the phenomena, but rather as an empirical observation, idealization is here understood as a feature of the transference. In it, the love object is invested with powers, and usually, such a love object is overly idealized. Kohut talks about this aspect of the positive transference, stating that it is “closely akin to that encountered in the state of being in love” (p. 55).

https://www.stephypublishers.com/jpssr/pdf/JPSSR.MS.ID.000533.pdf

#openaccesspublishers #Stephypublishers #openaccessjournals #MedicalScience #Psychologist #PsychologicalScience

[swynlake-rp]

THE FOLLOWING CHARACTERS HAVE BEEN REOPENED: 

Hermes Petros Laszlo Robinson Ferb Fletcher Clara Baudry

#Meet the Robinsons #Phineas and Ferb #hercules #swynunfollow

[thehuntress-rose]

XMAS GIFTS

@prince--thomas @knightley--phillip @captain--john @charmedhenry @claraeuterpebaudry @lou-bonfightme

Rose got... 

a ping pong/air hockey/pool table for the BRIO!

a ‘dulled’ sword for Henry!

and a guitar for Clara!

San got...

a vintage (as in stolen from one of the many dusty, unused rooms in the castle) painting for Lou! 

And Susan got...

vintage copies of the classics for literally anyone who will accept a gift from her!

#xmas gifts #bdrpgifts #tom harrrington #phil knightley #john smith #henry charming #lou bonfamille #clara baudry #and everyone who has interacted with Susan ever

[swynlake-spill]

Big shoutout to my staff for making this weekend a huge success!

AHHHH TIANA!! of course you’d say that you sweet beautiful person! Can’t wait to see how Tiana’s Place soars now that it’s finally off the ground. Just know that here at the Spill, we give you a RAVE 5 star review. 

Hi Staffers, your boss is proud of you! 

@i-want-candy @delmarisa  @vanecessary-conditions  @pinkpearlpark  @claraeuterpebaudry

#candace flynn #marisa soto #vanessa doofenschmirtz #pearl park #clara baudry #fan faves #tiana truitt #almosttiana

[gabriella-marino]

Music & Dance || Clariella

@claraeuterpebaudry​

She knew getting back into school midway through the semester, and towards the end of said semester at that, was probably a bad idea. But they offered room and board with the tuition, and since it would have been mandatory for her to live on campus anyway she figured it wasn’t worth trying to find a place of her own if she was just going to move. 

So, into the semester she had gone, and there was so much stuff she needed to get done in such a small amount of time. Starting with all the credits that had not transferred over. 

Which meant she needed a creative arts credit and, just her luck, all the dance ones were filled. The only one left had been a Music Appreciation course and, well, it was better than not having one at all and wasting a class on it the credit next semester. 

It had been going fine, but then the teacher assigned a partner project. Gabriella, not knowing anyone, quickly wrote out Want to be partners? on her notebook page, tapped the shoulder of the girl who sat in front of her, and held it up with a pleading smile. 

#title: (music & dance) #ch: (clara baudry) #(clariella)

[dr-drckken]

Clarber

Favorite Relationships: Berlioz Bonfamille-Lyons and Clara Baudry @ber-bonfamille-lyons @claraeuterpebaudry

But when the night is falling You cannot find the light  You feel your dreams are dying, hold tight

You've got the music in you Don't let go, you've got the music in you One dance left, this world is gonna pull through Don't give up, you've got a reason to live Can't forget, we only get what we give

You Get What You Give, New Radicals

#bdrptask #ch: (berlioz bonfamille lyons) #ch: (clara baudry) #otherwise known as the people i wanted to be friends with in college #but merely admired from afar

[laszlowrobinson]

Read The Fine Print || Toby + Laszlo

Laszlo very rarely was in the mood to maim people, that was usually reserved for special occasions! 

Today was a very special occasion indeed. 

There he had been with Clara Baudry, the little protégé of Franny who had been such a delight to have around, sitting at the kitchen table scrolling their fan account Twitter feeds. She had gasped loudly and when he asked her what was wrong she turned her phone around to show him. 

An article had been written releasing, quote, New, never heard before, unreleased music from Franny Sor Robinson! Laszlo had scoffed at first, thinking it was some horrid ruse that would give people a virus if they clicked on it but upon further investigation it was real. Really real. The links they provided had Franny’s unreleased music. He knew this because, well, she had shared it with him but he was family! He heard everything she recorded! Even the joke sessions and weird noises! 

He scrolled back up, looking for the name of the person who had published— “Oh hell no.” 

“Where are you—?” Clara looked up from her phone at the sound of the front door slamming shut. “—going.” 

As he arrived at Town Hall he managed to compose himself enough to make it through the building without anyone suspecting him of any ill wishes. It was just his luck that when he arrived the man (if that’s what you could call him) he was looking for was just inside the Squire office. 

“You little bitch.” 

@toby-determined 

#read the fine print #toby determined.

[claraeuterpebaudry]

Good Will Hunting || Vixey + Clara

Clara had a job, Clara had a very great job at Tiana’s Place, it was all she could have dreamed of and more! Clara was also quite poor— and while Mrs. Robinson would probably to offer to help her, Clara didn’t want to be some handout or be seen as someone to pity. (Especially not by her friggin’ idol.) And with her scholarship about to be gone here in a couple of months (meaning her room and meal plan going with it) she needed another job to start saving up. 

So it was lucky for her that a new store opened up with something she actually had experience in! Clothing retail. 

She had sent in her application, fingers crossed that the owner hadn’t filled up spots before hand (and maybe was desperate for help?), and was ecstatic when she heard back to set up an interview. 

Dressed in her best, which had been saved in her closet for months just for occasions like this, she went down to From Farm to Table (making sure to get there a few minutes early) to a very confident march the Music put on for her. 

“Hello!” She waved as she approached the woman who she had seen with Ms. Truitt at the restaurant and on her insta. “I’m Clara Baudry? I’m here for the job interview!” 

@vixey-chakraborty

#good will hunting #vixey chakraborty

[professor-lungri]

Biography:

The son of a hardworking, humble governess and her tailor husband, Suta and his little sister Aahana were loved but poor, so he was determined to make life easier on her. He grew up. He studied, learned his letters and his arithmetic, and then left to fight, all the while proud of the shifter he was and proud of the man he had become.

While Vaagh were certainly less accepted than most, Suta did not hide who he was, not from those he cared for. Eventually, he found a wife and they settled down. They had a daughter, beautiful Tiegan, and he cherished her above all else in his life. She, too, was Vaagh, and he protected his cub as fiercely as his father had protected his own.

When the time came, the Season upon them, Suta determined that she would have a successful match, allowing his daughter to follow her heart. His station, now a colonel in Her Majesty's Royal Army, meant that they did not want for much. It is this position, however, that forces him onto the sidelines of his daughter's season and into the pathway of another's.

While her father is away, Suta will chaperone and sponsor young Clara Baudry, hoping that she, too, will make a match worthy of her.

#BDRPseason #BDRPprofile

[gacougnol]

Clara Baudry

#clara baudry

[maritimeericandersen]

BDRP Questionnaire 

Your Name: Sidney

Characters: Eric Andersen, Clara Baudry (Euterpe), Ferb Fletcher, Pedram Ratigan, Laszlo Robinson

Pick one of your characters and talk about their growth (we recommend choosing an older character, but it’s up to you!) What about their story has surprised you? What are you proud of? How have they changed from their original inception to now?

If we’re going by oldest characters, then Eric it shall be!! 

As far as growth, I think the major thing that I’ve really enjoyed is getting him to be self sufficient and taking care of things he wasn’t used to before being out on his own. Eric had always been one of those kids who got to take a back seat to planning anything! Like doctors or dentists appointments. He never had to deal with the bank or paying for things like his phone or the internet. And for Eric, a simple boy, if it isn’t right in front of him he doesn’t think about it. Out of sight, out of mind, baby! So him being out here on his own has put all of those things in his direct line of sight. Getting new clothes, shoes, food, water, balancing all of this on a limited budget. You know, taking care of himself.  I know the bare minimum is certainly a ridiculous thing to be proud of someone for, but here I am lmao. 

Obviously a big part of him having not perished and just going back home was Mr. Moon!! Huge thank you to Lauryl and Jun for taking pity on me and Eric when we first got here lmfao.  Eric getting a job, food, boarding, and pity taken on him got him started! And getting a pep talk to actually apply and go to university! Where he’s carving out a future for himself that he chose to do and that wasn’t influenced thinking about the Order or his family or anything but him! 

I also really enjoy all the friendships he has made!!! Ollie! And Alice, and Ian, and HARU, and Henry, (but Henry he already sort of had but I’m super jazzed to see where those two can go,) and although I’ve never done a thread with any one on the volleyball team (besides Jake and Olaf, but not in the context of them being on a team!!) I’m sure Eric assumes they’re all the Very Best of Friends. So I really love that he has friends and a little community of people that he can show for himself!! 

And Eric really hasn’t changed from my original thinking of him. I don’t know if this is a good thing or a bad thing but he was always supposed to be that kid in class who showed up a little late and asked if he could borrow a pencil. I think, if anything, the things around him in his story have changed a bit in my own brain in order to fit in to the universe of BDRP now that I’ve been here a little longer (almost a year!!!) to have a better understanding of how the world works!! But yeah, all and all, he is still on the original path I had for him going into this. 

Pick another character (or the same character if you only have one) and talk a little about where you WANT them to go. What are your plans for them going into the new year?

Moving on to Clara:

What I want for her, personally, is to soften up and lean into her more excitable side. The one that isn’t so concerned with money or the way she looks or what other people are perceiving her to be. I want her to open up more!! Being a Muse will be super helpful to her because I think for a character to help someone else, they’re going to need to have a bit more vulnerability to them? Like, all mentor or helper type characters have to gain some semblance of trust from the person they're helping to get them to see that they aren’t in an environment to be judged or taken advantage of. Right? Like uh, Obi Wan isn’t necessarily up front with Luke about everything but he gives him many truths, like how he and his father were very good friends, so Luke trusts him! Or when Professor Keating is vulnerable with his students, telling them about how love and poetry and those deep dark feelings inside of you are what life is all about, and they trusted him wholeheartedly!

In order to do that, she’s going to need to let go of her own fears!! And grow! I want to see her learn that part of being people’s friends, or when being someone’s guide as a Muse. I think her coming to understand that sharing her story and history will be very helpful in her journey to becoming this generation’s Euterpe. I want to see her come into her more active magic by developing emotionally! Working through her anger and letting go of that to make more room for the part of her that wants to connect and be around people. 

I am also really excited to see where her connections take her in the coming future! The Groove Room as her first helping gig to Ber! Being in a band!! Working at Tiana’s place and performing original music there!!! Getting to talk more with Franny, her idol!!!, will be fantastic for her. I’m so super duper excited to see where she goes. 

Pick a thread or a plot that you’re proud of and talk about why you loved it. 

This is an insane question because I genuinely love them all so much you guys 😭 

For Eric: Any thread he’s had with Jun since that has helped move Eric along in getting to be his Own Person and getting his act together. Again, thank you Jun! I really really enjoyed his first interaction with Lou? I thought that thread was hilarious and yet cringed the entire time writing it because Eric is such a ridiculous person. I also liked his thread with Olaf when they went on the tour of the university!! Their conversation about the gryphons was really a challenge on Eric and having to think about hunting from the perspective of the other side, which he had never really done before. Also just him having a genuine and intelligent conversation with a fairy who is now also playing a sport with him has probably been very helpful to him!!! I love his threads with Haru because getting to write his reactions to her learning about the human world always brings me such delight. All this threads with Ollie are great because I get to write that part of Eric that is just a dumb boy hanging out with his bestie!! I love that so much since he’s so much more relaxed and I find their banter to be an easy back and forth. Getting to meet Isa for the first time was a blast, I really enjoyed their interaction. Most recently I was super de duper in love with him and Henry’s re-meeting. I hadn’t had a chance for him to really face the Order without him having to go all the way back to everyone, so getting that connection with Henry was a good inbetween and getting to write him talking to someone who knows the life and his plight was so cathartic for him! 

For Clara: Any thread between her and Franny is so fun!! Her first meeting with Franny was great because I got to try and capture one of those moments that’s like, you know and adore this person and they’ve done so much for you but they have noooo idea who the hell you are. So that was a lot of fun for me, not so much for Clara lmfao, but hey it was the first step in getting her to this stage in her relationship with Franny, which she never thought she would even have!!! I really liked the two threads she got to have with Callie before she departed, it was very kind of Pet to give me those moments of giving Clara the knowledge of what/who she was!! Otherwise she would be walking around, still in the dark about her magic! OH, I loved the thread with her and Mei Q. !! I think it was important for her to get the advice of being open to people from an outside, neutral source who had no stake in Clara at all other than to just tell her what was up. Even if she didn’t really trust it lmao, it planted the seeds in her brain. I also really liked her thread with Imelda where she was trying to finagle the truth about her and O’Malley out of her lmfao. It was a challenge for me to think of dialogue that wouldn’t give her away, so that was very fun!!! And thank you Imelda for not firing her! And then of course, her thread with Ber and getting him to let her help her with the Groove Room! It gave me a chance to use her magic and start to explore the beginnings of how she is going to approach being a Muse while also giving her the first taste of adventure. Getting to write a Clara whose mind isn’t wrapped up in her account balance and is instead thinking about the love of life is always a very fun time for me, so that thread has been nice to write. 

For Ferb: Literally any thread with his siblings. I want to take this moment to personally thank Emma and MK for giving me the Flynn’s in the span of ?? like four months?? Which was insane to me, because when I was writing his app I was like, “I will probably never get my siblings, and I will just have to accept that.” but then bam, next thing I know, there they were. So anything with them has been like my dreams come true. I loved his thread with Mei K. asking him to prom via sign!!! Too pure. The thread with Su when she was helping him work through what being a sibling is like and then cementing their friendship was really good because it got him to open up and doing that with Ferb seemed ?? impossible to me, so getting to write that was wonderful! Also his thread with JJ! Getting to gush about sign language was so much fun for for me, so thank you so much, Bee for giving me that opportunity!!! His and Vanessa’s thread at the carnival was really fun, too, especially since I made it my personal goal in that one to cut any dialogue from him and work on how he communicates without using words in that sort of fast paced situation where he couldn’t use his phone to know what she was saying, so, I thoroughly enjoyed that one, too. 

For Ratigan: I honestly find any interaction with Ratigan to be a blessing to me because I genuinely feel terrible for asking for threads with him since he is so mean. His thread with Tiana and getting her to take up his offer on a loan was awesome, especially since it was one of the first things I got to write with him!! Very much appreciate Emma for willing to put Tiana in that position! It also gave me the thread with him and Simba, which was really funny since they are such opposites and getting to write Ratigan playing nice but secretly envying everything that Simba is/has was really interesting. Both his threads with Errol of course because it just gives me the opportunity to write him being the mean spirited person that he is. I adored his thread with Franny when she told him the news that she was pregnant!!! It gave me the chance to reflect on him and his relationship with her and the fact that he actually does like her and would snipe anyone who came for her. Not that he would admit that at all. LOVE his threads with Bianca, them staring one another down like a pair of cowboys waiting to see who will draw first has been so much fun to write!! I love writing that part of him as his paranoia knows no bounds. And his thread with Zira?? Has been immaculate because writing him in a place where he doesn’t think he is the superior one in the room would never happen in any other context, so I absolutely love getting to write him getting put in his place lmao. Also, having just finished the AU thread with LP was really fun!!! I liked getting to play into the tropes and the campiness of the spy genre and getting to see what he would act like in the face of genuine emotion. 

For Laszlo: Literally all this threads lol. Writing Laszlo brings me such joy, as he is such a ray of sunshine. Him and Lachlann were a hoot and a half. I looooooooooved him and Eilonwy!! Both because she is such a treat but also because getting to write about him witnessing magic being put into his art while speaking to the person behind the magic was fantastic for what he wants to do in the future! Both his threads with Simba have been great, I love their vibe so much. The three-way thread between him, Lou, and Tiana for the mural was super fun!! I got my first taste into what discussing art would be like while also getting to think about how Laszlo would approach art while getting help from two other voices, so that whole thing was just chef kisses. His thread with Cornelius right now has been really lovely, I like getting to write them having a fun time together and being bros!! His threads with Franny have been so good, I adore them so much, their relationship is so fun to write. And of course, Marlin, too!! Their first thread was really fun and gave me the opportunity to write comedy as well as trying to figure out how he would react to embarrassment and all that. His thread with his mum is still coming along but I am in loVE with it so far. Petunia is the best, so getting to write with her and trying to figure out how that relationship has developed with them both being adults now has really been such a delight for me. I’m so happy because, bruh, like Ferb, when I was applying for him I told myself I would probably never get his intimidate family and that was going to be okay. Now look at us, who would have thought- 

In terms of your own writing, identify 1-3 strengths and talk about why you think it’s one of your strengths.

Warning: Cop Out Ahead

Hmmm, I think the only strength I can think of  would just be that I’m open to changes? I have no problems in people damaging my ego because I simply do not have one lmao. There’s really nothing I will be offended at needing to move around or change to fit. I like being able to hear what other people have to say about my writing, even if it’s to do something completely different with where I was going because I wouldn’t have ever thought to do it like that!! Which I’ve learned in rp is super great since there are so many people here with so many different ideas and perspectives and characters and it brings me such joy to hear you all talk and collab and read what you’ve written!!!! 

In terms of your own writing, identify 1-3 areas of improvement.

Oh gosh, where to even begin. 

1. I’m terrible with metaphors and comparisons lmaooo. I will attempt to write something lyrical or flowery and then I’ll come back to it and be like:

so that I definitely need to get better at!! Stop comparing things that don’t make sense!! Also not just using them to make my point as clear as glass. I think a big portion of why I write terrible, embarrassing metaphors is because I’m scared of being misunderstood so I feel like I have to give everyone a giant neon sign saying what I mean like seven times over. When in reality, everyone here is an intelligent individual who also writes very well so they will have no problem figuring out what I mean because, in all honestly, whatever I am writing isn’t going to be that convoluted!! 

2. My sentence structures are always all over the fucking place. I do run ons, fragments, repetitive, I do all the sins baby. I need to clean it up and get my act together. Which brings me to my next point,

3. Editing. I’m very terrible at editing my own work because a lot of the time I don’t want to read my own writing so it makes me reluctant to go back over and check what I did. But then when I DO go back and read it to remember what I did for a reply, I read all the easy mistakes I could have fixed which means the person I’m writing with read it, too, which makes me cringe more and makes me not want to read what I wrote all over again, and then it is just one massive positive feedback loop that ends with unedited work and a bunch of nonsense left for someone to interpret. I gotta stop it!! I either need to get some self confidence somehow or just suck it up and get to editing more so people don’t have to suffer for my mistakes. 

Pick one of your plots, or even just a character, and come up with a list of 3-5 “mentor texts” where you can look for inspiration or research, then write a short (2-4 sentences) why you picked those texts. (They don’t have to be books, either!)

I feel like I’m back at school doing a Work Cited page lmao. But okay, for Ratigan: 

Of course, the most obvious: The Adventure of the Final Problem by Sir Arthur Conan Doyle. Thank god this was a short story, lmao. Honestly, reading it you could tell a bitch was just trying to put a wrap on it because Doyle doesn’t really go into detail about anything besides Holmes and Watson’s road trip. Like it never goes into detail about the big back and forth game between Holmes and Moriarty, it just tells us that they had one and this story takes place at the end of it. We only ever get Moriarty through Holme’s storytelling and from afar from Watson’s point of view. So it’s kind of funny that this guy, who appears in one short story and only mentioned in one other book, who had barely any character besides being smart, has been turned into this notorious villain name. I mean….his power….

Anyways, the reason I read it was because Ratigan is the Moriarty of Basil of Baker street, so I figured it would be useful to read the source material since my only experience with the character was Andrew Scott’s in Sherlock the show and then Jared Harris’ in Sherlock Holmes: Game of Shadows, who I still reference since I think he was a brilliant casting choice and is closest to the guy described in the story besides the guy who played Niles in the Nanny showing up as him in that one episode of Star Trek Next Gen lmfao. It was actually very helpful when trying to think of how to adapt him into a person rather than a cartoon rat. It gave me more insight into the criminal world aspect of his plot, too,  and how he ran it and everything: “ He sits motionless, like a spider in the center of its web, but that web has a thousand radiations, and he knows well every quiver of each of them.” So that made me think, well why wouldn’t he want to be involved? Why would he want to sit pretty instead of being involved with things like Ratigan? Well, if I made him do it at one point and know that he hated it, then he would do everything in his power to not have to do stuff like that ever again. Hence why he was an assassin and why he worked his way to the top. This also gave him credibility and made people fear him. I also liked how petty the character was. Like the whole part about him trying to kill Holmes and paying someone to push a brick off a roof or run him over with a carriage had me laughing. “Kill him in the dumbest way to make his obituary look ridiculous!!” But yeah, aha, this was mainly very helpful to me when trying to think of how his criminal background would work. 

Die Hard (1988) because Hans Gruber baby!! He is one of my fave og villains for many reasons! He’s calculated, witty, intelligent, and dangerous. The movie does a good job of not just telling us these things, but showing us! In his scheme, in his back up plans, shooting the glass upon knowing a bitch is barefoot in there, and trying to get McClane to trust him by improvising in three seconds flat. Obviously the best part is when the police think they’ve got him on his heels by cutting the power when actually that was the plan all along to get into the vault since he knows their protocols!!! I really like that clever and planned out approach to crime and villainy for Ratigan (even if I am too dumb to know what I am doing (^: )  Like Hans, he doesn’t think that what he is doing is for the Great Good or that what he is doing is the right thing. He is fully aware that he is not a good person! He had the chance to get out, but it was of his own volition to go back to that life. I took that villain approach to Ratigan from Hans in that there is no complex reason as to why he does what he does. He’s not like the big purple grape who thinks he has to do it as a favor to the universe, he just wants money and to live comfortably, the end.

Person of Interest, for a lot of reasons actually, but mainly for the character of Elias!! And his whole organized crime operation. He is among that smart and calculated villain trope (even though he wasn’t really a villain over the course of the show lmao.) What I liked about him was that he went into the life of crime because he knew that was how things were going to get done in the world. Watching the show you see the hierarchy of the criminal underground and how he cultivated crime into an organized and sort of civil matter when given rules and regulations!! His overall poise, too, was the kind of villain I wanted for Ratigan. Also that Elias was the guy that people could go to if they needed something done that they themselves couldn’t get around or that was just too grey area for them to go through with themselves. He’ll pull the trigger, he’ll plant the bomb, he’ll ruin someone’s life. I love that concept a lot for a villain, because they already know they’re knee deep in the shit, why let someone else corrupt themselves when they can do it and do it without the whole fuss of morals. 

And now, a wishlist! Jot down a few themes or stories or genres etc that you want to maybe pursue in the upcoming year! (i.e. a good ol’ fashion forbidden romance, maybe you want to dig deep into racial identity etc) This doesn’t have to necessarily be attached to any characters or stories you have now– it’s just meant to help you see for yourself what kind of stories call to your heart.

More technology vs magic things! I feel like that theme of the natural vs the made would be fun and interesting considering the juxtaposition of the town to the forest and stuff!! 

Also, I mean even doing small, stupid shit with technology would make me very happy

More friendships!! (esp for Clara lol) More enemies! 

I would love to do something of like building a house or renovating a place together. if any one wants to go HGTV, please come see me :^) 

Scavenger hunt type deal? Like a video game! Get one thing in order to get the next thing so that you can get the next thing until they eventually find what they were looking for. 

Misunderstandings! Either ones that are funny and light hearted that result in hijinks or the good old fashion devastating kind that sets trust on the edge.  

And then to echo a few of yalls, and MK in the werewolf vs vampire chat, the opportunities of tension between those two parties. I think that would be SO cool??? not even for like a Big Boss Battle, but the build up to it would be really good! making alliances that wouldn’t otherwise be made, stirring the pot to make tensions worse, blackmail, threats. I barely have any stake in this, lmfao, but hey this question asked for things that didn’t have to be attached to my characters so. I would just be sitting on my computer with a bowl of popcorn for it. Big Vampire Diaries/the Originals Energy. 

OPTIONAL: Why do you RP?

Since this whole experience has been brand spankin’ new with my first go around in the rp world, the answer is just very simple: it is an absolute delight. 

Getting to write with people that double as this built in community/fandom that has been created is actually insane to me. It makes me so !!!!!!!!!!! because it’s so cool!! There’s really nothing out there like it! I like the collaboration aspect so much because it keeps everything exciting and fresh at all hours of the day! Not even just like within your own stories, but getting to see other people’s stories that I’m not even apart of. 

Honestly, getting to read the things you guys write for free makes me feel like I’m doing highway robbery. Every day I am a humble peasant who wakes up and is getting to feast upon what you monarchs come up with. 

Which just makes me want to say thank you to everyone here because I felt (and STILL DO) like such a fucking idiot coming in here not knowing what I was doing. But you all just welcomed me on in, made me feel comfortable enough to continue writing, and I sincerely believe you all kept me going on this wild and wacky year. I know I don’t talk at all in the big group chat because I am chicken shit!!!!!!!!!! but you’re all very lovely people, I feel lucky and blessed to have found you. Thank you for taking in a newbie like me into your long standing home!! 

#bdrptask #not me having to use a whole painting for euterpe since she isn't even in the movie

[swynlake-rp]

Congratulations to our graduates!

Mim Ambrosius Riley Anderson Nemo Bae Clara Baudry Amity Blight Berlioz Bonfamille-Lyons Simba Bonfamille-Lyons Henry Charming Monica Chino Laurette de la Croix Tad Fiske Ferb Fletcher Tae Moon Pin Nam Jake Rogers Pip Seville Tanya Tiwari  Rose Whitman 

Here’s to your next adventure! 

#swynotice

[joseandrestabarnia]

Henri Samary, ca. 1880 de Louis Anquetin (1861-1932). Óleo sobre lienzo. Musée d'Orsay.

Oriundo de Normandía, Anquetin integra el taller del pintor Léon Bonnat (1833-1922) en París, en 1882, donde enseguida simpatiza con Henri de Toulouse-Lautrec a quien acompaña por los cabarets de Montmartre. Cuando el maestro cierra su curso, en 1883, acuden a otro artista academicista, Fernand Cormon (1845-1924), cuyo taller se va a convertir en un verdadero crisol, en el que se forman jóvenes talentos tan bien dotados como Emile Bernard o Vincent van Gogh. Anquetin conoció probablemente a Henri Samary (1865-1902) por mediación de Lautrec, que había retratado al actor en el escenario de la Comédie-Française en 1889 (Museo de Orsay). Henri Samary pertenece a una verdadera dinastía de actores, es el nieto de Suzanne Brohan (1807-1887) y el sobrino de Madeleine Brohan (1833-1900), ambas miembros de la Comédie-Française, y de Louis-Jacques Samary (1815-1893), violoncelista en la Ópera. Sus dos hermanas se ilustran también en el teatro, Marie (1848-1941) y sobre todo Jeanne (1857-1890) en el "Français" donde alcanza una gran notoriedad. Ésta última fue inmortalizada por varios retratos de Renoir. Henri se convierte también en miembro de la Comédie Française en 1883. Aquí interpreta obras de Molière, y participa también en creaciones de autores contemporáneos como Feuillet, Sardou o Richepin. Entre retrato puro y figura de expresión, es una clara ordenación de formas planas, sin volumen y sin sombra. En 1889, el crítico Félix Fénéon destaca los "colores planos e intensos [y los] contornos infranqueables" de las obras de Anquetin. Este retrato frontal, que pone en escena la elegancia demasiado rebuscada del modelo, tiene la extrañeza de un grabado de moda ampliado. La elocuencia del rostro de Henri Samary, devorado por ojos extraordinariamente azules, como los de su tía Madeleine pintada por Paul Baudry (Museo de Orsay), hace que sea el estereotipo del actor.

[swynlake-spill]

Agreed that Ferb is on the nice list, but can you give us the full naughty/nice list?

Ofc.

I refuse to expand on any of this. I said what I said. 

NAUGHTY: 

Berlioz Bonfamille-Lyons Candace Flynn Cornelius Robinson Dewford "Dewey" Mallard Errol Woolf Franny Robinson Llewellyn “Louie” Farraj Mallard Mabel Pines Marie Bonfamille Mary "Boo" Gibbs Mason "Dipper" Pines Mitte Esseman Phillip Knightley Phineas Flynn Roscoe Sykes Rose Whitman Theodore Fiske Wilbur Robinson Arwan Prydain Iago Jack-Jack Parr Jane Darling Lucius "Lock" Adamson Miguel Rivera Panic Ca'idh Pearl Park Seamus MacTunnag Violet Parr Héctor Rivera Bae "Nemo" Nam-min Dot Orkney Ignacio de Tito Mei Qin Merida Dunbroch Petunia Robinson Reza Kasraoui-Müller San Mononoke Tiegan Winchell Toulouse Bonfamille Ashleigh Quinlan Hades Acheron Ashley Armbruster Belle Acheron Moon Yeongjun Moon Yeongtae Simba Bonfamille-Lyons Adella Triton Aquata Triton Ariel Triton Attina Triton Finn Flounder Kovu Blackwell Tony Rydinger Vidia Wind-Whistler Dodger Jones Hubert "Huey" Mallard Thomas O'Malley Deb DamselBu Vanessa Doofenshmirtz Tinker Bell

NICE: 

Abigail Vanderwaal Al McWiggin Arthur Pendragon Ashlé Boulet Ashlee Tomassian Bianca Gabor Brandon "Barrel" Adamson Ella Ashbourne Eric Anderson Henry Charming Holley Shiftwell Isabel Flores Jake Rogers James Hawkins John Darling John Smith Kristoff Bjorgman Lachlann "Launchpad" MacNab Laszlo Robinson Oliver Saluki Pacifica Northwest Princess Elena Flores of Avalor Rita Saluki Thomas Harrington Wendy Corduroy Willis Tibbs Alice Liddel Babette Durand Clara Baudry Claude Frollo Georgette Midler Hercules Persaud Marisa Soto Marzel Soto Megara Creon Melody Oceana Pedram Ratigan Shannon "Shock" Adamson Susan Webb Yoshioka Haru Atta Orkney Cheralynne Alexander Eilonwy Llyr Eoghan "Sled" Lantern Flik Feathery Haley Long Iandore Lightfoot Imelda Rivera Jake Long Kairi Uchida Kiongozi Lorrin Lymantria Khan Mei Kusakabe Mu-yeol "Marlin" Bae Olafur Elsuson Önnuson Periwinkle Frostbrittle Perry Flynn Riku Nakayama Ryeo "Robbie" Hwan Sally Finkelstein Sindri Dyrsson Sora Hamasaki/Roxas Su Qin Suta Shere (Khan) Ting-Ting Qin Dornan Humbert Lumière Charmant Aurora Rosewood Barbie Roberts Evelyn Deavor Ferbs Fletcher Gregory Eeyore Minnie Muyskens Monica "Mocha" Chino Philip Seville Phillip Nam Tiana Truitt Tod Sionnach Vishaka Chakraborty Alana Triton Arista Triton Charlie Little Edward Hatter Nuka Blackwell Vitani Blackwell Zira Blackwell Nyx Quillspear Queen Clarion

#daily spill #literally everyone unless ur not on the demo thats not my fault #Anonymous

[bitacora-pa-ati]

Bambi Meets Godzilla por Marv Newland

En 1961, Marv Newland hizo una animación muy simple llamada “Bambi Meets Godzilla”. En esta animación, que va bastante al grano, vemos a Bambi comiendo pasto hasta que Godzilla lo encuentra y lo aplasta. Fuera del dibujo de Bambi, el único otro elemento gráfico que resalta son los créditos iniciales, que repiten el nombre de Marv Newland varias veces, bromeando sobre su papel como único creador de la pieza, y dandole un crédito a sus padres por “producirlo” a él.  En este texto, voy a analizar el corto desde la visión de dos autores diferentes: Andrew Blauvet y Jean-Louis Baudry.

Andrew Blauvet

En su texto Towards Rational Design, Andrew Blauvet divide la evolución del lenguaje visual que surgió por los movimientos vanguardistas del siglo XX en tres fases: la primera, que duró hasta 1945, se caracterizó por el descubrimiento de la retícula, que permitió experimentos con la composición que no se habían hecho antes. La segunda fase del diseño de Blauvet surge después de la segunda guerra mundial, gracias a la guerra fría. El diseño en esta fase se caracteriza por la superficialidad; las referencias a la cultura pop, que permiten la creación de algo nuevo a partir de elementos existentes y por último la reapropiación de el autor. La tercera ola surge por el fin de la guerra fría, y se caracteriza por la era digital, que permite a la gente común crear cosas igual que los “artistas.”

En mi opinión es bastante claro que Bambi Meets Godzilla pertenece a la segunda etapa del diseño. Además de hacer referencias claras a la cultura Pop de su momento histórico, Bambi Meets Godzilla pone gran importancia sobre el nombre del autor, de una manera que no apunta a la tercera fase del diseño. Es tal el énfasis en el autor, que Newland decide considerar a sus padres cómo los autores de su existencia, lo que de alguna forma lo vuelve parte de la pieza además de ser creador de la misma. 

2. Jean-Louis Baudry (y un poco de Baudrillard)

En su corto, Newland logra engañar a la audiencia a partir de un fenómeno que Baudry describe cómo la alineación, en el que el espectador asume que su ojo es la cámara, por lo que al ver lo que la cámara ve, ve desde el punto de vista de los personajes. Gracias a que el espectador asume que su ojo es la cámara, y que Godzilla no podría pasar desapercibido, el espectador se sorprende en el momento  en el que Godzilla llega a la toma, solo parcialmente, y a cómo su llegada corta con la música de Bambi. Dentro de la diégesis de Newland, el sonido existe sólo como acompañamiento musical ( y un sutil “pop” cuando Bambi es aplastado, que no aparece antes de este momento, ya que no se advierte la llegada de Godzilla.) Estas ilusiones permiten que Bambi sea aplastado sin esperar el impacto.

Newland también usa el aparato cinematográfico para burlarse de la animación tradicional Americana en ese momento histórico, y posiblemente del resurgimiento de el cine japonés como fenómeno cultural. 

En su texto “La transparencia del mal”, Baudrillard habla sobre como la sociedad se sostiene a partir de simulaciones: fenómenos sociales en los que  participamos cuando fingimos tener algo que no tenemos y perdemos de vista la realidad. La animación tradicional es una máquina de adoctrinamiento de simulaciones y aparatos ideológicos. Los dos personajes clave del corto de Newland, Godzilla y Bambi, buscaron hablar de temas políticos en sus apariciones originales. Godzilla es una respuesta a los ataques a Japón en la segunda guerra mundial, mientras que Bambi habla sobre el cuidado a la naturaleza. Aunque en la superficie ambos son animales, son usados como recursos narrativos para representar valores opuestos. Bambi representa la inocencia, el bien y la naturaleza, mientras que Godzilla representa los peligros de la guerra y el mal. En el corto de Newland, no existe este contexto, pero ese simbolismo sigue existiendo. Newland logra construir un final “opuesto” para las dos películas originales, dándole un triunfo a Godzilla y un final infeliz a Bambi, lo que rechaza los valores de las películas de las que vienen los personajes. 

Referencias:

Blauvet, A. (2006). Towards Rational Design [Artículo].

Baudrillard, J. (1990). La transparencia del mal. [Artículo]. 

Baudry, J. (1975). Ideological Effects of The Basic Cinematographic Apparatus.  [Artículo]  Film Quarterly, Vol. 28