#christ this got long

[raayllum]

I honestly can't imagine Rayla not dooming the world for Callum if the situation required it. She literally called going to dark places an "act of love."

I mean, there's a few things:

The opinions of anyone working on the show (cast, crew, etc.) are not gospel and not the default, nor do they need to be treated as the be all end all. You can disagree and that's more than gouda

People will give misleading answers and/or answers that are true in the moment (i.e. would S5 Rayla doom the world for him? Maybe not. Would S6 Rayla after some development? If the answer's yes, that's gotta stay under wraps) to avoid potential spoilers

I was actually honestly pretty surprised 1) someone asked such a direct question and 2) even more surprised that it got directly answered, since it feels like it could skirt into spoilery territory potentially for next season given the possession plot line. (I was personally gunning for a "what do you think Rayla and Claudia would think of Callum's S5 dark magic use, if they knew?")

I will admit Paula's response was, admittedly, what I've leaned to for Rayla as a whole in terms of that World vs Loved One binary. One of the things that makes Ezran and Rayla interesting to me was the uncertainty of "would they risk [insert thing here] for their immediate circle of loved ones" routinely being a "I don't know." Not that they necessarily 100% wouldn't, but just that I was genuinely 50-50 split on whether they would, or leaned towards No or Yes but could see the other way being plausible too. That uncertainty paired with the certainty I had that Callum would, and that contrast, has always been one of my favourite things about the Trio as a unit and Rayllum as a duo. It's one of the reasons that Heart vs Duty conflict for Rayla as a character has always been so compelling to me and why 4x07's introduction of the "You have to kill me" conflict was so (and is) exciting!!

But I digress.

I don't think that Rayla's letter is the best example of what I think you're trying to illustrate (I'll raise something I think that is perhaps more indicative in a moment) purely because the whole reason Rayla ultimately left was to protect the world. I've talked about this before in my "Priorities in Through the Moon" meta from ages ago, but Rayla does not go into the portal because she's primarily concerned about finding her parents. Callum researches the portal and helps recreate it and his whole side of things because he wants to help her with her parents, even being the one who brings them up when they resolve to go ahead. Rayla's concerned primarily with Viren, stating her reason for going into the portal even after finding out it requires facing water:

"Listen, Callum. Soren was worried about Viren too. Worried that we never found his body. We need to know what happened to Viren. He's a threat to the whole world! This might be the only way to be sure he's actually gone."

This is in line with how Rayla operates and references her parents in her letter to Callum, given her goodbye exchange for her parents:

Rayla: Surprised you even noticed, considering you've got more important things to do. Lain: Nothing is more important than our favourite child. Rayla: I'm your only child, and you're still leaving me behind for the Dragonguard. Tiadrin: We have to leave, Rayla. For you and for all the other Moonshadow children as well [...] This is our duty that we're doing for Xadia. For you. Someday, I hope you see that.

Just as trust and love are not necessarily synonyms to her, duty and love are not necessarily exclusives. Her parents left out of love for her and for the world, even if that meant prioritizing the world over her in the immediacy of their choice. Rayla leaves to go kill Viren out of a similar mutual desire to protect Callum, yes, but that's mostly there in the fact she left alone and didn't want him to stop her. Not necessarily that she went to hunt down Viren in and of itself, but that she went by herself ("I was trying to protect him. I knew I had to be strong alone"). Protecting the world - and a Viren-less world being one Callum would be safer in by proxy - was worth blowing up her relationships to her.

Going to dark places wasn't what she was doing just to protect Callum - that played a part, too, but her primary goal was to hunt down Viren (going to said dark place) alone and by leaving Callum behind, hence the "Stay safe, and stay in the light. Don't look for me, and don't follow me" - a sacrifice she was making on her own so that Callum wouldn't have to, but still for a collective cause that she deemed meaningful: "I have to make sure Viren never hurts anyone ever again." (Which is also why she goes after Viren again in 4x09, tbh)

That doesn't mean leaving in TTM wasn't also an errorful, self-destructive choice to leave (see like every other TTM meta I've written) but that the goals she could conceptualize was to protect the world, full stop. Anything else along the way (getting closure with her parents, protecting Callum) were extra stops and bonuses to help her have the courage to go through with it, maybe.

This is also in line with how we see Rayla treat other scenarios where it's a choice between individuals / individual relationships vs the potential to help or harm the greater good

Prioritizing the world / new mission of stopping the assassination mission > her relationship with Runaan ("This is a miracle, a chance for peace!") in 1x03

Being willing to and convincing Callum to let Ezran search for the egg under the ice in 1x06

"Then it's time to go. War's coming like the world's never seen, unless we get the wee dragon home to his mom" (2x01)

"Callum, I know you trust them, but by the time we know the truth, it'll be too late. Do you understand? We'll lose everything" (2x03)

"So please, allow him to pass into Xadia and help bring the Dragon Prince home. Because I don't think I can do it without him" (3x01)

Do I even need to specify 3x09? Or TTM?

"I hate it too, but we have to keep moving [...] We can't save everyone, Soren. There's too much at stake. I'm leaving, and you better be right behind me" (4x05)

"If I threw the coins in the lava, would it release their spirits? Or would they just be trapped in some of eternal burning agony? Let's trade. You let him go, and I'll give you the coins." "I'm not making a deal with you!" (4x09)

"I love you, and I haven't forgotten about you. But I can't help you yet. Because right now, the world needs me. Callum and Ezran need. There's a great evil trying to return to Xadia, and we have to stop it, at any cost" (5x01)

"It hurts me to know they're trapped like this. It's agonizing. But I know our mission comes first. The world is in danger, and you can trust me to stay focused" (5x04)

This is, arguably, the strongest core trait she has in common with Viren, just for the record, especially in arc 1. He's very greater good centric as well, just with the push of his own ego and thirst for power + he only considers humanity's concerns, whereas Rayla has minimal pride and arguably not enough ego, and she wants to improve situations for everybody on a collective scale post-1x02 onwards.

The exceptions to this consistent behaviour is largely 2x07 and 3x08, which I've talked about more in my Dragon Quartet meta (from Dec 2019 good god??). These are arguably two of the times, in addition to TTM in some ways, where Rayla is operating the most out of her emotional core ("My allegiance is to my heart" —Tales of Xadia) and what feels 'right' on that level. For better or for worse.

"That dragon was defenceless, and I just left there." / "So I have to stay, and defend the Dragon Queen."

I say Rayla is at her most emotional largely because in each scenario she's abandoning the mission of keeping Zym safe (and thereby her own identified "world's best hope" for peace) in favour of protecting a different individual dragon. This seems to go completely against the "mission first" if indeed, like in 1x03, Rayla can abandon one mission she's devoted herself to in favour of another one just like that [snaps fingers]. If she cares about the world first, why prioritize these individuals, neither of whom she particularly knows or personally cares about? BH also spells this out for us, since it's likewise a mirror to her offering to go up into the tower with Callum to defend Harrow even though the egg should technically be her first priority:

But to Runaan and those like your parents, love is rooted in all families, all creatures. Souls like that feel called to protect everyone as fiercely as those they hold close.

In 2x07, Rayla is at her best, if least logical, whereas in 3x08 she is at worst (until arguably S4) and likewise her least logical ("I know you feel guilty, but you're not thinking straight"). In each scenario the boys stand a Much better chance of survival and of accomplishing their mission with her from just an objective point of view (they don't know Xadia's terrain at that point and circa 2x07, neither could really be combatants in a fight since Callum didn't have a weapon or primal magic). We could slap an easy "you're being a dumbass and dooming the world" label on it and be done with it. But not only does Rayla think the boys are fully capable of completing their mission without her ("I believe in you") but 'the world' as a stake never enters her mind.

Instead, Rayla looks at each as an individual last stand where the only neck on the chopping block is ('rightfully') hers. Whether she's right or not to do so regardless of how she frames it is debatable (I personally view it as understandable, admirable, but more than a little short sighted or guilt ridden considering The Stakes), but that very much seems to be the thought process.

She's not risking the world, in her mind. All she's risking is herself.

And that's perfectly acceptable to her as a trade off. It always has been. It's one of the perfect kind of microcosms of the cognitive dissonance she lives under, where why should she care about herself when there's bigger fish to fry ("Don't worry about my hand; the egg is all that matters now") ignoring the fact that 1) she can & arguably should let herself care about two things at once and 2) she's going to be much less effective as a team member / dual wielder if she's recovering from a messy at best recent amputation.

This path of "Rayla works to save Callum because she doesn't care about what happens to herself" is admittedly probably the option I leaned towards most when it comes to Rayla in S6, even if I do wonder how it might be streamlined time / arc wise cause it does elongate her arc further. Either way, this is the route that lets her not kill Callum, working free him instead while also being able to justify trying to free him to herself, because she's not conceptualizing the Big Picture. She's narrowing it down to him and her and deciding if one of them has to get hurt in order for him to be freed, it's gonna be her.

It's not the Character Development route as I call it, but it sure is consistent.

TLDR; While I still lean towards Rayla having an ultimately positive impact (i.e. breaking Callum free from potential brainwashing) in s6, it would not surprise me at all if from her perspective it is framed as a self-sacrificial move on her end > a big picture risk to the world, even if that's how Callum may see it.

More thoughts on Rayla + the possession plotline in S6 here, here, and here.

#thanks for asking #anonymous #tdp rayla #i need you to kill me #my heart for xadia #analysis series #analysis #christ this got long #it's like. rayla's act of love is also filtered through callum's request to murder him as well #whereas viren lost sight of his love for the individual or the collective #and callum prioritizes the collective until it's his two ppl on the line #none of them are perfect avenues (altho viren's is defs the worst) but c&r are all coming from Valid Places

[galaxysharks]

Can I just say, y'all can miss me with all that

Jet = Introvert

Maddox = Extrovert

Like y'all homegirl's friendly but avoids people and feels like they cursed her whole bloodline. Jet seeks out people, actively once he gets over his whole ' camp sucks, theater suck, life sucks ' attitude. Even if he's not talking he still hangs around them in the group where Maddox consistently separates herself. Jet only leaves in response to tension with his sister.

Episode 1 - Admittedly where the first impressions happen.

Jet: arrives at camp, and immediately goes to the cabin where he interacts with roommates. Hangs out with other people nearby. Stands by the crowd despite knowing he doesn't care about the events of the summer, and not being required to (assuming Val is absent as a choice rather than a flight delay)

Maddox: does her specific duties and sets up stage. Takes a letter to the office instead of showing Ashlyn where it is. Songs the welcome song and then goes off stage to work tech then stand alone, not rejoining the crowd. Goes to the office for unknown amount of time.

Episode 2: ( the whole episode has everyone in an environment where Maddox is, whom Jet is pointedly avoiding )

Jet: avoids camp activities and leaves once he does show because Maddox is there and it's awkward. Notices that 'Maddie's new friends' immediately flock to talk to him and leaves.

Maddox: wakes up early and leaves to get the bugle to play the wake up call, helps set up, but is alone on the sides for every exercise. Preps hair/makeup alone, resists help, stands off by the curtains until arguments start and then jumps in to save EJ. Returns to standing off to the side and behind the group when Jet shows up. Leaves after dinner to the woods to set up newbie night, spends long enough out there to worry Gina.

Episode 3:

Jet: goes to the spot in the woods he knows Maddox frequents and finds Ricky. Immediately spills all his business with his struggle with his parents and his music burn-out. Talks about his home life and medication changes, his grades, ect. Spends the night suddenly being personable and cheery with this total stranger he found at the shrine. Sees that he upset his sister and goes after her.

Maddox: wakes up early and checks cameras from her office, sets up the tent kits, calls Carlos out on his shit and then goes off alone. Briefly flirts with ashlyn then leaves when she is gloriously shot down. Infodumps about the forest and completely missed Kourtney's objections sets up her tent, presumably alone, as she has to be able to leave to scare campers. Starts to fill her role as the storyteller but gets insecure and leaves to the corner of the woods that only she and Jet can consistently find.

Episode 4:

Jet: (absent due to aforementioned Maddie hates me complex) when he does come back it is immediately to the crowded movie room rather than his cabin.

Maddox: panic over missing brother. Sits apart from everyone and thinks intently, due to missing brother. Learns he went home and is not lost in the woods. Goes to build sets and let the campers paint them. Notices Ashlyn and instantly tries to redirect. Spends roughly 30 secs before realizing she said literally anything about her personal life and leaves. Meets up with Ash at the movie, but does not move to follow her to the seats, staying by herself on the wall. Asks EJ if he's fine briefly, but then continues alone to wherever. I assume her spot in the woods.

Episode 5:

Jet: actively participates in the morning meeting, does his part in the exercises. Opens up about his issues with Maddox to Ricky. Goes off to sing the best song.

Maddox: is silent at the meeting until she performs obligatory mlm/wlw hostility to Carlos. Awkwardly attempts to look bad at her job and more emotional than she is. Reveals exactly #1 fact about her (she owns a dog, who is not dead). Stands off to the side and frequently walks off. Accidentally reveals #1 more fact and God forbid a single minute full of inner thoughts and then tears out of the barn like a bat out of hell. Goes to the barn that she thinks is empty ( I hc to get the things she left in there earlier so she can then run away and go home, but stops when she hears Jet)

Episode 6:

Jet: makes a point to be a part of the action. Tell Ricky why Maddie is so pissed at him. Give more insight to their homelife. Cheers on Kourtney when Maddox has wandered off or something. Goes back to the cabin with Ricky in it and harasses him briefly.

Maddox: tudors Gina in camp. Gina straight up asks her to open up the response is 'brothers, amiright?'. does some of the events but also just kind of disappears from some of them. Brief return of the flirty Maddie with Gina during it's on. Instantly exits the crowd once they won and stands by herself.

Episode 7:

Jet: joins Ricky's birthday snack fest. Goes to the Honeycomb to talk to Maddie. Goes off to find Ricky and the others once he gets sort of called on inviting the ex to the dance. Stands up and sings before joining the boys with the post prom traditions.

Maddox: gets up early enough to be fully dressed when the others are still getting ready. Talks to Jet then Madison alone for most of the night. Enters the dance for the final song. Tells the barest explanation for their issues. Goes to the cabin that she thinks is empty to be alone. Stands apart from the other two while supporting Kourt. Gives close friend EJ a half-assed shrug answer to her relationship with Madison.

Episode 8:

Jet: has full integrated with the wildcats at this point.

Maddox: also mostly included, but tends to hover to the side or to stand by one person. Goes to leave with EJ before Corbin sings. Waits for everyone else before signing the wall. Does not join the curtain call. ( My school always had the cast feature the crew once ensemble takes a bow )

#high school musical the musical the series #hsmtmts maddox #hsmtmts gina #hsm the series #hsmtmts #hsmtmts ej #hsmtmts jet #ashlyn caswell #christ this got long #jet = unfriendly extrovert #maddox = friendly introvert #these two have one coping mechanism and its to run into the fucking woods #i do think its cute that he remembers the way to the forested spot after so many years #maddie was holding her bag from episode 1 when she heard jet sing Right Place #she was 100 going to run off #also when does she sleep #girl is always up #plot twist: corbin and channing wanted to scare the girls but maddox was already awake and ruined it

[honeypleasejustkillme]

every single time something good happens i’m always on edge, cuz it never stays good for long..

#i’m so tired of my life being so up and down #it makes me so anxious #i just got food stamps and medical insurance through my state and then i had an invoice from the state for over 1k like jesus christ #it can never stay good for long #i’m so tired of it #bpd shitposting #actually bpd #actually mentally ill #bpd #bpd fp #actually borderline #bpd favorite person #bpd vent #bpd mood #bpd problems

[ptanalo]

something something worship

#reverse 1999 #vertin #schneider #verneider #vertin x schneider #doomed yuri got me fucked up <3 #anyways the uhh on your knees in worship uhhh taking part in the body of christ (homoromantic) #I had more draws but I didn't wanna take too long on finishing them lmfao #they make me go soooo GRRRRRRR #bonding over shooting each other and shit <333 being doomed together oooooOOoOO #my art

[inkskinned]

im gonna start a fight; and, at the same time, i need you to take this in the most good-faith way possible, but:

videos that involve body-checking and intentionally (and uncritically) show a mealplan of an unhealthy number of calories are just a revamped version of pro-ana food diaries.

and yeah, i know there's arguments. i address some of them under the cut. but at the end of the day, we're just coming back to romanticizing mental illness; we've just found a better platform for it.

this is already something we've done. we knew it was wrong and tried to stop it. and tbh. it just wasn't enough.

there are people who argue "well, what if you have an eating disorder, you can't help it if you don't eat!" except that as someone with an ED; we are not infants. we know what we're doing. part of having an ED is that you are like, maybe too self-aware. even if we can't help our own food choices, we don't need to fucking romanticize the disorder - something we've been warning you about since 2013. there are hours of setup, filming, and editing that go into these videos. they do not happen to fall into place randomly. there is a reason they are pieced together to be beautiful, bright, inspiring.

there's this woman who pretty much only posts daily plans under a normal amount of calories, and everyone defends her saying but it's better than nothing! and i'm like. except she opens those with images of her showing off her body and provides no context in the video or caption that suggests that she believes what she's doing is unhealthy. she has hundreds of thousands of followers on a platform designed for young kids and teens. i refuse to believe that by accident her content just happens to be cheery advice on "healthy" versions of starving.

for any other symptom of mental illness, we would be incredibly enraged by this kind of placid acceptance of a "tips and tricks" fast-start guide. imagine if people posted pink & pretty videos saying "best places to cut yourself" as if it was a fucking storytime. we, as a society, are so fucking fatphobic that we would rather accept blatantly harmful displays of self harm than admit that we are obsessed with a hyper-thin body type.

i am not suggesting someone never talks about their disorder. i talk about mine. actually, it's a plot point in my book.

here's the difference: i recognize it's a fucking mental illness. i am very careful to never mention a specific weight, eating pattern, or calorie plan. i always make sure to position it as something that ruined my fucking life. i do not put cheery music in the background and hearts and sparkles over my worst moments. i do not film it in bright light. i do not start each passage with an image of a thin body followed by "here's how to look like her."

eating disorders should not be framed as aspirational. and the problem is that society worships the "after" image, so long as you don't get too sick. there is a reason so many people who quit being "influencers" will later admit - i wasn't eating well that whole time; an obsession with food was completely destroying my life.

we let any uncredited, uncertified person write the most backwards, fucked up shit about how to get the body you desire! because the underlying, secret belief is: well, at least they're thin! and the real thing that fucking gets me each time - they make fucking money off of it. their irresponsibility and societal harm literally pays off for them.

"why do you care so much." "don't like it don't look." "so what if people experiment with new ways of thinking of food?"

thank you for asking. we're about to get extremely personal. it's because when i was 18 i discovered "thinspiration"/"thinspo." and it absolutely influenced, shaped, and codified my pre-existing eating disorder. i went from having some troubling habits and traits to being incredibly unwell within what felt like a matter of days. there were actual pages designed to train me on how to have an ED correctly. it was all so suddenly easy. i was sick; and the nature of the illness meant - i wanted to be sicker.

it takes an average of 7 years for a person to fully recover. i know this personally - even now, 10 years from the worst of it, i still fucking struggle. i am so much happier now and i eat what i want and i literally don't think about food at all (19 year old me would shudder) and yet - i still fucking know the calories of plain toast with butter.

an eating disorder is one of the deadliest types of mental illness. over 1 in 4 people with an ED will attempt suicide.

and i'm sorry. i just do not see the exchange rate of "high rate of engagement" versus "the value of a human life."

#and there's something else in there about like .... #tbh once i got over something like 1k followers #i stopped being specific about my ED for a REASON. #yes on ur personal locked blog that u use like a diary go ahead etc #but we are OBVIOUSLY not talking about that. we're talking about the sheer NUMBER of people i could be talking about #in that one paragraph. that you and i probably were thinking about 2 different influencers #bc they get to say that they're just posting FITNESS and if it's FITNESS it's OKAY and im like #jesus christ lord almighty #every person in recovery from an ED: this is incredibly dangerous holy shit do you know how much this would have triggered me #each of these ppl: how dare you!!!!!!!!! i am only harming those who WANT to engage with my content!!!!! #their followers: leave them alone !!! they can't help that they make an hours-long choice to frame their disorder as if it was #fucking cottagecore !!!! #like girlie this person needs THERAPY #again! i didn't even have that large of a following before i IMMEDIATELY deleted any specific mention of calories food etc #bc i recognize responsibility and i didnt EVER want to even ACCIDENTALLY encourage this #and im not even GETTING PAID FOR THIS!!! #aND THEY ARE!!! #something something something they know this content makes them money #they don't give a SHIT about u babe

[pipers-pixels-and-papers]

Warning: Entering ecological dead zone. Adding report to databank.

The brainrot is returning so here's a Ryley

#subnautica #ryley robinson #subnautica fanart #fanart #jesus christ tumblr MURDERED the quality on this one #digital art #he's spent so long under my aroace-ifacation headcanon beam that he got radiation poisoning #pipereative #going back to my roots on this one #man its been ages since i drew an underwater scene i used to do them all the time

[moongothic]

The reason I ended that Crocodad AU where he finds Baby Robin-post where I did was because I actually just don't know what would happen next, where things would go from there. Let's talk about that.

Also apologies in advance, this post got obscenely long. Again. I don't know how this keeps on happening.

(If you wanted the minimum context without having to read the whole OG post, just scroll down to the Plot Section and read until the end from there)

But just to give a minor recap: They're in the tombs of Alubarna, Cobra's dead and the second the guards notice their king has gone missing they're going go searching for him. So there's no time to mess around, Crocodile and Robin need to leave as soon as possible before they're discovered, otherwise they'll risk getting reported to the World Government for assasinating Cobra and boy howdy Croc's not going to be a Shichibukai for long if that happens. The two are there to just get what they want. Crocodile wants Pluton. And the Poneglyph says its in Wano Country

What the hell are either of these two going to do? In this scenario?

'Cause on one hand, there's Robin, who could be scared shitless of Crocodile and unsure what to do next.

If Robin tells him, will Crocodile kill her because he doesn't need her anymore? Because he got what he wanted?

Or might he lash out at her and kill her because the weapon isn't in Alabasta as he had assumed?

But if she refuses to tell him, he'll kill her anyways, won't he?

She can't run away from him anyways, he'd catch her in seconds.

Should she lie and give him a fake location nearby in the hopes of creating an opportunity for her to escape?

But even if she managed to escape, she'd be back on the run from the Government all over again, fighting for her life, all alone.

(Minor note but it's worth pointing out that Robin probably wouldn't know about Wano's takeover, she might not know who Kaidou is, let alone what the Yonkou are, or where Wano even is. Like we know it's a bombshell of information, but Robin wouldn't know where on The Scale of Bad News it'd land, and that could also add to her fear of telling the truth)

Like I think those would be the kinds of thoughts that would run through Robin's mind, and even I can't tell what she'd do.

And on the other hook, we have Mr Murderdile. How the fuck would he even react to whatever Robin would do?

I mean I don't think he'd actually kill Robin if she told him the truth about what the Poneglyph says. I do think he would Fucking Furious and deeply hurt if she'd refuse to tell him, if she'd lie or tried to flee, as these would be acts of betrayal and we know Crocodile would not take that well. Would he kill her for betraying him? Possibly? Since he could see her as a threat to his son's life (the priority), I don't fucking know man. That could very much turn into like a "Doflamingo killing Rocinante" moment for Crocodile in this AU.

But what the fuck would he do if he found out Pluton was in Wano?

Mind you, by this point the country would've been freshly taken over by Kaidou, and it's only been 2-5 years since Crocodile would've had his ass kicked by Whitebeard in the New World. Like that trauma would be Quite Fresh in his mind. I don't think Crocodile would be stupid enough to try to go to Wano. It'd be stupid fucking dangerous, and surely he'd know that. And not just in the "he could get killed by Kaidou" kind of way, but because surely Crocodile would realize Kaidou was sitting on top of Pluton as they spoke. Even if he didn't know about it yet, if Kaidou found out about Pluton being directly beneath his gigantic ass, it would be Fucking Bad. And thus going to the island with the only person on the planet who could reveal the exact location of the weapon would be a stupid ass move. (Of course, without the heir of the Kozuki Clan Pluton can't be released and Momo has just been yeeted into the future, so even if they did go they wouldn't be able to open the borders of Wano, but unless the Alabastan Poneglyph explained that then neither Robin or Crocodile would understand that)

So if Crocodile's only goal in life at this moment had been obtaining an Ancient Weapon so he could nuke the World Government and then go be with his son (since nothing in the world could threaten his child anymore and force Crocodile to keep his distance to keep him safe)... And he found out he was far, far too weak to even obtain that weapon... What would Crocodile do? Knowing he wouldn't be able to do what he wanted, that he wouldn't get to be with his son ever again?

(Mind you. There is a whole discussion to be had about whether or not Crocodile was suicidal during Impel Down/Marineford and if his petty revenge against Whitebeard was a borderline suicide mission. Because unironically I think there's like a 40-50% chance that could be the case. And I'm pointing this out because if Crocodile was canonically suicidal after failing to take over Alabasta, how would this scenario in this AU be different? Aside from the obvious time commitment, and the way Crocodile's traumas would be much more fresh at this point compared to canon)

Like. What can he do anymore? What's there left for him to do?

Fall into absolute despair and give up? Allow the royal guards to find and capture him, and let the WG throw him in jail for assassinating King Cobra for no reason? Or just kill himself on the spot because what would it matter, he'd die eventually anyways? God knows, even if he wanted to keep on opposing the WG, between the Dragodile Divorce (and however the fuck that might've played out) and Crocodile probably not approving of Dragon's methods for revolution (too idealistic, soft, and slow), ditching his Warlord-status and fully joining the Revolutionary Army wouldn't suit Crocodile either. He's a pirate, not some hero of justice. And he's never going to be strong enough to defeat the WG himself, all alone. That's what the Ancient Weapon was for to begin with.

So, what would he do now, when his final option had been crossed out, labeled impossible. Would death be the easy way out, and at least give him the peace of mind knowing his son could never be linked back to him and put into danger because of him?

But what would happen to Robin?

If Crocodile allowed himself to become captured and go to jail, Robin would be doomed too. Between his hatred of the Government and Robin being an innocent child, surely he didn't want the Government to get their hands on her, they'd just put her to death. But what else could he do? Tell her to run? Leave her to fend for herself all over again? Alone? Would he have it in him to tell her that?

Or would Crocodile's anger and spite at the Government be more powerful than his despair? Would he rather flee with Robin for now and figure things out later, when they're not in some ancient tombs with the corpse of a king where they could be found out any second and be in far deeper shit than they're already in?

And I think this is where we circle back to what Robin would do, first. Because even if Robin told Crocodile the truth, there's still multiple ways she could do that, and depending on how Robin went about it, that could influence Crocodile's reaction too, couldn't it?

If the two hadn't become too fond of each other yet, and Robin very calmly told Crocodile Pluton was in Wano, I think he could just become kind of catatonic in shock and horror, falling into despair. Maybe without saying a word he'd just walk out of the tombs straight to the guards without ever looking back. Abandoning Robin and leaving her running for her life again, alone.

But Robin is at this point a 12 year old child***

The sheer intensity of this situation could become too much for her. And if she had become fond of Crocodile, if despite everything she still wanted to stay with him because he had been the only source of safety she had had in three years... what if she just burst into tears, and told Crocodile she was afraid of him and what he might do to her because he might not like what the Poneglyph said? What would Crocodile do then? How would Crocodile react to that? To this child being not just brutally honest, but emotionally vulnerable and showing him that she WANTED to trust him? If Crocodile had been emotionally flipflopping between trying to remain emotionally unavailable to Robin because he didn't trust her, and trying to be caring (partially because he was intentionally trying to manipulate her and partially because he genuinely felt bad for her)... Would this become the moment Crocodile himself realizes he has to decide if he's going to be a cruel pirate who only cares about his son's safety, or be Robin's guardian? Either demand her to just spit it out if she knows what's good for her, or comfort her and tell her he would never hurt her regardless of what the Poneglyph said? And... almost regardless of what Crocodile would choose, could Robin's outburst still like... both soften the blow of the bad news and emotionally ground Crocodile? So that he wouldn't fall into despair?

If so... Guess the two would just have to flee then. Leave their hostage (be it the (unconcious???) pregnant queen or baby Vivi) behind, and just leave Alabasta. There'd be nothing left in that country for them anyways, nothing but people who could catch Crocodile and report him to the World Government for assasinating their King (mainly Shaka who could probably tell their king was murdered by a heavy smoker thanks to his DF and then realize it was Crocodile if he ever gotten within sniffing distance from him), leading to his Shichibukai Status to being stripped from him. Escaping and never coming back would be their priority.

Whatever the fuck would happen next is a bloody mystery though

Like IDK maybe, after getting over whatever emotional turmoil he'd be going through, Crocodile could start building an organization of some kind?? But this time with the intent of wrecking Kaidou's ass and taking over Wano himself????? (Roccoco Works wouldn't nececarily have to be a secret organization either since if he wanted to take over a non-WG Affiliated country from some pirate... He could just do that. The WG shouldn't care. He would have to be extremely careful though to make sure nobody ever found out his sweet little assistant/secretary Miss Sunday was actually Nico Robin. Also if he was the Rev Army's Secret Sugar Daddy he'd have to be extremely careful who he would hire to work for him. Like the hiring process would be extremely selective still, if not more-so than with BW?) Also he could spend a fuck ton of time just working out to get as swole as humanly possible. Because god knows he'll need to if he wanted to actually fight Kaidou and survive with all his limbs still in-tact. Maybe try to get friendly with Moria too knowing Moria has some serious beef with Kaidou and could be down for getting revenge one day. But mind you, this would be A Whole Process which would no doubt take years if not decades.

All while looking after Robin. Because he was all she had and he couldn't possibly abandon her now. He's in too deep.

And this is where my brain finally hits a brick wall with this AU, I can't imagine how shit would go down from here on. Because IDK, this whole thing started out more as a thought experiment (of "how would things be different if they met earlier") and the further you go down the timeline it stops being wild what if-speculation and more just a fanfic lmao

***(Look if I'm not wrong, the year Luffy was born Robin should be going 11 turning 12, right? (And Croc 27 -> 28). But if enough time has passed that Vivi has been born, well, Robin's birthday is a few days after Vivi's, so she could've turned 13 by now. Or hell, this whole shitshow of a scenario could take place on her birthday if you wanted to be really evil) (But if I'm wrong and Robin was 10 -> 11 the year Luffy was born, then she'd be around turning 12 at this point) (This shit is so complicated aaaaa 😭)

One more note because I might as well put them in the same post

So in my mind, if Crocodad Real IN GENERAL then it would make perfect sense to me if Crocodile's reason for wanting his funny little military nation and to obtain Pluton was to nuke Marijoa and just delete the World Government so his baby boy would be safe. Because god knows if the Government found out Dragon had a son (or that he had been involved with the Revs/plotted against them and that he had a son), that baby boy would become a target for the WG. Thus he couldn't even take his child with him and raise him like Bege or Big Mom did with their kids. Like it wasn't even an option. And because that's like my default headcanon already, I'm obviously applying it to this silly Crocodad AU.

But it raises a fun question; what would Crocodile tell baby Robin about his motivations?

Like, I can perfectly imagine Crocodile explaining to Robin that he hates the WG and wants to destroy them, and that not only would Robin be safe with him (not just in the "I won't hurt you or turn you in to the Marines, we're on the same side", or the "I'm stronk and can protect you from danger" way, but also "the WG can't find you if you're under my wing" way), but also if she helped him find an Ancient Weapon, she could help him defeat her greatest enemy for once and for all and become free herself.

And that's not a bad deal, now is it.

But even if Crocodile explained that to Robin when they'd first meet, just to get her to agree to coming with him, surely it would take Robin some time to actually start trusting Crocodile, after spending the past three years on the run. 'Cause in her mind, either the Government Approved Pirate was lying to get her guard down (so it'd be easier to hand her over to the WG), or the Government Approved Pirate was explicitly admitting to being a backstabber and couldn't be trusted. But hey Papadile could maybe win her trust with some time, plenty of books and maybe a few plushies

However.

I'm sure Robin would wonder WHY Crocodile wanted to destroy the World Government. And Crocodile sure as fucking hell would never tell her it was because he had a son, god knows he would not trust her with that information. I'm not sure if Robin would ask about Crocodile's motivations, and even if she did, I'm sure he'd find a way to respond in a truthful way without telling her anything (Like arguably he isn't free from the WG either, he can either play and pretend to be on their side until they decide they have no more use for him, or try to eliminate them first and ensure his own safety. So he could tell Robin that as an excuse) (Kill-or-Be-Killed is not a great life lesson to be teaching Nico Robin Age 12) And you know, not knowing why this Scary Pirate wants a weapon of mass destruction would raise alarm bells in anyone's mind. Robin isn't stupid.

And now we circle right back to the begining of this post. Again. This post is a fucking timeloop, there is no escape. What would Robin do when Crocodile would ask her to read him the Poneglyph. Because there is that option that she could try to ask him Crocodile why he wanted to destroy the WG, then and there. Possibly defiantly, possibly calmly, possibly with tears running down her little face because she's scared out of her mind and wants to have faith in her guardian, but is unsure because the situation she's found herself in is a train wreck and Croc's on thin ice. And would she start with the question right away, or would she first tell the truth and then, after seeing Crocodile's reaction, ask him about it? And would Crocodile tell her? The TL:DR; of it? That he had a son whom the WG would want dead if they ever found out about it, a son he wanted to protect? That that's what this all was about?

And how would Robin feel about such a revelation?

Because on one hand, it could be calming for her, to understand that Crocodile wasn't out for world domination like a cartoon villian or anything, that his motivations were actually understandable. He just wanted to protect his family. But on the other hand... if Robin had been (conciously or subconciously) hoping to find a father figure in Crocodile... would finding out that Crocodile had his own son, his own family somewhere out there... Would that knowledge break Robin? Because in her mind, even if she hadn't wished for it conciously, Crocodile could never become a father for her? Because if/when Crocodile would get what he wanted, he'd just go be with his son?

Keep in mind. Robin's core fears and trauma come from not just betrayal, but also abandonment. A fear of being alone. Even if it was for Robin's own sake, her mother left her behind. She wasn't able to find friends or community in Ohara at all, even with the people of the library she felt left out because they wouldn't allow her to participate in the Poneglyph research (understandable on their part) And even when Robin's uncle and his family "adopted" her, she was treated as an other in the family. An unwanted burden, a servant. Not a real member of the family.

Finding out Crocodile had a family he wanted to return to could in her mind mean she was going to become abandoned again, left behind to fend for herself. Even if the WG wasn't out to get her, that would still be absolutely soul crushing for a child. And even if Crocodile did decide to adopt Robin, would she not be afraid of being treated as an other in that family too, because she wasn't his daughter? That he'd never love her the way he'd love his own son?

How would the truth behind Crocodile's motivations actually make Robin feel?

And one final gut punch before I go:

Would Crocodile struggle with some kind of guilt and shame over looking after Robin when he had his son somewhere out there? Would he be beating himself up inside because he couldn't stop himself for caring so damn much about this poor kid, but didn't want to treat Robin like some kind of a replacement for his own child? And would those feelings get even worse after finding out he couldn't even get Pluton because the bloody thing was hiding under Kaidou's ass? Would Crocodile feel horrible about how he had to abandon his son seemingly forever and then found himself looking after some other child instead?

Also. If the Dragodile Divorce was bad, especially in the "Dragon wasn't particularly accepting" kinda way, and if Crocodile had this deep fear inside of him about whether or not his son would ever accept him as his other dad and/or be upset about not having a mom (a fear that could get worse over time since he wouldn't have been with his baby from the begining, that he'd have to show up in his child's life later, praying for acceptance and forgiveness for having to leave him behind)... Would Robin potentially expressing that she saw Crocodile as a father-figure kind of break Crocodile (in a good way)? Not just because of the gender affirmation (for the recently transitioned guy mind you), but also because it'd mean that there was at least one person in the world who looked at him and thought they wanted him as their father? And could that happiness then like ADD ON to whatever guilt Crocodile could also be feeling?

These two are such broken people. I can not help but to wonder if they'd be able to navigate through their complicated emotions and find the healing and comfort they both so desperately need.

Anyway yeah that's the post, hope you enjoyed The Thoughts

#Moon posting #OP Meta #Sir Crocodile #Nico Robin #Crocodad #Not sure I can say ''back due to popular demand'' but close enough I guess #I am just Haunted by Thoughts #This really got obscenely fucking long jesus christ #Feels wrong to tag this with Crocodad but this is an AU based on it and it's like relevant so??? It's there for blacklisting if nothing els #Good god my Activity Feed has Not Been The Same since I posted that fanart on my main though oh my god #I'm glad y'all enjoy this AU concept as much as I do. We can suffer emotionally together lmao

[luck-of-the-drawings]

my TWO FAVORITE THINGS IN THE WORLD, VAMPIRES N COWBOYS... deacon keller is SUCH a fun character, hes charming and funny but ALSO formidable and STRONG when he feels he needsta be. i hope him and arthur can get a chance to talk more and be better friends. l ike really good friend s. . like. like really good f. hangon i gotta go i think i hauve rabies.

#jrwi fanart #jrwi show #jrwi suckening #jrwi suckening spoilers #deacon keller #arthur bennett #OOUGUGHHAAOGUguguhh i feel so cringe whenever i ship two characters. like theyre not even REAL #why cant i be more 'hyperfixated' on getting bitched or something. CHRIST. anwyay i want em to hold hands or smth. yknow. freak stuff. #SO DEACON KELLER!! HE OVERHEARD ARTHUR TALKIN ABT THIS PLACE GETTING ATTACKED.. WE SAW HIM APPROACHING #AND THEN THE WHOLE FEAST PORTION OF THE PARTY HAPPENED N HE GOT STUCK #BUT HE KNEEEWW HE OVERHEARD ARTHUR SOMEHOW!! i just think thats neat. hes dedicated to protecting his people. hes respectable!! #GOD he doesnt even have that much screen time but i LOVE HIMMM n his silly lil shadow steed named Sunshine.. like cmon.... ugh..... #hes sweet n hes funny and he CAARES about the things hes in charge of on some levels. he certainly does his best to look after his own. #god idk what else to write here other than how much hes been on my MMMIND lately. the doctors are still running diagnostiscs #i just think hes so neat... also i think its funny that hes afraid o snakes. OH YKNOW lemme just talk abt my damn art. first o all this too #SSSOOO LONG. WEEKS EVEN.IVE BEEN WORKIN ON IT SINCE EP 5 WAS ON PATREON.it was sposed to be justa buncha doodles but then it Evolved #idk man...cowboys are just so cool...especially w VAMP POWERS..fastest shot in the west for a REASON BABY...n with the red smoke #n the glowing eyes..CMOn thats so cool i hadta get my visions into reality. the eyes were inspired by the music video for RATTLESNAKE (kglw #that where the IM THE SERPENT lines come from.lyrics from tha song.ooh yeah i love kglw so much...i also have other hidden messages here #i like to hide things...ALSO ALSO. I HAD SO MUCH TROUBLE W SO MUCH O THIS. the two bits with arthur n deacon biting eachother. AGONY #POSES ARE SO HHARRDDD SAME WITH THAT doodle o arthur slammin deacons head into the ground. WEEKS to get that pose RIGHT. I BLED SO MUCH #OHH AND GUNS???COWBOYHATS?? HIS GAY LIL JACKET? W THE DANGLIES?? AGOONYYY IT TOOK SO LONG TO PERFECT IT..especialy guns. OUUUHH #i also dont draw mustaches enough... which sucks bc im weak for a good mustache... BUT i think im doing pretty well on that. #it was hard but yknow what!! i think i did good! i rly like how this all turned out!! EXCEPT FOR THA FUCKIN RIBBON BOW THING I FORGOT TODRA #IN THE TOP RIGHT... THAT I JSUT NOTICED...its fine its fine i dont care that much. this is good enough to FEAST upon so im content n happy. #anyway i gotta leave ina few hours to start TRAINING for my NEW JOB!! CHEER FOR ME!! TRUCK IS A BLACKJACK DEALER NOW!! IEAAAHHH BABYYYY!!!! #thanku for reading my weird lil scrolls i bury beneath my posts. if u leave tags i WILL absorb them. and feel joy.

[daytaker]

Sins, Virtues, and Motivations: A Critical Analysis of Characters in Shall We Date?: Obey Me!

In this essay, I will argue that each demon brother some of the demon brothers can be associated with a sin (no duh), a virtue, and a core motivation--and that this motivation is best pursued through a synthesis of that sin and that virtue. Hegel would be very proud. Yes, this is critical media analysis. No, I will not try to explain the twisted, broken path that led me to this point in my life.

I will be looking at Lucifer, Mammon, and Levi in this study. Their core sins are obvious - Pride, Greed, and Envy. Their accompanying Virtues and Motivations are listed below.

I used the Seven Heavenly Virtues for this little game. These are Prudence, Justice, Fortitude, Temperance, Faith, Hope, and Charity.

They should not be confused with the Seven Capital Virtues, which are inversions of the Seven Deadly Sins. These are Humility, Charity, Kindness, Patience, Chastity, Temperance, and Diligence. I tried these first and damn were none of them easy to match up. Tell me, fandom for this mobile game designed for players to lust over hot demon men, which brother should have the "chastity" virtue?

Lucifer

Core Sin: Pride. Core Virtue: Fortitude. Core Motivation: To protect his family.

Lucifer's core motivation is to protect his brothers. He looks at this as a sort of penance for the outcome of the Great Celestial War. He knows that he's the reason they rebelled, and he feels responsible for their wellbeing. He is able to endure the relentless pressure of the responsibilities he puts on himself thanks to his core virtue, fortitude.

Fortitude is strongly associated with courage. Specifically, it is courage in the face of pain and adversity. We see him displaying this trait any time those he cares for are in jeopardy, and it often helps him make difficult decisions where neither outcome is ideal. Lucifer is decisive, canny, and accepts the consequences of his choices, good or bad.

His driving motivation is also bolstered by his core sin: pride. He views himself as ultra-competent, while his brothers consistently make mistakes; beyond that, it's only natural that he take responsibility for the choices of his brothers (like the choice to join him in rebelling) because he is so significant an influence as to virtually rob them of their autonomy.

This has led to Lucifer having a somewhat toxic relationship with his brothers. Lucifer often acts as a parental figure rather than a peer, while the rest of them are all in arrested development of some sort, often acting more like kids than the adults they insist they are.

Lucifer either doesn't recognize that by doing everything for the family on his own, he's stemming their ability to grow and learn, or he does know the consequences of what he's doing and he feels conflicted about it. He ultimately blames himself for the fact that they're all in the Devildom in the first place, living as avatars of sins to the extent that they struggle to function as independent adults.

So, while fortitude and pride allow Lucifer to simulate the act of protecting his family, it's a matter of perspective whether controlling every element of their lives is protection or harmful coddling.

Mammon

Core Sin: Greed. Core Virtue: Charity. Core Motivation: To be valued and valuable.

Mammon is simultaneously a vessel of greed and its inverse, charity. This is because his core motivation is twofold, and those are the rewards of greed and charity; to be valued - to fulfill a want, to be desired, to look flippin' cool - and to be valuable - to fulfill a need, to have inherent worth, to serve a purpose.

Setting aside his unhealthy relationship with money, let's examine how Mammon behaves and what his deeper interpersonal motivations tend to be. He clearly places a high value on his brothers and MC, and he has shown on multiple occasions that he is willing to put himself at risk to help or protect them. Early on in both the original game and in NightBringer, Mammon attempts to heroically rescue MC (and his younger brothers, in NightBringer). In both cases, though, Lucifer shows up and does it for him. Mammon's pursuit of his core motivation clashes with Lucifer's quest for his, and Lucifer is strong enough to simply take it from him. Although in NightBringer he and his brothers do earn the not-insubstantial reward of the title "Lords of the Underworld" after Lucifer's rescue, he appeared so dejected by Lucifer's oneupmanship that he spent a good portion of the next day sulking. In the original game, Mammon wants MC to promise that they won't be saved by anyone else besides him in the future. It appears that his greed for an improved status in his interpersonal relationships is left unfulfilled.

Mammon wants to be heroic - to be valuable - and he wants to be admired for it - to be valued. The cognitive dissonance that accompanies motivations like these is all that sustains a person with such a diminished sense of self-worth.

Speaking of a diminished sense of self worth...

Leviathan

Core Sin: Envy. Core Virtue: Hope. Core Motivation: To find joy in the things that give him joy.

Confusing motivation? Yes it is. But envy is a confusing sin. All the other sins--pride, greed, wrath, lust, gluttony, and sloth--are enjoyable to indulge on some level. Losing your temper when you feel you've been wronged, or eating a bunch of delicious food, or sleeping through the snooze alarm: We know why we do those things. We might regret them later, but we indulge them in the moment because of the enjoyable side.

There is nothing enjoyable about envy. Wanting something that isn't yours, that belongs to someone else, be it tangible goods, talents, a partner, a job... is nauseating. And it makes you feel like a bad person, and it drains the joy out of things that you used to love. Speaking from personal experience for a second, when I was a teenager, I played music in a company with a much younger musician who was incredibly talented, and I was deeply envious of her. I wanted her talent; I wanted the praise she received; I wanted to impress people; I wanted what she had. But there was nothing I could do. I hated feeling that way, but I couldn't shake it. And it ate away at my desire to play music. It took the joy out of something that once gave me joy.

You see the connection?

Levi struggles to find pleasure in anything he does, despite how many interests he has, because, in spite of his blustering dismissal of all things "normie", he is deeply envious of those he perceives as his social superiors. Now, I am not in any way saying that Levi is or would be an inc3l, but there's an element of his character that has a strong parallel to inc3l culture. The idea that there is something fundamentally wrong with him that prevents him from achieving what he wants socially and that the only way he can protect himself from those who would ridicule him is with a defensive contempt for the group that rejects him... Does any of that sound familiar?

But Levi is not an inc3l. No, not because you're willing to **** him and his two *****, though I'm sure that helps. It's because he has his core virtue: hope.

Have you ever heard of the black pill? It's kind of like the final stage of inc3l culture, where you accept that you're not an alpha male, you'll never be one, you'll never be accepted by a woman, you're ugly and unloveable, and you might as well just stop existing. It is sheer despair.

Levi maintains hope for the future, even if he prefers not to admit it out of fear of jinxing himself. He is able to form a deep bond with MC, who he views as a "normie", without renouncing his hobbies or being mocked for them. In fact, I would argue that the anxiety Levi sometimes displays over the possibility of being made fun of (for example, in NightBringer when he considers trying out cosplay) is emblematic of the hope he has that he can be accepted.

"But wait, daytaker," you say. "That doesn't sound like he's making progress towards his core motivation of getting joy out of the things that bring him joy! Being self conscious is not joyful!" Well, you're right. What Levi needs is to somehow find the right balance between enjoying his hobbies and allowing himself to enjoy other people as well. As we can see from his effusive excitement in sharing his favorite games and stories with MC and his brothers, the social component of media consumption is a major component in making it enjoyable. If Levi loses hope, he loses that connection to the world offline, and if he loses that connection, he loses the joy.

@blackstqr (I did it.)

#obey me #obey me leviathan #dthc #obey me luficer #obey me mammon #long form #jesus fucking christ #i censored inc3l just to avoid being searched by any undesirables #starts out like an academic paper and ends like me drinking a beer and pointing at my phone #wow guys it's so deep #obey me headcanons #obey me scholarship #obey me nightbringer #text post #hc #hcs #lucifer #mammon #levi #is this satire? i don't even know anymore #i almost did satan too but i got like 3 sentences in and said nope #levi thoughts #mammon thoughts #lucifer thoughts

[feralmoonlight]

Foooound you~

#SB Moon #moondrop #fnaf #security breach #daycare attendant #why is moon so fucking fun to draw in all his gremlin poses #christ almighty he keeps pushing my anatomy knowhow in ways that idk how to explain #but for some reason it's so much easier drawing lanky clown boys than actual freakin humans #brain come on please work with me #but also good shit #hiding in the junglegym cages is not safe #he got long reach with them arms #you know it #gonna get cha #there is no escape unless he lets you escape #feral scribbles

[ex0rin]

Your canary--?

The Boys S02E05: We Gotta Go Now

#no no it's fine i'm fine thanks for asking #butchie #hughie campbell #billy butcher #the boys #jack quaid #karl urban #cara gifs #they're in a toxic relationship your honour #also three gifs for hughie trying to get the words out #boy needed THREE GIFS for those long pauses #and brokenboi expression #christ babygirl you've got it so bad #AND YOU TOO BUTCHER #jesuschrist #don't think i don't see you fucking pining

[blueskittlesart]

Hi! Feel free to ignore but out of curiously do you got to MICA? Was just wondering based off your previous comments about the obnoxiously long 5 hour crits (those were the norm there) and the teacher who taught ND Stevenson. I went to MICA with him (year below) so your posts just made me wonder if you were going there too.

i do!!! i generally really love it here aside from some uh. quirks let's call them. but i'm in my 3rd year rn majoring in illustration with a seq arts minor, and one of the major reasons i applied to go here is bc nd stevenson was one of my biggest inspirations growing up!!

#it's also very convenient for me bc i was born and raised in a town abt 45 mins away from bmore #but the fact that he went here rlly sealed the deal when 17 year old me was looking at art schools lol #i truly think this was the best school for me out of the ones i got into. which. to be fair. was all the schools i applied to LMFAO #i thank christ every day that SVA refused to give me any more than $20k financial aid bc the stories i hear abt that school now are AWFUL #asks #also ykw if 5hr crits used to be the norm at this school that explains why that one prof still does them #but the thing is THEYRE NOT THE NORM ANYMOREEE at least not in the illustration dept!!! #ive NEVER had crits that long in illustration dept classes and ive been taking multiple classes a sem in this dept since freshman year #ughhhhh someone NEEDS to tell her that times have changed and it CANNOT be me

[corviiids]

(inspired by your earlier post about if L accused Sayu of being Kira) How do you think an au where Sayu got the death note would play out?

amazing question. i wrote so much more than i thought i was going to im so sorry. tl;dr i don't think the ultimate plot would change much but the beginning would sure be interesting.

i think if sayu found the death note, she would tell light before anyone else. he's clearly her most trusted confidant. light would tell her not to worry because it's clearly some chain letter shit but because she's clearly frightened of it he'd offer to hold it for her and get rid of it so she doesn't have to think about it.

now whether ownership officially passes to light at this point might depend on the specific wording they use. if light says 'hold onto it for you' or something to that effect it would likely just be sublet to light (wording from rule 13) - for our purposes im inclined to go with this version of events but i note the rules are really ambiguous on what the specific requirements and conditions are regarding ownership.

(i keep wanting to go through and do a full review of all the manga rules from like. almost like a statutory interpretation kind of lens but that's a stupid project i need to convince myself out of lmfao jesus)

hey this got really long and complicated. i thought it was going to be simple but now im going through branching possibilities literally for the sole purpose of analysing the rules so let's put the rest under the cut. click for me citing specific death note rules in the middle of my work day i guess GOD. you can also scroll to the bottom if you want to skip me talking about death note rules and just see my projected course of events

the issue of ownership actually doesn't matter that much at this point for reasons we will see but might change things a little bit down the road (see below re: ryuk and discussion of rule 47). let's go with the sublet thing for now and assume sayu is still the owner of the notebook but light is holding it.

light keeps the book, sayu tries not to think about it and fails. light can't resist testing it without sayu's knowledge. light meets ryuk. i note rule 13 states the death god will stay with the owner of the note. since light and sayu are in the same household (ie geographic distance is not an issue) and ryuk would find light more interesting, it's a coin flip which person he'd show up to (probably depends on the degree to which shinigami are bound by their rules which i don't have access to and can't review lol). let's assume for now that ryuk meets light first just for ease, but i will come back to this later because i actually prefer him showing up to sayu first while light is holding the notebook.

in the version where light meets ryuk first, then depending how forthcoming ryuk is with information, either sayu sees ryuk before light realises that's a risk or light realises sayu will see ryuk before she actually does. im leaning towards the latter because in canon light finds out in this order:

people who don't have the note can't see ryuk (when his mother comes into the room during their first meeting)

people who have touched the note CAN see ryuk (when sayu comes into the room asking for help with homework some days later)

so in this au, between events 1 and 2, light would realise that since sayu has touched and owns the note, she'll be able to see ryuk. i think light at this point would ask ryuk if there's any way to undo that effect at which point ryuk should inform light that forfeiting the note will allow sayu to stop seeing ryuk.

ok, now let's backtrack to before and say instead of light, ryuk shows up to sayu first. ryuk appears, sayu screams, ryuk informs sayu that light has used the note. light comes running because sayu screamed. light again in this timeline immediately demands to know how to get sayu out of this situation, partially because she's freaking out and partially because he's already pondering the possibilities and absolutely needs sayu not to know about any of this. she is already hysterical because hey, did this monster just say that her big brother killed someone?

ok here's where i got into a rabbithole digging through the rules for a loophole because i found a problem. (it's ok, i found one.)

we know a death note can pass from person to person because it happens in canon multiple times. we also know that losing the death note will erase your memory of the note (rule 22). where it gets interesting is that rule 47 provides that you will only lose your memories of the death note if you actually used it:

[...] You will not lose memory of the Death Note, for example, if you merely owned it and had not written anyone's name. [...]

you won't be able to see the shinigami anymore, but you'll still remember the notebook. not good enough for light - he needs sayu to forget completely or she'll be traumatised and he'll be compromised, especially because now she knows he used the notebook which makes her a liability. light now has two thoughts

he could ask sayu to kill one person using the notebook and then forfeit it so she doesn't remember the crime and can be free of the notebook forever, or

see if the shinigami can offer any other options.

1 is an interesting place for light's mind to go, but he goes with option 2 first because sayu looks like she's going to have a panic attack. luckily, there is another option, and we know ryuk is aware of it because of the events of the a-Kira story - this is lucky because even if a rule existed there's no guarantee that the shinigami know about it as ryuk demonstrates multiple times. (they also don't need to tell their human any of the rules at all - rule 4.) lmao. anyway im talking about rule 67:

Regarding the memories mentioned in Rule XLVII, the owner can have their memories of the Death Note erased if they so desire.

(well, it's more like 67.1, because there are three completely unrelated sub-rules in this rule. kind of justified because we know rule 67 was a last-minute amendment but seriously who fucking drafted these rules in the shinigami world i'd like a word)

under rule 67, sayu could forfeit the death note and willingly have her memories erased without needing to kill anyone. light asks sayu to do this and promises he won't kill anyone else with the book and that he'll burn it as soon as she's forfeited her memories.

sayu trusts light so much that she does not ask why he doesn't just burn it now. she forfeits the book and forgets the death note ever existed.

i think from that point everything else goes the same way it does in canon.

tl;dr, again - my projected course of events, preferencing the branches i personally find most likely:

sayu finds the death note

sayu tells light about it

sayu sublets the death note to light, remaining the note's official owner

light tests the death note without sayu's knowledge

ryuk shows up to sayu and informs her that light has used the death note

light joins the conversation and demands to know whether sayu can be rid of the notebook

ryuk informs them sayu can forfeit the notebook and will no longer see ryuk, then states anyone who's killed with the notebook would lose all memory of it once they had done so

light correctly infers that by default, your memory will remain unless you have killed with the notebook.

light realises he needs sayu to lose ALL her memories of the notebook, both for her mental health and because she knows he's killed someone with the notebook and is a liability

light briefly considers asking sayu to use the notebook once before forfeiting it

light dismisses this as an option

light asks ryuk if there are any other options

ryuk reluctantly informs light that yes he can erase sayu's memories of the notebook if she willingly chooses it

light convinces sayu to give up her memories and the notebook and promises he will destroy it

sayu trusts light and doesn't push him to destroy the book in front of her

sayu gives up the notebook and her memories

light becomes owner of the death note

story proceeds per canon

#jesus christ im so sorry this got really long #asks #rookposting #death note #thanks for asking! this was really fun to get into. #death note the series really presented me with like a long ass list of provisions to operate around #which is like. a candy store to me #long post #also note this is not nearly all the possibilities. this could have gone a few other ways as well but we've all been here long enough

[hellishgayliath]

This is a reupload of a past post of my pokefusions i drew a couple months back. The qualities weren't as clear as I’d like and I didn't understand how to organize tumblr posts back then. But now I fixed it so yay :D 

Part 2 / Part 3

if you have a fav one id love to know it in the tags lel

#pokemon #pokemon fusion #my art #christ this took soooooooooooooooooooo goddamn long to reorganize #im tired #i was heavy big into pokemon fusions before i got obsessed with rottmnt

[vivelarevolution13]

moving like a river of trouble crossing

Rating: M | Word count: 10,260 | Tags: Set in the lead up to and right at the end of CATWS, Character Study, PTSD, Grief/Mourning, Dissociation, Steve Rogers Needs a Hug (And A Friend), Wait No Not That One, Going Down Memory Lane, SHIELD Has Shitty Therapists, Horrible People Still Acting Like People, Captain America Politics, Natasha's Love Language Is Surveillance, Folks Trained For Violence Engaging In You Guessed It: Violence | Steve Rogers & Natasha Romanoff, implied Bucky Barnes/Steve Rogers, Steve Rogers/Brock Rumlow (non-explicit, but still reasonably fucked up by virtue of Rumlow being Rumlow)

(belated) fic for @catws-anniversary, day 2. Thank you so much for putting it together, guys! | march 27th theme: steve rogers | prompts: guilt, "it kind of feels personal" | part of a WIP to be published on AO3

and because I apparently can't help myself with the music-fic thing, playlist for this here

i.

Good morning Captain Rogers. It is 05:15 AM, EST. Up 'n' at 'em. Good morning, Captain Rogers. It is 04:41 AM, EST. Would you like me to set the blinds to a lower density? Don't you nuh-uh at me, sunshine - get your lazy ass out of bed. You're gonna be late. Good morning, Captain Rogers. I understand you are under some duress right now, but please do not be alarmed. It is 2:32 am, EST. The year is 2012. You are in New York City. You are safe. Please try to take a breath. Would you like me to call anyone?

Good morning, Steve. Good morning. You're gonna be late. You awake? You awake yet?

Sure. Sure, he's awake.

That afternoon he packs his bag, the single duffle that fits all of his earthly possessions. He tries to ignore the vaguely smug tone of Fury's voice when he tells him they already have an apartment set up for him in DC: ten minutes from HQ, real convenient, and has he ever been to see Lincoln Memorial? He'll love it, it's a nice spot for a walk, especially in the summers, or so Fury's been told.

Steve's been to DC, but he's never beeen to the memorial, never seen much of the city outside the confines of the hotel the USO booked for them. He thinks he can count the grand total of places he's gotten to see up close on his right hand, and half of them were in the European Theatre. The other half he's running from now.

He's sure it'll be grand, he tells Fury. Beats the smell of moldy brick in the heat and a patchwork city manifesting ghosts out the corner of his eye, he doesn't say. ii.

They get him a therapist as a part of his onboarding at SHIELD. It’s due diligence, they say, in the aftermath of New York – someone to help him transition into his new role. But it’s been almost nine months now, and Steve’s learning their language, the words that get caught up in between all the red tape: saying assistance when they mean overwatch.

“This is supposed to be a safe space, not an interrogation,” the woman says at the start of her first evaluation, meeting all of his unease with a reassuring smile, and something about the misplaced quality of it puts him on a knife’s edge.

He only pieces it together the second time he’s called in to meet with her, when he's a bit more clear-headed and a whole lot more impatient than during their initial encounter. It only takes a few perfunctory exchanges before he starts registering the image as a whole: the painstakingly nonthreatening, gentle demeanor, the conservative clothes she’s wearing; the pale complexion and the sharp features and the unmistakable lilt to her voice, soft and rolling and decidedly more old country than east coast.

It would feel almost perverse, he thinks from a distance, if it wasn’t already painfully transparent and tactically inept to boot: this attempt at the same trick that didn’t work in their favor the first time around. He supposes he can’t blame them for trying to fill in the gaps between what they could scrounge up from paper and old photographs with something predictable and comforting, something expected of his background and what is now probably regarded as an antiquated time period.

He also knows that going off of little information when dealing with a potential threat is dangerous. What’s even more so, he thinks as he nods politely along to the lady's explanation of their work together, is believing you know more than you do, and that’s the easiest mistake to exploit.

Here's a fact probably still recorded somewhere on a faded death certificate: Sarah Rogers never lived long enough to get gray in her hair like that.

Here’s another, probably only still recorded in his memory and nowhere else: his mother had been fiercely caring, yes, and compassionate to a fault, but her kindness had never translated to docility, and it sure as hell had never translated to softspoken dishonesty.

So when the shrink bearing a near-painful resemblance to her starts asking incisive questions enshrouded in unoffensive words and indulgent tones, Steve packs his entire reality into a series of half-truths without batting an eye and doesn’t feel an ounce of guilt.

Yes, he’s eating. Yes, he’s sleeping well. No, he’s not on edge – sure, it gets hard, sometimes, but exercise helps, meditation, music. Going out into the world, meeting new people. Trying new things. Yes, he’s ready to be back in the field. No, not so much so that he’s itching for it. Yes ma’am, he’s doing fine, just fine, thank you for asking. iii.

“I heard Hannah’s single,” Romanoff's saying, and it’s not the first time his brain is latching onto the fact that she’s keeping pace with him without losing too much breath, without any discomfort in the cool air that's just starting to roll in as fall bleeds into the city, painting it in darkening evenings and dimming colors. “You know, from forensics? Glasses, leggy, science-y type. Blonde – you like blondes, right?”

“I’m starting to think you only have one thing on your mind,” Steve pants, pushes harder ahead until his calves start burning, just to see if she'll allow herself to follow. Keep moving, keep moving. You awake yet? “Gotta admit, it’s making it kinda hard to enjoy all this quality time we spend together.”

“What, you’re going to stop inviting me on runs? Aw, Rogers. Break a girl’s heart, why don’t you.”

“It’s not really an invitation if you just show up without me letting you know where I’m going, you know.”

She shrugs. “I needed to burn some energy, and you’re not exactly the most unpredictable person in this city.” Her ponytail whips over his shoulder as she follows his sharp right turn around the War Memorial and passes him towards Constitution Gardens, too close and competitive. “Brunette, then? There’s a girl in operations, real tough, good with a gun – at least your propensity for that type has been well documented, but I guess you didn't really have enough time to enjoy it, y'know, all the way –”

Steve knows she’s talking about Peggy, he does. It doesn’t help the hard-wired alarm bells going off in the back of his head any. He digs his heels in, skids to a stuttering halt over the wet pavement, and somewhere in the back of his consciousness he’s quietly pleased that it catches Romanoff off guard a little.

“What, too far?” she jokes, but her eyes are quick over his face; cataloguing the boundaries, the places she can still push.

He's sure it's well-meaning, as much as a blatant handler can get. But some habits are just harder to shake than others. That, he's intimately familiar with.

“If I say yes, will you stop? Or at least stop tailing me?”

“I don’t tail you. That’s below my paygrade,” she says, mouth quirking up at the corner like that’s all the punchline she needs as she types something into her smartphone. “I’ll text you her number. She likes spicy food and old movies.”

“Sure, fine. Great.”

“It is. You'll see.” The phone disappears back into one of the many hidden pockets of her skin-tight leggings. The marvels of modern technology, Steve thinks. Natasha quirks a challenging brow. “Now can we start the actual run finally or have you reached your limit, grandpa?”

He's all but ready to chicken out of the date all week, fighting the urge to cancel at the last minute, but he figures the girl doesn't deserve his bad manners just because he feels like spiting Romanoff when she tries to play his puppetmaster.

In the end it goes...surprisingly well. As Romanoff described, Lina’s beautiful and sharp and a little closed off, tough as nails and maybe even more rigid in her approach than him, but once they get over the initial hurdle of awkwardness and expectations the conversation flows with relative ease. They swap the basics, they talk interests and habits and what moving to DC's like, fun little stories from growing up; he tells her about the butcher on his block when he was a kid that kept a rooster in the backyard, and she tells him about the kid on her floor at community college that set the dorm on fire trying to boil an egg. They talk SHIELD and her work training the new recruits and there’s a spark in her eye as she dives into giving him a breakdown of what he should look into, BJJ and MMA and gyms around town that would be discreet enough to take him in.

“SHIELD’s got plenty of hand-to-hand experts,” she says in a pensive tone over the dessert, “but it can get a little…”

Steve chuckles around his spoonful of the sticky rice, the sweetness of the mango across the back of his palate soothing the previous burn of the spice. Turns out he likes Thai food, too. Who would’ve thought. “Intense?”

“Testosterone-riddled, I was gonna say,” Lina grins, conspiratory. “And paranoid. Not the best scene if you just want to learn,” and he nods along because it’s true, and because it’s a relief to have someone else say it for him.

So it’s nice, and sweet, and ultimately entirely impersonal. He walks her to her door and she gives him a kiss on the cheek, and when she explains how she’s not really looking for anything right now her dark eyes are warm and honest but not overly apologetic. It’s a gesture he’s grateful for.

“Besides, not to be blunt, but you don’t seem all that…” She trails off, waving her hand.

He winces. “Interested? I am, really, but...” And that’s just it, isn’t it. He’s interested; she’s wonderful, just his type, seems to like him well enough. But.

“Look, I get it. We’ve all been there. Can’t really avoid it in this business.” She shrugs as if to say what can you do, smiles up at him knowingly. “Wrong place, wrong time, right?”

And Steve thinks, yeah. Yeah, something like that. iv.

“–piece of shit, every time, wet sand all up in the fuckin’ thing. Goddamn Kandahar all over again,” Rumlow’s muttering, agitated and half to himself, and Steve doesn’t ask about the last part, just dumps his own gear on the rack and drops down onto the bench. They might be friendly, but they’re not friends – Rumlow doesn’t owe him his history. “I get sent to the fuckin’ desert in this weather one more time, I’m gonna start missing New York winters.”

The jet’s engines hum at his back, adrenaline leaving his body in slow pulls as he watches Rumlow work, notes the intermittent scarring over his hands as they strip the jammed gun down like it’s muscle memory, quick and capable. There's not a spot on him that seems unmarred, really - the scars are a continous, scattered motif up to his face, moving faint in the dim light of the jet.

Loved being in the ring, he'd said once with a wry grin, as far back as I can remember. Might've gotten the shit kicked out of me more than was strictly necessary, though. Accounts for me ending up here, in any case.

He’s drawn this exact scene, it occurs to Steve before he can push it away; down to the boxer's shoulders, down to the complaining, and more than once.

“You from the city?” he offers, an easy distraction that Rumlow seems grateful for.

“Yeah. Yeah, born and raised right off of Arthur Ave.”

“No shit?”

“Yep. Good old Belmont.” He looks up, gaze turning sharp at whatever he catches on Steve’s face before he can look away. “Wouldn’t think you’d know where that is. You ever even been past Central Park?”

Steve gets a flash of washed-out color and brilliant light, of Art and Charlie and the rest of them from the Y dragging him up to Harlem; thinks of the queens with their elaborate glamour and loud, unapologetic laughter and that last wet spring before the cops started shutting everything down, of stumbling tipsy towards the A down 155th Street with empty pockets and Jeanie giggling into his shoulder about some honey-eyed daddy that gave her a sweet kiss goodnight. A well-insulated secret, a fleeting memory of feeling like he could swallow the world whole.

It’s not what Rumlow’s talking about, he knows. He nods anyway.

“Loved that neighborhood. My folks moved us out to Staten when I was in high school, though,” and Steve must make an involuntary face at that because Rumlow chuckles and says, “Alright, tough guy. Not all of us had the privilege of living within two blocks of Prospect Park.”

“Neither did I, but it sure beat Staten," Steve snorts. "And it wasn’t even as much of a privilege, back then.”

“Yeah, I think you’ll notice a lot of things’ve changed.” He tilts his head, scratches contemplative at his stubbled chin. Steve wonders if he’s projecting the bitterness in Rumlow’s voice. “A lotta things’ve gone to shit in that place. Food’s still way better than fuckin’ DC, though. Not nearly enough Italians over here.”

“Yeah. All that white marble and not a single decent, roach-infested deli. Real shithole. Should put that on the tourist brochures,” Steve says after a moment, testing the waters. It gets another laugh out of Rumlow, low and maybe a little surprised, and the sound settles like molten lead in Steve’s stomach, grounding. v.

One morning in November he gets a phone call from a Washington Post journalist asking for his statement on the newly planned Captain America exhibit, and then in a blink-and-you’ll-miss-it feat of persuasion it’s three days later and he’s somehow been roped into a grand opening ceremony, a speech and a press conference at the Smithsonian.

It lasts for-fucking-ever.

By the time he's back in his neighborhood his ears are ringing with leftover noise and applause, his cheeks sore from a constant smile that'd felt more like a slashed tire than a friendly gesture even as he was forcing it. He'd reverted back to the Best Foot Forward, Always mentality of the bonds circuit quick enough - but at least back then it felt like it had a marginal purpose, no matter how flimsy or false. Back then it didn't drain him this much, he doesn't think, no matter how frustrating. Best Foot Forward these days feels more like sleepwalking his way off a cliff than anything else.

The second he's through the door he shrugs out of the tie and starched shirt chafing at his neck, tries not to think about how he still would've preferred all the commotion and the pretense to the unfamiliar silence of the otherwise big apartment building. Tries to give the feeling resurfacing in him now that he's got attention enough for it a name other than unbearable.

Here's the thing: pain, Steve knows on an intimate level, is something you get used to. It's not to say you forget it exists completely: you just subsume it, you learn to expect it. It’s less about it becoming a habit and more that it becomes a part of you when you’re not looking: fills up all the empty crevices it can find and creates a mold, and that’s the shape you start to take if you live with it long enough. The problem with that is that the longer it goes on, the less space in you there is for other things.

He was five the first time he got really sick. It'd started simple enough – the winter of ’23 came early and sudden, and New Year’s Eve found him in bed with a fever that earned the dreaded prefix scarlet soon enough when the spread of dotted red started taking up more and more space on his body. He'd spent two weeks feeling like someone's dangling him off the edge of the unknown, and much longer than that after with his mother's watchful eyes following him from the window whenever he left the house, like she couldn't force herself to look away.

But he made it. Despite all indications, little Stevie Rogers didn't die, and it was a miracle with a capital M. All he had to do is make peace with having a somewhat faulty heart as a keepsake of his survival and maybe never playing for the Dodgers, which is not to say it stopped him from trying.

But then next year it was the whooping cough so bad it cracked a rib, then his left ear giving out on him after a prolonged sinus infection, then the asthma he barely even noticed amidst everything else until it layed him out flat midway through a game of stickball bad enough it landed him in the hospital. The minor league dreams dissolved fairly quickly after that.

In ’25 he missed more school than he attended. The kids from down the block came round to call on him less and less, and it wasn't too long before they forgot completely and it was just him and a handful of toy soldiers left, with names like Joe and Jack and occasionally if he allowed himself, Steve. Their neighbors started smiling at him more. The grocer started handing him a fistful of candy under the counter every time they came in, looking at his mother in a way that said sorry for your loss and that Steve hated with a passion, least of all because he couldn't even enjoy the pity because hello, here comes diabetes. Then it was the pernicious goddamn anemia and months and months of the liver-fucking-everything diet followed closely by its sworn enemy the ulcers, and then the growing pains, and then the bad back, and then the bum joints –

Here’s the thing about pain: the longer you carry it, the more you forget you’re doing it in the first place. You ignore it because it’s the only way to survive it, because what the hell else are you supposed to do? And that’s when you start thinking you have it under control. You start to think you’ll be ready when it comes for you again.

Here’s the other thing about pain: you’re never ready. It comes as a surprise each time. He wasn’t ready in ‘30 when the neighborhood suddenly started reeking of despair and death and he wasn’t ready in ’36 when his ma went and he wasn’t ready in ’44 when he got shot in the neck and thought oh, so it can still hurt like this. I can still bleed.

Then '45 rolled around and a new thought followed, a miserable dot at the end of a sentence: maybe bleeding out would've hurt less. At least it would've made us even.

None of that experience and understanding stops him feeling it now, again, still, like an interrupted line from that first fever chill to here, standing in the middle of his living room with a glossy brochure full of dead faces in his hand and an exhaustion so deep it roots him to the spot.

And then there’s the anger, of course: equally familiar but much more muted, less expressive than it used to be, dancing around the edges of everything else. He looks back down at the crumpled pamphlet, to where the folded-unfolded-refolded creases cut through the title:

Captain America’s team: the top tier of the World War II effort and a leading example of integration! 

As if they were somehow Captain America's or even the US army’s to begin with; as if it was encouraged and Steve didn’t have to stand around in moldy tents arguing his brand-new, star-spangled ass off with Major Whatshisname and Colonel Whoever-the-fuck for days on end just to keep them eating in the same mess hall and sleeping in the same barracks. Nothing about any of the ugly parts, about the blood and the bureaucracy and the bullshit. Nothing about any of them, either - no mention of Dernier's politics or Gabe's professorship or Morita's writing. Not a single inch of space left for their families or their own stories except as a footnote in Steve's own, a way to make it picture perfect.

Nothing about Bucky other than the barebone facts: he was Steve's friend, he was a good soldier, he died. The meat and blood and soul of the person, left out; the fact of whose fault it ultimately was, conveniently gone.

And that name – the Howling fucking Commandos. The bunch of them would’ve busted a rib laughing at it, laid out all grandiose like that. For one, it’s still as ridiculous as it was back then – sounds more action novel than historical account and distinctly less bureaucratic and arbitrary than the Specialized 107th, which is what they were strictly called in the paperwork. Personally, Steve always thought that out of the variety of nicknames they’ve been awarded, the Invaders was by far the most fitting. Truer to wartime, to what it was they really did, and far more threatening if it ever reached the other side of the line. Then again, from what he’s gathered so far, it seems like America’s done far more than its fair share of invading since. It definitely accounts for the 180 degree change in branding.

Turns out it’s still all about selling comic books and war bonds. And Steve, too caught up in his own sorry wallowing, is just going along with it.

Jesus, he thinks, the tone of it coated in a wry, familiar voice nestled in the back of his brain but much harsher than it ever was in reality, drop the philosophy for one goddamn minute. Anybody ever tell you idle hands are the Devil's playthings? Get moving, Rogers. Trade the speeches in for something useful.

So he does: chucks the paper into the empty white fruit bowl collecting dust on the countertop, turns the TV on to a random channel to break the silence. He doesn’t recognize the title of the movie playing but it’s soothing, the background awash with static and the accents just familiar enough to make for pleasant white noise. He heats up his leftovers, sprawls out on the couch and gets to reading the reports Fury had unloaded on him, tuning in every so often to the witty back-and-forth dialogue. It’s maybe half an hour of squinting at indecipherable bureaucratic jargon before he finally gives up, lifts his head to rub the sleep from his eyes.

One of the men on screen – Nick, Steve thinks, or maybe that one’s Mikey, he hasn’t been following along all that well, to the work or the film – is trying to dissuade the other from visiting his mother’s grave in the dead of night.

It’s 1 in the morning.

That makes it nicer.

It doesn’t make it anything, Nick. A grave is a grave. There’s not a religion in the world that says a person’s soul is buried with them in their grave, the man argues, and it’s like whiplash pulling him out of the serene lull, the memory of a name over a plot in Greenwood he’d never gone to visit, and he thinks, a little disoriented – of course there’d be no soul in that patch of land. The grave itself is empty.

They’d given him reports in the beginning, too: a neat stack of papers, most of them stamped DECEASED in glaring red letters, and the single mocking MISSING IN ACTION. At the very end there’d been a laughably short list of contacts; among them a phone number and address for one Rebecca Barnes-Proctor.

God help us all, he can imagine the voice of George Barnes saying even now, jokingly abject, our Becca’s married a Proddie.

But there had been briefings, then, and the shitshow over Manhattan, and in between all of that the days where he couldn’t even find the will to leave his apartment block, let alone go to Brooklyn. Over and over, he’d given himself the same excuses as with Peggy – it would be too much, too soon, too selfish to usurp her life like that.

Of course, the truth of it all was much simpler. All too cowardly, too, in a way that has the guilt blooming with a vengence somewhere in the pit of his stomach: he didn’t have the guts to look Bucky’s baby sister in the eye, no matter her age, and say, I’m sorry you didn’t get a body to bury. I’m sorry the one time he needed it I didn’t do the job he spent his whole life doing for me. I’m sorry I left him behind when it should have been me down there in the first place.

He watches the two men stumble around in the muddy dark of the graveyard and yell and bicker in a way that strikes Steve as bitterly melancholy, the familiarity of it unmooring.

Mike, y’know what? Now that I’m here, I don’t know what to do, Nick finally admits at the foot of the tombstone, wild-eyed and devolving into a rambling laugh, and ain’t that a kicker. Welcome to the club.

It’s very hard to talk to a dead person, we have nothing in common. Hi, ma.

Nick, you’re making me forget the kaddish, Mike chides with mounting frustration as Nick keeps giggling and it’s not funny, it’s really not, the whole premise of it deeply morbid, but Steve finds himself laughing right along with Nick’s hysterical hiccups, his childlike plea of I don’t wanna die, ma.

You don’t get a choice in the matter, his own mother had told him when he was maybe 8 or 9, faced with the concept of death the first time when Mrs. Kowalski from 4C got sick, if that’s the way the chips fall, then that’s God’s will. But what matters is the middle, what you choose to do with it. Do you understand?

He didn’t, really, not back then, and ten years later when they’d lowered her into the ground all he could think was: what is the point of it, anyway, of all those right choices, if all that happens is you end up dying alone?

Steve hadn’t been, of course. For all of the isolation he’d felt during those last few months of his mother’s illness, he’d never been really alone. There’d been the Barnes’ and the old ladies from church and even some of the folks Sarah had helped treat at the hospital coming by and Bucky, Jesus Christ; Bucky crying at the funeral and saying kaddish for months like Sarah was his own and letting Steve rage and lash out until all the fight had drained out of him, his arms like a vice around Steve’s shaky frame.

And there’s the actual goddamned truth, he thinks, bone-weary. The only truth that matters, the one that’ll never get written on any museum walls: Steve was only ever as strong as the people propping him up.

I think that’s the reason we’re such good friends, Nick is saying to Mike when he tunes back in, and Steve’s not laughing anymore, hasn’t been ever since his throat had gone tight a long few minutes ago, because we remember each other from when we were kids. Things that happened when we were kids that no one else knows about but us. It’s in our heads. That’s how we know they really happened.

What are you talking about? I know what really happened when I was a kid.

Yeah, but no one else does, Nick says, painfully earnest. I mean, everyone we knew as kids is dead.

He shuts the TV off with a soft click, waits a long while before the heartbeat pounding in his ears has settled. Thinks about what it really means, then, to embody the final resting place of all your ghosts.

Maudlin, Bucky’s voice echoes in his head again, fills out the crevices of the silent apartment like a slow bleed. Always gotta be so maudlin, Rogers, like you’re Scarlett O-fucking-Hara. Just get up. Get up, Steve, c'mon.

“Yeah,” Steve sniffs, wipes a rough hand over his eyes; laughs again because it’s a damn joke, all of it, and he can afford to lose the plot in the privacy of his own home. “Yeah, fuck you too, asshole. Go haunt somebody else.” vi.

"Heard you had an eventful weekend," Rumlow comments when they all pile into the locker room the following week, a little roughed up and beat and stinking of iron and sweat but otherwise in decent spirits. "Seemed like a good time, all those pretty girls throwing themselves at you to shake their babies and kiss their hands or whatever."

"Shows how much you know. The pretty ladies were all balding men over the age of 50," Steve says, only half-joking, shrugging into his civvies with a wince. There's a cut on his side where he fell a little too close to a protruding piece of rebar that's already reopened twice by the time they've gotten off the jet, but despite the sharp sting of it he's feeling better than he did just a mere twelve hours ago.

Idle hands turns out to be true enough. Wryly, he thinks he might owe sending an apology up to Sister Andrea, although he figures anyone that enjoyed using a ruler on little kids that much wouldn't have ended up in Heaven, anyway.

"But sure, it was alright. A little too much attention all at once, if I'm being honest."

"Oh yeah?" Rumlow huffs. "Big talk coming from someone who dresses like you do. I hope you didn't show up there wearing that."

Steve frowns down at the faded jeans, the fitted grey shirt – one of many pairs that came with the closet in his apartment. It rubbed him the wrong way, at first, but it's easier in the end; not having all that wide array of choice dumped over his head all the time. "What's wrong with my clothes?"

"Nothing. I just get worried they're gonna start cutting off blood flow at some point, y'know," Rumlow grins, his teeth very white in the bright fluorescent lights. "God forbid we go to a bar one of these days, I'd have to mind every creep from here to Dupont tryna get a peek down your shirt."

"Fuck off," Steve huffs, feeling heat flush down into his neck despite himself. Yeah, blood flow really isn't the problem. He gestures at Rumlow's own undershirt, all slick black and skin-tight, motion packed in. "Look who's talkin'."

"Yeah, but I don't dress like this out there. This is all for you guys," he yawns with a stretch, all exaggerated bravado. "I got one of those, y'know - work-life balances. Out there I clean up nice. You, I imagine you sleep in that shit."

Steve snorts. "You'll be happy to know I clean up just fine. Got the one suit and everything."

"Is that right? They get you decked out in some bespoke threads for the parade, Cap?" He chuckles at the face Steve makes when the word bespoke fully registers. "See if I believe that without any evidence."

Steve digs out his phone reluctantly. He does have pictures, is the thing, woke up the next morning feeling like a sack of potatoes tossed from a great height just to see his phone light up with an email from SHIELD's HR with an attachment sent over for approval - like he was a celebrity ending up in a tabloid, he thinks again with distate, like he should care much either way what he looked like. He thumbs through his email to the one labeled FOR YOUR CONSIDERATION, and shoves it over at Rumlow before he drops onto the bench to sort out the rest of his pack.

"Looking good, you weren't kidding. And the mural's all heroic," Rumlow comments lightly as he scrolls through. "Wait, don't tell me - the little mustachioed, scruffy looking one is the frogeater, yeah?"

Steve laugh comes easier this time. "The little mustachioed, scruffy looking one would've kicked your ass six ways from Sunday if he'd heard you call him that. Yeah, that's Dernier. Gabe, next to him," he lists, trying not to think about how it comes across that he's memorized the order, "Dum Dum - he didn't like that nickname, either - Bucky, Monty, and Morita."

"Sure were big on callin' each other everything other than your names, huh?" The joke is followed by a stretch of quiet, and when Steve looks back up Rumlow's frowning at the phone a little, a flicker of uncertainty over his face that Steve doesn't get to figure out before it's gone. His face smoothes out into a mostly neutral expression, an undercurrent of something unnerved and white-hot, and Steve can't help himself.

"What?"

Rumlow passes him the phone back with a shrug. "Nothing, just - haven't seen those pictures since I was in high school," he says, a little distant like the memory's faded to oblivion since, and hell if Steve'll ever stop finding it strange that all of them ended up in dusty old school books, long obsolete. "Long time ago, now. Guess I just remembered all of you being much older, is all."

He leans back against the wall of lockers, pensive, watches Steve fumble with the zipper of his hoodie where it keeps sticking for a minute. "You must miss it, though. The good old days. Your people."

Steve clears his throat, yanks at the cheap piece of plastic again. The fit and cut, he might've gotten used to - but he'll never get over the waste; just how quickly everything falls right apart in the future. "Yeah, well. Like you said, it was a long time ago."

"It was, wasn't it. Longer for some than others, though," he says cryptically, and Steve really has nothing to say to that that won't land him right back where he was two days ago. He doesn't have to, in the end, because Rumlow throws a curt nod at his front, and it takes a second too long for him to interpret what his zeroed-in expression means, to register the dotting of blood through the thin fabric of his shirt. "You're bleeding all over the place again."

"It's fine. Don't feel it much," Steve says. Something's different. What's different? Wake up.

"Sure. Never do, do you," he says, gesturing to the hoodie with a thoughtful expression that's inching away from the easy banter. "That shit's gonna stain, though."

"I was gonna throw it out anyway."

It should be enough, and in any other situation it would be. Any other situation he'd shrug it off with more conviction, Rumlow'd call him a tough guy with just the right amount of mockery, and the tension would pass. Except that Rumlow had to lead them into uncharted territory and Steve hadn't been quick enough to notice before he was flailing, too exposed.

Except that instead of a quip what he gets is Rumlow's stepping into his space, the casual slouch of his shoulders replaced with something more deliberate when he reaches for where Steve's hand is still holding onto where the teeth of the zipper have gotten all gnarled. In a heartbeat Steve's back to square one: keenly aware of the proximity and every inch of his body in the cramped space; back to that first day in the elevator with Rumlow's dark eyes turned on him with a questioning look and a twist to his mouth that said it's a pleasure, Cap but meant I've been here long enough - you don't impress me any more than any other kid I've seen this place chew up and spit back out.

It'd been enough to get his spine straightening of its own accord back then, too; the sheer challenge of it, pushing at the boundaries of hierarchy. It makes him want to pull away now, want to put the usual distance between them, to get the hell out of this stuffy locker room. Makes him want to push forward until he meets something immovable and solid. Want. want, want - too much and for things that were unreachable. That's always been his problem, hasn't it?

The sound of the zipper is too loud in the mostly empty space when it gets yanked loose, pulled up and over the slow spread of the stain, and Steve realizes with a start that he didn't notice the chatter die down as the few stragglers left the room. Realizes that he hasn't moved a muscle in a good minute, like a butterfly with its wing pinned.

Rumlow's touch lingers, just the barest pressure under his Adam's apple, and Steve's breath catches. Rumlow makes a considering noise.

He snapped a guy's neck with those hands not two hours ago: a thoughtless, instinctive thing in the middle of the ambush that was waiting for them. It's not that Steve's forgotten it; Steve's aware of it to the point of failure. It's just that it got bound up with everything else, the easy reliance and the ribbing bordering on rough and the adrenaline under his skin like a necessity.

Wake up.

Rumlow's eyes on him are sharp, a little curious. Less surprised than they ought to be.

Wake up, get moving, get out of sight. We've been here before.

Steve swallows. "Thanks."

"Sure." Rumlow steps back to hoist his bag over his shoulder and the moment breaks as quick as it came on, the whole uninterruped line of him lax and easy again, surface friendly. "Now you won't scare the guys at the front desk."

And then he's off down the hallway, leaving Steve to lean on the cool metal of the wall and do everything but think about the sudden feeling of being off balance, a little too tight in his skin in a way that only half has to do with the too-quick beat of his blood, the lingering smell of Rumlow's cologne.

vii.

Funnily enough, the Christmas gala almost slips his mind – an extraordinary accomplishment, considering that he spends most of December thinking up viable excuses not to go, dodging Romanoff’s questions and sideways looks with the agility of a man running for his life.

“We can hang out with the civilians. Break the record of how many weapons contractors you can piss off in one night,” she says one brisk and sunny afternoon when she manages to drag him out to a coffee shop barely across from SHIELD, the steam from her tea swirling up in billows to fog her opaque sunglasses. “It’ll be fun.”

“I don’t know any civilians,” he says, deliberately obtuse. It’s a joke; he can’t help that it’s also mostly true.

“What about Kate?”

It’s not a surprise anymore, really, that she knows everything about his life, that she has no problem making that clear to him when she wants to. He’s fine with it, he has to keep reminding himself. Maybe it’s a control thing, like when she acts like she’s not holding back when they spar, a holdover from some other life. Maybe this is the closest they get to trust, and it doesn’t matter. Much like the tails that he pretends not to clock, the check-ins and evaluations and this whole neatly preordained life someone else's drawn up for him – it comes with the package, and what difference does it make, anyway? It’s simpler like this. He can do his job, and if thinking that he’s a situation she has a handle on makes Romanoff feel better, then that’s fine, too.

“What about her?”

“You talk to her yet?”

“I talk to her all the time,” he points out. Natasha cocks her head, the rest of her expression as obscure as her shaded eyes.

“It’s for a charity. The gala.” She keeps switching lanes. Trying to get him to stumble, he thinks.

“Yeah, Ms. Potts said.” Two can play at that game. “You want a date so bad, why don't you pester Barton this much about it?”

“Clint doesn’t need pestering. It’d be good publicity if you showed, you know.”

He scoffs; there it is. “For what, the charity or Stark Industries?”

“So it is about Stark, then.”

He takes a sip of his coffee, over-sweetened and dark. 100% pure Colombian arabica, apparently, and with the price tag to reflect it. The acidic taste sticks at the roof of his mouth. “I don’t have a problem with Tony.”

He doesn’t. Stark’s a good man, he thinks, despite having inherited all of Howard’s arrogance and none of his approachability. Whatever tension was there in the beginning had dissipated, though, the second Tony plummeted thousands of feet from the sky after having, for all intents and purposes, blown himself up to save all their sorry necks. They’d broken bread, shaken hands, parted ways.

For the best, probably. Good man or not, Tony has a singular way of getting under his skin.

And then there’s also the fact that being in Manhattan just doesn’t feel right, not with the destruction still settling over everything like a cloud of noxious dust, the fenced off craters and leftover vigils scattered every few blocks like an improvised graveyard. Good morning, Captain Rogers. It is 4:47 AM EST. It is a new day. Do you see it? Do you see it yet? Are you awake?

It’s not new, this sense of loss: looking at the city and feeling grief, compounded.

“Not what I said.”

“What are you saying, then?”

“I’m saying SHIELD throws shitty office parties.” Natasha frowns and chugs half the scalding cup in one go before pushing up from the table, checking her phone. “I have to go,” she says, gives him a long look that he can’t really decipher, unusually lingering and far too serious by Natasha's standard. “Come to New York, Steve. Or at least think about it.”

viii.

He goes to see Peggy again, because of course he does. She greets him at the door with her most pleasant, polite smile this time, the kind reserved for strangers – Time for my medicine again, is it, darling? – but it’s alright, he understands. They’ve explained it to him, the good and bad days, how there’s rarely any constant. He’s grateful, anyway: just so grateful to have her around, as much as he can. Which is why he doesn’t flinch when she cries, when she calls for him like it’s been another seventy years, why he holds her brittle hand in his until she gets hazy around the eyes again and he feels a nurse’s gentle tap on his shoulder, hears her suggest that he come another time.

He takes the Harley out on the highway and drives aimlessly for the rest of the evening and well into the night, down and out and then back again until the traffic has thinned out to semis and the rare leftover commuter. He watches the speedometer kick up to 80, 90, a 100, the bike struggling, feels the rumble of the engine all the way up his spine when it skids unbalanced over the odd ice patch and thinks, grateful, grateful, grateful.

ix.

“You’re up late.”

“Hey.” Most of the building’s emptied out by now – he’d thought he’d find some privacy in the abandoned atmosphere of the holidays, and instead here Rumlow is when he was meant to be three states over, strolling through his periphery looking like he’s got nothing but time on his hands. “Thought you left with everybody else.”

“Nah. Had some business to take care of.” He settles against the wall opposite Steve, watches him shake out a one-two-three pattern that has the chain of the bag groaning. “Thought you’d be at Stark’s fancy party and putting that suit to good, promotional use.”

He never gets a chance to think about it, it turns out, getting called in two days before Christmas and ending up sending Ms. Potts – Pepper, please, call me Pepper – an overly apologetic, last-minute message excusing himself from the night. It’s a good call, in the end. The last thing he needs tonight is to be stuck in a room full of obscenely drunk, obscenely rich people expecting him to gush over the hors d’oeuvres and play at appearances.

He feels as though what he’s doing right now isn’t much different, though. It takes a whole lot of effort and posturing to dredge up a wry smile for Rumlow, anyway. “Well, it’s been busy here. Couldn’t fit it into my packed schedule.”

Rumlow snorts. He gets that expression on his face, sometimes, that same brand of amusement that makes Steve second-guess whether he’s actually in on the joke or just the punchline of it, that gets him hot under the collar in all the wrong ways. The punching bag chooses this moment to finally release its desperate grip on the physical realm, flying off the chain with one last pitiful creak and sending sand spraying across the floor. Rumlow’s eyes track the movement with unabashed fascination.

He walks over to the neat row of bags Steve’s lined up and picks one up with relative ease, a casual show of strength. “So you gonna talk about it,” he pipes back up, handing Steve the replacement, “or do I have to keep standing around here until you’ve run the rest of ‘em into the ground?”

“Talk about what?”

“Whatever’s got you shredding through these poor fuckin’ things at 11 pm on Christmas Eve.”

He wants to point out that he could be asking the same question – that there really is no reason for Rumlow to be here this late when he’s still technically on medical, to be in his usual tac clothes and looking as wired as Steve’s feeling. You ever take a day off? he considers asking, but that’d be prodding. What’s worse, it’d be hypocritical.

“Nothing, you know how it is – mission ran long. Had some leftover energy.”

“Yeah, Rollins mentioned you guys ran into some kinks.”

It’s not exactly the word Steve would use to describe the shitshow of that morning, utter failure avoided by a narrow margin because it was an old school lab, Christ, still had extracurriculars on the weekends and everything, and they just charged in half-blind.

It’s rigged, naturally. The room blows as he’s getting the janitor out, tears the face of the building open towards the sharp drop below, and all Steve can think is what a stupid, avoidable way to die. The electrical fire smell lingers for a long time after the explosion, the patter of the wet snow through the blown roof nowhere near enough to put the flames out.

They’re told to avoid detailing the collateral in the report, after: SHIELD had no way of knowing the complete situation beforehand, they say, short and brooking no argument, and Steve’s getting real damn tired of hearing that. By the time they wrap up cleanup he’s shivery and exhausted and when he finally dozes off on the long flight back with his ear to the monotonous drone of the engine, it’s to vague, uneasy bursts of the taste of ash in the mouth and many small, cold hands dragging him deep into the frozen ground.

Absurdly, the first thing he thinks of when he startles awake is Dugan’s thick mustache chained solid with frost, lips blue with the cold and grumbling under his breath.

"Gee, you're looking awful familiar there, Dum," Gabe'd say, biting off the ends of his sentences with the chatter of his own teeth. "Made this snowman that looked just like you when I was a kid - all white and lumpy with a great big bush over his lip. 'Cept his carrot nose was half as long and he never ran his fuckin' mouth this much."

And despite the cold and the misery, Dugan would elbow him and Gabe'd elbow back, obstinate. And Bucky'd laugh, Bucky'd call them all a bunch of fucking morons, and do they really want their last to be the Germans hearing them squabbling like two bitter old biddies out on the steps of the church for the whole neighborhood to see? Think of the image of our troops, golly gee. God forbid.

He strips out of his wet suit at the compound by rote and doesn’t think about the numbing cold of December among towering trees, of snow burning his fingers raw, clinging to his lashes. He runs until his lungs burn and it’s nothing like that thin, strangling air of the mountain range, nothing like warm skin sticking to icy metal, muscles all locked up and tears hot like bile in the back of his throat and the wind screaming in his ears, and –

Winters are warmer now, somebody’d told him at some point. Something about northern lights and the ozone in the Earth’s atmosphere.

“Kinks, right.”

He smooths out the edges of the tape that’s come loose over his knuckles, tries to tuck it in where he’s spotted red through the fabric. Suddenly he’s all too aware of the seconds lumbering on in silence, the eerie, empty quiet of the building; Rumlow looking at him with a single-minded intensity that makes the back of his neck prickle with heat, gets him on edge in a way he doesn't want to parse, doesn't have the energy to hide from.

It'd be no use, anyway; sometimes he thinks Rumlow can smell it on him, blood in the water.

“Alright, then.”

He aims a perfunctory jab at the bag and lets it swing back to catch it mid-air, brand-new vinyl creaking under his fingers, and considers ignoring the man altogether. He's not feeling generous with his words tonight. “Alright what?”

When he turns back around Rumlow’s ditching his holstered gun on the bench. Steve didn't even notice he was armed. “You said you got some energy to burn – so let’s go a few rounds.”

“I’m good, thanks.”

“Come on,” and it’s his voice in the end, if he’s being honest with himself, that makes Steve fold; the cajoling tone and those long, tightly rolled vowels that curl and hook into the sheltered space behind his ribs. “C’mon, man, it’s been a while. I could stand to let off some steam, too.”

Come on, do it for me, Bucky had said in dozens of different iterations over the years and then only once after when it had meant something, only once when he was really asking, back up against the hard bark of the tree with his hands dangling between his legs like a man who had no more use for them. You gotta promise me, Steve, he’d tried, low and worn thin, and Steve didn’t, couldn’t find the words to that wouldn’t be a complete lie and a betrayal. Instead he’d leaned harder into his side, hand at the back of his neck, and wanted and wanted and wished like hell, not for the first time, that he could drain the misery and exhaustion out of Bucky’s body at every point of contact.

Come on, Rumlow says, and Steve goes, Pavlovian.

He rewraps his hands in silence, waits for the other man to tape up before he steps into the ring.

“Y’know, it could’ve been worse,” he says, circling Steve, tone casual, “No casualties is better than what we get most days. So you might as well stop with all this self-flagellation bullshit, Cap. It’s no good.”

“You wanna keep talking,” Steve goads him because it’s worked in the past, because it really has been a long day, “or do you wanna fight?”

They start off slow, Rumlow testing the waters and Steve pulling his punches by habit by now. He manages to land a few hits that don’t really scratch the surface, doesn’t pull back in time to avoid Rumlow’s hook. His blood rushes at the first, second, third collision, zings up his spine and sharpens everything out, bright Technicolor; it’s good, doesn’t even hurt, he’d almost forgotten –

It gets real brutal real quick, after that.

“C’mon. What, you gettin’ bored already?” Rumlow says the third time he gets past his guard, an edge of something mean and frustrated in it. He strikes out again just to skirt off Steve’s belated block, more provocation than actual intent. “Jesus, you fallin' asleep on me? Fight the fuck back, old man.”

“Look who’s talkin’,” Steve gets out, putting distance between them. “Ain’t you supposed to be passed out drunk on eggnog in Staten Island right now?”

“You ever stop running your mouth? No wonder you were the neighborhood punching bag, kid.”

“I weighed a 100 pounds soaking wet, I had to compensate. What’s your excuse?”

He’s slow this time, too. Rumlow’s not someone who signals. The kick to the plexus sends Steve stumbling back and something pops, loud. He coughs once, twice; shakes it off.

“Aw, there he is. You’re alright,” Rumlow says, deceptively sweet, dismissive. “You’re just fine. Come on, Cap. You gonna quit being a pussy or what?"

Here’s the thing: he’s not sure he likes Rumlow all that much, really, can’t read him all the way to be able to say for sure; isn't sure that he wants to. They don’t know each other, not in a way that counts – it’s only been a handful of times that they’ve even worked on the same team in the time Steve’s been in DC, even less they've gotten to have anything that counts as a real conversation outside the single locker room incident, but he’s been leading men long enough that he can pick up on the patterns. He can see the way Rumlow commands respect among STRIKE, knows the type, besides: collected and confident and purposeful, committed to the cause to the point of failure. Violent, too, sure, shooting for the head when Steve’d still be asking questions; a little too rough around the edges, sometimes, yes, but so what – Steve’s seen his fair share of that. Steve’s lived it, felt it on his own skin, inside and out, been in it for three whole years. So what. He’s not about to run away screaming.

It isn’t even the first time they’ve done this, beaten the shit out of each other after hours in the deserted facility. It’s not the first time he’s seeing Rumlow in this light, eyes dark and focused; liking it a little too much, maybe, liking riling Steve up and drawing blood. A natural progression to all the things about him Steve maybe didn't want to notice and all the things that had his full attention since the second they met.

It’s fine – Steve figures, this body can take it. It’s what it was made for, anyway. Steve figures better here than out there, and out there Rumlow’s all brutal efficiency and casual competence and Steve trusts him to have his back, get the job done, which is the only part that matters. Steve trusts him, is the thing, and that carries more weight likeability ever could.

Rumlow’s fist connects with his jaw and he feels it rattle up into his teeth, the dull pain like a live current through his body, whiting everything else out: you awake, Steve? You awake yet? Is it enough, to still be able to bleed?

So sure, maybe it’s the violence that gets him. Maybe it’s that Rumlow fights just dirty enough and doesn’t pull his punches with Steve, grins at him sharp when he spits blood from his busted lip and squares back up. Maybe it’s just that he’s not afraid to touch him or look at him wrong. Everyone else seems to be.

He blinks sweat out of his eyes and creeps in close, lands a few swings in quick succession that have Rumlow easing off, head snapping to the side.

“Yeah. That’s it, there you go. C’mon,” he laughs, pushes damp hair out of his face in a well-worn afterthought of a move, and Steve –

Steve has to remind himself, is the thing. Every goddamn day of the week he has to keep reminding himself of where he is. Eventually, he thinks, it might stick – but God, he’s sick and tired of it.

They don’t even look alike. For one, Rumlow’s much older than Bucky ever got to be. Has the scars and the experience and the too-mean edge to his voice to prove it.

But in the end, when he's got Steve face down on the floor, breath hot down his neck, it turns out it doesn't really matter all that much.

He bucks anyway, if for no other reason just to prove a point to himself, just to feel his bones grind together. You're still moving, you're still just going forward, heart pumping like it's gonna burst with it. Rumlow twists his arm further up his back, grip iron tight. “I said stay down.”

“Yeah, fuck you,” Steve pants into the mat. “Pretty sure this ain’t within kickboxing rules.”

“Pretty sure there was no talk of rules in the first place. I keep tellin’ you, don’t I, you gotta get that or else people’ll think you’ve gone soft. Someone might take advantage.”

“You ever quit talkin’ shit?” Steve throws back at him.

“Nah.” Rumlow shifts, the weight of him heavy and hot, too close. Steve can’t catch his breath. Rumlow’s knee is still pressing into his back and he can already feel a bruise spreading at the bottom of his ribs that’ll be gone in the morning. He doesn’t even feel it all that much. He never even – “See, I don’t think you’d want that.”

Steve could break the hold with ease. He could throw Rumlow off and still walk away with most of his dignity intact. Steve could do a lot of things.

He’s fucking tired, is the thing. He’s in his body and buzzing hard out of his head and it hurts, Christ, it hurts so bad, has for such a long time now, and it doesn’t matter. It really doesn’t matter one bit.

Keep moving, keep moving. Maybe he doesn't want to. Maybe it's alright if it's not him, anyway; a river of trouble, cross currents, carrying him along.

It’s just easier, in the end, to trust someone on his team. That’s all there is to it. It's easier, it is, it's getting there at least, Steve keeps telling himself as he lets Rumlow take him apart in more ways than one.

Eventually, he thinks, he might even believe it.

x.

He meets Sam Wilson on a humid day in late May when the sun's barely made its way up, the sky an overripe color and all of his bruises already healing or healed or tucked neatly all the way back under the surface. Like many things with him these days, it starts off as muscle memory; then a shot in the dark, then relief when it works.

It still takes all of his willpower not to physically retreat when he's hit with the familiar, tired refrain:

You must miss the good old days, huh?

But then Sam cuts straight through the middle of it: Sam calls his bluff, quick as hell but with kind, serious eyes and an outstreched hand, and by the time the sleek black car rolls up to the curb with a roar Steve's got another title in his little book of the future and a chest that feels slightly lighter than it did when he jolted awake at 3 in the morning.

Romanoff pulls them back out onto the street without a word, and he doesn't even mind the knowing look she casts his way all that much. Just looks out the open window, the spring air whipping past as the speedometer ticks up 40, 50, 60, and thinks about whether the farmer's market will be open when they get back in: having some fruit in that goddamned fruit bowl might be nice for a change.

(epilogue)

When all is said and done, he thinks he really should have seen it coming. There was no talk of rules, and it's Steve's own damn fault for not listening. When the dust settles and the Potomac still reeks of a gasoline fire, when Steve's switched back onto battlefield efficiency despite the nightmares creeping into his subconscious with a vengance, it really shouldn't feel personal.

Except for the memory of Rumlow's slick grin in the too-bright, too-close space of the elevator, except for the phantom feeling that he can still sometimes smell scorched skin on his stomach; except for the way Bucky's horrified expression is burnt into the backs of Steve's eyelids like a brand, like a scar that won't heal fully.

Except that it's nothing but personal, in all the ways that matter.

Sam looks at him in question when he pauses in the middle of breakfast, eyes glued to the closest thing that passes for a modern TV in a roadside diner in Bumfuck, Iowa. Hospital breakout, the breaking news states, three dead, seven injured, dangerous fugitive on the loose. Be advised. Do not engage. Do not engage.

Yeah. Too fucking late for that now, isn't it.

"You alright?"

That's a loaded question, he thinks. I'm not sure what that really means and I don't know if I have for a while, he thinks.

You awake, Steve? You awake? You see it yet?

"Fine," he says, and digs back into the cold, gummy pancakes. "You think they got any blueberries in this place?"

Sam's face cracks into a smile, dubious and slow and then all at once. Sure, if you say so. Sure, I see what you're doing, but I'll trust your lead. Prop me up, I've got you right back. "Man, I don't think they even have hot water, but. Gimme five minutes and a Captain America name drop, I'm sure we can figure something out."

xx

#this got very long jesus christ #I overthought it so now I'm just hoping it fits the event and the prompts??? anyway #so unbeta'd. my apologies and also enjoy! I hope! #catws10 #catws anniversary #steve rogers #brock rumlow #natasha romanoff #don't wanna tag sam because he only shows up for a blink of an eye but. he shows up and also I love him<3 #idk if it’s actually an M rating but. just to be safe #cw: violence #(but only barely) #gaslighting #by sheer virtue of the bastard involved #stevebucky #steve rogers/brock rumlow #I don't know the tag for that and I kind of don't want to know #this was really interesting and challenging and ultimately very painful to write ngl #my fic

[mynonclicheblog]

it's probably not healthy how often i imagine portland row years into the future, after the trio's talents have faded, where they no longer hunt ghosts together but they find other ways to pay the bills and never move out because they just love the little home they've made here, and lucy and lockwood are an actual couple and george simply tolerates it because he loves them individually so much and can't imagine life away from either of them, which is good because lucy and lockwood wouldn't have it any other way

i don't know if this is compatible with book canon in the long run, but thinking about it just. soothes my soul. it is everything i want for them

#lockwood and co #lockwood & co #lucy carlyle #anthony lockwood #george karim #george cubbins #locklyle #sometimes it's better to Not move on from what got you through your youth #also. ppl will meet locklyle out somewhere and then visit their house for the first time and be like 'who is this man' #and george will wave awkwardly wearing a giant rubber glove from where he is unclogging the sink drain #guests are like 'is he your hired help?' and they're like 'no that's our best friend' #'oh. how long is he staying with you?' 'no no he lives here' #locklyle kissing at the breakfast table and george being all 'must you do that in front of my eggs. i haven't even had a coffee yet' #'christ. i don't know why i put up with you two' [but everyone smiles bc they all know] #ANYWAY #i'm clearly very normal about this concept #*success