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#cere jfo
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Cere invoking the right of the Council and knighting her new apprentice with the blood-red blade of her fallen former padawan in preparation of returning to the fortress that tortured and broke her beyond repair because she has to make this right, and because she is a beautiful, courageous soul, and because she needed a family to feel whole again, and she is ready now to face this trauma is one of the most powerful moments in the entirety of Fallen Order.
Every character has such a gorgeously portrayed relationship with trauma and guilt, but Cere's just hits me different. I can't imagine going through a fraction of what she did and still being as kind, as soft spoken and gentle, as hopeful for the future as she is. Her character is truly amazing and i swear to god if they cut her out of the second game I will set lucasfilm on fire
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ledeni-tm · 2 months
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Padawan group holophoto !! In a universes where Ahsoka, Cal, Trilla, Caleb and Barriss all know each other and everything is fine ! (let me dream) Not pictured : their masters (Obi-Wan included, Ahsoka is his padawan too) gushing at the cuteness behind the holocamera.
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stealingpotatoes · 5 months
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I get the feeling if cal and merrin have kids of their own, cal would definitely be buying ponchos for them for like the next ten years or so of their lives lol
but the drama when they get to teenagerhood...
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(commission info // kofi support!)
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dragonpyre · 17 days
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Cal Kestis headcanon: because of his years of unsupervised living on Bracca, he has horrible eating and sleeping habits. He'll be up at 2 am chugging caf for no reason and thinking ration bars count as a meal. Greez is having an aneurysm. Cere is horrified. Merrin sees nothing wrong with this.
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animatedjen · 6 months
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Cal turned 4 today! Thankful for this series and all the ways it's been an inspiration this past year. Also don't let BD try to blow out the candles he WILL squish the cake (still delicious, just messier)
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breakfastteatime · 3 months
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Cal wakes up from a nap. Oops, fell asleep on the couch again. He's so dozy, so comfy, maybe he'll drift off again and...
Wait.
Something feels different about his head. He stirs, brushing the blanket pulled up to his chin.
"Shhh. Go back to sleep." It's Merrin. She must be sitting next to his head. "I am not finished yet."
Her fingers are in his hair, brushing through and separating small handfuls into trios. The feeling is familiar, a distant memory from so long ago. He feels himself relaxing. "Why're you braiding my hair?" he asks, although it sounds more like "whyybraidnmuhheyh?"
Somehow, Merrin interprets his mushy words. "It is shiny. And pretty."
"S'not."
"Oh, yes, it is." There's a gentle tug as she deftly braids. "Fiery. Like my magicks."
"S'green."
"Hush, Cal. Let me finish."
Cal zones out, drifting into memories of Master Tapal patiently plaiting his braid, tying it off with the finest of thread. It never seemed possible for someone with such huge hands, and yet Master Tapal managed it every time. Sometimes he would tug on it to get Cal's attention. Other times, if he couldn't grab the hood of Cal's robes fast enough, he'd grab Cal's braid instead, and that never failed to bring Cal to a sudden and complete halt - usually before he wandered into traffic in the Brave's landing bay. He smiles at the memories, at the warmth, the tradition, the simplicity.
Merrin probably isn't going in for simplicity. Maybe he'll look like Cere did in that echo he picked up from Trilla's lightsaber. She looked so awesome with her hair like that. Could he grow his hair out that long? His pictures it - autumn reds, oranges and golds trailing all the way down his back, tied in intricate braids...
...who is he kidding? He'd sling it back in a ponytail and be done with it.
He giggles to himself.
"You are strange, Cal," Merrin tells him.
She has no idea.
A few minutes later, Merrin's fingers pull away. "Done. You may wake up. BD? You can come and look now."
Familiar feet tippy-tappy their way over. BD gives a long, slow beep of awe, and then the light of his scanner shines through Cal's eyelids.
Pretty, BD declares.
"I am not pretty," Cal grumbles.
"You are. You are a pretty princess," Merrin says. "BD, quick, make a recording."
"Excuse you, I'm no princess, I am a queen," Cal corrects.
"Forgive us, Your Majesty," Merrin says.
Curiosity wins and he opens his eyes, sits, frees his hands from the blanket, and explores his head. What he finds is a series of small, tight braids encircling his head - much like a crown. He leans forward and catches a glimpse of his reflection on the table. "Huh."
"You like it?" Merrin asks. "Cere explained to me how to do it, but it is easier to practice on somebody else."
"I do like it," Cal says. "It's really practical. Keeps it out of my eyes, too."
The hatch opens. Cere and Greez board the ship, both carrying several grocery bags. Cere clocks Cal first, nodding in approval. Greez does a double-take, puts down his bags, and moves in for a closer inspection.
"Well?" Cal asks, moving his head to really show it off.
"I love it!" Greez gushes. "I mean I really love it. I want it. I want that style right now."
"When you have more hair, I will teach you how," Merrin says.
He grins. "It's a deal. You heard it here, folks, Greezy is officially growing his hair out."
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wrencatte · 3 months
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mini-fic! Cal and Merrin training, from Greez's POV. 1k words.
Cal and Merrin face off in a small clearing not far from the Mantis. She has a staff in hand, new and sturdy, just picked up from an outpost market, and Cal has…nothing. In fact, his lightsaber sits next to a nonchalant Cere, who’s scrolling through a holopad, seemingly unaware that Cal is about to get his ass kicked by an armed Nightsister.
Their resident Jedi Knight is a powerhouse, sure, and Greez is thankful every day he’s on their side, but without his lightsaber… Greez takes one look at the situation and decides he really don’t want to know.
He asks anyway.
“Training!” Cal says without opening his eyes. Greez isn’t going to question it. Not this time. Nope. Merrin watches Cal closely, one end of her staff buried in the soil, her hands folded on the other end so she can rest her cheek on the back of them. She waits patiently.
They all seem to be waiting for something. Even Greez, who still has no idea how this qualifies as ‘training.’ And Cere, who still doesn’t look up from her ‘pad, takes a serene sip of her drink. She’s probably using some freaky Force thing to sense what’s going on.
Cal looks like he’s meditating standing up. Deep, slow breaths. Calm expression. He keeps his hands lowered, like he’d used them to direct his breaths and then left them down on the exhale. Greez has seen Cal and Cere on early mornings, moving in sync with each other as they go through a fluid, tranquil set of movements without their lightsabers. It always started and ended with them directing their breaths like that.
Greez moves next to Cere, feeling like an intruder, but unable to stop watching.
The atmosphere is calm. Poised.
Then Cere says, “Go.”
Merrin is fast. She kicks her staff up and swings fiercely, devastating even without her magicks. She’s aiming straight for Cal’s head –
 – who doesn’t karkin’ move. Greez lurches, a shout on his lips, but Cere puts out a hand to stop him. Wait and see, she doesn’t say, but Greez knows that look.
Cal dodges without opening his eyes. Minimal movement, languid in a way Greez’s never seen before. Merrin’s eyes flash in determination and she’s quick to go in for another strike. He dodges again, body twisting, never taking more than a couple centimeters more than he needs to avoid her staff. Greez’s heart eventually calms as the two of them move in tandem. Like a dance. An elegant and mesmerizing back and forth.
It could almost be a performance. Something specially created for a dramatic stage.
Eventually, though, Cal’s calm expression starts to pinch. Mouth twisted into a grimace, sweat beads up on his forehead and darkens his training top. He falters. Dodges a second slower. Moves a little further out of the way than he was before.
Merrin swings her staff just has hard, just as fast as she has been, but Cal doesn’t dodge in time. He flinches and stumbles – and Merrin’s not stopping.
That determination slides into panic, Merrin’s eyes widening, but the momentum is too quick even for her. She tries to change the target from Cal’s head to somewhere safer, like his arm, because a broken arm is better than a broken skull, but she’s too fast and he’s fumbling and –
Just before the staff connects – it wasn’t going to make it to his arm, Greez realized with a sick horror – it flies out of Merrin’s grip into Cere’s hand. Holopad and drink forgotten, Cere twirls the staff in one hand before she plants the edge into the dirt. Greez hadn’t even seen her move. Hells.
Cal drops to the ground, heaving for breath. He groans out a heartfelt swear in some language Greez doesn’t recognize – Greez discovered early in their mission for the holocron that the kid knew way too many languages. Seriously, a kid that young, five years on a backwater planet like Bracca or not, shouldn’t know so many languages! Let alone all those karkin’ swears.
“Language,” Cere scolds mildly. Cal just groans again. “What happened?”
He props himself up on his elbows, hair in disarray and the side of his face speckled with dark soil. Merrin carefully pats the soil off the back of his head, her movements stiff. “It started to feel too easy, and I panicked,” he admits. “I started overthinking.”
“How do we fix it?”
“…Don’t do that?” Cal offers, grinning. Cere raises an eyebrow. He takes Merrin’s hand and allows her to heave him up. Greez doesn’t miss the way he subtly squeezes her hand in reassurance before he lets go. “I got complacent. If there was another opponent, I would’ve been taken out a lot sooner. It was only the Force and Merrin, and I freaked when I realized I didn’t know anything else.”
Cere nods. “In other words, you sank too deep. That’ll only be fixed with more practice. You can’t do that in the middle of real combat.”
Cal sighs gustily. “More practice,” he agrees as he holds out a hand and Merrin’s staff comes flying to smack into it. He twirls it with a flourish before presenting it in a low and dramatic bow to an amused Merrin just to make her smile. She does, helplessly charmed, before she quickly twists it into a smirk as she takes it back, a faint blush on her cheeks. Cere hides her own smile behind her hand.
“Next time, maybe don’t aim for his head?” Greez suggests.
Merrin looks disgusted by the very idea. “Then how will he learn? Training must prepare you for battle. If you do not fear for your life in training, then you will not fear for your life in true war. You will die.”
Cal laughs loudly over Greez’s sputtering. “Yeah, Greez, how will I learn? Merrin, aim for the head any time.”
“With pleasure. Someone must knock sense into you.”
Greez drags a hand down his face in despair. What did he get himself into?
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azems-familiar · 7 months
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"you would be wise to surrender."
"yeah, probably."
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ejfivercommander · 5 months
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Star Wars Jedi: Battle Scars by Sam Maggs
Currently reading this book and I thought the cover needed some movement.
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randomfandomblabdom · 10 months
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Fallen Order & Survivor Musical Themes
Has anyone done this yet? Here is a comprehensive list of all of the character themes/motifs found in the Jedi: Fallen Order and Survivor video games for anyone interested. I tried to give several examples of each and also included some of my own thoughts. You can listen to many or as few links as you want. If I missed anything please feel free to add on or let me know.
FALLEN ORDER CAL KESTIS - I'm giving Cal two separate sections because I'm pretty positive he now has two separate themes and in attempts to make it less confusing, I've decided to very creatively refer to them as Fallen Order Cal and Survivor Cal. I'm a genius, I know. Fallen Order Cal is consistently heard all over both games. It's his primary theme. It feels young and heroic and wide-eyed... Remember feeling like nothing could touch you when you were young? That's the sort of feeling I get from Fallen Order Cal. It's not happy per se but it's hope and optimism sprinkled with naive youthfulness and an undertone of solemnity. He's been through some serious shit but he's a kid, he's young. The grief and trauma are there for sure but they haven't encompassed him completely. There's still some hope behind those eyes, there's a healing journey to go on, and there's a chance to take on this Empire. It's only until Survivor that the theme starts feeling a little more grounded just like the transition from childhood to adulthood. Fallen Order Cal in Survivor feels a bit less magical, that youthful spirit has diminished, that hope has dwindled.
CAL KESTIS
THE PATH OF THE THREE SAGES
PEACEKEEPERS
A FRONTIER WELCOME
ABOVE THE CLOUDS
A STEP TOO FAR
SURVIVOR CAL KESTIS - So, I originally thought this was a minor key variation of a section of Cal's theme but I've since realized that it technically is a completely separate theme. That being said, thanks to @foxykatie425 in this insanely detailed reply to my frustrations regarding this theme that put what I was hearing into musical terms way out of my element in terms of explaining, I've realized that I may have been somewhat correct. I don't know if the two themes are actually connected, that would be a question for the composers but at the very least, it's definitely a secondary darker theme for Cal as it only ever plays in reference to him and I'd wager a guess that it's the main theme of Survivor as a whole. Compared to Fallen Order Cal, Survivor Cal feels drained, heavy, tired, burdened, and above all else, dark and foreboding. There is a genuine weight to this theme that just feels sinister. There is a hint of Fallen Order Cal there but as that post says, it almost feels like it's on the verge of falling apart. He's not the same man he was five years ago and the fact that this theme is the first thing you hear music-wise in the game and accompanies your very first view of him is an incredible way of subconsciously telling that to your audience right off the bat.
DARK TIMES
ABOVE THE CLOUDS - note: this theme and Fallen Order Cal switch back and forth constantly in this track and I find that so interesting.
NOVA GARON
NIGHTSISTER MERRIN - Merrin's theme is interesting to me because it doesn't sound anything like the type of music you might use to accompany a witch or magic user. It's not necessarily fantastical or whimsical or anything of the sort. In fact, it sounds more like something you might use for a superhero. It's a little bit timid or unsure or even afraid in Fallen Order but god damn has it built in confidence and strength once Survivor rolls around. The only time you hear that sort of timidness to it again is during the first kiss on Jedha which has such interesting implications for her being a nervous wreck in that moment. I also adore how it sounds as an action cue which you hear several times throughout Survivor. It sounds like it comes straight from the best MCU movies and yes, I do mean that as a compliment.
TO DATHOMIR
PEACEKEEPERS
MERRIN
THE WILL OF THE FORCE
TRIDENT
FLIGHT
CAL & MERRIN'S LOVE THEME - Look, I genuinely did not think they would actually go through with making Cal and Merrin canon, I honestly thought they'd chicken-shit out and I was certainly not expecting them to get any sort of love theme if they did but here we are... and we somehow got both. Cal and Merrin are canon and they got a love theme. Holy fucking shit. It just has all that warmth and sweetness of a friend-to-lovers romance too.
FIELDS OF DUSK - ORCHESTRAL VERSION
CAMPFIRE
A STEP TOO FAR
THE ABYSS
BD-1 - I said in my post regarding my thoughts on the Survivor score that these two video game scores are quite possibly the closest we've ever gotten to a John Williams sound from a composer(s) who is in fact, not John Williams. Not that every piece of Star Wars music has to sound like the big man himself, part of the reason The Mandalorian theme was so positively received was that it was such a different sound for Star Wars but I stand by what I said: this is the closest a composer has gotten to a John Williams sound and they have clearly done their research. Some people might not know this but R2 and 3PO have a very small motif heard throughout the films. It's not played very often and is sometimes not very noticeable but it's there and BD-1's motif is not only similar but definitely sounds like it exists within the same universe. I also love that droids are so often musically presented as very childlike, innocent, and mischievous. BD in particular has a very playful energy.
BD-1 AND THE BOGLINGS
MERRIN
THE WILL OF THE FORCE
TRILLA SUNDURI/SECOND SISTER - Trilla's theme legitimately activates my fight or flight response and when I say that, I mean mostly my flight response cause you won't find me messing with this shit. It's very much in lieu of the famous Psycho violins which were written to heighten your senses by emulating screams. I wish we got more of it cause it's intimidating as fuck and a piece of dark side art.
FIGHT AND FLIGHT
TRILLA
THE WILL OF THE FORCE
CERE JUNDA - Don't hate me but I haven't quite fallen in love with Cere's theme yet. That's not to say it's bad by any means, it's absolutely beautiful. It has such a deep melancholy vibe to it, like an inescapable sadness. It almost has a feeling of failure to me weirdly enough.
THE PATH OF THE THREE SAGES
DESERT RUINS
SIEGE
THE VISITOR
ENO CORDOVA - I've mentioned this before but again, for people who might not know: the music that is widely considered to be the main theme of Fallen Order - so much so it was primarily used during the recap at the beginning of Survivor - is Cordova's theme. It's such an interesting artistic choice because I think many people would've made it either Cal's theme or given the entire game its own theme in general. I listen to this one a lot honestly. It's so calming and safe feeling.
THE PATH OF THE THREE SAGES
FAILURE IS NOT THE END
ENO CORDOVA'S THEME
THE NARKIS ANCHORITES
BODE AKUNA - Yes, Bode does have a theme and you know what? It slaps. I really like it. It's very adventurous and feels quite friendly which is ironic as hell. It does get some heart-wrenching renditions nearer to the end of the game. It's the music that swells when he force-pushes Cal and everyone collectively shits themselves. Oh, it also has some dark renditions as well.
ABOVE THE CLOUDS
A STEP TOO FAR
BROTHERS
THROUGH DARKNESS
RAYVIS - As far as I can tell, Rayvis does not have a set theme but he is usually accompanied by high-playing strings and his boss fight music is the best example of that. I actually don't think a lot of Rayvis moments ended up on the score soundtrack which... how dare they.
WARRIORS CODE
DAGAN GERA - I thought Dagan didn't have a theme for the longest time but it turns out he actually does have a tiny motif that I do wish had been more thoroughly realized in the score because it's so menacing and I absolutely love it. It's most prominently heard during his last confrontation with Cal. He is also usually accompanied by low-playing horns. Not always but usually.
RELEASE ME
TO THE RESCUE
GRAND OCULUS
KATA AKUNA - I'm going to rant about this one for a second, okay? I have spent the last few weeks wondering what the hell the melody that plays throughout the track Through Darkness is. I was sitting here plucking out melodies on a piano app (cause I don't own a keyboard) and was like, "Okay, it's not Cal's theme, it's not Bode's theme, it's not Merrin's theme... what the hell is that series of notes??" Yes, I'm aware that not every note has to mean something but these just felt like they did. It's played at such an emotional point in the game and for two scores that already work heavily around themes and motifs and musical ideas, it didn't make sense to me that this little series of notes would mean nothing, especially at such a poignant moment. Funnily enough, it only just occurred to me while making this post that it's fucking Kata's theme. At least I think it is. Well, motif. It's not a fully developed theme but it definitely has the makings of one. That's not even me making a wild guess either, these notes appear in other places in the story that feature Kata.
NOVA GARON
THE ABYSS
THROUGH DARKNESS
GHOST STAR - I'm adding this for fun because I think it's gorgeous and I love it but it leads me to ask: why has there been no official release of Ghost Star? With or without vocals? This is a genuine question. It does not appear on the Cantina album nor is there even a snippet of its melody on the score album. It makes me wonder if the song was maybe added later into production? Trust me, I love the orchestral cover that has been going around and people are obviously seeking it out cause the track has gained thousands of streams in the months since the game was released. It was at 10k the last time I looked on Spotify and it's currently at 24k as of writing this. I'm just genuinely surprised EA/Respawn or hell, even Lucasfilm hasn't capitalized off that.
GHOST STAR
GHOST STAR W/ VOCALS
Thank you most sincerely if you made it all the way here :)
I liked this. I should do this for more scores lol.
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gil-estel · 2 years
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Reva needs a place to go.... fortunately, the Mantis has an extra bunk.
Comic and Transcript on AO3
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stealingpotatoes · 9 months
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hey guys i worked out why i found JFO so difficult
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hermitmoss · 2 years
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The Jedi Purge + Expert judgment on markers to deter inadvertent human intrusion into the Waste Isolation Pilot Plant (pgs 138-9).
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breakfastteatime · 4 months
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Greez has been disappearing into his cabin a lot lately. Whenever the ship is safely in hyperspace, autopilot engaged, Greez makes sure everyone has what they need in terms of food and drink and then just... disappears.
"Is it something we said?" Cal asks.
"No," Cere reassures him after a sip of her tea.
BD asks if it's because he accidentally tracked bogling droppings into the ship.
"No," Cere says without looking up from her datapad.
Cal and BD share a look. Both shrug.
"Do you know why he's disappearing?"
"Mmm hmm."
"You gonna tell us?"
"Nu uh."
"Thanks, Cere, that's real informative. Glad we had this conversation."
"You'll find out soon enough," she says. "Some things are worth waiting for."
The next morning, Cal awakens when something is shoved onto his head. Arms flailing, brain somewhere between a dream and reality, he finds Greez grinning and BD scanning at his bedside.
"Suits him, don't ya think?"
BD whoops and wags.
Cal reaches up and grabs what's on his head. A rush of emotions go through him, chief among them determination. I will teach this kid self-preservation if it's the last damn thing I do. It's a knitted hat, the blue and orange wool matching his poncho. He stares at Greez. "You made this?"
"Eh, my great-grandma taught me more than you know. No more running around ice planets without that hat, understood?"
Eyes wide, throat aching from the effort of not crying, Cal nods. "Understood." Somehow, his voice doesn't crack.
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elzarkriss · 11 months
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https://www.instagram.com/p/CtMlQOuuJuy/?igshid=MzRlODBiNWFlZA==
Special shoutout to Daniel Roebuck (Greez) for sharing a Mantis Crew group picture! I've never seen one before so it makes me so happy to see the four of them together (with a bonus hug pic with Cameron too 😊). I love this crew so much!!
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How this scene actually played out
Merrin: Jedi are thieves and selfish liars who bring nothing but death!
Cal: Back off! If you attack me again, I’ll strike you down!
Merrin:
Merrin: Do not take this personally but I feel like I am being threatened by a cupcake.
Cal: D:<
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