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#can't stop reading them
ataraxetta · 6 months
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🎶Jason and Dick, sittin' on a roof, talking laughing smooching frotting going home and getting into bed together and having fantastic sex and getting a good night's sleep. 🎶
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petricorah · 1 month
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scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]
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skrunksthatwunk · 20 days
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non-comprehensive haruhi autism creature comp
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i mean just look at him she's literally
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nedlittle · 2 years
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every single explanation for why mikey wasn't decrepit but was covered in blood is insane like
he's a vampire and is draining the other three of youth
it was for his own safety. if he went on stage in all his 2005 scene queen half of jersey all of warped tour glory the seismic shockwave of two dozen nostalgia bait emo bandman dissolving their marriages for a chance with that sopping wet twink would have levelled nevada
bad ending where instead of the band breaking up and mikey getting help they drag the band's shambling corpse around until mikey dies young. pulling back the curtains on how unhappy and unhealthy they all were during the era that wwwyf is trying to capitalize off. you want us to keeping going back to 2005 for the sake of your nostalgia? okay mikey's fucking dead now (makes me unbelievably upset to consider but exactly the kind of shit they'd pull)
he died in normandy
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thenbecauseshegoes · 1 month
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episode 1 / episode 39
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zu-is-here · 1 year
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as it should be
[3/5] ★ Happy anniversary Dreamtale ★
Dream & Nightmare by jokublog
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natjennie · 4 months
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i think mostly we as a culture need to stop pretending media is for us and instead recognize that it's for the people making it. "the show didn't do the thing I wanted it to" is so not the point. did it do what the people making it wanted it to do? did it tell the story they were trying to tell? than it was successful. if that doesn't align with what you wanted to happen, don't get up in arms about it. don't badmouth the creators and throw a tantrum. that's what fan works are for. the text is the text, and it told the story it was telling. you wouldn't be like "ugh shakespeare is insane for act v btw like there was no reason for juliet to kill herself she should've just waited and then her and romeo could have been together wtf this ruined the whole play" like no!!! the themes were there the set-up was there the foreshadowing was there shakespeare did what he intended to. just because it wasn't a happy ending and just because you thought it should've went differently doesn't mean it was bad. read a fic where juliet lives and move on.
#this is about ghosts but honestly fandom in general#stop pretending the creators of things owe you certain story lines. they're making it not you#i explained it like this to my sister:#imagine you're reading a book and there are sort of hints and scenes that you take to interpret a character as gay#you cite quotes and talk about the themes and the impact of your interpretation#and then at the end of the book the character comes out as asexual.#and then a lot of those scenes and quotes that you were using as evidence for your interpretation-#now they could be construed to have been pointing towards them being ace all along#just because it wasnt the end you fabricated in your head based on your understanding of the hints#doesn't mean it wasnt always the writers plan from the beginning.#AND it doesnt mean you can't keep imagining a world where they're gay instead#it just means that the writer was leaving those clues to point you towards the ending#and you interpreted the clues differently#bbc ghosts#ghosts spoilers#bc like. if last resort was the ending#you could 'read' the whole series with the understanding that they weren't going to leave the house#and the foreshadowing would add up#but now with the special. you can go back and 'read' the series with the understanding that they leave#and it still all adds up. the foreshadowing was there it just meant something different than you thought.#stories have beginnings middles and ends#you predetermined the ending while still in the middle and got mad when you weren't right.#does that make sense?
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applecranberryjuice · 3 months
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i NEED to know how he's dealing with the news
Sonic Prime was really entertaining and fun actually, i have only a couple comics and the fandubs as base of what these characters should act like, so i enjoyed it with a fresh mind and liked the interactions This was my first time drawing them, i am so very bad at them
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rhythmantics · 1 year
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bugsnax is aight
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lunar-years · 7 months
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I like to think Roy leaves little notes for Jamie around the house. Some are for little reminders like "don't forget to pack this..." or a list of meal prep instructions on the food he's left for Jamie in his fridge, etc. and some are just general well wishes like "good morning beautiful, meet you at the club x" or whatever. Except Roy's handwriting is so tragically bad, and this combined with the fact that Jamie already finds reading difficult results in Jamie never having one single clue what the hell that man is trying to say to him. He keeps all the notes in a shoebox anyway because they're from Roy and because Roy always signs them off with "I love you," the one sentence in Roy's handwriting that Jamie is never not going to recognize 🥰🥰
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mewtwo24 · 9 months
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Sasaki and Hirano, Compare/Contrast Brainrot
Okay like I saw a post about Sasaki and Hirano’s friendship and I just. Started thinking about it and now I can’t stop. Especially after reading Hirano to Kagiura. 
I feel like they’re messed up (repressed is probably what I actually mean) in the same way but in opposite directions and that’s why they like…get along, but in the strangest manifestation of that phrasing? They care about each other almost from a periphery, from the vantage point of someone who understands, but, since they’re also still figuring it out, they don’t know quite how to interact with or guide the other?
And it’s killing me because--idk if it was just me--I kept going feral over every single time I was reading the manga and Hirano would go “oh yeah I do [insert fuckign batshit intimacy] with my roommate, this is a normal senpai/kouhai thing to do” and Sasaki literally always reacts with:
“.” (Huh. I don’t think that’s normal but who am I to judge these things. Let’s ask the local social barometer.)
“Hey Hanzawa, this [reiterates what Hirano said word-for-word] isn’t normal is it?” (Translation: “this would be inappropriate to do with Mya-chan even though I’m clawing at the walls just thinking about it”)
And Hanzawa, bless his heart, who is only a fraction more normal about social interaction than everyone else is just like:
“.” [W H A T]
“Sasaki, what. Of course you shouldn’t be doing that. W H Y ARE YOU ASKING ME THIS”
AND THIS HAPPENS MANY TIMES IN THE SPAN OF TWENTY CHAPTERS. I CANNOT EXPRESS ENOUGH THE HILARITY BUT ALSO CONCERN IT INSPIRES TO WATCH.
More detailed analysis under the cut, I just can’t stop laughing at the way the manga compares them:
Sasaki fascinates me because, as I take stock again, it feels like he’s got this dread when it comes to change (e.g. Ogasawara and his gf dating--thus changing his relationship with both of them, asking Miyano out--risking losing him, confessing that he’s dating a boy to his sister--risking her enduring and fervent disapproval). So much of his younger teenage angst was related to being reluctant to start or do things, and while it’s easy to assume laziness, I don’t think that’s the case? He says in the manga: “There’s nothing I can do, so how am I supposed to know what I want to do then…?” I get a sense that this trapped feeling contributes to his dissatisfaction and stasis more than a refusal to do anything at all. I don’t think he lacks capacity; he’s proven to be exceptionally clever and even studious when he feels motivated. 
Considering the lack of interest his parents had in his life (let alone his hobbies/skills) and his sister’s overbearing scrutiny, I feel like it makes sense he’s struggled so much with his self-actualization. I feel like he perceives it as being caught between hot and cold extremes constantly; like no matter what he does, he’ll either receive indifference or loud chastising. So why bother at all? It would explain why he likes Miyano’s temperament so much, considering the latter quite literally is defined by his normalcy and even keel. When Sasaki wants to move forward in their relationship, Miyano seriously considers both their feelings, and thoroughly weighs the realities of what it would mean to be together before replying. While Sasaki wants to be closer to him, I think so much of his willingness to wait was the fact that Miyano wasn’t evading him. Miyano was being honest and thorough about meeting him halfway, without insulting his feelings or flat out ignoring him.
(Side note: I fully agree that Sasaki’s sister is a positive influence in his life, in that she actually gave a damn when he was downspiraling and miserable, and pointed out that all kids need limits and guidance. But she is loud and forceful about her acknowledgement, and I feel like this is very grating to Sasaki. For better or worse, it’s clear he has a hard time with such a direct and intense approach about what he should think and feel, and about what he needs. Sasaki shows indications of a kind of mindset where he thinks he needs to shoulder all the tough and heavy things alone, so it makes sense to me that he would be uncomfortable with his sister proclaiming how he is lost or bereft of attention/discipline.)
I think there’s also the fact that Miyano witnessed Sasaki at his most vulnerable--and instead of lashing out--offered him help and sympathy, real warmth and patience. Sasaki has always meant a lot to me as a character, maybe because he resonates in such a poignant way. He’s somebody who has lived under such emotional extremes, and as a result deeply values a sense of normalcy. Where one could argue Miyano is unassuming and ordinary, I think that’s part of why Sasaki likes being with him.  With Miyano, he doesn't have to guess at the distance between them; Miyano is earnest and careful about those differences, and is very direct about addressing them with reciprocity.
Now then, Hirano. I know very little about Hirano’s home life other than his being an only child. But to be honest, that does tell us a bit--paired with his subtle social anxieties. I will never forget Sasaki saying to Miyano ‘that’s because Hirano plays favorites with his kouhais’ about the gap between his behavior towards his younger classmates versus everyone else. While Sasaki’s petulance is uproarious, there is something to that. (I also love how this exposes Sasaki, lowkey, because he’s basically saying that he’d only do that with his favorite people, aka Miyano. But otherwise he could never be bothered to care about a rando, and that’s hilarious.)
I think Hirano--because he doesn’t really have a sense of how he’s supposed to relate to other people--tends to follow the same strict guidelines you might see in a rule book (DISCIPLINE COMMITTEE COUGH COUGH). Supposing he was taught--or simply feels responsibility towards younger kids as a result of reflective parental neglect--it would explain why he feels this rigid need to treat kouhais like little siblings. At first glance, and honestly when you consider his general aloofness, it doesn’t make much sense that he has a mothering sensibility otherwise. 
Now then, because I realized this while writing and I have to inflict this on everyone else in rapid succession, this would explain his initial staunch discomfort with Kagiura’s affection. In the context of Hirano’s lifestyle/mindset:
Hirano → relationships with people? Don’t understand that, refer to following flowchart:
→ younger = responsibility, must protecc
→ same age = keep them in line
→ older = respect (but only if I feel like it HAIR DYE NOISES INTENSIFY)
Mind you, I don’t think this is limited to his platonic/friendship relations. I think this permeates into so many other aspects of his life, since sociality is inevitably a focal point for all human life. If he feels an uncharacteristic leniency and profound affection for Kagiura, then it must be because he's a kouhai he wants to protect, nothing more. He has no other reason or definition by which to ascribe to those feelings. Hirano doubly insisting he can’t be attracted to men is because he’s been so inundated in the widespread social signals, the social rule that has been long standing--and remains a pretty powerful message even now--that it’s unlikely (and that’s a gentle term) he’s attracted to another man. 
After all, He is So Good At Being A Normal Young Man. He’s in the discipline committee. He gets excellent grades. He’s a kind and helpful senpai. He keeps his classmates in line. Of Course He Likes Women, What Do You Mean Gay.
He’s basically that meme like: “'Men can be attracted to other men' actually statistical error. Average men only feel attraction for women. Sasamiya is an outlier and should not be counted."
Both Hirano and Sasaki hate change/unpredictability, but I really love how complex their differences are in regards to how they experience that and feel that. Sasaki hates change, but he’s not necessarily emotionally repressed? He’s able to express what he feels for Miyano because he feels it so strongly, and it comes naturally when he does. In fact, it’s so natural that he becomes impulsive--and that’s why he gets so anxious about moving too far or too fast by accident. He has the overthink override, where if the attraction is too strong he simply Can’t Shut Up About How Much He Loves Miyano or stop hugging/kissing him.
Hirano hates change in the sense that he’s so ensconced in this idea that This Is Normal Human Behavior, that he completely loses sight of how he actually feels about anything--because he rejects/suppresses anything he can’t coherently define in a scripted, linear way. And being asked to tread that unstable, unsteady ground is tantamount to throwing a cat in water with no warning. This is why it’s so sad but also HYSTERICALLY FUNNY to see him like “wym I have feelings for Kagiura. It's perfectly normal to start yelling with all the wounded rage of a scorned housewife over my kouhai not letting me wake him up for morning practice. That is what it means to be a senpai.” Because he has no blueprint for how he’s supposed to express a love that goes deeper than friendship (with a man no less), he defaults to these overly simplistic structures that can’t support the complexity/maturity of such adult human feeling and exchanges. They worked for him just fine before, so why won’t they work for him now?
Relegating Kagiura to the role of kouhai makes it easier for Hirano to conceptualize why he cares so much for him, but it also limits the scope of his view. He’s using it as an umbrella term in a sense: of course he doesn’t find every little thing about Kagiura infuriating/boring/troublesome. Being the older person means being responsible and chill about everything. But that’s the thing. He’s not indulging Kagiura the same way he indulges Miyano, despite him qualifying them the same way. With Miyano it’s super clear Hirano really does just see him as a baby duckling, someone to treat gently and usher around. His behavior around Kagiura is so astronomically different in comparison, it’s nearly comical to try to compare them:
It’s Kagiura’s birthday. Hirano, who probably hardly remembers people’s birthdays, deadass went around asking every person he was close to (like, 5 ppl) for advice. He agonized over it for days on end. He gets Kagiura tickets to a basketball game and an alarm clock, and spends the entire day with him. He asks Hanzawa if he can use party poppers to celebrate Kagiura on the day of, and to get around the rules when he’s told no he has everyone go hog wild with them at the Christmas party in a loophole maneuver to celebrate. Reminder to myself and everyone reading, this is BEFORE he even hears a word about Kagiura’s feelings.
THIS IS BEFORE EITHER OF THEM ARE IN ANY KIND OF INTIMATE RELATIONSHIP. HIRANO, WHO IS MR. “i only study or drag people to baby jail, what do you want,” SPENT ENTIRE DAYS PAINSTAKINGLY PLANNING ALL OF THIS. FOR KAGIURA’S BDAY. AFTER ONE OFFHAND COMMENT FROM KAGIURA OF LIKE mannnn having an xmas bday sucks ass, they just try to lump it tg with holiday presents booooo :///
That Hirano conceptualizes Kagiura as a kouhai has been established. But another angle that’s equally crucial is this equation:
Hirano → adore person? Devote Every Minute To Being Nice^TM
→ hate person? angry cat hissing sounds/smack with paper roll
→ mild dislike? Lowkey grousing/sarcasm/dismissal
→ neutral? (this is most people btw) refer to earlier chart for appropriate social etiquette
This is pretty much where Hirano gives himself away. Because even in his most inflexible rules for himself, we’ve never seen him convey so much feeling for anyone around him so helplessly. It can be argued that he might have in the past, but honestly, I doubt it. The feeling is so confusing and new to him that it leads me to believe so much of his difficulty accepting what he feels is related to its unfamiliarity. He can’t trust it as real precisely because he can’t control or neatly define it. (This made doubly disconcerting by the fact that he doesn’t have a typical social structure to work from either. If his parents, for instance, are anything like Hanzawa’s, it’s possible his conception of love between a couple is about devotion to remain together to fulfill a sense of status/purpose to create a new life. He would have zero concept of love that comes from the very depths of a person’s emotional being, a call and response that is as instinctive as it is fulfilling.)
Sasaki feels an intense desire to be close to Miyano, and thus acts accordingly because he trusts his feelings. On the other hand, he has trouble measuring the distance between himself and others. (e.g. he thinks he will lose his friends if they date, his sister acts like a parent but is also a kid and that makes it hard for him to know how to interact, he struggles to convey himself properly to Miyano when he brings up escalating to dating). Hirano, on the other hand, doesn’t realize the intensity of his affection and heartfelt proximity to Kagiura because he’s so busy tying himself up in knots over what he’s supposed to feel and think that he doesn’t trust his feelings. Rather, he is only given away by how obscenely his actions expose him. Comparatively, he has less trouble measuring the distance between himself and others when it comes to anyone but Kagiura.
(Perhaps obviously, Kagiura has Sasaki’s whole ‘if I don’t hug/kiss/bark at him I’ll die’ emotional expression and Miyano has the cautious measuring of distance between people and difficulty accepting gay like Hirano.)
God they’re both so quintessentially queer it hurts me. One can’t shut up about his love, and the other literally cannot open his mouth and express his feelings or he’ll die. 
NARRATIVE FOILS EVERYONE
(Also unsure if it’s me but wow. They are so. Autism. And that also kills me akhfjldghjgdsfhkdfjhg)
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ovenproofowl · 2 years
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OKAY OKAY but the way Louis is split in two with both Claudia and Lestat trying to vie for his attention, for his love, but Claudia is able to jump into his mind, to ask him to come with her without Lestat hearing, and that’s the moment Lestat calls him Lou, because he sees him looking towards her and he has no idea what she’s telling him but he knows he’s losing him to her. And how that desperation immediately turns to rage, to blame, to accusation. By turning them both, he’s turned them both against him, he can’t read them, can’t understand them as deeply as they understand each other, and it’s only when Claudia says out loud so he can hear exactly what she wants him to: Come with me. Let’s be vampires worthy of your love. That he truly snaps.
Lestat knows he’s lost. Has known it for all the time Louis had spent searching restlessly for Claudia’s mind.
And the conclusion to this rage, with Lestat and Louis flown out far into the sky, so far away that Lestat hopes no other mind can reach Louis’. So that Claudia can’t hear. So that they’re truly alone. And he finally admits just how deeply his love for Louis reaches, and just how fine a thread he’s been clinging to coming to terms with the fact that perhaps Louis doesn’t love him, may never have loved him, in the way that he loves him.
And yet even in that moment with Louis half drained and gasping the frigid thin air, with Lestat begging him to just admit it, that he doesn’t love him, Louis... doesn’t. Instead he says let go of me. And I wonder, perhaps, what Lestat hears in that, what those words connote for him. Is Louis only asking to be put down, or is he asking Lestat to let go of this obsession with him? That change in Lestat’s eyes, the bitterness of not getting a solid answer but still coming to some sort of conclusion sells it for him. So, when he drops Louis, it’s as performative as any other gesture.
He may want Louis to feel that he is done with him, but that will never be true.
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ishkabibblethings · 3 months
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Almost finished reading Dungeon Meshi and I got an idea
So in Dungeon Meshi or Delicious in Dungeon, there are these... dungeons.
And from what I have gathered dungeons can be made naturally or artificially but both types have the same few things in common.
They are made to contain demons
They attract adventures
The dungeons have lords who manage/control the dungeon and are given the power to do so by the demons
I know that I'm skimming over some important bits, but long story short, the demons come from an alternate dimension called 'The Infinite Realm' and feed off of people's desires, the Lord of the Dungeon's specifically.
That being said... (incoming dp x dc prompt)
Beings from the Infinite Realms aren't ghosts but demons. And while they do still have obsessions, they lack desires. And so, they've become something they hunger for.
Danny learns this the hard way when he accidentally eats his parents' desire to hunt 'ghosts'.
When the endless, all-consuming hunger, that had been growing inside himself became just a bit satisfied by the action, he got scared. He ran to Clockwork, who immediately explained everything to him.
From there he became terrified. He didn't want to eat people's desires, especially considering that he had some of his own. But CW explained that while other demons will most likely never be satisfied no matter how many desires they consume, because of Danny's halfa status he may be able to. (Also it would be a bad thing if the baby starves itself. No one wants the baby to starve!)
To test out this theory, CW pulls (more than) a couple of strings, and soon his dungeon was set up in Gotham City in the DC universe.
He felt a bit bad since he had to set up shop in another ghost's/demon's territory, but Lady Gotham seemed to have taken a liking to him.
Danny takes his time searching for the most desperate person he can find, (Lady Gotham is leading him to some of the most desperate people in her city, aka the Batfam.), and appears to one of them as a fawn (signifying his hunger and current 'lack' of power). He then looks deep into their mind and offers them the power to fulfill all their desires.
The Batfam? They should be better than this, but damn they were in a tight spot and the city is going to shit because the rouges have been more active than ever, and their family is on the verge of crumbling!... And the answer to fix it all was right there, just within their reach.
They held the fawn in their arms gently. Its ivory wings, coat of starlight, and piercing Lazurus green eyes. Gotham began to change.
A few years later, some members of the JL and the JLD are once again trying their hand at clearing the dungeon but are a bit discouraged because last time their team was wiped out completely.
It was inconvenient how their powers were nullified whenever they were inside the dungeon, but they had yet to find a spell to counteract it.
In an attempt to get past the third floor, they teamed with a team called Team Phantom, which comprised two young adult siblings, their 12-year-old sister, and a few teenagers.
Morally, they were against this. No one this young should be trying to clear the dungeon! But on the other hand, this team was the closest to getting to the fourth floor.
Sucking it up, they teamed up with the young dungeon dwellers and quickly found out why they were so close to getting to the third floor.
These kids were skilled. These kids were powerful. These kids were trained. On top of that, they didn't care about their lives! Because these kids? They wouldn't- no! They couldn't die, and they were using it to their advantage.
The JL/JLD now had much more to worry about than clearing the dungeon.
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bluebobatea · 5 days
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if sasuke was the main character then he probably would've been a LOT more sympathised with than he is now (which is to say rarely). like the narrative wouldn't even need to change to show his pains or 'his side of the story', bc it does that plenty. it's just that he is not the main character. and idk what it is about our human minds but we tend to sympathise with main characters automatically (unless ofc you go off the rockers insane and do something like obliterate almost everyone from the planet *cough* eren yeager *cough*)
an instance that comes to my mind where this does happen is with lelouch from code geass. while i don't agree with his character motivations, people generally do sympathise with him as he is the mc and as viewers we know he isn't inherently evil. sasuke's goal towards the end is slightly similar but ofc people love to hate him so they don't even try to understand where he is coming from.
my point is, most people while engaging with the naruto story don't read between the lines and so don't see how traumatised and in pain sasuke is and hence don't understand his character motivations. heck, they don't understand a single bit about him and so they automatically hate him, as he is supposedly going against the main character's goals.
which is really sad given all that he has been through.
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ride-a-dromedary · 7 months
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Again I know it's supposed to be a haha reference to the turns into a bear when he's too aroused thing, but in again refusing to brush just over the surface of this character: "I must be careful or I'll lose run of myself again. An Archdruid should show *some* restraint." comes across to me as more melancholy than perhaps intended when a. You take it into consideration that several lines imply that Halsin has issues with self control and self servitude, and presenting an "acceptable" version of himself as an outwards facing authority figure, to the point where he brushes over his own feelings, or pushes things that he wants down in the effort to reflect better what others want from him.
And b. Remember that Halsin was essentially just an apprentice when he was forcibly situationally promoted to Archdruid - he wasn't taught *how* to be an Archdruid or trained for it, or mentored; he was thrust into it because they didn't have any other choice. But they needed someone, so he stepped up. Halsin has spent the last century studying and learning things on the fly or through trial and error, and in a position of leadership like that, he is aware that every failure to uphold that mask *counts* and others *are* very much affected. How many times has he muttered that same mantra? Or heard it thrown around? An Archdruid not having control over their own magic is a big deal. Even when he is no longer Archdruid, he still grumbles it to himself. He's been at it over a century and he *still* doesn't feel like he's gotten it right. Even when he is in a place of progression, of trying to gain hold of himself again, those wisps of failure and self doubt still creep into everything. And that's sad to me.
#BG3 Musing#Halsin Posting#haha funny line in response to saucy line that man is about to go feral ooh se- HEY TRAUMA#it's like a med student being promoted to the head of emergency#or an admin assistant suddenly being put in a ceo role#like i know it's a meme scene!! but halsin sounds *humilated* when he accidentally wildshapes during his romance scene#he sounds flustered and embarrassed and is so quickly launching off excuses with a tone that indicates *he thinks it's over*#like he fucked up he fucked this up just when he was *starting* to come into himself again and it never stops#i keep thinking of that one lyric from big thief 'i can't find surrender/and i can't keep control'#and again i'm reading too deep into it but halsin's struggle with failure really is embedded here you just have to...like listen to him#Even when he *says* that there's little point in denying oneself#he does it literally all the time - he did it for a *century*#and i'm not saying he doesn't have fun or not enjoy things but he cuts himself off so early at the root#or buries himself so thoroughly in a self indulgence until it wrecks him and neither of these things are healthy#note that he says as long as others aren't affected - he doesn't say as long as i'm not affecting *myself*#anyway i'm unwell#maybe i was never meant to be archdruid - you weren't! you were meant to protect nature's spirit and roam with the wilds#and yet he still did the best he could and people *admire* him and followed him but he may never come to see it that way#you ruined a perfectly good wood elf - look it's got trauma and anxiety (and larian turned him into a meme and i won't forgive them)
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