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#can't believe they mentioned you
tilions · 2 years
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QUINLAN?!??
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being a student during peak pandemic was so fucking surreal like. "it's not an excuse to fall behind" I cannot stress enough to you how much A Worldwide Plague Upending Life As We Know It is literally one of The Top Three Reasons to fall behind
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natesmack · 4 months
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I know we talked to you a lot at the beginning of the year about playing with Nate..you obviously had such great chemistry with him, knew where he was going to be back in the day. Seems like you guys are starting to find that a little bit again (...) just how is that coming with him? [x]
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sysig · 4 months
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“It could be that the loss of her children drove the Queen deeper into her darker desires...but, I don’t believe she was fighting against them that hard before that particular tragedy. No monster does.” (Patreon)
Bonus:
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Hmm, wonder what he could cover those holes with :3c
#Doodles#Handplates#UT#Fellplates#UkaGaster's answers about Toriel really interest me :3c#As evidenced by the quote caption lol - but his other ones are very interesting too! Since it sounds like she's still around!#Poor classic Handplates!Gaster believed Tori dead for such a long time while she was at the Ruins#Meanwhile Fellplates!Gaster is just like ''? I saw the Queen last week she threw me into the pricker bushes? -.ò'' lol#But anyhow lol ♪ The implications that they're still in each other's vicinity really makes me curious about their relationship!#And how Toriel might react to knowing that someone - someone other than her - is having So Much Success on one of her sore spots#Not just of having children but of the constant reminders of Gaster's success where she has to live every day with a heavy heart for her own#Being cruel to him over it - well that's just par for the course isn't it ♪#He mentions that she's much more of an emotional sadist - insulting him and then making it Very clear that she does Not approve of the holes#''They're ugly and you should feel ashamed for drawing so much attention to something so unsightly''#I do think that her knowing that he's so intent on being kind and merciful and then twisting the knife on how much he's hurting her-#Making him feel guilty for daring to even attempt the betterment of all - for giving pieces of himself away and try to be a good person#''If anyone will break my spirit it will be her'' :)#Although that's all assuming that Toriel even knows about the brothers! :0 When I thought about it later it'd make more sense if she doesn't#It was still too good to not do something with the idea hehe - but imagine her betrayal if/when she found out tho she'd kill him on the spot#Gosh I haven't drawn Tori in foreeeeever I can't even remember the last time#Doing a/nother study on her would probably be fun haha she's rather plain how I draw her currently#I wonder if her Fellplates version would also wear reading glasses hehe#And the bonus :3c Where are the plates featured in Fellplates? Surely it's not just called that as a reference right ♪ Hehehe
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kazutora-kurokawa · 11 days
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Rockstar!Baji x Popstar!Reader
♡ SFW, fem reader, fluff, jealousy (on the fans' end), arson because it's Baji ♡
note: this was an anon request that I no longer have (oops I did it again) but I remembered it 🙃 also expect two more sets of Baji headcanons before the week is over 🙌🏽
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🎸 Baji and his band is already super famous and you had made a pretty big name for yourself in the pop industry
🎤 When you and Baji started dating your fans flipped out, you two were like the stereotypical bad boy and girl next door
🎸 No one expected your relationship to last, they were all anticipating for you to come out with a break up song any day now
🎤 That day never came obviously because you and Baji are perfect together, an absolute power couple in the music industry
🎸 I can already hear the song collabs in my head
🎤 You've sung backup vocals in a few of his songs and he's even helped you with writing
🎸 You two are each other's inspiration and biggest supporter
🎤 Meet and greets are so chaotic because you two plan them together, his female fans are extremely jealous of you and his male fans are jealous of him because he bagged himself a bad bitch
🎸 Baji is so much calmer around you, it's not even funny (he's still a crazy vampire arsonist tho, that'll never change)
🎤 He likes doing extravagant (and dangerous) things for you, one night he built a papermache heart, doused it in gasoline, lit it on fire, and held it up outside your window like a lunatic (Chifuyu and Tora helped him do it too)
🎸 You two stay out of the public with most of your relationship, but you do post a lot of random selfies on your social medias (a lot of random stray cats too because it's Baji and what else would you expect)
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Taglist
@arlerts-angel @i-literally-cant-with-this @trevengersprincess @giugiette @katkusuo @happy-trenchcoated-impala @drunkcheesecake @darkstarlight82 @reiners-milkbiddies @manji-hoe
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ultfreakme · 6 months
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Honestly Geto and Gojo having the same death anniversary which happens to be the most romantic day in Japan, with a character in-story stating how romantic it is should be enough evidence to convince anybody that SatoSugu are supposed to be a romance.
On top of that, we hear that JJK0 is about Yuuta and Rika's love but it's also about Geto and Gojo's relationship.
Then Gege Akutami specifically assigning break-up songs to Geto and Gojo.
AND THEN; they each get canon songs made in each other's POV speaking about their feelings specifically for one another. Where Gojo's song contains lyrics like "Even though I’ve come to know the scent of you being different from mine" and "Any prayer, any word Could bring us closer, but they couldn’t reach you Just like a silent love, In the summery colors along my cheeks". And Geto's song has lyrics like "Even trivial conversations are fine. Show me your blushing face once more" and "It exists only here. I want to touch you" and "Though I understand a wounded heart. Why do I end up hurting and leaving the same scars?"
The animation team going out of their way to give these two more soft moments hanging, creating visual parallels through the Betta Fishes, the flowers, the entire OP for Hideen Inventory but especially the part where we are seeing Gojo's vision being filled with Geto looking amazing while he rides Geto's rainbow dragon.
I saw someone say we're just projecting western views of romance onto satosugu but like, LOOK AT ALL THIS. I cannot stress enough the insanity of their death dates. It's like two people dying one after the other on Valentine's Day. This is some Romeo & Juliet bullshit. JJK in general has next to no romance, no one's pining after each other, the few times there are implications, it's very short. The most obvious one is Mechamaru and Miwa. Now imagine if Mechamaru and Miwa were the ones who got Ao No Sumika and Akari. Imagine they got 5 episodes dedicated to their story and Mechamaru dies on December 24th and Miwa's the one forced to put him out of his misery for betraying them to Mahito and Kenjaku.
Okay do you fucking see how ridiculous denying SatoSugu is? If Mechamaru and Miwa got all that even WITHOUT saying an 'I love you' no one would question their romance.
I know people keep making fun of shonen animes for having a stronger 'romance' between the two guy leads than with any other love interest but I've seen that stuff and even there it isn't nearly as deliberately romantic as SatoSugu. I can tell that Kuroko & Kagami, Gon & Killua or Levi & Erwin are supposed to be friends, the shipping thing is based on the established friendship stuff but SatoSugu are so blatant it's hard to think of another explanation.
I saw a point about how people are projecting western perspectives of romance on platonic friendship expression in a different culture, which I do get, I think it's a valid point. Idk much about how people express friendship in Japan but I have heard there's a lot more skinship and openness as compared to western cultures.
But w/ SatoSugu there isn't anything that can be read as purely platonic, there's always an ambiguity or it's directly romantic.
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lee-kangin · 1 year
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HARRY KANE (10) & SON HEUNGMIN (7) OF TOTTENHAM HOTSPUR The greatest partnership to ever exist in the world of football. “When you turn, I will be always there.”
BBC Sport / Kane and Son break the all-time record for Premier League goal combinations / The Guardian / Kane-Son trademark celebration during Liverpool 1-1 Tottenham, 07th May 2022 / Kane-Son trademark celebration during Manchester United 1-6 Tottenham, 04th October 2020 / Kane-Son trademark celebration during Aston Villa 0-4 Tottenham, 09th April 2022 / Kane-Son trademark celebration during Tottenham 2-0 West Ham United / Kane on Twitter after assisting Son on 4 goals against Southampton / Tottenham 1-0 Burnley, 26th Oct 2020 / Nice to Mich You, Son Heungmin / Premier League / Kane and Son hug during Manchester City 2-3 Tottenham, 19th Feb 2022 / Kane and Son hug during Tottenham 1-0 Crystal Palace, 20th Sept 2015 / Kane consoles Son during the Carabao Cup final against Manchester City / Kane and Son celebrate during Tottenham 5-2 Southampton, 26th Dec 2017 / Commentator on the Kane and Son partnership / Tottenham 2-0 Arsenal, 06th Dec 2020 / Caption from ‘Heungmin Son and Harry Kane guess their Premier League goal combinations’ / Stray Kids, I am YOU / Kane and Son celebrate during a 6-1 game against Leicester City, 18th May 2017 / Kane and Son celebrate during a 4-0 game against Everton, 13th Jan 2018 / Kane on Twitter / Frank O’Hara, ‘Morning’ / Kane wins the Golden Boot 20/21 / Son wins the Golden Boot 21/22 / Kane assists Son against Southampton / Caption from ‘Heungmin Son and Harry Kane guess their Premier League goal combinations’ / Mitski, Francis Forever / YouTube: Record breakers! Kane & Son react to becoming Premier League’s most deadly duo! / FootballJOE on Twitter, referencing Son’s trademark goal celebration, the ‘camera,’ through which he is looking at Kane / Gang of Youths, ‘Achilles Come Down’ / Kane and Son celebrate their goal against Arsenal / Kane on his relationship and link-ups with Son / Son and Kane on Instagram / Kane and Son after Kane assisted Son on four goals against Southampton / Tottenham 3-2 Ajax, 08th May 2019 / cr. Shaun Botterill, Getty Images / Commentator on the Kane and Son partnership / Tottenham 3-2 Manchester City, 19th Feb 2022 / Caption from ‘Heungmin Son and Harry Kane guess their Premier League goal combinations’
#footballedit#kaneson#tottenham hotspur#harry kane#son heungmin#son heung min#heungmin son#heung min son#tottenham#football#this is my magnum opus i spent an actual insane amount of time on this ... there is something SO deeply wrong with me.#i feel like this isn't enough to encompass the love they have for each other there needs to be MORE ... but i tried my best#in the end do you ever think about how they both grew up on different sides of the world with nothing binding them apart from a shared#desire to play football and to be the best at it. and how more than 2 decades later they found each other in london and became part of each#other's stories. because that's the crux of it isn't it? there will be no book written about one of them without mentioning the other.#they've become so intertwined over the years you can't tell where one starts and the other ends.#the amount of respect and admiration that they hold for each other is actually insane. like sonny talking about how harry is the best#striker in the world and - not pictured here - how he believed he could win the golden boot at the world cup last year which uh.#that was never going to happen but it's the FAITH. the unwavering relentless FAITH!!! that he has in him :(((#or the DIFFERENT way harry loves sonny oh i could pen tomes about it really but the point is that he opens up around him and he sheds that#stoic and untouchable persona and actually laughs and giggles and smiles in interviews with him and never doubts him. ever.#i couldn't fit in 'never in doubt' here but NEVER IN DOUBT!!!#'when you turn i will be always there.' how goddamn romantic is that then.#the thing is that they were born to be together. they were meant to play with each other.#there will never be another duo like them.#rahul.gif
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lgbtlunaverse · 2 months
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One underdiscussed aspect of the bone-deep lack of mutual understanding during the nieyao stairs scene is that Nie Mingjue doesn't know - and can't know - what he's actually asking of Jin Guangyao. Not because he doesn't understand how his father treats him, or how tenuous his position is. But because he has no clue Xue Yang is a demonic cultivator.
Remember: Nie Mingjue is still alive, which means the position of chief cultivator doesn't exist yet and Jin Guangshan is facing heavy pushback for suggesting it. Most of that is coming from a fear that the Jin will try to become the next Wen. So having an outer disciple murder an entire clan and then not even punish him properly? This is a collosally bad move politically! You might as well be waving a red flag around yelling "I want to kill other sects with impunity!" There's a reason that years in the future, the moment Jin Guangyao becomes acting sect leader, he will immediately order Xue Yang's death (He doesn't actually die, either by accident or on purpose on jgy's part. But the point is that as far as the public is concerned he had Xue Yang executed.)
From Nie Mingjue's perspective, Jin Guangshan just shot himself in the foot politically for some random outer disciple. It's morally wrong, but it's also incredibly fucking stupid. In his eyes, he is asking Jin Guangyao to do the glaringly obvious right thing, even when exclusively looking at the Jins' self-interest. The thing that surely everyone else in the Jin also wants Jin Guangshan to do! Jin Guangyao can say that he has no influence on his father all he wants, but it is obvious how much work he does and so, as much as his father may not respect him, he clearly at least trusts Jin Guangyao's competence. Nie Mingjue has already tried shouting directly at Jin Guangshan during the trial and it seemed to work, but then Jin Guangshan went back on his decision like a complete idiot. So now Nie Mingjue is asking the guy who is famous for being good at rhetoric and convincing people to convince his donkey of a father to do the obviously correct thing with minimal downsides because again, to Nie Mingjue, this is all about some random outer disciple. It makes sense to ask this! It's a pretty reasonable request! Jin Guangshan can't possibly care that much.
Except of course he does. Because Xue Yang isn't some random outer disciple. He's the only good shot Jin Guangshan has at recreating the yin tiger tally. And Jin Guangshan reaaaaaally wants the yin tiger tally. So bad that he is fully willing to tank an ungodly amount of political goodwill to get it. Jin Guangyao is fully aware that not only will Jin Guangshan never kill Xue Yang, he isn't planning on keeping him locked up either. In fact, after Nie Mingjue is dead, he'll free Xue Yang and strongarm Chang Ping into denying the guilt of his family's murderer. Jin Guangshan cares a lot about keeping Xue Yang in his employ.
And Jin Guangyao knows this. But he can't tell Nie Mingjue that! Because then he'd have to admit they've been doing demonic cultivation. That the fucking ghost geneal is in their basement. That, oopsie, they actually also killed a whole other entire clan just a while ago after framing their sect leader for an assasination attempt and then used their bodies as fodder to make more fierce corpses. You know, in case one mass murder wasn't enough!
So obviously he's not gonna say that. Which means Nie Mingjue has no idea what he's demanding from Jin Guangyao, and therefore no idea why he absolutely can't fullfill that request.
I get why it's not mentioned very often because there are a lot of other problems which are both more obvious and more fun to talk about. (Who doesn't love a little overcomplicated trolley problem?) But I think it adds just another layer to the chasm between them in this scene. They're not just disagreeing, they're having completely different conversations.
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yurki-posts · 2 months
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Comfort sillies :>
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peppermoons · 3 months
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Nobuhiko Okamoto really out there promoting his BL manga that is basically a bkdk au and you people here are just... NOT TALKING ABOUT IT?????
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possamble · 10 days
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
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She was as excited for Marcille's milestones as Donato was.
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She didn't tell Marcille much about elven food
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(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
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However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
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Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
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"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
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copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
#asks#she could easily be interpreted as distant or neglectful after Donato's death too#with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect#and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive#but there's nothing that suggests she remained a loving parent afterwards#I just think that like... parental relationships are so complicated in dungeon meshi#you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent#and i think it'd be more compelling if Marcille's mother was a little like that too#not a totally and easily dismissable deadbeat#but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment#and regrets it deeply#and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear#and a little resentment from Marcille's side that she hasn't really properly processed#I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just#immediately arrives in Melini#and its awkward for a bit but they do finally have a heart to heart and air it all out#and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille#on account of the crimes and all#marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down#'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood#but i think its what her mother would believe and what marcille needs to hear#and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately#it expects the audience to do their own critical thinking#and know that its not trying to make sweeping universal statements in every instance#marcilleposting#marcille donato
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ofallthingsnasty · 2 months
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horny shower thought;
sanji and croc both kiss feet and worship their wives and have feeding kinks but sanji would kill himself for you and croc would kill others for you
anyways HOWS YOUR JOB GOING? HOW ARE YOU FOING TODAY? i hope you’ve been doing amazing cause you deserve the world 🤩🤩💜
It's so stressful 😭 But I knew that the beginning would be rough. I just have to hold on and study lots ahshjs
You know what? I think it's even more nuanced than that 🥴 Yes, both kiss feet - but while Crocodile is the type to stick to a tasteful, proper kiss right above your toes, where your skin is tender and ticklish, Sanji will inhale them if you drop the fact that you like your feet played with even once in a conversation. He'll latch onto your big toe like he's trying to suck the blood out of it and you'll have to tell him in between laughter (because it tickles like hell) and embarrassment that you didn't mean it like that.
Same goes for food - Crocodile isn't interested into the feeding aspect that much, he wants you fat and happy. Happy wife, happy life - especially when the wife in question is soft and warm and comforting. He does love to see the way your eyes bulge when you're served more than you could ever eat and fluster while you try to finish but it isn't the main aspect for him. It's just kind of cute. Sanji on the other hand... He's a little creepy about it. Unintentionally. Not only does he cook and bake and serve you all himself - the thought of his cooking (= his love) leaving a mark on your body is something else. In general, he doesn't care much about your body type - but even he has to admit that seeing you with a little extra puts his mind at ease. He never forgot what happened to him and to know that you're maybe a little better equipped to weather storms like that calms him.
Two very different men, united by the love for a fat spouse...
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kimdokja-real · 8 months
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Lmaorofl Kim Dokja
"That wasn't my world." I looked at the empty space. "My world is here."
Yoo Joonghyuk was silent for a long time. I licked my lips and laughed. "This place has my incarnation Yoosung, my colleague Yoo Sangah, Han Sooyoung who hasn't blackened yet, my mother…"
"Don't feel joyful. It isn't over yet."
- Kim Dokja just called Yoo Joonghyuk his world then got self-conscious when Yoo Joonghyuk was silent for a long time and started talking about other people
Once we came to our senses, we were lying on the floor like we had made a promise. It was because Yoo Joonghyuk and I had reached our limits.
-What promise, Kim Dokja???
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masquenoire · 10 days
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>> Pokemon Personality Quiz
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Well, this was off to a good start. Roman looked at his result proudly, finding it very accurate for a man like himself. Nothing suited him better than a Dragon, being a natural leader with strong ambitions to take over Gotham and claim the city as his own. Damn right he had high standards and he wasn't afraid to show it!
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"Agreeableness is very low? Fuck you, I'm perfectly agreeable when it suits me!" The rudeness of this quiz.
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It was only getting after his result that the grumbling stopped, Roman completely in shock at what he'd gotten. He'd expected dragons; fierce, proud, powerful beasts that matched the vigor and menace he exuded and what he'd gotten was far from what he'd expected.
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"And just what the fuck is that? A Goodra? Are you fucking kidding me!?!? That ain't no fucking dragon, that's something out of My Little P.ony or some kid's shit! Don't get mad if it slimes up my good suit? You better believe I'm gonna get PISSED at this gooey-eyed piece of shit touching me! Sure, don't give me the badass with blades in his face or the giant Blue Crocosaurus. Even the frozen turkey would be better than fucking Goodra." Roman seethed. This shit was exactly the reason why he didn't like Pokeymans or whatever the hell the stupid series was called.
Tagged ByStolen from: @peranarkia (♡) Tagging: Whoever would like to do it?
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soracities · 9 months
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Hi! So I tried not to say anything about some anti makeup posts I saw on your blog but I need to say this. I think you're very wise and I agree it's very important for us to love ourselves as we are. But some people like myself doesn't care about 'empowering' of makeup or whatever but we just have fun with it and we just love it. I say we because I know there is a lot of people like me. Yeah, we are feeding capitalism or whatever, but world is beautiful and it's also terrible so people trying make themselves feel good, have fun, ect. I see a lot of people who don't wear makeup and i'm happy for them! I didn't wear makeup until i turned 20 i think and felt good.
One thing I wanted to add is in response of post about feminine girls. I think everything needs balance and sometimes people tend to overreact in their opinion and divide everything in black and white. Personally I never cared how women around me looked and what they were wearing. But I would like to have same treatment, and not to feel silly for wearing pink or feminine clothes.
Sorry, I don't know English very well so maybe I can't translate my idea entirely. What I'm trying to say i think everyone should do what they like and leave each other in peace.
Sorry for this essay, just wanted to share my point of view.
Hi, anon! I'm sorry for the delay in getting to this, but I appreciate you writing this (and your English was fine, don't worry)
I think the main argument of those posts (and my own feelings about this) is not about makeup on its own, or even judgement about who does and doesn't choose to wear it--what they are criticizing is a particular part of the society we live in which puts a huge emphasis on women's beauty and appearance in order to fulfill an idea of what a woman "should" be, and the role that makeup plays in that as a result. Because whether we like it or not, whether we believe in them or not, whether we feel pressured by them or not, these expectations do exist. How we personally respond to them does not change that.
I personally don't have an issue with makeup or the concept of it (in almost every culture on earth, humans have been using makeup of some kind for literally thousands of years)--but what I do have a problem with is when we treat makeup, or other traditionally "feminine" forms of expression as neutral things when they are not. A comb or a hair tie is neutral--it's just a thing. Lipstick and eyeliner are also just things, but only when they exist by themselves--and in reality they don't exist by themselves: they exist in a world where we value women on their physical appearance before we value them for anything else--lipstick and eyeliner exist to emphasise parts of your appearance, to make you look a certain way--and in a society where we put so much importance on women looking a certain way, they aren't just ordinary things you toy around with for fun. You can have fun with them, but it doesn't change their role. They can't be treated as exceptions from the world they are used in.
I think sometimes people assume that being anti-makeup is the same as being anti-women-who-wear-makeup, which misses the point (and also suggests a very dangerous idea which I think, sometimes, is why people respond so angrily to these criticisms: because if we believe that being anti-makeup = being anti-women, then therefore makeup = womanhood, and this is simply not true). Whether you wear these things just for fun and to enjoy yourself isn't what is being talked about because these criticisms are not about you on a personal level: they are about looking at a society that is as image-obsessed as ours, and asking why makeup has the role that it has when 1) it is almost exclusively aimed at women--women who, as a group, have been historically marginalised, and whose value, historically, has almost always been measured in terms of their beauty before anything else and 2) the makeup that is emphasized, the trends and styles that come and go, are often not so much about self-expression (if they were, people would be freely wearing all sorts of wild colours and styles: when we talk about "makeup culture" it's not the same kind of makeup used in the goth, punk, or alt scenes for example where makeup plays a very different role) but almost always about achieving or aspiring towards a type of beauty that is valued or expected: to make you look younger, to make your eyes brighter or larger, to make your lips bigger or sexier, your cheekbones more prominent etc--again, on their own, these things may not be a big deal, but they exist in a world where having these looks means you are valued in a certain way as a woman. And when this exists in our kind of world, where the power dynamics we have automatically mean women's perceived power is through beauty, and where we insist so much on women being a particular kind of beautiful (and this starts in childhood) we have to ask and investigate WHY that is--why this type of beauty and not another? why (almost only) women? who benefits from this? who suffers as a result?
The argument of "not all women" wear makeup for empowerment misses the point of these criticism, because it is focusing on a person's individual choices in a way that suggests our choices can define the world we live in, and they can't. We are deeply social animals. Therefore, how we appear to each other and to ourselves is a socially influenced phenomenon. This applies for race, for sexuality, and for gender. How women are perceived at large, in different social structures, is a social phenomenon influenced by the societies we exist in and the values of those societies. These criticisms are about the society we make those choices in and how that can affect us. For you, makeup may be something fun and enjoyable and that's fine. I'm not saying that's untrue or that people don't feel this way or that you are wrong for feeling this way. It's also not saying that you are brain-washed or oppressing yourself for it. But it doesn't change the world we live in. Someone feeling perfectly happy to go out with makeup or without makeup, and feeling no pressure to do either, is great--but it doesn't mean there aren't a lot of women who do feel pressured into wearing it, and that pressure is a social one. It doesn't change the inequality that exists between how women's physical appearances are judged compared to men's. It doesn't change the fact that almost every childhood story most kids hear (that aren't about animals) have a "beautiful princess" (and very little else is said about her except that she is beautiful) and a "brave" knight/prince/king/whichever: the princess (or maiden or whatever young woman) is defined by how she looks; the male in the story by how he acts.
It also doesn't change the fact that so many young girls grow up hearing the women around them criticize various parts of their bodies and that they carry this into their lives. It doesn't change the fact that we expect (in Western countries at least) for women to have criticisms about their appearance and they are "stuck-up" or "full of themselves" if they don't. It doesn't change the fact that magazines photos, red carpet photos, films, tv shows etc., feature actresses who are beautiful in a way that is absolutely above and beyond exceptional (and who either have had work done cosmetically, or are wealthy enough to be able to afford to look the way they do through top-class makeup artists, personal trainers etc) but who we think are within the "normal" range of beauty because faces like theirs are all that we see--how many famous actors / entertainers can you name who look like they could be someone's random uncle, or "just some guy" (writing this, I can think of 5). Now how many actresses, equally famous, can you think of that are the same? Very, very, very few.
The point of those posts, and why I feel so strongly about this, is that we have a deeply skewed view of beauty when it comes to women, because, as a society, we place so much on how they look in such a way that it is not, and was never meant to be, achievable: therefore anything that contributes to how women look, that markets itself in the way that the makeup industry does in this day and age, needs to be questioned and looked at in relation to that. No one is saying don't wear eyeliner or blush--what they are trying to say is that we need to be aware of the kind of world eyeliner and blush exists in, what their particular functions as eyeliner and blush do in the world that they exist in, that we exist in, and how this does impact the view we have on makeup as a result. Your personal enjoyment may be true to you and others, but this doesn't change the role of female beauty in the world because, again, our personal choices don't define the world in this way. Often, it's the other way around. And we cannot deny this fact because, while it may not affect you negatively, it does affect others.
I absolutely agree with you because I don't care how other women around me choose to dress or express themselves, either--that's their freedom to wear what they want and enjoy themselves and I want them to have that freedom. But my view is not the world's view, and it's certainly not the view of a lot of other people, either. I don't care if another woman loves pink and wearing skirts and dresses--but, like makeup, pink, skirts, and dresses, are not neutral things either. They're tied to a particular image of 'femininity' which means they are tied to a particular way of "being a woman" in this world. I'm not saying, at all, that it's wrong to wear these things. But I'm saying we can't treat them as though these are choices as simple as choosing what kind of socks to wear, because they aren't. They are choices that have baggage. If a woman is seen as being silly, childish, or treated unequally because she enjoys cute tops and ribbons and sundresses, that's not because we are demonizing her choices, or because being anti-makeup is being anti-woman (again, it is absolutely not): it's because we as a society demonize women for any choice. That isn't because of anti-makeup stances--that's because of sexism.
You mentioned that you want to be treated the same as anyone else for wearing feminine clothes--but the fear that you wouldn't be isn't because of the discussions critiquing makeup and other traditionally "feminine" things--it's because we live in a society where women are constantly defined by how they appear on the outside, and no amount of our personal choices will make this untrue. Whether you are a girly-girl or a tomboy, you'll always be judged. And, in reality, when women follow certain beauty standards they do get treated better--but this doesn't mean much in a society where the standards are so high you can never reach them, and where the basic regard for women is so low to begin with (not to mention the hypocrisy that exists within those standards). This is what all those criticisms towards makeup and "empowerment" are about: it's about interrogating a society that is built on this kind of logic and asking why we should insist on leaving it as it is when it does so much damage. It's saying that that if we want everyone to truly feel free in how they choose to present themselves we have to go deeper than just defining freedom by these choices on their own, and look at the environment those choices are made in. And that involves some deeply uncomfortable but necessary conversations.
Also, and I think this important to remember, views on makeup and the social place of makeup will also depend on culture and where you are, and the beauty expectations you grew up with. And when it comes to the internet, and given American dominance online, a lot of these posts criticizing makeup and the way makeup is being used to sell an idea that wearing it is "empowering" to the woman (which is basically saying: you are MORE of a woman when you wear it; you are stronger and more powerful because, in our society, beauty is portrayed as a form of power: it tells you, you can battle the inequality women face by embracing the role beauty plays in our lives but it doesn't tell you this emphasis on beauty is part of that inequality), are based on the way makeup is portrayed in mostly English-speaking Western countries. My views are shaped by what I grew up seeing, and while a full face of makeup (concealer, primer, foundation, mascara, highlighter, contour, blush, brow tint, brow gel etc) may not be daily practice or even embraced in a place like France or maybe other places in mainland Europe (but that doesn't mean they don't have their own expectations of feminine beauty), they are daily practice in places like the US and Britain, and this is what most of those posts and criticisms are responding to.
We can argue as much as we want about makeup, but when you grow up in a society where women feel the need to put on makeup before going to the gym there is something seriously wrong. Embracing makeup and enjoying makeup is one thing, but it cannot be a neutral thing when so much of it is about looking like you're not wearing makeup at all, or when we assume a woman is better qualified for a job or more professional when she wears it. It cannot be a neutral thing when a singer like Alicia Keys goes makeup-free for a red carpet event and it causes a stir online because people think she looks sick (what she looks like is normal--I would argue above normal--but wearing makeup to cover up "flaws" is so normal now that we genuinely don't know what normal skin is supposed to look like because the beauty of these celebrities is part of their appeal: they are something to aspire to). It is absolutely very normal for me, where I am, to see young girls with fake lashes and filled in brows: it's not every girl I pass, but it is enough. I'm not saying they are miserable, or brain-washed, or should be judged. I can believe that for them it's something enjoyable--but how am I supposed to see something like that and not be aware of the kind of celebrities and makeup tutorials that are everywhere on TikTok and YouTube, and that they are seeing everyday? How am I not supposed to have doubts when people tell me "it's their choice!" when the choices being offered are so limited and focused on one thing?
I never wore makeup as a teenager and I still don't, but a lot of that is because I grew up surrounded by people who just didn't. Makeup was never portrayed as anything bad or forbidden (and I don't see it like that either)--it was just this thing that, for me growing up, was never made to be a necessity not even for special occasions. I saw airbrushed photos and magazines all around me, for sure, and I definitely felt the beauty pressure and the body pressure (for example, I definitely felt my confidence would be better if I wore concealer to deal with my uneven skintone, and I felt this for years). But I also know that, growing up, I saw both sides. No makeup was the default I saw at home, while makeup was the default I saw outside. And that does play a part, not just in the choices you make, but in the choices that you feel you are allowed to make. No makeup was an option for me because it was what I saw everyday, even with my own insecurities; but if you do not see that as an option around you (and I know for most girls my age, where I grew up, it probably wasn't) then how can we fully argue that the decision you make is a real choice?
If I wanted to wear a cute skirt outside, for example, and decided to shave my legs--that isn't a real choice. And it cannot ever be a real choice, no matter how much I say "this is for me" or "I prefer it like this" because going out in public with hairy legs and going out in public with shaved legs will cause two completely different reactions. How can I separate what I think is "my choice" from a choice I make because I want to avoid the negative looks and comments? And how can I argue that choosing to shave is a freely made choice when the alternative has such negativity? If you feel pressured into choosing one thing over another, that's not a choice. Does this make sense?
This is how I feel about makeup most of the time, and what I want more than anything else is for us to be able to have a conversation about why we make the choices we do beyond saying "it makes me feel good" and ending the conversation there. Again, I'm not saying people need to stop wearing makeup or stop finding enjoyment in wearing it, but I think we tend to get so focused on our own feelings about this and forget that there is a bigger picture and this picture is a deeply unequal one. That is what this conversation is about. I hope this explains some things, anon, and if I misinterpreted anything please feel free to message me again. x
#i think in essence what i'm trying to say is that#some things are true in a microcosm but you cannot make a universal application for them bc the microcosm isn't representative of the whole#and it is dangerous to assume that it is or that it can be bc you're erasing the bigger picture when you do that#it would be like a poc saying they never felt the pressure of skin-lightening creams which is amazing but it doesnt change the fact that a#whole industry exists selling skin-lightening products BECAUSE there is a demand for them and that demand exists BECAUSE there is an#expectation that they SHOULD be used and this is because there is a belief that lighter skin = more beautiful. regardless of how messed up#and damaging that logic is that doesn't mean it doesn't exist in the world#and therefore those industries exist to maintain that belief because that belief is what drives their purpose and their profits#and we are doing no favours to the countless poc who DO feel pressured to subject their skins to these products or who come away with#a deeply damaged sense of self-worth (not to mention the internalised racism that's behind these beliefs) bc of constantly being told they#are less than for being darker than a paper bag which is RIDICULOUS#saying its all down to choice is not far off from saying you can CHOOSE to not be affected by the pressure but like....that's just not true#you can't choose to not be the recipient of colorism any more than you can choose to not be the recipient of sexism. and its putting a huge#amount of pressure and responsibility for an individual to just not be affected by deeply ingrained societal pressures and expectations whe#what we SHOULD be doing is actually tackling those expectations and pressures instead#they are leaving these systems intact to continue the damage that they do by making everything about what you as an individual think and#believe but while we all ARE individuals we dont live in separate bubbles. we are part of and IN this world together. and it acts on us as#much as we act on it. but like.....i think i've gone on enough already#ask#anonymous
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