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#can you tell my favorite color is green?
mostlikelyshutup · 3 months
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Tagged by @crime-wives to do this picrew (ty ty ty!!!!)
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tags for mutchies @shortangrybisexual @secret-mafia-boss @knifebucket (and also @horsetailcurlers2 but the mutual mutual already tagged you lmao)
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newts-and-bones · 9 months
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Papyrus doodle sheet (+ 2 sans guys)
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hongjoshuaz · 10 months
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could beat picasso any day
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wishing-you-would · 4 months
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i'd lie BELONGS to early penelope and colin
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lemonofthevalley · 1 month
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hi look at the ring I got 2day isn't it pretty
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sparky-is-spiders · 10 months
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I... don't think I've ever participated in a ship week before? Or even made serious ship art? But I'm very fond of JE and I really wanted to. Other things I am fond of: TMA vampires! So I made Jon one. If you're wondering how that works... I'd say don't worry about it but I actually have several ideas.
Jon was always a vampire, he's just a weird, more sentient mutant. Elias wants to study him.
All TMA vampires are sentient, they're just also too hungry to care about things like morals or leading a regular life outside of feeding. Jon is different, Elias wants to study him.
Jon is currently in the process of being turned (just because it hasn't been observed in-universe doesn't mean it couldn't have happened). Elias wants to study him (but if he's not careful his fun new science project WILL eat him).
Art under the cut (along with the refs I use for them).
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Also kept in a sketch of vampire Jon that I was proud of. I don't usually work with that angle (or with any kind of poses, which is. hmmmm.) so I'm really happy with what I managed there actually.
Too tired/busy (college move-in day is tomorrow and my cat had to get vaccines in today) so I didn't go for much of a background beyond "vaguely implied wood floors."
Also yes it is very important that Elias hold Jon's weird freaky vampire tongue like that. For science. And no other reasons.
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Here are their refs! Elias has one hand on Jon's back/shoulder and the other behind his back because I didn't want to draw hands. They're anthro because I don't want to draw humans (furry). Jon is a tortoiseshell cat, Elias is a common genet (because when I thought of Elias designs my mind immediately went to my tiny toy Civet for reasons that are beyond my understanding). Also gave Jon a file folder because I thought he should have one.
(bonus message from my cat Jenny, who found it necessary to walk across my keyboard while I was making this post: bn nnnnnbngh)
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drawnecromancy · 6 months
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You know, adding hooks so that my wizard robes don't shift around and randomly open despite the belt would take, like, 30 minutes tops.
But this is For Me so I don't really care.
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serps-up · 11 months
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doing artfight this year since ive got time on my hands! too bad i don't have a lot of ocs.
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spiralstain · 1 year
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.
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God I want. Green pants.
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temporarytemporal · 3 months
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cling to me
I know I said I was going to distance myself from this piece of media because of all of its terrible connections, but these two characters seem to have taken root in a permanent place in my heart, and I can't let them go.
Anyway, here's some character design notes below the cut for the one person out there who's obsessed with these characters as much as me.
Early DSMP: the era of childhood innocence
Bandanas: They sport each other’s bandana’s (they’re hidden in the design for every era). I love character designs with complementary colors (and I love how red and green are also cranboo’s colors)
Disks: Early on, cat and mellohi represent the peaceful moments ctommy shared with his favorite people, but they went on to be a symbol of victory and independence from the people who have hurt him.
Flowers: Ctubbo collects flowers and tries to memorize the meanings and symbolism tied to each type of flower. He also collects them for his bees.
L’manberg: the era where children became soldiers
Horns: Ctubbo’s horns start to grow in here.
Pogtopia: the era of an exile and a secretary of state / spy
You can tell I joined the fandom at the end of this era because I don’t have many notes here or for the l’manberg era.
Exile: the era of an exile once again and and a president too young
Hair: Ctommy’s hair starts to grow longer as he neglects taking care of himself.
Clothes: Ctommy’s clothes are tattered; one shoe is destroyed and he took to wearing cw-lbur’s (f-ck ccw-lbur btw!!) trench coat.
Bandages: Ctubbo’s wrapped in bandages from his recently earned firework burns. He’s gone blind in his right eye, and he’s missing the ring and pinkie finger on his right hand.
Compasses: They share their matching ‘your tommy’ and ‘your tubbo’ compasses
Hog Hunt: the era where one sought to kill the blood god while the other sought refuge there
Stolen goods: Ctommy’s has his antarctic empire outfit plus all the goods he stole from ctechno like the turtle helmet, golden apples, and the axe of peace.
Bedrock: Ctommy wears his counterpart piece matching techno’s from his ear.
Prosthetic: Ctommy’s right foot had to be amputated after he loses it to frostbite in the trek to cemeraldduo’s cabin. Ctechno gives him a simple prosthetic.
Disc Finale: the era of mended relationships and a final stand
Headband: Ctommy begins to wear a devil headband to fit in more, as he’s one of the few humans on the server. The devil horns were chosen to resemble ceryn’s real ones.
Patchwork: Ctommy learns to sew, and he fixes his tattered clothes from exile.
Post Revival:
Devil horns: Ctommy’s devil horns (plus a tail) become real after revival, and he gets a white streak in his hair.
Prime cross: The bad things that have happened to them both that they survived strengthen ctommy’s faith in prime, whereas they weaken ctubbo’s faith.
Sweater: Ctommy makes himself a sweater from friend’s wool.
Mechanical inventions: Ctubbo pursues his passion for engineering more as he makes mechanical bee drones and studies nuclear physics. He also makes himself prosthetic fingers, and he upgrades ctommy’s prosthetic foot.
Marriage ring: Ctubbo marries cranboo platonically and wears the ring on his horn. He also founds snowchester so he can have a place to protect his loved ones and raise his son. He grows out his hair to avoid eye contact for cranboo and to cover his scars.
Body type: Ctubbo gets chubbier and gains some muscle as he gets a bit happier in life.
Post DSMP:
The prison break and everything after it never happened. These are my OCs, and I make the rules because every actor/writer who played a part in their creation either abandoned them or turned out to be a terrible person. Cbenchtrio live happily ever after and begin their journey of healing while cdream rots in prison forever.
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alfheimr · 2 months
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My Favorite Cheap Art Trick: Gradient Maps and Blending Modes
i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:
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this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.
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the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.
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this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.
i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.
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for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.
note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!
note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!
with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?
the basic gist is that gradient maps replace the colors of an image based on their value.
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so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.
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these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!
you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.
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this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.
let's see how mithrun looks when we apply that first gradient map we looked at.
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gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:
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some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.
for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.
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here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.
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i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?
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i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.
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yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.
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i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.
i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.
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the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.
typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!
this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.
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let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.
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just dont look at my layers too hard. ok?
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hemmingsleclerc · 1 month
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A cute first impression ┃CL16
summary: where Charles goes to pick up his daughter from kindergarten and meets Jules' pretty teacher
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In the Sunshine Kindergarten classroom, Y/N stood in the middle of some colorful drawings of her little students, her heart melting at the innocent and focused expressions of them. "Very well, everyone," she announced with a soft but firm voice, "today we are going to draw the most important people in our lives and at the end everyone will come forward to explain their drawings to us, is that okey?."
A chorus of ''yes'' was heard throughout the classroom.
Excited laughter filled the room as the children eagerly picked up their crayons and paper. Y/N moved around the room, offering encouragement and helping when needed. Among the sea of ​​drawings, one in particular caught her attention: a sweet representation of a man, a woman and a girl, smiling widely and hugging each other with a small detail on the side, a red racing car.
Curious, Y/N approached young artist Julianne, a five-year-old girl with bright green eyes and pigtails with little ribbons that bounced as she worked on her masterpiece. "Julianne, can you tell us about your drawing?" Y/N asked with a warm smile once everyone had finished.
Julianne looked up, her eyes shining with excitement. "This is me and my papa," she exclaimed proudly, pointing to her paper. "And that's my papa's car!" she added, pointing to the scrawled image of a car next to them. "And this is you, Miss Y/N," she continued, turning her gaze to her teacher, "because I love you very much."
Y/N felt her heart melt at Julianne's words. She knelt down next to the girl and wrapped her in a gentle hug. "Thank you, Julianne," she whispered, touched by the sincerity of her favorite student.
As the children began sharing their drawings with the class, Y/N couldn't help but feel proud of her students' creativity and affection. At the end of class, Y/N helped all of her little students pick up their things and put their backpacks in order to then chat a little with their mothers. When Julianne's father arrived a little late to pick her up, something in the room changed.
Julianne squealed with joy when she saw her father, running into his arms as he picked her up and spun her around. Laughter filled the room as they shared a joyful reunion.
After saying goodbye to her classmates, Julianne remembered her forgotten backpack and ran back to the classroom, followed closely by her father. "Look, papa," she exclaimed, tugging at her father's sleeve, "this is my teacher, Miss Y/N!"
At that moment their eyes met for the first time, since normally her grandmother was the one who picked up little Julianne. "Hello, Miss Y/N," he greeted, his voice soft but a little shaky.
Y/N smiled warmly and felt a light blush rise to her cheeks. "Hello, Mr. Leclerc," she replied timidly, returning his gaze. ''Charles'' ''Excuse me?'' ''Call me Charles''
As they exchanged words, Julianne excitedly explained her drawing to her father, her joy contagious. Charles listened attentively, his heart swelling with pride at his daughter's words.
Before leaving, Charles turned to Y/N with a shy smile. "Jules mentioned that tomorrow there will be a small festival to celebrate spring and that all the mothers will come to see their children," he began hesitantly, "could I… attend?"
Y/N's smile widened at his request. "Of course yes Mr- I mean Charles," she responded warmly, her heart fluttering with joy.
As they said goodbye, Charles leaned toward Julianne and whispered softly, "She's very pretty, don't you think?"
Julianne nodded enthusiastically, her eyes shining with agreement. ''Of course she is very pretty papa''
After that, they both headed home to see what little Jules would wear to the festival the next day, and Charles would also go to see what he would wear to talk to his daughter's cute teacher again and maybe ask her out for a drink.
But just maybe
(He definitely would)
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peachesofteal · 6 months
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Light On - single mom/neighbor fic Simon Riley/female reader - 18+ MDNI brief suggestive content, Christmas vibes (these characters do not celebrate Christmas religiously) 🎄 There'll be much mistltoeing / It's the most wonderful time of the year - for @glitterypirateduck's cod holiday challenge
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"She's lovely." Laswell comments, standing at his shoulder in the living room.
"She is." He answers, but doesn't bother to look at her, too transfixed on you, watching the way you smile and laugh, champagne flute in one hand, baby in the other. Blood rushes through his body as he stares at you, marveling at how bloody good you look with the baby on your hip, and even though he knows it's an archaic mentality, he can't help but dream about giving you another. Kate gives him a smirk that he just barely catches from the corner of his eye, and he cuts her an exasperated look. "Excuse me."
"By all means."
He makes his way to your side where you're chatting with Gaz's date, Lily, wine colored velvet dress draped across your body, snug and silky across your skin. Your hair is done, styled differently, arranged on top of your head instead of your usual or pulled into something looser, shiny gold cuff curled around the top of your ear. You’re stunning, and his mind turns over, trying to determine if it’s okay or appropriate to tell you for the third time tonight that he’s obsessed with you, that he wants to get you home and worship you, wants to rip your dress off and ruin it. He wonders if you’ll let him take you home early, if you’ll be quiet for him when he bends you over the bed, if you’ll come on his cock all breathy and sweet with his name on your lips.
Emmaline sits embraced in nook of your elbow, white and green dress complemented by tiny, shiny, black shoes, babbling away at anyone who will look at her. She lights up when he steps closer, trying to tip out of your grasp towards his, discontent rising in her crumpled little brow when she can't break free.
"Hi." You beam, his hand finding the small of your back, Emmaline wriggling around to face him, leaning back with a big smile, knocking her head into his side. You roll your eyes at Lily. "I've become chopped liver to my own baby."
"Alright, sweet pea. C'mere then." He settles her on top of his forearm, chubby fist knotting into the collar of his shirt. "Let's give mama a break, eh?" You smile, relieved, reaching up for a kiss, tip toes stretching until he leans to meet you, and when you pull away, you give Emmaline one on her cheek, bright baby giggles echoing through the room. "We're going to see what the team is up to." He bounces her, and your thumb strokes a soft circle into his waist.
"Okay."
"There she is!" Gaz calls, and Emmaline squirms in Simon's grasp, pressing her face into his neck, head tilted just slightly so she can still see the guys, cheeks dimpled. She watches Kyle cautiously, incredibly shy, and Simon whispers to comfort her.
"What's wrong, baby girl? You're alright. It's just Gaz." She mouths at his shirt, and he smooths a hand over the back of her head softly. "She's not usually so reserved, loves attention."
"Ye're scaring her." Johnny admonishes as huffs, breath rolling in a fog through the chilled air, but when Simon turns, Emmaline whips around, peering over his shoulder to stare at Gaz, expression delighted.
"I don't think she's scared, Soap. Looks smitten to me." Johnny clucks his tongue, half outraged, and Gaz just laughs, stroking her cheek as she coos soft sweet nonsense towards him, making Johnny scowl.
“’m supposed tae be her favorite.” He grumbles, and Price barks out a laugh, clapping him on his back.
“Gotta get your own for that, son.” He shakes his head, reaching a finger out to her fist, letting her grab onto him. She immediately starts to drag it towards his mouth, and Price lets her, chuckling softly under his breath. “Needs something for her teeth.”
"I think we've got something in her bag." Simon rubs her back, watching how her eyes light up when she spots Price's beard, tiny fingers mindlessly drifting towards his chin. "Mama's been giving you frozen pacifiers, huh?"
"Ye should try scotch, my maw used tae give me some, when ah was a bairn." Johnny tickles his fingers across her side and she shrieks into a giggle fit, nearly choking on laughter that has him glowing with pride. "Who's yer favorite uncle, Emmaline? Is it Uncle Soap?" Johnny whispers in his best baby voice, and Simon snorts.
"She can't have scotch, MacTavish. She's a baby, and-"
"Alright out here?" You're standing in the door, half in, half out, teetering precariously on the top step, and for the hundredth time tonight you take Simon's breath away, light from the kitchen shimmering behind you like a halo, framing you in a soft, warm yellow glow, his stomach clenching.
"We're alright." He promises, already making his way towards the doorway, taking the stairs until you're within arms reach, Emmaline clapping her hands together when she spots you. "You okay?" He keeps his voice low, yet still tender, trying not to give the guys too much ammo, and you smile, spectacular and sweet, enough to make him melt on the spot.
"Yeah, just wanted to check on you two." You brush a finger across Emma's cheek, mouth opening to say something else when Johnny's voice rings across the patio, cheeky and smug.
"LT, ye're standın' under mistletoe." He hadn't noticed the cluster of greenery tacked to the bricked arch just outside the door, but it's hard to miss now, and when you glance above your head and laugh, he shrugs his shoulders. "Well..."
"Well?" You raise an eyebrow. A challenge. An invitation. Enough of both for him, encouragement not needed in the first place, his lips finding yours easily, pulling you into the bulk of his body, wrapping an arm around your waist while still holding Emma against his chest in the other. She bridges the gap between you, both of his girls safe and sheltered in his arms, and he blocks out the sound of Gaz and Johnny's shouting and whooping, focusing on the taste of your tongue, smell of your skin, plush lips against his. It's everything, you're everything, you and Emmaline- his family, his to love, to care for, to protect, emotion welling up in his chest that has him pulling away and pressing his nose against the top of your head, mouth finding your temple, your cheek, his eyes closed and breaths measured.
"Merry Christmas." He whispers, still holding you tight, and you dip forward to press a kiss to Emmaline's scalp, your hand reaching for his jaw, thumb reverently stroking across the scar on his cheek.
"Merry Christmas Simon."
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the-raindeer-king · 3 months
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Okay, So I'm the only girl on my team at work. And I'm telling y’all, regardless of age or relationship status, guys absolutely get excited when you give them stuff. Even if they act like they don't. All I can do is imagine how this would work with the 141.
Like imagine you make Gaz a bracelet. It's nothing too crazy, just a single strand of green pony beads. It didn't even take a lot to make it. Just some small, homemade thing that you give to him while you've got some down time between tasks.
He absolutely lights up, smiling wide, eyes bright. He thanks you with a side hug and a kiss to your temple. It's more than what you were expecting, but you're not gonna complain.
You don't think much of it, and move on with your business, nearly forgetting about the bracelet… until Soap interrupts you at the gym, demanding to know why Gaz got one and not him.
You didn't think he wanted one, and you certainly didn't think he'd be so distraught over something so silly. So, you promise him a bracelet, and you deliver it to him the next day. A single strand blue bracelet.
Johnny's ecstatic, grinning like a kid on Christmas. He gives you a bear hug, and a messy kiss to your cheek, practically singing your praise as he leaves.
Price is next. But thankfully you don't give him a chance to ask. You had noticed the way his gaze lingers on the bracelets that Gaz and Soap have, the small frown he's got after talking to them.
You make him a yellow one, and drop it off on his desk with some paperwork. No need for all the fanfare or even the chance he might reject it. He doesn't. He does bring you your favorite drink, his way of saying thanks. And the yellow bracelet is on his wrist the whole time.
Ghost is last, only because you didn't think he'd want one. But ever since Price got his, Ghost has been waiting with baited breath for one. He's not going to outright ask, will even scoff if Soap or Gaz brag about it. But he wants one!
It's late, when he drops by your barrack, quiet when you open the door. It takes him a moment to gather the courage. But eventually, he holds his hand out, asking where his bracelet is.
When you admit you hadn't made him one, he's a little hurt. You're teammates. Why wouldn't he want one? But you invite him into your barrack, letting him sit with you as you make the bracelet. It's just black, his color of course, but he leaves, smiling under the mask.
Oh, and when you show up for the next briefing with your own bracelet, a repeating pattern of green, blue, yellow and black, no one comments on it. But it's hard to ignore the way they all smile at you, a soft look in their eyes.
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spencereid-reads · 28 days
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the whole world | s. reid
wc: 3.4k words // warnings: english isn't my first language! soooo much fluuuuuffinessss, swear words maybe? NOT proofread as you can see., a kid, spencer being cute, aaah idk what else, i think this sucks but it's mother's day today where i live and for some reason i couldn't stop thinking about dad!spence so this was born. (ha, that was unintentional)
dad!spence x mom!fem!reader
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you’re not really sure what wakes you up.
if it’s the change of temperature in the bed, a sign that spencer had recently gotten up and started his day. or if it’s the small, soft footsteps running around the house.
you know it’s taking everything in your little hazel not to spoil the mother’s day surprise she’s been working on at school. one of the many features she and her father share is their fascination to talk and talk about anything and everything, and more often than not, you are the person they tell everything to. so your daughter had been in a bit of a predicament since you first picked her up from school on a monday afternoon.
“had fun today, haze?” you asked, buckling her into her seat in the back of your car.
“yeah,” she nodded, kicking her legs in the air.
“what did you do?” it was the same routine every day, and she was ready to begin telling you all about the new special project they started working on when suddenly she heard her teacher’s voice in her head.
‘it’s a surprise for mommy! you all have to try and keep it a secret!’
“can’t say.”
“what?” you asked, leaning back a little, letting her bag drop below her feet.
“miss tate said we can only tell daddy! mommy can’t know until it's mommy day.” she explained.
“ohhh, you’re working on something for mother’s day, lovey?” you smiled as you caressed her cheek, cupping her face with your hand, she leaned into it instinctively.
“...maybe.” she grinned at you.
“okay, honey. you know you can tell me if you want to talk about it, okay? i know you must be so excited, and i promise you i’m not going to be mad, i’m going to love it no matter what it is, got it?” you pressed a few kisses all over her face, your heart melting at the sound of her giggles. “or you can tell daddy when he comes home, he’s good at keeping secrets, you know?”
“yeah! i tell daddy”
and every day leading up to mother’s day, she tried to skip the subject about what she did at school, and as much as you loved that panicked expression on her face, the way her hazel eyes widened and cheeks blushed you decided not to torture her anymore.
she’s so easy to read. just like her father.
her perfect, loving father. who told you to take a day all to yourself that friday leading up to mother’s day, it was also the day when the kids were sent home with the project, so it would also give spence and hazel the chance to hide it and perfect it.
while you enjoyed a day at a spa, filled with massages and pampering, your little loves were at the mall looking for a gift.
“what would you like to give her, haze?” spence asked, looking at his daughter through the rearview mirror. “what do you think mommy would like?”
“well, green is her favorite color. so, green?”
“something green, that sounds nice,” he nodded, his chest nearly trembling as he stole glances at his daughter. five years in and he still found it hard to believe he had a daughter. a child. a perfect, beautiful, smart and kind daughter. who looked so much like him and so much like you at the same time. “i heard her tell auntie em she needed a new handbag.” he suggested,
“we can buy her a green handbag!”
“i think that’s an excellent idea, hazey.” spencer smiled, holding the steering wheel with one hand, the other stretched out towards his child. “high-five,” he said, and felt her tiny hand smack against his, “good girl,” he smiled proudly.
since hazel was still in your womb, you knew she’d be a tall girl. i mean, look at her dad! but at five years old, whilst hazel is tall compared to children her age, she looks tiny when standing next to spencer. her head reached just below his waist, and her arm hurt whenever she walking alongside him because spencer pulled her little hand up to meet his, but she had to stretch so far up and it was just the sweetest sight in the world.
it’s late when you got home that night, thirty minutes past hazel’s bedtime, yet the moment you stepped in you heard the sounds of her favorite cartoon coming from the tv.
blossom instructs her two sisters in a plan to defeat that day’s monster, and you expected to find your own little powerpuff girl running around the living room, but other than the tv, the rest of the house was silent. you kicked off your shoes, walking to the coffee table to turn the tv off when you saw them.
spencer with his back on the couch, somehow his legs bent but still managed to stay upright, and your daughter resting against his chest, his arms around her, keeping her close and safe.
and you took a second or two to soak in the view. spencer’s head was to the side, and hazel was pressed so far into his neck that it’s hard to point out where his curls end and hers begin.
you walked to them, your hand reaching to play with hazel’s hair as you leaned to press a kiss to spencer’s forehead. it’s scary how quickly they capture your undivided attention, just the sight of either of them was enough to make you drop whatever it was you were doing.
“hey,” spencer’s voice was groggy, sleep evident in it and in the way he struggled to peel his eyes open, like his eyelids were begging to stay shut.
“it’s okay, go back to sleep. i’ll take her,” you said, but felt a light tug on your wrist.
“c’mere,” he mumbled, scooting to the back of the couch and making space for you. you gave in, squeezing your way in and adjusting hazel on top of you so you don’t choke with her hair against your mouth. “had fun?” you felt spencer’s hand on your waist, his thumb rubbing circles on your skin, sneaking under your shirt.
“yeah. thank you, needed it,” you don’t know if it’s the busy day you had, or just the sight of your two loves sleeping that made you feel tired, too. you covered a yawn with the back of your hand. “you?”
“mhm,” he hummed in agreement, “hazey couldn’t decide on one thing. said you’d loved so many things. got you everything.”
“spence-” you scolded lightly.
“i know. but you should’ve seen her. too cute. too much like you.”
“like you, you mean.”
“hmm,” he opened one eye, pulling you closer, being careful with your girl on top of you. “like us. she’s got the best of us.”
and she does.
she’s funny and smart like spencer, kind and caring like you.
you don’t know where the sassiness came from, though.
(kidding, it’s all spencer, he wouldn't admit it)
“daddy, can i put a candle?” hazel asks, she’s done with placing the grapes into a bowl and looking for something else to add to your ‘mother’s day pavaganza’, a phrase she’d picked up from hearing auntie penny ask about your spa day, and had repeated to her spencer, who didn't have the heart to correct her when she sounded so adorable.
“i just know those little geniuses have a big mother’s day extravaganza planned for you,” she’d said, just as hazel entered the kitchen.
“on the pancakes?” spencer asks, she nods. “sure,”
the drawer slams a little louder than she’d intended, her mouth forming a perfect ‘o’ as her eyes widen in shock.
“sorry, daddy!” she runs to him, one hand on the stool she’s currently trying to climb, the other fisting spencer’s pajama pants. “here,” she hands him the pink birthday candle you’d used for her birthday cake.
“thank you, hazey,”
you chuckle as you listen to them, you can’t hear all of it, but you can tell she’s getting louder the more excited she gets. it’s only a matter of minutes before the chaos that had been in the kitchen joins you in your bedroom. you pretend to sleep, curling into spencer’s side of the bed, and closing your eyes.
“she’s asleep! daddy, can i wake her?” you hear her laughing when you fake snore.
“go ahead, haze, gentle,” he reminded her, even though he knew you were awake.
“mommy,” you hear her running to the other side of the bed, “mama,” she climbs in next to you, lying next to you, you feel her breath on your face. then she presses wet, sloppy kisses on your cheek, and you swoon.
“hmm, who's giving me such sweet kisses?” you ask, being met with a grinning hazel as you open your eyes.
“it's mommy day!” she exclaims, arms looping around your neck with a strength you hadn't expected, “love you mommy,”
“i love you too, my angel, so, so, so much,” you wrap your arms around your little girl and hug her tight, setting your back against the mattress. you kiss all over her face and head, her little hands sticky and stained in maple syrup and jam.
“made you mommy day food,” she laughed as you tickled her sides. “daddy!”
spencer has taken residence by the end of the bed, the tray filled with breakfast set carefully on his lap.
“happy mother's day, honey,” he whispered against your lips, once the tray has been set in front of hazel, who can't help but pick a few slices of fruit to help herself.
“thank you, love you,” you kissed him once more, running a hand through his hair as you turn to look at your girl. “is it yummy?” you ask her as she pops a grape in her mouth, she nods, “i bet it's cause you and your daddy made it.”
it's a few hours later, after you're all showered and dressed, that you go downstairs and find the living room all decorated, with balloons and strings and three pieces of paper stuck to the wall that read ‘happy’, ‘mommy’, ‘day’ in spencer’s handwriting, but drawings made by hazel surrounding the words.
“mommy close your eyes,” you're sitting on the couch, all the gifts that hazel couldn't choose from are now open and on the coffee table. turns out the other gifts had just been little trinkets, a headband, a small bracelet, a keychain. “it's time for the surprise!”
“what surprise? i didn't know there would be a surprise!” your heart melted at her laughter.
“daddy cover her eyes,” she orders, and spencer makes his way around the sofa, standing behind you, he leans down, tilting your head back and pressing his lips on your temple.
“i’ve got it, hazey,” he nearly purrs against your skin, and as spencer continues his soft attack on your face, you hear hazel running through the house, “we hid it in my office,” he pulls back a little, staring at you with so much love.
“thank you for today,” you whisper, your cheeks were now hurting from the permanent smile that had been on your face the entire day.
“it's nothing, you deserve the world, honey.” and he means it. when he was young he'd pushed the idea of love to the side, with his job and his lack of social skills it was hard to picture a future with a family, but here he was. thanks to you. “i love you so much, you've got no idea,” he leaned down again, this time kissing your lips, accomplishing two things at once.
kissing you, and getting you to close your eyes.
“ready mommy?” you'd been so wrapped up in your husband that you missed your daughter walking back to you.
you looked down to see a scrapbook (just a few colored paper sheets binded by ribbon), a picture of you and hazel on the cover, in the middle.
“angel, this is beautiful,” you coo through teary eyes, embracing her fully before you even looked at the rest of the book.
the three of you settled on the sofa, with hazel between you two as she explained why she picked the pictures, something she'd done with spencer’s help. the pages were decorated with crayon drawings, glitter hearts, and stickers.
the last picture brought even more tears to your eyes, you were sitting in a hospital bed, with spencer by your side, his hand wrapped around your back, the both of you staring down at the new little baby that had just been born.
hazel’s first ever picture.
“look at this, hazey, you were so tiny,” you swallowed a lump in your throat, “and look at you now, you're so big, my sweet girl.”
“daddy said this is the day you became a mommy,"
“technically i was a mommy when you were in my belly,” you patted your stomach, “but my entire life was changed the minute you were born, i loved you before i even knew you, and i didn't know i could feel that much love for someone so little. hazey-” you said, shuffling her around so she was sitting on your lap, spencer pressed your back against his chest. you looked back at him, kissing his cheek.
“your daddy and i love you so much. it's an honor being your parents. every day i thank the stars that you're our little baby, that we get to raise you and see you grow. thank you for making me your mommy,”
“love you, mommy,” she nestled against your neck, “love you, daddy,” she reached up, puckered lips against spencer's other cheek.
“love you, hazey, you're my wish come true,” spencer placed a kiss on the top of her head.
that night, as you get ready for bed, feeling tired from all the emotions of the day, you snuggle against spencer's side.
“thank you for today. for helping haze,”
“of course, sweet, i told you, you deserve the world,” his lips meet yours in a gentle, slow kiss.
“i already have my whole world with me,” you tell him, voice full of sleep and love. “thank you for giving me my world.”
and if spencer had a time travel machine he would tell his younger self to not lose hope. the best years of his life were yet to come, his world wouldn't end when members of his chosen family left the team, his whole world and family were on the way.
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