#but. i think that has more of to do with the fact its clear that its not meant to be protrayed. in a good light

[msp9]

THIS IS MY LIKES AND DISLIKES OF CHAOS THEORY ⚠️Spoilers below cut⚠️

When i first finished this season, I too like some people, was skeptical about it. I get why some people say its bad, I just thought it was very different from cc. At points the characters didin't feel like themsleves, the way some of them were written and the designs gave me a real hard time to get used to them. Also i felt as if it was just too much to process at times so i rewatched it and my final answer is that its a good show the pacing is incredeble, the plot, the suspence and character development. i just had a hard time getting used to everything new? Ig. I'm still doubting whether its a 10 but sure thing is that it was a very good first season its a easy 9/10. So here are the thinks i liked abt it:

-THE WAY THEY POTRAYED EVERYONES TRAUMA/STRUGGLES , Sammy having anxiety, Yaz overcoming her ptsd, and KENJI. MY BOY. That must have been the best breakdown i've seen in animated series. Whoever wrote that scene. Wow. It was the best thing in the whole show honestly. His vision gtting blurry, having truble breathing. The panick. Wow. I CANNOT SAY THIS LOUD ENOUGH.

-Ben and Sammy duo? Hello? Im srry to say but you might just be better than Yaz and Ben duo. Idk i really loved them.

- "Benjamin."

- Showing Yaz is doing better. Despite her ongoing struggles, she has clearly grown and matured the last 6 years, and the way she calmed Sammy in the sinking van? Ig all those therapy sessions and college paid off. That scene is a clear illustration of the progress she has made. I mean sammy did say "i can tell shes still struggling" but there wasnt really a clear scene of her getting stuck in place as she used to. So my guess is that it was just Sammys anxiety and the fact that they didint talk much. Bc then Sammy was surprised how she kept herselve together. So yeah

-YASAMMY. NOTHING MORE TO ADD.

-UM SAMMYS CHARACTER?? HELLO? GLOW UP, CHARACTER DEVELOPMENT, i loved her sm. She moved up to my top 3.

And her anxiety? It was so well shown too

-the fight between Sammy and Yaz felt so natural and not at all forced. They both had valid points and in the end they did understand each other and were on the same page.

-Ben being Ben in almost every episode

- Yasmina's "boo."

-Brooklynns design?? Majestic to say the least.

- ingore what i said ealrier abt the acting out of character. They do remind themsleves they just grew

Well, all except Ben...

-Kenjis new voice actor, he did a real good job, as much as it doesn't sound like him, he really captured some emotional scenes very well.

- The robot lady. THEY REALLY SAID TAKE A WOMAN AND MAKE HER CREEPY ASF. I was genunanly creeped out. And the detail that at the ranch if u listen closesly u can hear the whistle. Hell nah that was scary.

-Benrius Ben and Darius friendship, okay actually u can't tell me u didint feel it too, the tention between ben and Darius cmon we all know what u are Ben stop making up girlfriends in Europe

-Brooklynn turning bad, or from what we are told worked for bad people ig. Personally as much as it shocked me, im sure theres a good reason as to why and i cant wait to hear more abt in season 2.

-I can now undertand what everyone meant in reviews saying "its more mature" not only in the more death and dinos but it woyud be kind of confusing for a younger audience to undertsand some stuff in this show.

-I really liked Daniels kon death, maybe it wasn't necesarry but im all in for that dark death scene.

-Lastly the comment Sammy makes when Ben asks how bumpy got pregnant, and the yazs smirk. Gurl i was suprised they added that but i loved it

Now, the things that i didint like and why:

- First of all, Darius being in love with brooklynn. I mean i get it but i also dont get it. In my opinion, there shouldn't have been a different reason as to why Darius was the most effected by her death. They were close and she died. Its okay to be really effected by someones death and not bc u liked them, and i also do believe that the reason for him not showing up the night she "died" should have been smth more serious. Then again i get it bc now he felt a lot more guilt bc it was for a not so important reason he didint show up and thats why he didint tell anyone. Well axtually it isnt that bad, but i just felt it was forced for the plot. This again could be bc i started to like kenlynn and now they turned the tables completly but sure.

-Brooklynns voice actor. I just couldn't connect her to brooklynn? She sounded a lot different, not a major bad thing it was just hard to get used to.

-Ben having a gf, or supposedly having one, u telling me this man has a gf:

I thought it funny but yk that man is a homosexual

- and lastly, Brooklynn being alive. This might sound bad but it made sense for her to die. And i was kinda lamed out that she wasnt dead. (Pls ironically enough, just weeks ago i begged for her to be alive.) But like the way everyone suffered bc of her death, going throught the 5 stages of grief, and the way the show was played. It just would have been better if she died, all those flashbacks, the emotional moments, i mean its not gonna be the same when i rewatch it bc i know shes alive. Anyways enough abt this.

Actually i have nothing more to add to my "bad stuff" list but i might come up with smth later. Bc i will be rewatchibg it obviously. Ig lastly i just wanted more episodes how dare they cutting the season of right there.

#jwct #jurassic world chaos theory #yasmina fadoula #jwct spoilers #msp9 yapping

[littlelovelyra]

Now is not the time, nor the place.

Gale x FemTav/Reader(f)

Word count: ~1,914

Warnings: fluff(?) , Fingering, hand jobs, mouth stuff, kinda? C*m shot?

MINORS DNI

Disclaimer: I literally always put a disclaimer that I am by no means a writer, I just day dream a lot to escape my hectic work days and my somewhat chaotic life so I write down my day dreams and revisit them sometimes. Decided to publish them here so its easy for me to find. If it at least entertain one person thats a win for me :'D

Summary:

Having arrived at Last Light Inn several hours ago, your party convened and, following a discussion with Jaheira, reached a consensus to divide the patrol duties to ease the burden. Prior to this decision, after battling Kar'Niss,Gale openly confessed his physical attraction toward you only to immediately extinguish any flame that thought may have produced. Now, as chance would have it, both of you find yourselves on duty, strolling along the docks of Last Light Inn, having determined your partners through a draw of names. Suspicious. 

___________________________

“Now’s not the time nor place.” What. The. Fuck. Gale. Why even bother saying it at all? You curse the foolish wizard in your mind, focusing on the two small pouches placed in the middle of the table where you and your companions are seated, trying not to shoot daggers in his direction. You can feel his side glances as he looks at you.

“Well, as much as I love us sitting around and staring at one another—because who wouldn’t want to stare at me—who’s going to be the first to draw a name?” Astarion looks around the table, taking us all in. We’re all looking pretty tired, and no one wants to take the leap, fearing they might draw “first watch” from the second pouch after selecting their partner from the first.

“Oh gods above, fine, I’ll do it.” Astarion reaches his hand into the first pouch, retrieves a name, and then dips his hand into the second, pulling out a small piece of parchment. He clears his throat. “Well, Shadowheart, I guess you and I are taking tomorrow’s watch,” he says as a slow smirk spreads across his face. Lucky bastard, you think to yourself. As everyone else gathers the courage to draw, the order goes as follows:

Astarion / Shadowheart: Second Night

Karlach / Wyll: Third Night

Lae’Zel / Halsin: Fourth Night

You curse under your breath at the absolute joke that is your luck right now. Though, you feel luck might not have anything to do with it. You suspect Gale has somehow played his magic hand in this. You can practically feel his smugness vibrating across the table from you. As much as you care for him, these past few weeks have been confusing. From his reaction to the moment you shared in the Weave, to his dismissal at the tiefling party when you sought him out. He told you to go “enjoy the festivities,” which led you to a pretty little clearing with a vampire spawn—an experience you note never to repeat. Then, just before entering the Shadow-Cursed Lands, he received his charge from Mystra and accepted it without considering anyone else. To top it all off, he basically admitted his attraction to you and immediately shot it down. All this hot and cold behaviour has been giving you more headaches than the damn tadpole in your head. 

Releasing a soft sigh, you push yourself back from the table and stand up, eventually meeting his gaze. “Come on, Gale, we’re up first. Jaheira has assigned us to the dockside for our patrol.” You keep your tone cool and matter-of-fact. You will not make a fool of yourself chasing someone who clearly does not want to be chased. With all the chaos of dealing with the cultists, you have no time or energy for these petty games of the heart. He either wants you or he doesn’t, and it seems it’s the latter.

Gale follows you as you walk towards your quarters. As you reach your door, you look back at him. “Wait here, I need to change. These clothes are disgusting after killing that drider. I won’t be long. Maybe you should change too—it’s going to be a long night. Meet me back here in ten minutes.” Pressing your lips together awkwardly, you watch him hold your stare for a moment before giving a slight nod. He turns on his heel and heads toward the shared quarters. You’re grateful that your companions graciously agreed to give you the only private room in the Last Light Inn; gods know you need a bit of privacy to collect your thoughts.

In your room, you quickly change out of your clothes, wipe yourself down with a washcloth, redress, and braid your hair back. Looking in the mirror, you can see how tired you are from the journey. Closing your eyes, you mutter a short prayer to Selûne for the strength to get through the evening. A soft knock at the door catches your attention, and you cross the room to open it. Gale stands there with a fresh set of clothes, his hair now tamed, and even a bit of his beard trimmed. His eyes are as bright as ever, always seeming deep in thought, making you wonder what’s going on in his mind. “Stop it”, you think to yourself, “Now is not the time.”

You usher him out of the doorway and lead the way outside, down to the docks. You notice how close he is walking next to you, the silence is loud but every now and then his hand accidentally brushes up against yours and sends a soft shiver running up your arm. Again you wonder if he is using any magic to conjure up that effect on you. 

Walking to the edge of the dock, you scan the perimeter. Everything is quiet; it all seems as it should. You lean over the railing and glance at your reflection in the water, exhaling loudly. You stay there for a moment with your eyes shut, taking in the sounds of the flames softly flickering on the nearby torches and the occasional gentle splash of the water. It’s the most peaceful you’ve felt in a long time.

“Lost in thought?” Gale says as he places himself next to you, leaning down with his arms supporting him on the railing. You turn your head to face him and notice that his face is mere inches from yours. You linger there for a moment, your eyes scanning his face and finally your gaze falls to his lips, you wonder how they would feel pressed against yours. He catches your stare and the left side of his mouth pulls up into a soft smirk.

“Actually, I’m not thinking at all.” You say pushing yourself up you ready yourself to leave this side of the dock and continue your sweep of the area. As you turn to leave, Gale grabs your hand. You turn to him puzzled.

“Let’s stay a moment longer, shall we? It’s quiet, and nothing will happen if we take a few selfish moments for ourselves.” His thumb traces lazy circles on the back of your hand, releasing a flurry of butterflies in your stomach. You watch his gentle movements, marvelling at how hands so powerful can also be so tender. Your thoughts drift to how those very same hands might feel exploring your body, familiarising themselves with your secret places while bringing you to complete ecstasy. Your cheeks begin to flush at the mental image you have painted for yourself and it hasn’t gone unnoticed by him as he offers a soft clearing of his throat to pull your attention back to reality. 

“I meant every word I said, by the way.” He looks at you, expecting a response, but you're unsure what to say. Words elude you, so you remain silent, hoping he'll continue—and he does, simply because he’s Gale.

“I have never wanted you more than I do now. Seeing your cheeks flush just then only made my desire that much more uncontrollable. I keep waiting for the right moment to kiss you, to show you how much I want you. It has to be perfect—you deserve that. But perhaps, just for tonight, we can allow ourselves a bit of imperfection. Or an appetiser before the main course, if you will.”

He raises his hand and gently lifts your face towards his. Slowly, he lowers his lips to yours, tenderly moulding them to fit around yours. A soft whimper escapes your mouth, and you feel your knees shake as if they're about to give way to this moment. Sensing your thoughts, Gale places his other hand on your hip, steadying you and pulling you closer to him. Everything around you seems to disappear, and all that exists in this moment are the two of you, completely lost in each other's embrace.

As he starts to pull away, he leads you to the covered area of the dock—more private, secluded—and you see the intent in his stare. Slow he brings the two of you down onto the deck, gently he lowers you to your back while he positions himself above you. His lips come crashing down to yours once again but this time with urgency. He uses his free hand to roam its way under your clothes exploring your soft curves and taking his time familiarising himself with the shape of you. He delicately rubs the pad of his thumb over your peaked sensitive nipple which causes you to gasp at the sensation, heat pooling in your core. You shift your hips up towards him instinctively and he groans into your mouth while your tongues dance together. His hand slithering down, snaking its way to your heated centre. Slipping under your panties his fingers slide between your folds, you inhale sharply at the sensation. Gods above nothing in your fantasies even compare to what this feels like in real time. Gale lets out a low groan. “Mhm. You are so ready for me my love. I want that to be perfect so this will just have to do for now.” as he finishes his sentence he slides two of his fingers inside you and curls them upward. Slowly pumping them in and out while his kisses become frenzied.

Your hands go exploring on their own and you find him, hard and ready. You can feel it pulsing through his trousers. The growl that escapes his lips is inviting enough for you, reaching in as you pull his length out and begin stroking him tenderly at first and then more desperately as you feel him rocking his hips in time with your hand. His hand is still working inside you and the two of you become desperate as the pace picks up. You lift your shirt up exposing your breasts with your spare hand and he brings his head down as he sucks in the swollen peak of your breast. You can feel it, the two of you are so close. 

“Gale.. Gale.. I’m going to…” You're breathless now. You can’t get it out, your head is dizzying. 

He brings his mouth to your ear, his breath hot as he whispers;  “Let go. Cum for me”. 

That’s all it takes. Your whole body shatters around him as his name escapes your lips in pure unfiltered ecstasy. He comes undone seconds later, you feel a warm splash on your bare stomach and he brings his head down to rest his forehead on yours. Softly he kisses you again before you both straighten out your clothing and smooth your hair. Silently you sit there leaning into him on the deck looking out over the water. 

“I have a confession to make.” He says scattering kisses down your cheek.

“Mhmmm… Let me guess? You rigged the pouches somehow to be partnered with me tonight?” You say looking at him.

He flashes you a wicked smile and kisses you deeply as you both stand up to continue a sweep of the perimeter. You are on duty after all and now is not the time.. nor the place.

#baldur's gate iii #baldur's gate 3 #bg3 #gale x tav #gale x reader #gale dekarios #gale dekarios x reader #gale of waterdeep #the wizard of waterdeep #gale fanfic #gale fanfiction #bg3 fic #bg3 fanfic #fanfic #gale fic

[corruptionasart]

I followed for video game corruptions. Don't think I've seen much of those of late.

damn sorry i'll make sure you get a refund

Anyway i'm also gonna go ahead and lump this in here since it's related:

So I'll forgive people for either coming in late to the party or just not paying attention to how this blog has changed over the years but I've spoken several times in the past about how rom corruption over time has become really boring to me. That's why over the past few years I've posted less and less of it.

Back when I started doing this stuff and really committed to it back in like 2016-2018 it was great, I started this blog as an excuse to do more of it, playing retro games and breaking them was, and honestly still is a lot of fun. Unfortunately I made the mistake of running a queue which meant I needed things to fill that queue which meant I was essentially turning art into content, and over time that took its toll and I burnt out hard on it. There was a point where basically all my free time was spent on some aspect of running this blog, whether it was playing the games or going through recordings to make gifs or tagging posts etc.

Over the past couple weeks actually I've been going through all my old ShareX screenshot folders (btw i wholeheartedly endorse sharex it rules and i donate to its patreon) I've been collecting all the screenshots I've made of rom corruptions (somehow I hadn't done this before) and what I've noticed is exactly what I noticed all those years ago, it's kinda all the same.

You might disagree with that but again I've been seeing this stuff for like 8 years now and there's only so many times I feel like I could post something like that before it gets stale, the same goes with the gifs and videos. Again, I do enjoy making that stuff but I just feel like I personally feel like I need to make a change.

I'll get into the AI part of what I said this morning in a following post but I should be a bit more clear that the collage stuff I've been doing and anything else that I plan to do in the future isn't meant to be entirely about showcasing ai art or glorifying it, it's just another piece of the puzzle. I mostly made the post about ai stuff mostly because I wanted to see what the reaction would be in this community to that specifically. I wasn't expecting the "anything that isn't rom corruption is off-topic and shouldn't be posted on this blog" contingent. I may very well make another blog just about the ai stuff because I think there are things I could talk about with it with regard to pushing against the tide of garbage and making something new with it, idk yet.

THe last thing I want to say regarding rom corruptions specifically, though, is that it's interesting to me that despite the fact that I've posted the link to the corruption wiki multiple times now and people clearly do have an interest in this stuff that hardly anybody is out there posting this stuff either here or anywhere else online (at least outside of the Vinesauce community, which I feel goes for a very different vibe in what they do.)

The tools are out there, they haven't really changed all that much for years apart from being supported for more modern systems, and yet nobody's posting anything.

Maybe I should make another proper tutorial on my whole process, try to push harder to get people to make stuff.

Sorry if this response is kind of incoherent, I've been called away a lot in making this, I'll try to make the next few posts shorter

[lookingthroughmirrors]

There are people who think Annabeth is very powerful because she is the leader of the seven. What do you think about this? Is Annabeth really the leader of the seven and she is very powerful because she has "the control"?

I haven’t read much of the books of the heroes of Olympus series, but I think Annabeth as a character has always stayed the same in the fact that she has always had a superiority complex, to the point where it’s her fatal flaw, and I don’t think it’s discussed enough.

I suppose I think about it the same way I think about people saying that Annabeth was the leader between her, Percy and Grover. What it really was, was that Annabeth couldn’t be wrong and as you said, ‘have control’. Something I am familiar with from HOO is the scene between P*rcabeth and Akhlys, and I think it’s a very clear representation of Annabeths character, particularly her reaction to the events of the scene. She is scared because she doesn’t have control. It’s all but confirmed when she says “some things aren’t meant to be controlled” which then leads to a Percy spiral and him passively thinking about suicide, which, is its own entire thing but I think it’s very relevant when talking about Annabeth. Particularly because it all comes back to control.

I truly believe Annabeth is only viewed as a leader because she likes to have control, and her superiority complex that she’s automatically better because she’s a daughter of Athena, which again, is shown entirely from her introduction in the first book, and is pretty central to her character as a whole. I think Percy and Jason probably acted the most like the leader, and I kinda feel like Annabeths role is pretty interchangeable. Personally, I think bringing Thalia back to be part of the seven would’ve been more impactful. Especially because when you look at the quests the OG trio went on, Annabeth doesn’t really do anything in particular that means they would’ve failed had she not been there. Which is why I also don’t think Percy gets enough credit for the role he played in his own quests.

Every single member of the seven had better, more interesting and are factually more powerful than Annabeth. They did not need Annabeth there to do that quest, and I think that really Jason and Percy acted more like leaders, both of which have also been leaders in the past and have more experience (Jason through the legion and Percy through TLO, since he led all of camp halfblood against the titan army. Percy did, not Annabeth, Percy did but that’s besides the point). I think Annabeth is simply elevated because she’s a fan favourite, not because she is a leader or anything. And I don’t mind Annabeths character, if her flaws are addressed.

So no I don’t think Annabeth is overly powerful, and I think the only reason she’s seen as the leader of the seven is because she’s the only one who cares about being seen as leader, in comparison to the others to an extent. I really think it was more that nobody had the energy to fight her on it, then her being the true leader.

I hope this answers your question! Also feel free to ask more I love getting these, it’s exciting!!

#anti percabeth #percy has trauma #percy jackon and the olympians #percy pjo #anti annabeth chase #annabeth chase #annabeth percy jackson #heroes of olympus #the seven pjo #jason grace #thalia grace #justice for Thalia and her lack of appearance in HOO #Thalia deserved more screen time in the books #Annabeth fatal flaw is literally that’s she better than everyone #it shows

[redroomreflections]

Not Easily Broken Chapter 6

Natasha Romanoff x Fem!Reader

Summary: Natasha and Reader go through a tragic divorce

Masterlist | General Masterlist

6/10

Note: Yes,i know the picture has a watermark. it's 2 am.

W/c: 4.2k (less painful to edit!)

Rating: M (Minors DNI; angst, fluff, smut, heartbreak, heart fix? the best ending for them coming soon)

You don’t know how long you’ve stared at the blank paper. Its thin blue lines taunted you. The questions on the tiny notebook assigned to you were intimidating. You’re sitting here, at the kitchen counter, nursing a mug of tea and looking down at the paper. This is the first part of the assignment. Once you’re going to fail. There are several steps Cheryl gave to get things going for both of you. Answer the questions. Find something both of you like to do. Discuss them together. That should be easy, right? Wrong. It’s been four days and counting and you have yet to write anything. Not that there’s nothing to write. No. You have a lot to say. It just can’t be on paper. Neither of you has been good at expressing your thoughts. You’re worse. You come from a family where conflict was solved with abandonment and passive aggressiveness. Two things you do quite well. This venture into vulnerability is foreign. You’re afraid of being the bad guy again. You don’t want to address the unknown. What if even after all of this you and Natasha don’t work out?

You’ve been doing a lot of self-reflecting the past week. There’s always something in the back of your mind that says you’re ruining her life again. You’re ruining your children’s lives. Everything you worked for you ruined. This time would be different. You’re coming into this with a clear head and a fresh perspective. You want your life back. You want your wife back. You want your family. It’s not like you cheated. You didn’t step out of your relationship. You sometimes wish it were so easy. Maybe then your actions can be excused. That’s not the correct way to say it. Cheating is never excusable. You guess it would have been another way to avoid accountability. You blame yourself every day for what happened. Even then guilt is not enough. 

You sigh. Back to the questions. You hold the pencil in your hand—first question. 

“You lead separate lives despite living in the same household.” You read aloud. Wow. Okay. That’s a tough one right off the bat. It’s relevant. It makes sense considering the context. You write yes. You move on to the second question. “You mostly speak about finances or household chores. Question three you have sex less than once weekly.” You stop your reading right there. You’re three for three. If this is how this is going you’re going to be in therapy for a while. 

Were things really that bad? You wonder if Natasha is thinking the same things. 

Across town, Natasha is indeed wondering the same things. She’s just finished up her run for the morning, having gotten the kids out of the door and off to school, and now she has the morning to herself. She’s sitting on the couch, her feet propped up on the coffee table, as the notebook rests in her lap. She pushes her glasses further up her nose. 

“Sex less than once weekly?” She reads. ‘Sex never’. She writes. It’s true. Besides the phone sex last week she doesn’t remember the last time you two were so intimate. Well, she can. Emma’s fifth birthday party. She would hardly count that as something to brag about. While you’re skilled in the bedroom, she felt dirty afterward. She felt used in a way she wasn’t all that willing to share with you. Sex with you has always meant so much more to her. She hopes it’s the same for you. She doesn’t think about it for too long. She can’t dwell on the fact that her body aches for you. Natasha Romanoff knows her worth. She is aware she could go out and find anyone to fuck. She doesn’t have to go far truthfully. She doesn’t want that. It’s kind of pathetic and she would never admit it to anyone. 

Natasha is about to answer another question for the checklist when the doorbell rings. She glances at it, hoping that whoever it is will go away when the ringing becomes more insistent. Natasha rolls her eyes, slamming the book down against the coffee table, to go and answer the door. She swings it open, ready to give whomever it is a piece of her mind when she stops. She crosses her arms and glowers at her visitor suspiciously. 

“Romanoff,” Richard grins at her. “Don’t you look swell?” He admires her messy hair, tank top, and running shorts. He waves a file in his hand. “I have work.” He offers her one of the coffees in his and she takes it. 

“I thought we were meeting at the tower,” Natasha drops her hands from the door. She walks away without offering him a second glance. He would follow. What she doesn’t see is him checking out her ass as he steps inside. He closes the door behind with and walks with her toward the living room. 

“I thought this was much better,” Richard shrugs. “I was in the neighborhood.”

“I’m sure you were,” Natasha rolls her eyes. “Okay, give me a minute to change and I’ll be right back down. I have a couple of notes over there.” She waves her hand somewhere in the room. Though Richard is an asshole she knows he won’t do anything to put her in danger. She leaves him to his own devices to change out of her workout gear. Not that her new outfit would be much better. 

Richard stands, walks over to the couch to sit, and places the file on the coffee table. He spots the notebook she’s been writing in. It’s safe to assume it’s the one she permitted him to read. It’s not. 

“Healthy relationship checklist,” He reads to himself. “No sex?” He whistles. Wow. That’s disappointing. 

“I’m going to have to ban you from my house soon,” Natasha calls down the stairs. He quickly places the notebook back where he found it. Natasha comes into the living room in a simple blue blouse and slacks. She glances at the notebook, noting that it’s moved a few inches, and tsking. “Richard, seriously, you’re my partner. One I didn’t want. At least have the decency of giving me privacy.”

“I’m sorry I was curious,” He raises his hands in surrender. “If it makes you feel any better I haven’t done it in a while either.”

“No, it doesn’t make me feel any better,” Natasha shakes her head. “And I don’t believe you. You’re looking at a sexual harassment complaint and a broken nose if we keep talking about this.”

“Fine,” He shakes his head. “I just think you deserve better.” At Natasha’s warning look he clamps his mouth shut. “I need a consult. Fury wants the entire team on this case but we need your expertise.”

“Why would you need my expertise?” Natasha sits across from him. She takes the file, flipping through the pages before she shakes her head. “What is this?” 

“A recruitment center,” Richard describes. “Someone is recruiting young girls to be assassins. Training them to go out and do their bidding. We want to know the best way to, uh, get in there and get out.” He gestures. 

Natasha frowns. They could have very well asked Melina Yelena or anyone but her. She’s not an expert on brainwashed children. She only knows so much. Even then she provides him with an answer.

“You’re going to need to get someone on the inside obviously,” She says. “Preferably someone young. Wanda Maximoff could pass. She gets in. Find out who knows what. You protect her with your life. Make sure she feels safe at all times. Know that if it’s as bad as this film reads some of them will die.”

“That’s dark,” Richard comments.

“Well, it’s not all sunshine and roses,” Natasha mumbles. She sets the file back down. “Is that all you needed from me?” 

“Well, yeah,” Richard nods. 

“Well, I’d like to be alone in my home now,” Natasha says none too politely. She passes him the large envelope. They both stand. She walks him to the door and to both their surprises you’re on the other side. You’re a bit off-put by Richard being there. 

“I’m sorry,” You shake your head. “I stopped by to..” You trail off. 

“Y/n, so good to see you,” Richard offers you a fake smile that you don’t return. 

“He’s leaving,” Natasha makes a face at him. She wasn’t really in the mood for this nonexistent love triangle thing that goes on every time you’re all in the same space. Not that it matters to her. Richard would never be someone that is on her romantic radar. Not when she only has eyes for you. 

“Right, leaving,” Richard nods. He’s about to make a joke when Natasha punches him before he can even open his mouth. He holds his sore arm, offering her an “ow!” Before he shakes his head. He walks down the stairs and to his car without another word. 

Natasha’s gaze returns to you and the brown paper bag you have in your hands. 

“Is that for me?” She asks and you nod silently. Seeing her with Richard does things to you. You follow her into the house where she closes and locks the door. She takes the bag from your hands to set it on the hallway table. You’re not sure who makes the first move but Natasha is in your arms, kissing you, feeling you, and walking backward toward the couch. Your hands are everywhere on her body. You feel the skin under her shirt, down her sides, and her hips, as you push her gently to lie down on the couch. Your kiss is hungry and rough and full of passion. She moans at the feel of your weight atop her. She kisses you back. When your hand slides up her shirt, pinching her nipple through the sports bra she’s wearing, she rips her lips from yours to moan. Her cries go straight to your core. You’re lying here between her legs, kissing her neck now, and holding her right where you want her. Natasha enjoys your touch. It excites her. It makes her feel wanted. She raises her hand to place it over yours. 

“Y/n,” Natasha begs. She doesn’t know exactly what for. She imagines it would be so easy to allow you to take her right here. Right now. The kids aren’t home. There’s no one here to stop her. Even so, she can’t help the nagging feeling at the back of her mind. “Y/n.” The tone of her voice stops you in your tracks. You lift to look into her concerned eyes. 

“What’s wrong?” You ask. You take in her kiss-swollen lips, her mussed hair, and her flushed skin. She looks so damn sexy. 

“You did this last time,” Natasha points out. Her voice is small and barely there. You can tell she’s trying to keep the conflict at a minimum. You give her a confused look. What was she talking about? “It’s… it’s stupid.” She shakes her head. “I can't help but notice. Every time Richard comes around you feel the need to stake your claim in some way.”

“I don’t do that,” You scoff. She gestures to the spot on her neck that’s formed into a slight purple bruise. When did you do that? You deflate, sitting up, removing yourself from her embrace. You take deep breaths. Were you doing that to her? 

“I didn’t want to bring it up to upset you,” Natasha instantly misses your touch. She fixes her shirt, adjusts her bra, and moves to sit closer to you. “I don’t want you to want me because someone else does.”

“Do you seriously think that?” You question. “Nat, baby,” You breathe. “I want you because I missed you. I want you because I find you attractive. I want you because you’re everything.” You take her hand in yours. “I don’t want you to think I’m doing it to show ownership over you. That’s not something I want.”

“I want to be yours,” Natasha confesses quietly. “Just not like that.”

“I understand,” You nod. Natasha kisses your pouting lips. You smile. The notebook on the coffee table catches your eye. “So you’ve been doing the assignment.”

“I have,” Natasha glances at the paper. 

“It’s pretty eye-opening,” You say and she nods in agreement. “I didn’t think things were that bad for us. I mean, I know, we got a divorce. I just…it puts things into perspective.” 

“It does,” Natasha runs a hand through her hair. 

“I want this to work for us,” You admit. “I’m sorry. I am. I want us to work.”

“Me too,” Natasha kisses your lips again. “Did you bring your book? We could go over some of the questions now.”

“I did,” You say as you reach over her legs to the bags you brought. You pull out the book, cracking it open to the page you’ve written on, while Natasha opens hers. “So, I’ve realized a lot of these are things we’ve done at the beginning of our relationship. We seemed to enjoy each other then. Pre-kids I guess.”

“Hmm,” Natasha hums. 

“Okay, this question,” You go to one you haven’t answered yet. “Please be truthful. Don’t hold back because you think it’s going to hurt my feelings.” Natasha nods. She could do that. “Do you feel comfortable being yourself around your partner?”

Natasha bites her lip. “I have always felt I could be myself with you. There were times I didn’t think I could. That maybe I needed to play a part to, um, make you happy.”

“I felt the same way,” You mumble. “Nat, I’m -”

“You’re sorry that’s understandable,” She shakes her head. “It’s something we have to work on. I love you for you. I’ve always loved you for you.”

“I’ve always been attracted to everything about you,” You begin. “I’ve always loved your personality. Your tenacity. Your humor. Your ability to be vulnerable.” Natasha blushes under your intense gaze. She takes her pen to write a few things before moving on to the next question. 

“You rarely hug, hold hands, or touch each other in a non-sexual way,” She reads aloud. There’s a silence that neither of you breaks. “The butt rubs stopped.” She points out. 

“What?” You look at her in surprise. “I guess they have. Was that the first indicator that something was wrong with you?”

“It was one,” Natasha shrugs. “I just thought you needed space and it’s not always a sexual thing but we stopped touching each other. It wasn’t only you. I stopped too.”

“Damn,” You curse under your breath. “We could try it now? I mean, one of our exercises was extended cuddling time. Now would be the perfect opportunity.” You offer and Natasha likes that idea. She takes both notebooks to sets them down on the table. You lie down first and she crawls on top of you. Her head rests on your chest, your arms wrap around her waist, and you simply hold each other. Your shared breathing and warmth lull you to a place of comfort. Natasha wriggles her butt, silently asking for your hands on her, and you oblige. You reach down, and your right hand travels over the slope of her soft, supple behind, before you rub. It’s tentative touches at first. Just a simple swipe of your hand before your rubs turn into kneading. You massage the covered flesh in your hands and Natasha hums. 

“I missed this,” She mutters into your chest. She peeks her head up at you. Her eyes travel from your eyes to your lips. She follows through with whatever thought she’s having and she kisses you. Her kiss is gentle and reassuring. She lingers, her lips brushing against yours before she opens her eyes again. “I missed you.”

“I missed you too,” You kiss her again. “So much, Natasha.” She smiles widely. She can’t describe how happy she feels right now. She’s here with you, in your arms, and there’s no other place she’d rather be. Her happiness surges to something else entirely. Suddenly all she wants is you. She kisses you again, deeper, harder, this time it’s all teeth and tongue. She sucks her bottom lips into your mouth, eliciting a moan from deep inside you and your grip on her ass loosens. 

“We shouldn’t,” She breathes between kisses. 

“You’re right,” You nod in agreement. “Though she did say we could.”

“It’s not like we need permission,” Natasha smirks. “We’ve done this before.”

You shrug. She may be right. 

“Which means I know how to get creative,” You flip the both of you over in one swift move. You adjust Natasha against the pillows, her hair fanning out under her, as you lie beside her legs. “Interesting choice of attire today.”

“It was either this or the workout gear,” She laughs. 

“It’s okay, makes it more fun,” You take nimble fingers to the buttons of her blouse. Natasha watches as you unbutton to reveal her smooth skin. “Tell me to stop.” You say but she doesn’t say a word. 

“What if I don’t want you to stop?” She challenges. You slide your fingers under her bra cap, feeling her nipple harden under your palm, and she shivers. 

“I’ve always liked you,” You joke and she nips at your chin. “I love you.” You correct and she hums. Much better. You twist her nipple, bordering on harsh, and Natasha practically jumps out of her skin. God, she’s missed this. You lean your head down, pushing the cup to the side, to suck her rosy nipple into your mouth. You swirl your tongue, alternating between licking and sucking and Natasha drops her head against the pillows again. You make sloppy sucking noises, only proving to turn her on further, as she rests a hand over your head to keep you there. “I want to make you cum.” You release her nipple with a pop. 

Natasha is a grown woman. She likes sex. She enjoys sex. She’s about to throw away all of her reservations and tell you to do whatever. You offer an alternative. You button her slacks, zipping them down far enough for your hands to reach inside and you slide in. Your fingers ghost over the lips of her panties, pushing to feel the wetness seeping through, and Natasha preens. 

“Like this then?” You say and she nods. That makes it more fun. You rake your nails over Natasha's pussy, finding the small nub peeking through the fabric, and you pay the most attention to that. Natasha arches her back and forces you to press against her deeper. “You like that baby?” You ask. “Is this what you wanted?” You ask as you work your magic through the cotton of her panties. Natasha nods her head, mouth open, eyes closed in complete pleasure. 

“Ngh,” She moans her words caught in her throat, as she rocks her hips into your fingers. It feels so damn good. This entire act may seem a bit immature but she doesn’t care. Your fingers are on her, practically inside of her, and even with the thin barrier of her underwear she feels everything. You are firm in your movements. You’re purposeful with every circling of your fingers. Your movements go from small tight circles to wide and rough as Natasha moans louder. “Yes,” She hisses between her teeth. “Yes.”She whines and you know she’s close. 

“Chase it, baby,” You encourage. “You’re so pretty like this. At my mercy.” You continue. “The perfect doll. So open and wet for me.” You kiss her bare shoulder, her neck, her chest. Anywhere you can reach. It feels so dirty here. The smell of her sex reaching your nose. The sound of shuffling and moving against the cushions is the only thing heard in the entire house. You want to give Natasha this. You need to give it to her. “My pretty girl. I want to make you my pretty wife again.” You find yourself saying and it’s the right thing. Natasha stiffens, and her left hand comes to grip your right arm as her hips thrust against your fingers. Even through her panties, you can feel the sudden gush of wetness from her. Natasha whimpers pitifully as you talk her through it. “That’s it, baby. I know. Your pussy feels so good.” You whisper closer to her ear. When she finally comes down, Natasha falls limp against the cushions and you catch her. You remove your fingers from her pants, resting them by her side, as you watch the rise and fall of her chest. Natasha opens her eyes a moment later, a bit startled by the fact that you’re watching her, and she shakes her head. You kiss her swollen lips. 

“You did so well for me,” You praise and delight in her skin turning into an even redder shade. “I liked seeing you cum.”

“Stop,” Natasha groans. You chuckle. “Thank you.”

“Don’t thank me for your orgasm,” You deny her. “I had fun doing it. I’d like to do it again soon. Maybe with that strap, you’ve been asking for.”

“I’d like that.” Natasha nods. 

“This didn’t change things for you right?” You question and she tilts her head. “I mean to say that I meant what I said about making you my wife. It wasn’t just something I was saying to get you off.”

“It worked either way,” She quips. “I want that too. With you. Someday.”

“Good,” You smile. You trade kisses with Natasha, noting her sudden fatigue until you fall asleep in each other’s arms. You weren’t exactly intending to but you know you both need it. 

************

A few hours later you’re awakened by the sound of the front door unlocking. The kids are home. You awaken first, tapping Natasha awake, and she only nuzzles into your body further. She’s not ready to move away. 

“Unbelievable,” Yelena Belova’s voice interrupts your bliss. You both pop up to see the blonde standing over the two of you with a look of disgust on her face. “I can’t believe it.” Yelena shakes her head. 

“Mommy!” Emma and Ryan chorus. Natasha makes quick work of buttoning up her shirt and pants without them seeing. It’s Yelena who notices and shakes her head. 

“Is this why you wanted me to pick them up?” Yelena asks but then she drops Emma’s backpack onto the ground. “You know what, I’m leaving, I don’t even care.” She heads for the front door. You watch in trepidation as Natasha races after her. 

“Yelena,” Natasha calls after her younger sister. “Yelena, you’re acting like a child.”

“And you’re being stupid,” The woman insults. She turns back to Natasha with a disappointed look on her face. “You can’t think one quick fuck is going to make her stay. She left you. She left your kids. I can’t fucking believe this.”

“Yelena, that’s enough,” Natasha speaks firmly. “You don’t know what’s going on.”

“Well I have eyes,” Yelena argues back. “ I think I can see.”

“She’s my wife,” Natasha pleads with her sister to understand. 

“No,” Yelena rants. “She’s your ex-wife that broke your heart.”

“And she’s trying to make things better,”

“And just like that, you believe her? You’re smarter than that, Natasha.” Yelena scolds her sister. Natasha doesn’t speak. “Don’t call me when she decides she doesn’t want to play house anymore.” Yelena walks away after that. 

Natasha watches as her sister gets into her car and drives down the street. How was she supposed to respond to that? She turns back toward the house to see you standing on the steps waiting for her. 

“That was intense,” You comment. Natasha nods. You hold out your arms for her to step into them. She hides her face in your neck. 

“Am I being stupid?” She mumbles into your neck and you almost miss it. 

“No, Natasha,” You assure her. 

“Don’t make me look stupid,” She pleads. “I won’t survive it this time.” 

“Me either,” You hold her. 

You wouldn’t give this up again. You understand that Natasha’s family has a right to be cautious. They have a right to hate you. You could only hope that they see that you’re trying.

---> next part

#natasha romanoff #black reader #natasha x reader #black widow x reader #black widow x female reader #natasha romanov #natasha x you #natsxaddiction #natasha romanoff smut

[theaceofwords]

Like. We do very much all understand that Russia is trying to interfere in all western elections, right? Russia, China, and Iran have ideological and territorial goals which they cannot realise in the existing global status quo.

Russia wants Ukraine (and really I think they want as much of Europe as they can get). They want to own it, stomp out everybody who fights back, and force them all to speak Russian. But they know also that the EU (and, I guess, NATO, the e bugs of the situation) will supply Ukraine with weapons as long as they keep fighting (which I also think is monstrous, frankly, but that's another thread).

China's government wants Taiwan. The US has been one of Taiwan's most vehement allies (which. you know. not always a good thing), but until recently it was taken as a simple fact that any move China made towards Taiwan would get stomped into the channel by the nearest US aircraft carrier.

Iran's leadership wants more regional control--they sponsor a variety of, let's say passionate nongovernmental activists, throughout the surrounding nations, and their current government is pretty strongly opposed to "modern" (Western) values like freedom of speech, human rights, etc. They're also pretty boxed-in by nations which are propped up by oil money, mostly US oil money.

These nations are coordinating. We know this for a fact; in the most obvious example, Russia is using Iranian drones and Chinese manufacturing to supply its ongoing violence against Ukraine. They all understand that their foreign policy objectives are perfectly compatible, and in fact more than compatible, are mutually reinforcing--because the cases of Ukraine and Taiwan are analogous, these industrial/agricultural centers which are not ostensibly part of regional alliances but which have been trying to join the modern world for decades.

But here's the thing. Now we have these hard-right political movements brewing throughout Europe and the Americas. Not by accident--hard-right groups are coordinating and sharing notes in south, central, and north America, as well as in the EU. And these hard-right political parties are not at all interested in the status quo of Western force projection--they take an isolationist, authoritarian view of foreign policy where the great powers do what they like and the small countries deal with it and are absorbed.

Russia, China, Iran, and the smaller, shittier nations that work with them (the governments of which are shut out of the modern world largely for being such shitbag authoritarian despots that even the US can't swallow working with them)--these nations all recognize that their best chance to achieve their goals is to help the hard right win in Europe. In America. Everywhere. Anywhere they can get someone into party who, like Trump, will refuse to honor treaties with Ukraine and Taiwan--who will go on record saying that he doesn't give a shit about Europe, that the US should pull out of NATO.

This is the state of the world. Do you understand that this is the state of the world? This is why Russia/China are pushing such massive disinformation on the internet, why there is so much pro-PRC and pro-Russian brigading on reddit and Twitter and Tumblr. It's not because they're nebulously evil Red Threats that we think are malevolent for no reason. They have extremely specific policy goals which they cannot achieve without a shift in the current world order. This means they have a strong interest in changing the world order as quickly and radically as possible.

These relationships are not the matter of speculation. These are not my personal conspiracy theories, they are facts. The A to B in this situation is extraordinarily clear.

The internet is not a neutral ground. There are hostile actors here who have decided that the internet is one of the best means by which to realise goals which are antithetical to free, open, and civilized society. You cannot take information here at face value. You must do your own research, confirm facts across multiple sources with different interests, draw and hold your own convictions and change your opinions when the evidence dictates it.

And above all else, do not be taken in by the idea that the world is awful and nothing can be done to save it. That nihilism is being pushed upon you. If you believe the world can do nothing, there is no point in defending Ukraine. If you believe the world is beyond saving, there's no reason to recognize Taiwan. If you believe both sides are awful, there is no point to pressing for Palestinian statehood.

Apathy does not serve a brighter tomorrow--because the world never remains good. It is made good every day by the effort of billions. The world we live in is the result of centuries of people giving their lives to push the needle further to peace. To international cooperation and understanding.

Get your head in the game. It's the only game going around here. You're playing whether you like it or not, so you might as well know who you're playing against.

#politics

[hecksupremechips]

Shinjiham is cute when it’s romantic but tbh I think i vastly prefer the idea of them being best friends instead. Like, neither of them really saw it coming and weren’t really looking to get another best friend (Shinji has Akihiko, Kotone has Junpei and Yukari respectively) but it happens anyway. Kotone takes a liking to Shinji much faster than she does anyone else and I’d say a big reason is just the fact that he’s so reserved that it allows Kotone to do most of the talking while he just listens and they love this arrangement cuz Kotone doesn’t get to talk about her own interests very much. Though I think some of her needs to talk to Shinji stems from this insecurity that he isn’t happy in the group and she has this people pleasing problem and wants everyone to be happy so she makes a much bigger effort to talk to Shinji. And it’s very unfortunate because Shinji intentionally acts cold and distant because he doesn’t want to form any attachments because he wants to die soon, but aaaaaaaagh dammit this girl just keeps talking to him and being sweet and encouraging him to engage in his interests and share them with the others and he just can’t seem to say no when she’s got those damn puppy eyes. And Kotone is just able to get him out of his shell by being persistent but not in an overwhelming way, she’s very cheerful and supportive of him. And Shinji is able to offer her support by encouraging her to talk about herself and by making sure she’s taking care of herself. They just click really well and make such a positive dent in each other’s lives and it’s all about basic acts of kindness going a long way you know?

#persona #persona 3 #kotone shiomi #shinjiro aragaki #i uh. probably didnt do much here to prove that their relationship is best when its platonic akjsks i mean idk how to convey it #that these two are just so good for each other but that im just not feeling it romantically #and why should i honestly like cant a guy and a girl just be platonic soulmates like me and jackie aljsks #plus i just have other ships with these characters i like better ahem akishinji and mitsuham yall already know #and i just feel really comforted by their relationship being best friends cuz it makes the pocket watch a lot more power of friendship #and it just. irks me the idea that its romantic love that saves shinji and its romantic love that gave him a will to live #cuz first off you can save him without romancing him and also like if you think kotone is the only person he wants to live for #youre just wrong like in fact its very clear in his social link that he feels this strong love for everyone #its literally like why other characters are so ingrained into his link he loves everyone and they love him back #its just kotone who organizes the time for them all to get together plus like idk when ppl say shinji only wants to live after romancing #kotone its like. well hes not gonna have a good time post coma then huh #and i suppose the point being made is he has to learn to live even if his gf isnt there but again like. shes not the only thing he has #idk i just hate this like pedestal romantic relationships are put on and i hate the implications that like #akihiko has been trying for years to protect shinji and his love doesnt matter cuz it isnt some heterosexual romance #grrrrr it just irks me is all and yeah i just think theyre besties who do everything together #kotone is like shinjis emotional support animal that guides him through the scary crowds and shinji is off putting enough to scare away the #meanies that come their way and they have a dress up montage and make cookies

[strawberryicemoon]

Why I can't watch the Ducktales Finale

I'm not the kind of person who struggles to watch the last episode of something. I love to finish a show, and let it sit in my brain. I'm the kind of person who often enjoys spoilers because it adds to my understanding of the media. I love to view the media in their entirety just as much as I love a journey to get there.

But I can't get past the first few minutes of Ducktales 2017, The Last Adventure. And it's because of spoilers that I couldn't deal with. I don't like them, and even years later after I've had time to digest, and have seen so many finale clips, that I still can't just sit down and watch it. And I've made attempts. I've looked through the summary of the episode to prepare. But I can't.

And there's... a couple of things that rub me the wrong way about the Finale that keep me from being able to just watch it.

1. Webby is Scrooge's Clone Daughter

2. Webby is April, of April May and June

3. Donald and Daisy are going on vacation.

Now, I don't actually hate any of these... conceptually. And I'm well aware that Frank Angones has stated the Webby twist was planned from very early on. And usually I am completely down for whatever a finale is, as long as I can tell that this was something the creator really believed in.

I'm a fan of such "controversial" endings as, Amphibia and Digimon Adventure 02, because I know exactly why they ended like that. It's written in the themes. Even if it took me time to understand Adventure's ending, I've grown to understand it and love it once I learned more about the original Japanese version and the shows production (and also grew up myself). Amphibia ended exactly as I expected based on one of the very earliest things I heard about the show from Matt Braly: "an ode to past friendships". Even if I think there are things they messed up I GET IT. I wouldn't want them ending any other way.

So I understand WHY the decision is made. Conceptually it does make sense. Webby exists as a composite character of April May and June, and I believe shares the same name as April in one language. Webby being Scrooge's clone daughter is an effective way of full-circling her relationship with him. Strangers in each other's home to father and daughter. She's family not BECAUSE of Blood, but because of Love. She still loves her Granny, it's just the non blood relationship wasn't the one she thought it was. And Donald deserves a vacation, and to have the more down to earth life experiences he wanted, especially after raising his sisters kids alone for 10 years.

But they still twist me up inside.

And I think it comes down to three reasons: 1. Lack of Continuity between episodes 2. An over-focusing on Scrooge 3. Handling of Word of God

1. Lack of Continuity between episodes Part of what got me to fall in love with Ducktales was S1 and the continuity of the Spear of Selene subplot. We got hints at a semi-regular pace, but it successfully overhung the entire series. It was what separated Scrooge and Donald. It was why Della was gone. The subject matter was of course not something that needed to be overstated, as most of it was being kept hush hush. Sure it was a mystery, but not an urgent one. Dewey had never had his mom, so it wasn't like he couldn't focus on anything else for a while

But in S2 I started noticing that the show stopped explaining or foreshadowing things. Maybe it always did, I haven't re watched it properly. But I definitely noticed something off about the storytelling then. But it was definitely a problem throughout the show.

Webby never brought up Lena after her sacrifice until the relevant episode.

Lena living with the Sabrewings was something never brought up until episodes later we saw her with them.

We had Della talking about the boys with their "Uncles" setting up the pain of not knowing how things fell apart after her departure, only to get no payoff.

We didn't get ANYTHING about Webby's parentage until the final episode, and barely a hint in 1 season 3 episode.

Almost every finale episode changes the status quo in some way. The question is how much. Lots of final episodes kind of have things going back to the way they were before plot kicked off but better (like with new friends or a new government). Sometimes someone dies.

Webby being Scrooge's clone is paradigm shifting. And that kind of thing needs to be set up. You CANNOT catch your audience off guard with something like that.

In Digimon Adventure 02 the series ends with everyone on earth with a digimon partner which is controversial but at least built up throughout the series at hints of other digidestined until an arc near the end showcased many international digidestined. Hilda ends with the reveal that Hilda's mother is half-fairy, and despite not being present throughout the first two seasons, it was hinted at through the third season, and contextualized some of the few things we did know before about Johanna's childhood. The Hollow's first season ends with you finding out it was all a game, but it had been hinted at before with the video game nature of the world. Sure Avatar didn't hint at Aang getting the power to take away bending, but we knew he was a pacifist who didn't want to kill so was looking for a solution, getting the power to remove bending (ie power over others) works thematically, in the same way Anne using the power of the stones and getting brought back to life by a god like being worked. Sure, Scratch turning out to be a wraith at the end of The Ghost and Molly McGee was rather sudden, but people had been theorizing that Todd was Scratch's body for a long time, so it wasn't like there weren't any hints, and while the show was cut short and had to rush to end, the build up of Scratch's memories at least gave some sort of foreshadowing link to what was going on.

There's a reason people rarely throw in new characters at the very end of a show. It can absolutely work. Amphibia and The Owl House threw in "God" at the end, but that gets a pass for being the kind of figure they meet once and then move on with their lives. On the other side, you can sometimes have secret big bads that were pulling the strings the whole time too. I can't speak for the finale of Ducktales (because again, can't bring myself to watch it), but adding two new characters on top of changing the entire dynamic of how the family is set up at the very end of the show does not sit well with me. We won't get to see how this change in status quo effects the characters. We saw how learning about their mom affected the boys relationship with Scrooge, her return and having to build a relationship with her and her presence conflicting with Launchpad's. But we don't get that with Scrooge and Webby? Basically too many status quo shifts in the finale all at once.

All we got was Beakley was a spy, was overprotective of Webby, and a few episodes before the end it was revealed Beakley was lying to her. Webby didn't seem to care about her parents. And this was a girl who was very dedicated to unraveling the secrets of clan mcduck. Couldn't they have had one hint at some point in the show where it was unclear if it was the boys or Webby who were recognized as a McDuck? Some offhand mention where the boys ask her about HER parents, because she helped them with her mom?

You couldn't tell what was or was not going be important in the way they dropped. It's very hard to set your expectations when you had no clue what to expect. And while there is something to be said for unexpected surprises and twists in a story, an audience really needs to know what is or is important or they're going to go on wild goose chases and get disappointed when they build up hype for something the show then refuses to address.

In HINDSIGHT, I find it extremely odd that Huey and Louie, prior to finding out about Dewey's investigations, did not pry at ALL into the fact that hey: if Donald was an adventurer with Scrooge, then he had to know their mom. Like that’s weird right?

2. An over-focusing on Scrooge Scrooge is the Center of the Universe.

I'm not a Disney Ducks fan. Aside from 2017, and pop culture osmosis, I know very little. But the thing is I am someone whose first inclination once I become a fan of something is to check out the wiki pages for information. Find about what longstanding fan mysteries there are. I understand the importance of cross continuity callbacks. I'm a fan of other longstanding series and have rubbed elbows with several others. I get really long franchises with several iterations.

Which is to say that I, despite not having a horse in this race, understand how this works and how it should work.

Now a bit of this is the fact Ducktales is ABOUT Scrooge. But Scrooge isn't the center of the Duck universe. Something I find pretty interesting is the fact that Donald has reasonably fleshed out family trees on both sides of his family. That's cool. That's how real people work, a meeting point of the stories of those who came before. But Ducktales doesn't care, the only adult the show cares about is him. I get that to a certain extent it was the show execs insisting on focusing on the kids. And again, he's kind of the main character. But you brought back Donald, and Della. There are other characters here with rich lives, he doesn't need to take over everything.

It's especially egregious ANY time the McDuck clan gets involved. Could Matilda be the youngest child now? Sure. But that's a really arbitrary change, that they don't use for anything. And even if that was purposeful, the fact is that the first thing they established is Donald's mom is still Scrooge's sister, so Donald is the grandson of Fergus and Downy McDuck. Not nephew? Surely they could recognize him? But where is Hortense and Quackmore? They brought them up in the first episode, and then they never made any appearances aside from references. Why were Donald and Della staying with Scrooge for Christmas? Never clarified. Fans (reasonably) assumed they were dead. Scrooge called Donald his ward (admittedly when he also called him Fergus and Downy’s nephew rather than grandson). I mean where else would they be when their DAUGHTER DISAPPEARED. Would they not want to meet their grandchildren? But that was never clarified. And I've seen some fans alternatively interpret them as bad parents, which I think is just really unfair. Scrooge gets to be the good parent? It's once again Scrooge to the rescue. The CAPITALIST? I mean it's also a little bit just a family issue in general: It's Uncle Gladstone and Cousin Fethry when they are theoretically the same: technically cousins but old enough to be honorary uncles. It's fair enough. But really that brings us to the Duck family in general.

Grandma Duck? What about Gladstone and Fethry's parents? Gus Goose? Are they all dead? Does Fethry have any siblings? Do the boys not know or not care about the Duck side of the family? They know Gladstone but no one else? I mean Scrooge's parents, who should be dead, were magically kept alive but nothing for the duck family. Speaking of which, they constantly bring up how old Scrooge and occasionally refer to the causes of his supernatural age, but that does not explain how young Donald and Della are compared to him. Overall, we get nothing on the Duck family except for its existence at least, so even removed from the context of Disney Ducks legacy its weird to introduce a side of the family and just gloss over it.

The one episode about the Duck family legacy is a Webby episode. Which, fine, she's not a Duck, but she's part of the family. Except wait. She's Scrooge's daughter/clone, and you gave her the focus on the one episode about the Duck family not the McDuck's? You couldn't leave Scrooge out of anything?

So for Webby's great twist in the finale, was taking not just one, but two characters NOT related to Scrooge (April and Webby), and tying them to Scrooge. I think I could deal with Webby being April, and (HUGE MAYBE) Webby being Scrooge’s clone or April being Scrooge’s clone but not both. Not to mention April, May and June are DAISY's nieces... not random three girls who are her boyfriends uncles clone and and boyfriends uncles clones clone? It doesn't sit right with me that a character who I thought was supposed to be learning that he was sometimes in the wrong, and not the center of morality (see how he made Glomgold a villain through his own ego), continue to be made the center of the universe in ways he simply shouldn't be.

He's literally an old rich guy. Like there is historical context for why this character is like this, but why does the world revolve around him in this show.

3. Word of God Word of God is useful. As are interviews and statements made by the creator. It helps to provide insight into the themes. I love seeing the person behind the art.

But here's the thing. Word of God is clarification, insight into how you should look at the work to set expectations. It's supplementary. It doesn't replace text.

This is a little bit difficult to really talk about now that I'm several years removed from the experience, so grain of salt and all, but I really think the way Word of God was handled did the show a disservice.

Back to Lena becoming a Sabrewing, we didn't get that in show. Lena just dropped off the face of the earth, not until S3’s premier we got a clarification on that in show.

We never got Della's reaction to learning that Donald and Scrooge were estranged, she just suddenly stopped speaking under that assumption.

So Word of God became an essential part of understanding the text, because a lot of necessary information was left unexplained by the canon its a huge problem. And Word of God is often fluid. It can be changed later if during the writing process something changes. (We should probably cover this topic in show and want to do it a bit differently, I have a great Idea of what we can do to turn that error into foreshadowing, I was lying to the fans to keep a secret).

But when word of god is necessary, word of god becomes essential for tempering expectations about the show.

This is probably going to be less of an issue for people who come and watch the show later. Sure, things are still unexplained, but when you can binge the show Lena's unexplained absence is less obvious, you're so busy moving on to other things that Della's change in understanding about the situation is clearly unimportant and you can move on.

But what ended up happening is that Frank Angones struggled to balance clarifications, keeping show secrets, and a sometimes changing story. Which sometimes left characters completely sure on where the story was sitting, only for it to be ripped out from under them. Also, tying back to the first point, of plot points being dropped until the episode where they where they were relevant made it VERY difficult to tell what was or wasn’t going to be relevant, and what emotional beats to get emotionally invested in.

Prior to the finale there was a bit of a community of Webby/Triplet shippers. Personally, I see that as a complete dismissal of the themes of the show and a bit heteronormative. I avoided all such content. But at the same time, shipping doesn't hurt anyone. At the end of the day, the boys and Webby were not related by blood, and hadn't even met until age 10. There wasn't... really a reason you couldn't ship them. There are TONS of shows out there with 10 year old characters and love interests. Just off the top of my head: Any Ship with Ash Ketchum, Sprigivy, Phinabella, Kenyako, Sorato. Even if they don't get together at 10, (or at all) the fact of the matter is 10 year olds getting shipped is old news. I'm still attached to Pokeshipping and Takari to this day, even if I tend to see them more as platonic relationships these days. So I avoided all shipping with them, but I understood why people (particularly younger people) were shipping them. Until the finale hit, and the ships that people thought never going to be canon, but were safe, weren't. To a certain extent, that's the game you play with shipping clearly noncanonical ships. But I feel that the way questions about shipping were answered didn't help, because iirc he tended to say the show wouldn't focus on that more than he explicitly stated the kids were family. He called Webby/Triplet shipping highly unlikely for example, giving it more legitimacy than a no, which leant to it being taken as a solid fact prior to the finale that Webby was definitely not related to the boys, because a lot of what else was said was solid fact.

4. (Bonus): of course, I do also feel it kind of isn't enough to justify breaking the found family. So much of Webby's arc was being accepted into the family. Becoming the 4th triplet. So for her to have been blood all along is a little cheap. Sure it doesn't break the becoming family despite blood before. But, having meta-knowledge of Launchpad probably finding family with Gosalyn and Drake Mallard, it's just Beakley whose left as not blood related (and she's technically the help...). And yeah, there's the Granny/Grandaughter adopted relationship. But....

Webby is one of four kids. Again, she became one of the kids. So yeah. I'm happy that she became one of the kids. Able to call him uncle scrooge. But it feels weird to me that she, the kid who already lived in the manor with Scrooge even if they kept their distance, displaced the triplets as Scrooge's natural heirs. The uncle relationships in this show being parental/grandparental was already good. Not all families look the same, some people parent their siblings' kids for one reason or another. Scrooge's presumed "heirs' ' was his sister's descendants, not his, but he loved them like his own. That's good. So to not only break the "not blood related at all" to "actually daughter", kind of ALSO meant a "my niblings are my legacy" got overtaken with "my daughter is my legacy".

And maybe I'd feel less sour about it if we had more time after the show. But on a fundamental level it didn't just alter Webby's place in the family, but her grandmother's, and the Duck Twins and Triplets. Again, especially with the triplets. I wanted the four of them to become functional equals. The 4th triplet. But for her to have a secret Scrooge connection that overtakes the one she was jealous of the triplets of having doesn't sit right to say the least.

I feel I could get over this one, especially maybe if they gave us more time. But it just didn't make it worth it to me.

5. (Bonus Bonus): Now I don't use the term Mary Sue lightly. But what I do think of canon Mary Sueism is a tendency to make female characters on predominately male casts "special" in some way to justify their presence. They have to be the level headed smart ones and the ones with . They have to be likable so they're robbed of character. I wouldn't say Webby is a particularly bad example of this, and it's not like Ducktales lacks other flawed female characters (Della my beloved).

But the way Webby is treated reminds me of April from TMNT 2012, and Allura from Voltron Legendary Defender (and kinda Larmina from Voltron Force). All are 80s characters in shows that had a predominately male cast of characters, and who were both an outsider, and defined by being a girl. And then the reboot both doubled down on making them special, integrating them into the group more, but also making them generally tougher the boys in some way, and also sometimes more in the know about things. Webby is aged up to match the boys age rather than aged down to match the boys age like April but the effect is still the same.

The girl is now a peer to the boys, 4th triplet, rather than a little sister. Webby is more capable and well-read than any of the boys. And at the start of the series she's socially awkward enough it feels like it will work. And I'm not saying Webby isn't flawed, she is. But when it comes to the things the family finds important: adventuring, she doesn't have any obvious shortcomings. Louie quits easily and isn't as coordinated, Dewey is reckless and generally uneducated, and Huey isn't flexible. And Webby... used to be socially awkward???

It’s kinda trading 1 sexist trope for another. And yeah, all shows do have OTHER female characters who kind of avert this. But it doesn’t change the fact the leading lady is more “special” than the boys. Like being a girl has to be special.

In short, at the end of the day Webby being Scrooge's daughter doesn't help her character, her grandmothers, or the rest of the family. It kinda helps Scrooge’s character, but while I haven’t seen the episode myself, I’m not sure there would be enough time for it to be meaningful. And again, I think a lot of the characterization and worldbuilding of other characters were already sacrificed for Scrooge’s sake in the show already.

Oh and the Donald/Daisy thing.

The reason Daisy/Donald's trip doesn't sit right with me is we barely got any Donald and Della having to coparent. Get used to each other again. We barely got any of them and we're heading back into separation. It doesn’t feel cathartic when we still have unanswered questions from this stage in their life. And even if the trip is well, a trip. It feels weird.

It feels kind of unexpectedly "conventional family", even if it's still really unconventional. Donald is going to go be happy with his love interest, away from the boys he raised who aren't actually his sons (and yes, I know he takes May and June with him but still, knowing that May and June are by default Daisy's nieces kind of has "new kids with new wife" implications to me but that's neither here nor there). Adding this to "Webby being Scrooge's daughter is a good plot point for him" and it's just really weird, and kind of feels like the final nail in the nontraditional family dynamics coffin. If feel only way they could have buried it more is if Beakley died or something.

I was already kinda uncomfortable with the “Daisy being the only one to understand him” thing because like. That’s sweet. His soulmate is the only one who really hears him. But also that’s a fucking speech impediment Donald has. Are you telling me that no one in his family cared enough to effectively communicate with him despite his disability? Like if it is REALLY that much a problem he should have an effective communication method. Sign-language for example?

The triplets he raised don’t always understand him. His twin sister doesn’t always understand him? But this random woman does? I am all for Daisy and Donald being basically soulmates. But uh? This feels both ableist and allonormative in a show that really wasn’t those things before. (well okay it was kinda ableist about Donald but it felt less weird to me when there wasn’t one person who could magically understand Donald). And Daisy understanding him still could be a big thing? The first person who understood him without getting to know him first/wasn’t literally raising him/raised with/raised by him?

I want to like Daisy so much, but she just feels a bit like Webby does: a legacy female character they are trying to make too cool, who gets some of their coolness incidentally defined by a male character, rather than a full-fledged character on their own. (For instance if we saw Daisy with anyone other than Donald, her overbearing boss and… whatever Storkules is). 

I feel some of these may have been resolved with more time. But some of these problems had their seeds planted as early as S1. That said I think if the quality of S1 was maintained they would have been fine. Overall, I think Ducktales is a good reboot, and a good show, but it really could have been better. Was so close to being better.

#ducktales 2017 #it's been years and I'm still thinking about this #for my part #I disregard the finale #Webby has dead parents that she knows about hence never needing to learn more #I disregard the family not understanding Donald #because Daisy being the first STRANGER who understands him right away is just as sweet #idk what I’m doing about Boyd or April May June yet though #I can do what I want its not like Ducktales was wholly original or anything #probably still better than vld's finale #but I started to have critiques in s3 #and all of s8 was a dumpster fire so I was emotionally checked out by the time it actually came to that point #again I haven't seen it so maybe I'd like it more if I did see it #but the fact that knowing this has put me so intensely off watching it really isn't a good thing either #and I have never had this issue with a show before even if it's bad #to be clear though I do overall like 2017 Webby and Daisy I just wish they were allowed to be a little MORE #to fuck up a little more #I really do want to finish my abandoned ducktales fics but also staring at the finale and trying to figure out what I should do with this #ah #ducktales

[saints-who-never-existed]

Ok, maybe this is a really stupid question, but why the hell did Tuunbaq consume souls? What does it do with them? Digest them? Tasty snack nomnomnom? Why not just kill those pesky sailors? I have an understanding of what Tuunbaq represents, but why the soul sucking? Sorry, I still have whiplash from that show…

Anyway, thank you for enlightening me in advance! <3

Not a stupid question at all!

I'm going to give an answer based more on personal knowledge and opinion rather than cold hard fact - apologies in advance if that's not what you're looking for. Rest assured though that this is something I intend to chase up further sources on and think/write a great deal more about in future. :)

For all you couldn't strictly define it as cannibalism, when I think of the Tuunbaq and its consumption of souls, I think of what I know about various cultures throughout the world that have practiced cannibalism historically, and I think about the reasons why they did so.

Often, it was a reverential and sacred practice, enacted in a very focused and particular way. In many cases, specific body parts were eaten with the intention that one would gain characteristics associated with the deceased - eating a man's heart to gain his courage, eating a person's eyes to gain insight or their brain to absorb in some way their wisdom.

I think that's part of why Tuunbaq eats souls. The men are invaders within the landscape who are alien in every conceivable way so it make sense to me that Tuunbaq could gain knowledge of/insight into/power over them by absorbing their souls - the very essence of who they truly are.

But I also see Tuunbaq's consumption of souls as something potentially more akin to exocannibalism - eating one's enemies as an open expression of hostility, the ultimate indignity, the most extreme act of domination. And make no mistake, Franklin's men are enemies.

They've invaded and desecrated the land, killed Silna's father, caused Tuunbaq to go "off" in the first place. It makes sense to me that an enemy of that magnitude would warrant the extra horror and indignity of their soul being consumed as well as their body.

#Asks #The Terror #The Terror AMC #Tuunbaq #These are just general preliminary thoughts really #I am no expert! #I hope they make at least some sort of sense for now #And don't sound like I'm espousing that awful 'native deity is just a spooky savage inherently evil monster' type trope #Because that's absolutely not what I'm trying to get at at all #The Expedition's invasion of its territory and slaughter of its shaman made Tuunbaq what it was #Any savagery it enacted was clear and simple retribution #The Netsilik mourned Tuunbaq when it was gone - wept for it #I don't think one would do so for a being that was inherently savage or evil #All that said - I know the book has very different thoughts on this than the show/showrunners do #So watch this space! #I have every intention of looking further into this - book/show/scripts/Q&As etc. - and coming back with a more fact-based answer

[bmpmp3]

i do think its kinda funny when i see someone in the year of our lord 2024 talk about vocal synth music like its all gone downhill since like 2010 because like dont get me wrong i love a good niconicodouga-ass 2008 ass vocaloid joint BUT also like. the past couple years have had the most fascinatingly creative and expressive uses of vocal synthesizers ive ever heard in my life DJFSKHJDFS dont write it all off just yet!!

#usually i only see that from people who havent actually listened to any vsynth music from the past 15 years so i understand why they got to #that conclusion. and also usually theyre people who didnt listen to much vsynth music in the first place LOL they just dont know #but it is still a little funny. brother there are things beyond your wildest dreams if u just look #like some personal highlights: the stuff by rinri - particularly their use of the meika girlies #dont carry our memories away is LIFECHANGING the whispers. the spoken parts. the BELTS #plus the haunting and unrelenting instrumentation. fantastic song #and naisho no pierced's propose + birthday + gift sort of trilogy of songs. gift especially has been unreal #again the dynamics of soft intimate whispers to belts but also those fuller high notes with edges of growlyness. #plus the songs just generally rock. and those LYRICS. absolutely intense like physically painful and frightening like #yearning and codependency and possession. and the tuning and production just amps it up more #OH and slave.v.v.r has been doing crazy things for even longer but i only started getting into his stuff recently and holy shit #love eater is like. the scariest vocaloid song ive ever heard not because of the lyrics. but because of the tuning #im like. scared. i cant stop listening to it. the heavy synthesized breathy main vocals and whispered harmonies plus the VOCAL FRY #i didnt realized vocaloid5? i think? has a vocal fry option built in i heard? thats crazy #but specifically in love eater the fry and growl is amped up so deep and loud and clear compared to everything else it like #emphasizes the artificiality of the voice while also amping up the expressiveness #its awesome. and on the older slave.v.v.r songs i heard i will hit you 8759632145 times with this piano. also so fucking cool #addicted to that song. 1) its a great jazzy rocky piano tune with this piano flourish at the end of each phrase that sounds fantastic #but also 2) the lyrics are insane. using kanji to write english?????? #people are doing wild ass things with vocal synths rn you guys #this isnt even getting into some of the really unique synths themselves too. adachi rei is awesome i love that shes just like #the perfect inbetween of sample based and reconstruction based vocals. shes a sample based synth #but her samples were drawn by hand LOL shes like dectalks granddaughter to me..... #a really good use of adachi rei is iyowa's heat abnormal/heat anomaly/whatever its called ITS AWESOME thats what it is hjrkfdgfd #i think the fact that vocal synths can be so realistic and clean and noiseless out the gate now has made people really stop worrying #about like. realism all together and looking more into expressiveness. omg vocal synth modernist movement

[batsplat]

deeply compelled by this photo

#finishing rec lists by doing the most important part - using my 30 image allowance to splice up the text #and well they can't all make it... and i'm fond enough of this photo i'm posting it on its own #I Just Think It's Interesting (and slightly comical) how friendly they are to each other in person for the most part #like you'll get them saying the foulest shit about them in the press and then u compare with the footage/photos from the time and go? #now sure you could say being polite to a coworker you hate is an incredibly low bar. but. like. it's often not one riders clear!! #I feel fairly confident about why this is the case from valentino's side of the equation #casey's is a little more... hm because the thing is it's not like we have a big enough feud sample size to compare with #but i just find it something kinda fun about him... like yeah he's blunt to the point of being wildly tactless... #but also friendly with valentino who he thinks is basically the devil... he has layers... #// #brr brr #WARM smiles towards someone he at this stage definitely loathes as a rider if nothing else... idk it's interesting #it does add a specific fun vibe to that rivalry imo #like they are SO nasty to each other in the press and then it's all :)) how have you been valentino :) congrats on the wonderful race :) #the list is done btw i need to read it through two more times to grammar check (not fact check i don't believe in that) and then i'll Post

[dizzybevvie]

reminder that Beverly had a crush on Erdan

#its so fucking funny to me 😭 #Murph describes a dude as bookish and its IMMEDIATELY over for him #fyping out the convo bc its hilarious to me: #Caldwell: Bev is currently minor-illusioning a pair of pinsnez(?) glasses on his face too #Bev: (giggling) hi! #Erdan: Hey. uhm. do you wear glasses normally? or..? #Bev: Oh! uh (nervous laughter) just for reading. Yknow. ha... i just thought it would help the disguise (more nervous laughter) #Erdan: okay. right. uhm. You know Im... OVER 300 years old right? #Bev: What? yea- I know! ha. #Erdan: good... okay... just so we're all clear... #Caldwell: I shake his hand #(and scene) #Thinkin abt the fact that Bev is the one too accidentally kill erdan... and he also liked erdan :( #naddpod #apollo says stuff #bahumia #tbh hed prob gotten iver it by then tho i think he was just attracted to him

[ambyandony]

i still havent figured out the deal with prosciutto and pesci in wayr

#its rly difficult because i basically have to unbizarre the bizarre adventure #and i have to adjust for the way i formatted things as well #like i didn't write in sale and zucchero because there's no motivation for them to have any involvement #in the wayr au polpo is like the principal and isn't really written in the story much bc Vice Principal Bruno is a more active character #and has more interaction on average with the students as pseudo-guidance-counsellor #polpo didn't die and there's no treasure so sale and zucchero have no motivations to be relevant so i didn't write them #and bruno doesn't have to do anything for the role of 'capo' since he's pretty much already in an analogous position in the school #and like ive turned a bunch of assassins with supernatural abilities into schoolkids in way over their heads with espionage attempts #their motivation isnt boss underpaying em its some of their besties nearly died taking a bet too far and ofc they dont trust cops bc acab #and partially bc 1. theyre delinquents 2. sorbet and gelato are a gay couple and (3.) were in fact trespassing on private property #wayr fic #jjba #golden wind #vento aureo #prosciutto #pesci #im not saying there's no supernatural elements like i think trish's debut makes it clear there's some weird shit happening #it's just supernatural because in this world it's /not/ normal because there are no stands and bizarre shit is an outlier

[dirt-str1der]

I miss y5 so much kiryu is trying his best to just be some guy and everybody in the world keeps trying to seek him out and tell him no ur not

#Yakuza loveblog #like NO YOURE NOT it was your endorsement that made daigo chairman it was your street cred and influence that made so many things happen and #people still listen to you and you still have a job to do .... i do wish i could get driven around by that hot taxi driver though #like literally i do like aizawa because he made a fair point about daigo being chairman #sohei dojima was a pos but the dojima family was extremely influential in the tojo clan and yayoi YAYOI <333 🔥🔥🔥 was acting chairwoman for a #time that was crazy ... like howd she get up there !!! and then she just bailed #anyway daigos her son and she wanted him to be chairman so he was chairman and it was during a crisis period too and daigo just had to step #in to clear some things up and he ended up literally being chairman forever and he outlasted charman 3 to 5 i do lole him hes awesome #like i really like the fact that kashiwagi and yayoi were running the clan in yk2. power couple. also i like to think they were using the #hq as a hotel and just living there because it would be funny and theyre ALWAYS there #anyway daigo didnt even want to be chairman thats the difference between them he wishes he could be a punk again but now hes a politician #and keeps getting so shot and comatose every day like he has lasted so long but hes the chairman that has taken the most damage #he literally is just a little baby too like all his associates or almost all are older than him its so funny #i am completely dumbfounded over the fact that daigo literally sought kiryu out and asked him directly for advice and kiryu was like figure #it out ho and daigo is saying are you saying i should be more independent? and then he killed himself #daigo-chan lets go kill ourselves. okay majima-san.

[arolesbianism]

You know, I think the reason I've never been big on the idea of Abigail not actually being Abigail is because it's just so much more fun and fucked up if it Is Abigail and it's partly because of the whole watching your twin die over and over, but it's also because holy shit does Wendy say some shit that sucks so bad to say when Abby is literally Right Next To Him. Like imagine your fucking twin constantly talking about you like you're not there, all while also being constantly held up as the only thing keeping him going, and then he pulls out the "I have nothing worth protecting" and it's just all like godddd this kid's shitty coping mechanism of being an edgelord is causing him to unintentionally be such a dick sometimes and that is so fucking delightful to me. Abby has spent god knows how long watching her twin die and treat her like a past tense and like a concept and most of the cast don't even refer to her by name and it's unclear if she can even talk to them and that's all on top of literally being a ghost who is bound to death seemingly irreversibly and all of that while shes like 12. No wonder she kills moles and rabbits for doing nothing lol

#rat rambles #starve posting #this is why the carter twins make me so insane theyre so delightfully fucked up #this isnt me trying to villify wendy by the way hes my favoritest guy in this damn game and hes also a traumatized 12 year old #I just love complicated sibling dynamics and I especially love this fucked up double wammy come back wrong thing theyre doing #it kind of all ties back to reading 'abigail was always the strong one' for the first time for me #neither of them should have to be 'the strong one' theyre literal children but abby has had to be stronger than she should ever need to be #and ofc any abby characterization we can scrap up is all second hand or not that deep so we can only assume how shes taking all this #now to be clear I do think its heavily implied that it is in fact abby for realsies like to the point where I dont think the writers ever #had even considered the alternative like I just dont think youre meant to read her as being some sort of fucked up echo or smth #but thats beside the point of even if she wasn't the real abby Id still be obsessed with her because thats kinda more messed up #aka I loveeeee artificial beings made to replicate a dead person who were never given the choice to be their own person #but again it almost certainly Is abby and as such I will lose my mind over the shit this kid has been through

[yugocar]

i could post some art takes but i’d rather not be shot on sight

#uuuuuuuugh i've become hmmm kinda frustrated with seeing takes on interacting with art #that outline rather strictly the wrong and right way to do it and all of them make me feel very.....unsettled #saying that there are more productive ways to engage with art is fine #i dont find that to be untrue #but some people go much stronger than that #and then also often add moral implications to it #this is mostly about writing #and its funny cause i can guarantee that some people (not all obvs) who tend towards this thinking in regards to literature #will not treat visual art in the same manner #which just opens up another 5 different cans of worms frankly #im not trying to be annoying here but studying visual art and the truly broad and diverse movements from all over the world that are a part #of it has made me realise how many aims art can have #often these aims are followed by very elaborate and fair explanations #that simply come from wildly different contexts/cultures #understanding that makes it so much harder to reduce art to a single purpose #and to have a clear order of what is 'better' #anyway im being very vague about this because im mostly uuuh complaining and have no interest in discourse #and uuuh as a bonus #people can simultaneously engage critically with something and makes jokes about it another time #the fact that people talk about it truly like one is incompatible with the other is...astounding #normal things to be posting at 1pm #if you read all of this ur weird and im kissing u on the mouth #logs