One of the most generally useful things to come out of Hbomberguy's plagiarism video and Todd in the Shadows' similar video on misinformation is how they bring transparency to the internet phenomenon of "I made up a guy to get mad at".
Seriously, I've seen people make up a lot of stupid shit on the internet over the years and it's often just a manipulative attempt to paint a group of marginalized people in a bad light.
That's the TL;DR version of this post.
ANYWAY here is the long version
Those videos are mostly about James Somerton's plagiarism of other queer people's work. However I'd like to talk about that 20-30% of Somerton's original writing- and oh boy. It's mostly about complaining about White Straight Women and misgendering well-known trans creators such as Rebecca Sugar and calling Becky Albertalli a straight woman while it's pretty common knowledge that she was forced to out herself as bi because she received so much harassment over "being a cishet woman who appropriates LGBT+ stories".
One thing that irks me especially is how in his Killing Stalking and Gay Shipping videos Somerton brings up how straight women/ teen girl shippers exploit gay men for their personal sexual fantasies. This gets brought up several times in his videos.
Being all up and arms about Somerton being a "White Cis Gay Who Hates Women and Queer People tm" is not that useful because the kind of rhetoric he's using is extremely common in fandom and LGBT+ spaces on Tumblr, TikTok and Twitter. We really don't need to bring Somerton's identity to this since he is in no way an unique example.
It's hypocritical to make this about an individual person when I've seen A TON of posts, tweets and videos where queer people talk about these Sinister Straight Women who are supposedly out there fetishizing and exploiting queer men. It's pretty clear to me that this is just an excuse to shit on women and queer people for having any sexual interests. At worst these comments are spreading misinformation about BL, a form of media that has been excessively studied by both Asian feminists and Asian queer women.
This all sounds really familiar and I think it's good that people are calling it out as what it is: misogyny and transphobia. I'd also point out the potentially racist motives behind being this hypervigilant about Asian media.
People can absolutely be misogynist regardless of gender or orientation. I really don't know why we need to create some kind of made up enemy to get mad at. I actually think it's almost sinister how "anti-fujoshi" people call Slash shippers and fujoshi misogynists or claim that they have internalised misogyny while being dismissive about women's interests and creative pursuits under Japanese obscenity laws, China's censorship, book bans in American schools and various other disadvances that are part of being a queer and/or female creator.
I think we shouldn't be naive about the bad faith actors who want to turn queer people against each other. For example Fujoshi.info mentions anti-gender (TERF, GC etc) movement using this kind of rhetoric as well.
Anyway if you want to read more:
- about the false info around BL fandom fujoshi.info
-There is the scholar Thomas Baudinette who studies gay media in Japan. Here is a podcast with him and the scholar Khursten Santos
-James Welker is a BL scholar as well. Here is a podcast interview about the new international BL article collection he edited.
-I've already talked about this Youtube channel by KrisPNatz and his great Killing Stalking video that actually engages with the themes of the manhwa
- There is also HR Coleman's thesis DO NOT FEED THE FETISHIZERS: BOYS LOVE FANS RESISTANCE AND CHALLENGE OF PERCEIVED REPUTATION where she interviews 36 BL fans and actually breaks down why fetishization has become such a huge talking point in the fandom discourse. Spoilers, it's mostly about young queer people and women being worried that they will get judged and pathologized for their interest in anything sexual.
-Great podcast about Danmei and censorship with Liang Ge
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here's the thing. laudna would have stopped it. if she knew delilah was about to fracture the gnarlrock. if she could parse her own feelings from hers.
and here's the thing. imogen has been plagued by nightmares for a decade. and this rock is the first bit of solace outside of her trust in laudna that she has ever had.
and laudna was just involved in shattering it. this tiny bit of solace.
and. here's the thing: laudna would've stopped it.
and. here's the thing. imogen would've stopped it. the only reason imogen didn't go is because she was specifically afraid that she would attempt to intervene and ruin their relationship with the volition before it ever began.
and here's the thing. liliana set out 25+ years ago specifically to spare her daughter. and that seemingly has not ever wavered as her core motivation. but people keep being drawn to the moon. kids keep being drawn towards the moon. and liliana is a mother. she was a mother before she ever knew she was an exaltant.
for 25+ years she has worked to "cure" imogen. the only solace she probably ever received was in at least attempting to console the kids who found themselves lured in by her same pull.
liliana begs imogen not say that they may have to kill each other. she breaks at hearing imogen's resolve. but there's kids, imogen. there's kids here. imogen. she can't leave. she's a mom.
and, here's the thing: imogen's her daughter. the daughter liliana left. or tried to leave. the daughter she only had through dreams. and imogen is working with the volition. and imogen has been her sole drive for 25+ years.
and imogen might have just been involved in shattering the little solace she might have ever had.
and, here's the thing: imogen would've stopped them.
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Leon's flirting in Infinite Darkness pt 2: A Deeper Dive
After this post managed to gain a teeny bit of traction on here, I wanted to talk about this a bit more for clarification, and to further explore how this ties into the overall narrative and Leon's characterization throughout the franchise.
I'd like to make it clear right off the bat that I am not claiming that Leon is (and, for the record, I hate this word) a womanizer either. It was disappointing to see that that's what some people took away from my previous post. It's also worth noting that I don't think Leon's actions in the scene with Shen Mei come at the cost of his morality. Just as the erasure of negative qualities doesn't lessen the impact one character can have on others. Life isn't that simple.
The Gist
The interpretation that I have for the scene with Shen Mei is not one that claims that Leon is some selfish home-wrecker on the day to day. However, it is an exploration of the extent of his loneliness and how, even the most morally upstanding characters such as Leon, have traumas and emotional burdens that can make them behave in ways that are questionable at best. It was an analysis of how, in that moment, he inadvertently displayed a deeply vulnerable part of himself that does extend beyond that scene.
The man desperately yearns for affection and romantic connection with women while living a life that does not allow for him to do so in a way where longevity makes sense. Because of Leon's compassionate nature, he will not allow himself the indulgence of a long-term relationship in order to spare others the pain of being dragged into his life. Though short-term hook ups are something he is willing to pursue because then there's no risk of disappointing anyone. No missed anniversaries, birthdays, or holidays. No receiving a sudden call to fly out to god-knows-where immediately and being unable to say where he's going.
His innate human need for connection in the absence of normalcy lead to desperation. Desperation leads to impulsivity, and this impulsivity is what leads him to disregard a person's relationship status with a half-hopeful "soooo...?" In that moment, his desperation got the better of him.
The point of my previous post was to explore how a scene as brief as that one manages to peel back some of his layers to emphasize the extent of Leon's isolation imposed by his service to the government. How his inability to allow himself meaningful romantic connection ties into his most tragic flaws, consistent throughout the franchise.
Compassion Comes At A Cost
Leon has always been the type of character who will willingly throw himself under the bus in order to spare those he cares about from any unnecessary suffering. Choosing to work for the government to save Sherry's life, not turning Helena in to the authorities to clear his name in RE6 after the assassination of Adam Benford, his full willingness to sabotage his relationship with Claire at the end of Infinite Darkness in order to prevent the government from going after her. If there's one thing to know about Leon, it's that he will always put himself last.
He is not above sacrificing his own happiness for the sake of someone else's, but he would never expect anyone to do the same for him.
Self-Sabotage
Given how okay he was with Shen Mei's rejection, I don't doubt in the slightest that he was almost expecting her to say no. Just like Hunnigan in RE4. Just like how he loves Ada, a woman who will never love him the way he loves her.
The scene in Damnation comes to mind, where Ada asks him about "that night," where it's heavily implied that they hooked up at some point between RE4 and the events of the film. Unsurprisingly, the implication was reiterated/confirmed by the writer of the film himself. He also says that "[Leon] shows his real self when he gets in touch with a woman," which I think is a very apt statement.
She says that Leon's angry with her, presumably for cutting their romantic endeavor short, and yet he still can't be done with her. He chooses to latch on to a woman he can never get close to.
It took him until RE6 to finally let Ada go, and I'd like to think that ties very nicely into the character arc we see from Vendetta to Death Island, where both movies explore Leon's transition from choosing to suffer alone to learning to find comfort in camaraderie.
This all ties in with each other. Leon's isolation, even outside of romantic endeavors, has always been at least a little self-imposed. His service to the government lays the foundation, and Leon does the rest himself because of the circumstances of his life. There's a tragic cyclical nature to it.
This is the face of a man who willingly sets himself up for failure. It calls back to his "story of my life" line in RE4. He isn't hurt by these rejections because he doesn't expect much to come out of his attempts at flirting. He's throwing shit at the wall and seeing what sticks. Maybe it'll work out and he'll get lucky, though odds are it won't. Even he he does luck out, there's not much chance of a formal relationship coming out of it. Low risk, high reward.
Even Stephanie Panisello who voices Shen Mei jokingly said "Why do ya have to keep choosing these women that don't really love ya?!" in a Death Island interview while talking about how she feels about Leon.
When he asks Shen Mei out, he's asking for the hell of it — at least then he's trying to fill the void — but he's simultaneously keeping women at arm's length in an attempt to spare them. Maybe, given his history with Ada, he's trying to spare himself some pain, too.
Not Exactly OOC Behavior
Speaking of Ada, it's also not entirely unlike Leon to pursue someone who's already in an established relationship.
Infinite Darkness takes place in the original RE timeline* — the remakes are not canonical to these events.
(*The remakes do not supersede the events of the original games. They simply created a separate timeline where the games' narratives are approached from a different perspective — a chance to make the narratives more cohesive and modernized. Quite literally a "do-over," but not a replacement. Both the remakes and the original games are canon simultaneously, however all CGI media exists within the continuity of the original timeline. This is because they're all part of a pre-existing narrative, contiguous of each other.)
In OG RE2, Leon hears that Ada has a boyfriend and still develops feelings for her, and goes as far as kissing her in one of the endings, even though he found out earlier that her boyfriend supposedly died. Was John real? Probably not, but Leon didn't know that.
Though I also understand that the circumstances of these scenes are different — Leon, having developed genuine feelings for Ada, kisses her as he knows she's going to die, and after she admits that she loves him, too. It's a goodbye kiss of sorts. This isn't the tone being portrayed in the scene with Shen Mei, but it's noteworthy regardless. Just because someone has a boyfriend doesn't mean Leon's not gonna get the hots for them.
Moving Forward
Leon's longing for physical and emotional connection with others definitely highlights some of the more tragic aspects of his character. However, I think that the way we see his flirtatious behavior taper off over time is equally interesting. It's an indicator of his mental health (its decline leading up to Vendetta), as well as it is a testament of his maturity. When you consider his lack of flirtatiousness in Damnation/RE6/Vendetta/Death Island, you can see how he's matured emotionally. Though you can also see how he has truly succumbed to his isolation. The extent of his self-imposed burden, the extent of his hopelessness. A grim acceptance of loneliness, of impracticality, of his life being what it is, and having no idea of how to fix it.
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