#but the song itself actually kinda moves at a solid pace

[wickymicky]

yeah Easy is good

#i think there's enough going on in the instrumental and vocals at any given time that my adhd brain doesnt get bored #and the pacing is fairly strong #its not actually that slow of a song lol i just thought it was because i was thinking of the ''eaaaaaasy'' #but the song itself actually kinda moves at a solid pace

[what-is-your-plan-today]

Riding On Ch7: Home, Sweet Home!

Summary: Frank and Fliss find their perfect family home, but there’s something bothering Mary.

Warnings: Bad Language words. Discussions about suicide. A little bit of angst.

Pairing: Frank Adler x Fliss Gallagher

A/N: This is a bit of an emotionally charged filler chapter…and we move time on a little through to June in the middle. And photos of the Adler house are included so you can visualise what I used for inspiration! Chapter Song: Kill For A Dream by Beady Eye

Series Masterlist //  WIYPT Masterlist

You’re giving it another try, staring at the deep blue sky, and you say to the driver just drive, coz you never felt so alive.

April 2019

“Hey honey, you ok?” Frank juggled his phone, pinning it between his ear and his shoulder as he leaned over his computer in the office, scanning the database on the screen for a filter part they needed to order.

“No, I mean yes! I’ve just heard some awesome news!”

“Yeah?”

“Yeah, so you remember the guy that bought the house that backs onto the yard when Old Man River died…” “That wasn’t his name.” Frank chuckled “It was Mr Morris.”

“He called himself River, it was funny and suited him. Anyway, that’s not the point. You know the guy who bought it…guess what I found out before?”

Frank stopped what he was doing and straightened up. He didn’t like that dick, one bit. When Mr Morris had died at the start of the year, Fliss had been quite upset about the news as the old man had been very friendly to her, often popping in for a cup of tea a few afternoons a week for some company. Mr Morris’ son had sold the house without them even knowing it had gone on the market, which was a shame as it would have been perfect for them given the location. The guy who had bought it, Frank didn’t even know his name, nor did he care because he was a douchebag and a pervert to boot. The way he looked at Fliss made Frank want to punch his face in.

“What’s Douchey Mc Douchebag done now?”

“You’re so childish.” she scoffed “Anyway, I was only commenting to Joanne last night that we haven’t seen him for like a month and she went home and mentioned it to her dad who works with some other guy in the property development business and the long and short of it is he’s gone bankrupt Frank!”

Frank laughed loudly “Couldn’t have happened to a nicer guy, babe!”

“I know right!” Fliss voice was gathering pace and pitch, the way it always did when she was excited. “So literally about half hour after she’s told me this, someone turns up and there’s a For Sale sign outside, the house is on the market!”

Ok now he was interested. Frank could picture the look of excitement on her face as she spoke to him and he felt the smile cross his face “No shit?”

“Yeah, I’ll send you the website to look at the photos but…oh God, it would be perfect! Some of it is really nice, some of it needs decorating but…” “Ok, well, why don’t you call the realtor? Arrange a viewing” he said “Hopefully you won’t puke halfway round this one.” “Ok, first off that wasn’t my fault. Bean objected to the smell. Who the fuck cooks eggs the day they know they have someone coming to view their house?” her indignant tone made Frank chuckle “And second off…”she paused “I already did. He said he can meet us at half 12.”

“Half 12? As in lunch time? Today?” Frank frowned.

“I know I just really don’t want to miss out on this one Frank, and you said you were gonna come up here for lunch and-”

“Ok, ok.” Frank sighed “I’ll shuffle some stuff around, work a little later tonight and take an extra half hour.”

“I love you.” she replied and he could hear the smile in her voice.

“Good job I love you too.” he said back gruffly “Because you’re a pain in my ass.”

He bid her goodbye and just as he was looking at the rota to make sure there were enough staff in to cope if he took a longer lunch, his phone beeped. He clicked through to the link Fliss had sent him and had a scan through the photos. To be fair the house didn’t look in too bad condition. It was deceptive from the outside, looked like a small farmhouse but they knew thanks to the extension Douchebag had put on the back it now formed an L shape and from the look of it, was pretty spacious. The kitchen was new, the main bathroom was new so the big work looked like it had been mostly done. The décor in some of the rooms was really old fashioned, especially the hallway you and the front reception room, but that was all cosmetic. What really grabbed him was the price. It was up for just over 320 thousand, which was a fucking steal considering the size, location, the garden and the garge/outhouse it came with.

“You ok Frank?”

He looked up and smiled as Alan, his boss walked in to the office. “Yeah, sorry, Fliss has found a house and managed to book a viewing for lunch time. Fucking 7th one in 2 weeks.”

Alan snorted “Keeping you on your toes I see?”

“Well I gotta say, this one’s looking pretty good. It’s the house that backs onto our Yard out in Pinellas Park.” Frank explained “It was sold not even 6 months ago to a developer and he’s apparently gone bankrupt so put it back on the market.”

“Huh.” Alan smiled “Sounds like it was meant to be. Take it you’re going then?”

“Yeah, Charlie and Gary are in all afternoon. I thought I could take an extra half hour, work it back tonight or…” “Frank, when was the last time you actually took a full hour for your lunch and didn’t cut it short by 10 or 15?” Alan looked at him.

Frank hesitated “Yeah, but that’s-”

“No buts.” Alan shook his head. “Do what you gotta do.”

“Thanks Alan.” Frank smiled, “I appreciate it.”

Alan waved away his gratitude before he dropped into the chair on the opposite side of Frank’s small desk and gestured for Frank to sit down.

“I wanted to talk to you in person.” Alan said, “Before the news gets out. I’m looking at retiring Frank, fully this time.”

“That’s good news, for you I mean.” Frank smiled, taking his seat. “You must be happy?”

“Kinda bitter sweet.” he shrugged “But I hit 70 this year and bout time I let it all go. Bill’s already chomping at the bit to book damned fishing trips so...it’ll be nice to step back. But I wanted to talk to you about something.”

“Shoot.”

“My son, James is going to be taking over, that won’t come as any surprise to you as you’ve seen him knocking around a bit and he likes you.”

“Good to know I’m not going to be out on my ass.” Frank smiled, breathing out a little.

“No, not a chance. I wouldn’t allow it.” Alan said “I’ll still be the owner, just stepping back from major decision making and day to day running. Anyway, the point is Frank, James needs a deputy. He is young and a little inexperienced. I’ve seen how quickly over the last year you’ve picked up rotas, staffing issues, dealt with the stock takes, haggled with the supply chain…I wondered if you’d consider it.”

Frank blinked “You wanna make me deputy manager?”

“In a word, yes. And I know you got your hands full at the moment and they’ll be even more full when that boy of yours arrives but the changes won’t come into effect until the end of the year so we got plenty of time to work out the details.”

“Wow, I err…” Frank shook his head “I don’t know what to say.” “I don’t need an answer now.” Alan said, “Take some time to consider it. Talk it over with Fliss.”

“I will, I’ll give it some thought.” “Ok, well, that’s all I dropped in for.” Alan said, standing up, groaning a little “Did you just hear my damned knees click?”

Frank laughed and shook his head “No, but to be honest mine click too so I wouldn’t worry about it.”

“Getting old sucks.” Alan said, shaking his head “I tell ya, the minute I can’t enjoy the simple things in life, put a bullet in my head.”

Frank snorted as Alan shot him a wink and left him to his thoughts.

******* Frank glanced down at the wooden boards beneath his feet in the entrance hall. They were solid old wood, oak he thought, and with a clean and polish would look stunning. He looked up and saw Fliss talking animatedly to the realtor, a young man called David as he nodded and gestured to his left. Fliss opened the door and looked at Frank who followed her into the first reception room. It smelt musty, and there was an old sofa and threadbare carpet in the room but it was light and had a nice, airey feeling to it thanks to the large windows at the front of the house.

“New carpet and a bit of paint…” Frank mused nodding, “Be good as new.”

She nodded eagerly, her eyes shining a she looked around and nodded at the fire place “Really, in Florida?”

“It gets cold, as you know.” he teased “Besides, we just fill it with some of your million candles or whatever…”

She nudged him and they turned around, David watching them.

“So, you’re obviously in the older part of the house that hasn’t really been touched apart from upstairs.” he explained, “But if you follow me I’ll show you the extension which is all new and, well, to be honest, I think it’s stunning.”

The three of them moved back into the hall and through a door at the end which led into a huge open plan kitchen and living area. The kitchen was gorgeous. Sleek white units, modern appliances, marble tops, a huge breakfast bar. Douchebag had clearly spent a fortune doing this up. The floor was a light grey and white laminate which David pointed out was heavy wearing.  To the left of the kitchen area was a huge space where Frank could clearly picture their sofas and TV, and then just off that was a door which led into another smaller reception room, freshly painted and carpeted.  He was just pondering how they could turn that into a play room when Fliss gave a gasp and nudged Frank pointing to the large bay window at the back which had been converted into a seating nook of sorts. They made their way over and saw that the view extended right over their garden highlighting a small pool area which was surrounded by a low set of railings with a gate that were all painted a glossy black. The pool itself was sparklingly clean and clearly brand new.

“Oh wow… “ Fliss mumbled, looking at the sand stone tiles that surrounded the area and the rest of the garden.

“Yeah the rear garden loops in an L round the house” David said. “There’s a larger fence around this area to keep it private and separate from the land at the front that runs flush to the yard area.”

Frank’s hands dropping to her hips as he nodded to the right “Could extend that little patio area for a table and chairs, maybe build a brick BBQ. Couple of sun-loungers for that bit at the back of the pool.”

She nodded eagerly before they headed back into the hallway they’d entered into where the realtor showed them the little room that was to the right as you came in the door which held a number of shelves and coat hooks and a toilet and sink basin. They then headed up stairs to find 4 bedrooms. The master extended down the entire side of the house overlooking the main yard area of Sandybrook. It needed some work, the plaster and paint was peeling away in some areas, but Frank wasn’t worried at that. It was an easy job. What he was pleased to see was that the rest of it was in good condition. There was a brand new en-suite attached to it, housing a toilet, a huge shower and his and hers sinks. The room also had built in wardrobes and huge ceiling to floor bi-folding doors which opened up onto a small balcony. Douchebag had clearly been focussing on the big jobs first before he got into the cosmetics, which Frank had to give him credit for.

The main bathroom was in between the wall of their en-suite and the next bedroom, both situated at the back of the house over the extension and overlooking the fields belonging to the yard. The plaster was fresh in that bedroom but hadn’t been painted, again, not an issue, because Frank knew a certain little miss would be no doubt picking a colour as soon a she spotted this room.

“Bet Mary chooses this one.” Frank said, voicing his thoughts and Fliss nodded, smiling

“I would if the Master didn’t have that en-suite.” she grinned “Look at that view!”

“Yeah, who’d have thought you could work from home in the equestrian business” he chuckled as they then headed to the next bedroom on the opposite side of the landing. This was also rather large, but like the main part of the master bedroom, was clearly one of the original two bedrooms the house had and it needed some updating.

The 4th bedroom was a smaller one up a narrow set of stairs hidden by door in the hallway. It opened up into an attic room which tucked into the roof of the house.

The realtor then led them back down and the out to the outbuildings. There was a huge garage with a half- finished apartment of sorts above it that had been used as storage but could be easily a guest suite if they so wanted,  and then the thing Frank had really loved was the workshop off the side of the garage, accessed by a small door. It was musty and full of crap but was somewhere for him to store all his tools and work on any side projects he decided to pick up.

All in all Frank was finding it pretty damned hard to pick faults in the place.

As they headed back to the main house and Frank asked David politely to give them a moment to look around alone and he nodded eagerly before Frank and Fliss headed back into the house.

“I’m getting good vibes Sailor.” Fliss said as she turned round, looking at the kitchen, once more heading over to the bay window seat, “really good vibes.” she spun back to him and he smiled at the look on her face. “I mean, ok, a few rooms need decorating and there’s some finishing off bits to do all over but it’s nothing that dad can’t help with and I’m sure-“

At that she stopped dead, and gave a little gasp as her hand flew to her bump.

“You ok?” Frank stepped forward.

“Yeah he’s…” she swallowed “Bean’s kicking, Frankie! Quick!”

He reached out with his hand and she took it, pressing it to the side of her bump. After a second or two he felt something wriggle a little under his palm and he looked at Fliss, his face cracking into an open mouthed smile as he felt his son move for the first time.

“Lissy…” he swallowed his eyes misting over. “That’s…oh my God!”

“You should feel it from my POV!” Fliss smiled her own eyes glassy too.

Frank didn’t want to take his hand away. Instead, he kept moving his palm, tracking their baby’s movements when eventually they stopped.

“I think that means BB likes the house.” Fliss looked at him.

Frank scoffed, shaking his head. “BB’s Momma likes the house.”

“Doesn’t his Daddy?” she asked, her hands sliding round his neck.

“Yeah, his Daddy does.” he replied honestly in a low voice as he looked around the large room. “In fact, I like it a lot.”

“You think Mary will?”

“Are you kidding?” Frank snorted “Soon as she sees that view and that pool, she’ll be packing to move in straight away.”

“Suppose there’s only one way to find out.” Fliss smiled.

So they did. They brought Mary back the next day after school. She had squealed at the window seat, yelled about the pool and as she had shot upstairs and headed into the bedroom Frank had predicted she would like, given a jump for joy as she realised from the upstairs she had a view over the tall picket fencing that shielded the private area of the garden.

“I can see Monty!” she gleefully pointed out before turning to Frank and looking at him then to Fliss, her hands on her hips “If you don’t buy this house you’re a pair of dumbasses.”

The same sentiment was echoed by Bill when he turned up fifteen minutes or so later and walked around with Frank whilst Fliss and Mary headed to feed the horses. He did exactly the same thing he had done when they had looked at the apartment, pointed out what they needed to do, how long it should take them to do, rough estimates of cost. Plus, he also reminded Frank they were in a great position. They could buy the place and then give his months’ notice on the apartment meaning they could stay where they were until it was finished.

So that was it. Decision made. The next morning they went in with a cheeky offer, some twenty thou below the asking price which was rejected instantly. Then they upped their offer by five…then an additional three to total eight, with the fact that they were cash buyers and not in a chain a huge bargaining chip.

It was later that evening, just after they had finished dinner when the realtor called back.

“Evening Mr Adler, ok so…I have spoken to the vendor. He says if you can up your offer by another two thousand then you’ve got a deal.” David spoke. At that, Frank let out a huge grin, as he looked out of the kitchen window at Mary and Fliss who were outside the apartment, both sat on a chair round the table. He and Fliss had both agreed they were prepared to go to the full asking price, in their mind it was worth it, but they were about to seal the deal here for ten thousand less.

“Ok, two thousand more.” Frank said, keeping his voice level “But the property comes off the market as we don’t want anyone else spotting it and offering him more before we exchange contracts.” he repeated word for word what Greg had instructed him to do when he had asked him to handle the conveyancing earlier that morning.

“Ok, so the offer on the table is Three-ten on the proviso he grants exclusivity…” David repeated. “Ok, leave it with me.”

Frank finished loading the dishwasher, and had just grabbed himself a beer when David called back not even five minutes later.

“Congratulations Mr Adler, you have a deal.”

He thanked him, and grinning ear to ear headed outside, jumping down the steps onto the lawn.

“What you looking so pleased about?” Fliss looked up at him suspiciously.

“David called… we’ve settled on three-ten plus exclusivity” he smiled

“What, you mean…” Fliss’ mouth fell open and Frank nodded.

“Yup, subject to contracts, the place is ours!”

Mary gave a loud cheer as Fliss jumped up and leapt at him as he smiled, wrapping her in his arms, swinging her up slightly.

“I can’t believe it…” she whispered. “Our own home!”

“I know” he beamed, setting her down as he gave her a quick peck. “I’ll call Greg in the morning. When I talked to him about it he said that with no loans involved it shouldn’t take too long. We could be looking a having the keys in a month.” His hands dropped to her hips, palms resting either side of where his son was growing “So plenty of time to do his nursery.” Fliss grinned and using the arms that were round his neck pulled his face down to hers and pressed a fierce kiss to his mouth. “God I love you.” she mumbled. “Love you too.” he grinned, kissing her again, ignoring Mary’s fake puking noises in the background.

*******

******

June 2019

“Mr Adler?"

Frank stopped as he had been striding over the yard to collect Mary and turned to see Mrs McCarthy, her teacher walking towards him.

"Hi." He smiled, removing his sunglasses so he could look her in the eyes.

"I'm so sorry to bother you"

"No bother at all." He assured her "is everything OK?"

Mrs McCarthy glanced over to where Mary was stood talking to her friend, Rosie, and turned back to him

"Yes...nothing too drastic but I wanted to make you aware about a little incident in class this afternoon"

Frank looked at her, blinking "incident?"

"Maybe that's the wrong word." The older, blonde woman said "Look, as you know next week it's the end of year Gala, the fundraiser and we invite the parents to join us for activities.”

Frank nodded, wishing the woman would get to the damned point. He was hot, dirty and bothered after an afternoon of helping the team on a particularly awkward repair and wanted nothing more than to stand under a cold shower for an hour and flop down outside with a beer.

"Well, one of the girls asked Mary if she was bringing her mom and if they were making anything for the bake sale and Mary rather bluntly told the girl her mother was dead and then clammed up. She didn't speak a word for the rest of the afternoon."

Frank felt his chest tighten as he looked over at Mary who was now giggling with Rosie and sighed

"She didn't do anything wrong" Mrs McCarthy pressed "I was just a little worried."

"OK...thanks for letting me know, I'll make sure she's ok." Frank assured her.

The woman nodded and headed back across the yard as Frank gave a sharp whistle and slid his aviators back onto his face. Mary looked up and said goodbye to Rosie and came wandering over as Frank waved to Rosie's mom who tossed a hand in greeting in response.

"I'm not Thor" she said, fixing Frank with a stare.

"I know but I couldn't be bothered walking over." He said honestly as they climbed into the truck

"You have a good day?"

"It was OK." She shrugged. Frank eyed her for a second before she pulled the car away from the kerb and set off down the road.

"What's for dinner." Mary asked.

"Steak, baked potatoes and salad." He replies "Fliss' choice."

"Are you grilling?" Mary asked.

"Yup." He nodded

"Cool." Mary nodded "Can I go in the pool before?"

"Got any homework?" Frank countered with another question as he looked at her. Mary shook her head

“End of year next week and Uni didn't give me any summer work."

"Then yeah, of course you can.”

Frank didn't raise the so called incident, deciding to let her chill out a little bit at home first and digest how she felt. After 20 minutes or so of general chat Frank pulled up their driveway and stopped the truck next to Fliss' truck. As they hopped out Mary glanced across the garden over the smaller part of the fence where she could just see Fliss walking across the yard.

"Please can I go see Monty?" She looked at Frank and he nodded.

"I'll watch you." He agreed. With a grin she sprinted over the lawn, climbed over the fence and dropped over onto the other side. Thor gave a bark and Fliss turned round and smiled at her, before she waved at Frank. He waved back before he headed down the side of the house, through the gate in the larger fence before he unlocked the back door and stepped inside the cool air conditioned kitchen, kicking off his shoes and heading straight to the fridge for a beer. Draining half in one he stood, looking around and smiling. They’d finally unpacked the last box yesterday evening and Fliss was still in the process of moving things around their new home, positioning them where she wanted them.

True to Greg’s word, they’d had the keys to the house 4 and a half weeks after making the offer, and 2 weeks post that once the bedrooms and hall had been decorated with a lot of help from Bill, Verity and Roberta (who had been happy for them yet still cried her eyes out when they’d left the park, despite the fact they had assured her they would still come visit and she could also come stay with them too) they’d moved in. The only thing left to do was the reception room (which could wait, it was easy to just shut the door and pretend it didn’t exist) and Bean’s nursery, which he, Fliss and Mary had decided to do together as a project. Mary and Fliss had spent nights pouring over Pinterest for ideas and they’d finally settled on a scheme. Frank had picked up all the plastering supplies and the paint, the furniture was on order and should be arriving at any time that week now he thought about it…so hopefully that weekend they could get cracking. That might cheer Mary up now he thought about it.

Taking his beer with him, he picked up his boots and took them to the cloakroom/bathroom by the stairs. He trudged up the steps, shaking his head at Fred who was led at the top, his paws hanging over the edge of the step as he eyed Frank.

"You're gonna cause a fucking accident." He looked at the ginger cat who merely swished his tail in response. Frank headed into their bedroom, stripping off as he went, walking straight into the en-suite, turning on the shower, setting his beer down on the edge of the sink unit. He stepped in and under the stream of cool water, closing the screen behind him, his mind still on Mary and how he was going to bring up what her teacher has said. With a groan he opened the door, reached out of the cubicle for his beer, took another gulp before he set about washing the grime of the day away.

***** "Have you finished grooming him?" Fliss asked, standing in the doorway to Monty's stable. Mary glanced over from where she had been brushing through his white tail and nodded.

"Wanna take him to the paddock?" Fliss smiled. "Cap and Bronson are waiting for their little pal."

"Sure." Mary shrugged and Fliss frowned a little at her demeanour. She was quiet, which was unlike her when she was round the horses. She was normally full of excitement.

"You OK?" She asked and Mary nodded.

"Why wouldn't I be?"

"You seem quiet, that's all."

"No, I'm good." She shrugged, before she tossed her brush into the little grooming box she had, closing the lid and passing it to Fliss. Fliss placed the box into the larger wooden one outside the stable before Mary put Monty's halter on and led him out of his stall. Fliss allowed them to walk ahead, her hand on her bump as she followed them out of the yard and down the little path to the gate that led to the paddocks. They reached the one were Monty was going and undoing the gate, Mary led him in. The white pony stood patiently for her to take his halter off before he stuck his nose into the crook of her neck and shoulder. Fliss smiled as Mary gently stroked his neck and then to her utter horror she saw Mary’s shoulders begin to shake as the girl started to cry.

"Hey, Mary..." she soothed, stepping forward as the small girl turned to her, wrapping her arms around her as best she could, pressing her face into her bump "Oh baby what's wrong?"

Mary didn’t reply, instead she continued to sob and Fliss felt powerless to do anything other than wrap her arms around her, one hand resting on her head, the other between her shoulders.

“Something happened at School…” Mary whispered and Fliss gently tipped her head up to look at her. “Someone said something and…”

“Ok, how about we go back to the office and you can tell me all about it ok?”

Mary nodded, sniffing as her sobs died down. Fliss held out her hand and Mary took it and together they headed back down to the yard. Joanne looked at Mary who was hiccupping slightly with her sobs and frowned but Fliss shook her head.

“Can you feed the top barn for me and then you can go.” she said to Jo who nodded. “I’ll lock up.” “Sure, see you tomorrow. Bye Mary.” she smiled. Mary looked at her and gave a small wave before Fliss led her into the office. She grabbed them both an apple juice from the fridge and then Mary sat on the chair at the end of the desk, wiping her eyes with a tissue that Fliss handed her from the box.

“You ready to talk?”

Mary nodded, and then she stood up and walked over to Fliss who made room for her to clamber up onto her lap. It was a bit awkward but after a little shifting around they found a way she could sit unobstructed by Boston Bean and Mary lay her head against Fliss’ shoulder.

“It was about the gala.” she said gently “One of them asked me if my mom was coming and…”

“Oh sweetie.” Fliss sighed, rubbing her back. “I get that must have been hard.”

Mary shrugged “I told them she was dead.” she said matter of factly “I get that and I never knew my mom so I don’t miss her as a person…but then I started to think about why she died and I don’t understand.” “Understand what?”

“Why?” Mary looked at her. “Why would she do what she did when she had me? Why did she want to leave me behind?”

Fliss took a deep breath and cradled the girl as best she could, trying to think of a way to explain to which Mary could relate, and then it came to her, she could use her own experience here. There was no getting around the fact this was going to be a heave conversation, but Mary was a smart kid and deserved to be treated as such.

With another deep inhale, Fliss looked down at her, kissing her head before she opened rather bluntly "You know I tried to kill myself."

"You did?" Mary pulled back to look up at her "Why?"

"Because I saw it as my only way out." Fliss said gently, smoothing her hair back. "I was stuck in an awful situation. My ex-husband hurt me physically and mentally and I gave up. I wanted out."

Mary remained silent and looked at her.

"For someone to get to that point...they have to have hit rock bottom. Like there is nowhere to go. It's not their fault. And it doesn't mean they don't love the people they leave behind just that they're desperate to escape whatever pain they feel, be it in their head or their body or both."

"But I still don't understand." Mary shook her head.

"And you may never, not fully." Fliss said gently "And as horrible as it is that's something you are gonna have to live with but you have to remember that your mom was sick. And for whatever reason she saw this as her only escape. It wasn't Evelyn's fault, it wasn't Frank's fault and it certainly wasn't yours."

"But if she loved me like Frank says she did..."

"You think I don't love my mum? Or Bill? Or Steve?"

Mary blinked before she lay her head back against Fliss' shoulder. "Yeah"

"But I was still gonna leave them behind." Fliss sighed "I was desperate. And you wanna know the real stupid thing?"

"What?"

"When I got better I still went back. I went back to a real toxic environment and a man that abused me. Because I felt like it was what I deserved. And even though I left him way before I met you and Frank, it wasn't until me and Frank started dating that I really understood I wasn't to blame. I always thought I did something to make him hurt me but I didn't. Being with Frank, the way he treats me and loves me made me see that it was him with the problem, not me.”

"But that's different" Mary glanced up

"The trigger was, yes." Fliss nodded "But your mom, like me, was in a position so helpless, so unbelievably sad that she thought she was to blame and that the world, including you, would be better off without her even though she was so wrong."

**** Once showered and dried, Frank dressed in a pair of shorts and clean T-shirt before he headed back downstairs. There was no sign of Fliss or Mary but as he strode out into the garden he heard a car heading down the drive by the side of the house from the yard and correctly assumed it was Joanne leaving for the day. He opened the gate and just saw the tail of her car turn onto the main road as he headed into the garage for the charcoal to light the BBQ.

Once that was done, leaving the flames to die down he headed out across the lawn, vaulting over the small fence onto the yard. He headed round the barn and frowned as he couldn't see anyone. After a quick look round he spotted the door to Fliss' office was closed. He went to open it but stopped as he could hear the sound of voices. It was Mary and Fliss but he could tell from the pitch and stutters in Mary's that she was upset. He paused, hand hovering over the handle as he heard Fliss speaking to her softly. "Stack, you are so loved. Frank loves you, I love you, Nanny V, Poppa Bill, Uncle Steeby, Roberta, Evelyn...Thor, Fred and Monty..." she paused "You're such a special little girl and I know I'm not your mom but...I feel like I am."

"You do?"

"I'd do anything to keep you safe and happy. And so would Frank"

They both fell silent and Frank swallowed, the lump in his throat almost choking him.

"Don't ever feel like we don't" Fliss continued "and if I have to bake 200 fucking cookies for your Gala next week to prove it then I will."

Mary giggles "You know Bean can hear you swearing."

"Well I won't tell Frank if you don't"

"Do you think Frank feels like my dad?" Mary asked a moment later and at that point Frank really wanted to walk away. He couldn't listen to this, he didn't want to listen to this...but something kept him rooted to the spot.

"I know he does." Fliss replied.

"But he doesn't like it when people say it. I know that, I heard him talking to you. Bill’s not your real dad but you still say he is…."

“That’s slightly different sweetheart.” Fliss sighed "My real dad left my mom before I was born, so when he died…I didn’t even know him and I don’t care that I didn’t either. But your mom was Frank's sister. He wants to make sure you remember her, understand who she was. He could have easily just pretended to be your dad all this time, you would never have known any different but he didn't. Because he loves you and your mom too much. He's too honest and it’s important to him that you understand. But that doesn't mean he doesn't love you like he is your dad, or that you can't love him like he is."

Frank turned away from the door, looking up at the sky and taking a deep shuddering breath. Fuck, this was hard to hear. He knew Mary had been upset before but the thought that it ran this deep was killing me. Wiping at his face, his hands then dropped to his hips and he looked down at his sneakers before he turned to the door, reaching for the handle but once more pausing as he couldn’t face interrupting them, not whilst they were in the middle of a moment.

“I suppose that makes sense.” Mary continued  “And I do love him like he is. And I love you like you’re my mom too.”

“Well that’s all that matters.” Fliss replied “It may be unconventional but we’re a family, and that’s the main thing huh?”

“Yeah, you’re right. Thanks Lissy.” Mary spoke.

“You’re welcome Stack” Lissy’s voice was soft and there was a pause as Frank could picture the pair of them hugging.

“Hey, did you now I’m going to be doing all the money stuff for the bake stall?” Mary’s voice was suddenly up beat as she switched topic “Because I’m good at maths they said I could be in charge of payments and handing people their change and stuff.”

“Nice work kiddo.” Fliss smiled, “Tell you what, we’ll put Nanny V on the case, her baking is way better than mine. We can get her over one night next week whilst Pops is helping Frank with the plastering in the nursery.”

Ok, that was it, safe to enter without interrupting anything. Frank gave a little knock and then opened the door, fixing a smile on his face.

“Hope I haven’t interrupted any girl talk” he smiled and Mary jumped up and ran to him, giving him a hug. He looked at Fliss who wiped her eyes.

“Ok?” he mouthed at her and she nodded back, her lips moving silently as she replied.

“Tell you later.”

“BBQ is lit.” Frank said, looking down at Mary “You still wanna play in the pool?”

She nodded and grinned. “Yeah.”

“Sounds like a great idea.” Fliss grinned “Let’s lock up and head home…oh wait, we don’t need to head home because…” “We’re already there!” Mary grinned, and then she spun round to see Fred peering round the door. “Hey, look who came to visit!” “Bout time he earned his keep.” Frank grumbled “Go catch some mice.”

Fred stalked past him into the office, looked around, before he sauntered back out, clearly not interested.

“He’s a lover not a killer Frank.” Mary grinned, as Frank watched the cat walk off into the evening sun.

The three of them locked up before they headed back to the house and Mary shot upstairs to get changed.

“So, how much did you hear?” Fliss turned to Frank as he pulled a beer from the fridge along with a bottle of water, sliding it over to her.

“Enough.” he sighed “Her teacher collared me before. Said that one of the kids had asked about her mom in class and she’d gotten upset.”

“She asked me why Diane did what she did.” Fliss sighed, “Why she left her behind if she loved her so much.”

Frank swallowed. “What did you say?”

“I explained about why I tried to kill myself.” Fliss shrugged “Told her about the desperation I felt…but that didn’t mean that I didn’t love my family just that I saw it as my only way out. I know it was heavy and maybe not really the right thing to do but...”

She was cut off as Frank stepped forward, taking her face in his hands as he kissed her, hard. It took her a moment to catch up but once she did she melted into him, her mouth opening to grant him access as he ran his tongue along her bottom lip.

“Thank you.” he said gently as he pulled away, his hands still cupping her face.

“What for?” Fliss asked, reaching up to gently wrap her fingers around his wrists.

“For loving her as much as you do.” he said simply “for loving us both as much as you do.”

“Oh Sailor.” Fliss’ eyes brimmed with tears “How could I not?”

***** Frank didn’t sleep particularly well that night. Mary’s conversation with Fliss was running through his brain and every time he drifted off he would wake about an hour or so later, fresh worries and concerns running through his mind. In the end, at just before 5 am he gave up and climbed out of bed. He grabbed a T-shirt and a pair of sweats and putting them on he headed downstairs. He flipped on the TV in the hope the early morning new would distract him, but it didn’t.

It was clear to him that Mary was struggling with where she was going to fit in the family dynamic. He hadn’t really worried much up to that point, being convinced by Fliss that if they kept her involved with stuff to do with Bean she would be ok but this went much deeper than the fact they were expecting a baby.

He’d be lying if he said the thought of him claiming to be Mary’s Father had never entered his mind. It would have been a lot easier but out of loyalty and love to Diane he had wanted to make sure she knew about her mother, and understood the truth because in the end, a lie would always come round to bite you on the ass. It wasn’t that he had a problem with people assuming he was Mary’s father but…

God what a fucking mess.

“Hey…” a soft voice drew him from his thoughts and he looked up to see Fliss stood in the doorway, his T-shirt she was wearing now hardly covered the top of her thighs thanks to her Bean bump.

“Sorry beautiful, did I wake you?” he asked.

“No.” she shook her head, dropping down next to him. “I got up to pee and you were gone.”

“Couldn’t sleep.” he shrugged.

“What’s wrong handsome?”  she lay her head on his shoulder and he took a deep breath.

“Just thinking about Mary that’s all.” he shrugged. “She’s always asked questions about Diane but not like that.”

“She’s getting older Frank.” Fliss said, her hand reaching out for his as she began to play with his fingers “She’s bound to start thinking about things differently. She was ok last night after she talked to me, and then later you when you tucked her in. She doesn’t keep her feelings bottled up, and that’s good. It’s a testament to you that she feels like she can talk to us about things.”

“I know.” Frank looked down at her, kissing her head “I guess I just worry Lissy, worry about how she’s gonna feel when Bean is here and he’s calling us mom and dad and she doesn’t.”

“Frank.” Fliss sighed as she sat up straight. “Mary knows we love her. And what she calls us doesn’t change a damned thing. You’re worrying unduly now. We can’t do anything about that other than-“

“Yes, yes we could.” Frank looked at her. Fliss took a deep breath as his eyes locked onto hers, instantly understanding.

“I thought you said you’d never even consider adopting her?”

“I never thought I would.” he shrugged. “But it’s been playing on my mind after what mother said and then after last night…” “Why? What did Evelyn say?” Fliss asked.

“When she was here last, she told me that Diane’s memory wouldn’t suddenly fade if Mary called me dad…” he licked his lips “It was almost like she was giving me permission to do it…you know? Not that I need it or really give a shit what she thinks.” he paused, taking a deep breath “If I’m totally honest Diane isn’t the only reason I said I didn’t want to. I just never thought of myself as being dad material. I was such a screw up until I met you and I thought that by staying as her Uncle, it would give her that distance, you know?”

“Not dad material?” Fliss looked at him, shaking her head “Oh Frank, you idiot. You’ve done an amazing job with her…and you will do with Bean too.”

He smiled at her, sniffing slightly as she continued.

“But there is one person who’s opinion counts most here.” Fliss said gently “And that’s Mary. If you’re serious then you should ask her if it’s what she wants. Because after 9 years of calling you Frank…”

“I know.” Frank agreed, “And I agree, completely. It would have to be her decision. But at least if I ask her if she would like us to then-“

“Us?” Fliss looked at him, blinking. “You mean you want me to?”

“Of course I do.” Frank nodded, before he frowned slightly “But if that isn’t what you want, I understand. It’s a big-“ Fliss cut him off by pressing a kiss to his lips “Of course I do Frank. I love Mary like she is my own anyway so…” Frank beamed at her and wrapped his arms around her, kissing her head. “So, we’re agreed. We ask her?”

Fliss nodded and pulled back, her hand resting on his cheek. “We ask her.”

#riding on #frank adler #frank adler x ofc #gifted #gifted fan fic

[archer3-13]

Naruto anime and some general thoughts

well i kept up with the manga back when it was still ongoing, ill admit i never had much interest in pursuing the naruto anime. Partly because of how i tend to consume media, partly because the show was never able to convincingly drag me in. However, ive decided to parse the anime a little recently so i thought id put down some bullet point thoughts from about the first 10 episodes

- the first theme songs weird, i kinda like it as a song in of itself as its very... 80s rock i guess but at the same time it just feels out of place. its not a very iconic first foot as it were i guess, which is fine cause not every anime can have one, but it doesnt help with its sense of misplacement in general tone is all.

- which brings me to how the ost is, cause the ost and first op feel mismatched af. that said the osts pretty solid for the most part, just used haphazardly at times. rising fighting spirit might be the more iconic fighting naruto ost piece, but i honestly feel its kinda bland and bad situation works better at generating tension.

- narutos an annoying shit just as i remember. it certainly works early on where hes suppose to be an annoying shit to some degree or another. it helps that a lot of these early episodes are dedicated to showing how out of his depth naruto currently is, its just bittersweet is all considering how character wise he'll stall out at this point as his weaknesses get gradually eroded over time.

- sasukes a hyper competent mf for the most part, as much as a kid his age and experience can expected to be. hes definitely not broody and emo all things considered, stand offish certainly but the really weird thing is, is that its gone out of the way to emphasize that even as early as now that sasuke could give a rats ass about the attention and thus is stand offish because people wont leave him alone. its somewhat similar to the usual aloof rival behavior in shonen, but in this case it comes off as unusual because sasukes shown to be unusually compassionate in instances. sticking up for naruto in front of sakura when he had no obligation to and just after naruto acted like a little gremlin child and tied sasuke up in a supply closet, among other smaller moments.

- veering back on topic, sasukes easily the most competent of team 7 genin both in terms of strategic thinking and raw combat skill, to the point that it genuinely felt weird for naruto to be the one to come up with the shadow shuriken trick when that feels more like something sasuke would come up with. its a good sequence mind showing naruto and sasuke teaming up to take on a stronger foe in contrast to the bell test and something that probably should have been extended or given more time to breath in order to sell the idea that the two are forming a genuine bond if through adversity.

- moving to the fights themselves they... aren't good? at the moment atleast the pacing of the fights makes something like the kakashi zabuza battle feel slow paced and kids happy slaps in comparison to the demon brothers brief taijutsu and weapons fight which feels more actively dangerous. to compare it to one piece fights around the same time of their production, it lacks snap and impact in the fights so to speak.

- i forgot how fun kakashi actually is, since he spends a lot of the rest of the series as a bit of a wet blanket. hes the man of mysteries wrapped up in the roshi unconventional teacher model 'i taught you by not teaching you' kinda manner. that and his 'im not touching you' method of annoyance in his mannerisms helps contrast and make more impressive his strong insights and the moments in the zabuza fight where hes pissed at the possibility of people dying on his watch. it makes the rest of his series performance feel especially clownish as he increasingly defaults to an empty caricature spouting off state propaganda and generic i love naruto catchphrases... but as it stands by the wave arc hes an interesting and fun guy.

- id be more willing to be lenient to you sakura if you didnt leave such a bad taste in the mouth even now. is she more then a generic fangirl here? in the sense of being very intentionally written as an aggressive bully yes but thats not even the backhanded compliment im making it out to be. shes useless not in the sense of never doing anything in a fight, or being a bad character. Shes useless in the sense that she really does nothing for the actual dynamic of team 7 as a unit of characters. individually sure theres some interesting meat and aspects to them but as a unit team 7 feels more like a duo then a trio and sakuras the quite obvious weak link in it because she might as well not be there in the 'team 7' scenes.

- hunter nin seem to be implied as something every village has in some capacity as opposed to a kiri exclusive thing its more so treated as later on. theres also the implication that anbu look a lot more mundane then they do later on since zabuzas anbu flashbacks just have him in a regular flakjacket setup.

- narutos mixed and confused anger at haku both for taking a life and for showing team 7 up well they tried extra hard is very confused in what it wants to be, but also something i wished the series explored more in naruto. cause like, later on its more so dropped to just have naruto be jealous of other people who are better then him because hes a petty bitch, but here theres very much an air of naruto being uncomfortable even deeply afraid of killing and death, both times he freezes up in the first 10 episodes are when hes presented with the physical possibility of dying, and having the grapple and struggle with that concept given his chosen profession would have been a hell of a lot more interesting.

#naruto #thoughts and what nots #anime

[coolgreatwebsite]

Cool Games I Finished In 2020 (In No Real Order)

Oh, hey! Right! I have a website! I’m like a week late on writing this, but what’s a week on top of an entire year of not writing, right? 2020 was... well, we all know what 2020 was. For me personally, it was simultaneously the best and worst year of my life. The worst in both ways you can probably assume and ways you definitely can’t (neither of which I’ll be getting into), and the best in ways I absolutely never would have guessed. That uncertain job I mentioned last year got very suddenly much more certain, at a much bigger company, for a much larger amount of money. That allowed me to get my own place, making my weird living situation much less weird. Still haven’t gotten the majority of my belongings off of the east coast, but if the entire world wasn’t currently fucked up by a global pandemic I’d have sorted all that out too. What I’m saying is that, for the third year in a row, my life has been a complete whirlwind that has left me very little time to get comfortable with any aspect of it. But I did manage to play more video games than I did last year! Which is perfect, because it’s once again time for another one of these. Here’s a bunch of cool games I experienced for the first time in 2020.

Astro’s Playroom (PlayStation 5, 2020)

My one word description of Astro's Playroom is "delightful". It's just an absolute goddamn delight. A total surprise too! Included with every PlayStation 5, Astro's Playroom is, in my opinion, one of the best pack-in games of all time.

First off, it's an incredible tech demo for the PS5's new DualSense controller. It was easy to brush off Sony's talk about the controller's haptic feedback and triggers as some Nintendo-style HD Rumble bullshit, but it really is incredibly cool once you get your hands on it. The game is obviously more than a tech demo though, or else it wouldn't be on here. It also just so happens to be an extremely solid and fun platformer on top of that. Astro controls exceptionally well and the levels are all well-designed and fun, even the gimmick vehicle ones designed to show off different features of the controller. It also has an oddly compelling speedrun mode, made all the more compelling by the PS5 notifying you when your friends beat your times and the ability to load into it within two seconds from anywhere on the console. But the biggest thing for me and, call me a mark, because I am, is that the game is an honestly incredible love letter to PlayStation history.

For the first time ever, Sony has pulled off a nostalgia piece without it ending up as embarrassing garbage in the vein of PlayStation All-Stars Battle Royale. There's a Nintendo-like joyful reverence for all things PlayStation oozing out of every single corner of this game. There are so many nods and references and gags for literally every PlayStation thing of note throughout the the last 25 years, and then on top of that there's a whole heap more for the things that AREN'T of note that only hyperdorks like me would get! A sly reference to the ill-fated boomerang controller? Yep. A goof on the fat PS3's Spider-Man font? You betcha. A trophy you can earn by repeatedly punching a Sony Interactive Entertainment sign until it breaks and reveals the Sony Computer Entertainment sign it was slapped on top of? Yeah buddy. It's deep cuts all the way down, even up until the final boss which had me grinning like a total dipshit the entire time. The game is endlessly, effortlessly charming.

Animal Crossing: New Horizons (Nintendo Switch, 2020)

Animal Crossing: New Horizons was the perfect game at the perfect time. That doesn't mean it's a perfect game, I actually have some issues with it, but it could not have released at a better time than when it did. It came out at the very very beginning of everyone going into lockdown due to the pandemic, and it was the biggest game in the world for a couple of months as a result. I played like 300 hours and that pales in comparison to the amount of time many others put into it.

Animal Crossing: New Horizons is the most different Animal Crossing game there's ever been, and I'm of two minds on it. Like, I loved the game, I played a ton of it, but it's lacking so much of the stuff that made me love Animal Crossing in the first place. The series has been slowly trending in this direction for a bit now, but it's not really a game that happens around you anymore. It's all about total player control. You select where everything goes, you customize every detail of everything to your liking, hell, you can even terraform the landmass to be exactly what you want. Your neighbors take a backseat in focus and end up as little more than decorations with limited dialogue and next to no quests associated with them. Series staples like Gyroids are missing in action. Facilities and services that have been around since Wild World aren't implemented. It's similar to past Animal Crossing games in a lot of ways, but on the whole it feels like a different thing.

But like I said, two minds. New Horizons strays from what I truly want from an Animal Crossing game, but I can't deny that the game as it is is a hell of a lot of fun. There's SO much you can do and SO many options, it's super addictive. Plus it implemented my long-requested feature of letting you effortlessly send mail to friends online! Too bad the actual online play is as cumbersome as ever.

In conclusion, Animal Crossing: New Horizons is a land of contrasts. I'm kidding. It's good, but definitely missing something in a way where I can understand some people being disappointed in it. I had a ton of fun though, and I'm probably going to get back into it later in 2021.

Trials of Mana (Nintendo Switch, 2019)

Late in 2019, with the physical release of Collection of Mana for the Switch, I decided I was going to play through each game on it for the first time and finally find out what this whole Mana thing was about. I went into Final Fantasy Adventure (the first game in the Mana series, because every RPG had to be Final Fantasy back then) with zero expectations and found a totally serviceable little Zelda-like with light RPG elements. I enjoyed my time with it. I went into Secret of Mana with the expectation of it being a beloved classic and found the worst game I beat that year, hands down. That game fucking sucks. I get why it made an impression on people at the time, but it's just so so SO awful to play. Needless to say I was pretty disappointed. Honestly, I would have been disappointed even if I hadn't heard it was one of "the best games" for so long. It would have been a disappointing follow-up to Final Fantasy Adventure, a game that in and of itself isn't anything incredible. Secret of Mana is just that rotten.

I braced myself for more disappointment when (after a much needed vacation from the series) I started up Trials of Mana. This game had a reputation too, as a long-lost classic that never made it stateside. One of the best games on the Super Nintendo, criminally never released for western audiences! Like Secret of Mana before it, I'd heard nothing but effusive praise. Unlike Secret of Mana, however, I was very pleased to find out that Trials of Mana mostly lives up to the hype. From a gameplay standpoint, Trials is an improvement on Secret in almost every single way. It's not perfect. The menus are still kinda clunky, animations for things like magic and items are still frequently disruptive. But the main thing is it actually plays like a sensible video game designed by humans with brains. Attacking is responsive! Hitboxes aren't complete nonsense! You don't constantly get stunlocked to death! There are more answers to combat than casting the same spell for five straight minutes to kill your enemies before they get a chance to move! It's great!

On top of being an enjoyable video game to actually play, the presentation is top notch. Secret of Mana could be a pretty game with decent music in some spots, but Trials is consistently gorgeous and the soundtrack is across the board great instead of randomly having songs that sound like clown vomit. And while Trials of Mana doesn't have the deepest story in the world, it manages to avoid being completely paper-thin like Secret. The story actually kind of has a reason for being a bit straightforward, and the reason is that it has a really cool system where you pick your three playable characters from a pool of six. Each character has their own goals and storyline, some of which line up with other potential party members, some of which don't, and you'll even run into the characters you didn't choose as NPCs along the way. This and the relatively brisk pace of the game make it highly replayable.

I'm really glad that Trials of Mana made it over here in an official capacity, even if it was like 25 years late. It's as good as I expected Secret of Mana to be and singlehandedly saved my interest in seeing any more of the series. I'm aware the quality of what came after is very spotty, but I'll get to the rest eventually!

Final Fantasy VII Remake (PlayStation 4, 2020)

They (almost) did it. They (basically) pulled it off. They remade (a chunk of) Final Fantasy VII and (for the most part) didn't fuck it up. Ok, funny parentheticals aside, Final Fantasy VII Remake is astoundingly good coming off of over two decades of just absolutely dreadful post-FF7 sequels, side games, and movies.

Final Fantasy VII has been historically misremembered as this kind of miserable, angsty, brooding thing, both by fans and by the company that made it. FF7-branded media after FF7 itself is a minefield of changed personalities, embarrassing original characters, and monumentally lame stories. Final Fantasy VII Remake is the first post-FF7 anything that actually remembers the characters, setting, and plot of Final Fantasy VII and what made them memorable and special to people in the first place. Which isn't to say it's a slavish recreation! There's a ton of changes and additions, and I actually like almost all of them! Except for some really big stuff I'll touch on in a bit!

The combat in Final Fantasy VII Remake is great. I was super skeptical about it when the game was first announced, but they actually managed to make the blend of real-time action and turn-based RPG menuing fun and engaging. The characters all play super differently from each other too, which is a huge and welcome difference from the original game. The Materia system fits like a glove in this revamped combat system as well. The remixed music is good as hell, and the visuals are beautiful (outside of a couple of very specific spots that I'm kinda of surprised they haven't fixed in a patch yet). It's a well-executed package all around.

But alas, as always, there are negatives. For starters, this is only part one of the overall Final Fantasy VII Remake project. It goes up to the party leaving Midgar which, as you may or may not recall, is the first six hours of the original game. They compensated for this by fleshing the hell out of the Midgar section the game, ballooning the overall playtime to total of about 30-ish hours. The game feeling padded is a common complaint but for what it's worth, I didn't really feel it until the unnecessarily long final dungeon, There's also the previously mentioned and funny parenthetical'd changes and additions I don't like.

This is big time spoilers for this game so if you don't want that jump ahead to the next game on the list. The Whispers suck ass. Final Fantasy VII Remake should have been brave enough to be different without having to constantly derail everything in the most ham-fisted and intrusive way possible. You can have Jessie twist her ankle without making a spooky plot ghost trip her. I don't want to fight the physical manifestation of the game everyone thought they were getting as an end boss. If you're not doing a straight remake, that's fine, but have the fucking guts to stand by your artistic decisions without feeling the need to invent the lamest deus ex machina I've ever fucking seen. The last couple of hours of this game are 100% about the Whispers and are awful for it. It's a true testament to the strength of the rest of Final Fantasy VII Remake that this aspect didn't completely sour me on it. I can only hope that they stay dead and gone for good in the games yet to come and the remake can be different while standing on its own two feet.

I truly cannot wait for the next entry in the Final Fantasy VII Remake project. I'm excited for Final Fantasy VII in a way I haven't been since the late 90s. I have a bit of trepidation that they could royally screw it up. I mean, they already got kinda close, as I said in my last paragraph. But they got so much right in this entry that, for the first time in decades, I'm willing to believe in Square Enix when it comes to Final Fantasy VII.

13 Sentinels: Aegis Rim (PlayStation 4, 2020)

My one word description of 13 Sentinels is "fucking crazy". I realize that's two words, but shut up. A bizarre hybrid of visual novel, adventure game, and strategy RPG, 13 Sentinels not only makes that work, but makes it work incredibly well. 

The story is fucking bonkers. It's told entirely non-linearly and is purposefully dense and confusing, but it does an amazing job of hooking you with a cast of likable characters and some impressively well-paced twists, made all the more impressive by the fact that you can tackle the story in basically whatever order you want. I'll say it again for those in the back, the story is Fucking Bonkers. Wherever you think it's going, it's not going. Where it is going is PLACES. Seriously, if you want a wild goddamn ride, this is the game for you. The presentation is also stunning. It's a drop dead gorgeous game with a really nice soundtrack. Easily Vanillaware's best looking game, which is saying something seeing as looking good is Vanillaware's whole deal.

If I had to levy one criticism against the game, it's that the strategy RPG portion is just kind of ok. It's enjoyable enough, it doesn't get in the way and there's not too much of it, but once it starts introducing armored versions of previous enemy types it's kind of done doing anything different. It is really good at getting people to out themselves as having no idea what tower defense is as a genre though!

Hyrule Warriors: Definitive Edition (Nintendo Switch, 2018)

I haven't really historically been a "Musou Guy". Not to say I've actively disliked them, they're just not something I've seeked out very often or played very much of. Hyrule Warriors: Definitive Edition kinda turned me into a "Musou Guy" a little bit? It's good, surprisingly-less-mindless-than-you'd-think fun.

I actually super don't care about the Zelda branding. I think all the fanservice stuff is meh at best. What I do care about is that there's a ton of character variety and a metric shitload of content. There's so many different characters and weapons for those characters that all play differently from one another and SOOOOOO many levels to play. Like the story mode is, again, kinda meh, the real meat of the game is the Adventure mode and there's a ton of it. It's 8 different world maps, each based off a different Zelda game, with each square of the map containing a little mini-scenario with unique objectives and rewards. There has to be at least 1000 scenarios between all the maps. There's so much. And that's not even getting into some of the other side stuff like the challenge modes and the fairy raising. It's a crazy amount of game in this game.

And again, it's not as mindless as it'd seem. It's not really a game ABOUT destroying 5000 guys, it's an area control and resource management game where the 5000 guys are one of those resources. Knowing who to send where and when to fight who is way more important than pressing the XXX YYY XXX YYY on the more than one million troops.

I'd say that if you're even cursorily potentially maybe interested in a musou game, this is the one to try. And if you like it, it could literally be your forever game. A sequel came out recently too, and I'm looking forward to trying that out soon.

Phantasy Star Online 2 (Xbox One, 2020)

Phantasy Star Online 2 finally came stateside in the year 2020, eight years after its initial Japanese release and initial American cancellation. It's no Phantasy Star Online 1, but it is a really fun game in its own right provided you can find the willpower to break through its clunkiness and eight years of confusing poorly tutorialized free-to-play MMO cruft.

The main thing going for PSO2, and this is a major improvement from PSO1, is that the act of engaging in its combat is fun. The combat is just feels really really good. There's a bunch of different weapon types and classes, and once you find the ones that really click with you you're in for a good time, whether you're izuna dropping dudes with wire claws or literally doing air juggles and rainstorm from Devil May Cry with the dual machine guns.

The other stuff around that combat is weird. I generally like it, but it's weird. The story mode is one of the most bizarrely presented things I've ever seen. It apparently used to be something you'd seek out in the levels themselves, but presently it's just a list of scenes you pick from a menu and watch with next to no context until it makes you fight a boss sometimes. There's some weird moments in there that MIGHT have been cool if it were presented in literally any other way?

The systems and presentation are also way more... I dunno, pinball? Pachislot? In very stark contrast to how chill original Phantasy Star Online was, everything in PSO2 is designed in a way to maximize that flashy light bing bing wahoo you got ~*~RARE DROP CHANCE UP~*~  feeling. Which isn't to say I don't like flashy light bing bing wahoo, but it's a weird different thing.

Was it worth the wait? Yeah, sure! For me! This is another one that I played like 300 hours of! I haven't even seen half of it, I fell off right before Episode 4 released because it coincided with my move! I'm gonna go back and see all that shit! PSO2's fun! A different flavor of fun than the original, sure, but fun all the same. Another one that I'm glad finally made it over here.

Riichi Mahjong (A Table, 1924)

Holy shit I fucking did it I finally learned how to play Mahjong and it rules.

It started when I picked up Clubhouse Games for the Switch. I saw that it had Riichi Mahjong and something in my brain snapped. For whatever reason, I decided that this was the time I was going to rip the band-aid off and figure this shit out. It wasn't too dissimilar to the first time I decided to try eggs, but that's a different and much stupider story for a different time. I did the tutorial in Clubhouse Games, looked up some more basics and advice because the tutorial wasn't super amazing, and I kept playing while being aided by the game's nice helper features like the button that pulls up recommended hands. I kept playing and... sorta got it. I learned the basic rules, but none of the strategy. And then I stopped playing for a few months.

In that few months, for whatever reason, a decent amount of people I know had their brains snap the same way? Like a more-than-two amount of people I'm either friends with or following online also decided to learn Mahjong. I decided to get back on the horse and downloaded Mahjong Soul and I don't know whether it was perseverance or the power of anime babes, but this time I got it. I still refer to a sheet with all the hands and whether they work open or closed, and I'm by no means a master player, but I actually honest to god understand what I'm doing and it's an incredible feeling.

Mahjong has such a huge amount of what I like to call "Get That Ass" energy. It is the energy you feel when you get someone's ass. In Mahjong you are either constantly getting someone's ass or getting your ass gotten. Someone puts down the wrong tile and you fucking GET THEIR ASS DUDE! They're got!! They're a fucking idiot that put down the wrong thing and now you have their points!!! Or you draw what you need yourself and you're a brain genius all according to plan and everyone gives you points because you're so wise!!!! It's great!!!!!

Mahjong has long been one of those games where I'd say "I'll learn this someday" and never reeeeally actually try to learn, and I'm so glad I finally took the effort to because it's good as hell. And, truth be told, it wasn't THAT hard to learn? Like you can get to the point where I was where I didn't know the strategy fairly easily in my opinion, and once you do that It's just a matter of continuing to play to understand the rest. I highly recommended that you also go out and learn it if you similarly revel in getting that ass, it's so satisfying once you do.

Yakuza: Like a Dragon (PlayStation 4, 2020)

Ryu Ga Gotoku Studio took a big gamble with Yakuza: Like a Dragon. After seven games (more if you take spinoffs and remakes into consideration) they decided to focus on a new main character and, even more unexpectedly, they decided to change things up by turning the series into a turn-based JRPG. Their gamble paid off in spades. This is easily in my top 3 favorite Yakuza games.

The JRPG gameplay is surprisingly solid. There's definite room for improvement, but they nailed a bunch of it right out of the gate. Some mechanics are a little janky and I wish the job system was more fleshed out or just worked more like Final Fantasy V's, but they nailed one of the most important things and made the battles brisk and fun. It's a great foundation, especially for a team that's never attempted anything like this, and it's way more fun than the combat's been in any of the previous Dragon Engine games. I can't wait to see them iterate on it.

Everything else is top fuckin' notch. The music is great, the side content is fully fleshed out in a way it hasn't been since before they switched to the Dragon Engine, and I love the characters and story so much. Yakuza has a new main character in Ichiban Kasuga, and he's my son and I love him. Kiryu was great, and I love him too, but he was a bit of a passive protagonist. Stuff happened around him and he mostly just stoically reacted to it. Ichi is a much more active lead and it's great. He's a big lovable dope, and his tendency to keep an upbeat attitude and eagerness to leap into action is such a breath of fresh air. And it's not only Ichiban, since this is an RPG you have a whole party of characters and they're all great! Having them with you at all times bantering with each other and reacting to things is another great change of narrative pace, too. 

Yakuza: Like a Dragon just straight up rules. As someone who has historically not been too much of a fan of the Dragon Engine games, it's simultaneously a refreshing new take on the series and a fantastic return to form. I can't wait for what comes next. Wherever Ichiban goes, I go.

Moon: Remix RPG Adventure (Nintendo Switch, 2020)

After 23 years of Japanese PS1 exclusivity, Moon: Remix RPG Adventure finally got an English release this year for Nintendo Switch. I'm glad it did, because Moon isn't just the very definition of A Sebmal Game. It's the Sebmal Game missing link. In addition to being just a great video game, it helped me make a mental throughline for a bunch of games I love and a large part of my taste in video games.

To keep a long story short (seriously, I have a much much longer version of this saved in my drafts that I'll maybe finish someday), Moon turned out to be not the JRPG I assumed it was, given the title and basic story pitch, but a secret prequel to a game I love named Chulip. Moon's developer, Love-de-Lic, was formed by a handful of ex-Squaresoft employees, many of which worked on an extremely formative game I love named Super Mario RPG: Legend of the Seven Stars. Love-de-Lic broke up in the year 2000 and its staff went on to form a bunch of different studios that ended up making a BUNCH of different games I love like Chibi-Robo, Freshly-Picked Tingle's Rosy Rupeeland, Dandy Dungeon, and the aforementioned Chulip. These games, when you make the connection and line them up, all have a very distinct weirdness in common that makes perfect sense once you've realized many of the same people worked on them. Figuring this all out felt like snapping a piece of my brain back in place, and it was really crazy to come to understand exactly how much this studio that formed and disbanded decades before I'd even heard of them had impacted my tastes and, hell, my life.

So what is Moon, for those who don't innately understand what I mean by "a secret prequel to Chulip"? Moon is an adventure game where you explore a world with a day/night cycle, learn about that world's inhabitants, and eventually solve their problems. Think of it kind of like The Legend of Zelda: Majora's Mask, but if the sidequests were the entirety of the focus with no Groundhog Day time reset mechanic and none of the Zelda stuff like combat and dungeons. You play as a young boy who, after a late night JRPG binge session, is sucked into the world of the game he was just playing. Everything is off from the way it was portrayed while the boy was playing the game, though. The hero he had previously controlled is actually a silent menace, raiding peoples' houses for treasure and slaughtering every innocent animal that crosses his path in an endless quest for EXP. The townspeople seem more concerned with problems in their day-to-day lives than the supposed world threatening crisis outlined in the game's intro. It's up to you as the boy to investigate this world's mysteries, help the townsfolk, mend the damage the hero has done, and eventually restore love to a loveless world.

Speaking of love, I fucking loved Moon. I loved the story, I loved the characters, I loved the music, I loved the way it looks (even though the Switch port is a little crusty in that basic emulator-y kinda way), I loved how constantly bizarre and surprising and funny it was. Like I said earlier, it's the very definition of a game made for me. It was essentially the progenitor of a long line of games made for me, and of games potentially made for me but I don't know yet because I haven't played them due to not understanding Japanese (UFO: A Day in the Life translation next please? Anyone from Onion Games reading this??). For as similar as Moon and Chulip are in their systems and pacing, I think I might actually like Moon better despite it coming earlier? It's not as full force maximum impact absurd as Chulip is, but it is a lot more playable and less obtuse once you get a grip on the time limit mechanic. You don't need a full strategy guide included in the instruction manual for Moon, and you don't need to exchange business cards with every single character to get information vital to finishing the game either.

I truly cannot recommend Moon enough if your taste in games ventures anywhere off the beaten path. Maybe this is a little conceited of me, but I assume if you're reading this article, let alone this far down into it, you relate to my video game opinions at least a little bit? You should play Moon. Everyone reading this sentence should play Moon. Moon: Remix RPG Adventure is my game of the year for the year 2020.

These games were also cool, I just had less to say about them:

Death Stranding (PlayStation 4, 2019): Death Stranding, much like Metal Gear Solid V, was a game I enjoyed for the gameplay and not much else. The story, characters, and writing were a huge disappointment for me, but man if I didn't enjoy lugging those boxes around and setting up my hellish cross-continental goon summer camp lookin' zipline network. Mr. Driller Drill Land (Nintendo Switch, 2020): I am a known Mr. Driller Enjoyer, and I enjoyed this Mr. Driller. Originally released for the Gamecube, Mr. Driller Drill Land is another long-time Japanese exclusive that finally came stateside this year and it's packed with new and novel twists on the Mr. Driller format. It looks super sharp, the music's great (also the credits music is the most impossibly out of place and extra as hell shit in the world and it's hilarious), and it's just a good ass time. The main campaign is pretty damn short, but if you're a post-game content kinda guy it has that and it's all super hard. Tony Hawk's Pro Skater 1+2 (PlayStation 4, 2020): They finally made another good new Tony Hawk game, and all it took was perfectly remaking two of the best old Tony Hawk games! Plays exactly like you remember it with the added benefit of the best mechanics from up to THUG1, looks great, packed full of content, even has most of the music alongside some mostly crappy new stuff. It's the full package as is, but I do hope they end up adding THPS3 to it eventually. Mad Rat Dead (Nintendo Switch, 2020): Mad Rat Dead was a pleasant surprise that I only picked up because I saw a couple of people on my Twitter timeline constantly talking about it. A fun and inventive platformer where all your actions need to be on beat with the music. The gameplay feels great (aside from some not so great performance issues on Switch), the soundtrack is fun, and it's got a real good style to it. Demon's Souls (PlayStation 5, 2020): I love Demon's Souls and this is Demon's Souls. It plays exactly the same with some minor quality of life changes. I don't agree with many of the artistic changes, but there's no denying it looks incredible on a technical level. If you want to play Demon's Souls again or for the first time, this is a perfectly valid and fun way to do so. Groove Coaster: Wai Wai Party!!!! (Nintendo Switch, 2019): Groove Coaster is one of my favorite rhythm games, and they finally made an acceptable at-home version with Wai Wai Party. It's not a perfect replication of the arcade game control-wise, I have some issues with the song choices, and the pricing is frankly fucking ridiculous if you're not a Groove Coaster maniac like I am, but the same ultra satisfying gameplay is all there. You can even play it vertically in handheld mode! Flip Griiiiiiiip!

And we're done! Phew! Honestly didn't realize I played that many good games until I typed all this out. Thanks as always for reading this far. I'm gonna try and get back to regularly posting Breviews this year at the very least. Honestly don't know if I'll get anything else up on here, but we'll see. Here's to hoping 2021 is a little bit less of a nightmare!

#article #Year Wrapup

[aj-anime-blog]

To the Abandoned Sacred Beasts - Review!

First review here we go!!

So, after being completely and utterly obsessed with Jujutsu Kaisen and AOT season 4, I decided to check out MAPPA studios and watch a bunch of stuff from their roster. My so-called "MAPPA binge" included this strange and unknown piece: Katsute Kami Datta Kemono-tachi e, or in English, To the Abandoned Sacred Beasts. An adaption of a manga originally released in Bessatsu Shounen (you might recognize this as the magazine that released Attack on Titan!), it looked pretty promising. I do have to admit that I didn't read a page of this anime's manga, though the art style on it looks gorgeous!!

The concept behind the show: A war has torn two halves of a nation apart, split into the North and the South. The Northerners, who were previously greatly outnumbered in battle, created a half-human, half-beast species known as "Incarnates" because of their God-like abilities. But the Incarnates begin having some issues when their beast forms take over their bodies, turning them into monsters. When the war ends, our protagonist, Hugh Hank, an Incarnate and previous captain of the Incarnate squad, swears to kill all of his mutating Incarnate buddies before they can destroy the world.

This review will not contain spoilers until the labeled "Spoiler" section at the bottom.

In general, what do I think?: 4/10, this show kinda sucked. Ouch! I hate being that blunt! Especially on my first review here! But To the Abandoned Sacred Beasts (let's call it TTASB from here on out!) had glaring flaws that, while it did hold up as a show, made it uninteresting and hard to love. Not only were the characters mediocre and boring, but the show seemed to contradict itself and its own opinion of the Incarnates all the time! Are they bloodthirsty monsters that need to be killed? Are they misunderstood humans who should be given peace? I don't know! Our main characters don't seem to either! Other than the "war bad" motif that gets shoved down your throat from episode one, the show felt stagnant in what it was trying to make the audience feel.

I hate being so cynical about it, though, because it does still earn those 4 points! Even though a lot of it falls flat, as a whole, it's still an ok show! Hank and Schaal have good concepts and their dilemmas are interesting in certain parts when the writers manage to nail pits and pieces of their development! The fight scenes were cool and I think that the concept for the world was neat! And the show does have a pretty cool title. Let's be honest, To the Abandoned Sacred Beasts sounds super metal.

So what about those characters?: 5/10! Hugh Hank and Schaal are our two main protags for the show, and they both have pretty interesting concepts! Hank is an Incarnate, he used to be the leader of the other Incarnates, and he made a vow with them that when they lost their minds, he would kill them himself. Schaal is the daughter of one of these Incarnates that fought under Hank. Interesting, right?! How could these two opposing characters get along with one another?

TTASB tries to give the two of them a sort of grumpy-old-mentor-teaches-a-cheery-youngster relationship (which, admittedly, is one of my favorite tropes) and manages to forget everything good about having this kind of relationship. To start, it feels like Schaal has next to no reason to be tolerating Hank, and vice versa. She follows him around because *insert some excuse about understanding the Incarnates?* and Hank lets her because *insert I really don't know*. It really feels like Schaal doesn't need to be there, and she's just a plot device to move along Hank's character development.

Then, the two of them never really interact in ways that really moved me. It never felt like they made a deeper connection that meant something to the plot. They interacted, sure. They spoke about their issues, yeah. But it never felt like Hank needed Schaal, or that Schaal was emotionally tied to Hank, until the show spoonfed it to you that they were.

In the end, neither of their developments felt compelling or interesting. There were a few scenes that maybe, if you squinted, hinted towards them growing as people, but for a 12 episode anime, it was very menial. It also felt like said scenes were fairly forced, with their development not really leading them to the point that they ended up at. Again, TTASB has a bit of an issue with contradicting itself.

The villain was so meh. He has a motive, yeah. It's pretty lame. He's not compelling at all. Nothing about him is interesting or kept me hooked on him. The show probably could've existed without him, to be entirely honest. I don't really have much else to say about him! I just did not really care about him at all.

The best characters in the show are hands-down the supporting cast of Incarnates. Each one has fairly interesting motivations, and even though they're only given an episode or so to tell their stories, they feel the most genuine. My biggest qualm with them is that the show doesn't build their connection to Hugh Hank at all, so when he gets emotional over them, you're kind of like "uhhh u know this guy??". More about this down in our spoilers section, as I'll go over a scene where this is prominent.

So characters were meh, but what about the story itself?: 4/10, just as meh. Again, very interesting! Lots of potential! But it fell flat where it mattered. To be clear, just before we dig deeper: the 12 episodes of TTASB isn't the entire story. It's clearly intended to be continued, though, as of writing this, I haven't been able to dig up any news about a potential season 2.

I don't really mind if animes aren't completely original, as long as they're fun, but TTASB didn't really do that. A lot of the episodes felt boring and reused like it was a watered-down copy-paste of other material. Some episodes were repetitive and seemed to be trying to hammer in the same themes, only to be later contradicted by other episodes. TTASB will spend a few episodes showing you how misunderstood and sweet the Incarnates are and then have an episode where an Incarnate murders a bunch of people. I would love it if it was, in any way, shape, or form, sarcastic, but it is not. TTASB just thinks it can get away with the blatant disregarding of its own morals. It only ends up feeling disconnecting and frustrating.

It follows an almost monster-of-the-week style format for introducing the Incarnates, which does them a bit of a disservice, in my opinion. I really would have liked it if there was a bit more overlap between the Incarnates and their stories! We know that they're all very close (or, at least, the show tells us that they are without really showing us) so seeing them interact with one another outside of their respective episode would've been fun!

The story tries to be darker and grimier than it actually is. I didn't end up caring much for the nation itself and much of the politics that the show tried to utilize felt boring and, again, watered-down. It felt like the show wanted to make it a political drama about war and human rights and only ended up shying away from what makes those genres impactful. Again, this isn't to say that TTASB's story is bad, it's just not as good as it could've been.

But it's MAPPA, so the art has to be good, right?: Yeah! Art was cool! Nothing golden, like MAPPA's newer stuff, but a solid 7/10! The fight scenes were nice, and even though a lot of them felt redundant to watch, they were still smooth! I have some qualms about a few of the Incarnates' beast forms (especially Hank's) looking like they belong back in 2001, but they still looked cool nonetheless.

I don't really have much to say on this front! Nothing really blew me away, but I never looked at the screen and winced away.

Ok and finally, pacing!: 4/10. 12 episode animes always have tricky pacing to them. I like to think about the show being pretty much only 5 hours long, which isn't that much time to cram in as much story and plot as they might want to. Overall, TTASB actually had pretty decent pacing, with a long enough build-up that led to a final showdown. If you ask me, I do think there was a pacing problem in the second half, as it felt far too stretched out, but that could've just been my perception of it.

My biggest issue with pacing loops back to the characters again. They're never really given time to explore or build up relationships. Especially not Hank and his prior team of Incarnates. I think that there should've been more screen time dedicated to their time in the army, to better explain the emotional distress that he's going through as he's forced to hunt them down. Instead, TTASB relies on a throwaway line or scene to deliver this emotional blow, and it nearly always falls flat.

Music!!!!: 6/10, The soundtrack in this anime really wasn't memorable and I don't remember much from it. Whoops!

I did like the opening a bit! It was done by Mafumafu, who I think has done a Pokemon intro song? Either way, it was energetic and fit the theme of the show well! The ending is also a bop, now that I'm thinking about it! It manages to be nostalgic and sad without being too slow! So good music on both fronts!!

OK, now we're in spoiler territory! Be warned!

I don't have too much to say regarding spoilers. Nothing in the show really feels important enough that I have to mention it under a spoiler tag. A few small notes, I suppose.

The show treats Hank like the more important character but then throws him away in his "death" to focus on Schaal, which was a very frustrating episode. Schaal felt so bland and useless in it, even when she faced her father again. Bringing him back to life felt like a sad excuse to force her into character development. I did like it when she found the courage to shoot him, but I also thought that it wasn't really as emotional as the show wanted it to be.

Hank's connection with Schaal, particularly in the second half, feels completely unnatural and forced. When she gets kidnapped, he has some sort of mental breakdown over her and it, if anything, felt creepy. It was undeserved and was forced down your throat rather than built.

Beatrice was the best character in the show and I think that if they stuck to ideas like hers (misunderstood creatures who just want to go back to their old lives), the story would have been much better. Instead, you switch to characters like the Gargoyle Incarnate, who just goes on a murder spree, and it ruins a lot of the development that Beatrice brought to the table.

& our deep deep look at one part: Forgive me if I get this screwed up a bit, it's been a weekish since I finished the show and my brain dumped out all details of it already.

Hugh Hank goes to the mountains and fights the Garmr Incarnate, Rex (Roy? I'm a bit confused on his name), in an epic show-down. Obviously, at the end of it, Hank wins, killing Rex. Now, if you're like me, you sat there for most of the fight going "who tf is Rex and why is this battle important?" and only at the very END, when he's dying, do you see a clip that you might remember from the very beginning of the anime, with Rex talking about Schaal. You go "oohhh I know who he is!" but you wished that you remembered this ten minutes ago when the fight started because it would've been so much more impactful. The show didn't remind you of this scene. It didn't tell you that Rex was this same person that you already met. It expected you to remember, and I didn't. This scene sums up a lot of the character problems with the show, where even if something does have emotional weight, the show doesn't act on it.

Now we're done!: Sorry if this was harsh, but that's my full review on To the Abandoned Sacred Beasts! I'd love to hear if you agree with me or think that I'm totally wrong! If you've read the manga, tell me if it's better or worth a read! And thanks for reading!

(The crossed-out "Hugh"s are all of the times that I got Hank's name wrong! I'm not super great with character names, but I always take it as a bad sign when I screw up the name. )

#anime #mappa #studio mappa #to the abandoned sacred beasts #to the abandoned sacred beasts anime #review #anime review

[starkercrossedlovers]

Call Me, Maybe? 📞

This is part two of the sex line fic Hotline Bling and I hope you all enjoy!!

————————

Hey I just met you, and this is crazy, but here’s my number, so call me maybe

Peter’s had the song stuck in his head for days, humming it under his breath in class, as he patrols, singing off key and loud in the shower...it’s silly, but he can’t stop.

It doesn’t help that he’s made it the ringtone for Tony, and when he’s not in class, it blares every time the older man calls or texts.

Which is a lot.

Because they sext and text and call each other...all. The. Time.

He swerves and dodges a blast from a robot seemingly intent on homicide and hisses when one of its lasers slices through his suit and into his ribs.

He should be getting ready to meet Tony, but no, some maniacal asshole had to go and ruin his date. He’s already sent Tony a text that he’s not going to make it—last minute paper to finish!—but he’s hoping that if he can just—

The robot tangles in the webs he shoots and then blasts it with an EMP, grinning in delight when it collapses to the pavement below.

He webs it down more securely until SHIELD arrives and then swings away, back to the apartment. It’s only when he’s in the shower that the wound on his side makes itself known again and he hisses as blood streams down the drain. His fingers shake as he wraps a bandage around his torso after the shower, wincing at the ache in his side.

He can’t go meet Tony like this...

Sighing, he pulls on soft sweatpants and a T-shirt, toweling off his hair as he heads for his desk.

He does actually have a paper to work on...even if he’d much rather be somewhere else...with someone else.

Hey I just met you, and this is crazy, but here’s my number, so call me maybe

He grins when he sees his phone light up with a new text from Tony.

Tony: hey baby, I know you gotta paper to write, just wanted to say I miss that pretty face

He melts.

Snaps a pic of him, post shower, pink cheeked and shirt slipping off one shoulder and sends it.

He doesn’t have to wait long.

Tony: oh baby...ur so pretty...wish I was there to mess you up, get you all dirty

Peter: me too...I’ll call you when I’m done?

Tony: yes plz baby 😘😘😘

Peter grins and sets the phone aside, determined to focus and get this paper done.

Then he can play.

——————————

When he’d first met Tony at the coffee shop two weeks ago he’d kinda expected to be taken somewhere private and fucked senseless. Instead, Tony had bought them coffee and guided him to a corner table and they had talked...for hours.

He’d found out the older man is a mechanic and former race car driver, with a penchant for sex line work on the side. He’d explained that he likes the work; he’s always enjoyed making his partners cum and being a sort of blank canvas for other’s needs is something he finds enjoyable.

Clad in a flannel button down with a Black Sabbath T-shirt underneath, jeans that clung to his thighs, and combat boots, he was...entirely unexpected.

They talked mechanics and engineering, biochemistry and history, social justice and morality and before Peter had realized it, his stomach was demanding food. When he tried to apologize, Tony just laughed and guided him out to his car—a 75 Aston Martin Vantage, cherry red with gold accents—and took him to dinner.

He finds out that Tony’s 45, single, divorced with no kids, and co-owner of Stark Industries with his ex wife, Pepper Potts. Peter can barely believe he’s sitting with a man named in the top 100 wealthiest people in the world eating burgers from some hole in the wall diner, but yea, it’s real.

When he dropped him off after that first date he asked if he could kiss him and then proceeded to do so until Peter was hard and aching, clinging to the older man and gasping his name, whispering a plea that Tony had struggled to refuse. He sent Peter inside and called him minutes after he got home, listened to him jerk off and beg for Tony, cuming alongside him just a few short minutes later.

They’ve seen each other nearly every day since then, talked just about every night, texted constantly, and still, Tony hasn’t fucked him yet. This weekend though, he’s going to make it happen. Aunt May is going to Chicago for a conference and he’s assured her he’ll be fine, nudged her out the door and then waited ten minutes to text Tony.

Peter: home alone this weekend, come over?

He bites his lip, pacing as he waits for a response and then jolts when his phone starts playing that familiar ring tone.

Tony: have a few more meetings at SI 8 ok?

Peter: yes!

Tony: see you later sweetheart 😘

Peter sighs, it’s noon, which means he has to wait all day for Tony. It’s an in service day so he’s home alone, with nothing to do. A grin creeps over his face and he runs to his room, shedding clothing until he’s in his boxers.

Screw homework, he’s going to tease Tony till he comes over early and fucks him.

He plays with his nipples until they’re sore and achy, chest flushed pink with desire and hair messy from writhing on his bed. He snaps a pic and sends it—missing you—he captions it.

He doesn’t have to wait long.

Tony: baby...Jesus...u look so good

Peter shoves a hand into his boxers and takes another pic so Tony can see. Wish you were here he sends along with it.

Tony: Christ kid...trying to focus on this budget mtg and that’s not helping

Peter grins and records a small video of his hand stroking his cock inside his boxers, loops it into a gif and sends it.

Tony: fuck...baby boy, ur making daddy hard. Gonna get in trouble if u can’t behave

Peter records another short video and allows himself to gasp and moan, need you daddy he whispers, grinning as he sends it.

There’s a long few minutes of nothing and then—oh...Tony’s sent him a video of him, in the bathroom presumably, stroking his cock and murmuring.

Look what you did to daddy baby, look how hard you made me...daddy can’t even get through a meeting without his baby needing him, huh? Gotta leave work early and come take care of you?

Tony groans as he cums, and Peter moans with him, spilling over his own hand, grinning as Tony huffs and murmurs—be good baby, I’ll be there soon.

——————

Soon, it turns out is three more hours. Which is still much earlier than he’d originally said he’d be there, but still, it feels like an eternity to Peter. He’s actually done his chores; laundry, cleaned his bathroom, completed his bio homework, and he’s thinking of going out for a patrol when there’s a knock at the front door.

He tugs on a T-shirt and hurries out, beaming when he sees it’s Tony through the peephole. He manages to get out a surprised gasp at the sight of him in a suit before the older man pushes him inside and kicks the door shut. Tony’s on him all at once, hands cupping his ass as he lifts him, mouth hungry on his as he presses Peter against the wall, devouring him.

Peter whines as Tony’s mouth trails over his throat, marking it deeply before he fists a hand in Peter’s hair and pulls, tilting his head so he can kiss all along his collarbones and lick at the soft space in the hollow of his throat.

Tony rolls his hips into Peter’s so he can feel the hard line of his cock as he growls in his ear.

“Can’t even get through a few hours alone, huh baby? You that desperate? Hmm?”

Peter’s breath hitches and he nods, gasping when Tony’s fingers tighten in his hair to hold him still.

“Gonna have to teach you how to wait baby. Gotta learn patience.”

Tony backs away from the wall and carries Peter to his room, lays him down and strips him bare, and then just sits back, looking at him. Peter makes a soft noise, needy and pitchy, slides a hand down to wrap around his cock, only for Tony to bat it away and then capture the other, pinning them above his head in one easy move.

“No touching baby. That’s for daddy,” Tony tells him, smiling dark and dangerously. Peter whines but nods, arches his hips up as though he thinks it’ll get Tony’s attention to his cock, but the older man just backs away, keeps his hips high so Peter can’t make contact.

“Keep your hands there baby,” Tony instructs before sitting back, his weight on Peter’s thighs so he can’t move. Peter watches as he strips off his jacket and rolls up his sleeves so the bronzed skin of his forearms is exposed. He’s so densely muscular, years of working on cars honing his body into a solid weight that feels perfect on top of Peter.

Tony grabs the lube Peter had out earlier and slicks his palm before wrapping his hand around Peter’s cock, smirking when he gasps and tries to arch into it. He strokes him slow and steady, eyes dark and hungry as Peter moans and writhes, gasping Tony’s name as he gets closer, heat building in his stomach.

I’m gonna... he manages to gasp out...and Tony’s hand is gone. Peter sobs at the loss of sensation, whining as his orgasm fades away, tossing his head on the pillow unhappily.

When Tony resumes stroking him he moans and shudders, but it’s only a few minutes later that Tony removes his hand again. “I told you baby, you gotta learn to wait,” Tony croons, hand rubbing Peter’s thigh soothingly as he keens and writhes.

Peter’s not sure how long it goes on for like that—hours, days? All he knows is Tony’s hand on him and the ache in him growing each time it isn’t allowed to break free. He’s sobbing for each breath, tears wetting his lashes as he begs and begs, every nerve in his body like a live wire.

“Want you...in me,” he manages to gasp, begging please please please, and it seems like Tony softens for moment, considering his plea. He nods slowly and grabs Peter’s hips, rolls him into his stomach and then pulls him to his knees, gently pushes his head back down when he tries to lift it.

“Okay baby,” Tony murmurs, “just hold on.”

Peter expects his fingers, lube maybe, but he doesn’t expect—Tony’s tongue, hot and wet over his hole, licking fervently into him. He cries out shrilly, gasping and clutching at the sheets as Tony devours him; licking and sucking at his rim until it feels puffy and loose, tongue thrusting in and moving inside him.

It’s joined by a finger and then another, thick and calloused, firm inside him, stretching as Tony continues to attack his rim. Peter keens when Tony nips at him, the sensation nearly overwhelming as a third finger joins the other two.

He can feel Tony searching, and when his fingers find it, Peter lets out a strangled scream and thrusts back, eyes rolling back as Tony fucks into him. He’s loose and wet and it’s loud, the sound of Tony’s fingers inside him—sloppy in a way that should be disgusting but makes his gut burn with pleasure.

He can feel it rising within him, hot and desperate and he tries, but he can’t form words, just strangled moans of Tony and daddy as he drools info the mattress and then everything goes white; soundless, sightless, senseless.

As sound and sensation creep back in around the edges he’s aware of how hard he’s cum, and the fact that he’s still hard. Tony’s fingers are still in him, and the older man is murming softly.

“Look at you sweetheart, look at the mess you made. That pretty little cock is still hard, huh? Well, you don’t get to cum again till daddy does,” he warns. Peter can hear a belt being undone and a zipper sliding down and then Tony’s fingers slip out of him and he moans at the loss, rocking back to chase them.

Tony laughs softly and turns him around, pulls him into his lap where he’s still dressed, but his cock is out, hard and red and throbbing. He guides Peter up and holds his hips as he pulls him down, eyes hooded and dark as they watch him.

Peter sobs at the sensation; Tony’s cock is thick and long, and it’s, it’s breaking him apart as he sinks down onto it, breath hitching as the head slips past his rim, a sobbing moan sliding from his throat as Tony pushes into him slowly.

It’s too much, too thick, pressing into his soft insides, and it hurts, but not real pain, pain like when he makes himself cum too many times in a row or pokes a bruise—heavy, throbbing sensation that makes him ache for more.

Tears blur his vision as Tony fills him, hard and heavy in his gut, the head of his cock pushing into his prostate like a punch to the gut. He shudders and curls inward, tucks himself into Tony’s chest panting and whining as Tony pushes the rest of the way into him.

He’s so full...it feels like he could split apart at the seams from how Tony’s cock is seated inside him, pressing into him, the weight of it taking his breath away. He’s shivering and breathing unsteadily, and when Tony’s hand makes slow circles over his back and his lips press into his hair, he whines and nuzzles into him further.

“You okay baby? We don’t have to keep going,” Tony murmurs, lips against his ear, voice warm with concern.

Peter shakes his head and sniffles, “S’really full,” he slurs, “s’alot.”

Tony nods and kisses his temple, “I know baby, just breathe, mmkay?”

Peter manages a weak nod and turns his chin so his nose is in the crook of Tony’s neck and his scent floods his nose; warm and spicy with undertones of grease and metal. Tony keeps making slow circles over his back and eventually he realizes he’s rocking his hips, making slow circles of his own on Tony’s cock.

“You ready baby? You gonna ride daddy’s cock?” Tony asks, voice a low hum in his ear.

Peter nods and wraps his arms around Tony’s shoulders as he sits straighter, a little bleary eyed as he stares into Tony’s eyes. The older man smiles and lifts a hand to cup his cheek, a tender expression on his face as Peter gains his rhythm.

“You’re so beautiful baby, all pink and flushed and fucked out from daddy cock. Love those little noises you make,” he murmurs, thumb pressing into Peter’s lower lip and then into his mouth as the boy moans and rolls his hips faster.

Peter is dazed and a little light headed, need swelling within him once more as he rides Tony, gasping and moaning around the fingers in his mouth. His ass burns, stretched open and throbbing at the weight of Tony’s cock thrusting into him, the heat of it filling him till he’s like a ripe fruit, swollen and ready to burst.

He sobs a little as he thrusts faster onto Tony, arching his back as he finds that spot within himself, pleasure like white lightning up his spine every time Tony’s cock drags over it. He’s not even coherent as he lifts himself and slams back down, cries loud and wrecked, chest heaving with every breath.

P-pleaseeeee...daddy! Uhn Uhn Uhn

Tony’s grip tightens on him as he watches his boy, flushed and crying, cock bouncing as he rides him, loud desperate moans filling the small apartment.

He wishes he had the foresight to record this, so he could watch it over and over again when they’re apart—next time, he promises himself. Pleasure burns in his gut as Peter bounces on his cock, tears on his cheeks as he begs to cum, cock drooling heavily on his stomach.

He’s close himself now, and decides to take mercy on his sweet boy. Wrapping his hand around his cock he strokes, twisting at the head and thumbing at the sensitive tip, groaning as Peter wails and jerks, sounds strangling as he bounces harder, faster.

Peter can’t tell where pain ends and pleasure begins; he’s too stretched out and Tony’s touch on his cock hurts, but he needs it, needs to cum, and the thrust of his cock inside him is hard against the bruised walls of his body, but it’s good, so so good and he can’t, he can’t—

Tony sucks a mark to his neck, “Cum for me baby,” he gasps, pressing his nail into the tip of Peter’s cock just as he slams down on Tony’s length. A wail rips from his boy’s throat and then his cum is splattering over his stomach and Tony’s hand and on his suit and he’s shuddering and following after him, spilling hot inside Peter with a groan of his name.

Peter sobs, rocking down on Tony as his cum fills him, hot against his tender insides, slipping out around his puffy, raw rim and he cries, shuddering through each spurt of his own cock into Tony’s hand until he’s got nothing left to give and he’s limp in Tony’s arms.

The older man hushes him as he cries, holds him tight and presses kisses to his face and throat and hair, crooning praise. “So good baby, you were so good. I’m so proud of you.”

Tony gently guides him back against his pillows, pulls out slowly and hushes Peter’s whine at the loss. Peter buries his face in Tony’s shoulder and breathes unsteadily as the older man runs his hands over him, shudders when his thick calloused fingers slide into his hole where he’s wet and open.

“God baby, look at you,” Tony rasps out, voice low and gravelly. “You’re a mess sweetheart. All open and wet with daddy’s cum.”

Peter whines and pushes his face against Tony’s throat, embarrassed but pleased.

“C’mon baby, look” Tony encourages and he finally pulls away, leans up and peers down, flushes when he sees the way his thighs are coated in sticky white, his and Tony’s cum staining his skin.

He collapses back and throws an arm over his eyes, entirely exhausted and wrung out. A dull ache throbs inside him where Tony was, and he can feel his hole trying to tighten, but he’s still loose and dripping cum and he shivers, enjoying the slick sensation of it.

Tony kisses his cheek and pushes his arm off his eyes, gaze worried and soft. “Are you okay Peter? Anything hurt?”

Peter laughs softly and slings his arm around Tony’s neck, draws him down for a kiss that’s uncoordinated and sweet. “I’m ok, promise,” he breathes against Tony’s lips. The older man studies him with a hint of suspicion and then nods, smiling softly.

“Mmkay sweetheart. We’re gonna shower and then you’re gonna eat and watch a movie with me.”

Peter stares at him for a long moment, throat working to produce the words he wants desperately to ask.

“You’re staying?”

Tony’s gaze softens and he nods, leans in for a kiss, “Baby, of course I’m staying—you’re never getting rid of me now,” he promises with a wry little smirk Peter can feel against his mouth.

He grins and pulls him closer, “Good. I don’t want you going anywhere...except inside me.”

Tony laughs and drops his head to Peter’s shoulder, body shaking with laughter and Peter grins; he’s so glad he called that line and found Tony.

Found this.

Hey I just met you, and this is crazy, but here’s my number, so call me maybe

———————

@sluttystarker @starkerchemistryy @pantastic-peach @thebadthingshappen @ciel-mio @hpspazz @starker-4ever @w1nters-stark @foof-a-loof @confused-trash-kitten @panicdotexe @stqrker @honey-honey-darling @mariketa12 @itsmeryshipper @dramione90 @starker-flame @pretzelpoetry @seriouslystarker @starkerthanreality @ikneelbeforemygod @professional-fangirl75 @virgilismypoorshadowling @godlovesstarker @sapphicfreak @veronicashipsit @the-dark-obsidian-princess @ikneelbeforemygod @laughing-oreo @sensei-sans-sugoi @ruelukas22 @tom-starker @yourlittlemelody

#starker #starcrossedtalks #peter parker x tony stark #peter x tony #daddy stark

[purfectmlpblog]

...alright fuq it lemme explain my thoughts about the finale spoilers lol

Don’t worry, I WILL be posting this under a read-more so PLEASE turn away and ignore this now (especially with some “spoiler” tags on if you use ‘em) if you don’t want to be spoiled for the finale until it officially airs. I just can’t contain my thoughts no more after ponderin’ them and who knows when it’ll officially air in English (’cause slow schedules can be a pain to deal with lol) sooooo... yeah you’ve been warned xp 

...Ooooh boi, well admittedly I kinda skimmed through what the whole plot was about behind the last three episodes (I was moreso focused on all the stuff happening for “The Last Problem” so lol), but I’ll try to keep it brief for the most part:

-So... that whole thing about Grogar being the last “big bad” was just a total lie... since apparently it was just Discord masking himself as the guy just to give Twilight one last battle to face? ...Ehhh, I get that he apparently had “good intentions” but this just seems to be pushing it too far even for Discord’s standards tbh... like these are his friends now (including Fluttershy, his best friend) so why would he allow this much risk to be thrown at them for the sake of just teaching them a valuable lesson about overcoming obstacles? ._. Then again, this IS Discord we’re talking about so him pulling some shady stuff like this is to be expected, I guess? Idk...

-As another twist to the trio of bad guys... NONE of them get redeemed at the end (not even Cozy Glow... who again, is nothing more than a whiny child compared to Chrysalis and Tirek :P), as they all pretty much get blasted with the same stone spell that Discord was under for what I can presume to be forever. I mean... had Sombra been placed in Cozy Glow’s position then I guess I’d be a bit more satisfied with this kind of ending for them instead of feeling questionable about it (’cause again, Cozy’s young age ^^;)... but at the same time, for what it is it’s at least a refreshing change of pace from just having them all instantly forgiven and befriended by all the main heroes. Now that would’ve been cringey... >_<

-We got a reaaally big group of cameos from many past ponies/other creatures from the show to aid in the final battle, including Sunset and a few of the MLP movie characters like Tempest, Capper and Skystar! o.o A shame that Captain Celaeno couldn’t have been added along with them but still, pretty cool to see that particular trio regardless along with my girl Sunset ❤️ about time the main show acknowledged her importance to Twilight -.-

-Moving onto the big finale itself, “The Last Problem”, we cut ahead to I presume to be a couple decades or so since the last episode... where Twilight and her friends are all grown up and leading their own lives as Twilight’s pupil (Luster Dawn, was it?) comes to prepare herself for her own first friendship lesson. Surprisingly, unlike past finales it’s not so much a really heavy or action-packed episode but more of a “relaxing breather” kinda filler... yet still pushes the feels the more we get to see the aged-up cast and realize how this truly is the end for our heroes :(

-We’re also given a nice flashback to Twilight’s coronation as Equestria’s new leader, though it didn’t go according to plan it still provided some heartwarming feels to teach that friendships will always remain solid even if some end up moving far away. Awww ;w;.

-As for the “Grown up” designs themselves... I’m kinda torn, tbh lol

On one hand, I do like Rainbow’s, Fluttershy’s, and AJ’s older looks just fine. AJ’s especially gives me the feels looking at it ‘cause of the shawl... really hits in that poor Granny Smith is no longer around by this time :( at least she’ll always keep her memory strong in her heart ❤️

As for Twilight, Rarity, Spike and Pinkie... ehhhh ^^;. Rarity’s sparkly shawl is rather pretty though that big grey steak in her hair kinda clashes too much with the regular purple imo, Pinkie’s beehive look could’ve been fine if they just took out all that random junk in her hair, and while part of me kinda likes the “ethereal princess-y” vibes of Twilight (despite the rather dark implications that she’s gonna outlive her friends now ;-;)... the fact that she still sounds like her old dorky self when speaking kinda kills the effect for me... plus idk if only a couple decades in the future would be enough to make her this tall as an alicorn, I mean even Luna (who’s older than her) is alot shorter so it’s just a little off-putting to me to see her so “Celestia”-sized ^^;. And as for Spike... yeah, I don’t even know what’s going on there, so... let’s just move on, please lol.

So then we get to look over how everyone else in Ponyville’s doing, with so many new species living there now, some old kiddos grew up like the CMC and the Cake twins, Starlight and her friends (plus the Student 6) continuing to run the friendship school together, and apparently some canon couples started to thrive during this time too including Lyra and Bon Bon, Big Mac and Sugar Belle, and... Pinkie and Cheese? o.o 

...Um, wow lol Wasn’t really expecting that considering that most of Cheese and Pinkie’s previous screentime together (which was only in like, two episodes?) wasn’t really that romantic from what I can recall, but guess the writers decided to just throw it in anyway ‘cause it’s a popular ship? lol I mean, not like it’s a bad one or anything but it still feels a bit randomly-placed in a narrative sense imo ^^;

Speaking of their daughter (Lil Cheese, I think?), while I do think she’s cute, part of me is kinda disappointed that they didn’t really get more creative with her design like they’ve done for Flurry Heart and the Cake twins :c. Color-wise she looks okay but... why just make her a recolor of her mom’s filly design? .-. Even putting her hair in some pigtails or something would’ve worked better imo.

-Some more design nitpicks I had were certain weirdly placed hairstyles like Pumpkin Cake’s and Diamond Tiara’s, as well as why Gummy the alligator just looks like he resized into a giant than legitimately grew into an adult lol. Also this might also be nitpicky but why exactly is everyone (minus Twilight) so old-looking with grayed hair and/or eye bags (ex. Rarity and Sugar Belle), when a couple of them have school-aged children at this point? .-. Hell, even most of the Mane 6′s parents didn’t look this old (including Twilight’s, and they’ve got a granddaughter lol), so I’m kinda confused by this type of design choice tbh.

-I don’t really remember if they explicitly stated what happened to the old princesses during this time since they didn’t show up again, nor what the final fates of Shining Armor and Cadence were (save for a brief shot of Flurry Heart having her own stain-glass window in the throne room). Idk, just would’ve been nice to have gotten more explicit about that ‘cause I don’t wanna think of these poor royals being gone now with just Twilight being the leader now ;-; 

-I guess there was also a couple “implied” ships thrown in too like Fluttershy and Discord (though that one might be more “loose” to interpret, depending on how much you like the ship) and apparently AJ and Rainbow Dash seem to be having something “deeper” going on considering they specifically walked in together when all the other Mane 6 walked in individually into the throne room. Hmmm...?

-And lastly after a bit more filler and than a montage song of the Mane 6 harmonizing together one last time, we get to close off the entire episode, season, and series with one final shot of the heroes standing on a sunset-y hillside together, saying goodbye to Twilight’s student who goes off on her own friendship adventures... and then the screen fades to a book closing as a call back to the very first episode of the series over 9 years ago... where the exact same book opened up to start off our beloved show to begin with T-T

....aaaand yeah my feels exploded over again, sorry T-T. Despite the lil nitpicks I had here and there (and how I wish certain plot holes could’ve been handled better in hindsight), this was still a really sweet and thoughtful way to end MLP: FiM with one last batch of fluff like this... the end of a good 9-year run of the show which’ll surely leave a special place in every fan’s hearts, including mine ❤️

Though again, like I mentioned before I still won’t be considering any of this actually “canon” in the main universe I’m setting up, which is all basically an AU at this point since I haven’t really been keeping up with the show as frequently to care much for sticking with the main canon :p. For my fellow content creators, please don’t be afraid to keep working on your own next gens and such btw, even if some of it might be contradicted in this particular finale I’d say anyone is free to make their own interpretations however they want, canon or no canon~ ;p

  Hope y’all understand that well and I hope you guys have a great rest of your day! 😃 

#mlp spoilers #purfy chat #long post #mlp season 9 spoilers #mlp finale spoilers #spoilers

[rerwby]

Volume 5 OST

I don’t normally have such verbose opinions on the RVVBY music (it’s like writing a review for fiberglass insulation) I managed to sit down and listen to this album the whole way through. My feelings on these tracks feels like a culmination of all my feelings of previous RVVBY music. I won’t try to be lengthy about this but I got some solid thoughts.

First of all, can we just collectively agree to stop making every fucking RVVBY song put on Youtube use fan art? Like can we just get a solid fucking static picture of the volume cover art maybe? I’m sick of the mediocre ship art used for goddamn everything and it looks incredibly unprofessional. Also since these are RT fans you know they don’t give a flying fuck about credit.

The Triumph Not to kick this off on such an upbeat note but this is one of my favorite OP’s. Maybe my favorite. Maybe. I could not fully appreciate this song when the episodes were coming out because the opening itself was the biggest trashfire to come out of this show. Like, sorry I can’t get hyped up on 10 seconds of Ruby and Ren and Jaune sitting on a couch. Listening to it alone though? Big improvement.

Jeff Williams does this thing where he’s clearly way too proud of his proud choice and rhymes, and usually lines end with a big focus on stupid vernacular. Trust me, this will come up later. The Triumph manages to avoid that. This Will be the Day does as well because it’s a pretty hammy song with a better, more consistent tone. “Back to reality, back to the show” is an awful, terrible, horribly ironic line in the context of Volume 5, but it’s not as in your face as it could be, so it gets a pass from me. I also think “That’s when you learned you were messing with gods” is awesome, sorry. It could be more awesome if these characters like, seemed more like gods? And they don’t? So eh.

Then the second verse happens and it calls back to the first with “Yeah I’m a girl but I’m also a god” and I’m like, oh, so you’re just gonna- oh, okay then. Yeah let’s just beat the one good part like a dead horse, sure. That really ruins the song for me ngl.

It also manages to avoid the formulaic trend of post-second verse slow sappy breakdown. Time to Say Goodbye and Let’s Just Live do that and it gets old after a while. If you’re gonna give me hype music then stick with it. Not that Let’s Just Live really hypes you up.

Overall it’s like a 7/10 for me because it has a good pace and it doesn’t scream “look at how clever I am!” at every turn.

Ignite The song I was most excited for and the most disappointed by. I wrote about it here and I’ll try not to do anything more than summarize what I said there.

It’s obnoxious and the lyrics are way too dumb. Not funny dumb, not hammy dumb, nope, just dumb. It’s not even in the style of Yang’s usual dumbness, which by all accounts should now be under Armed and Ready’s foot since that is now the prime Yang theme. The major problem is how obvious these issues are. Like you can’t not hear how bad the writing is.

Then Lamar comes in, and I usually enjoy him since, like I said above, he brings with him some hammy, corny lyrics that manage to be fun. But he’s phoning it in here. He’s mumbling and tripping over his own words. God I didn’t even understand what mumbling truly sounded like until I heard that verse.

4/10 and I hate to write that on a Yang theme but this song is everything wrong with these soundtracks.

Path to Isolation Which brings us to my favorite annual game of “Count How Many Times a Weiss Song Uses the Word ‘Mirror.’” Spoilers: it’s a handful.

It’s fine. Weiss songs have always been fine. The worst thing I can say about them is that you have to dredge through their slow-ass, repetitive openings to get to the good part. 5/10

All Things Must Die aka “Slow And Brooding Villain Song That Turns Into a Rock Anthem #5″ aka “Sacrifice And Divide Did It Better But Even They Were Only So Good” aka “We’re Not Even Going For A Subtle Title Here.”

I don’t even know whose perspective this is sung from anymore. Like Cinder is our designated villain song candidate but she has like no autonomy this volume so that falls flat, meanwhile Salem still has no clear motivation. Hazel and Adam might be the most developed(?) bad guys this volume but this song has nothing to do with them. 4/10

This Time (From Shadows Part II) I’m writing about this one before Smile for a reason.

A song called From Shadows Part II deserves better, lol. Also given the fan art uses on the version I found posted, this is a Blake+Sun song? I don’t know. It starts with the beautiful piano solo from the original which was godlike and relaxing and also dramatic.

Lyrics are just shitty but in a shocking twist they’re hard to hear other than THIS TIIIIME in the chorus which...I’m fine with. I’m legit convinced that the fewer lyrics you can make out in these songs, the better. This all sounds rather nice and has a good flow to it. Don’t get me wrong, it’s kinda just trash. Absolute filler. Fluff. Churned-out melodrama to keep the White Fang kindle going.

Also I guess in hindsight it’s weird to have Jeff singing here since this song is supposed to represent Blake moving on with new resolve. Like before it was clearly Blake and Adam singing, but now it’s Blake and...Sun? Adam again? Like some non-canon reformed Adam? Idk. At least it’s tonally a good contrast to Part I. It’s easy to listen to the song without focusing on the lyrics which is rather soothing, but it’s still nonsense. 5/10

Smile (From Shadows Part 0)

No yeah I made that part up, but I think this song is a better From Shadows Part 0 than This Time is a Part II. I’m dead serious. They gave us an Ilia song and made it more interesting than her character is in volume 5, if not extremely on the nose.

Because my god, it’s on the nose. It’s just Ilia’s backstory about blending in to avoid all the pain your oppressors brought you and biding your time until you can rip the smiles off their faces...oh I don’t think that’s how Ilia’s backstory went. This is much darker. Very Count of Monte Crisco and dare I say actually interesting. It makes Ilia sound way more compelling than Blake while also making her out as a foil to her. Except I don’t know why the fucking hell the character presented in Smile would ever join the White Fang, especially under Adam’s authority, and then follow him so blindly. But I guess as of last volume’s OST we should be use to that disconnect between show plot and music lore.

7/10 for being accidentally interesting.

All That Matters

It’s....fine? Fine-ish. Obligatory slow and sappy song because ofc. Casey at least sounds like she’s in her comfort zone. It just doesn’t mean much to me.I guess it’s the theme of the girls being back together but I have my own issues with that, which is mainly that three of them were already reunited halfway into Volume 5 and it was only Blake’s arrival that really pushed them into sappy territory.

5/10 it’s not bombastically terrible enough to merit a lower score and not interesting enough to be higher.

I’m Her Daughter After All - RVVBY Volume 5 Official Score

I don’t know why this song is here because it’s an actual non-lyrical official part of the soundtrack, which is mind-blowing. You’d think Jeff was contractually obligated to have his blood’s voices dip their toes in every track.

It’s a nice medley of Yang’s themes, namely I Burn and Armed and Ready. It also makes you appreciate how Yang’s musical themes have actually evolved, unlike those of the other characters. Why do we have this Western thing going on? Qrow had it too in Bad Luck Charm. I don’t mind it since I think it’s kinda neat, but 6/10 for being a random score track.

Mayday! Lancers! - RVVBY Volume 5 Official Sc- wait

They did the score thing again. I don’t know why. I also forgot the Lancer scene actually happened in Volume 5 until I heard this. Like, Weiss did so little in Volume 4 that I’m attributing stuff that happened in V5 to last volume.

It’s fine? It’s nice to have a non-lyrical Weiss song, actually. 5/10

Armed and Ready ie The Appeal Of The Original Was Lost On Us

This song did not need a remix lol. Armed and Ready is actually damn good, is a great proper evolution of Yang’s theme that successfully moves her out of the shadow of I Burn, and was a really, really good climax to her recovery arc. This turns it into a dance remix, which ironically is the exact sort of thing the original moved her character away from. 4/10

Gold (Acoustic)

As I listened to this I realized it wasn’t just the original vocals played over an acoustic cover; Casey actually re-recorded the song. That’s blowing it out of the park for a RVVBY remix. Also it’s like, good.

I always liked Gold for whatever reason. I just thought it was uplifting and it did the nice thing where the lyrics are simple and flow well. The loud instrumentals had me unsure if it made for a good complement to the lyrics or if it was just a bad choice. This just sounds wonderful. Most importantly, it makes you really appreciate Casey’s singing talent. More than anything, she sounds absolutely comfortable singing this song. No stressed notes, no weird word choices, no ham. This is just a nice song and it’s my favorite on this album. 8/10

Let’s Just Live (Remix) “The Obligatory OP Remix Oh God Triumph Is Gonna Get This Treatment Next Year

It doesn’t go above my expectations but I like the new instrumentals. Reminds me of Stickerbrush Symphony. I think it’s much more fitting than in the original and is a true improvement on it. 6/10

The final issue I have with this album is this, and it involves some statistics. This is a 12-song album. That isn’t strange. But here are some numbers for you:

Ruby Songs: 0 Weiss Songs: 2 Blake Songs: 1 (2 if you count Smile) Yang Songs: 4 Remixes: 3 Scores(?): 2

Just to put that in front of you. Remixes comprise 1/4th of the album, glorified scores are 1/6th, and Yang received 4 whole slots (one-third of the album!) while Ruby, the protagonist, got absolutely none. Nothing in this album is about just Ruby, and I think she kind of deserves that. I mean she did nothing this volume so whatever, but we didn’t even get Glorious Score Track Of Jaune Healing Weiss so that’s super strange. They didn’t even shaft her in lieu of anyone, she was just left out.

#rwde

[aprilskyforever]

Henny ranks Eurovision 2018 (fifth and final edition, after the contest)

I still can’t believe it happened, that I actually was there. In the arena. I saw 34 of the 43 acts live, from one distance or another. 10 of them from both. Let me tell you this first: Gabe told me before the trip that all acts would be better live, and he was right. Live, even Russia and San Marino were good. But in this final ranking, I’ve taken all aspects in concern: studio before the show, preparties, sound and show live in the arena, sound and show on tv. And for some, it differs a lot between the factors. But i’ll get to that in the comments for each individual song. Now, let’s go!

1 Italy. My winner since the beginning, and it remained that way. I just feel too strongly for these two men and their song to let them be passed by someone else. I can’t do that. Even if Cyprus beats them in staging. Non Mi Avete Fatto Niente never fails to make me Feel stuff, it hits me right in my heart, and Ermal’s voice is like honey and a magnificent contrast to Fabrizio’s raspy tune. 2 Cyprus (+3). When the song was released I didn’t fully believe in it, due to the heavy autotune on the studio version. But I always thought, if Eleni can pull this off live, this can be really dangerous. She never got to prove her talent until the actual broadcast, and I don’t gamble, but after semi 1 I would have placed my bets on her. Flawless staging (my only complaint is that it was tad bit too much choreography in the first verse), Sacha proves once again what a pro she is. And Eleni, what a queen she is! Completely owning the stage. I stand in awe. 3 Czech Republic. I’m forever impressed by and soft for this man. Brilliant staging - when he did the jumps and flips in the end I completely lost it, I was blown away. Very slick staging and performance, and the song always makes me want to dance. Please, Czech TV, tell me that this wasn’t a once in a lifetime thing! 4 Ukraine (-2). Now, I’ll be honest. Albeit a cool staging, the song doesn’t quite hit me live as it does in studio. It might be that I don’t like Mélovin’s styling, that there’s too much going on on stage, that the bass isn’t as heave as it should be... who knows. I love him and I love the song, but there was just Something missing.   5 Sweden (-1). My man! You made me be proud of my country again! It’s funny, because I’ve never really liked Benji before, even if I’ve known about him since... well 2006? But there’s something about the song, his voice and moves, and the neon bed that makes me soften. Being so far behind in televote was rather painful, I must admit that. 6 Germany (+5). This made me tear up when I saw it in the arena. I haven’t lost my father or anything, but this was simply beautiful and Michael filled it with so much emotion, it was so impressive and it hit me right in the heart on an Italy level. It really deserved its high placing. 7 Israel (+8). She really knew how to get the party started. I’ll be honest and say it’s really not my favourite song and I’ve grown rather tired of it, but it will forever be associated with the moment on Praca do Commercio when Gabe realized it had won, the happiness on his face. And the singing along, how we waved the flag, how we danced, how everyone was looking at us. In that moment, I absolutely loved it.  8 Austria. One of the best songs of the year, without a doubt. In one way I understand why it did so well with the juries, it really is that kind of song, however, live, it didn’t really feel that... exciting? Tickling? In a way that a winner does. Doesn’t really hits your most inner core you know? 9 Denmark (+3). This song climbing is all thanks to the audience, to be honest. They made this song grow. All aboard the viking ship! Or as we say up here, alle man ombord! 10 Finland (-4). Still also one of my favourites this year in terms of song only, the Debs are one brilliant duo. Staging was cool, although it was sort of missing a red thread? It felt a little messy? But I still loved it. 11 Moldova (-2). Oh Julija, I’m so sorry to not fit them into the top 10! I promise I still love them, I love the staging, and I’m weak for the song. Only thing throwing me off is the mixing live, the levels don’t feel just right. 12 Norway (+4). This was the first song I heard live and I’m still weak for it. Really a great party starter. Rybak may not be very helpful with song writing tips, but he sure knows how to deliver a performance and how to charm an audience. 13 Switzerland (-6). Oh my darlings, my darlings I’m so sorry... I really wished I could have seen this in the final. I’ll forever be weak for Coco. 14 Hungary (+7). This year’s big grower! If I’m not mistaken, it started out as my dead last because heavy metal isn’t my genre at all. But then I actually gave the song a chance. And in the arena, good lord help me how good it was. On TV, not as much, but this was absolutely one of the coolest acts to see live. 15 Albania (+2). I adore him, I adore the staging for this, I adore the intro of the song. It sounds so promising and always puts me in a good mood, makes me anticipate something. The only bad thing is the chorus, that thing I’m anticipating, it never really comes you know? But he’s Turt’s favourite and meeting him will forever have a place in my heart. 16 Ireland (+4). I’m forever grateful to whoever came up with the idea to make the music video come alive on stage. It fits so perfectly and lifts the song to sky high levels.   17 Bulgaria (-3). It’s Solid. That’s what I’ve always said. Sounds like Skeletons, but where Skeletons is wandering in an eerie forest with a slight feeling of anxiety, yet anticipation, Bones is being more sure of what’s going on, it’s walking with a steady pace on a wide path, not being afraid of what the eerie forest hides.  18 Australia. Oh, she always makes me so happy, and so does the song. But the chorus still sounds like a bridge, and the dancing felt... not really right, I felt she was too alone on stage. Live, however, this was absolutely stunning. 19 France (-9). This is a sleek song, I do like the sound of it, but by now it has honestly become a bit boring. And I’m sorry. 20 Slovenia (+9). Her charisma, choreography and staging really made up for the underwhelming beat in the chorus that had always put me off before. Now, I didn’t mind it. Also a really good live song. 21 Portugal (-8). Everytime I hear this song, I still wait for it to take off fo real, and it never does. It’s so beautiful, it keeps growing, but it never blooms into the full garden that I expect. And that’s a shame. 22 Latvia (+2). Where Croatia did it wrong, Latvia did it right, in a way. Good angles, good song, she made it work by being alone on stage. Maybe she was a bit too stiff and choreographed though. 23 Belarus (-4). You know, I don’t mind the rose, nor do I mind the song at all. His whole performance was alright, but somewhere I understand why I didn’t qualify.  24 Montenegro (+2). Oh this sweet man! The gift that keeps on giving. He deserved better. 25 Netherlands (+15). This song is such a water divider for me. I’ve grown tired of it and him, but then when I heard it live and saw him on TV it actually wasn’t that bad? It’s like I couldn’t resist it?  26 Greece (-1). This is the best Greece has sent since... 2014. Yeah. But the semi was too strong and I’m honestly happy it stayed where it did. However I’m not happy with the fact that This Is Love qualified last year, and this didn’t. But that’s just how it be sometimes. 27 Spain (+6). When 5000 Spanish fans sing along, you can’t resist it yourself. It’s rather sweet, to be honest. 28 Belgium (-1). Whoever staged and styled this number must be fired asap. Sennek looked like a ghost from a prison cell instead of the elvish and sophosticated lady I got to know in the video. Shame on such a beautiful song. 29 Lithuania (+1). Sure, it’s sweet, but it never hit me like it seemed to do to others.  30 Azerbaijan (-8). It felt... plastic. Detached. Without sincereness, if that’s even a word. But do you get what I mean? 31 Armenia. Beautiful, but it just did nothing for me. 32 Estonia. No, I don’t deny talent and I will recognize and admit the staging was stunning. But it dosen’t make up for the fact that I’ve never liked the song itself, and knowing the lyrics sound ridiculous to someone who speaks Italian, it just adds to it. 33 United Kingdom (+6). Also irresistable live! SuRie really is a very talented artist who deserves a much, much better song that Storm. 34 Poland (-11). I’ve always thought this was alright and it has always put me in a good mood, but after seeing it on TV I cringed a lot, Lukas vocals were far from where they should have been and so was his confidence. And Gromee himself? He felt very awkward. Like a dad who crashes his teenage girls birthday disco to dance along and embarrasses his daughter beyond limits. I shrug, in a bad way. 35 Serbia. This song is a bit all over the place and that really does put me off. Like it’s not... bad, but it doesn’t convince me. 36 Romania (-2). Solid, like Bulgaria, but far from as interesting. And what on earth was that staging?  37 Malta (+1). Cool staging, but I’ve never liked the song and I probably never will. 38 Georgia (-10). Sure it’s beautiful, but this song being in Eurovision just feels so... off? And the staging was so uninteresting. 39 Croatia (-3). Franka, darling, why did you have to be so attached to your mic stand? And being alone on stage? Bad choice. Didn’t help to make the song interesting like it should. 40 Iceland (+1). Oh my boy, my sweet sweet boy... you, like SuRie, really deserved a better song. Please come back with that ok? 41 San Marino (+2). So the song is horrible, but live this was actually kinda fun. Not to mention I love the robots with their signs. Amazing. 42 FYR Macedonia (-5). Man... Macedonia disappoints with staging and styling again. Can someone fire whoever is in charge already? My barbara dex winner by a mile, and I never liked the song to begin with either. 43 Russia (-1). You know, live it didn’t sound so bad. But on TV? Good lord help me. And lord help Yulia. Shame on Russian TV for treating her like this.

And there you have it! I had an absolute blast this season and it will, for very obvious reasons, always have a special place in my heart. Now set sail, and cross the Mediterranian, and we’ll see you again Israel!

#eurovision ranking #eurovision #esc #eurovision 2018 #aprilskyforever

[gemcatvinyl]

Album Review: RATBOY -SCUM

A REVIEW SO SOON AFTER THE ALBUM DROPPED? WOW!

We’re looking at the long awaited debut album from Jordan Cardy, AKA Ratboy. If you’ve been following Ratboy up to this point, you’ll know how long this album took to come out, with some of the singles from SCUM dropping as far back as April 2015!

I’ve been aware of Ratboy for a few years now, I remembering listening to the brilliantly British single Sign On some time ago, and ignorantly complaining about how the songs lyrics were a little hypocritical, considering Jordan was wearing a $300 Supreme Box Logo hoodie in the music video.

Anyway, fast forward to Kendrick Lamar releasing DAMN. and noticing Ratboy in the sample credits to the track LUST. I started to read about their upcoming album, and looked into the yet to be fully released Ratboy clothing line (also called SCUM)

After a little more reading, and seeing the fantastic album cover for SCUM, I gave it a listen.

And I’m really glad I did.

I decided I’d put my thoughts on the interludes separate to the actual tracks, as so it feels a little more concise, and you can skip the stuff on the interludes if you only want my thoughts on the music!!

THE TRACKLIST

WELCOME TO MY WORLD is our introduction to SCUM, a short intro track. The open to this track is legitimately one of my favourite instrumentals of the entire album, it has such a great woozy feeling that really brings you into the album. It then goes into a radio show clip, present on nearly all the interludes, delivered by “Stevie” the presenter for the ever failing “SCUM RADIO” .The fake radio station clips, similar to the ones that appeared on Tyler, the creator’s last two albums Cherry Bomb and Flower Boy, add a lot of humour to the album, as well as tie it together pretty decently.

TURN AROUND M8 is a great energetic opener to the album. The instrumental has a clear Brit-pop influence, the chorus akin to a Blur track. The echo distorted voice samples adds a DIY quirk to the song, as well add to the already dense sample heavy instrumental. I especially like the piano line near the tail of the track. Ratboy’s vocals on this track are delivered with a load of confidence and control, and introduces us well to his quickly recognisable singing voice. A perfect intro to the album.

The shouty intro to REVOLUTION is perhaps at first grating, but it soon becomes brilliantly catchy. The first track of many with a political angle, the lyrics are some of best, and the noisy high energy instrumental fits it well. I especially like the use of the electric organ towards the middle of the track, as well as the weird fairground-esque alarm sample, someone tell me where this is from! Ratboy has a great knack for making a wall of sound effects really engaging, catchy and danceable!

LAIDBACK is our first track that is less angry and loud, and is instead more like a pop punk ballad. Another incredibly catchy song, that is a definite ear worm. with the lyrics, this is one of the more sincere and mature sounding songs on the album. the instrumental is much more simple, driven by live guitar and drums. This song is a lot of fun to listen to, and has the potential to be a much deserving summer hit!

ILL BE WAITING is another more chilled out song, with a clear Brit-pop influence, note the horn lead on the instrumental. Are we sure this isn’t a cover of a lost Blur song? If it is, it’s as good as Blur ever were. My main criticism of this track is how corny the lyrics are. “I changed my number, but i can change it back” is a pretty naff line, honestly. The hopeful feel to the instrumental keeps the track engaging, and makes it another solid track.

MOVE is a return to that brilliant aggression. Its fast pace and booming, disorienting, sample heavy instrumental makes it one the most engaging tracks here. the vocal delivery puts me in mind of The Beastie Boys, with that weird combo of punk and classic hip hop, and I’m sure thats intentional, Jordan is a big fan. The “oh oh oh” choir near the tail end of the track is super reminiscent of Blur’s Girls and Boys, and The end to this track is really satisfying, with a familiar combo of record scratches and string samples. Another standout track.

BOILING POINT Is the loudest track so far, with its heavy guitar and drum clattering. This is the standout political track, with the best lyrics of that type. They are blunt and direct, which flows well against the instrumental. The “OH YEAHHH” sample gives the song a revolutionary feel, you can imagine this in the middle of a protest. The chorus is great, “We all had dreams, When we were young, But now we’re loaded, Just like a gun” and in my opinion the best verse of the album so far, “The world is near boiling point, Seeing Theresa May who we didn’t appoint, Living for the sound of silent missiles, That within one second can reach fifteen miles, Something’s wrong, can’t you see? How can you let people on the street freeze? This is our so-called democracy”

FAKE ID is one of the tracks on the album that we’ve heard various versions of since 2015, and has a DIY feel to it that would make sense as a result. The instrumental has live punk rawness to it. The lyrics tell the story of getting mugged walking home after Ratboy has had his Fake ID declined. The song has a very english feel to it, with references to JD sports, PE (as any UK student will know one of the worst parts of secondary school) and broken fags 🚬. I’m a big fan of the chorus “He said “hand over the money, this ain’t funny. What’s this, are you taking the piss? Where’s your iPhone 6, I ain’t stealing this shit. Come here, bitch” Not the best track here, but still a great song.

GET OVER IT feels like one of the best produced songs, you can tell a lot time and effort went into it. The instrumental is almost solely made of simple drum sample alongside a woozy, summery vocal sample. Its one of the tracks that stands out as unique in the context of the whole album because of this. Ratboy sings through a variety of different filters, is especially like the delivery of “PUT YA FUCKIN HANDS IN THE AIR!” through radio distortion. One of my favourite tracks of the album.

KNOCK KNOCK KNOCK Is another older track reworked for the album, and has a dizzyingly loud feel to it, with the heavy breakbeat and loud electric guitar. This track is super high energy and raw. LUST ,the Kendrick Lamar track, includes a heavily pitched sample from this song, something which to me makes a lot of sense with the similar angry rawness of DAMN.

SPORTSWEAR is my least favourite song on SCUM. Sorry.The vocal delivery here is some of the weakest in my opinion, the cracked delivery at the start of the chorus is just annoying, and the echo on the majority of the vocals is unnecessary. The lyrics themselves are the best feature of the track, they’re more introspective in content and tone. The instrumental is the wall of sound concept done poorly too. This track is just so weak when its heard alongside so many great tracks.

LEFT 4 DEAD has grown on me a lot. I especially like the slot machine jackpot sample, and the Thames Tv jingle at the start. The instrumental is mainly live instrument driven, and has a great high energy. The delivery of the chorus is very awkward, which I can’t work out if it love or hate, the lyric itself however, “Well, hold on. I’ve got the right amount of money you said you need, Well, I’ve just got to nip up the Co-Op, it’s just down the road, I think they’ve got a working cash machine” is pretty hilarious. Considering this was my least favourite at first, I now really like it.

SIGN ON is I think the oldest Ratboy track on SCUM. Lyrically this is the most British Thing ever. Wetherspoons? Signing on? Scratchcards? very British. The instrumental makes this the most straightforward and rock driven track. Though it’s not of my personal favourites, I love how sincere it feels, like it was recorded in some kids garage late at night. Nice.

EVERYDAY is another Brit-pop heavy fun track, with bittersweet lyrics about working hard, only to stay poor. It has a fun reckless teenager vibe to it, with another fun instrumental. That Jeremy Kyle line is fantastic. Unfortunately this track falls into the background for me against others, though this is one of Ratboy’s best vocal performances.

SCUM ,Our title track, is another heavy high energy rock track, with a busy instrumental. This is the most Jamie T style track, though Ratboy does have a somewhat similar vocal inflection (I prefer Ratboy). A pretty conventional track, tough this doesn’t mean it isn’t great! It feels like the true closer to the album, though there is two tracks to go.

SAD SAD (feat. Mallory Merk) The only feature on the album, this track is a weird change of pace near the end, a smooth RnB tinged ballad, with vocals from Mallory Merk that give the song A Rex Orange County or Flower Boy vibe. This is another standout vocal performance from Ratboy. The clattering samples at the tracks end is especially weird, though it somehow works well.

KICKED OUTTA SCHOOL is our closing track, another track in a similar vein to SCUM ,is high energy and fun, and includes a great Beastie Boys -esque incorporation of a very familiar sample. The “thank you and goodnight” lines at the end are also very funny.

THE HIDDEN TRACK is a short song appears hidden at the end of the closing track. the distorted guitar is reminiscent again to Flower boy or Slow Hollows. This is weirdly pretty and subtle way to completely finish the album.

THE INTERLUDES

STEVIES FIRST WIFE - One of more cheesy interludes, this radio intro to LAIDBACK is kinda funny, but it’s still a little corny and annoying.

BIG FUCKA BURGERS - Definitely, the best and funniest interlude, BIG FUCKA BURGERS is a super crude and aggressive fast food advert. I especially love the ending. “OF COURSE I WANT THE FUCKING NINJA TOY I HOPE MY KID CHOKES ON IT!!!!”

BREAKING NEWZ - A Radio news bulletin from Stevie, this interlude only makes sense if you’ve seen the music video for the song GET OVER IT, which I recommend you check out!

TRUMPTOWERS - It’s obligatory Trump reference time! This instrumental does a good job of incorporating it. It’s to the point, VERY funny and brief.

SHADOWZ - A great woozy musical interlude, with an instrumental I’m a big fan of. 

SIRENZ - Another Radio ident, introducing the track SCUM. Nothing too interesting about this one, but I do like that random horn freakout.

POST SCUM - One of the funnier interludes, a dig at those inevitable disgusted christian mothers who think swear words and loud music will turn their children evil.

END OF THE ROAD - A hilarious closing interlude, where SCUM radio is shut down and Stevie is arrested. Stevie’s dialogue is its funniest here.

In Conclusion, SCUM exceeded my expectations in every way. It’s a fun, engaging, noisy, exciting and funny album full of charm and sincerity. Ratboy has proved himself to be not just a serious musician worth your time, but one the best new artists to hit the mainstream.

SCUM is one of my favourite albums of 2017. I give it an 8/10

FAVOURITE TRACKS - TURN AROUND M8, SAD SAD, MOVE, LAIDBACK, REVOLUTION, GET OVER IT

LEAST FAVOURITE TRACKS - SPORTSWEAR, 

#rat boy #scum #kendrick lamar #damn #Damon Albarn #blur #beastie boys #gorillaz #album review #album recommendation #ratboy

[kpoprambles00-blog]

TWICE (트와이스) - FANCY YOU (7th Mini Album) [COMEBACK REVIEW]

With K-Pop, I never really listen to full albums outside of the ones my bias groups release (as horrible as that sounds). But every now and again, I'll listen to an album because I'm curious, or I love the title track a lot... or because I know it's going to be everywhere, and I want to know what all the undeniable hype is going to be about. Sometimes that hype is going to be unfounded, but going into TWICE's comeback with "Fancy", I was 100% ready to give this album a chance.

TWICE's title tracks have had a shaky history in terms of my opinions on them. To me, they've had some absolutely phenomenal songs - see "Knock Knock" and "Like OOH-AHH" - and others which are... some of my least favourite K-Pop songs. Looking at you, "Cheer Up" and "Dance The Night Away". (Remember, THAT'S JUST MY OPINION. I know those songs are loved but ooooh man I can't listen to them without cringing.) But with all the rumours swirling about "Fancy" being a pivot in concept for TWICE, I couldn't help but think that this album might just be worth my time.

And after a solid two and half to three weeks of listening to it and forming my opinions (because I need SOMETHING to do during finals study)... yeah, wow, it really was worth my time. This album surprised me in a lot, and I mean a lot of ways. I had no clue what to expect going in, but I was very pleasantly surprised on the other side of it all. Vagueness aside, let's actually take a look at what I mean and break down TWICE's "Fancy You"!

1. FANCY [TITLE]

[I couldn’t include more than 5 videos because of the limit, so I had to exclude this one! Here’s the MV link though: https://www.youtube.com/watch?v=kOHB85vDuow]

Right off the bat, we have the title track, "Fancy". I won't deny that I was nervous whilst listening to this for the first time, but... man, THIS is how you do a concept change in my eyes. It's by no means a huge shift from TWICE's previous material, but it's got enough distinctiveness to really make it stand out. It's almost like an evolution of "YES or YES" - which I loved, for the record - but with a slightly more mature pop sound. And I LOVE IT.

A lot of the girls are predominantly singing in their lower/middle range here, which... they really need to do more, because they all sound phenomenal. It also makes the higher-pitched chorus hit a lot harder. Aside from the girls' performances, the instrumental is a goddamn treat. The synths are predominant but not overwhelming, the subtle melodies in the background add so much to the main vocal line, and it's got this undeniable sense of boppiness to it that you can't quite ignore. It starts off relatively simple, and then builds upon itself to turn into a monster of a pop song by the end of its runtime. I have absolutely no idea how Black Eyed Pilseung went from making "Cheer Up" to... this. But I am very fucking okay with it. I feel like sophisticated is a good word to describe "Fancy"; it's a goddamn gorgeous song with a really good sense of bounce and progression.

So not only have we got a slight change in sound for TWICE in the song itself, but the lyrics honestly back up this concept shift as well! Instead of falling into the typical bubblegum pop trap of "oppa I love you, please love me back," the girls are much more forward with their romantic advances. They make the guy come to them this time. And yeah, you could say that's been run into the ground with girl crush concepts at this point, but "Fancy" isn't quite girl crush to me. It's more of a mature pop song, and those confident lyrics give it a great lift overall.

It's dangerous, it pricks, you're like a rose It's okay, I'm not afraid any more Hold it harder, take my hand It'll be a little dangerous, even more dangerous

Great song? Check. Somewhat interesting lyrics? Check.

My new favourite choreography TWICE have done? DOUBLE FUCKING CHECK.

Hoooooooooooly wow this routine is incredible. I learned it the day this dance practice video was released. That's saying something, since I very rarely learn K-Pop routines anymore. And yes, it is as hard as it looks. But it just confirms how goddamn hard TWICE have been working recently when it comes to their choreography.

I'm not gonna deny that "YES or YES" had a fantastic routine, but this... this had me shocked when I watched it for the first time. Just like the song, there is so much goddamn fluidity and style in this routine that it's kinda mind-blowing. Every single little section flows into the next perfectly, and there are so many little details that it's dizzying to try and keep up sometimes. There's so many levels and dynamics at any given time, and just when you feel like you might get a bit bored, the positions and timing of the girls' moves are often switched up to keep your attention. They also, for the record, don't repeat that much of the routine in the later parts of the song (bar the choruses, obviously) which is a BALLSY move. It's a trap many fantastic routines can often fall into, and to think that they didn't take the easy way out here earns a big fucking gold star in my book. Basically, THIS ROUTINE IS FUCKING GORGEOUS. I like it as much as, say, IZ*ONE's "La Vie En Rose". And I think we all remember how much I gushed over that...

To put it briefly, TWICE knocked it out of the goddamn park with "Fancy". Even though I was skeptic of the concept change rumours, they ended up delivering with just about every aspect of this comeback. And I couldn't be any happier. If they keep this up in the future then I may just have to start reviewing their albums more consistently. Speaking of which... I still have the rest of the album to look at, so let's start that, shall we?

2. STUCK IN MY HEAD

The one thing I'd heard about this song in advance of listening to it was this: if you want girl crush TWICE, this would give you your fill. And straight away, I'd say: yes. That is absolutely the case here. Whereas "Fancy" was more of a mature pop song, "Stuck In My Head" is full-on bombastic girl crush. And I really do admire it for that; it's a great change of pace for TWICE, and certainly something I'd love to be able to get used to. But I do have a few problems with this song - one of them being quite a big problem - that stops it from being amazing in my eyes.

Before that though, I may as well focus on what I like about it: the instrumental is full of power and emphasis, with plenty of strong brass elements and even some snare drums in the pre-choruses to add a bit of extra power. The speedy melody in the verses only serves to add to that power, too. And, for the most part, so do the girls' vocals; Nayeon in particular KILLS IT here. She is super comfortable in this range, apparently, because goddamn she sounds phenomenal. Momo actually sounds pretty damn great too, I didn't know she could have so much power behind her vocals!

But, as I mentioned, I do have one or two problems with this song. Admittedly, while I do feel like some of the girls are in their element here - like Nayeon, Jihyo and Momo, even Jeongyeon in some places - a few others feel... slightly out of place. For example, Dahyun's vocals in the verses don't have that much power, which is by no means her fault. Powerful just isn't her style - it's completely understandable. She's much better at giving a calmer, breathier vocal delivery like Mina does. It's more of where her lines are placed that bothers me than her actual vocals.

But then there's those falsetto lines in the choruses, and the fact that the high notes and adlibs feel very isolated and scattered... and Jeongyeon. I have SUCH a love/hate relationship with Jeongyeon in this song. Well, not even a love/hate relationship, more of a love/disappointment relationship. Her lines in the second verse and her adlib towards the end are fucking outstanding, but then she doesn't reach those same heights with her chorus lines later on. I understand that maybe those lines are structured in a way that makes it harder for her to belt them, but... it would've added a lot to the song if she did. I'm all for her looking after her voice and not completely ruining it, that's what any good vocalist would do. It's just... she has the potential to be a standout here, and I feel it goes to waste sometimes. She's a fantastic performer overall, and I really wish I didn't have to say this, but I'm just being honest. :(

All of is combined with the instrumental of the song, which is probably my biggest problem. It's got a hell of a lot of power, sure, but it doesn't go anywhere with that power. It never changes itself up, or develops - not in a way that feels impactful, at least. Yes, the beat switchup during Chaeyoung's rap is quite cool, but it honestly ends up taking away a lot of the momentum rather than adding onto it. When you've got so much impact in a song like this, and then proceed to do nothing with it, that's a huge disappointment in my eyes. It ends up feeling repetitious and under-cooked, which is a goddamn shame. If it had just a bit more love and experimentation put into it on the production side of things, it could have been serious title track potential. But as much as I hate to admit it, it's a very, VERY uneven song. It's definitely something the producers can work on in the future.

D'you what they don't need to work on though? The lyrics. Cause yeah, they're about as girl crush as you can get, and I eat that shit for breakfast. "Fancy" was confident, yes, but "Stuck In My Head" is THAT bitch. Honestly, I'd love to see TWICE have lyrics like this for a title track of theirs. They're teasing and quite playful, whilst being very powerful and confident at the same time. Basically, I love them a lot and I really want them to take this angle with one of their title tracks please and thank you.

This game of hide-and-seek that doesn't let you breathe Our relationship pushes and pulls I wonder who'll be laughing when this tension ends

Yyyyyeah, I ended up being very mixed about this song as a whole. I can still enjoy it on a superficial level, and it's certainly a lot of fun. I just... need to not think about it too much, because when I do, that's when the problems start arising. Overall, it's a great attempt at a girl crush song, and definitely something I'd love to see TWICE develop on in the future.

3. GIRLS LIKE US

Welp, I certainly never expected a Charli XCX song to end up in TWICE's lap. And yes, for those of you who aren't aware, this was a song Charli originally created alongside MNEK called "Tough Love" - which, for the record, both of them are phenomenal artists with a HELL of a lot of talent. (Seriously, have you heard some of Charli's mixtapes????) But the song was never really finished, and it was leaked online earlier this year. I'm not going to give a link to it because of copyright, but go look it up yourself if you're curious. It IS out there.

But somehow, it ended up being sold to TWICE, and now we're here! And overall, "Girls Like Us" is pretty good. It's got a very whimsical and upbeat vibe to it in places, with some nice quirky piano lines and whistle melodies here and there. It's also got some downright anthemic choruses, and I certainly wasn't expecting them to explode as much as they did. It's goddamn gorgeous to listen to, if you ask me. The verses are minimal for a reason, and it woooooooorks.

It actually reminds me a lot of Red Velvet's "Happiness", in a way? It's got a very uplifting vibe to it, and it overall feels very dreamy and positive. Which, that's not something Charli's really known for, so it definitely surprised me! I was nonetheless very happy to hear TWICE put their own spin on it, and it ended up coming out pretty damn well.

But you know what I hate about this song? THE ENDING. That's how they decided to end it? With the most anticlimactic thing you could possibly do with a song like this??? Come ooooon, JYP producers. You had a great opportunity to take that heavy drum line and turn it into something special, and you wasted it. You left it to sputter out and feel as pointless as it could, causing the ending to feel abortive and very unfinished in general. I AM DISAPPOINTED.

[gif source]

Aside from that though, the lyrics certainly prove my point about the Red Velvet comparison. This is one of those cheesy yet uplifting and motivating songs that you can't help but grin like an idiot at. Yeah, the lyrics are pretty dumb, but they're fun. That's never a bad thing in my eyes!

The truth is, it's not a big deal You are not alone, everyone's been on this path before You'll find happiness one day on this road

In the end, "Girls Like Us" is a pretty dreamy song with a shitty ending. I don't really know what else I can say about it; it's pretty simple in a lot of ways, but sometimes you need a track like that to just enjoy in the middle of an album. Yeah, people will probably say it's filler, but if that's the case, then it's definitely a very fun example of filler. 😊

4. HOT

If you ask me, "Hot" is where this album finds its pace and really starts to just... have fun with it. "Hot" is actually an upbeat party song that REALLY surprised me upon my first listen. I didn't quite know what to expect going into it, sure, but if you told me it was going to be as quirky and funky as this, I... don't know if I would've believed you. But yeah, here we are!

"Hot" grabs your attention from the get-go with some really interesting vocal samples, and a very futuristic instrumental - almost reminiscent of deep house in some places thanks to those bouncy synths. But then, when the choruses hit, it adds some really nice snare touches, as well as a brass line that single-handedly makes the entire song SO much better. It gives it that extra energy that it probably would've lacked otherwise, and it definitely made me smile. This entire song just has so much goddamn energy, it's infectious! And hey, the ending actually works, which is a nice thing given that we just had "Girls Like Us". 😖

I feel like the girls themselves are actually enjoying themselves here, too - their vocal delivery is very colourful and varied, with just the right amount of sass and restraint where it's needed. That carries over into the lyrics, too, which are - once again - surprisingly confident and charismatic. It adds to the energy and vibe the song's got going for it - and when it's as fun as this, that is very much welcome. And sure, they're a little bit repetitive here and there, and they don't make much sense in places - although I think that's because the only place I could find a translation for this song was Genius, of all places - but hey, this song isn't really meant to be super deep! It's an empowerment anthem mixed with a party song, and shallow lyrics for this suffice perfectly for what it wants to do.

I don't have any ordinary clothes I'm perfect to my feet, I'll always be attracted to it You've already fallen for me

I don't really have much else I can say about "Hot"; you kinda just have to listen to it for yourself to really enjoy it. If you've never heard it before, I'd definitely recommend it! It's good if you need an energy boost, that's for sure. But... while I like it a lot, there is admittedly a better party song on this album. One with just as much energy - if not more - and a HELL of a lot of groove...

5. TURN IT UP

Yeah. It's this. I'll give "Hot" credit, it's fun and bouncy, but it's not on the level of "Turn It Up". Now THIS is a fucking party song.

The instrumental in this song is AWESOME. Not only have you got those bouncy elements we heard previously, mainly thanks to a great drum line and a nice synth line to match, but the groove. This song has SUCH a good bassline to it, and it's just topped off by some even funkier electric guitars here and there, as well as some thinner synths towards the end. Admittedly, that acoustic guitar intro with Sana's vocals is fucking awful and I don't know why they even included it (THE GUITAR ISN'T EVEN IN TUNE WITH THE REST OF THE SONG FFS), but the rest of the song is fantastic on its own. Just... ignore the intro. Forget it exists. Because there's a really damn good song to be found here if you do.

TWICE themselves actually nail it here, too, with some great vocals that really supplement this song's energy - I mean, do you HEAR how much fun they're having here? I feel like I can hear Jihyo smiling into the mic as she sings, and I love it! And hey, we have Momo rapping for a brief second, what else could you ask for? But overall, I feel like it eloquently provides a solution to the problem "Stuck In My Head" ran into, where some of the girls sound like they're not entirely comfortable - the instrumental ebbs and flows to support the members with the quieter vocals AS WELL AS the more powerful members. It works super well, and it means members like Tzuyu and Dahyun don't feel out of place. Speaking of which, Dahyun and Chaeyoung's rap is a goddamn highlight here - I haven't liked one of their raps this much since "Likey". THEY KILL IT.

Surprisingly, the lyrics indicate this is more of a love song than a party song? Which, that was a strange surprise to me. But while it is a love song, it's a very carefree and light one, with an electric sense of energy behind it. They never feel overbearing or annoying, and end up coming off as really natural and likable. They're honestly pretty good!

Here at night, full of starlight, Imma turn it up Towards the night sky in the dark, Imma turn it up We'll never lose our vibe

I think it's safe to say that "Turn It Up" left me very damn impressed, considering I wasn't expecting it to be anything special. It's the sort of song I've been waking up with stuck in my head in the morning (ironically enough), and that kinda shows how much sticking power it's got. It's memorable, upbeat, and reminds me an awful lot of Girls' Generation's "All Night" - it's just goddamn funky fun. I'd KILL to have a song like this be one of TWICE's title tracks going forward, 'cause I'd be there from minute one.

6. STRAWBERRY

Funnily enough, this is... probably my favourite song on the album. Yeah. Even though I liked "Turn It Up" a hell of a lot, "Strawberry" is the song I've found myself completely obsessed with. It's very subtle in a lot of ways, but I think that ends up working very much in its favour.

"Strawberry" is by a mile the slowest song on this album; the decision to end the album on a more chill song like this one was a great idea, in my opinion. And hey, like I said, it's probably my favourite song here - I love that distorted synth sample in the background and the melodic foundation it provides; I love the acoustic guitar sections in the choruses and the hint of authenticity it adds; I love how the girls' vocals are more hushed and a little bit more sultry than what we're used to hearing from them; there are so many elements of "Strawberry" that I could gush over for hours if I could. Hell, I'd say it's the most well-developed song on the album. It really does feel like its full potential is realised, and that makes me INCREDIBLY happy.

And yeah, when you look at the lyrics here, they're certainly more on the cutesy side than anything else on this album. But it's not an overbearing type of cuteness; it's very chill, relaxed and subdued, much like the song itself. They appreciate a few of the smaller details about the person they're crushing on, which matches the song's tone perfectly. It's such a goddamn pleasant song to listen to, and hey, even if I don't understand the lyrics without reading their meaning most of the time, they still feel refreshing regardless.

I don't want anyone to steal you, so I secretly hide you - it's all mine So what if I'm being greedy? I'm the one who likes you more

Not gonna lie, this song gave me very big and very immediate f(x) vibes. And that's a fantastic thing in my eyes - I AM a MeU, after all, but I didn't expect TWICE to pull it off quite so well. And to be honest, I think they do it just as well as f(x) do! These are the kind of cute songs I really like, where they're not overly in-your-face about their cuteness; they're just comfortable with being cute and putting their own spin on it at the same time. "Strawberry" is a fantastic song, and one I've found myself listening to an unhealthy amount at this point. Seriously. It's become one of the most played songs on my phone. Send help.

But hey, that's the entire album! And if "Fancy You" is anything to go by, I'll definitely be listening to more of TWICE's albums in the future - this ended up having some very pleasant surprises for me. This has been one of my favourite eras for TWICE overall, and this album just cements it to be honest. I can't wait to see where they go from here!

•••••

ALL SOURCES FOR THE ENGLISH LYRICS I USED IN THIS REVIEW: Fancy Stuck In My Head Girls Like Us Hot Turn It Up Strawberry

COVER IMAGE CREDITS: Holographic backgrounds by FreePik TWICE PNGs by beapanda on deviantArt

#TWICE #트와이스 #FANCY #FANCY YOU #comeback review

[wonderfulworldofmichaelford]

Michael After Midnight: Guardians of the Galaxy

So as you may well know, I loved Guardians of the Galaxy Vol. 2. I can safely say it’s my favorite movie ever made… or one of them, anyway. While I do think it is marginally better, there is a marginally there, and I gotta be honest, I still love part one just as much in its own way. Guardians of the Galaxy is one of the coolest, freshest, and most out-there superhero comic book movies of the past decade, and a stylish change of pace for the sometimes very formulaic MCU.

But who could have guessed that? The MCU was known for taking the less famous heroes in its roster (Since they didn’t have Spider-Man, the X-Men, or the Fantastic Four to work with) and turn them into juggernaut blockbusters, but did anyone really guess that they could take a bunch of characters as obscure as the Guardians and make a quality film with them? And that’s not the only reason this movie was a gamble; this movie was almost totally detached from the rest of the MCU and its overarching plot, with the appearances of Thanos and the Collector (both of whom only appear in a single scene, though the Collector also pops up in a post-credits stinger) being the only connection to other movies, and even then, both characters were relegated to stingers to foreshadow future movies anyway! And then you have to throw in the fact that the movie is directed and written by a guy who directed cult movies and the horrendous Movie 43, the fact that one character is a talking tree, the fact another character is a talking raccoon who uses guns, and the fact the MCU is locked out of using characters like the Skrulls, Galactus, and the Silver Surfer… you can kinda see why this was a risky move on their part.

But oh boy, did it ever pay off. Rave reviews, audience love, and people hyped for more… it’s safe to say that Guardians is one of the best films in the entire MCU, and it really set itself up as a nearly impossible act to follow, which is all the more impressive seeing as it came after Captain America: The Winter Soldier, ANOTHER very tough act to follow. So, now that we have all this context, why are Peter Quill and his rambling gang of space jerks so endearing and enjoyable? Well, here’s the story:

Peter Quill was a young Earth boy taken in by the alien Yondu and his band of Ravagers on the eve of his mother’s death by brain tumor. Decades later, Peter is all grown up and calling himself Star-Lord, and is now about space pirating. Unfortunately for him, the latest trinket he stole (and left Yondu out of the loop on) is something that the Mad Titan himself, Thanos, is looking for. Thanos sends his daughter Gamora out to retrieve it, and at the same time, bounty hunters Rocket and Groot decide to take Quill in for the price on his head. All of them fight and end up in prison, where they meet Drax the Destroyer, a man who desires vengeance against Ronan the Accuser, a fanatical Kree renegade who serves Thanos. These unlikely allies decide to team up to escape the prison they’re trapped in and head off to sell the object for massive amounts of cash; however, Ronan is hot on their tails, desiring the object for himself. Can these knuckleheads stop bickering long enough to make some big bucks, or is Ronan going to destroy them all?

The biggest selling point for this movie is how weird it is in comparison to the rest of the MCU. Due to its weird, cosmic nature, Guardians gets to throw in stuff you’d never see anywhere else. We have Rocket, the gun-toting raccoon; Groot, the talking tree man who can only say “I am Groot” and who acts as Rocket’s bodyguard and best pal; we have Drax, an alien who literally cannot grasp the concept of metaphors and jokes; and then we have weird cameos from Cosmo the Russian space dog and, most famously, Howard the Duck. The only reason it’s easy to swallow Howard being here is because he only appears in the stinger to a movie that has featured the aforementioned gun-toting raccoon seriously; he’s the perfect capstone to this awesomely strange film.

But hey, this film is more than just weird and wacky characters; it has a kickass soundtrack, too! “Hooked on a Feeling,” “Escape (The Pina Colada Song),” “Cherry Bomb,” “I Want You Back”… Peter’s mom had great taste, and gave it to her son in the gift of a treasured Walkman. The soundtrack is another big reason the film is great; from the moment that “Come and Get Your Love” by Redbone kicks up while Peter dances about the ruins he’s raiding during the opening credits, I could tell I would love the movie. It’s just a perfect summation of the movie as a whole: dark, intense dramatic moments followed up with goofy, fun, lighthearted moments.

Now, a comic book movie is only as good as its villain… so how are the villains in this movie? Well, there are actually quite a few antagonists here: Ronan the Accuser, Nebula, to a very small extent due to his minimal role Thanos, and in a not-evil-but-antagonistic role Yondu. Let’s start with the big bad, Ronan: Ronan is a villain I’m of two minds about. On the one hand, he definitely fits the “Generic Doomsday Villain” mold in a lot of ways, acting more like a roadblock for the characters to overcome than a truly complex antagonist. On the other hand… Lee Pace, his actor, throws himself into the role and elevates it above its genericness by being a truly incredible ham. Ronan’s every line of dialogue involves him chewing the scenery to the highest degree, which makes him a solid villain at the very least. What he lacks in being truly complex he makes up for in sheer hamminess, which is more than can be said of wasted villains like Malekith.

For the other antagonists and villains, Nebula is incredibly cool, but also pretty underused, really only getting one big fight scene at the movie’s end and kind of standing on the sidelines for most of the rest of the film. This is one thing the sequel definitely did better, which is also the case with Yondu, but for a different reason. As in the sequel, Yondu is absolutely fantastic and badass here, and Michael Rooker is clearly making the best of every second he appears, making him easily one of the best characters of the film… but the sequel gave him even more badass moments and even more character development. Still, Yondu was well-established by this film and is utilized quite well. As for Thanos, well, he gets but a single scene… but what a single scene it is. Josh Brolin gets to show off his skills playing the Mad Titan in all his glory, and he is everything he should be. He’s intimidating, he’s badass, and every line of his is just oozing with the capacity to be a bombastic ham of galactic proportions. This is his first impression, and my what an impression it is!

Guardians of the Galaxy is a modern comic book movie masterpiece. As the introduction/origin story, yes, there are some rough patches here and there, but for what it was trying to do and ultimately did, well, it’s really an incredible movie. And let’s be real: this probably opened the door for other movies that might not have been made otherwise. As an action-comedy superhero film, it paved the way for movies like Deadpool and ESPECIALLY Suicide Squad, which seems like this movie after a lobotomy. It’s a big step forward for comic book movies, for better and for worse.

Even if I like the sequel a bit better, I can’t help but stress it is just a bit. Like the sequel is at 100% and this movie is about 91%. They’re tied for my favorite movie ever, and I think to truly appreciate them they need to be watched one after the other, Kill Bill style. Needless to say I give this movie the utmost recommendation: if you like action-comedies, superhero movies, sci-fi, any of that, this is the movie for you.

Guardians of the Galaxy has manged to stay the freshest series in the MCU so far aside from Captain America; the Thor and Iron Man movies went downhill after their first installments (though the third Thor movie is looking good from the trailers), and Age of Ultron was a flawed but not irredeemable mess. Only time will tell, but it seems quite likely that so long as James Gunn has his way, the Guardians series will always be fantastic space action fun.

Infinitely rewatchable, infinitely quotable, and infinitely enjoyable… movies like this don’t come around often.

#Michael After Midnight #Review #Movie review #Guardians of the Galaxy #Marvel #MCU #Peter Quill #Thanos #sci-fi #action-comedy #Yondu #comic book movie

[convenience93]

Top 10 Favourite KPop Releases Jan - July 2017 Part 2

Now here’s my top 5 favourite KPop releases of January to July 2017. For No. 10 to no. 6, go here! 

Just a quick heads up, everything here is my own opinion, and is by no means factual. 

Well then, let’s go to the top 5!

5. Movie - BTOB

I think what I particularly enjoyed about this was how the individuality and role of each member of BTOB really stood out in this MV. They all took on roles suitable to their own personalities and characters, and the line distribution was also pretty good! I felt like everyone really shone in their own ways be it in their vocals, their quirkiness, their swag, their visuals, their acting skills etc. The song itself is a very old-school sound. It was as though you were sitting down and watching a marathon of old classic movies. Vocally, the boys always deliver too. The song itself is pretty different and unique from other recent popular KPop music offered by other boy groups, so it was nice change of pace and style. One of the members, Ilhoon, was the one in charge of being the one who composed the song, and it was a job well done indeed! I do think the song’s hook was a little weak though. But as always, they boys really made up for it with their strong and solid vocals and rap! That made the song really pleasant and entertaining even just to listen to!

4. Not Today - BTS

First of all, let’s talk about this music video’s cinematography. Love or hate BTS, the effects here are incredible, and this was just really filmed sooo well. Concept-wise I don’t think it was that original, but the boys and their slick dance moves and dance crew could make anyone gape in awe.  While I think out of all the BTS songs, this song does have the most punch and impact to it, if it wasn’t accompanied by the music video and dance choreography, I don’t think the song would have been as powerful. As a standalone, I do enjoy the song and think that is good. But I also think it does get slightly repetitive. While it has everything to be a catchy KPop hit, I wouldn’t really call the composition and arrangement anything out of the ordinary if that makes sense. Lyrics were decent though, and the message was good. The song fulfilled its purpose to be a song that would be a hit with audiences, but I actually find its visual aspects like the stunning MV and the dance choreography to be more striking and memorable than the song itself alone. That’s why this release just fell short of my top 3.

3. Yesterday - Block B

Top 3 was honestly a tough call for me. This music video was meant to have a comical feel to match the comical mood of the song, and it really delivered in that! But what I loved most about this release was the song itself. From the first second of this song until the end, I found myself completely hooked to this song. While songs like Movie and Not Today were really good enjoyable songs, when it comes to the hook, both wane completely to this song. The fun, upbeat tone of this bubblegum pop song could really make anyone smile. It’s such a feel-good song!! What a jam!!! Too bad, this song was really only released digitally, so it didn’t get as much media attention. Also, it wasn’t Block B’s leader, Zico, who composed this song. He did help out with it I think but the one who was the song’s composer this time Park Kyung, the guy who starts the song. And really hats off to him because it’s been a while since I’ve got a song stuck in my head like that after only 20 seconds into it haha.

2. GOOD NIGHT - Dreamcatcher

Dreamcatcher are actually fairly new to me, but the moment I listened to this song, I knew it was going to be one of my top jams. I thought this was very unique of them because while you can hear songs like this in Japan for anisongs, they are a lot rarer in Korea. I love the rock, badass style of the song and the intriguing MV to go with it! They also had another song before this called Chase Me, but I thought Good Night had a stronger hook, and it also came off more dramatically imo.  I love their gap too. Visually, they look like they could be a typical Korean girl group, but they are a lot more badass than that. It’s just everything about this works to accentuate the song itself from the song’s melody, arrangement, MV colour scheme, the girls’ expressions, and even just the way the instruments were utilised to create such a masterpiece. Tbh I actually think it’s even better than some of the anisongs out there. The production level of the song is just amazing. A dark, catchy song with powerful vocals and a kickass dance. Totally my kind of jam!

1. ANTI - ZICO feat. G. Soul

Hahah one creepy MV after another. But this time we have ZICO from Block B with a solo piece. Even this MV started kinda eerily like the Dreamcatcher MV lol. Ok real talk though, I just discovered this song recently, and I was mindblown. I don’t usually spazz and make a lot of noise about KPop lyrics because I never really find them that impressive, but once in a while, ZICO writes something and my jaw literally DROPS.

You can check out the lyrics to ANTI here: https://colorcodedlyrics.com/2017/07/zico-anti-feat-g-soul

Just looking at the lyrics, I was amazed at how real and raw the lyrics were. Everything he depicted and wrote in the song I’ve actually seen “fans/antis” like that...and it’s true how there are times fans to a certain extent as the customers treat artists/idols like “products” they expect to satisfy their needs and expectations rather than human beings. Even if they are trying their best to please their audience, these “fans” will always find something negative to bring the artist/idol down. It’s sad but it’s true. 

Some people may think of ZICO lyrics as just an angry rant to the world which I guess in some ways it is. But I also think it’s a really realistic portrayal of what they as celebrities in the showbiz have to go through, and how they sometimes have to suck it up if they want to survive. It’s so profound and something I feel myself being able to really connect to.

As for the song itself, the moment it starts with G. Soul’s vocals, my eyes widened. This is my first time listening to him, but his voice sounds so good in this; it’s like a perfect fit?! Then ZICO came up with his rap, and I’m not that knowledgeable about rap, but his sense of rhythm always is such a pleasure to listen to. Both this song’s melody and rhythm is just so dramatic and addictive - this was just such an amazing collab. I saw some people comment this, but the feel does really remind me of something Eminem. 

The music video itself was so really interesting to watch and I really liked all the symbolisms that seemed to be going on in the MV. It was 4 minutes long but the song really went by way too fast for me. I don’t know whether there’s gonna be anything later in this year that’s going to be capable of topping this, but it’s gonna be very hard since this song really ticked all the boxes for me. ZICO really outdid himself this time!

#kpop #january to july #2017 #block b #btob #bts #day6 #dreamcatcher #g. soul #im hyunsik #mamamoo #zico

[theworstbob]

the thing journal, 6.18.2017 - 6.24.2017

the things i watched or listened to last week. in this post: i’ll keep you in mind, from time to time; the bridge; henri; under your spell; the last man on earth; beautiful thugger girls; into the maelstrom; makes me sick; truth is a beautiful thing; blind; the taking of pelham one two three; big fish theory; wolves

1) I'll Keep You in Mind, from Time to Time, by Moose Blood: One day I'll remember to write down what I think about an album when I listen to it on my computer and I literally have WordPad open in another visible window. It was a great time, it's a dope emo album and I'm the sort of person that will listen to emo in 2017 and describe it as "dope," and I apologize we're starting this off with me forgetting how I reacted to something.

2) The Bridge, dir. Eric Steel: a wonderful documentary about the golden gate bridge and the people who use it! you and your family will never look at the full house credits the same way again! This is a difficult film to review because it's a difficult film to watch. There is footage of people jumping off the Golden Gate Bridge, there are interviews with people who either knew someone who jumped off the Golden Gate Bridge or, in one instance, are someone who jumped off the Golden Gate Bridge, the throughline of the film is someone pacing back and forth along the bridge, struggling with the decision, not sure what they want to do. It's a brutal watch. And it has to be, it would have been irresponsible if this film tried to romanticize suicide, if it tried to present the jumpers as heroes flying to freedom. The people being interviewed say the jumpers were trapped in the prisons of their own heads, never quite found stability in this world, but those people are also clearly affected by the choice the jumpers made, are left wondering or, worse, knowing what they could have done better.

3) Henri, dir. Yolande Moreau: gpsh this movie took forever to get where it needed to go, and then when it got there, it didn't really do anything. i dunno, i guess i just never got on its level. i never quite figured out if the dude's relationship with the butterfly was condescending or creepy or if i was meant to think it was adorable that this mess of a man kept hanging out with the poor young woman, i could never tell if the film was sympathetic to its characters or if i was meant to laugh at those pitiful souls (it's a french film, so probably "laugh at" more than “laugh with”), and it didn't seem to take any of its characters problems seriously. i dunno, it just didn't seem like a film that needed to be made, it didn't seem to be saying anything about friendship or society or whatever, it just presented some idiots and said "make of this what you will." maybe i'm missing something, but i don't think i am? (also i signed up for Mubi. this is worth mentioning, that i signed up for a service that will present me with various foreign films and documentaries, so. look out for that, i guess.)

4) Under Your Spell, by The Birthday Massacre: shout outs to everyone who listened to this band because of game grumps There are moments on this album I can only describe as nu-metally; there are instrumental breaks on "Counterpane" that sound directly lifted from mainstream rock radio in 2003, straight-up Chevelle vibes in 2017. What The Birthday Massacre understands, though, is that 2003 has a place in 2017, and that's as color to the 1980s, and they somehow use buttrock to make their Depeche Mode-y song more interesting, feel different than it had on Superstition. The Birthday Massacre know how to make great rock songs, and it's so nice to know music like this is still being made in 2017. (Words used in this review include "nice" and "interesting." I swear I'm trying.)

5) The Last Man on Earth s2, cr. Will Forte: Binging this show may be a mistake, since the main character is so misanthropic and gross and none of the characters are good people. (Except Carol, who is trying her best all the time to just be as darn nice as possible, Kristen Schaal kinda carries this show.) It's not that I'm not impressed by this show, it's a really solid show, I just question whether I'm enjoying it. Or maybe I'm just not paying attention, I dunno, we've been over how bad I am at watching things. I loved the integration of Jason Sudeikis into the group and thought he and Will Forte played well as a successful younger brother and fuck-up older brother, like the perfect use of Jason Sudeikis is as a handsome and charming foil to a Will Forte type, and I liked Todd's slow evolution into a legit jerk, it's good! I like it! I shouldn't be consuming this in one gulp.

6) Beautiful Thugger Girls, by Young Thug: The Young Thug brand of trap is my preferred brand, for two reasons. One, Young Thug has an insane voice, and I don't mean that his songs are written from the vantage point of a crazy person, I mean that Young Thug makes these fucking mouthnoises that I was unaware a human could make. Every Young Thug song is an exploration of what his vocal chords can create. Two, Young Thug doesn't just make trap. There's a strong sense of artistic identity on his records, and that lets him play around in other genres, like, there's legit country influence on this record. It's not as towering a work as Jeffery, but few things in this world are; this is Young Thug taking some time to figure out the places he can take himself, and it is a thrill to listen to him explore his abilities.

7) Into the Maelstrom, by Bigelf: There comes a time when you need to set aside ego, forget whatever goals you've set, and admit that something is beyond your ken. I stopped listening to this halfway through. It's a prog album that didn't even have an incredible opener, just an okay one, and the rest I found interminable. I thought we were compatable. Y'know? I usually like prog. I usually like albums that start with a song called "Incredible Time Machine" and follow that up with "Hypersleep." But, like, I dunno, this just wasn't fun to listen to, like, there's no acknowledgement that "Incredible Time Machine" is a silly thing to name a song. My favorite prog bands are aware of how nonsense prog is and embrace it, but this took itself a tad too seriously for my liking. Which isn't to say it wasn't good, just that I didn't want to spend more time in this space, like by the time you get to the third six+-minute-long song of the album, you realize this is time you could've spent listening to "Style" on repeat, or something.

8) Makes Me Sick, by New Found Glory: Yes hello hi welcome to The Thing Journal, where we review French cinema and New Found Glory albums like they're the same thing. For me, current New Found Glory is like finding a sweater I haven't worn in months, putting it on, feeling insanely good about how I look in that sweater, and then not wearing that sweater for another year.It's a comfortable and uncomplicated album, like hell yeah, I'm here for a song about staying indoors during the summer, you made this song just for me!

9) Truth Is a Beautiful Thing, by London Grammar: Early frontrunner for The Hotelier Award for "Album I Don't Completely Understand But Am Aware Moved Me Deeply." Like, you know that Parks & Rec episode, where Tom commissions an abstract art piece, and as he stares at $20 of art, he realizes he's deeply affected by the way the shapes interact and flow, but can't describe what he's feeling or what he's looking at? That's how I feel listening to this album. I don't know what it is about this particular brand of ethereal dream-like pop that left me floored on the bus ride home, I don't know what I actually felt as the woman crooned over the simple-but-expansive soundscapes, but here I am, trying to figure out what I listened to ("simple-but-expansive soundscapes" is the fifth draft of that phrase) and what emotion was stirred within me. This was so cool. How is it so cool? Ugh I hate that I keep complaining about how I'm bad at describing music but Criticism Santa never ever visits MY TREE'S UP, DUDE. I'M WAITING. WE CAN MAKE THIS HAPPEN AT ANY POINT.

10) Blind, by Eskil Vogt: I think I got half an hour deep into this film when I realized I wanted to see this again. The way this film plays with the reality of blindness, how it gives you the sense of the main character's read of the situation before she hears a noise and realizes there's something different entirely, it's just so fucking cool. It reminded me a lot of Charlie Kaufman, and while I can't be 100% sure it's a warranted comparison and not a comparison I'm making because I have a limited frame of reference, but just the way it explored the blind woman's mind, how the story she was writing changed as she felt worse about her blindness, how she got crueler and crueler to the blind character as she felt worse and worse about herself, the way this film dissected loneliness, it's all these things I've come to associate with Kaufman and all these things I love to see in film. It's such a quality film, legit my only gripe is that everyone talked so low and softly, I honestly couldn't tell if the film was going for a low-key vibe or if the Norwegian language is just people muttering at and somehow understading each other. So it's entirely possible my main problem with this film is the Norwegian language, which honestly sounds like a mess, what's up Norway, how come none of y'all enunciate.

11) The Taking of Pelham One Two Three, dir. Joseph Sargent: I don't usually like things about New York City because 50% of all things are set in New York City and it's really hard to use New York City in a unique way. Everything is set in New York City, y'know? I more than understand that New York City is the greatest city in the world. The other 7000 TV shows I have seen about New York City have made this abundantly clear, I don't necessarily need you to chime in on this front. This film, though, this film is awesome. This was like the thing I kept wanting Brooklyn Nine Nine to be, a thriller with incredible comedy, like this is straight-up the funniest film I've seen in weeks (Bob we know what you've been watching you haven't seen a comedy in weeks we don't think) shhhhhhhAnd the comedy is mostly derived from the way the film uses New York. At the outset, no one is as concerned about the people on the train than about how the trains aren't running on time, like it's way more important that the subway runs on schedule than it is that the train not get hijacked. Like, so many people in this film treat this like just another day of New York's bullshit, the research department taking as long as they usually do to create the list of names, traffic impeding the delivery of money to the train. I loved it so so much.

12) Big Fish Theory, by Vince Staples: Vince Staples is a rapper whose projects demand attentive listening, multiple listens to grasp everything that he's going for, so of course I listened to this once on a walk and am throwing it in between a 40-year-old movie and an okay punk album. I have no doubt that the second listen will be rewarding, that I'll unlock what's great about this album and connect to it, and it's not like I didn't enjoy my first listen, Vince Staples is great at what he does and makes music that can be enjoyed even when being skimmed through, but there's so much going on, abrasive dark production and meticulously crafted lyrics, that I know I didn't catch everything. I caught a lot -- imagine not immediately understanding like "BagBak" is going for -- but Vince Staples is on that Kendrick/Danny Brown/RTJ level where he makes work that demands its audience's full attention while still being something the audience can enjoy.

13) Wolves, by Rise Against: The album opens with "Light all the torches and wake up the King/The smoke you've ignored is a flame you can't contain," which is a predictable way for Rise Against to say "I told you so," but, as previously discussed, Rise Against has as much of a right as anyone to say "I told you so" a thousand times. The main problem I have with this album is that it doesn't feel markedly different from the rest of their catalogue. There isn't any acknowledgement that there's more of a sense of urgency in these times than there was previously -- things were still bad in the last few years, but it wasn't "let's elect a monster" bad -- but Rise Against is putting out the same album they've always put out, fire and brimstone here, glossy pop-influenced single material there, the only difference being that they'll now acknowledge that they've always been right. Like, it might have been worth exploring the space they glimpsed on "Bullshit," which is a song where they are 100% excoriating their listener base for not doing enough ("Oh no, please don't life a finger, don't get up, just sit right there/Don't worry about the thoughts inside your pretty little head"), try to analyze the current situation so that, when Rise Against says it's time to fight, there's actual strategy involved? But this is fine, standard Rise Against is usually fine. Ugh, the Trump administration isn't even leading to better punk music, THEY SAID THE MUSIC WOULD BE BETTER. WHAT THE FUCK HAPPENED TO MY SILVER LINING.

[thesinglesjukebox]

ED SHEERAN FT. STORMZY, JAYKAE & AITCH - TAKE ME BACK TO LONDON (SIR SPYRO REMIX)

[5.29]

We can go drivin’ in... on my scooter...

Wayne Weizhen Zhang: Stormzy sounds fresh coming off his number one UK single, and there's decent fun to be had here with Jaykae and Aitch on this remix, but Ed's hook is so aggressively, horrendously inane that it approaches Taylor Swift levels of cringe. [4]

Alfred Soto: Ed Sheeran writes hooks -- solid ones. Stormzy and company do well by the pizzicato-anchored arrangement. For once Sheeran is surrounded by more capacious talents, and he compensates. [6]

Jackie Powell: The remix of this song is what I initially expected from Sheeran's collaborations project that dropped this summer. What made No. 5 Collaborations Project, his first of this kind, truly ambitious was how Sheeran embraced homegrown artists. The original track tries but doesn't quite go all the way, which could be said about the entire project (No. 6). What makes this remix a bit more redeeming than the original version with just Sheeran and Stormzy is the lyrical content and the pacing. Stormzy's flow is intense and the percussion that moves with him flies just as quickly. There's a present punch on this rehashing. Sheeran's hook on both versions slows the pacing which offsets the balance of the track itself. While fellow Brits Jaykae & Aitch don't match Stomzy's intensity exactly, their rhymes are concentrated more on their culture than their clout. Their commitment to assonance on the verses stands out. But on the original, however, Sheeran spent way too much time rhyming and executing his flow all about his new glamorous life. The extra verses from these two other guests bring the song lyrically back down to earth. I'm hoping that was Sheeran's intent: to do the remix in the first place so that his roots had actual space in a song all about his roots. Sheeran mentions grime but here's the irony, his hook on this cut is the contrapositive to the whole point of grime. Grime moves swiftly. It doesn't have time to gloat as it just embraces what it is. [5]

Joshua Minsoo Kim: Sir Spyro is the real star here: he transforms the lethargic original into something agile and energetic. That we get less of Sheeran's voice helps too, of course. If there has to be a Sheeran song that sits atop the UK charts, we could do much worse than this. [6]

Thomas Inskeep: Much better than your average Sheeran single, because it doesn't really sound like a Sheeran track: it's a straight-up grime track, with Stormzy, Jaykae and Aitch all spitting rhymes, and even the red menace flipping a couple verses of his own. This is a light, nimble track -- the beat just kinda floats, in the best way -- and I've gotta say, I like it. [7]

Kylo Nocom: Sheeran's cadences in the chorus are irritating and this honestly shouldn't have been his song. Otherwise, I'm having so much fun listening to this at the restaurant area in the front of this Target! [5]

Scott Mildenhall: To give credit to Ed Sheeran, an inter-city collaboration like this is a great idea on paper. It's just a shame that everything he chooses to do seems to be predicated on it being a great idea on paper, regardless of its eventual quality. Fundamentally, that quality is never likely to be high with him. Here, Jaykae is the standout performer, reliably bursting out of the track with identifiable personality. But as for his host? Instead of acknowledging that he's a posh boy from Country Life magazine's number one place to live in 2006, he continues to have the temerity to use his alleged ordinariness as a gimmick -- with his crisps, pint and pub (quite possibly the one beneath his house), he sounds like an American's rudimentary parody of an Englishman. It's purposely benign to mask the ways in which it is malign. How is it possible that a man with this background can brag about having made his way to even greater riches, in this company, with a straight face? No amount of criticism will ever undo the façade, but it bears repeating that all of it is symbolic of a country's culture run by thousands of Ed Sheerans, tacitly conspiring to never admit the truth. [4]

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#Ed Sheeran #Stormzy #Jaykae #Aitch #Sir Spyro #pop #rap #music #music review #writing