Tumgik
#but the movie never touched on that
snickerdoodlles · 6 months
Text
nimona fix-it that i'm not writing. may properly clean this up when i have more brain space
(tags originally from this post)
this has been sitting in my drafts for. months. as i tried to gather my thoughts beyond a big hearty Yeah.jpeg #honestly? what would've made the movie work a lot more for me? #is if during nimona's freak out over the kid being scared of her/calling herself a monster #ballister had turned to her and gone ''uh. aren't you?'' #because i think it wouldve helped them better tie several themes in the movie: first that nimona does not actually want to be destructive. #that's very much her lashing out in a ''you call me the monster? well ill BE your monster'' #but it comes from a place of emotional pain so directly facing with the consequences of it understandably sets her on a spiral #second is ballister's own spiral of going ''burn me? fine i burn YOU'' and parallel him hitting a similar spiral nimona had for contrast #third. i dont think ballister's prejudice should have been prompted externally. #the movie like. doesnt actually want to/doesnt trust itself to deal with its characters actually being prejudiced #which is why ballister's turning away from nimona had to be prompted by the director through his ex #to give him an easier rejection of it and reconciliation with nimona (to give ALL of them an easier rejection/reconciliation of their #prejudice with the exception of the director. who just dies.) #if ballister had called nimona a monster in that moment i think it wouldve helped illustrate a few things better: that societal prejudice is #ingrained deeper than most people realize. ballister would have fully accepted nimona as a monster but not recognized that he shouldnt be #thinking of her AS a monster in the first place. theres still something inside him that he needs to finish unpacking and heal. #i think it also would have shown better how people who are victims of prejudice can still perpetuate it. making it so that ballister had to #be externally manipulated to enact that against nimona undermines the message of harm by societal prejudice that the movie tried to send #also i just think switching up that betrayal wouldve made for a smoother sequence of events in movie. ballister calls out nimonas destruction #and reveals he still has ingrained prejudice. nimona runs and ballister can even still run into his ex again afterwards. and if they want #to keep nimona's backstory the ex revealing that to ballister could instead be how ballister realized how wrong he was in the first place #itd give context to realize the extent to which he hurt nimona with his thoughtlessness and work better to prompt him running out to #reconnect with her. and fix that 'change the narrative' line because as is its like???? kinda hanging in the breeze as is oof #ANWYAYS tl;dr--nimona falls apart for me because the movie wants to tackle heavy topics but doesnt want any of its characters to act out in #any truly problematic ways. so ALL the bad as to fall on one specific villain (whose so much of a prop she only gets a title and not a name) #that they can just kill at the end and absolve the entire town of their 'sin' (prejudice). its v much the christian theme of the#sacrificial goat+scapegoat actually. the director stops representing prejudice and is just there to give everything a clean resolution #it has a lot of the pieces but its too…timid to really dig into and address them. this prejudice isnt the only one but my tags are SO LONg #nimona
1 note · View note
Text
if I told you that you should watch the super Mario brothers movie solely for the fact that it features one of the most sincere, emotional and unashamed portrayals of male affection in basically all of film would you believe me
1K notes · View notes
dailyhogz · 2 months
Text
Tumblr media
day 41: sonic wachowski attends SCHOOL (it goes poorly)
149 notes · View notes
meraki-yao · 7 months
Text
I just wanna say, Taylor as Alex's "God damn I love him" face is so fucking powerful
This promo still came out two days before the movie
Tumblr media
And just by looking at this photo, WITHOUT EVEN WATCHING THE MOVIE, I felt so much love from how he looks at Henry that I JUST STARTED TO CRY
Then you have moments like this, which makes me want to scream, he looks at Henry like he's the greatest wonder in the world
Tumblr media Tumblr media Tumblr media
And then for maximum insanity there's this compilation/edit of all moments of Alex looking at Henry which again MADE ME LITERALLY SOB (I'm tempted to share a list of my fav RWRB edits on YouTube)
youtube
I swear Taylor read the line "Alex is so in love that he could die" from the book and carved that line into his brain, look at him. That is that line personified. What the fuck.
I need to hand it to Taylor and the boys' chemistry, he made me cry for like five minutes straight with a SINGLE LOOK
217 notes · View notes
centurycoffin · 3 months
Text
My boyfriend got me to watch reanimator and it is the most batshit, quotable movies i’ve ever fucking seen, some prime examples on good quotes are “Meat-Ball??” ,“cat dead, details laters” , “who’s gonna believe a talking head, get a job at a sideshow” and my personal favorite *slams cat on table* “do you agree he’s dead now?”
101 notes · View notes
shyhandart · 2 months
Note
Hey there! Do you perhaps have more Tempest and AJ stuff? Maybe some headcannons? You've planted worms into my brain
Tumblr media
But wait, theres more!!
131 notes · View notes
kittyisaddicted · 9 months
Text
Tumblr media
“Alex […] draws his mouth up to a breath away from Henry’s. He hears Henry swallow. He wants to follow the sound down his throat. (p.133).“
163 notes · View notes
shinidamachu · 9 months
Note
Hello ma’am at Wendy’s; could you analyze some inukag scenes in the first movie? 😍
Tumblr media
I could talk about how Inuyasha was strugling in the first battle — to the point of Shippo stating he's hopeless when Kagome isn't around — and how he headed back to it with renewed energy once she got there.
I could talk about how he bickers with her the entire time, but it's always so gentle while constantly carrying her away from danger — bridal style, no less — and asking her in that soft voice we don't ever hear him use with anyone else if she is alright even though he was the one just getting his ass beaten.
I could also talk about how he follows after Kagome when she runs off, supposedly to "give her a piece of his mind" yet doesn't deny it when Shippo counter arguments that she got him wrapped around her finger. I could. But that's just our everyday Inukag, so here are the scenes I feel like are worthy discussing on a deeper level.
Tumblr media
When Inuyasha found Kagome after she accidentally cut herself, he got closer, wanting to take a better look at her wound, but for a second there Kagome forgot about her injury and really thought he was going to kiss her. You can see her surprise at his sudden proximity and then the disappointment when he goes for her hand instead.
Tumblr media
Then he took her finger to his mouth, to the place where his fangs are, without overthinking it or fearing any judgement, simply trusting that Kagome wouldn't be scared or disgusted by the gesture, by him. And she never does. What really makes this scene, though, is that Inuyasha is completely oblivious to the effect his actions are having on her so far or just how intimate they actually are.
Kagome's safety is his number one priority and Inuyasha feels comfortable enough with her to follow his instincts without reservations, so he doesn't quite realize the romantic implications because it's natural to him, to them, to be this close.
Tumblr media
Then Inuyasha uses Kagome's favorite handkerchief to patch her up. Considering she sounds more upset about him ripping it to do so than surprised that he has it in the first place and that he doesn't seem embarrased to have it at all, my guess is that she must have gifted it to him at some point.
And even though he claims it's just a piece of cloth, the fact remains that he carried it with himself for who knows how long — probably because it smells like her — and kept it intact despite the many battles, that is until she needed it as a bandage and we get visual confirmation that Shippo was right: Kagome literally got him wrapped around her finger.
Tumblr media
Flash forward to the bridge scene, where Inuyasha thinks he's seeing Kikyo at first, then notices is actually Kagome in priestess clothes and runs to her. If you ask me, it's pretty telling that he'd only mistake the two of them when Kagome isn't acting like herself.
Tumblr media
I love his reaction to realizing Kagome is there, safe and sound. He's just so genuinelly happy and relieved to see her. Those aren't emotions we're used to get from him. Plus, he worries about her being pale and insists that she gets back to Kaede's so she can get more rest.
Tumblr media
Then when Kagome hugs him, he apologizes — which we also don't see him do often — for not getting to her sooner, thinking that's what earned him that hug. And he returns her embrace in true Inuyasha fashion: tight and cradling her head.
Tumblr media
That's when Kagome pulled this little trick and I think two things are worthy noticing. One, she managed to break free from the mind control long enough to tell Inuyasha to get away. That's quite impressive. Two, when confronted with the idea of Kagome betraying him, Inuyasha came to the only possible conclusion that she was under a spell, never once doubting her.
He makes one attempt to reason with her, pleading for Kagome to snap out of it, but when that fails, he doesn't even try to immobilize her or adopt a defensive stance, he just runs, flat out refusing to lay a hand on her, the opposite of his fighting style.
Tumblr media
And even though Inuyasha knows Kagome is being controled, I still appreciate his reaction to hearing the one person who makes him want to live telling him to die. Not to mention how it brought back some very unpleasent memories. Speaking of which...
Tumblr media
What's interesting about this scene is that, again, Inuyasha knows this is Kagome attacking him — although against her will — but the very idea of her hurting him is so inconceivable that Inuyasha tries to make sense of it with the situations he has experienced before.
Then Kagome explained she has no control over her body and just can't stop, begging him to run again before it's too late. Inuyasha, however, wouldn't hear it.
Tumblr media
"I'm not running. Not without you. I won't leave you behind."
And honestly, who would have blamed him if he had run? Certainly not Kagome. She understands better than anyone just how difficult reliving those old traumas must be for him. Yet he would rather stay and die by her hands than leave without her.
Tumblr media
That's why she fought so hard against the spell here, in a way she couldn't quite fight when it wasn't Inuyasha's life on the line. Until the very end, she refuses to be the one to cause Inuyasha the same harm he has suffered before. But she ultimately fails.
Tumblr media
It's only after Kagome realizes what she's done that she manages to break the spell. It's very meaningful that she screams his name the exact moment it happens and that her eyes were full of tears even before she shot that arrow.
Tumblr media
She runs to Inuyasha and wraps him into one of my favorite Inukag hugs ever. The position they're in is so intimate, it's like she wants to melt into him and protect him from the entire world while begging him to say something and open his eyes, chanting how sorry she is.
It also parallels the scene in the beginning. Same spot, similar situations. Except where once was Kagome injured, now is Inuyasha and where once was him patching her up, now it's her who is taking care of him.
Tumblr media
Kagome doesn't let go of Inuyasha for a good while and when Kikyo tells her to return to her own time, since she doesn't belong there, Kagome answers that she won't, that she can't leave Inuyasha — echoing his words from earlier.
Even after Kikyo explains that once the well it's covered over, Kagome won't be able to return to her own world anymore, she is still reticent about leaving Inuyasha and Kikyo has to literally force her out.
Tumblr media
"Inuyasha! My hands can't touch him anymore. My voice can't reach him anymore. I won't see Inuyasha ever again."
I absolutely love how classic Inukag this quote is. You have Kagome saying his name twice, a mention of touching, which is a huge part of their love language, a nod to her voice reaching out to him, which is a recurrent theme for them and "I won't see Inuyasha ever again" as opposite to our many "I want to see Inuyasha once more."
Tumblr media
Another thing I love is how this scene mirrors the one when Kagome first meets Inuyasha: unconscious against the Sacred Tree, her hand reaching out to him. Except then she ended up saving him later and now she was the reason he was there.
Then we finally get to the reunion scene, the heart of "Affections Touching Across Time" which by the way is such a great name for the movie! Not only is it poetic, but it also paints Inuyasha and Kagome's relationship as the transcendental love story that it is. As if no matter the circumstances, it's inevitable for the love the feel for each other to find its way back to them.
Tumblr media
Inuyasha wakes up and Kagome is his very first thought. For her part, Kagome is also able to feel Inuyasha through the tree.
Tumblr media
"I can feel him. I can feel Inuyasha."
They start to talk even though they're years and years apart, Kagome asking if he is okay and Inuyasha brushing her worries off as usual. He then says he's surprised she isn't there and when Kagome says she came back home, he teases her about being scared.
Kagome denies it and I believe it's because she was initially thinking about the dangerous situation they were in, but then images of Kikyo telling her to go home and kissing Inuyasha flashes through her mind and she admits that e was right, that maybe she did run away.
She did get scared, but not of the danger they were facing. She was scared to find out Inuyasha was truly in love with Kikyo and that, since Kagome hurt him, he would be better off without her around.
Once Kagome explains that to him — minus the Kikyo part — Inuyasha gets up despite his wounds and tries to make his way to her, but Kagome meets him half way.
Tumblr media
@kitramune pointed out that Inuyasha smiles at her reaction because not only he knew she would do so, but he also expected her to in order to pull her into a hug.
Tumblr media
"I need you with me, Kagome. Haven't you realized that yet?"
Their hug is also a perfect replica of the original one, their very first one. From Inuyasha having a wound on his chest to catching Kagome completely off guard, first pulling her towards him then embracing her tight.
Tumblr media
The scene is a masterpiece overall. The music, the dialogue, the voice acting — both in japanese and english —, the emotional conflict. It keeps me wishing it had happened in canon every time I watch it.
Tumblr media
And I can't in good conscience leave the ultimate trusting exercise out of this. That Kagome trusts Inuyasha enough to jump into his arms from great heights it's pretty amazing in and out of itself, but the reason her confidence in him is so high is because he delivers it every time. It's all very reciprocal.
And even though Inuyasha complains about her being reckless, I love that he doesn't even bother to sheathe Tessaiga — his most valuable possession — too focus on catching Kagome in the gentlest way possible.
Tumblr media
Last but not least: the extra scene. In the beginning of the movie, we hear Grandpa Higurashi say that the Sacred Tree would blossom every single year without fail, until five hundred years ago, when Inuyasha was put under a spell and fixed to its truck, to which Kagome replies that now its flowers are blooming again because she set Inuyasha free.
The blossoms represent just that: a counterpoint to the snow that once fell over them. They're both pretty but where the snow is cold, the petals are warm. Where one is winter, the other is spring. Where one is the end of a cycle, the other is rebirth, it's life.
Tumblr media
I hope putting Inuyasha on the shadows and Kagome on the sunny side of the tree was a conscious creative choice here because it accentuates their personalities and the yin and yang dynamic of their relationship, on top of being aesthetically pleasing.
Tumblr media
I especially enjoyed how reassuring and straight forward he was here, like it was a given that he would be there for and with her even if it couldn't be physically, like he couldn't fathom any other way.
Tumblr media
And of course, there's the way Inuyasha is so aware of her and constantly worried about her well being, noticing how exhausted she was and being concerned she might collapse while having a severe injury on his own chest.
HONORABLE MENTIONS: Sango telling Kagome to be careful and Kagome replying that she'll be fine because she'll be with Inuyasha. The villain saying "I've never seen anything more pathetic than a half demon cuddle by a mortal girl" and Kagome going "why? What's wrong with us being together?" Kagome still feeling awful about hurting Inuyasha and thanking him when he insisted that "it's barely a scratch."
174 notes · View notes
dandeyrain · 5 months
Text
i've been rotating the "this doesn't make any sense!" response to boy and the heron in my head and i wonder how much of it comes down to like...the kind of audience that engages with ghibli movies vs the kind of audience that mostly only engages with weird art movies vs the kind of audience that only really engages with blockbusters and marvel movies, and the overlap of those groups in the theater.
because, like, the boy and the heron is far and away more straightforward, from a plot perspective, than a lot of other Weird Extremely Personal Art Movies i've seen and love, but it IS a Weird Extremely Personal Art Movie even so. usually the only people seeing Weird Extremely Personal Art Movies, especially in theaters, are people who like that and expect that and have seen those types of films before and are therefore capable of engaging with them even when things aren't as clear as they'd be in an average blockbuster flick. like, nobody who only cares about Cinema to the extent of marvel movies and MAYBE john wick is going to see beau is afraid, and if they did they wouldn't have the tools to engage with such a dream-logicy movie. it would just be a weird thing that doesnt make sense to them, at least until they worked their media engagement muscles with other weird films. there's a lot of self-selection to the kind of person who usually sees these kind of movies.
while boy and the heron is weirder and more complex than a lot of other ghibli movies, as far as weird art films go it is incredibly, INCREDIBLY straightfoward. every weird plot point is explained very clearly to the audience, very little is up for interpretation from a strictly "what was the plot" point of view. boy loses mother. father remarries and moves the family. boy struggles to contend with grief. boy is pulled into a magical world by an old man who wants to use him. time is weird and fucked up in the magical world, but the movie is going to go out of it's way to highlight who's who and make it clear how the time travel works and the characters' relations to one another. the boy refuses to take over the magical world because he wants to live in the real world with the real people he loves. boy leaves the magical world having learned an important lesson about moving on. but the boy and the heron trusts its audience, doesn't handhold, and expects the audience to engage seriously and with focus to its plot and characters and stories.
a lot of people never watch movies like that! a lot of people are used to uncomplicated superhero movies and romcoms and that's it. the difference is that those people were never going to see beau is afraid, so the discussion about that movie instead comes from people who have the tools to engage with it. but because of the aesthetic-ification of ghibli, a lot of people who don't Do art films but are really into the aesthetics of cute little guys and girls in pretty dresses went to this art film and were confused that it was weird and dream-like and dark and strange and requires more of its audience than just passively watching.
anyway there's nothing wrong with not having the muscles to engage with weird art films, though i do think everyone should challenge themselves with the kind of stuff they watch. there's nothing wrong with preferring simple straightforward uncomplicated plotlines. but it is really interesting seeing people talk about the movie like it's insanely weird and doesnt make any sense meanwhile me and the friends i've chatted with about who DO have experience with this kind of film all feel insane because the movie is SO clear and SO straightforward by the standards we're used to. its just a neat crossover re: the kinds of movie fans that exist
92 notes · View notes
ortegavi · 3 months
Text
thoughts on miller’s girl: i’ve wasted two hours of my life
(in cairo’s words: how disappointing you must be to those who have believed you’d be more)
37 notes · View notes
multicolour-ink · 1 year
Text
One of the things I love to think about regarding Mario and Luigi's bond (and get emotional over!) is the way they communicate.
It's not just words exchanged to each other, it's the non-verbal gestures;
A look, a loving touch, a hand on a shoulder, foreheads pressed together - all these things speak in so much volume, without a word being uttered.
140 notes · View notes
amarriageoftrueminds · 11 months
Text
thinking about how they had to age up comics Bucky to avoid the gay connotations
and despite villainizing him still had to pair him & Steve off with women while they’re sneaking off to meet each other
and had to give Steve a girlfriend to de-gay his reunion with openly-gay Arnie Roth...
And then MCU Steve is SO obsessed with Bucky that they had to give them beards every time they're alone together in public, and then had to cut down on their screen time together, keep them physically separated in frame, forbid one character from even mentioning the other, separate them in time, and kill one of them off.
And I'm just like
Guys.
You do realise that actually straight characters wouldn't need all this 'fixing', right??
119 notes · View notes
vampirepunks · 2 months
Text
Since Kojima’s been saying that the Death Stranding film is going to tell a story that can only be told through the film medium, I really hope it’s a prequel to the game. There are a lot of background events represented through text and dialogue that wouldn’t translate well to a video game format on their own.
It’d be really cool to see the start of the Stranding, Victor and Igor’s backstory (as seen in the DS novelization), snippets from Sam’s childhood/early years with Bridges, the development and construction of the chiral network, and most of the events described in Higgs’ journals.
Coffin’s decision to leave her family behind, start a terrorist uprising by radicalizing the porters who unknowingly abetted human sacrifices by delivering BBs for the chiral network, and the decision to adopt Higgs as her protégé? That story alone would be worthy of a film.
#just thoughts#i would kill to see little baby Peter#and witness his Becoming™️ from that scared kid into the man we know and love#i know that ‘new world with a new sky’ moment would be POWERFUL#and what of his porter partner who died? what did that relationship look like? how close were they?#what of his relationship with Fragile after Coffin died? having a best friend who probably never saw his face?#not to mention his tragic rise to power and the secrecy that came with it. having to kill to maintain his DOOMS because people needed him#like he was handpicked as the inheritor of a rebellion against Bridges/the UCA and suddenly ended up with a LOT of responsibility when-#-Coffin died. and suddenly he was living a double life to care for and protect the people of the Western region#and those folks responded by calling him King Midas. naming him after a folk hero whose defining tragedy is being powerful but alone#everything he touched turn to gold but it’s so hard to form connections when you can’t shake hands#(sorry not sorry lol)#it’s such a complicated and nuanced backstory & so many people don’t even know about it because it’s in hard-to-reach texts & a side quest#idk I just think it’d make a really good movie. bonus points if it canonized him being a repatriate#it’d make a really good sci-fi political thriller/horror#i would vaporize in my seat if it cold opened with higgs saying 'once there was an explosion...' but now i'm just being self-indulgent#death stranding#death stranding movie#death stranding a24#higgs monaghan#logan.txt
36 notes · View notes
snackugaki · 1 year
Photo
Tumblr media Tumblr media
tmnt au, where everyone made it past their 20s and goddamnit they deserve peace
they also sometimes visit Venus’ home province, and April’s grandparents for Lunar New Year
190 notes · View notes
graedari · 11 months
Text
Tumblr media
Hehe hoho- Flynn and Clu the relationship that I think never got to be fully explored my beloved. If only Clu hadn't caused Genocide <3 I just think that they can be so chaotic together (and heart wrenching with that one in the top right am i right?)
Anyhow- please enjoy them <3
[Image ID in alt]
91 notes · View notes
concert-bflat · 10 months
Text
Thinks about how. Gloreth only starts looking at Nimona differently/strangely when her parents call her a "monster". Just throws that label with such a negative connotation on her. Gloreth fucking fights for Nimona immediately in the beginning saying that she's her friend and never once looks at her with ridicule until her mom just holds her by the shoulders and tells her she's a monster, straight in the eye, straight in the face. And just the word is enough to cause the change.
Nimona's getting fucking attacked and prodded and Gloreth doesn't even feel sorry for her just because she's now re-contextualizing everything around her but with that word. I'm so sick. She looks not in hesitance but at disbelief before she runs away. She sees Nimona trying to defend herself from literal Danger in any way she can (she's just a kid and she's fighting with people who won't listen, never will, people that she can't get through) but just sees that as more proof of her being violent, monstrous. She sees her friend all alone, with the odds and the world stacked against her despite them being. so similar but just tells her to go back to the shadows.
And like. Of course she believes those words calling Nimona a monster and takes them to heart. Her parents, the ones she would probably trust most are the ones that told her that. And she's young, she doesn't know much about the world or much better. And of course, her parents and the whole village don't know any better. They didn't see what she saw. They don't know or feel the need to know much more than the definition of the word "monster". But it hurts. God it hurts. It's wrong. It's not fair. It's really not fair.
And it causes this whole legend that will stay with Nimona to ridicule her for generations and generations and birth this system that she's trapped by and causes everyone to be so brainwashed. The one that makes people scared and build walls. That births unecessary distrust.
God. Even in the scroll illustrating Nimona and Gloreth, Nimona is portrayed as such a bigger and scarier threat than she ever could be or would be, until Nimona internalized and gave into those images and despair of course. It's not fucking fair.
Thinking about how when the villagers saw Nimona as a "normal" person they were happy for her just living her life and playing with her friend, she was just another kid being happy like she and every ("normal", apparently) person deserves to be, and they were allowing her to be happy then when they find out what she really is they hate her. They call her a monster and drive her out immediately. They don't look into the details that contradict the stigma, they just feel betrayal when they weren't even the ones who were betrayed (Nimona couldn't fucking help being who or what she was. And she was her own person. She was still. A someone. Why do things have to be different now?). I'm so sickkk.
Thinks about how Nimona feels so hopeless as to just. Accept and yield to that label. That label that was passed down to Gloreth. To the whole world. Such simple but awful words. Aughhhhhhhhhhh
Another post I saw talks about how this is a movie about how hate is taught. And oh my god it is. Hate it taught. It's done so simply yet so, painfully effectively. So devastatingly. And that hate teaches people to hate the world back. God I fucking loooove this movie
Also Nimona's such a Creature /pos /affectionate she's so relatable I fucking love her and I'm insane okay that's the post bye
103 notes · View notes