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#but she is a teenager who cannot act like a teenager should
reeseironi · 24 hours
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in defense of gil webber
one thing i absolutely cannot stand about the mh fandom is the way that everyone treats gil. i don't know if it's a vocal minority or if people just didn't watch the show, but so many people portray him as this abuser who lagoona needed to break up with IMMEDIATELY, where in the worst case he was a dumb teenage boy or bland. he had his flaws, sure, but he wasn't abusive. people act like standing up to his racist parents would be so easy, but imagine being in his place. you're 16 and still financially dependent on your family, you can't (and, honestly, shouldn't) be burning bridges with these people over your highschool girlfriend. but you know what gil did in season 1? stood up to his parents, and they sent him away for a few months as punishment!! of course he wouldn't want to pull that again. i also hate when people cite 13 wishes as 'proof' against gil, where, again, i question if anyone actually watched the movie. LAGOONA made the wish, and gil pointed out numerous times that he loved her just the way she was and that he didn't think she should have to change herself to win his parent's approval. but i guess people can't handle a complex, flawed character.
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cainpdf · 6 months
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azula will never cease to fascinate me and make my heart clench. being so much smarter and more skilled than anybody around you that it makes you aspire to impossible levels of perfection. having your own mother think you are a monster and that there is something wrong with you. yes she might have grown to be just as bad or worse than her father but she was still only a child. how would any of that not make you go insane
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inkskinned · 1 year
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the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.
sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.
you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.
it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.
but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.
they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.
they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.
barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.
and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.
but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.
they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!
this horrible world they live in. disgusted and also obsessed.
#this shifts gender so much bc it actually affects everyone#yes it's a gendered phenomenon. i have written a LOT about how different genders experience it. that's for a different post.#writeblr#ps my comments about seeing someone cry -- this is not to shame any person#and on this blog we support workers.#at the same time it's a really hard experience to see someone that looks like you. clearly in agony. and have them forced to keep going.#when you're young it doesn't necessarily look like acting. it looks scary. and that's what this is about - the fact that teens#have likely already been exposed to that definition of things. because the internet exists#and without the context of healthy education. THAT is the image burned into their minds about what it looks like.#it's also just one of those personal nuanced biases -#at 19 i thought it was normal to be in pain. to cry. to not-like-it. that it should be perfunctory.#it was what i had seen.#and it didn't help that my religious upbringing was like . 'yeah that's what you get for premarital. but also for the reference#we do think you should never actually enjoy it lol'#so like the point im making is that ppl get exposed to that stuff without the context of something more tender#and assume .... 'oh. so it's fine i am not enjoying myself'. and i know they do because I DID.#he was my first boyfriend. how was i supposed to know any different#i didn't even have the mental wherewithal to realize im a lesbian . like THAT used to suffering.
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grendelsmilf · 4 months
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madame web was SO fucking funny i love that every single decision they make is certifiably insane but in a somehow very safe and pandering corporately-mandated way. here are some of my favorite choices:
an extended action sequence set to toxic by britney spears which stops in the middle to remind you that the year is 2003 so this song was actually just released
the villain goes to the opera, seduces an elegant woman with a single look, wakes up from a recurring nightmare wherein three teenage girls beat him up and kill him, proceeds to rant at this woman whom he’s just met about how hard it is to know how you will die someday, reveals that he is aware that she an nsa agent, and poisons her while he forces her to tell him the roughly 8 digit code that grants you access to every single security camera and government database in the entire world
one of the girls from girls is his assistant who tracks down three teenage girls for him by making composite sketches of their faces just via his own memories of his dreams. also, they are all wearing masks in his dreams, so how he was able to define all their features is extremely unclear
the fact that spidey powers originated from an indigenous tribe in peru does retroactively imply that every spider person within the spiderverse canon is performing an egregious act of cultural appropriation
adam scott plays UNCLE BEN, but because sony doesn’t have the rights to say the name “peter parker,” they are constantly finding ways to imply that he is, in fact, ben parker without outright saying it. we do see peter parker being born (i guess this spiderman was born in 2003?), but i’m not sure why we’re supposed to care since all of the girls (apparently) seem to have way cooler powers than he does
that said, we only see the girls use their powers in dreamlike sequences of the future. at no point in the present timeline do any of them use their powers whatsoever. except anya does have the power to be a #WomanInSTEM, so good for her.
dakota johnson’s cassandra webb, or “cassie,” (very normal thing to name your daughter who has spider-fueled powers of prophecy btw) cares for a stray cat who represents her own role as a “stray” as an orphan who grew up in the foster system (this is not subtle by the way, she literally says to the cat “gotta look out for fellow strays”). to illustrate that she is secretly a warm, nurturing woman despite her aloof and awkward veneer, this cat’s name is literally “cat.”
the villain of this movie never actually explains his motivation for seeking power beyond the fact that he had a difficult childhood. no details of his childhood are ever revealed. he is not given a single redeeming quality or even a reason to care about him. he is played by césar-winning and bafta-nominated actor tahar rahim in what i can only describe as the worst performance i have ever seen outside of a middle school play. he dies after being crushed by a giant letter S from a pepsi sign. you know. like a bug.
it’s never really explained why being bitten by a spider gives one prophetic visions, beyond the tenuous notion that to see the future is to “weave a web” of sorts. however, despite the fact that we establish that the villain can also see the future, despite having been bitten by the same magical species of spider, he never once is able to predict the future when it counts, such as foreseeing that he should dodge a falling giant letter S.
there’s an extended sequence dedicated to establishing that cassie’s colleague (who later dies in an ambulance crash) cannot grill for shit. as she sips from a refreshing can of pepsi-cola®️, she lambasts him for fucking up their burgers. this is the only piece of characterization they establish for him before he dies.
at the beginning of the movie, cassie receives a very earnest drawing done by a small child in thanks for saving his mother (she’s a paramedic). cassie very awkwardly refuses to accept the drawing, kind of just makes one continuous whine with the corners of her mouth until the entire family is weirded out enough to leave, and then complains that she has no idea what to do with the drawing, and will probably throw it out. we are meant to like this woman, probably.
cassie is a professional paramedic, but a hobbyist car crasher. she drives not one, but two stolen vehicles through the walls of buildings throughout the film, and it seems to be her go-to strategy in any fight.
cassie is allowed to fly internationally despite concurrently being very publicly wanted for the alleged abduction of three teenage girls. we never see her move through the airport despite the film heavily focalizing the issue of mass surveillance and preemptive criminalization in 2003 new york city, so i guess it just isn’t an issue for her. yet another win for white privilege
after cassie experiences a near-death incident on the job that triggers her latent powers of prophecy, her doctor recommends that she take the week off to get some rest and “watch old movies.” cassie clearly considers this to be sound medical advice, as in the consecutive scene, she is shown to be watching an early version of a christmas carol (in the middle of summer) and clearly feels a strong enough bond with scrooge that she feels comfortable speaking to him through the screen as if he were an old friend.
cassie has a vision of her mother researching spiders in the amazon before she died, and almost immediately yells “WHY DID YOU HATE ME!!!!”
cassie’s quest to save three teenage girls she doesn’t know ultimately results in the deaths of many more people, including multiple cops, train passengers, diner patrons, chopper pilots and people she may or may not have hit with her stolen taxi and/or stolen ambulance. but at least julia, mattie, and anya are safe!
after cassie is blinded and paralyzed(?), her entire personality does a 180 and she becomes a very creepy, ominous woman who serenely predicts the near future of her three adopted teenage girls, illuminated by a giant, weblike window. this is all done in service of setting up the sequel that sony clearly assumes is a given.
cassie attends her colleague/best friend’s sister’s baby shower (who happens to be played by emma roberts, and who also happens to be peter parker’s mother) and is for some reason corralled into playing some baby shower games, including “describe your fondest memory of your mother on a small strip of blue paper” (which cassie deliberately leaves blank, leading to a very awkward explanation of her mother having died in childbirth, but don’t worry, you’ll be fine) and “guess the name of my baby” (which is never actually revealed, because sony apparently has the rights to the name ben, but not peter).
anyone else really craving a nice refreshing can and/or glass bottle of pepsi-cola®️ rn, or is that just me?
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silkscream · 6 months
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once bitten, twice shy
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megumi fushiguro x reader
ੈ✩ wc: 3.1k (i cannot write anything under 2k to save my life)
ੈ✩ tags: emotionally constipated megumi, tsundere basically, friends to lovers, a lil angst, not actually unrequited love, pining, alcohol, typical yuuji nobara antics
ੈ✩ a/n: this is not xmas themed despite the title BUT it does end up taking place on satoru's birthday for plot reasons. megumi fushiguro your intimacy issues bewitch me mind body and soul.....
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megumi does not know what to do with his feelings.
he’s never been the type to be particularly in touch with them — he didn’t remember his parents enough to blame them for whatever avoidant attachment he’d accustomed himself to. or maybe, that was the exact cause of said attachment style. gojo taking him in when he was a child didn’t help either — the man also refused to be very vulnerable around him, merely acting as a benefactor and a nuisance at best.
and while he was closest to tsumiki, he’d still built up a wall around himself that she couldn’t get through, and she knew it. she couldn’t break through it in his pre-teen years, and certainly not his teenage years when he was taking out his aggression on his classmates. he would ignore her soothing words and resent her kindness. perhaps he’d taken after toji in that way. constantly fending for himself for the sake of survival. always convinced that he was doomed to be alone.
and then there was you.
he’d met you first at jujutsu tech before any of the other students could. after sparring with maki, he’d been dismissed to shoko’s office. he’d opened the door that september day and was immediately met with your wide eyes, your searing cursed energy. gojo had found another stray.
shoko had made him your first experiment and you excelled. his injuries were healed within minutes. if anything, he felt better than he had in months — after battling insomnia and panic attacks, he felt… calm. like his brain was cleansed and that he had nothing to stress about. (until the next time gojo had gotten on his nerves.)
your introduction to his class was nothing extravagant despite gojo’s theatrics. megumi couldn’t help but keep his eyes on you after that — during practice battles, lectures, or lunch. he was always hyperaware of your presence. he blamed it on your cursed energy.
he hates how enthusiastic yuuji is about you, how yuuji tells him about how he manages to get you alone even though you often keep to yourself, and how he thinks you’re so fucking pretty, and that you’d agreed to watch the human earthworm movies with him. (megumi had refused when yuuji asked.)
he stews in that anger quietly because he’d rather die than let anyone know. nobara knows better, of course. she teases him about it and brings up jealousy.
why should megumi ever be jealous of yuuji? the boy was a freak accident in human form, with no inherent technique. who fucking cares that he can make you laugh without any effort?
it doesn’t matter. it doesn’t. because you have no direct effect on megumi and you don’t distract him during school. he doesn’t cling onto the memory of your hands on his skin. he doesn’t wish for the feeling again. of course not.
he tells this to yuuji and nobara, too. there’s one day where nobara goes too far — she teases him about setting up a date, that you rave about him, that he’s definitely your type. megumi doesn’t believe a word of it, especially because you’re probably more comfortable with yuuji. he doesn’t care to date because it would hold him back. he’s too focused on his training, on being the best, because he’s determined to follow in gojo’s shadow even if he won’t admit it. he could be the second strongest. he could be the most reliable.
it comes out in all the wrong ways. he’s more irritable than usual, so he yells at nobara instead of seething in hushed tones. he rants about how he does’t need someone by his side, certainly not you, whose only benefit is to heal superficial injuries and not much else. how your combat skills are poor, how easily you get beat when you spar on the field. how compared to him, you’re weak, so you’re of no use.
unfortunately, you hear him. every thought on his mind that tumbles out of his stupid mouth, his tone spewing wrath. you know that megumi is a moody person, but you’d never think him to be mean.
you pretend you’re just passing by, but from the faces nobara and yuuji are making, megumi already senses your presence. the color drains from his face, cobalt eyes wide.
“i’m — i’m sorry, i didn’t mean —“
“it’s okay, fushiguro,” you say softly. even after that shitshow, you’re still fucking smiling. it puts a sinking feeling in megumi’s stomach.
“ah, i got an extra pack of mochi and thought you guys would like it.”
you hand over a small bag and megumi takes it wordlessly.
“that’s so sweet,” yuuji beams, attempting to deflect. “hey, i was just looking for you. do you happen to have those jujutsu history notes? kugisaki spilled a soda on mine.”
“you knocked it over!” nobara protests.
“you put it on top of my stuff!”
you take your notebook out of your bag and hand it to yuuji graciously, avoiding megumi’s gaze and making up an excuse to see all of them later.
apparently, “later” means a week after. megumi sees you in class, and while he attempts to walk you to the dining hall or invite you to hang out, you bolt out the door before catching anyone’s attention. he has to find out how you are from fucking yuuji, who somehow gets to see you around the dorms every other day.
“i think she just likes to keep to herself, s’all,” yuuji says. he can sense megumi’s anxiety just from being in the same room as him.
“but you see her all the time.”
“she’s been tutoring me a little. and we just like the same movies and stuff.”
yuuji shrugs casually. his nonchalance makes megumi’s blood boil, because of course he’s the one who gets to occupy all of your time. of course you’re probably most comfortable with him. he knows he shouldn’t be seething at the thought of you two together — it isn’t his right. but his jealousy is starting to get the best of him lately.
“are you guys together?” he blurts out.
“no?” yuuji furrows his brows. “if anything, i feel like nobara might be trying to make a move since she’s way nicer to her than she is to us. except i’m pretty sure she and maki have been going out lately.”
“maki?”
“dude, keep up!”
and when yuuji accuses of megumi having a crush again, the same way nobara did all those weeks ago before he made a fucking fool of himself, megumi shuts it down with a grimace and a blush. he’s merely concerned about your wellbeing is what it is. that’s what he’s able to muster up to yuuji, of course, who absolutely isn’t buying it based on his shit-eating grin.
it’s annoying, especially because yuuji can make you feel more comfortable, comfortable enough to hang with the whole trio, and the pink-haired bastard has to meddle like a little troll. bumping the two of you into each other like you’re in middle school. somehow, it worsens everything. not your dynamic, but megumi’s self-consciousness.
he was already so extremely aware of you, but now he’s convinced that some angel above has tied the red string between you both extra tight. megumi looks for you in every crowd, awaits your arrival every day in the classroom and at lunch, and it’s starting to feel pathetic — the lightness in his chest whenever you’re even so much as ten feet away. his heart even beats faster at the anticipation of your text in the group chat, for fuck’s sake.
and then there’s gojo’s birthday party, a surprise orchestrated by the four of you, despite megumi’s reluctance. you’re particularly more radiant than usual. maybe it’s the lighting. maybe it’s the dress you have on.
despite the amount of shots he’s been forced to take in the past hour (three), megumi is still sober enough to feel anxious around you. though, he thinks he might be drunk enough to be lost in your image, fixating on your collarbone and the way your hair falls in your face as you laugh at one of gojo’s stupid jokes. it’s when the two of you lock eyes that megumi feels out of it, because you smile at him. you fucking smile.
if the warmth of the liquor wasn’t currently raising heated blood to his head, he’d deny the sparks that came from the mere sight of your smile, but he was hopeless. you’re mesmerizing. dizzying. he doesn’t know what to do with his face, not when his cheeks are flushing red and his motor skills are slowing down. fuck, maybe he was a lightweight like gojo after all.
he’s clearly out of touch with reality, because the moment fades as soon as it comes. perhaps it wasn’t a moment at all. he watches you tuck a strand of hair behind your ear, your mouth moving slowly as you mingle with other classmates. he’s fucking fixated on your mouth — your lipstick tonight is a blush red with a shiny gloss reflecting light. megumi has only dreamed of what your lips would taste like once or twice. no more than that. he swears on it.
there’s brief eye contact between the two of you again for half a second. there’s a coy smile on your face as always before you slip out the back door of the house.
there are so many bottles around the place that no one will notice megumi taking an entire bottle of champagne for himself. he scowls at the taste, of sickeningly sweet pears — courtesy of gojo, probably. his head swims and thinks of you.
his momentary peace is rudely interrupted by the sound of nobara’s voice in his ear, asking for you.
“ijichi’s setting up karaoke!”
“there is no way in hell that i’m—”
“i don’t care what you do, emo, but i need her to do a duet!”
megumi heaves a sigh, making his way to the backyard where he finds you sitting on a tree stump. even with the dim fairy lights, he probably would’ve missed you if not for the cherried end of your cigarette.
“fushiguro-kun,” you nod at him.
“megumi,” he rasps. “just… megumi is fine.”
“oh, i get special privileges now? how come?”
there’s no mirth in your tone. you’re teasing him. he doesn’t answer your question.
(the mere act of you teasing him becomes an intimacy in itself — he had never thought that you would be comfortable enough to talk to him in jest. you’d maintained your distance from him fairly well.)
“didn’t know you smoked.”
“only when i drink,” you shrug. “ieiri-san doesn’t make much of an effort to hide her cigarettes, either. don’t tell on me, though.”
“wouldn’t dream of it.”
he doesn’t know where to look. luckily, you’re not looking at him, so he can settle his gaze on your mouth nursing the cigarette. plump. glossy under the moonlight.
megumi is not used to wanting. he had never asked gojo for anything during his adolescence, and refused any gesture of kindness from anyone. he was convinced since childhood that there was no point in desire because disappointment would be on the other end of it either way.
he’d like to be a monk about it. he could control himself and focus on his studies. never spare you a glance again that isn’t platonic. and then a cool december wind blows past the two of you, and he smells your amber perfume.
and when he turns his head, you’re looking at him, eyes bright.
“so… not enjoying the party?”
“i’m not really one for parties.”
“me neither,” you shrug. “that’s why i like to do my little ritual of escaping.”
“we have that in common.”
you hum, a noncommittal noise. you take another drag of your cigarette, which disintegrates slowly.
“what a pair, the two of us.”
megumi can’t pick up any sarcasm from your voice, though he assumes it. it makes his stomach drop even though the statement is harmless. the two of you. together. it makes endless futures bloom in his mind. maybe it’s the prosecco, but it almost makes him want to vomit. to think that he was even good enough to be beside you in your future.
you curse quietly when you pull your phone out of your jacket pocket to check the time, realizing it’s dead. megumi gives you a once-over. the jacket you’re wearing is all too familiar. like him, you’re not one to wear very many colors. but this jacket is bright red, varsity style, and oversized on you.
“is that itadori’s jacket?” megumi stammers.
“oh, yeah. i didn’t realize how cold it would be tonight.”
“oh.”
“why?” you give him a curious smile.
“nothing,” he coughs. “are… you two…”
you laugh and it’s like a song to him.
“i think he might be my best friend, s’all. why? you jealous?”
he looks at you again, head-on, your eyes still bright. brighter than fluorescents. there’s something in your irises that is meant to provoke him, but he’s dispensed of his usual cautious nature after he takes another gulp from the bottle.
“more than you can imagine,” he huffs.
“sorry?”
“’m not repeating that.”
“what, you’re not saying you’re like, into me, are you?” you exasperate.
megumi remains silent, cheeks flushed. he thinks that if his head could heat up any more, he’d end up with a migraine.
you breathe the tiniest gasp. if it wasn’t for how close megumi was to you, he wouldn’t have noticed.
“i kind of thought you hated me, you know,” you admit.
“i could never hate you. i don’t think anyone could.”
“you don’t have to pretend,” you sigh. he didn’t notice until now that your cigarette was finished, discarded onto the dirt with your boot to crush it into ash. “i— beyond the politeness, i get it. that i’m not your type or whatever. you don’t even have to be friends with me, fushiguro-kun.”
“megumi,” he emphasizes.
“megumi.”
“i’m not pretending. i… i really fucking like you,” he slurs. “it kind of scares me how much.”
“you’re drunk.”
“i am. i know you heard me say all that shit to kugisaki and itadori, but it’s because they put me on the spot and i was nervous. i don’t know how to… deal with feelings. honestly, if i wasn’t even a little drunk right now, i’d probably have left the party with my tail in between my legs and avoided you for the next fucking week, and you don’t deserve that. you deserve… everything.”
“even you?”
when did you get so close to him? if he sauntered just a few inches in your direction, he could touch your noses together. he can smell your perfume so deeply.
“it’s the other way around,” megumi breathes. “i don’t deserve you. not anything close to you.”
“what if i want you regardless?” your voice is just above a whisper. a prayer, a hymn. a wish to be blown out.
megumi swallows the lump in his throat. he blinks at you, dark indigo luminescent. the world slows down. he may owe it to the liquor and the wine, but he assumes it’s just your presence. your scent, the softness of your hair in between his fingers, your soft breaths.
“what do you want, megumi-kun?”
he remembers something gojo said. that to be a jujutsu sorcerer, he has to be selfish. he’s not sure if that philosophy applies to the situation at hand, but he’d be damned if he let you crawl into bed tonight without knowing how he truly felt about you. so, uncharacteristically, he takes a leap forward.
he unwinds the tension in his body and presses his lips to yours. it’s soft, chaste, innocent. something like a pause. he’s afraid to touch you, but you’ve already reeled him in with arms thrown around his shoulders, fingertips touching the softness of his black hair.
you bump your nose with his, shyly, and he kisses you open-mouthed. tongue in your mouth, meshing the taste of tobacco and prickly pear. the vanilla chapstick that he’d put on before he followed you out to the backyard.
he has one hand caressing your jaw and the other on your shoulder, thumb brushing over your collarbone in a way that makes your entire body shiver. you’re embarrassed at the pool of desire in between your legs.
megumi has never let himself be full of wanting, but at the moment, his veins are surging with it. it’s like a drug to him — your warmth, your scent, the saccharine taste of your mouth. your flesh is so soft, so pliable, from the way you dip towards the cavern of his lanky body, pressed against him chest to chest. letting his hand dig into the fat of your hip. fingertips grazing the skin underneath your shirt.
maybe it’s the liquor, but he’s feeling experimental — he tucks your bottom lip in between his teeth. pulls your hair ever so slightly. you mewl into his mouth quietly and he thinks that he’s never felt anything better than this. you’re wrapped up in all of him. you can quite literally feel the heat on his cheeks and both of you realize how aroused he is, his bulge prodding your thigh.
“fuck,” he whispers into your mouth, and he pulls away. only a few inches are separating you as he takes a moment to breathe. his eyes are blown out wide, black stretching across dark blue. both of you are stunned, panting, and the tension is more palpable than ever.
a rustling of grass makes both of you jump. when he turns, he sees yuuji and nobara staring with wide eyes.
“you owe me 7,000 yen,” yuuji deadpans to nobara.
“seriously, fushiguro? i didn’t think you had it in you!”
“i always had faith in you, fushiguro!” yuuji chimes.
while you giggle, megumi growls under his breath at the new intrusions of dumb and dumber.
“i personally thought you were way out of his league,” nobara tells you.
“eat shit.” megumi seethes with arms crossed, and despite his wrath, he resembles more of an angry kitten to you than any potential threat.
“sheesh, don’t summon a shikigami on them, megumi,” you tease with a pleased grin.
“i—” he stumbles over his words in frustration, grimacing. “what do the two of you want, anyway?”
“gojo-sensei got ijichi to sing doja cat.”
“oh, i’ve gotta see this,” you snort, grabbing megumi by the hand as you begin to usher the crew back inside. his heart leaps at the feeling of your fingers intertwined with his.
despite his inhibitions, megumi’s decided that he could get used to this.
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pinkcarnatixns · 3 months
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leah williamson | hands down
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synopsis your girlfriend (barely) faces the consequences for her irritating behavior [1.5K] contents bf! leah, slightly suggestive
You were unbelievably pissed. 
Banging open the door to your shared apartment, you make a beeline for the couch and throw your weight into it with a huff. Making a show of being occupied with clicking through channels, you stubbornly keep your eye on the screen when the sound of your girlfriend’s sock-clad feet pad into the room.
“Baby,” she whined. Sparing her a glance, you only narrowed your eyes further at her standing form, complete with a pout and carrying both of your heavy training bags. At the resolute silence she receives and losing your gaze to the TV, she makes a statement of letting them both thud to the floor and stomping over. 
“You cannot be serious!” She argues as she’s met with a socked foot to the abdomen when making a move to sit next to you. 
As she’s standing over you, you make an effort for an even steelier gaze as the beginnings of a smirk tease her lips. Slowly, she leans more and more weight onto your leg which, shaky from training- quickly crumbles under the pressure. “Get off Leah! You are stinky and annoying!” The small victory she gets from crashing onto you is quickly replaced by shock as she tumbles to the floor at your retaliation. 
“You can kick me all you want but do not call me Leah!” She scoffs, clutching her chest and looking up at you with her all-too-familiar furrowed brow. “Why not Williamson? It is your name, isn’t it?” You smack away the ghost of her hand on your thigh and roll your eyes. 
“Stop that! You only call me that when you’re angry!” She groans as she stands to her feet, matching your crossed arms, “And I haven’t done anything!”
“Oh really! Then it must have been my other completely irritating girlfriend who insists on poking and prodding me like a teenage boy all day long!” You punctuate your words by standing and digging your pointer finger into her sternum.
In an attempt to quell your frustration, her hands find a familiar place on your hips in the small space between your bodies. You avert your gaze to avoid crumbling at the act of affection accompanied by the heady smell of her perfume, your crossed arms still your only line of defense. Her head tilts softly as she gazes down at you, “Is it such a crime to be obsessed with my lovely, gorgeous, talented girlfriend?” 
Heat rises to your cheeks, shy under her complete attention and frustrated at the way she can still make you blush easily after all these years. At the small break in your angry facade, she takes the opportunity to let her hands wander lower, unfortunately jogging your memory to what had instigated your fury in the first place. “It absolutely is when you feel the need to smack my butt in front of all our teammates like a horny boy while they laugh on like your own little fraternity! Honestly!” Shoving at her chest, you stalk over to your shared bedroom. 
Following at a much slower pace and with her head down like a scolded child, she watches on quietly as you rip through the drawers for a change of clothes, grabbing a towel so hard you nearly send the whole stack tumbling. Realizing where this is going, she starts pleading, “Honey, I’m so sorry, they were really egging me on! I swear Katie-”
She stops talking and tailing you as she nearly collides with your back, mustering up her most pitiful puppy eyes as you set your things on the counter. Whipping around to face her, you stand in the threshold of the bathroom, gripping the door with white knuckles. “I’m taking a shower! Alone!” The door is then promptly shut in her face and she hears the lock’s definite click ringing in her ears.
She pouts at the hardwood in self-pity before deciding there was much groveling that needed to be done and she should try to get a head start while you cooled off. 
After taking your time in the shower, you did feel much more relaxed- enough that you reached for one of Leah’s sweaters when leaving the warm steam of the bathroom. Treading back into the living room, you were surprised at her absence on the couch, your girlfriend normally one for lazing around after training. 
You’re suspicious at the small glimpse of her in the kitchen, striding over to you with a sheepish smile, steaming plate in each hand. She had clearly taken the time to shower in the guest room, clad in a hoodie that you remembered complimenting at some point, accompanied by some oversized basketball shorts. Her hair was haphazardly tied up, and you found your frown dissolving at the sight of her bangs sticking out, never quite cooperating much to your girlfriend’s chagrin.
“‘M sorry, I know it’s not much but it’s all I can make without burning our kitchen down.” She awkwardly chuckles, avoiding your eyes slightly in shame. You sigh, irritation gone from your body, and reach for one of the plates of spaghetti when she yanks it back towards herself. She lights up completely at your small acceptance of her peace offering and smirks. “No! Nothing but the princess treatment tonight, my love!”
Navigating around you towards the couch with a new pep in her step, you stand stunned at her sudden change in attitude. You watch on as she carefully sets the plates down on the coffee table next to wine glasses that you hadn’t noticed before, happily plopping into her normal spot.
She had clearly prepared this to some extent, as she drags your favorite blanket half over herself, hovering the rest next to her as an invitation. She shoots you with her familiar pleading gaze, shaking your side of the blanket for emphasis. You were never destined to hold out for long, treading over with a roll of your eyes. As you sit down next to her, she shoots you a thousand-kilowatt smile, leaning over you and tucking the blanket under your thigh, clearly a ruse to have you scooch closer to her- her body heat now seeping into yours. 
“You get to pick the entertainment for tonight, no complaints, I swear!” She passes you the remote, and lets her arm fall around your shoulders, gazing at you with a smug grin on her face. Leah always claimed to hate your ‘cheesy’ movies, forever trying to distract you from them with affection. “I should pick a movie I know you hate after that earlier stunt.” You mumble, but she recognizes the teasing lilt to your voice. 
“I’m sorry honey. You really just looked too good today! It should be illegal to be that pretty after running around in the dirt all day, seriously!” You blush at her words, leaning over to place a small peck on her lips to shut her up and because you really could not keep up this facade much longer. 
She lights up even further, smile bursting at the seams as she eagerly reaches over to place your plate in your lap. At your fork in her hand and her refusal to hand it to you, you quickly catch on to what she’s trying to do. “Leah. Please do not.”
She sinks a little at your words, and groans. “Call me anything but Leah, I’m literally begging.” 
You giggle at her dramatics. “Fine baby, please do not embarrass me in my own home, I’m capable of feeding myself.”
Completely ignoring your words, she makes a point of twisting around some noodles into a little bite and holding it up to your mouth. At your glare, she just smiles harder and moves it closer to your mouth. Knowing she wouldn’t drop it, you open your mouth and allow her to feed you. As you chew, she stares pensively, “How is it?”
It’s entirely too salty, forever being the girl’s favorite ‘seasoning,’ but you get it down and send her a thumbs up anyway- accompanied with a small smile. She’s ecstatic at your praise and peppers your face with kisses before you push her away lightly, giggling with your mouth still a bit full. 
“Now that’s settled! Finish your five star meal and then I deserve a much-needed cuddle session for all my hard work!” She grabs her own bowl and starts scarfing it down. You chuckle to yourself at her newfound enthusiasm, satisfied at the fact that she still glues one hand to your thigh while eating with the other. 
As your plates are almost clean, you break the comfortable silence with a final warning. “Do not do that again baby. You are the vice captain of a professional team and a grown woman, not a twelve year old boy. And Katie’s still in big trouble for egging you on.”
She sets both of your finished bowls back on the table, dragging your legs over hers which leaves you half on her lap. Meeting your pouty gaze, she breaks out in a shit-eating grin. “But baby, you’re so hot when you’re mad at me.”
You hope that the neighbors don’t complain at the resounding yelp she lets out as your hand slaps her bare thigh with all the strength you can muster.
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wynnyfryd · 7 months
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Trailer park Steve AU part 24
part 1 | part 23 | ao3
cw: alcohol, throwing up, brief reference to canonical character death
"Oh, my god!" Robin barks, nearly throwing herself off-balance again with the force of her laugh. "This is too good, man. You truly cannot escape your babysitting duties."
"Can I help you?" Max seethes.
Help him? Help him? "What the fuck are you doing here?"
"What does it look like I'm doing?" She gestures to the guy she's holding onto, some fluffy-haired kid with a cut-off vest covered in safety pins that Steve sort of vaguely recognizes as one of Eddie's friends. Oh, shit. Is Eddie here finally? Has he seen him?
"Wait, where's Lucas?" Steve asks.
"Who cares?" she bites back.
The guy gives a nervous chuckle and loosens his grip on her waist. "Uh-h. Did you say babysitter?"
"He's not actually, Jesus. I'm fourteen; I don't need a babysitter. And he was just leaving, anyway, right?"
Her glare feels like a slap. Girl's got daggers in her eyes, holy shit. It's like she's hoping some of El's powers magically transferred to her; like she's picturing him flying ten feet into the air and landing with a splat on the far side of the concrete, and he doesn't need this. He did not come out tonight to be bullied by a teenager. "Okay, that's it, I'm taking—"
"—me to the punch bowl!" Robin interrupts, putting her hands on Steve's chest to stop him from grabbing Max and hauling her back to the car.
"Robin, what—?"
"Yep!" She shoves him hard, pushing him to the edge of the dance floor. "Silly me, just dying of thirst, ha ha. Okay, cool, see you both later!"
"What the hell was that?" Steve demands when they're safely on the far side of the pavilion.
"An intervention."
Oh, my god. May he never hear the word 'intervention' again in his life.
"Un-ruffle your Mother Hen feathers for two seconds and think, would you? One: it would look really, really, seriously weird for you to be seen dragging a dead jock's kid sister kicking and screaming to your car."
A dead jock’s kid sister. Jesus, tipsy Robin has no tact.
"Two: you said we were going to go out and have fun and get, and I quote, 'very drunk.' Take your babysitter hat off for one night. She's a high schooler, and this is a high school party."
"Yeah, I know," he sulks. Doesn't need the reminder that he's technically past the age limit.
"Okay, so then let her have fun! It's not like you weren't out drinking and smoking by her age."
'I'm always so right about everything. I'm, like, cosmically correct.' Goddammit. Steve needs another drink. "I just don't want her to do anything dumb and get hurt."
"She won't. We can just, like, keep an eye on her from a distance, right? Let her come to us if she needs anything."
"So we should just act like your parents?" Steve snorts.
"My parents are amazing, thank you!"
"Your mom offered me mushroom tea once."
"Like I said: amazing."
Steve huffs a laugh, flips his hair out of his eyes and snags a handful of tortilla chips. "Okay," he says around a crunchy bite, "so what's the third thing?"
"Third thing?" Robin asks. She’s not even looking at him anymore, her eyes eager and distracted as she scans the crowd.
"You're biting your lip weird, there's clearly a third thing."
She turns to him, and the smile springs free from its containment, spreading all over her flushed, ecstatic face. "Vickie just showed up."
Steve’s hammered.
Whoops.
Didn’t mean to do it; feels a little bad about it as he tips his head up to the sky and all the stars go raining in bright streaks across his vision. Reminds him of the ceiling at Starcourt, nauseous and spinning under a swirl of bright fluorescence. He hopes Rob’s flirting is going well.
He meant to get politely drunk.
A socially appropriate amount.
But then Robin ran off to flirt with Vickie, and Steve was doing his best to just lay low, steer clear of Max and maybe find a way to casually run into Eddie if he could find him, when he spotted the girl he went on that disaster of a date with instead and realized his options were either: stay there by the beer coolers while she came over with her new date and subjected him to the most painful small talk of his life, or retreat to the dark edges of the party with as much booze as he could carry, so.
He's slumped on top of a picnic bench downwind of the bonfire, bad ear ringing, belly full to bursting, trying to remember when one beer became… more than one beer.
Five?
Six, maybe?
Fuck.
“‘M gonna puke,” he confesses to the splintered wood beneath his feet; to the pine bough overhead, the smoky fire at his back.
“Wow,” someone says, an amused lilt to their tone, and Steve knows that voice, he—
Oh, no.
Ohhhh, no.
Now? Really?
Steve whips his head around, opens his mouth to ask ‘Eddie?’ and barfs all over his shoes.
part 25
tag list part 1 below the cut, let me know if you want me to add you tomorrow (21+ only, please confirm your age if you're asking to be tagged)
@a-little-unsteddie @ahsokatanoss @aliea82 @alyelf @anne-bennett-cosplayer @aol19 @awolfstudio @bambibiest @bananahoneycomb @bookbinderbitch @bronwenmarie @cheonsazu @cinnamon-mushroomabomination @courtjestermunson @cuips-not-cute @dauntlessdiva @dawners @dontwasteyourchances @eddie-munsons-missing-nipple @eriquin @estrellami-1 @fandomfix8 @gregre369 @griefabyss69 @grtwdsmwhr @hallucinatedjosten @hellion-child @hiimlevi @honoragreyskull @hotluncheddie @jackiemonroe5512 @kas-eddie-munson @kingelyx @lifeisacrisis @littlebluejane @marvel-ous-m @melonmochi @messrs-weasley @milklechee @mrsjellymunson @mugloversonly @munsonslure @nburkhardt @nerdyglassescheeseychick @notsopersonalcharlie @novelnovella @nuggies4life @phoenixtheone @questionablequeeries @runninriot
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saintsenara · 1 month
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Do you think the wizarding world even has a concept of rape? I don't think this was JKR's intent but love potions are considered perfectly legal, Romilda Vane doesn't get in trouble, Dumbledore doesn't seem to think Merope did anything wrong to Tom Riddle Sr., and despite a member of Magical Law Enforcement witnessing lots of sketchy stuff at the Gaunts' no one steps in to help Merope. Plus we know their society is archaic and lacks modern values - ie. quills, slavery, lack of democracy
it's a great question pal.
the answer for which is under the cut, for the obvious reason that it comes with a trigger warning for rape.
when the statute of secrecy was signed in 1689, rape - defined as "the carnal knowledge of a woman forcibly and against her will" - had been illegal under english law since the middle ages.
however, the "against her will" bit is important here. in the seventeenth century, it was a legal requirement for a victim of rape to prove that she had maintained a continuous state of physical resistance during her assault. in cases where a victim could not prove this, her consent was presumed - even if she had been incapacitated in some way. unsurprisingly, consent was always assumed between husbands and wives.
men could not be raped under the letter of seventeenth-century english law - but the rape and sexual assault of men was illegal under buggery [sodomy] laws, and was often taken much more seriously by the state...
and i think we can plausibly say - should we want to - that, on the basis of what we find in canon, the wizarding world might retain this legal requirement for rape to be indisputably resisted, and that this explains why love potions seem to have no repercussions attached to them.
because, of course, love potions essentially function like date rape drugs, even if they leave their victims appearing to be of sound mind [the officiant who married tom and merope wasn't suspicious of anything, for example - and the only reason ron is so badly affected by the love potion he takes is because it was out of date] . they incapacitate a person to the extent that they cannot offer legitimate consent to sexual acts, and they also incapacitate them to the extent that they cannot physically resist their attacker - in their case, by compelling the person dosed with the potion to regard their attacker as someone they want to have near them.
therefore, if wizarding law only considers rape to be something which is accompanied by evidence of resistance... then using a love potion on somebody would not be rape.
the cultural implications of this are fascinating - especially since [no matter what jkr thinks] the wizarding world appears to be restrictive [by the standards of muggle britain in the 1990s and 2000s - although, unfortunately for those of us on our high horses about coming from a superior nation, not by the standards of muggle ireland...] in terms of conventions surrounding sexual behaviour and gendered expectations placed upon women.
the marriage age for women is extremely low [any woman whose wedding date we can pin-point in canon - molly weasley, andromeda tonks, lily potter, fleur delacour - gets married as a teenager]; the age for having children is also much lower than it was in the muggle world - and even than it was in the muggle world of the 1940s-1980s [all four of the women above fall pregnant before they're twenty-one, for example]; unmarried couples don't seem to live together, and there's clearly a social taboo against premarital sex [molly weasley gets a lot of flack from the fandom for making bill and fleur sleep in separate bedrooms, but nobody in the story regards this as prudish or old-fashioned]; divorce doesn't seem to be common [and blaise zabini's mother killing her husbands certainly takes on a new flavour if we assume that divorce is extremely difficult... or even illegal]; and married women - at least in the middle- and upper-classes - don't seem to work.
i also think that it's canonically plausible that arranged marriage, including between cousins, is a common cultural practice [sirius' comment in order of the phoenix about parents "letting" their children marry basically confirms this, i think] - which means we can also imagine, if we'd like, that there's perhaps little legal distinction between arranged and forced marriage.
obviously - obviously - i don't think that any of these are things the doylist text intended. the reason the story says very little about sex - both consensual and otherwise - or law or gender norms is because the harry potter series is a story about a boy-wizard who goes to a cool magic school and fights a good-versus-evil battle to the death which was written for children. i don't begrudge the publishers for not fancying a hundred pages on harry learning how to put on a condom...
[and the low marriage/childbearing ages genuinely seem to be because jkr is functionally innumerate and didn't realise how young she was suggesting everyone was...]
but from a watsonian perspective, they're really interesting - especially for the extremely disturbing paths they can lead us down as authors when we're trying to flesh out the worldbuilding of magical britain.
what - for example - is the wizarding age of consent? and how would this impact how wizards understand sexual maturity, adult-child power relations, and child abuse?
[after all, if the age of consent is unchanged from 1689... it could be as low as ten. which goes some way towards explaining why nobody thinks of tom riddle as grooming ginny...]
and does the law consider it possible for a wizard to rape his wife? and if it doesn't, what does it think about him beating her?
what legal rights do sex workers have in the wizarding world?
is abortion legal? is contraception? is homosexuality? does gay sex have a higher age of consent?
is divorce legal? can women initiate a divorce? how are single mothers treated [and, therefore, what was lupin willing to do to tonks by walking out on her]? how are the children of unmarried parents treated? what property and inheritance rights do women have? are marriages performed by muggles - or dissolved by them - recognised by the wizarding state? what position does this put a witch [like eileen snape] who marries a muggle man in? would a wizard who marries a muggle woman and then abandons her be committing bigamy if he married a witch?
would wizards ever be punished for sexual offences against muggle women? does merope get away with attacking tom sr. in the eyes of the wizarding state because of her gender or because he's a muggle or both? could a muggle raped by a wizard even report the crime?
what modesty standards are there in terms of dress and behaviour? what would wizarding feminism look like? what is it like to be muggleborn [especially from the 1960s onwards] and enter this world?
i think i'm inclined to take the grimmest possible view of all of these questions, to be quite honest...
the wizarding world is fucked up.
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alevolpe · 3 months
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Thoughts on the relationship between mamoru/tuxedo mask and usagi?
I like it in the abstract, but I don’t love it in any canon (aka the anime, Crystal and manga, only ones I’ve watched fully).
I still think the anime, despite the many MANY flaws their relationship has, is also the most endearing and likable to me. I really like their bantery, but sweet relationship of the first season (yes, he did get unnecessarily mean at times..). Usagi obviously thrives in relationships where she has a bit of push back, just look at her and Rei or her and Luna, her mother. Usagi likes to bicker and surround herself with “colorful” personalities. SO having Mamo be a bit of a looser who picks and bickers with her is very fitting and quite cute imo.
I still believe this scene is peak Usamamo chemistry.
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Now about the manga/Crystal… sigh.
I’ll keep it brief cause it genuinely makes me uncomfortable thinking too much about it, but I really dislike how much it feels like they are together as Serenity and Endymion. They call each other by their “past life” names and I hate it. For those who have been following me for a while, you already know my thoughts on reincarnating as the exact same person.
It feels like Mamoru and Usagi have no agency in their own bodies and minds and it’s genuinely gross (it’s a me thing I know, but it genuinely destroys the relationship for me and I cannot look past it). Ik in the anime they do too sometimes, but very rarely and the whole “loving each other through reincarnations” is not as hammered in as in the manga.
I’ll give credit to the manga for not aging Mamoru up tho, even tho, UNPOPULAR OPINION, the only difference between anime Mamo and manga Mamo (age wise) is just him telling Usagi he’s in high school. He still looks and acts much older than her, but hey, if an ID is enough to make someone more comfortable, more power to you.
Also another plus I’ll give the manga is their much healthier relationship in regards of physical affection. Every time they engage in casual kissing or hugging in the anime is the most awkward thing in the universe and also they seem to have much healthier sexual relationship in the manga, so that’s that. (Although give the *circumstances* of the anime, I’m glad they never went that far, cause yikes).
My ideal relationship for them is similar to the anime, tho Mamo is an actual teenager. And not just “here’s my ID teenager”, he acts and lives like a teen.
Also I’d MAKE SURE that they are together for themselves, they need to say it, both of them to each other and it should be a major part of their character arcs together. Serenity and Endymion DO NOT matter.
They are together cause USAGI loves MAMORU and MAMORU loves USAGI. They have the agency to choose who they love from the memories and emotions they shared in this life.
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shinsorokiri · 2 years
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y’know i know a lot of people talk about how they love shane and seb because they’re the damaged men in the game, and like same 100%, but i also see a lot of people kinda dismiss sam as a golden retriever, positive, happy character. but if you really think about it, sam fits into the same category as seb and shane too. like:
1. his mother expresses multiple times to the farmer that although she loves her children, she very much longs to have a life where she doesn’t have to constantly worry about kids. in a way a part of her deep down wishes that sam and vincent didn’t really exist and it tears her apart and vincent isn’t necessarily old enough to grasp the concept, but sam is and you know he notices it. this is the woman who raised him and (i at least headcanon him) as someone who is very observant. he definitely notices these behaviors coming from her. and idk about you, but having an inkling that your mother is unhappy with her life in any capacity would really screw me up personally.
2. his father went to WAR. like fully went to war and i’m thinking he was in the army for 2 and a half years at least because he has a corporal badge (even though it’s upside down) but that means that he was away for bootcamp, then deployed, and if sam is around what? like 19? 20? that means that he became the “man of the household” at 17 or 18. Because I personally believe Kent was away for three to three and a half years. Bootcamp for about 10 weeks, straight to a base for more training, and it seems as though the active war made it so he got deployed into action fairly quickly. So, not only did Sam have an absence where his father should have been during the years he became a young adult, but he has to adjust to his father coming back and struggling with PTSD and quite honestly being shellshocked. (i also believe kent was honorably discharged, meaning something bad happened to him in the war. perhaps it was the same event where he lost many of his friends, but i fully believe the war is still ongoing even when kent returns to the valley considering the traveling merchant is still smuggling things into the town.) all the memories he had of kent are just memories now because his father will never be the same as he was before. And sam KNOWS that! even vince notices it!
3. he’s literally a rebellious skater kid, one of his heart events is him getting in trouble WITH THE MAYOR because he’s skating where he’s not supposed to, AND he purposely tries to sabotage the soup for the potluck and leads in community service hours. he’s a teenage dirtbag baby! a misunderstood edgy kid who acts out because he doesn't know how to express his feelings! and on top of that, with his adhd he’s even more misunderstood and people don’t take him seriously at all. he gets scolded for things that he seemingly just can’t help all the time and that just hurts him and makes him act out even more.
4. sam is also a damaged individual - he’s just better at masking it. seb embraces the darkness and accepts that he is an outcast and doesn’t try to hide the fact he is. shane struggles with addiction and depression publicly and it’s not negative necessarily, but he can’t hide it from anyone. sam has a warped idea that he cannot show his ailments, physical or mental because he needs to be strong for his little brother and give an example of what he believes a man should be (and because of the patriarchal society he lives in he doesn’t know that he can be vulnerable because no one told him because the man who would have been able to explain that to him during the years he really needed to hear it wasn’t there). i fear he suffers a bit from toxic positivity and desperately tries to rely on hobbies to distract him from his reality. 
long story short, sam is not just a silly guy, he has depth. i mean come on, he's best friends with sebastian for a reason! they’re similar in ways! he just doesn’t know how to talk about or express it. all this to say, sam is an interesting and deep character that shouldn’t be written off immediately by people.
sam supremacy! lmao
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lildoodlenoodle · 11 months
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One of the biggest problems and red flags about the whole spider society was having kids be workers for them.
Now I’m not saying the spider society shouldn’t have contacted the younger spiders or even work with them! But the spider society should function as more of a support group and emergency backup type situation for the younger spiders.
There was no reason for Margo, someone who is implied to be like Miles’s age, someone who can’t even drive, to be running an integral part of the society and how they are keeping the multiverse intact. She not only ran it, but if it malfunctioned it was clearly her job and responsibility to fix. When the machine ‘breaks’ and functions while, as far as she’s aware, no one’s in it she’s panicking, even though there would be no real consequences if she just let it run. There was no reason for Gwen, a 16 yr old, to be running around the multiverse alone going on high stakes solo missions(and that’s not even getting into the whole homeless thing). We don’t know yet what Peni’s role is but we have to assume it’s similar in nature and responsibility. That is insane.
Pav is the only one who seems to have a healthy relationship with the society, because he’s not really in it! He doesn’t know the indoctrination canon events yet, we don’t see him going off on solo missions, he gets backup when he needs it and that seems to be it.
For the kids that do know the canon events theory(Margo, Peni, Gwen) I cannot even imagine what must be going through their heads. Who else from their worlds has to die. For Peni, is her last living relative, Uncle Ben, the next person for her to lose? If Gwen returns to her world how long will it take for her dad to die? What other traumatic events have Miguel’s theory dictated will happen to them next? What horrors do they know will happen to them and their loved ones that they aren’t allowed to prevent? Is Gwen destined to die young because she’s the only Gwen we see Alive? And Gwen and Hobie, Pav’s friends, do they know that Gayatri and her dad are both destined to die? Like the mental gymnastics these kids have to go through and the mental torment that goes with it.
And then on top of it, to threaten said teenagers, who you have working for you, with being kicked out and being isolated from the people that are like and understand them is really fucked up. Especially if the threatening is because they are acting like teenagers and not soldiers. If Gwen is sent home, not only is her life put in danger but so is her father’s and they all know it. That is some culty level gaslighting and even grooming. Margo and Peni both are implied to not have good home lives either. The more you think about it the worse it gets honestly, because what goes along with this is we never see any of the adult spiders say anything about this.
Miguel and Jess both saw Gwen’s father, a grown man, try to arrest his daughter with a gun pointed at her. They save her, Jess takes her under wing(and whether they meant to or not) effectively become her guardians. They monitor her with what could essentially be a baby monitor/tracking device. They can control where she can and cannot go. And while understandable to not give a teen access to the entire multiverse they were very much giving her the adult responsibilities of protecting it.
When she does screw up, because she is a child who wants to see her friend, Jessica very flippantly references Miguel sending her home, making me think this is not the first time they’ve had that conversation, which is so worrying. And then they eventually do. They knew exactly what situation they were sending her into and not only did the entire society watch Miguel do it with little protest but didn’t even mention it afterwards. Even if Gwen was a threat they had other options, rather than sending her home, where she could still be safe.
There’s also a lot to say about how Jessica, Peter B., and Miguel handled Miles that speaks more to this pattern of behavior but that’s another post.
In the comics the ‘Spider Society’ got away with this sort of stuff, even having an actual infant just chilling with the group, because the spiders were being hunted. They couldn’t go home or leave the safe space dimension because it wasn’t safe. In the movie that is very much not the case. WHY WERE TEENAGERS WORKING FOR THE SOCIETY!?
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thishazbinamistake · 5 months
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In my opinion, Loona is a character with some of the most wasted potential in Helluva Boss.
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Though we don't have a ton of information about her background, we do know she lived in a shelter for much (or maybe even all) of her childhood. Loona is cold and distant to her adoptive father, and outright rude to many others, particularly Moxxie, who she constantly mocks and belittles. I'm thinking that this behavior is either a result of her upbringing, or perhaps it was even the reason she was put into the shelter to begin with. But until more is revealed about her past, I want to complain about the way she's currently written.
Loona is abusive, plain and simple. The way she treats Blitz, her adoptive father, goes way past simple angsty teenage rebellion and well into the abuse territory. Any semblance of Loona being remotely sympathetic was thrown out the window in Seeing Stars, when she kicks Blitz in the groin, all because he was relieved to see her and wanted to give her a hug. And all of that after she gives Octavia the "cut your dad some slack" speech.
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I've seen people try and defend this behavior by pointing out that Loona has childhood trauma, and this is why she has these behavioral issues. It's certainly not unheard of for victims of childhood abuse/neglect to have anger issues and poor emotional regulation, and I would have absolutely no problem with this being the case if it was shown to actually be a problem, but it isn't. Not once does Loona get called out for her behavior or face any sort of consequence for treating others poorly. If anything, this abusive behavior is treated as a joke more often than not.
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It's extremely ironic that one of the most despised characters in Helluva Boss, Stella, receives so much hate for being abusive towards Stolas, when we've seen Loona do far worse to Blitz. I honestly cannot think of a logical reason as to why we're supposed to like Loona, while also hating Stella. We see Stella nearly hit Stolas and it's (rightfully) treated as being abusive. But when Loona is constantly beating up her dad for no good reason, we're just supposed to laugh? It seems extremely hypocritical on both the writers' part, as well as many of the fans'. I honestly can't tell if the writers genuinely think this behavior is okay (when it's coming from Loona) or if they just see it as a quirky character trait of hers.
If we're supposed to find Loona likeable, which we clearly are, then the writers seriously need to start making some changes. I'm not saying they should just completely retcon Loona's character and suddenly make her nice, but they do need to start being consistant with how they portray abuse, and they seriously need to stop excusing and coddling her horrible behavior, regardless of if she has childhood trauma. That is not how you grow as a person and overcome your issues. Yes, it's a process that is often long and difficult, but it hasn't been shown that Loona is actually trying to make any change at all, or that anyone is actually encouraging her to change.
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If you want an actually halfway decent example of a character overcoming their trauma (at least within the Hellaverse) look no further than Blitz himself. It's clear his father was abusive and explotative towards him, not to mention he accidentally caused the death of his mother and the maiming of his close friend. Both of these things likely contributed to many of Blitz's flaws and issues as an adult. But the thing is, despite all that, Blitz himself isn't abusive to his daughter. He has shown nothing but unconditional love and devotion to his daughter despite his past. I'm not saying Blitz is a perfect character by any means (I won't excuse him literally threatening to rape his employees), but it really goes to show this whole argument of 'Loona acts the way she does because she has childhood trauma and that makes it okay' doesn't hold up to scrutiny as much as her stans seem to think.
I think a good idea would be to start showing more of how Loona's behavior negatively affects those around her, something which would give her the motivation to want to change. Show how hurt Blitz feels whenever Loona lashes out at him. We get a taste of this in Spring Broken when she hurts Blitz's feelings, but it's clear from both her dialogue in the scene as well as her later actions that the writers apparently don't want her to actually learn from her mistakes and grow as a character, which is such a shame.
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Loona had the opportunity to be an extremely complex and compelling character if her aggression and violent outbursts were actually addressed as being a problem she needed to overcome, and if she actually tried changing herself for the better. Seeing the effort she puts into treating others better and breaking the cycle of abuse would have made her character feel so much stronger and more likeable. But instead, the show just treats this abusive behavior as a quirky, edgy joke and "lol that's just classic Loona!! What can ya do lol!!!"
She does have her moments where a good character actually shines through, but they're so few and far in between. I want to like Loona so much, but as it currently stands, I just can't, and that makes me sad.
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melishatweedy · 6 months
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My take on Mrs Melisha Tweedy and why she is the way she is:
One of the first things that stuck out at me from reading “Mrs Tweedy’s Pie for the Soul” was Melisha’s backstory. Her father gifted her a puppy but her mother was disgusted with this. She wanted him to buy Melisha something “valuable”. Melisha reacts the same way as her mother does.. however we see a glimpse of her father in her when she agrees to try to bond with the puppy.
It seems she tries to make her mother happy the most, by saying she wanted a “gold telly” which is… unheard of for sure… and unrealistic. This tells me that she comes from a wealthy family.. this is maybe where her lust for money and power come from.. her mother. Her father seems very down to earth. He talks about how a young girl shouldn’t want riches, she should want something along the lines of a puppy, like other kids her age. I was obsessed with getting a puppy when I was a young girl.. just like most of my peers. The way her mother talks to her father is the same tone as she talks to Mr Tweedy.. a learnt behaviour.
We also see that Melisha doesn’t get along with her young peers. She claims she has no friends and is okay with this. It seems her mother’s words about being rich and alone seemed to have stuck with her. She’s accepted she has no friends, which is probably why she wants to be rich. She doesn’t want to be both poor AND lonely, which she ends up becoming after the end of the first film, or even the start.
Conclusion? She’s just like her mother. Her father tried, probably countless times to bring her back into reality and show money isn’t everything. But she’s stuck in her mother’s ways.. which is what we see from the first Chicken Run. The way she talks to Mr Tweedy, the way she’s obsessed with being rich. She most likely feels like she’s failed her mother now she’s poor and on a farm worth nothing. There’s a hint of emotional abuse from her mother.. cold and bitter, especially about how she should act. Here she’s a child, a child who cannot make friends and cannot see why most kids love puppies and toys etc. Thanks to her mother’s rich tendencies.
But why did she end up poor? Where is all this money and riches she once talked about? My guess is something happened with her father and they went bankrupt. Her parents lost everything during the wars. She was probably a teenager when the Wall Street crash happened.. remember it did affect the UK too quite a bit. When she met and eventually married Mr Tweedy, she probably saw the already probably dying farm as a new big business adventure.. but it didn’t go to plan. And in the second film, where she’s now married to Dr Fry, it’s mainly due to money and power. She married Mr Tweedy for love and a big future.. possibly children, which we saw never happened... she married Dr Fry for his money and intelligence.
Mr Tweedy… where do I start? The comic relief of the film one may say. He is a funny character. But she wasn’t abusive towards him. Emotionally? Perhaps some may say. We see her call him all sorts of names.. but physically? No. (Apart from that boot to the ass but that’s not relevant here). A simple man from a long line of farmer, most likely inherited Tweedys farm from his own father.
We see from his excerpt that the marriage is all but dead. However he says that he likes “a kind word from the missus” which indicates there is still a spark there. They do love each other but she isn’t in love anymore. She still does give him these “kind words” from his segment, and we see in the film her pinching his butt in one scene. My theory is they did marry for love, but with the farm failing and them becoming poorer than usual, that once love is now gone, from Melisha’s side anyway.
They divorce because well.. there’s nothing left. The farm is gone, the chickens are gone, money.. gone. They probably sold the farm and then divorced, he mayhaps moved on to work on another farm as a farmhand, and she met Dr Fry and the rest is history. There’s one part in the second film which sticks out to me, where she says “my current husband” meaning she probably will divorce him and take a lot of his money, investments and inventions. Yall know miss Melisha signed her name on many of these things. All I can say there is girlboss!
My ultimate conclusion: she’s had a hard life, give the woman a break. she’s not the “villain from chicken run” she’s a businesswoman with goals and aspirations.
I am all for any other theories or discussions with any of you!! I love it.
Thanks for coming to my TED talk!
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dilfs-bitch · 1 year
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Again | Jake Sully
Pairing : Jake Sully x Recom female reader x Neytiri te Tskaha
Warnings: Mention of Kiri, Spider, Tuk, Loak and Neteyam, Tsu'tey and Moa't, mention of the recom unit, age gap, (reader in her early twenties, Jake in his late thirties, Neytiri in the mid-thirties) angst, secondary character death, injury, pregnancy, mates, smut suggestive content.
Word accont: 3k
Summarry: After you die, Jake never thought he’d see you again, but after fifteen years, the RDA brings " you " back.
Chapter one
Some events in the movie were modified to suit the chapter and sorry if there are grammatical errors english is not my first language
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Jake's euphoric.
A soft smile adorns his lips as he wakes up with the soft chirping of Pandora’s diurnal creatures, he is hoping to feel the warmth radiating from your body, but instead he is brought back to reality.
His body is inert, is the tension that forms quickly on his shoulders, his heartbeat is agonizing when he realizes that him was left alone by you in the tree of voices after everything that happened, after everything you said to each other.
The remorse of his actions now weighs on his conscience, what was he thinking? Acting like an immature teenager having sex with another woman, blinded by an old feeling that should have remained deep in his heart because it makes him not even think he has a mate, a family, an important position within the omaticaya clan.
Jake is not even thinking about the consequences of his rash actions, it's the unhappy glare of Neytiri who took her hand to her mouth, silent tears welling up from her eyes upon she's realizing what happened when he returns the next morning to the clan alone, it's the confusing questions of his children about where he was and why their mother is suddenly so desperate as he just stands there letting her put out all her frustrations he himself has caused in recent months. And perhaps the greatest of its consequences is yet to come because it's only a matter of time until you take Quaritch to high camp and this time there is no more time to argue or to regret, him and the clan is more prepared than ever ready to die and kill
lf days, weeks pass and when it finally happens, it's not Quaritch and his recom unit that attacks directly, it's the consequences of the stubbornness of his youngest son who once again disobeys his order and goes to the battlefield, it's unbearable to try to fight against the feeling of fear that spreads in his body like a disease, what if when he gets to the battlefield it’s too late? Jake would not forgive himself if his mistake caused the death of one of his children, even though he's instinctively preparing for the worst when Lo'ak no longer responds through the throat comms and everything he can hear it's the gunfire, when he lands with his ikran along with Neytiri and Neteyam who insists on helping, but Jake cannot risk the safety of his another kid.
He won’t think twice about killing anyone who dares to put his family’s safety at risk, and that includes you.
It’s a kind of feeling that not even Jake doesn’t know how to control, it’s a mix of guilt, anger, betrayal, remorse, he didn’t care for fifteen years that what he experienced in side with Neytiri, the memories they created together, he didn't care about the bond that connect their souls forever, to at the end of it all be left alone to deal with his own choices and at the same time he almost feels compassion for himself.
The woman he always loved before him “alive” fifteen years later, saying she is in love with him too, and what should he do? Ignore all those feelings he couldn't forget for years, and that soul connection he always felt? At that moment, Jake was willing to pay the price, but now the consequences seem too high, would you be able to betray him, your feelings? Would you be able to put his children at risk for pure selfishness and revenge? No, it can’t be you’ve never been like this and no matter how hard him tries, Jake can’t accept that.
And he is unbearably relieved when upon seeing Lopez and Warren’s bodies dropped to the floor lifeless, Lo'ak and Kiri hiding against a fallen tree trunk and your body protectively protecting Tuk from the gunshots of Quaritch and Lyle’s weapons.
It is the sudden hormone of epinephrine that causes him to act in automatic mode, it's the shots, Neytiri’s straight arrow that hit Brown and Walker in the head, it's the loud and sudden sound of bullets fired from his gun against his sensitive ears hitting Praguer’s neck and Fike’s back, it's an unexpected emotion of surprise to see the hard and agile work between Neytiri and you to get the children out of the crossfire.
It's the fear triggered by Kiri's cry and seeing you put yourself in the crossfire once again to rescue Spider who seems unconscious, it's the despair that makes him instinctively hold his breath when he sees the bullet from Quaritch and Zdinarsk's gun cross your arm and pierce your thigh when your body tries to lower itself against a fallen log but Neytiri was there guiding you to a safer place.
It's when he's finally realizing that he would never be able to hurt you, even if he was blinded by hatred, even if said he would.
His body is inert is only his heart that beats at a much stronger frequency than usual when he's watching Moa’t treat the wounds of your body passed out in her hut while Neytiri is frustrated to hear what her mother has just said, although he is more concerned, ecstatic, happy to know the news of a new child and what Ewya destined to him.
All life is a blessing to Eywa, and Jake would never dare to say the opposite of his children that's growing up in your womb.
“ Ma sa'nok, Why? Why should we mate with another? A demon who brought so much disgrace to our people! “ Neytiri hissed at the Tsahìk.
Mo'at looked at her angrily, she didn’t teach her daughter any less? “ Must be done, Eywa has spoken “
Neytiri did not understand, she and Jake were happy together, before you, she did not need someone else to ruin what was no longer so good. She turned to her husband, who was sitting on the woven mat near your body, urging him to give an opinion on the matter, although she almost knew what he would say.
“ The great mother did it for a reason that I do not know why, but I’m not against her will. “ Neytiri’s ears sharpened, and she hisses at her husband. ' Won’t go against ? '
His mate continued to talk to her mother, and her it's almost forced to the understanding that one cannot go against the will of the great mother because what she gives, she takes away.
Ewya gave you back to him, gave a kid, a mate to him and Neytiri is not up to her to disregard the wishes of the great mother, so she accepts.
Now with the latest events, he decides to leave, it's a difficult decision, but Jake understands that he has to leave Omatycaia, leave his home, his people, give up his title of Olo'eyktan, take Neytiri and his children away from everything what do they know because he needs to keep your family safe, keep you and the baby safe from Quaritch, from the Recom, from the sky people because they won't stop until you're both dead.
A few days pass until the symbolic ceremony for Tsu'tey to “ kill ” him by scratching him with a knife to transfer leadership, the clan omatycaia would be fine with a leader like him, so they leave for Awa'atlu, a village of the Metkayina clan that Moa’t told him in search of uturo and the journey across the seas is exhausting, It is difficult to adapt that's suddenly forced not only for their children that requires knowing why suddenly you accompany them, and he omits some details while trying exhaustively along with his mate explain that now you are also part of the family because now you are their mate chosen by Ewya.
It was an eight-hour flight including two stops to the reef, Jake didn’t know what to expect from the Metkayina clan, if they were kind and willing to welcome him and his mates and their children, and he is more than grateful to the great mother who guided him during this journey and that the clan leaders allow him to stay, he is aware that it's a new and difficult restart, it would be challenging to be in a way in a new environment forgetting his forest teachings to replace by the water path, but they will overcome that.
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At first, Neytiri had not yet completely accepted the fate that was forced on, and neither did you.
The communication was just the basics, but it almost becomes frequent the way she's petting your belly every day, thanking Ewya for the baby that's growing healthy, and Jake almost feels tempted to interfere when you didn’t seem to try so hard, though he knew your way was more subtle, so subtle that it becomes almost imperceptible but there you are advising their children to spare her the trouble of doing it almost daily considering how many confusions Lo'ak gets into and this creates a kind of bond over the months in Metkayina, so strong that Tuk calls you Sa'nu not unlike Spider who is glued to your hip since omatycaia.
Life is going well, though Jake begins to feel left out when your relationship with Neytiri seems to progress, it becomes so frequent the smiles and conversations in the marui pods, his heart is so warm to watch for the first time his first mate teaching you to weave a tewng for the baby who has not yet born .
It's if everything was the way it has to be.
But he is brought back to harsh reality every time it’s just the two of you in the marui pods, and you seem tense with his presence, embarrassed, almost annoyed every time he tries to start a conversation and a shock of perception hits him.
Your opinion was never heard, you were just forced to leave everything behind and start a new life in another clan, accept this fate that was given to you by Ewya to have two mate without even a chance to argue, for Jake you’re on the edge of impatience, and it’s only a matter of time until you lose the ability to reason and your anger is directed directly at him and Jake doesn’t know how to avoid it because you don’t listen to him, you do not give him a chance to explain himself and for his luck it's Neytiri who approaches you about it.
“ I know it must be hard for you” She smiles, holding your hand against hers” But Ewya has a role for all of us and her will cannot be ignored “
Since a young age you understood that sometimes in life there are no choices and in Pandora would not be different, but the problem is the guilt that consumes you for your rash actions to get involved with a man who has a family, and now it has put you in this situation more than strange between the woman in front of you that you like so much and the man that you’re in love with, although you’re aware that it’s Jake that’s being left out by you in this adjustment that gets better every day.
Your jaw tightens, your ears flattened in shame. ” I know, but sometimes I can’t help but blame myself for interfering with what you two had before and that got us into this mate thing "
The next look of her reveals how uncomfortable she gets with what you just said, Neytiri can not deny how hurt she was to learn that her Jake was able to relate to another woman besides her, but from the moment you were surrounded by the atokirina seeds it was Ewya’s plans to prevent later her children and the rest of the clan from suffering the hatred of Quaritch and the sky people.
“ Don’t say that, from the beginning was the plans of Ewya Ma' Y/n “
Although Neytiri had tried to resist at first in accepting her fate, little by little she got used to your presence, it is lovely the way you treat her so kindly, always hearing her so interested in the history of her clan, and a new feeling that grows in her heart usually reserved only for her mate, but now she is so in love with you too.
She now perfectly understands Ewya’s plans because it's such an intense happiness that blooms within her with the latest happenings, she never thought she needed another mate, but now Neytiri swears she can no longer live without your presence, though for her happiness to be complete she needs you to understand that the great mother’s plan isn’t just she’s and Jake, and she’s and you, it's the three of you together as mates, she needs you to understand that there’s no reason to blame what happened.
Standing up, she reached out her four-finger hand, and you took it, mirroring her actions, she watches you, waiting for any sign of hesitation before stepping out of your shared marui pods.
Your feet ran hurriedly against the soft sand toward that part of the sea that and farthest from the village, were only the sounds of the calm waves, noises of oceanic creatures. Your heart that beat against your rib cage increasingly stronger each time you saw yourself closer to the place that Jake usually stays when he wants to be alone.
It was already dark, but it was possible to see his figure by the luminescence of his own skin that was sitting looking at the horizon, perhaps so distracted that he doesn't even notice that you two are approaching, and he only realizes that he is no longer alone when Neytiri kneels down sitting and the palm of her hand rests softly against his shoulder, he turns to face her who smiles nodding in the direction you are standing awkwardly and Jake hesitantly extends his large hand to you which you have take sitting kneeling in front of him and beside her.
“ Ewya destined us as mates…the three” Neytiri starts holding your hand and Jake’s” There’s no more reason to feel guilty, the will of the great mother is that we become just one “
Your ears flattened against your head, you nodded understanding what she was saying, the bond of tsaheylu was something you had already done before when you claimed your ikran, but it was not an erotic bond. It was just like a different mind control as it seems to interweave your kuru with your partner’s, you are confused about how it works, In the months that passed in omatycaia no one dared to explain how it works when choosing a mate and this time it is Jake who decides to explain seeing the look so confused in face.
“ It's a ritual of union, like a marriage but a powerful bond that binds two souls for life” Jake's hand goes up to the back of his head bringing his braid over his shoulder, lifting to you” As me and Neytiri did”
Your hand goes instinctively against the back of your neck, bringing your neural queue under your shoulder and lifting it so close to Jake's that the thin, pink strands spurt ready to connect and when Neytiri finally reaches her and all the three of them meet intertwine, pupils immediately dilate, their foreheads resting against each other, breathing unevenly as if they've run a mile.
But it's just the state of body consciousness now united accessing each other's emotional sensations, Jake and Neytiri had already experienced tsaheylu's sensation before when being mated but now it's so intense, so raw it's a whirlwind of feelings of the for life bond forming, it all feels so intense that's hard to focus on just one, but it's like you can feel exactly what each one of them feels, Jake's sadness, the need he feels not only for you but also for Neytiri, the happiness with the last events, the love he has felt for you and his mate all these years, the fear of Neytiri, the anger, the suffering, a mix of need and happiness since he arrived in Awa'atlu, the love she feels for Jake, the strong feeling she has for you that makes you smile, it's everything so new, so intense, so erotic.
And you’re not the only one who feels that way, because Jake’s hands immediately cupping your face as he leans his lips against yours, it's soft just to remind your body of what’s to come. His chest beating frantically as feels your hand resting against his muscular thighs and he gasps softly.
You kiss him with so much passion, hungry to deepen the kiss but is slow almost desperate with the time you two miss it that soon the kiss becomes sloppy, teeth pounding making noise with the impact and you two chuckle and Jake almost moans to feel your tongue slide against his. Your tail curling Neytiri’s leg when you break the kiss and Jake’s hand instantly goes against the beck of her neck pulling her close to kissing her so intensely that Neytiri tries to pull away, only for his five fingers hand on her neck to keep her in place, unable to have enough.
When it becomes difficult to breathe, he finally lowers the kisses to her jaw, neck sucking the exposed skin, and she whines with pleasure, leaning towards you who kisses her.
It's slow, full of need, and you moan at the feel of her tongue sliding over yours, and it catches Jake's attention, the sight before him of the two women he loves so much is enough to form a growing erection beneath his loincloth, and he's tempted to just fuck you both right there but now that tsaheylu has been formed he can't, although he thinks he can't control himself for too long.
 “ Tìyawn ” He says, smiling when your ears tremble, and you break the kiss immediately, gaze at him. ” We need to mate before Ewya, at a sacred site ”
When you nod, he just stands up, extending a hand to you and Neytiri, who takes it as he leads the way to the Cove of the Ancestors.
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utilitycaster · 1 month
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fascinating how some people are acting like Liliana’s one of the vulnerable teenagers the RV has recruited and not a powerful, presumably level 20 general who’s committed horrific atrocities in the name of predathos. it’s like saying alex jones is a victim of qanon instead one of the primary peddlers of it. I get having sympathy, especially for for the troubled young mother 25+ years ago, but genuinely. what is going on here?
Hey anon,
Something I've noticed in fandom, not exclusive to this campaign, though perhaps heightened, is that a lot of people really struggle with the concept that victimhood does not absolve you of wrongdoing. It provides context; but it doesn't take away what happened to others as the result of one's actions, even those actions were taken under extenuating circumstances.
Caleb Widogast is perhaps one of the most stellar examples of this in Critical Role. There were many extenuating circumstances. He was an abused and manipulated teenager. His parents are dead by his hand. These are both true statements. Part of what makes Caleb so compelling is that he is, on an intellectual level, well aware that he was pushed into this in many ways both psychological and magical, and that he was a child. He also acknowledges - truthfully - that it was still him putting the pieces together of "my parents are traitors, and so I should do as I'm told here." The story is about him finding a way to move forward and live his life, but the victims - his parents - cannot forgive him, and the campaign indeed ends with a very clear message that what is done cannot be undone.
But not everyone liked Caleb's story. Some felt he should have been less forgiving of others and killed the entire Cerberus Assembly for letting it happen. Some felt he was unforgivable even by himself for his actions. And some disagreed with him - including in-world - and argued he bore no responsibility, and, notably, Caleb consistently pushed back.
I don't think Liliana is quite at the level of Alex Jones (who is, in my opinion, pretty much wholly unsympathetic; I've read through some articles regarding the Sandy Hook defamation trials and this guy just wants to sell supplements and will do anything to do so). But yes, she is comparable to someone actively pushing dangerous conspiracy theories and bringing others in. That is, again, the thing about cults. Even if you're not at the top, if you're recruiting others, or, in the case of cults that do harm to those other than just members - which the Vanguard undeniably does - participating in harmful external actions, then you are perpetrating violence. You are also a victim. These can coexist, but victimhood does not negate the harm done. Liliana is sympathetic. She is also actively making the lives of many people worse.
Now, some of the problem is that there are people who think releasing Predathos is not, in fact, bad, and so to them Liliana is not complicit in a sufficient level of harm. I'm not really interested in wasting my time on them; that line of thinking is pretty fundamentally at an impasse with mine and as discussed previously I find it rests entirely on incoherent and presumptive arguments linked only by broken metaphors and rank hypocrisy. But moving on, I think some of the other people arguing in defense of Liliana not just as a sympathetic character (which, again, she is) but as someone blameless and deserving of endless patience are perhaps struggling to separate "it is not helpful to endlessly flagellate yourself over past wrongdoings if you have truly made a turn for the better" with "some people will not forgive you, ever, because you have undeniably harmed them, and you are not owed anything from them." You have to live with yourself; of course you should grant yourself patience. Those hurt by you do not need to do so. If someone is brainwashed by a cult and they kill someone, the relatives of the murder victim might forever hold this against the murderer despite the brainwashing, and I, personally, do not believe this is wrong of them. I don't believe it's "inspirational" to forgive someone who hurt you sufficiently badly except in the sense that it would be put in the "inspirational" section of an airport bookstore that really means "extremely Evangelical Protestant in outlook." I don't think you should hurt them back once they've stopped doing harm, but you might never want to speak to them or interact with them again and I think you are valid in that choice. I certainly believe that any forgiveness can only come after a sustained pattern of change.
In short: I think people want a very Good or Evil narrative about Liliana when the answer is "she's a victim and she's also victimizing others, and it's valid for those harmed by her or by those she works with closely to say "I am deeply sorry you fell into Ludinus's clutches but the devastation you are leaving in your wake isn't something I can ignore or, at this point, forgive." As Ashton says, the fact that Liliana is deep in a cult doesn't negate the fact that there's a very real chance that same cult will kill her daughter - indeed, they came within a hair's breadth of doing so - and that that hasn't stopped her.
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phoenixyfriend · 7 months
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If you still do the ask meme: nr.1 for a timetravel Jangosoka?
26 Family Prompts Ask Meme
Accidental Baby Acquisition
This contains both intentional and accidental acquisition. (They'll give it back! Probably.)
------------------
"He's mine."
Jango looks at the woman he has, somehow, managed to fall for.
He looks at the baby.
He looks at her again.
"You adopted? Without asking me?"
"No, birthed him myself."
That baby is human. Fully human. There is no chance, in any way, that Ahsoka managed to have a fully human child. There's some shit about placentas or whatever. A tog can't surrogate a human and vice versa.
"Jetii--"
"Oh, I'm in trouble," she giggles, entirely too enthused about his annoyance.
"Jetii," he tries again, "please tell me you didn't steal a child."
"I did not steal a child," she confirms. "I just... acquired one."
"Acquired one."
"Yeah."
He waits in vain. He breaks and asks, "Ahsoka, how did you acquire this child?"
She smiles at him.
--
The child's name is Ferus Olin. He was not stolen, but given willingly by his parents for Ahsoka to take to the Jedi Temple on Coruscant.
"You could have just said so," Jango gripes as he fires up the engines. She laughs at him, and hikes the tot higher on her hip. "Don't act like it's not within the realm of possibility that you'd randomly pick up a kid and forget to warn me about it."
"Sure," she says, "but consider this: it was funny."
"You are not nearly as funny as you think you are."
Ahsoka rolls her eyes and addresses the kid instead. "What do you think, Ferus? Am I funny?"
The toddler--baby, really--stares up at her silently. There is something up with that kid, but Jango figures that's par for the course with Force Sensitives.
A slightly wet, very chubby hand lands on a lekku.
"That is saliva," Jango notes aloud, mostly because Ahsoka looks a little disgusted, and likes she's trying to hide it from the kid. "Baby drool."
"Oh, fu--shove off."
"Classy."
--
So like. Here's the thing. About carting around two almost-Jedi:
One of them is his age, and hot, and weird, and he's a little bit in love with her.
The other one is less than a year old, and should be relatively safe and sound to leave alone for five minutes while napping so they can do things like use the bathroom, or argue over the nav, or knock against the walls doing things that babies probably shouldn't know about.
Ahsoka says that Ferus was a rule-abiding guy in the future, uptight, even.
This means nothing, because the ship jolts out of hyperspace without warning while Jango's got his hand up a hot tog's skirt, and they both have to rush to the cockpit to find the literal baby has crawled onto the pilot's seat and somehow turned off the nav.
The baby continues patting, full-palm, at the controls.
"What the fuck?" Jango demands.
"Language," Ahsoka sniffs, and then picks up the baby and swings him around. "Who's a little troublemaker? You are!"
"What the actual--"
"Language!" Ahsoka snaps, a little harsher this time. "There's a baby."
"Yes, I noticed, it just knocked us out of hyperspace."
Ahsoka rolls her eyes. "It's fine. We just need to keep a better eye on him."
"This could have been deadly."
"Eh, doubt it," she dismisses. "I mean, with a normal kid, yeah, but I bet you ten to one odds that he did this because the Force told him to."
"I cannot explain how much that doesn't fill me with confidence."
She ignores him. She settles into the chair, toddler on her lap, and closes her eyes. This lasts for several minutes, and Jango tries to keep his impatience under control so he doesn't 'project' it into the Force or whatever it is that the Jedi are worried about. It would distract Ahsoka, and possibly more importantly, it would upset the baby.
"I've got it," she finally says. "A direction. He pulled us out a bit early, but the fact that we didn't overshoot it is a bit of a shocker in and of itself."
"A direction to what?"
She shrugs. "We'll find out."
--
The direction is to a fresh-faced teenage Duros by the name of Cad Bane, who's been floating around the guild's gossip lines for a few years now. He's good, for eighteen, but Jango hasn't met him before, and Ahsoka really doesn't like him--Jedi don't hate, supposedly--and that's enough for Jango to have zero interest in really networking here.
Also, Bane has a stolen toddler. Jango knows the toddler is stolen, because she's dressed in far-too-fancy clothes for Bane to bother with, and screaming her head off, and trying to bite him, and yelling about how she wants to go home. Surprisingly eloquent for a toddler, actually. She can't be more than four.
Jango wants to get involved. He's itching for a fight. He does not get one.
He gets the smaller baby, and is told to take care of said baby and be ready to catch the bigger baby--toddler--while Ahsoka handles the fighting.
It seems kinda personal. Jango leaves her to it. It's not like they need both of them to fight this literal teenager.
(He's right. They don't.)
--
There are now two small children on Jango's ship. One of them is barely-almost a toddler, and the other is barely-almost not.
"I am Padme Naberrie of Naboo," the little girl tells him, all care and important grandeur. "Thank you for saving me. When may I return home?"
Naboo. The noble kids from there are damn creepy. Also worth a good ransom or a better bounty, to some. It's not exactly surprising that Bane went for one of them. the family must be pretty influential somehow.
"Not sure," Ahsoka says. "We were on our way to Coruscant... do you have a number we can call? Maybe one of your parents can meet us on the way."
"That is ac-cep-table," the little girl sounds out. She even bows, a touch wobbly. "Thank you, Master Jedi."
Ahsoka is not a Master, and is only sort of a Jedi. She does not correct little Padme, because that would be a little mean, in Jango's estimate. The girl's just been through something harrowing, and even he's not that much of a dick.
"Do you know their contact info?" he asks instead.
--
They aren't on a convenient hyperlane for Naboo, so they're meeting Lady Naberrie on Corellia. It's several days there, which is still faster than trying to get to Naboo from where they currently are, and Padme spends an hour or two talking to her mother before the woman enters hyperspace and comms are no longer an option. Then she talks to her father, and asks about someone called Sola, and Jango's not paying enough attention to keep track of who's who in the life of a child that is not his.
He doesn't have enough beds on the ship for this.
He empties out a small armor crate and lines it with blankets, then sets it on teh floor by the end of his bed. It's big enough for Ferus, who probably doesn't care much for fancy things. Padme gets her own bed, because they're strangers and it would be odd to suggest she share with Ahsoka as a gender thing. The other, larger bed is then for Jango and his somewhat irritating and entirely too lovely Jedi.
He laces his fingers with hers, once they're in bed, autopiloting down the hyperlane. Padm's breathing has finally evened out, and Ferus hasn't woken up yet either.
"Do you want them?" he asks.
"Hm?" Ahsoka shifts, and when she speaks, it's sleep-heavy and muddled. "Want what?"
"Kids," he says.
She's silent, long enough that he starts to wonder if she's fallen asleep, but eventually she shrugs. "I'll take an apprentice one day, probably."
It's basically the same thing, for Jedi.
"Did I ever..."
He tries not to ask too much about his personal future. He knows how Galidraan would have ended, and knows that somehow, he had been involved in a clone army that tried to kill Ahsoka when she was seventeen. She tries not to tell him too much.
"One," she says. "Boba. A few years younger than me. And..."
She doesn't finish.
"And?"
"Maybe another time," she says.
He's gotten that response more than once. He knows it for the wall it is.
"Alright," he says. "You could... tell me about Boba in the morning?"
"Maybe."
Noncommittal. He's not entirely surprised.
"Okay," he finally says. He presses a kiss to her lek. "Goodnight, Ahsoka."
"Night, Jango."
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