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#but no regrets here
tagerrkix · 3 months
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Eden was their ✨disney princess era✨
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cosmosnout · 6 months
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Unnaturally soft Zosan bc they gotta start being nice to each other at some point
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poorly-drawn-mdzs · 3 months
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Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.
(Part 1, Part 2, Part 4 (soon))
#poorly drawn mdzs#mdzs#lan wangji#Yungmeng Jiang training arc AU#I wanted to try out a different paneling style for this one - sorry I'm a day late! (there will still be a post tomorrow to keep on track)#The original 3 panel comic idea was fine but the point of this new schedule was to take time to push myself a bit more.#I was taking a look back through some comic artists I felt inspired by#and I really loved how Lynda Barry fills her gutters with patterns and doodles!#Obviously I'm not going as absolutely wild with it as she does but it was a great exercise!#I truly think the gutters are the most important and most overlooked part of any comic. There's lots going on in that space.#It's the same with timeskips. The implied movement between moments that we don't see changes depending on how wide that gap is#You're here for the funny tags so here's some that ties this time talk together:#I think LWJ was thinking about that second note from day 2 but it took him 7 days of hazing to commit it to paper.#I think he sends it a day later and immediately regrets it. Chasing down the messenger and everything.#You know if something actually happened to his brother he would never ever forgive himself for putting the bad vibes out there.#Third time skip was the hardest because there was so many possible flavours of jokes here. Day 8/9 was a personal favourite.#day 14 was also funny (week by week). I think the debate on 'how long does lwj take to catch feelings' is more or less:#'how long does it take for him to arrive at a particular stage of grief and yearning (and awareness of it all)#This is a symphony. There is an act by act structure. Every day he is fighting to keep his old sensibilities. He is losing so badly.#(I'll be returning to the main comic soon but there is more of this AU to come!)
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soosoosoup · 13 days
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John Dory and Branch
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ajuunisu · 3 months
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somplace else....
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live a life with no regrets 🙏
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ellenchain · 1 year
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Team photo 🥰📸
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aseaofquotes · 3 months
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Mikki Brammer, The Collected Regrets of Clover
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onebadnoodle · 1 year
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I am the night✨
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teleport-warning · 9 months
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Inquiry
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stavosmissionary · 21 days
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(some) gender nonconforming and androgynous characters in asoiaf
much thanks to @staysail who was the advisor and co-conspirator for this post <3
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shylittlefrogg · 2 months
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Silence, they are in a serious discussion
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bliss-in-the-void · 7 months
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Wild.
Satoru: is the strongest sorcerer but can’t hurt Suguru no matter what he’s become
Suguru: knows he’s Satoru’s only weakness but doesn’t use that against Satoru, never raises a hand against him even when he’s dying
Satoru: so guilt ridden for killing Suguru because it’s the last thing he ever wanted to do so he doesn’t dispose of his body the way he should have, causes Kenjaku to overtake Suguru’s body
Kenjaku: inherits Suguru’s memories and understands the depth of the bond between Suguru and Satoru, becoming aware that Suguru is the only weakness Satoru has, launches the Shibuya Prison Realm sealing plan
Satoru: kills thousands of transfigured humans in almost 300 seconds, kills Hanami with minimal effort, uses a Domain Expansion in attempt to exorcize the curses he’s fighting
Kenjaku: uses Suguru’s voice and face to call out to Satoru
Satoru: stops dead in his tracks, the fight leaves his body, happiness fills him for the split second he thinks Suguru is alive in front of him
Kenjaku: successfully traps him and renders him incapable of using his technique
Satoru: realizes that the man in front of him is not really Suguru because Suguru would never have actually hurt him and that’s why his soul knows it isn’t him despite his Six Eyes telling him it’s his cursed energy, calls out to Suguru and tells him to wake up
Suguru: is dead and yet at the sound of Satoru’s voice tries his damnedest to kill Kenjaku with the control he has over his arm
Kenjaku: is amused because no one has ever tried to fight back from beyond the grave before, concludes that the soul is part of the body, and the body is part of the soul
So much language involving souls and their significance. Satoru’s soul recognized the absence of Suguru’s, yet somehow believed he was still there enough to call out to him, and Suguru’s soul answered in spite of all logic.
I really hope things work out differently in the manga so that we can get a fitting culmination to the way things were built up here, Suguru couldn’t have just come back for a split second for nothing. I’m holding out hope.
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themostuselesspotato · 2 months
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I saw this post and couldn't get the image out of my head. Gave in after 2 days and made this. Enjoy ig
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kxmpfflieger · 3 months
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sometjhing something frames something som
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vrgssmncht · 6 months
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Fast fast messy sketch of some mantids! Coloured! Featuring a praying mantis I found (photograph) and this silly guy (Rhombodera sp.)(the illustration) on iNat!
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kaladinkholins · 4 months
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We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:
Taigen and Mikio are foils.
Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.
I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.
First of all, let's look at their similarities.
1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.
2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:
For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.
In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.
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From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?
Their backstory:
Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.
2. The first time we meet them on-screen:
Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.
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3. Their maturity and growth:
Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.
4. Their overall attitude:
Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.
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5. How they talk to and conduct themselves around Mizu:
Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.
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Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.
6. Their external vs internal selves:
Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.
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9. Their hair, a symbol of their honour:
Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.
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10. Their power dynamic with Mizu:
Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.
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11. Their perceptions of Mizu:
Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.
12. The way they approach sparring with Mizu:
Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.
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Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.
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Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.
13. When Mizu pins them down in a friendly spar:
Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.
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Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.
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14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:
Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.
15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:
Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.
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Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.
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Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.
So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.
What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.
So for Taigen to have so many parallels with him... Do you see what I'm saying here!
Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").
And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:
Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.
With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.
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