Tumgik
#but like. this is a Tumblr post and not published theory.
leothil · 2 days
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fic recs: archive edition 24
It is indeed Monday again, and this week our beloved weewoo show returns to us! Let us cast our eyes back to late 2021 and the plethora of amazing fics that were published as 5A was airing!
Previous posts can be found here!
you were a stranger in my phonebook I was acting like I knew by Anonymous (@buddienights) When Buck finds his TA on Grindr he doesn't mean to do anything about it, but when the study guide is incomprehensible and his emails go unanswered, well, what's a boy to do? 12.7k words, rated E
your summer sun forever by @hattalove Buck tries his best to settle into his relationship with Taylor, because she said she loved him, so things are going well, right? But while the words and the theory is there, the practise feels like it's missing. At the same time, Eddie is making sure that Buck feels included in his and Christopher's lives. And Buck slowly starts to realize the difference between a love for show and one actually felt. 7.7k words, rated T
to keep still holy (your kiss upon my mouth) by iphigenias (@oatflatwhite) A collection of kiss prompts originally published on tumblr, all in Liz's impeccable style. Ten chapters, each perfectly bite sized. 10.5k words, rated T
Holding out for Something More (Stuck in Reverse) by allisonRW96 (@homerforsure) Picks up as Buck starts therapy when covid lockdown eases up, and continues through the 118's Texas trip and their visit to the Diaz parents on the way home. A beautiful deep-dive into Buck's head at a sensitive point in his life, and we get to see Eddie with his parents through Buck's eyes. It's the third part of the slightly canon-divergent Long Way Home series that starts at 3x18, but can be read as a standalone (I do recommend reading the whole series though!). 26.7k words, rated T
Happy reading, and remember to leave the authors kudos and comments!
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anomalousmancunt · 15 days
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this is going on anon thru someone else bc every time i post about this i get goofball ass comments im honestly just not feeling like dealing with
but the tme/tma dichotomy doesn’t really make sense to me. like, every trans person can be a victim of transmisogyny regardless of gender. that’s just cis/trans 2
also like. idk why people complain abt transandrophobia or whatevs we’ve decided we’re calling it. if transmisogyny is hatred of transfemininity how would transandrophobia not be hatred of transmasculinity?
maybe i have it a lil backward but like. im a butch trans woman and im pretty comfortable with that. not on hormones (would like to be) and i don’t pass or really want to and i don’t care abt dressing feminine. when transmeds do the bit where they say im not really trans because of that, they’re challenging my ability to remain masculine while being transfem. is that not transandrophobia???
im confused and im scared to ask bc everyone i ever see talking about it is kind of an asshole abt it
yeah, this idea that oppression is somehow only aimed at the True, Intended Victims is... very nonsensical.
ive had transmisogyny aimed at me since before publicly ID'ing as trans because i dared to be visibly genderweird and that made me Close Enough to a freak-in-the-transfemme-way for some people. ive seen transfemme people have transandrophobia aimed at them because they dared to be masc in a way that clashes with "fem" characteristics, and that made them Close Enough to freaks-in-the-transmasc-way for some people. it's so unnecessary and counterproductive to pretend these experiences somehow are not real, or it's actually Another kind of oppression (a more "general" one, perhaps), and not the one it clearly is.
im sorry people are assholes, because i fully agree with you here.
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rotisseries · 8 months
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I'm so unbelievably susceptible to the famous secret relationship trope it's unreal actually
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notgreengardens · 5 months
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So I am not making this post to feel superior for how stupid I find James Somertons video essays. I am sure there are a lot of great and brilliant arguments that he stole from other people. That being said, what really stood out to me after watching the videos by hbomberguy and todd in the shadows is how incredibly tumblr the stuff he straight up made up feels like. I am sure I have seen half of the claims that were debunked by todd on here as posts, falling into the genre of:
Outrage over "widely spread" opinions or reactions that are actually just based on one tweet by just one random person with no following or by a guy (or "white women") he made up to get angry at
Misogyny and racism veiled in social justice language
Conspiracy theories veiled in social justice language
Fake history hiding its contempt for historians and academic research in social justice language
Claims that sound intuitively right but there is literally no evidence and you are left to wonder why anyone would just make this stuff up
Wild unfounded claims about media that make you lose your mind wondering if you both have read/watched the same source material
Not gonna lie, I wouldn't be surprised if someone found a video of him just straight up plagiarising that one infamous and antisemitic tumblr post about how anne franks father was homophobic for leaving his dead daughters bisexuality out of the first edition of her published diary. Exactly the vibes his bullshit gives off. What the fuck.
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sophietv · 9 months
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Everything you need to know : Failed Coming Out 2019
This is an answer to an anon I've received.
I typed it all and Tumblr said there was an error when I went and tried to published it. So I had to type it all again but lost the anon....
Here's the question: could you tell me more about her wanting to come out in 2019? sorry for asking again I'm new on the fandom!
Hi!
It will be my pleasure! This is such an important part of the Gaylor Lore to know and understand, especially when you are new in the fandom.
This theory has been confirmed, but we'll get to it in a minute.
Also, I'm so sorry because learning about what went down during Lover Era is a transformative experiece in the Gaylor fandom, in a very heartbreaking way.
So back in 2019 Taylor wanted to come out with the Lover Era.
June 30th during the New York City Pride wich was also the Stonewall's 50th anniversary, was supposed to be the day it happened.
This date might be familiar to you, because it's the date we learned at the same time as Taylor about her masters being sold to Scooter Braun.
So let's start at the begining of all of this. I won't go through ALL the details because my post will never end. But I'll cover the most important ones.
Right at the begining of the year, insiders were already talking about the fact that Taylor was planing to come out that year in podcasts and blind items.
Then in March 6th (Karlie and Taylor's anniversary)
Taylor does a post hinting at this new era. The very first lyrics we get (We got hints at ME back in February):
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Daylight the song is about Karlie. But this line specifically means coming out.
Stepping into the daylight, and letting everyone see the real you.
(Also worth noting the lesbian filter)
Taylor started being really loud in the posts she made from now on. Flagging rainbow, lesbian and bi colors every chances she got.
And flagging Butterflies. Wich is very important thematically in Lover and coming out.
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Side note on the Butterfly meaning:
Remembre how in reputation, snake was a really important theme?
And how in Lover it switched to butterflies?
More specifically it switched to Snakes transforming into butterflies?
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There's a species of butterflies, that when they are in the chrysalid phase of their transformation into a butterfly, can look like a snake if they feel unsafe or attacked in order to protect themselves.
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Then, after the average 13 days waiting period, they transforms into a beautiful butterfly.
Basically what Taylor was doing, protecting herself during reputation with that "personna" like she described.
And now, she was ready to finally transforms and have a new beginning.
Here's a description of what butterflies means:
A powerful beacon of growth and new beginnings, the butterfly signifies the power of transformation and the incredible feats we can achieve when we trust ourselves. We all have the ability to listen to our innate wisdom, guide ourselves through difficult times, and emerge better and stronger than before.
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The ME! of it all:
Ok back into the Lover Era timeline!
So all those rainbow posts were leading up to the first single: ME!
Even Taylor Nation was pretty loud about this (number of rainbows = number of days leading to ME! release):
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3 days before ME! release, Taylor performs at the Time 100 Gala and it's the first and only time she switched so very clearly pronouns in the song, multiple times:
She sings repeatedly : I want HER midnights
And she even seems to be getting more and more confortable as the song goes on and singing it louder and louder.
She also looks at the crowd while singing it.
Then she releases ME!
That was really the first part of her coming out.
And honnestly, she shouldn't have had to do more than this.
ME! was released on April 26th.
April 26th in 2019 was Lesbian Visibility Day.
And she captionned the release with: ME! Out Now!
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A song about how she is unique as a Lover...
That is without mentioning the amount of rainbows everywhere in that MV as well as other references.
Worth noting that in 2019 Lil NasX came out in a MV with the rainbow tower and was annoyed that people didn't get it?
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Taylor also probably deadass thought that she made it obvious:
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May & June 2019 leading up to the big coming out:
Taylor continues to be as loud as she can.
She makes a very generous donation to GLAAD:
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She sings ME! every chances she gets, while flagging the Lesbian Flag.
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Taylor Nation also keeps on being really loud:
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And releases a song and music video about homophobia and includes herself front and centered in the LGBTQ+ community (represented by the Trailer park, note how Ryan Reynolds, the only straight person in the MV is outside of this park, not in it like Taylor).
With a bi flag wig...
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So yeah, she was trying really hard to make people see her.
Christian Siriano and the dress...
Back in April, we learned that Christian Siriano (a fashion designer) was working on a project for Taylor:
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In June, he started teasing us about a mistery rainbow dress for an unnknown person:
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It was heavily rumored that it would be the dress used by Taylor to come out at the end of Pride Month.
He kind of confirmed it with this post:
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Then. June 30th.
The New York City Pride.
Taylor planned to come out at the event.
Employees on site, starts to be warned about this (you can find some comments online).
Taylor learns at the same time as us that her masters were sold to Scooter Braun.
She never makes it to Pride.
And Billy Porter ends up wearing the dress:
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But. You can see that the dress was not meant to be worn by him. It doesn't fit well and the "nude" parts shows that it was meant to be worn by a white person.
In 2022, Christian confirmed it by dueting a TikTok talking specifically about this.
He deleted it right after but you can still find it on TikTok: (X)
Last minutes changes to Lover:
We now know that Taylor scrapped two songs from Lover: All Of The Girls You Loved Before and Need.
All Of The Girls is really loud and very clearly talks about a girl. Wich Taylor couldn't afford if she didn't want to/couldn't come out.
London Boy was actually written and added really last minute to the album.
Really interesting, because this is her loudest song about her loving boyfriend. Wich is a brilliant thing to do if you want to limit the public speculation after all the flagging that you did...
We know it was last minute, because Taylor sampled it on Cold War from Cautious Clay. (X)
He was called in the middle of the night and had to approve the sample right away.
Interesting fact: Cold War was featured in Book Smart, a movie Taylor promoted that year.
The song plays during a lesbian sex scene...
The intro to London Boy is actually Idris Elba in a interview where he was talking about a charity where he sold a date with him.
You know, people paid to date him...
The shift in the Lover Era:
After this, you can start to see a shift. Where it was colorful sequin and rainbows everywhere with colorful choreography.
She now dresses in black, is incredibly sad and sings mostly accousting song.
Like her BBC 1 performance or Lover In Paris:
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Miss Americana:
Miss Americana was supposed to be her coming out documentary.
It has been confirmed by the director of the project that a lot of footage has been scrapped.
Also, the documentary was supposed to be called : Is It Cool That I Said All That?
This is why the documentary sometimes feels like something is missing and some parts are rushed.
They tried to switch her coming out approach by making it her political activism era.
Taylor confirms it in Anti-Hero MV:
youtube
She's pierced through the heart by The Archer.
Her queerness starts showing (she's bleeding lavender glitters).
She tries to cover it up by taking the table cloth.
Her wanting to cover it spoils the dinner for everyone and they leave her.
And while she sings : "Did you hear my covert narcissism I disguise as altruism, Like some kind of congressman?"
She covers her queerness with a sticker : Vote For Me, For Everything
Confirming that the political activism during Lover Era and mostly Miss Americana was in fact really to cover the fact that she was already one foot out of the closet when they had to backtrack.
With this. Take a look at the closing scene of Miss Americana. When The Archer is playing in the background.
It's a montage of Taylor talking to someone and Taylor on the release night of Lover.
Look at what Taylor says...
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Queerbaiting Backlash:
This might be the worse part in my opinion.
Since she was flagging so hard to come out.
Sadly, most people didn't get that that was exactly what she was trying to do.
And medias massively accused her of queerbaiting.
And using the queer community.
I'm still so mad and heartbroken about this....
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reusing an old Twitter post...
Even queer fans...:
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Frankly, speculating about her sexuality would have been way less damaging than this...
Songs about this event:
Taylor wrote a lot about this failed coming out.
The Archer, was her song about her anxiety about coming out. And begging her fans to stay.
I'm not gonna do a full lyrics analysis because this post is already a novel.
But read those lyrics with that in mind and you'll see how loud it is, and heartbreaking.
"I've got a hundred thrown out speeches I almost said to you"
Also. Worth noting that after Lover was released and she was not able to come out, she switched one lyric in that song.
Instead of "Combat, I'm ready for combat" singular (coming out was the combat she was ready to face)
She now sings every time "Combats, I'm ready for Combats", because coming out has turned into multiple battles that she has to face now...
Hoax:
Noticed how she says that all of her heroes die all alone in The Archer?
Her fear that if she comes out, all her fans would leave.
In Hoax she says: "You know the hero died so what's the point of keeping score movie for?"
Because with her Master Heist and everything, she was not able to be one of those heroes herself... The hero that she wanted to be died in that moment because she was unable to come out.
Edit: I messed up the lyrics. But it's even more telling. Because the movie she's talking about is Miss Americana, once she was unable to come out.
Evermore:
This song is litteraly her looking back at what happened and how she managed to process everything and ultimatly heal even though it felt at the start like she would never be able to.
"I've been down since July" - June 30th = failed coming out
"Motion capture, put me in a bad light" - Queerbaiting allegations. And Miss Americana being rebranded.
"Writting letters, adressed to the fire" - Her hundred thrown out speeches that she almost said.
"I rewind the tape, but all it does is pause, on the very moment all was lost" - June 30th...
"Sending signals, to be double crossed" - Her flagging strongly on her way to come out, only to be accused of queerbaiting.
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Right Where You Left Me:
The restaurant is a metaphor for the closet.
"Sitting in a corner I haunt, cross legged in the dim light"
Doesn't really feel like a restaurant, but her hiding in the closet.
"I swear, you could hear a hairpin drop. Right when I felt the moment stopped"
Droping hairpins is giving hints that you are gay.
She was doing this very loudly right before she was kept from coming out.
"Dust collected on my pinned up hair"
Her hair are still pinned up because she was not able to come out. And dust collected over time that she spent forced in the closet.
Anti-Hero:
AH is really The Archer 2.0, and talks about the same fear of coming out and being abandonned.
The fact that she decided to depict herself as the Anti-Hero is both really interesting and heartbreaking.
Because to her, the hero was the version of herself that was able to come out...
Listen to Change in the perspective of being able to come out and change the face of the industry:
"Tonight we'll stand, get off our knees
Fight for what we've worked for all these years
And the battle was long, it's the fight of our lives
But we'll stand up champions tonight"
They were the Champions.
Side note: she sang this song at the ACMA in 2010, two weeks before Chely Wright's coming out.
When we know that she has knowed and worked with Chely since about 2007.
Then Taylor wrote Long Live one month after Chely Wright's coming out.
Listen to the song with the same perspective as Change now.
"You held your head like a hero, on a history book page"
Chely Wright came out in May 2010. Taylor wrote Long Live in June 2010.
Look at the parallels of both songs.
And now, look at her choice to name that song Anti-Hero after everything that hapenned....
She also wrote Long Story Short and The Great War about that event, but this is for another post and it's about how this event affected her relationship with Karlie.
How she thought she was betrayed but ultimately found out it was not the case.
And how they both made it through.
Ok, I'm exhausted lol.
Sorry for writting a novel.
But this is such an important part of Taylor's history and I really wanted to do it justice (hope I was able to).
If you are still reading...Thank you for your question!
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specialagentartemis · 6 months
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We talk a lot about reading comprehension and misinformation on this website, but learning how to slow down, assess sources, and fact-check is a skill. A skill a lot of us have not been called on to demonstrate since high school, but a skill that's vitally important in the modern world.
I'm in graduate school for the social sciences (anthropology) - critically assessing sources is part of the skillset we are taught. I've had people ask on my post about historical misinformation, "How can I only reblog things that are true? How can I tell?" And it's a good and important question!
A couple core questions to ask, about history, science, or current events, are:
Who is saying this?
Where are you seeing this information? Is it a legal scholar, a historian with a PhD, a museum curator, an on-the-ground activist, a rando twitter poster, a Mormon conspiracy theorist? For scholarly questions, look for people with PhDs and published articles; for questions of current events, look for what people who are actually there are saying and showing.
Who agrees with them?
Can you find articles from other sources corroborating this, or is it just one guy who is saying this? Conversely, do you see anyone disagreeing and correcting this information? Who?
Does this person have an ideological bias that might cause them to discount conflicting information?
Everyone has biases, of course, but some are obvious. A lot of revisionist American history is put out by Mormon groups to try to prove the literal truth of the Book of Mormon; ditto for history that seeks to prove various things in the Bible. It may be easy for us to laugh at that, but a lot of tumblr revisionist history involves inventing gay historical figures out of flimsy sources because we want it to be true. Is there a reason that the person making this claim might want this to be true? This doesn't necessarily make it false, but it does mean you have to require more robust claims.
What sources do they cite?
Do they cite well-documented research or well-provenienced archaeology? Do they have photographs of what they're claiming happened? Or do their claims rely on nameless, dateless, "I can't show you my sources yet" or "I swear I heard about a guy..." Do they cite any sources or is it "just trust me bro"? Are those sources that they do cite reliable, or are they circular? Do the sources they cite actually say what this person is claiming they say? Are they cutting out half of a quote, or ignoring conflicting evidence presented in the same source?
Is this conspiracy theory thinking?
Is this making claims that an individual or a group is secretly hiding information from the general public? Is it blaming one individual or group for widespread societal problems? Is it claiming that the only reason this isn't common knowledge is because Somebody is suppressing it? Is it claiming that the solution to a complicated political problem is actually simple and everybody knows it but people just don't want to do it for nefarious reasons? That's conspiracy thinking, and it's almost never as clean or easy as the claimant wants you to believe.
Just because someone is saying something confidently doesn't necessarily make it true, but also, just because you don't like something doesn't necessarily make it false. Ask these questions when you see a claim that makes you feel angry - or makes you feel righteous. Look for journalists, scientists, historians, legal scholars, who present their credentials and their sources. Look for multiple independently verified news reports or scientific articles. Determining The One Truth about things is not always easy and sometimes not possible, but asking these questions helps you assess what you're reading critically and evaluate claims.
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londonfoginacup · 2 years
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A New Larrie’s Guide to Tumblr
A probably incomprehensible, certainly incomplete list of what you need to know; whether you’re coming from a different platform or discovering Larry for the first time. 
My credentials
Hello! I’m Emmu. I’ve had tumblr since… 2008? Maybe 2009. I moved over from deviantArt and used Tumblr as a personal art blog for many years. I joined the One Direction fandom in 2014, so my 1D blog has 8+ years at this point. That being said, I will get on my soapbox a bit during this. Please excuse me, I’m quite passionate about cultivating a happy and healthy fandom.
What makes Tumblr different
The biggest thing that makes Tumblr, as a site, different from Twitter or Instagram is the rejection of algorithms. The “following” tab on your dashboard is in chronological order (and if it isn’t, you can – and should – change that), and the “for you” tab is both a recent feature and rarely used. Tumblr has very little algorithm, and the algorithm they have isn’t very good. It means that you’ll get the most god awful ads you’ve ever seen on this site, because they don’t utilize your data well. And that’s to your advantage.
Tumblr is a great place because you can curate what you see more than other social media. The people that you choose to follow are the only people that you see on your dash (unless you choose to follow tags, which I guess is an option? @lululawrence says “it is and it used to not do anything unless you went to the search page and then it would like autofill your followed tags options, but NOW they take those followed tags and plop them on your dash... SOMETIMES. usually only on mobile. but if there's only one new post in the tag, it shows you that post OVER. AND OVER. AND OVER AGAIN. IT'S SUPER ANNOYING ACTUALLY. SO I STOPPED FOLLOWING TAGS. lol anyway”).
So, the site is in chronological order. This is its biggest selling point.
There is also the opportunity for long posts. Masterposts. Things that are searchable without having to read through pages of screenshots or condensed twitter threads. You can write a whole lot more without worrying about character limit. People publish whole fics on here (I suggest ao3 for that, but tumblr is technically an option!).
Another important thing to know about tumblr is that the archives on tumblr run deep. There are newer larries here, and a lot of them, but you can also find older larries. People whose 1D blogs go back to 2010 or 2011. You can dive into the archives and read firsthand accounts of what was happening with One Direction or larry at that very time. Doing a bit of research means you find cute fetus pictures of the boys, but also you’re able to figure out for yourself whether something actually happened. Rumors always seem to spread quite easily and fandom memory always seems impossibly short, but here on tumblr you’re able to find out for yourself. That means the next time you hear about how xyz thing happened a long time ago, check out some of those archives and see what you can find.
Also, my personal favorite part of tumblr is that old posts are just as valid as new posts. Find a masterpost about RBB and SBB from 2015? Go ahead and reblog that; bring it back to the circulating dash. People will love that. Find a fanartist that you really like? Search through their tags, reblog anything you want. It’s not considered stalking or weird in any way. We love bringing back old posts here. Tumblr is a website where you’re not meant to just talk about the present. 
The cultural difference between Tumblr and Twitter
Speaking of the ways that tumblr and twitter are different, let’s talk for a moment about the 1D fandom in particular.
I’ve held this theory for a while that the twitter (and instagram) algorithm is fracturing the fandom. Because twitter is so dependent on the algorithm, people are more likely to split apart and join smaller and smaller communities based on smaller, more specific opinions. Tumblr, being a place where you don’t just get a post on your dash because someone else liked it, doesn’t have those smaller cliques. There are larries, and there are antis.
(if you get really in the weeds, there are also larry shippers [who don’t believe they’re together but like to read it in fic], and houis [who think they were together but broke up], but I just don’t hear about them as much).
While I do occasionally hear about blouies on my dash, for the most part this is a culture that exists primarily on other sites. 
On another note, because tumblr doesn’t have that handy algorithm, we have to work to make it a more active space. Likes don’t do anything here for anyone other than you, and it doesn’t really change anything about what you’ll see on your dash. Think of them more like the bookmark setting on twitter or instagram. Reblogs are necessary to get anything spread. Anything that you enjoy, or that looks interesting for any reason? Reblog it! That’s the only way other people will see it! And leave a happy comment in the tags if you’ve got one (more on that later). 
And, while lurkers do exist in this fandom (and we love them), it’s important to get an icon and blog header that make you look like a real person. People on tumblr have long been in the habit of blocking shady blogs, mostly because of a bot problem, so if you want to lurk, you have to look like a lurker. Maybe reblog a post or two to establish yourself, and make sure you don’t accidentally look like an icon-less bot posing as a sugar daddy. 
How to set up your account
Okay, so you’ve got a tumblr. Let’s take a minute to fix up the settings so that you’re not getting, well, the worst version of the site. 
My advice is to start by going into your dashboard preferences and:
Turn off the best stuff first (it’ll just show you things you’ve already seen)
Turn off “include stuff in your orbit” (you’ll see terrible posts that are mostly NOT in your orbit)
Turn off “Included based on your likes” (again, you’ll see posts you hate)
Turn off “shorten long posts”. It’s a ridiculous setting that, like many things on tumblr, had potential but was rolled out in an incredibly unhelpful and user unfriendly way.
Once you’ve got that squared away, go into filtering and block any tags and content you don’t like, as that is always proper fandom etiquette. Not seeing things you don’t like is your responsibility, not the responsibility of the person posting them. I personally suggest adding the topics you don’t want to see to both the content list and the filtered tags list, as that gives a much better likelihood of posts that are particularly unsavory for you getting caught by the filters. Please also note this might need to be done on both desktop and the app separately as, depending on where tumblr is at the moment, these filters do not always carry over from one application to the other.
Now scroll down to tumblr labs. These are their experimental things. Some are good! Some are very bad. They do change, though, so this might get out of date pretty fast.
Personally, I enabled fast queue
And disabled everything else
ALSO, an important note, if you are using the apple app, you need to go in and turn off the adult content filter. No idea offhand where that is, but it means posts that include tags like “mine” and “girl” are blocked. It’s ridiculous. 
Who to follow and how to find them
So, you’ve got a new tumblr and need people to follow. This makes sense! To really fill up your dash, I’d suggest the following
Find one person you like. There’s a good chance you know at least someone from twitter who also has a tumblr, so you can start there. If you’re not from twitter, or are looking to start fresh, you can dive into the search function (I’ve never tried finding someone this way myself, but searching larry stylinson or something similar would probably get you started)
Find the people they reblog from and check out each of their blogs! Follow people that make you happy
Follow some update accounts! Thinking of some off the top of my head, there’s @HLUpdate, @Stylesnews, @dailytomlinson, @HLDailyUpdate, or @neilswaterbottles (there’s definitely more though). 
Follow some fanart or fic rec accounts! 
I’d always suggest @1d-fanart or @hlcreators for art. 
For fic, you could check out @hlficlibrary, @ficsyoumayhavemissed, or @thelarriefics. 
Or, recurring fic fests! @onedirectionbigbang or @wordplayfics, which happen every year.
And if you end up not enjoying someone you’ve followed? Unfollow them! It’ll make you happier.
How to interact with posts
Tumblr is all about tags. Do you have a comment or thought? Reblog a post and say your thought in the tags. That way anyone you follow will see it, and the person who made the post will see it. This way a post doesn’t end up with a lot of cluttery additions that don’t mean a lot to the average person reblogging it, but if you browse the tags of posts you’ll find lots of interesting things. Tags can be used to keep track of things, too, of course — some people tag all pictures with who’s in them, or tag art or fic with tags that mean they can find them again. Tags are versatile! But reblog, don’t just like, and tag! The more you interact, the happier content creators are!
What not to do
Don’t repost. If you see something you like on tumblr, reblog it. Even if it’s a really old piece of fanart (like circa 2011). Reblog that old post! Reposting means people don’t get credit, and it doesn’t link back to them. That’s not cool, and in the long term makes fandom less happy.
How to cultivate a happy and healthy fandom
Send happy anons! Ask how people are doing, do question memes, say how much you loved fic/art/edits, etc.
Reblog art. Reblog fic. Reblog what makes you laugh. The more you reblog, the more other people see, the more the fandom moves! Content creators just want their things seen; every time you reblog, their phone gets that little notification and you’ve given someone a bit of happiness.
Unfollow people who annoy you. Follow people who make you happy!
If someone has a take about 1D that you don’t agree with, don’t tell them or send them argumentative anons. Find people who will agree with you, and complain to them privately. Or make your own post, not shading anyone, just presenting your own opinion and theories!
Remember that everyone is a real person. Cut them some slack when you find them being annoying. But also, unfollow. Curate your dash.
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louroth · 9 months
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Hello hello everybody! It is time for another months progress, and I am so excited to share with you, all the things I have gotten my grimy little gremlin hands on. First off, what we are all here for; writing. I have been on fire, to be honest! Last month I churned through the last of the first batch of erotica stories (there's 6 (!!!) of them on my patreon already) and set them up for publishing along with two more unseen ones- I'm still going over the logistics of where to publish for the best revenue (I know this sounds boring, but I have to make an income somehow, and hopefully find another audience as a smut writer on other platforms 💀 I love writing it so why not!), and I am making headway, learning the ins and outs of self publishing. On patreon, there are also two Q&A's that are written in a bit more fictional manner, in character: a more fun way than just writing answers straight up and down. I have enjoyed those so much! There's a bunch of other stuff I haven't even mentioned- honestly, I have to say, I'm really proud of my output on Patreon even though I have been really anxious about writing full time. It's going great! I have to thank my new friends and support-network on discord; you make this all worth it. I cannot express how fun it is to shoot the shit with you in vc, gaming together, or seeing your shenanigans in gen or your in depth theories (thanks for the brainworms!) or memes or staring longingly at the fanfic channel or drooling over your art (ouro related or not) or... Gah. You are just amazing people, and I will waste no opportunity in saying so. Thank you forever and ever and ever an-
When it comes to OUROBOROS, I am happy to announce that the next chapter is damn near done! I was halted because of the discovery that dashingdon is no longer supported by it's creator, and have been working on the twine version ever since, earlier than I expected- it's tough work, but I am so excited to make this an actual game made entirely by myself, and not submitting to a company that quite frankly leaves a bitter aftertaste. It is taking long to make because I want to make it mobile compatible from the start, which there isn't a lot of resources for. But I'm doing my best! The plan is that I will be posting the next chapter for Patreons in the coming month, and then treat you to a full twine release here on tumblr. I haven't made any rewrites when porting the twine build, but I would like to do that too... so we will see; this plan is not set in stone. I will just have to see how it evolves over the next month. Yes, beta-readers is still on the schedule, just holding off a little while while I wrap my head around this new coding landscape.
Other than that, I have been working on the set aesthetic for ouro, which has been really hard, a lot harder than I expected. You all know I am no wizard when it comes to graphic design, but I want to at least develop a set palette and imagery and portraits that is cohesive to the story. The work is ongoing, and I don't have much to say about it- even though it is taking a lot of my brain power. I'm hoping I can come to some kind of set and in depth conclusion that I am happy with before the twine release, because I want the game to feel like a treat to open up and play; a world to get lost in.
That's it! If you want to see weekly and more in depth dev-logs, you know where to go. I hope you have an amazing day or night, and we will see each other soon. xx
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maximilliansblog · 3 months
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Welcome Home Hyacinth Theory 🏠🪻🐛
Hello Tumblr! Most Welcome Home theories are just little bits and pieces or “Wally is evil, guys look!”/”Wally is not evil! He is a goober!” etc.
This theory is fully fledged and provides a plot and evidence. I call it the Welcome Home “Hyacinth” theory, after the myth that it is based on. This will be a very long post so here is a TLDR: Julie kills Eddie while they are playing croquette-bowling out of jealousy because he is getting too close to Frank, who is supposed to be her boyfriend/best friend within the show. Either just Eddie or everyone involved gets replaced, except for Wally, who witnessed everything. This is why we have all of those videos of Wally dissociating.
I have been sitting around in my toom rambling to myself about this theory like a madman for over a week so I decided to share it.
Please reference this post from @/partycoffin (the creator of Welcome Home) when discussing Welcome Home and be respectful in the comments and reblogs.
Extra information from @theneighborhoodwatch:
Welcome Home Observation Document
Welcome Home Livestream Trivia
Welcome Home Archive Links + Backup Screenshots
Fanmade Welcome Home Wiki (I don't recommend the Fandom wiki)
Extra information on exploring the website from @angel-lyah:
Welcome Home Website Secrets
Alright, let’s get into it! I have evidence to back up every single one of those claims, and I will include it in this post.
I want to be very thorough with explaining this. I’ll start by establishing that there are three main plots within Welcome Home (that I have noticed, anyways):
The plot of the late 60’s - early 70’s TV show, Welcome Home - only related to published episodes, books, audios, etc. that would have been shown to the public at the time of airing Welcome Home
“Behind the show” - feelings and actions of the puppets outside of the show (such as Frank and Eddie being a couple, or Frank being nonbinary)
The Welcome Home Restoration Project - people working to restore the TV show, Welcome Home, and find any and all information related to it and who made it
Okay so for the rest of this essay, when I mention BtS, it is related to the “behind the show” plot. I will color these things blue. When I write WtS, it is related to the “within the show” plot. I will color these things green. When I write WHRP, it is related to the Welcome Home Restoration Project. I will color these things pink. I will also mention things that have been said either on Clown’s Tumblr blog, Clown’s Twitter, or old streams. I will say CS, meaning “Clown source” to denote these things and color them orange. Clown source and behind the show areas often overlap, so Clown source information is dominant over behind the show information (if it is both I will just color it orange). Good? Good.
Now let’s establish our characters (only the ones related to this theory) and their relationships to one another. We’ll go alphabetically, starting with Eddie, then moving onto Frank, Julie, and Wally. 
I’m going to assume that if you are reading this, you have already visited the website (clownillustration.com) and have a basic understanding of who Eddie is. So I will only focus on the elements of his character that will be relevant in this theory.
Eddie (WtS) is clumsy and overworks himself. He is often dragged into Julie’s games. His house (post office) looks like this:
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Note the hyacinth flowers and the butterfly. Eddie (BtS) loves Frank. (CS) He is married to Frank in one art on Clown’s Tumblr. BY THE WAY IT TOOK FOREVER TO FIND THIS IMAGE!!!! THEY ARE IN THE BOTTOM LEFT CORNER!!
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Frank (WtS) is Julie’s boyfriend as it is implied that they are a couple within the show (I know a lot of us don’t like hearing this, but remember the three plots) (also for everyone that is going to argue with me on this, go look on their little profiles in the neighborhood section of the website and come back to me) and best friend. His house looks like this:
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Note the sunflowers. Frank (BtS) loves Eddie.
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(CS) As I said before, in one art on Clown’s Tumblr, Eddie and Frank are married (you can tell by the rings on their fingers in that image) . Frank is nonbinary but uses he/him pronouns (Clown refers to Frank on his blog with only he/him pronouns, so that is what I will use. Nonbinary people do not have to use they/them pronouns! Pronouns are not equal to gender!)
(WtS) Julie is a rainbow monster. Her thing is that she likes to make up and play games. She seems to be very strong (perhaps related to her being a rainbow monster), as she can easily lift Wally and is indirectly referenced to [throw a baseball very well] by Barnaby in the Live Interview audio. She also incorporates bowling into a lot of games where it is unnecessary. She seems to be immature, which is usually used to make her a playful character. Her and Frank are a couple. In several arts, her horns are different shapes or even nonexistent, implying that she has some ability to change her form. Her house looks like this:
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Note the heart motif throughout the design. (BtS) Julie is best friends with Frank. (CS) She is genderfluid (she is only referred to using she/her pronouns on Clown’s blog, so that is what I will use). 
(WtS) Wally is the main character in Welcome Home. His house is alive and is named Home. Home is often considered to be a ninth neighbor. Wally often communicates for Home. (WHRP) Wally signs Home’s name in the guestbook (as Home does not have hands) (please stop with the tentacles I have seen the art please stop for the love of god where did that even come from). (WtS) The other neighbors frequently ignore and talk over Wally, but he doesn’t seem to mind, saying that he loves all of his friends in the live interview audio.
Okay so now that that is established, let’s look at some promotional art. Promotional art is not necessarily canon and may contain outdated designs, but may hint at the plot of Welcome Home. 
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There is one more artwork that I would like to add, but it is on Clown’s KoFi. Here is a link to it that you can look at if you are subscribed to Clown’s KoFi:
[link to Clown’s KoFi here]
I won’t describe the image because some of you may not be subscribed to Clown’s KoFi. But if you are, you will see that the image supports my theory.
While we are discussing that image, I would also like to say that I believe that the puppets are some kind of biological organisms. I don’t have much evidence for this right now, but I may make a theory in the future. 
We will come back to those promotional arts soon. Right now, let’s look at Frank and Eddie’s houses and discuss some symbolism and mythology.
Frank’s house has sunflowers outside of it. Sunflowers are a symbol of Apollo. Eddie has hyacinths outside of his post office, obviously a symbol of Hyacinthus. Hyacinthus and Apollo were lovers, but Hyacinthus tragically died. Let me tell the story so we have context. (I am really into Greek mythology by the way, it’s always been a special interest since middle school but I am also a Hellenic pagan, you should follow my witchcraft and paganism blog, creatively named @maxiswitchcraftandpaganblog)
So Apollo, god of the sun, art, archery, and LOTS of various other things, loved Hyacinthus, who was a mortal Spartan man. And Hyacinthus loved him too, by the way. The god of the (west? don’t feel like googling it) wind, Zephyrus, was jealous of Hyacinthus, because he also loved Apollo. 
One day, Apollo and Hyacinthus were playing discus (like frisbee but the frisbee is giant and made of metal, kind of like a shield). Apollo threw the discus to Hyacinthus, but Zephyrus blew the discus off course with the wind, causing it to hit Hyacinthus in the head and kill him. Apollo created the hyacinth flower from Hyacinthus’ blood as he died, but in some myths made him a god. (read more on Apollo and Hyacinthus here)
I’m going to draw some parallels here. Frank = Apollo, Eddie = Hyacinthus, Julie = Zephyrus. Now Frank’s and Eddie’s parallels make sense because of the flowers, but where did I get Julie=Zephyrus from? Recall that (WtS) Julie and Frank are supposed to be a couple. Now, (BtS) Julie may or may not like Frank in that way, but she certainly enjoys being close to him as his best friend. Since she is already established as an immature character, it would make sense that she would be jealous seeing Frank get closer to Eddie.
Pause. So WtS, Frank and Julie are together. BtS, Frank and Eddie are together. If these are separate, then what is Julie jealous about? (WtS) Frank has been seen getting closer to Eddie even in the official material of the show. An example of this is him telling Eddie that he works too hard at the end of the “Eddie’s Big Lift” storybook record. So his BtS love for Eddie is leaking into the WtS canon. That is a problem for Julie, who is supposed to be Frank’s girlfriend WtS. So she comes up with an idea to fix this, much like the jealous god, Zephyrus. 
So what does she do? Let’s turn our attention to the “Just So” song demo. This song was never finished with instrumentals, and for a reason. The puppets function as actors in the show, as it is obvious that they have their own free will, and Julie does something that the writers do not expect later in this episode. So the song was never finished because the episode was ruined. 
In the “Just So” song demo, Frank and Julie are about to play croquette bowling. It was supposed to be just croquette, as Frank put on his croquette bow tie, but last minute, Julie added bowling to the mix. 
Wally knocks on the door and interrupts their song, saying that Home wants to play croquette bowling too. This implies that Julie told someone else that they would be playing croquette bowling after she added bowling. I feel like Wally and Home overheard Julie telling Eddie that they would be playing croquette bowling. This would make sense, as Wally often stands by and listens while the other neighbors talk. It is not unusual for Eddie to participate in Julie’s games, either, as we see from Julie playing “business woman in the big city” with him. [add a photo]
The song recording ends before we see them playing croquette bowling together. But I have a piece of evidence to tell us how it ends. Look at this promotional art again.
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You probably assumed that the figure in the back was holding a hammer, but that could actually be a croquette mallet!
It’s covered in some gory-looking stuff, probably from Eddie. Now look at the flower. Whose eyes look like that? Almond-shaped, round pupils. Only one character: Wally. Wally was a witness, which would make sense for him, since he often watches on as the other neighbors do things. 
Julie is holding the flower in front of her, looking innocent. This is a stretch, but I think that this might be symbolism for her saying that she didn’t do it on purpose, Wally saw the whole thing, ask him! And Wally doesn’t know what to do. I don’t know what he does from there.
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Maybe this image is a clue? I genuinely don’t know. Once again, promotional art is not necessarily canon, but we can use the concepts from it in theories.
This next part is also a bit of a stretch. The neighbors having a memory of something like that happening would ruin their “acting” (I think they are just being recorded as they do what they would naturally do). The show can’t have that. The solution? Replace everyone involved. 
Now go back and look in the promotional art section and look at that art of Frank. It looks like Frank is laying among extra puppet parts. They have extras!
And this is why Wally is dissociating in the videos we see when we click on the bugs. They did not replace him, because like the neighbors, they didn’t even notice he was there.
Okay yeah that’s the theory. It was really hard to get this into a coherent Google Doc and gather all the links. I was just rambling to myself about this in my room over and over pacing around for like a week. But yeah here you go, hope it's a good theory, sorry if it's not lol please be nice to me
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transmutationisms · 2 months
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came across a post by astriiformes (astriiformes(.)tumblr(.)com/post/742882591316803584/hi-i-just-learned-about-the-scientific-revolution) that objected to Kuhn's theory of scientific revolution on the basis that they felt it leant in to the "great men of history" model. I never understood it this way, but I haven't read the book—I thought it was more about explaining the lag between accumulation of evidence that goes against the current paradigm and full paradigm shift. thoughts?
kuhn's model of 'paradigm shifts' is certainly prone to inviting 'great man' explanations of scientific developments. i would even go further, and say that this is due to a fundamental issue in kuhn's methodology, which is a tendency toward idealist analysis that fails to consider material and sociological factors. astriiformes points out that these days, kuhn is more popular with economists and political scientists than with practicing historians of science; this is true and not a coincidence.
astriiformes also walks through a valuable line of objection to kuhn, which is that the scientists we tend to credit with having made singlehanded discoveries were in fact usually embedded in vibrant scientific communities and ongoing debates, and were influenced by their contemporaries as well as their intellectual forebears. this is all true. another critical angle to interrogate here, and one where the Great Man often pops up again, is in kuhn's version of how scientific ideas are actually adopted: in other words, how he considers a 'paradigm shift' to actually occur, even once we assume the idea in question has already been formulated. let me chuck a few case studies at you because it's easier than talking in generalities.
for much of the 20th century, the 'standard story' of galileo's trial and imprisonment was that, having dared to become a lone voice defending heliocentrism, he was made a martyr to truth by the church, which was threatened on theological grounds. however, in the last several decades historians of science have studied much more seriously the patronage networks of renaissance italy: the structure of funding and epistemological authority whereby a scientist like galileo secured money, university or court positions, and respect by gaining mutually beneficial relationships with various nobles and other wealthy people. galileo had defended heliocentrism prior to the church's crackdown on him and his work; so had certain other astronomers. although it's true the church had theological objections to what galileo was saying, they were pretty much forced to tolerate him as long as he had sufficient patronage protection: wealthy, powerful people using their social clout to defend him. but this fragile truce was shattered when galileo lost the support of certain of his patrons, particularly some jesuits, in the early 1630s and thus became a much more vulnerable target of church censorship. it was only at this point that the church placed him on trial and then eventually under house arrest, and forced to recant.
evolutionary ('transmutationist') ideas were not new by the time darwin published the 'origin' in 1859. most french biologists at this time supported some variant of transmutationist ideas, and even in britain, transmutation of species had long been hotly discussed in the edinburgh medical schools in particular. the challenge for the wealthier london gentleman-naturalist set was that transmutationism had previously been associated with radical, materialist, atheist politics (this was precisely what appealed for many in edinburgh), and although evolutionary ideas had circulated in the wider reading public, these had typically been carefully framed to remain compatible with dominant anglican morals (eg, robert chambers's 'vestiges' of 1844). so, why were charles darwin's ideas accepted where others had been suppressed, ignored, or mired in controversy? a few reasons: again, a strong patronage network and powerful social connections (familial and personal); also, darwin very consciously avoided talking about human descent in 1859 (he did not do so until 1871's 'descent of man', which remains less widely read to this day) and avoided open avowal of materialism or atheism in his published works. furthermore, despite what lay histories may suggest nowadays, darwin's ideas were not embraced immediately or uncritically. they circulated piecemeal, with the help of 'popularisers' like haeckel and th huxley whose teachings often varied pretty widely from what darwin actually said or thought. and, prior to the 'modern synthesis' unifying 'darwinian' evolution with mendelian genetics, one of the most common objections to darwin's ideas was that he had provided proof of no actual mechanism of heredity, which resulted in a retrospectively fascinating period of anglo and french scientific writing between about 1890–1940 that often circulated the claim that darwin had been proven embarrassingly wrong, and it was jean-baptiste lamarck who had instead been vindicated by the biologists of the middle victorian era.
louis pasteur has historically been credited with ushering out the last vestiges of 'miasmatic' and 'environmentalist' theories of disease in france, and replacing them with good solid bacteriology. this is simply a misrepresentation of scientific beliefs among the lay public, technical experts like public health officials, and even working scientists under the third republic. because hygienists and sanitation engineers had spent much of the 19th century creating professional prestige for themselves as managers of the insalubrious environmental factors plaguing particularly the urban poor, you can imagine they were not generally thrilled at the proposition that someone had actually confirmed the existence of a microscopic 'germ' of disease, a foreign entity that could be studied and eradicated by a laboratory scientist with entirely different credentials and training. so, as it became clear that the actual eradication part was still a challenge, and that disease risk did not strike all people or demographics equally, french hygienists by and large simply altered their rhetoric a little. yes, germs existed—in fact, clearly, these were what the hygienists had been protecting people from all along by encouraging cleaner air, open spaces, gymnastic exercise, &c! this is the root of what's now known in the historical literature as the 'sanitary-bacteriological synthesis'—not an overturning of an old 'environmentalist' paradigm for a modern bacteriological one, but rather a melding of the two that enfolded pasteur's and koch's discoveries whilst still shoring up the professional authority of the hygienists and sanitarians.
in all three of these cases you can see how a strictly kuhnian analysis of 'paradigm shifts' over-emphasises the role of the Great Man (here in his guise as Genius Scientist) because it overlooks critical factors like the social and professional networks that actually allow knowledge to spread, and the professional and pecuniary interests that motivate people, consciously or not, when they evaluate new theories or ideas. galileo did not suffer from 'failing' to spark a paradigm shift, any more than darwin singlehandedly succeeded; their ideas circulated, mutated, and provoked on the strength of relationships as much as pure cerebral Theory. pasteur's claims likely could not have achieved the renown they did, had they not been helped along by hygienists who saw in them a change to re-form and reinforce their own profession and authority.
kuhn's work was an important departure from earlier positivist, largely teleological histories of science: the 'paradigm shift' allowed people to talk about massive and notable changes in science without having to accede to a model that assumed constant, linear progress. in this sense, much of today's history of science (still a comparatively immature and evolving field!) belongs to a citational lineage that will eventually pop up with kuhn's name. but, methodologically, kuhn leaves a lot to be desired, because his analysis is generally founded in an intellectual history that configures Science as a world of disembodied ideas unburdened by social, material, and economic considerations and practices.
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blondeforyou · 3 months
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I want to show you all something.
Anecdote: I love data. I love spreadsheets. I love number trends. I had a thought, a feeling, a theory. Research and the scientific process has not failed me yet.
The Smosh fandom on AO3 has a total of 1,785 works in it, as of the writing of this Tumblr post (Sunday, January 28th, 9:31 AM CST):
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Anecdote: when we reach 2k fics, I'll lose my mind.
I thought about June 20th, 2023. The day that Ian and Anthony announced that they had purchased their company back. I saw the ripple effects of this unexpected change in every online place in visited: YouTube (obviously), but also Tumblr and Reddit and Twitter and Facebook. Friends I've had for years, who I've never had a conversation about Smosh with, were commenting on it.
Anecdote: I genuinely don't know when I started watching Smosh. They've been a part of my online experience in some capacity for over a decade, that's the only way I can describe it. Through all and every change Smosh has experienced, I've watched it all happen with varying levels of interest.
Back to the scientific process: capturing data on AO3 is an exercise in frustration. Publish dates can be changed by the author (good things for authors, bad thing for me who is trying to get raw data). You can sort by Upload Date, but you can't filter by it. Admittedly, I was also too impatient to port the data into a spreadsheet to look at it objectively. Sometimes, thought, you just have to get down and dirty with the data to find what you're looking for.
The first Smosh fanfiction published after Ian and Anthony's announcement was posted on June 21st, 2023.
There have been 466 fanfics posted in this fandom since then.
It's simple math after that point. 26% of all Smosh fanfic on AO3 has been published in the last 6 months. That's amazing. No, really. that's actually amazing. Smosh has been around for over 18 years. 26% in 6 months. I've never seen anything like that.
Anecdote: holy shit???
And we're still going. We're still creating. We're still inspired. I'm inspired every day by the people in this fandom. I want to keep making more. I hope you all do, too.
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thoughts on society but not really
[Hi maggots, it's me, your kind of scarred mascot. I already made a post about the carnage that I witnessed in taking even one step into the ofmd fandom, so I won't go there.]
But at this point tumblr is where I go to for comfort and social interaction so here's me making a post before I pass out with the medications. The sore throat is killing me and honestly it's all a bit blurry right now, so things are gonna be not very clarified. Clarity. Idk.
I don't know at what point reality bleeds into fiction, and fiction bleeds into reality. I suspect not a lot of us do. More importantly, I have no idea what the consequences of that overlap are, and the whole artist from art theory. Like, if trans people get joy from the Harry Potter franchise, where JKR is a transphobic piece of shit, should they give up their joy for no fault of theirs or continue to indirectly support her? As a trans guy, I still find comfort in what the fandom created. Why is everything so messy-
Anyway fandoms, they're all so strange, aren't they? Whole communities with defined roles that also evolve and overlap, fade out and emerge. But physically they don't exist. Or do they? Are fandoms the people/the fans, or the source material, or the fanon material, or the canon creators, or the canon cast/crew/publishers? Which fans are representative and which aren't of the fandom as a whole? Is it about numbers or is it weighed against the intended message of the show and its impact and other factors?
Jesus christ my hands hurt I'm so close to passing out hnngh painkillers are wild.
hello maggots if anyone sees this i'd like a hug and some love, please? *holds out arms*
sending you all love. and comfort. it's a fucked up world. i hope i bring you some joy in it. i know for sure that you all do.
i'll hopefully function a bit more if the illness doesnt get worse, so I'll continue with GO/DW then. Maybe OFMD, though I'll have to see how without damaging my mental health severely. i think i used tumblr too much today i made a fake show and an ad for GO and honestly i do not remember what i did. night night.
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wielderofmysteries · 7 months
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(We Need to Talk About Narset)
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[Left: Narset, Enlightened Master - Livia Prima. Right, clockwise from top left: Sheldon Cooper from The Big Bang Theory, Dr. Shaun Murphy from The Good Doctor, Sam Gardner from Atypical, Spencer Reid from Criminal Minds.]
(This is a re-upload of the original article since there were some formatting issues with the original. You can still read it at this link, but the pictures aren't full resolution.)
This is article is intended to be a primer for my larger upcoming article on autistic representation in Magic.
I found out about Narset in 2018, when I had just started learning about Magic’s lore for the first time. I was overjoyed to see that Magic’s first official autistic character seemed to be the complete opposite of the stereotypical depictions of autism I’d seen in other media. Instead of a nerdy brown-haired white boy, Narset was a 50 year old Asian woman and a badass martial artist. As an Asian autistic kid, I often felt invisible and underrepresented in the media I consumed, so Narset really meant a lot to me.
However, when I actually read Narset’s lore, I was disappointed to find that she wasn’t nearly as revolutionary as I’d thought.
When the Dragons of Tarkir stories were being published in 2015, Doug Beyer, a writer and designer for Magic, confirmed in a Tumblr post that Narset was intentionally created to be an autistic character.
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maudlingoblin asked:
hi doug!! reading the new uncharted realms, i felt an enormous amount of sympathy for narset, specifically with reference to the beginning sequence with her as a kid. the restlessness, the sensory overload, the self-distraction with counting and observation - these, to me, heavily code narset as being autistic. i am autistic myself and it would mean the absolute world to me to know that a character in a game i care deeply about is like me, and many other folks. is this something you can confirm?
dougbeyermtg answered:
That was the intent, yes. The most important part of Narset’s character is her amazing mind, which is central to her potential as a powerful Planeswalker and as a pursuer of knowledge — but it happens that she processes information and input differently than a lot of other people. Tarkir denizens might not have a term for the autism spectrum or being neurodivergent or neuro-atypical, but those terms would correctly describe her. In this timeline she is not khan of the Jeskai, but no matter the circumstances, she hasn’t let go of her commitment to seeking her own path to wisdom and truth. Kudos to Creative Team member Kimberly Kreines for exploring this aspect of Narset in her story “The Great Teacher’s Student.”
[https://dougbeyermtg.tumblr.com/post/112727174244/hi-doug-reading-the-new-uncharted-realms-i-felt]
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(Art: Dragonlord Ojutai - Chase Stone)
The Great Teacher’s Student tells the story of Narset’s childhood under the rule of Dragonlord Ojutai. At eight years old, Narset was a pretty realistic autistic child, having many traits that I shared. She fidgeted restlessly, had sensory overloads, and her mother found it difficult to take her out to public spaces. Narset’s brain was extremely pattern-oriented, one of the most defining traits of autism. She saw numbers everywhere, and counted to soothe herself.
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The cries of the merchants, the bold colors of the wares, and the too-sweet aromas of the produce were like walls that made the marketplace feel too tight, too close, too much. The muscles of Narset’s legs twitched and her lungs felt cramped. She tugged at her robe; it was strangling her. Her mother must have cinched it too tightly.
“Stand still,” her mother scolded from above. “You’ll knock something over.” She was poring over the apples at the top of a tall mound too high for Narset to see.
Narset tried to stand still, but she couldn’t. The restlessness inside her wanted her to move. Sometimes when she felt that way she distracted herself. She would count things, or search for patterns, or study people’s expressions. But she knew the marketplace too well; she knew its numbers and she knew its patrons. She had already taken inventory. The man with the cane was limping less that day, putting more weight on his bad leg; Narset supposed the balm he had purchased from the herbalist the week before had worked to ease the pain. There were, as usual, three dozen meat slabs hanging at the butcher’s stand with an average of eighteen striations per slab; the average number of striations hardly ever changed, although sometimes there was greater variance. The merchant at the squash stand had uneven stains on his sleeves and three stray threads hanging from his robe; he must have gotten it caught in his cart and had to pull himself free. And there were sixty-eight apples in the mound in front of Narset; that was accounting for the volume inside the mound, which she couldn’t see but could predict well enough. There would be sixty-seven apples if her mother would ever just choose one.
Her mother hemmed and hawed, her fingers alighting first on one apple and then another, fluttering over the choices, but never settling.
She’s never going to pick one, Narset thought. We’re never going to leave. Panic set in. Her vision blurred, her ears rang, and her forehead began to sweat. She frantically searched for something else to distract her, but there was nothing else she could see. At eight, Narset wasn’t tall enough to see over any of the stands or any of the bodies. It was like she was in a never-ending maze of tall sweaty, smelly people-trees.
She was trapped.
[The Great Teacher’s Student - Kimberly J. Kreines]
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Narset was a believably written autistic character in this story, but that doesn’t automatically mean it was good, or that it was what autistic people wanted to see. To be clear, this story was neither unrealistic nor offensive to me. Writing Narset as an autistic character was something the creative team genuinely cared about and tried to do well. But I was still disappointed because Narset in this story is just another example of the “autistic savant” trope that the media can’t seem to let go of.
Fictional or real, almost every autistic person you will see in the media will be a savant; some kind of socially-inept genius whose intelligence or skill far surpasses their peers. This person may be a mathematician, a surgeon, a child prodigy who attends college but can’t tie their shoes– the list goes on and on. You’ve probably seen many stories like this before.
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As a child, Narset had an extraordinary memory and a gift for mental math. She was able to calculate the volume of a pile of apples, find the exact trajectory of a falling apple to catch it in mid-air, and memorize things like the pattern of a river’s flow; all at a glance.
In The Great Teacher’s Student, Narset accidentally knocks over a pile of apples at the market, upsetting the merchant and prompting her mother to send her outside. Dragonlord Ojutai noticed Narset’s talent and desire for knowledge as she explored the field outside, and wanted to encourage her. He tutored her from a distance for several years before officially deciding to train her as a student when she was 11 years old.
After this moment, the story shifts its focus almost entirely to Narset’s academic journey. We get to see that in the years that passed since Narset became a student of Ojutai, she was still really, really smart. She finally felt challenged and supported in the way she needed, and she was good at so many things.
In fact, she was better than everyone else at everything.
She learned more, and faster than everyone else. She won every fight. She spoke Draconic intuitively, and Ojutai constantly praised her. At age 15, Narset became the youngest person to ever hold the rank of Master.
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As she looked back now, she recognized her time at the sanctuary as the best years of her life. She was happier than she had ever been; she was challenged, recognized, fulfilled. Her restlessness had ceased haunting her; she had felt a sense of peace. And while she wasn’t physically moving, she knew she was on a path, going where she was meant to go, becoming who she was meant to be. Ojutai was leading her. And not a day went by that she didn’t thank her dragon for the gift.
Narset advanced more quickly than any other student, climbing the ranks of Dragon’s Eye Sanctuary, moving upward from the lowest balconies to the highest terraces, until one day Ojutai called for her to come stand on his own private perch.
[…]
“My student, Narset, it is time. Your hunger for knowledge is your greatest strength. You have become strong, and powerful, and wise because you have never stopped seeking enlightenment.” The dragon beamed down at her. She knew what was about to come, and for one glorious moment everything felt perfect. “I now bestow upon you the title of Master, which you have assuredly earned, and with it all the honor and responsibility it brings.” Ojutai bowed his head and rested his giant paw on her shoulder.
Narset bowed her head in return and clasped her small hand over the dragon’s paw, making no attempt to wipe the hot tear that streaked down her cheek. At fifteen, she was the youngest master Ojutai had ever named. She had reached the top.
[The Great Teacher’s Student - Kimberly J. Kreines]
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I didn’t like how Narset’s story focused so much on autistic exceptionalism– on how Ojutai gave her special treatment because she was better than everyone else at everything.
Autistic achievement should be celebrated, and Narset’s desire for endless learning is so deeply, truly autistic. But I feel like Narset’s story and those of other autistic savants are just so extraordinary that it’s too hard to relate to them. These kinds of fictional portrayals and real-world news features attempt to endear autistic people to allistic (non-autistic) audiences by saying, “Look! Autistic people aren’t bad, they’re actually better than us!” But focusing on exceptional individuals doesn’t help to humanize autism.
It sets an unrealistic expectation for autistic people, and can be extremely alienating. Autistic people shouldn’t have to be superhuman to be respected, and the truth is that the overwhelming majority of autistic people are completely ordinary.
When I was diagnosed with autism at age 11, I obsessively searched the internet for information about autism, to learn what other autistic people experienced, and what “normal” people thought of us. I learned that geniuses were loved, and everyone else was hated. I hoped for years that I would magically develop some kind of incredible talent so I could be like the autistic geniuses in the news. I hoped someone would notice me and enroll me in college early or make me famous so I would be respected for something. It didn’t happen. It wasn’t fair to myself, but when I saw stories about savants, I didn’t feel proud to be autistic. Instead, I saw myself as a failure.
Autistic savants don’t need more representation. Most autistic people, even most of the geniuses and prodigies, will never have the kinds of opportunities that Narset and other famous savants have had. But when neurotypical people have only ever seen autistic savants, they expect you to be a genius. And when people expect you to be a genius, being ordinary just makes you a disappointment.
The Magic narrative team clearly recognized the fact that most allistic peoples’ first exposure to autism is through popular media and that it’s a major influence on the audience’s image of what autism is like. So they tried to make a good first impression by making Narset a positive portrayal, but it backfired in one key way: Narset’s writing in this story was so focused on making her as extraordinary and obviously autistic as possible that it neglected to make her a human being. She’s believable, but not compelling. Narset’s story is about an autistic character, but it’s not really about what it’s like to be autistic.
(And I hate to say it, but… there’s nothing revolutionary about making your Asian autistic character a math genius.)
What frustrates me about the way Narset was written is that I actually believe her autism was extremely under-utilized in her writing.
Autism is lifelong, but I don’t really feel like the story treats it that way. Beyond the first scene of Narset as a younger child, the story doesn’t show how Narset’s autism affected her life other than making her really smart.
Upon realizing that Ojutai had nothing left to teach her, Narset became restless and anxious again. She was desperate to learn anything new. When she was 16 years old, Narset discovered the lost history of Tarkir, and it was the possibility of new knowledge that ignited her Planeswalker spark.
Narset’s greatest challenge was that she was literally so good that she couldn’t get any better.
As a child, Narset was shown to have trouble communicating and interacting with others. After Narset became Ojutai’s student, she’s barely shown interacting with anyone other than Ojutai ever again. How did Narset’s differences affect the way she interacted with her fellow students? Did she want to try to make friends? What happened to her mother? How would she have felt about Narset’s progress? The story doesn’t explore any of this. What about her overwhelming sensory overloads? Did she still have them? If so, did her triggers change? She used to soothe herself by counting and finding patterns. When her anxiety returned later in the story, did her coping mechanisms change or stay the same? This isn’t shown, either.
At the end of The Great Teacher’s Student, Narset was still a teenager, but she’s supposed to be about 50 years old now. We know that the present Narset is an independent autistic adult, who has friends and goals and decades of life experience, and that’s beautiful– but we never get to see how she got there. How did she learn to make friends? How did she decide what she wanted to do with her life? That journey is what I want to see being written for autistic characters.
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(Art: Quiet Contemplation - Magali Villeneuve)
To contrast, Narset’s story in the Khans of Tarkir timeline does address these things. In Enlightened, Narset is the narrator, and she speaks personally of her challenges as a young autistic person: her academic struggles as a daydreaming student, her feelings of alienation, being bullied, and how she threw herself into her training to cope. These experiences and feelings carried on into adulthood, and influenced the way she approached her responsibilities as the Jeskai Khan.
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As a young girl, I had the same “problem,” as my teachers called it. I always lived in my head, but not in the way the instructors wished. I dreamt of fantastical worlds and used the scrolls given for lessons to draw them, incurring the wrath of my elders. I found solace in my own mind and often had difficulty knowing how to talk to others. It was as though my mind was always five steps ahead of my mouth. It was so taxing interacting with others. I never knew what to say, often causing me to blunder, and I was embarrassed in front of my teachers and classmates. I then went over those failed interactions in my mind, and I found the imaginary worlds more forgiving.
Studying was a way to escape my anxiety and I eagerly embraced history and philosophy, memorizing all I could about Jeskai teachings. I impressed my teachers, but I still felt like an outsider. I did enjoy sparring with those who had taunted me, easily humiliating them in combat as they had humiliated me with their words.
[…]
Even though I am now their khan, I still felt like an outsider—like the young girl always fumbling her words—only now I don’t show it. I think this has been what gives me the strength to do what is needed, looking at the Jeskai like I am not really a part of them.
[Enlightened - Matt Knicl]
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Overall, I feel like Enlightened was a much more thoughtful story despite being much shorter. Sadly, Tarkir’s time travel plot means that version of Narset no longer exists. We haven’t gotten any stories featuring Narset since 2015, so the version of Narset we saw in The Great Teacher’s Student is the Narset we are stuck with.
I don’t necessarily believe that Narset is “bad” autistic representation. I still love Narset, and she means a lot to me. But Narset’s stories are focused on setting her apart, separating her from other people, and showing that she is too different to be a part of the world around her. In my opinion, Narset deserves better than that, and that is why I believe Narset is not the best autistic representation Magic has to offer.
My next article will be about the autistic representation I wanted to see in Magic. Something a little more down-to-earth. Something I could more easily relate to. And I found that in an unexpected character: Nissa.
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Do you think the polls are inherently biased, because the well-known characters will be shared more wheras the unknown characters might never even reach their bubble where they are actually known by a lot of people?
Short answer is no.
Long answer is: well, if we want to be pedantic, an argument could be made that no method of collecting data via surveys, even self-administered surveys, is completely free of bias because that's just human nature and all you can do is minimize it by wording questions neutrally, trimming outliers, etc etc. With that out of the way, one very important thing to note here is that this isn't an opinion survey. The question being asked is very straightforward and the answer is not something that can be swayed or influenced by peer pressure, propaganda, unwillingness to disclose private information, or any other factors, be they internal or external. You either know a character or you don't. I mean, people could certainly lie, in either direction, but 1) why would you do that?? it's not even like we have winners or losers here, and 2) there's nothing I can do about it anyway.
Now, when it comes to sampling bias (which, from what I understand, is what you're actually asking about) my answer is still no, I don't think that's accurate. Popular characters will reach more people and get more votes overall precisely because they're more popular. If this were a tournament style blog or if I were asking your opinion on the character in question, then yes, I could definitely see how more well-known characters would be at an unfair advantage (or how tagging the polls with the character's name is encouraging that bias, as it's been suggested before), but this is not that! Well-known characters reaching their bubbles faster/more efficiently than obscure characters is an inherent part of being more popular. Everything is working as intended.
All that being said, there are a few factors which I think could influence results somewhat unfairly, but I wouldn't necessarily call them bias. They're more like limitations of the medium.
Firstly, the time and day of the week when a poll is published. I don't have access to this kind of data right now, but off the top of my head, I'd say Sundays around 10pm is when Tumblr users are most active. That, coupled with the fact that most users are from the United States, means that polls that come out of the queue on US Sundays during that time window have a chance to reach more people than all the others. However, this potential problem is organically circumvented by people going back to see previously posted polls, finding polls through reblogs or from tag searches, etc. So it's not really a significant difference. I haven't noticed the numbers reflecting this yet either, but in theory that's how social media works, so I thought it was worth pointing out.
Secondly, polls that were posted early on when the blog had fewer followers reached less people, on average, than polls being posted at the moment or that will be posted in the future. No argument there, that's just a fact. But, again, this is a limitation of the medium. Potentially, I could repost older polls at some point in the future and reassess characters' popularity, but how do I choose which ones? All of them? Wouldn't we just get stuck in a loop of reposting the same characters over and over then? That'd be no fun. So I don't really think there's anything to be done here, unfortunately.
Thirdly, meme-able characters will be see better engagement and consequently higher numbers of votes. Point in case, Obi-Wan Kenobi. Once again, not something that can be helped, not really. I do my best to maintain uniformity in how I format the polls and which pictures I choose (as high quality as I can find, cropped adequately, consistent size, etc.). But some characters will just have better chances of being shared around by virtue of featuring in memes or having some recognizable line or something like that.
To sum it up, overall I don't think there's an inherent bias in how the polls work at the moment. I do think there are certain factors that could marginally influence voting numbers, but not the votes themselves. (Which is why I've decided to compile two separate lists, by number of votes and by percentage-- they measure slightly different things, but that's a post for another day.) As long as every follower of this blog is delivered every poll to their dash and everyone pinky promises not to lie and screw up my numbers on purpose, then I'd say we're golden.
This is probably more than you asked for lol, but hopefully it all makes sense. And as always, feel free to share your opinion. I'm always happy to hear it!
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The Harringrove 48 Hour Relay Race will take place in 2 weeks! 💙
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There's just 2 more weeks until the Harringrove Relay Race is set to begin!
We are so excited! Everyone is working so hard on their beautiful artwork and fics~
The Ao3 collection will be available at midnight on April 12th for those of you that would like to publish your work there.
After the relay race, each participant will receive a PDF memory book of all of the works as a personal keepsake and a thank you for taking part in this event.
Please don't hesitate to reach out if you have any questions or need any help from me. ♡
✶ Timetable ✶ Participant FAQs ✶ How to schedule a post on Tumblr
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jewish-sideblog · 5 months
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Wild that this post has 11,000 likes when it’s spreading such blatant fucking disinformation.
“Sabra” is word Israelis use to refer to an Israeli Jew. The "longer statement" attempts to refute the idea that Sabra was named after the Hebrew term by saying that the massacre happened in the 1980s, and the character didn't exist until the 1990s. Clearly, this person didn't do the world's most minimal amount of research. Let's get into it real quick--
Sabra's first full appearance was in Incredible Hulk #256, published in February 1981. She had a named cameo from the same run six issues earlier, in February 1980. So she was a planned and named character in development at least as early as 1979. The Sabra and Shatila massacre began on 16 September 1982, two years after Sabra made her debut in the comics.
Given her name and original design, Marvel's Sabra is likely influenced by the character named "Sabraman" by Uri Fink, an Israeli comic book creator. Sabraman's origins date back to 1978-- four full years before the Sabra and Shatila massacres.
This is a nitpicky point, but why are you following a Jewish discourse blog if not for nitpicky points? The Israeli Defence Forces were involved in the Sabra and Shatila massacres. There's no question about that. They authorized it, provided funds for it, and offered logistical support for it. But they did not carry it out. A Lebanese Christian Nationalist militia carried it out. Why lie about that? Israeli forces supported the murder of civilians! They lit up the sky for days so that the massacre could continue into the night! Why do you need to lie and say they were holding the guns? Is what they did not bad enough for you? This is what I mean when I say that you guys would rather resort to conspiracy theories and misinformation than actually accurately criticize Israel for once.
So where did I get all these facts? Did I have to do some deep dive into comics of the 1970s and 80s? Pull up niche and obscure military journals about the Lebanese Civil War? Nope! I got all that information by... looking at Wikipedia pages. I did double-check Incredible Hulk #250 to ensure that she was already named Sabra in 1980. She was. I also looked around for any articles that backed up the claim that fetuses were cut out of women's wombs during the Sabra and Shatila massacre and... I didn't find any. Al Jazeera doesn't even mention it. If you can find a reputable source for that, please send it to me! Until then, I'm gonna rule this as flat-out blood libel.
You may be asking yourself, why didn't Marvel change Sabra's name in 1982 when the tragedy occurred? Aren't they at least responsible for that? And personally, I think you'd be right. But Marvel didn't budge on Black Panther (named July 1966) when the Black Panther Party (named October 1966) was founded. It doesn't seem like they were interested in making character changes due to political pressures back then. Whether that's a good thing or not is a different story.
And finally, no, this post is not anything close to an endorsement of the new Captain America movie. I'd been planning on boycotting the movie named after an antisemitic conspiracy theory, from the company that butchers any Jewish representation they don't completely ignore, since before y'all found out about Sabra's existence. I just honestly thought the antisemitic nonsense about this character would be coming from the right, not the left.
Edit: Fixed formatting mistakes. Tumblr does not fucking like Hebrew text.
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