Cesare, and the underworld by extension, believes Steve caused the Kellwasser event, a global extinction event, on purpose, and the set up a sytem of Watchers to monitor the planet for other trickster entities so no similar event ever happens again. They've been monitoring Steve under the Earth ever since (hence the line from DOWN "Chaos Gods Rise From The Deep", they believe Steve is a god of chaotic destruction), and make him Cesare's #1 priority when they sense that he's heading back up to the Earth's surface. Cesare genuinely believes Steve is an evil entity bent on wiping out life on the planet for a second time, which is why he doesn't pull his punches when trying to catch him. However, Cesare begins to doubt what he's held as truth for a thousand years when Steve shows a lack of knowledge/understanding of the fact that he's been under the ground for millions of years (if Steve was unconscious all that time, it could have seemed like only a moment that he was down there) and also calling into question whether or not Steve even remembers/intentionally caused the extinction event in the first place. If this is the case we'll just have to wait and see how Cesare reacts to finding out that he's been "living" a lie for the past thousand years. Him saying "Did you not know?" in response to Steve's confusion while in his jail cell makes me think he may possibly have a change of heart. I doubt the Underworld will take Steve's word at face value, obviously, but Cesare seemed convinced, or at least willing to be convinced, for a moment there.
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for the lolita fashion ask: 1, 11, 19 💗
Thank you for the asks!! ૮꒰ྀི >⸝⸝⸝< ꒱ྀིა
1: how and when did you first get introduced to the fashion?
I don’t know how I first learned lolita existed- probably through anime tbh- but I remember getting into it through 2 things; I was browsing Pinterest for historical costuming ideas and I kept seeing these Rococo and Victorian dresses, except they were super short for ballgowns which really confused me (I didn’t figure out that they were lolita but I thought they were so pretty) and second- I saw a girl wearing lolita on my college campus! I wore casual jfashion at the time (Liz Lisa, etc) but even though I knew what lolita was it felt super out of reach and like something only girls in Japan could wear. But there she was, in real life! It was a magical moment. I wish I could remember what exactly she was wearing or that I’d gotten a chance to meet her again but she completely changed my life! I put two and two together and realized I could wear these Victorian-esque dresses myself 🥰
11: what's one item you have that you would never sell?
This is tough, I have a lot of things I really love… I think probably my IW Renoir OP though. It’s definitely the dress I wear the most (it layers really well with like half my closet too..) and unlike a lot of other pieces I love I wouldn’t be able to sell it for a lot of money either.
Like, I would never want to sell my usakumya or my Milky Chan JSK but if I was in a bind financially they could be worth a couple hundred dollars each so if I had to it would make the most sense yknow?
I’d never want to sell my parasol either as it was a gift from my mom <3 and I have a couple vintage Gunne Sax pieces I’d never sell because with how popular the brand has gotten I’d never be able to replace them 😅 and I wear my Gunne blouses constantly too…
19: do you remember the first dress you ever saw? do you still like it?
Angelic Pretty’s Pompadour OP! I remember coming across it and not even realizing it was lolita, just thinking ‘huh someone made a version of Mme de Pompadour’s gown but they cut it so short, I wonder why’ haha. I’d love to own this dress! I’m a huge fan of the original painting and I think the color combo and design is so pretty. It would be a really nice convention/fancy tea party piece.
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In a platonic and intellectual way I am gnawing at the bars of my enclosure right now.
The Danels (Daniel Kwan & Daniel Scheinert, creators of Everything Everywhere All At Once) just did a talk at SXSW. It's called 'How We Pulled Off Everything Everywhere All at Once.'
Except as soon as they got on stage, they announced that they've already given that talk several times elsewhere, showed QR codes to watch those on YouTube if you're interested, and then pivoted to talking about so much real shit about humanity, inequity, climate change, the past, the future, now, storytelling, art, paradoxes, self-care, religion, addiction, AI, etc. instead that I still feel my brain vibrating about it.
Some highlights (that I probably transcribed poorly but tried my best):
"The earliest cultures, a lot of them, all around the world, believed in animism. And for those who don't know, [animism] is this belief, this story that they told themselves, that every living creature, rock, tree, river, had a soul, had a life.
And a lot of modern people...kinda laugh at that, and think it's a little silly. But regardless of what you believe, that story was actually really beautiful, because it kept things in balance, right? There was this really beautiful relationship with the world around them.
When we invented agriculture, we couldn't just force an oxen to drag a plow, because that oxen had a soul. And so we changed the story of the oxen and said, 'Oh, actually we're not all beautiful, soulful things. We're gonna lower the value of this one thing.'
And you see this happening slowly throughout history, every new achievement. We've done it to the trees. The trees are incredible, beautiful things that provide food, water, shelter, cooling the Earth, giving us the oxygen we breathe, and we've reduced their story to $70 of lumber at Home Depot.
And, like I said, some of this is necessary. Even the oldest cultures who believed in animism would kill, would chop down trees, but there was a narrative where there was grieving, and there was respect, and there was gratitude, and that has been lost. And we have slowly created an entire world where everything is disposable.
Our shoes, our cars, our phones...we're all culpable, we're all responsible for this. But the worst part is we've done it to the people. And these devaluing stories, they become normalized and compounded through generational amnesia. And we slowly move the threshold of who is valuable and who isn't.
For instance, modern capitalism and the capitalist workforce only works if we are able to compel people to work, because we can't force them to work. And so we had to change the story we told ourselves, and say that your value is your job. You are only worth what you can do. And we are no longer beings with an inherent worth.
And this is why it is so hard to find fulfillment in this current system. The system works best when you're not fulfilled.
Which brings me back to AI.
There's gonna be a lot of people who are saying how amazing AI is, and it is. It's magic. It's probably going to solve cancers, probably gonna give us a lot of climate solutions. This is a powerful thing.
But I'm really terrified of this new story we're gonna have to tell ourself in order to accept this new convenience, this new progress.
...to imagine what [AI] will do within this current system, within this current incentive structure...this is the same system that brought us climate change, income inequality, and the general lack of gratitude and understanding of our worth and the worth of those around us.
And so one of the things I'm realizing we all have to be doing...is we have to really rewrite the system story, and center what is truly valuable."
"We are addicted to a system. We know how to solve our problems, we understand what a lot of the solutions are, we just don't know how to actually have the will to do it.
And so if you look at us, collectively, we are on step one. We are finally, after decades, admitting that there is a problem, specifically climate change amongst other things. And now we need to be actively thinking about, okay, what kind of stories are we gonna be telling to bring us into that second step?"
HIGHLY RECOMMEND watching the entire 1-hour talk. I promise it does not feel like an hour, and it is 8000% worth your time:
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Man. Looking at the state of the TV animation industry these days sends me into an irrational rage as someone who grew up in the 90s and 00s.
I mean that was an era with two stations dedicated almost entirely to animation (Nickelodeon and Cartoon Network), 3 if you include Toon Disney later on, not to mention original animated blocks on WB, ABC, ABC Family, Fox, and Disney proper; plus you had several preschool stations too. Both Nick and CN had systems where they created small shorts which could turn into bigger series and *put them on the air so viewers could help decide*! Add onto this that you had the massive boom of experimentation brought on by the development of digital animation tools, AND the fact that Anime was being imported all over the place, injecting new ideas into animation, AND you had Adult Swim creating the first dedicated adult animation block...there were COUNTLESS series which are still impacting the zeitgeist today! Even the series which got canceled early became cultural icons, Invader Zim basically built an entire subculture! Animation was EVERYWHERE, and it was new and different every fucking year!
Now TV animation is basically a wasteland. Most animators are saying nothing is getting picked up unless its a reboot or a sequel or a tie-in (even Craig McCracken said his new shows werent getting picked up iirc), and animation studios are shuttered left and right. Even the shows I loved most from this year, Fionna and Cake and Scott Pilgrim Takes Off, were rehashes of previous franchises. Even great shows from the horribly short streaming boom are getting deleted unceremoniously from existence! I want to beat David Zalsav to death with my bare fists for what he's done, but he's hardly the only fuckstick CEO who's decided animation 'isnt worth it'. Even Disney feels less and less focused around animation every year, shoveling more franchise slop into our mouths, and cancelling great shows because they're even a little gay. Netflix is still making SOME stuff, but its hard to get excited when its probably not gonna get more than an incredibly short season or two. There's also indie projects here and there, but those are still slow to produce because there's no studio backing most of it.
Idk. Its just extremely upsetting to think that I saw what was probably the peak of the animated industry (at least, for now) come and go. And now so many folks I know and love who went to school for this will be stuck churning out more Spongebob content and never get their own ideas picked up. I do support the indie works to the best of my ability, because I do think that whether you like Hazbin or TADC or not, they're at least healthier for the animation ecosystem than Corporate-Approved Animated Program #201836, BUT i am not exactly missus moneybags over here. Idk. I just miss the old days I guess.
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