Okay I didn't look at the read more to avoid spoilers since I kinda want to see for myself but is the writing for the knuckles series like current mcu levels of bad?
idk what's happening in current mcu since i haven't seen a marvel movie in like 5+ years, but the writing for the knuckles series is. hm. well it's not good
the dialogue varies a lot. there are some lines that are lame as hell on paper, but i think the cast does a good enough job of delivering them that they still managed to land for me. and some of the jokes i thought were pretty good in general! like actually written with a bit of thought to them! the dialogue really tanks in any "emotional" scenes because this show is very clearly focused on comedy above all else. if you're looking to actually feel anything for these characters, it's not gonna happen. they're gonna be too busy joking around to make their emotions seem real.
the actual story and plot are kinda all over the place too, there's not that many plotlines to keep track of but the number of characters (ESPECIALLY the number of antagonists) gummed things up quite a bit for me. there's a distinct lack of balance between the more action-oriented plotline and the fucking. bowling tournament. some episodes focus on just one and completely forget about the other half of the show, and it's very jarring to return back to the other plotline in the episode after.
lastly. the characters. most of the characters are very sauceless and i only ever really cared about knuckles and the funny girl scout who has like four minutes of screentime. wade is supposed to be a "loveable dumbass", but his specific type of character is one i've seen so often that i just didn't feel anything for him or his desires - which is rough, because he's essentially the main character of the show. and unfortunately, the show really under-utilizes knuckles and makes him pretty one-note a majority of the time. there's so many scenes where he's just. kinda there. like they didn't really know what to do with him.
in short. idk it's a bit all over the place and lacks much heart. there's a number of bits i enjoyed but the writing in general is not very good
33 notes
·
View notes
First off; I LOVE 666!!! 'Multi-series hard kink/edge play pwps (though I'm with you on the 'without plot' being a total misnomer) that are actually in depth psychoanalysis of characters and complicated relationships' is one of my favorite parts of any fandom ( I'm being specific with that because no really for years in a lot of fandoms there's been that one ((or 2)) series that like. Will stick with me forever and make me think about sex/intimacy/myself differently. And your fic is 100% that for HH). I have a lot of squeeing about a lot of it that I hope to be able to coherently comment about at some point but for now!!!!
I was wondering if there was specific purpose behind where certain scenes take place? Like if they're at 'Vox's place' or 'Alastor's place'? because I thought there was a pattern of when Vox is (or ends up) subbing it's at his place (where he would feel safer and therefore more comfortable being vulnerable maybe) and vice versa with when they're at the hotel. But looking back at it to write this maybe I'm making that up? Because they just mostly do take place at somewhere of Vox's? Because I guess Alastor did end up 'going home' at the end a lot. In which case is there specific reasoning behind them not being at Alastor's place as often? (Does he just have less privacy at the hotel lol?) Idk I thought I was getting something, especially with that 'we're at the heart of your territory' line in part 8??? The more I type into this rambly chatty ask the more I think I was just overthinking. But it stood out to me anyway. ANYWAYS. *Finally pauses to breathe*
I really appreciate your series and I love your interpretation of these two weirdos relationship!!! Every snippet and every update I see drives me crazy!!! Thank you so so much for all your work!
Ahaha, I'm so glad to have written that fic for you in this fandom! Someone left a tag on one of the art posts for 666 recently that said "can't wait to see what emotional revelation unsafe kink will lead to this time" and it's. Pretty on point for the series, ehehe. With the likes of Alastor and Vox, it's really hard to dive into any form of intimacy without, like, emotional repurcussions, and that's my favorite thing to write! Thank you so much!
As for your question: To be perfectly honest, there's no specific pattern behind which location I choose for a fic as far as their roles are concerned! They mostly take place preferentially at Vee Tower because Alastor doesn't want to invite all the fuss and bother of Vox's...everything...to the hotel until much later in their reacquaintence. It's much easier to decide that he's done with whatever's going on and to dip out of Vee Tower than it is to have to remove Vox from the hotel (or, well, at least in theory: he portals Vox back into his own bed pretty easily after their night of drinking, haha).
Alastor inviting Vox over for drinks is a sign that he's actually, like, opening up a bit in certain ways by actually inviting him into his living space. Previously they'd mostly only been at the hotel transitionally, and during the second time they slept together, which is also the first time Alastor actually slept with Vox for reasons other than "for the meme", and was looking for a more comfortable, controlled environment to try this new thing in. (And also gave fewer shits about kicking Vox the fuck out without a second thought.)
In a way, the locations follow the general pattern of Alastor's emotional evolution throughtout the series: he's fine with it being at his place at first because he feels more secure and doesn't give a shit about Vox; then he transitions to being more careful and shutting Vox out of his personal space; and now he's slowly gotten to the point where he's comfortable inviting Vox in on occasion.
Alastor's opinion tends to matter more between the two of them as far as location is concerned, so it's mostly down to that, plus occasionally me thinking, "Hm, this episode would be cool to do in blue shark tank mood lighting," hahaha.
28 notes
·
View notes
Not sure if this is where you want your asks to be sent or not, I'm new to your blog so sorry if this is the wrong place
There is another instruction for Wally that I haven't seen you talk about and I want to know your thoughts! Back in november, before the responses, the secret URLs (such as woxyve) had the word "delete" added to the end (ex: woxyvedelete) implying that they wanted Wally to delete the page. After this most recent update it changed again and now says nodelete meaning that Wally refused to do that task. Thoughts?
where else would asks be sent if not the Askbox! inbox! both!
i actually wasn't aware of this until a few days ago, when i saw a post pointing it out - i had never gone directly back to those pages. which serves me right! i'm gonna be double checking Everything from now on lmao
but my fucking GOD is it interesting. thus far Wally has been... fairly cooperative. he's had a moment here and there, such as closing the guest book and losing his patience a lil, but he does his best with the rest! especially with requests! so for him to straight up go "lmao nah" when asked to delete something...
characterization-wise, i think it's very telling. as of now, Wally has been commonly portrayed as a bit of a doormat - getting talked over, sitting off to the side, being a bit of a background character - in in-Home media. less so in his whrp/qa/You interactions, but he's still widely agreeable & willing. but him refusing to delete the urls gives major points to him Having A Spine. he's holding his ground. he knows what he's doing. he's not going to let the whrp shut him up. there's a Thought Process / Plan / Purpose being shown here, or at least hinted at. there's a sense of.... Control. of "this is the way we're doing things, this is what i'm saying and you're going to sit down and listen"
it's just... such a shift from the Wally we see in his interactions with the neighbors. which again, lends credence to there being a time discrepancy, with whrp Wally being older and more "experienced" while past Wally is still figuring his shit [being alive] out <3
story-wise it adds some Delightful friction. like obviously there's already tension, what with the staff only page, "Let Me In", the mysterious black stuff, the guest book closing, and the whrp/qa being disturbed by it all. but Wally outright refusing to delete things is a Different sort of conflict. it's more... direct. which makes sense! his interactions with the whrp/qa are becoming more personal, too. but it lends to the feeling of a push-pull. as the whrp/qa investigates Wally and starts treating him like the person he is instead of a long-lost character, they're probably gonna clash (a lot) despite the apparent impulse to pursue Welcome Home. currently, Wally doesn't seem big on compromising. if he doesn't know what to do, it looks like he simply Won't or he'll do his own thing and be like "shrug". if he doesn't want to do something, it also looks like he simply Will Not.
of course, there's the strong possibility that the whrp Were Not Serious about it. the 'delete' command might have them testing the waters, poking the bear, etc. but then were they testing to see if Wally is there, or were they testing his level of compliance? both? a secret third option?
and if they Were serious about it... why? what is it about the marked urls that made the whrp go "get that outta here"? and why couldn't they delete it themselves? i mean, obviously they can't delete anything Wally adds, otherwise the extra stuff he's added probably wouldn't be there (unless the impulse / curiosity driving them is too strong to delete anything added). but there's still a why about it. what changed so fundamentally in the site's code - or laws of physics/reality - that made it impossible to alter Wally's additions?
it's just. i feel that there are a lot of implications in such a small interaction. it shows more than one would expect.
65 notes
·
View notes
OK FOLLOWING UP ON THE BARD THING i think eichi definitely invited wataru to perform at a noble party before. because they'd usually have musicians and so? so ok picture this. it's eichi's birthday so his parents want him to hold a ball and he usually thinks those are annoying but then he gets an idea. make it a masquerade (for the drama). invite wataru as both a performer And his partner for the ball. he's an actor! and everyone is of course impressed by wataru's performance but they're even more impressed because the always polite but unreachable tenshouin heir is expertly dancing with a masked stranger (i love the fact that eichi's specialty in his profile is ballroom dancing). and then they're annoying and overdramatic in public together but no one can figure out Who That Is
and also i know you said that shu was a tailor but i think it would be funny if he also were a noble (his family is also of high standing in canon i think) so he can be there to judge eichi. harshly. i havent figures out yet how to make him besties w wataru but ! it can work
!!!!
This got soooo long again so this is once more put under read more I am so sorry
The idea with the Masquerade comes up while Eichi complains to Wataru about his parents pretty much forcing him to throw a ball for his upcoming birthday (they already planned the whole thing and didn't reallly give him a choice in the matter) and how much of a hassle he thinks that is because of all the superficial politeness between people that everyone knows are gossipping about each other behind each others backs and how sick he is of the pretending to be well acquainted with these people he's talked to maybe once or twice and all the ladies that wish to dance with him and that want to suck up to him because of his families wealth and how really this is all just one big farce to "save face". So Wataru suggests "why not make it a masquerade ball" to spice things up a little bit maybe, take some of the stiffness out of it. And Eichi says he wants to invite Wataru because what's a public event without proper entertainment? Wataru agrees of course and they come up with all of these overly grandiose ideas and scenarios (most of them are utterly absurd. One they genuinely consider involves Wataru pretending to kidnap Eichi and causing a scandal (Eichi woud miraculously reappear the next day and they'd gaslight everyone into thinking that never even happened and all the people are just imagining things)).
Wataru mentions that he'll be gone for an evening to play at the noble's ball to the elderly inn-keeper couple over dinner and they make a really big fuss about it and tell him to dress nicely and to watch his manners because "Remember, you can't just drop from the ceiling with those high society people like we let you do it here they're very sensitive about manners you have to make sure to watch your manners!" and for a minute he wonders how it got to the point that his landlords started to treat him like they personally picked him up from the street when he was a child.
I like to think he met Shu when he was out on the street doing a little street performance to earn some extra money for himself and Shu, the way that he is, came by, looked him up and down, and then started a conversation with him about music as an art form and that somehow turned into a philosophical discussion and at the end of that they each went their own ways with the knowledge that there was a new friendship formed that day.
And maybe he's the one that sews Watarus clothes for the ball because if you spent most of your life as a traveling bard living hand to mouth from your music you won't really have the money for fancy clothes (Eichi still insists on paying for Wataru here because he wouldn't need to spend so much money on fancy ballgowns if it wasn't for him in the first place and also he just wants to treat Wataru to something nice and sees this as his chance seeing as Wataru declines most gift offers me made before). Wataru tells him about the entire thing and Shu scoffs because dislikes Eichi (still need to come up with a way to explain that disdain but I will come up with something trust me!) but his parents force him to be there too so "he might as well" (it's obvious he still puts in a lot of care "because of his pride as an artists" (because Wataru is his friend and he wants him to have something nice)).
Shu only has to be there because his family guilt trips him into going and he doesn't see the point in opening that can of worms again ("We already let you pursue your foolish dream of sewing clothes like a commoner this is the least you could do for your family.")
And then at the actual event he's in some secluded corner together with some other people who only attended as a mere formality because they also do not like the Tenshouin family but they have to be there because they're important and aristocrat politics are weird that way I suppose.
Meanwhile Wataru does his usual thing and charms everyone with his beautiful beautiful voice and his elegance and charm and oh he is so agreeable as a performer. Eichi has to handle the usual "pleasantries" (nothing pleasant about those tries) and he exchanges the one or the other suffering glance with Yuzuru when nobody pays attention that just screams "God when will it end". Yuzuru shoots him back a look that conveys the exact emotion of "my condolences" and then he goes on to look for Tori who's 1.53m figure has disappeared in the group of people and when he finds him he's talking to a gentleman that's about a head taller than him and the mask obscures his face but judging by the hair and the slight "animosity" between them he's talking to Tsukasa, so Yuzuru decides he's in good hands and leaves to do his own thing. (do they know they're talking to each other? Who knows! But they'd probably manage to start bickering either way.)
And eventually it gets to the actual Ball bit of the Birthday Ball Event where they actually dance (there's an actual orchestra there now and they play very lovely music). And almost everyone asks to dance with Eichi at least once. Eichi does not want to waste his time and energy on these people who are just interested in him for his money so he always makes up something about being preoccupied or a little tired or something that gives them no other choice but to back off. Suddenly Wataru appears behind him and does a little "boo!" and Eichi didn't expect that so he startles and almost drops his glass and tells Wataru not to do that anymore at public eventshas while Wataru has to stiffle a laugh because he thinks Eichi is cute when he pretends to try to be firm with him. After he's done with his "scolding" (you can barely call it that. he was very soft on Wataru.) Wataru asks him for a dance this time and he's very chivalrous about it - he goes all out really - he kisses his hand and offers him a rose while he does a little bow and asks if he "may have this dance with the lovely star of the evening" (and oh Eichi wants to kiss him so bad right then and there but in a room full of people that are worse than a committee of vultures that is very much not an option). Of course he agrees and they move to the dance floor and suddenly a Lot of eyes are on them because Eichi Tenshouin, whom a good chunk of pursuers have already given up on - because let us be real. It will never happen. The man hasn't shown interest in anyone at any moment in time and lives together with the Himemiya heir and his butler as far removed from the rest of the aristocracy as one would be able to - is waltzing with this masked stranger and it becomes very obvious very quickly that Eichis constant declining of dance offers was not for a lack of expertise because those two look breathtaking together.
Eichi actually dips Wataru once and some people wish they had hired an artist to paint the scene (because I'm a sap and wataei is beautiful I don't care I'm being self indulgent here)). And they talk but nobody can understand what because of the loud music and they curse the orchestra - which is still playing very lovely music (it's heavenly really) - for it.
After their dance is over Eichi goes back to declining every dance offer he gets with the excuse he's exhausted and needs to rest a little before he can dance again (the "I don't wish to dance with you" is implied and in the room but most people chose to ignore it to spare their ego and decide to take him at face value) and Wataru disappears to somewhere, nobody really knows where but somehow he's nowhere to be found. Until he sneaks up to Eichi a second time and does the whole "Boo!" thing again and Eichi almost drops his glass yet another time and as he turns around to "scold" Wataru again Wataru shushes him and takes Eichis, who is more confusedd than anything by now, hand and sneaks out of the ballroom with him.
Eichi asks where they are going and Wataru doesn't answer he just keeps walking and Eichi decides to just trust the process and suddenly they're on the Balcony again, not a cloud in the sky and the only sounds to be heard are the muffled instrumentals from the orchestra that started playing their next piece. The only lightsource being the moonlight reflected by the new years snow. And Wataru turns around, he's not wearing a mask anymore, and he does his little bow and kisses Eichis hand, hands him a rose he had appear from nowhere - a white one this time - and does his entire "May I have this dance with the lovely star of the evening" spiel again. It's the same routine really but it's different somehow. More intense. Because he says it with more sincerity than he did when they were around more people. And Eichi doesn't even have to reply before he finds himself whisked into this waltz yet again, somehow in the leading position. And then they dance and they dance and it's just the two of them, the stars as their only witnesses. And as the orchestra finishes their piece and the music fades out Eichi dips Wataru again and they kiss and it is so sappy and they are so so so so sappy.
They stay out on the balcony a little while longer but they retreat back inside rather timely seeing as it is still january and the night and as the following consequence of those two circumstances actually pretty cold and they'd both rather Eichi not get sick (he already got Watarus coat but then they'd also both like it very much if Wataru also didn't get sick either so they migrate back into the empty, dimly lit hallways of the mansion rather quickly)
(meanwhile at the actual ball people have noticed Eichi missing and started to ask questions, poor Yuzuru has to repeatedly tell people Eichi probably retreated into his quarters already, seeing as it is rather late and he was rather tired "Please excuse the young master for his failing in notifiying the other guests, he told me he didn't wish to interrupt the nice atmosphere and preferred to leave unnoticed".)
After the festivities died down Yuzuru and Tori go to check up on Eichis room because he's been gone without any notice and it would probably be useful to know if their kind-of-roommate just went away to fool around with that strange bard man they've been seeing sneaking around their mansion from time to time that Eichi seems to be oddly fond of or if the should actually be worried about his well-being. After they knock and get no reply Yuzuru just opens the door and he and Tori are both greeted with the view of Eichi asleep in his bed and next to him the also seemingly fast asleep figure of Wataru who's braid got considerably more lose during the course of the evening and who's also seemingly wearing some of Eichis sleepwear.
They both decide they have seen enough they do neither need nor wish to see more. Yuzuru, who has been in this situation before doesn't even have it in him anymore to react in a specific way. He just lets out this big sigh because he doesn't get paid enough for all of this as he directs Tori out of the room. Tori who has not been in this situation before has a Lot of questions now because he doesn't know this man but he's apparently closer to Eichi than most other people and he doesn't know how to feel about that but happy is probably not it.
(The following day Eichi has to listen to a (rightfully) disgruntled Yuzurus passive-agressive-yet-somehow-still-very-polite-sounding-Yuzuru-complaints about him just disappearing like that and leaving it to Yuzuru to take care of his mess (Eichi promises him to make up for it and that if Yuzuru has any favour to ask he's very welcome to come to Eichi about it). Tori really wants to ask about the strange man Eichi was so involved with but between not really getting a word in while Eichi and Yuzuru are talking and not really knowing how to take the exceedigly good mood Eichi is in (he's had "A very nice evening". With utmost certainty it was for reasons other than him actually enjoying the mingling witht the high society at social function he was obligated to host, Tori guesses), he kind of clinks out here and decides to simply take matters into his own hands when he gets the chance.)
24 notes
·
View notes