I don't want to know nothing,
don’t want to know the places you've been—
just wanna hold you down in my arms again.
Tell me where you're going,
not where you've been.
0 notes
I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.
This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.
But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.
Or this little bit from one of the flashbacks:
This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.
And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.
Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.
Like him needing to leave. And leaving her behind.
He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.
She was 9 when he left for school, and he was 11.
Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.
Both of these kids deserved so much better from the world.
8K notes
·
View notes
at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
18K notes
·
View notes
honestly no wonder harrow forced ianthe to lobotomize her so she could save gideon. listen…LISTEN…if i was a secret-war-crime cult nunlet princess worshipped by my entire planet and the only person that (barely) kept me in check was my childhood nemesis—a butch a year older than me, towering over me in stature and physical prowess, and so hot it made my teeth hurt from how hard my jaw clenched in her presence, who wielded a two-handed seven-foot sword and had irritatingly huge biceps and told very lewd stupid jokes and also learned how to wield an entirely new weapon and be my bodyguard with startling accuracy in three months—only to have us finally learn to trust each other because we got invited to a magic murder mystery and then before the bubble burst i spilled the worst secret about myself that i was born because my parents murdered an entire generation and tried to Kill Her along with them and she just wouldnt die, and i told her this expecting a swift death i believed i deserved, only for her to fucking cradle me in her big butch arms and kiss me on my forehead with her soft butch mouth and just. forgive me for a shameful weight ive carried my entire life and then MAKE AN ACTUAL NECRO/CAV VOW with me despite every evil thing i have done to her……to have her tell me, in the end, bleeding and broken after putting up the most beautiful and glorious fight of her life, that she understands purpose and she understands duty and she knows loyalty more fiercely than ever now, that she knows who she is to me, that there is no her without me….to have her backed into a corner and make the ultimate sacrifice…..for me…..to recite scriptural wedding vows of eternity to me in her last wisps of soul-consciousness…..if i thought there was even a snowflake’s chance in the pyre that i could save her by turning myself into her very own locked tomb, i’d be begging ianthe tridentweirdius to crack my skull open and turn me to mush too, goddamn. i understand you harrowhark girl you don’t have to explain a thing to me. god said you couldn’t undo the lyctor’s bond bc it’d kill you. you told god and his angels that not even a lyctor’s bond could outshine the power of female spite and lesbianism and they didn’t listen. they didn’t believe you. but i heard you loud and clear and i was 17 and hormonal and hopelessly romantic not too long ago unlike those fucking dinosaurs and i’m saying it’s valid it’s what i would have done and really everyone should be thanking you for not being worse and more wretched about it, all things considered
4K notes
·
View notes
Ok no I do have to make it it’s own post bc I don’t remember the book’s scene in detail but Annabeth seeing the fates cut a string at the arch is so fascinating. Bc we know that’s Luke’s string. He’s not dying soon, but it’s been decided when he will die.
The moment the fates decide that Luke will die and when is right after Percy sacrifices himself. Right after he shows Annabeth his care and loyalty. That she is worth saving. That she doesn’t deserve the wrath intended for her. A set of dominoes has just been toppled and when they all finally fall, she will stand between Luke and Percy and choose Percy. From this moment, from this early on, Luke’s fate is sealed.
4K notes
·
View notes
Rewatching the first few episodes of fhjy because i guess i have nothing better to do and the way you can see how kibblespilly was supposed to be a counter to riz is so fucking funny. Its all there from the very beginning- the attitude, the tactics, the way she interacts with the party and everything- this is supposed to be riz's counterpart to run against him for student body president and have a terrible battle of wits and barbs
But in a twist that is perhaps THE most befitting to her ideal story of running against the boy she chose to be her antagonist, the intrepid heroes just straight up not taking the bait resulting in her instead having to go toe to toe against her idealized perfect rival's aggressive near-flunkie unsubtle chaotic friend is SO FUNNY.
Like I know some people are disappointed we dont get the riz vs kipperlily presidential whatever, I know it doesnt make tons of sense in that specific narrative way. But the fucking hilarious meta that even this didnt go her way is so funny. Because instead of rogue sneaking and behind the shadows plays and spy vs spy shit, we have just outward schoolyard taunts and shit like kristen exploding and jumping over the school and the exact kind of play that baits kipperlily into rage every single time and its so fucking funny. Kristen runs naked through the school and does party stunts and is STILL BEATING HER. She even clearly constructed her party to mirror the bad kids perfectly and craft each of them their own nemesis/counterpart and for the most part it like kind of worked EXCEPT FOR HER.
It must drive her fucking crazy that her cute little plot of rogue vs rogue didnt pan out at fucking all despite ALL the signs pointing to that making the most sense. This was something she just couldnt predict, couldnt mastermind. She got up onto that metaphorical stage for a debate and instead was met with a clowning act. Its so funny. I love fantasy high. Nothing you could have done would have changed this, fourdogs. You never had any power at all.
3K notes
·
View notes