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#bird secondary model
wisteria-lodge · 16 days
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bird primary + slightly burnt snake secondary (bird model) (burnt-out badger model)
I don't know if this is the correct place to ask this, oh well :). I recently found the SHC community and fell in love with your analysis. (Disclaimer that I may have misinterpreted some of the traits, again, very new at this.)
I am hoping you can help me sort out my secondary. My primary is very obviously a bird, no problem. I mean, I exibit certain chararistics of the others at certain times, such as strongly valuing personal loyalty and such, but I think complexity is just part of being a human and I fit really neatly into almost all of the bird stuff I've read.
and I mean... "strongly valuing personal loyalty" can just, very easily, be something that you fold into your Bird System.
But my secondary is really giving me trouble. But I keep flipping between snake with badger model or burnt badger with snake model. (With others thrown in for flavor!)
For context, I was raised in VERY emphasized badger home. And like, mostly, I agree? Hard work, grit, and consistency ARE extremely important, and while those are not the only way to ever accomplish things, they tend to be the most reliable and the most likely to give long term success. They also tend to build long lasting relationships that are supportive and grow with you over time and not just around one time/phase/stage in life. (Not that those aren't important) I want to be like that- be the reliable hard-working one. But I'm not! I am fairly lazy actually, and am constantly searching for a way around projects/problems, very often to my own detriment.
So okay. We've got some negative self-talk here.
I don't like the word "lazy" - mostly because it's just incredibly non-specific. "Lazy" can mean issues with executive functioning, it can mean I don't think xyz is important, so of course I'll cut corners. It can mean you're exhausted. It can mean you're depressed. It can mean 'if I am not working literally all the time, I'm worthless.' It can mean you're having a fun, goof-off day. See what I mean?
So what this does tell me is 1) You've got a strong Badger secondary voice in your ear, saying that This Is How It Has To Be and 2) that kind of chafes. You're about working around things, working smarter not harder, and getting out of/finishing quickly the things you don't want to do. Which is 100% completely fine! All it means is that you're probably not a Badger secondary!
And while I am very good at lying and do it to get myself out of problems semi-regularly, I feel guilty about it after (not usually in the moment) becuase of my moral system (bird primary).
I'm leaning slightly-burnt Snake here. Healthy Snakes don't usually refer to their shape-changing as "lying," so I'm keeping that in mind.
But being so snake/adaptable does have many benefits, especially in talking/working with others, and I value my ability to change to fit each person or situation. I am also often able to find unique solutions to the problems I caused myself by not doing it "right" the first time.
Definitely sounds like an improvisational secondary, and changing for the person (as opposed to changing for the situation) is very Snake.
My father has a job in the local public eye and I grew up learning how to be able to talk to anyone, act interested in anything, and have a different mask for school, vs public, vs with friends, vs just being me at home.
Sounds like you built an Actor Bird secondary model (and some of that is of course you going into Neutral.
And sometimes I feel guilty for "manipulating" people, as my moral system emphasis honesty, but just as often I pride myself on making people feel good becuase I figured out what they needed/wanted and gave it to them while making it seem like it wasn't a calculated read of the situation.
Snake. And a fairly important part of this system is that "manipulating" is a completely neutral problem-solving technique. You can manipulate people to do good, and manipulate people to do bad, just the same as you can use the Badger dependability and ability to fly under the radar to do good things, and bad things.
Overall, I am grateful for my childhood (truly I've got great parents) and I think it's super important to be able to react well to unexpected circumstances, so much so that when I finish college this spring (we'll get to that in a second) I want to go into disaster response and crisis management to help others deal with unforseen circumstances. I've worked as an EMT, and hopefully soon as a 911 dispatcher before going into formal disaster response.
I think that will suit you perfectly and (as I'm sure you probably know) that's something a Badger secondary would not be nearly as good at.
I'm very comfortable using snake methods and it makes me feel clever when I come up with an unexpected solution or pull off a tricky social maneuver-
This is a big sign this is your secondary - using it makes you feel powerful.
I just feel guilty because they hard-core fail me when it comes to big tasks I simply don't want to do- situations where the only solution is to just get it done the hard way, and trust me, I would have looked for any other options.
Yeah, that's issues with executive functioning surrounding non-preferred tasks.
I see this most often in my schoolwork. I'm a double-major senior and I am definitely burnt out from school.
Don't blame you. Sounds like you bootstrapped your way through on the family Badger secondary model, and now you're sick of using it.
I am a "gifted child," and I have always done very well in school. I've never had to work very hard at any subject, and so I never did. I always procrastinated and slid in 2 minutes before a deadline.
Very, very common story. You're using adrenaline to hack your brain to punch through executive functioning issues, we've all done it, we know it's not sustainable. Same with not having to work hard in school - you're brain's going fast, you're making connections, you're using meta-knowledge (you're using your secondary.)
The difference is that in college I started not caring about deadlines, being very late or not turning something in entirely. I got A's and F's, no in between. I am graduating, mostly due to amazing professors.
You were burnt out. This is what burnout sounds like. But you made it through, and honestly people just care if you graduated, or not.
There have been things in my life that I've worked really hard at, such as becoming an emt while in high school or my internship last summer, and I have felt really proud of that. But I don't enjoy the work for its own sake, and there have been just as many things I've cared about that I let be mediocre at best becuase I didn't want to put in the effort.
And that's fine! There are some things you care about (and you're incredibly accomplished) and there are some things you don't, and what's the problem with that?
And, some of the best feedback I recieved from that internship was that I always was working hard- and seemed positive about it. When I told them I have to "work hard to work hard" they were shocked and I felt very happy. For 2 reasons: 1, becuase I did actually put in a lot of work to work hard and it showed me that I can when I truly want to (I was starting to doubt), and 2, that they perceived me like that.
I'm guessing it also felt good because there's a large part of you that sees Badger as "the good one."
There's a slightly annoying thing about being human, that gets into the sunk-cost fallacy and things like that, that things we put a lot of effort into are inherently better, or more valuable. But it's just not true. Often the thing that's so easy it doesn't feel like work, the story or painting that just came together, *is better* than the one you slaved and sweat and bled over.
Also, I've been diagnosed with depression and anxiety, probably stemming back from before high school (it's strongly in family history, inevitable more than circumstancial), so how much of that overshadows my personality?
I mean, I think your personality comes through loud and clear. Just stop describing yourself as "lazy" okay?
To make things more complicated I love learning and picking up random bits of information, and I love trying new things. My nickname was Wikipedia in high school becuase I could always be relied upon to have some cursory knowledge about anything, though not always the helpful knowledge. (Bird vibes) I do that for the fun of it though, and it doesn't tend to be the basis of how I make decisions or react to situations.
We know you built a Bird model, so it's good that you can use it as a toy.
So what is going on here? Am I a burnt out badger who needs to not be in the school system for a while to reset and be able to dedicate myself to the things I love, and who uses snake mechanisms to cover my weak spots becuase I got good at that in childhood
You can burn out models. It's pretty common, and it's the puzzle piece you're missing here. You are a Snake. You model Badger when you have to. But because it IS hard, use it too much and it burns out and starts to hurt to use.
At which point you fall back on your Snake secondary and Actor Bird model. Don't worry. You made it through the tough times, and your new situation seems much better suited to your Snake.
Or am I a snake who strongly values badger traits but needs to figure out how to blend them? (And how do I do that?) And also go back to therapy? What's bird doing in there, anyway? I think I'm leaning option two, but like I said- I'm very flip-floppy about the whole thing.
Thank you so much- sorry it got so long. (Imagine if I were confused about my primary too!)
Hey, therapy is fantastic, but it sounds to me like you're doing pretty okay. :)
thanks @adisgracetotheforcesofevil for the submission
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mooglesorts · 1 year
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i have not been active on this blog in a While and being very normal about my old hyperfixation lorien legacies, which has an absolute fuckload of characters to sort, has finally gotten me to crawl out of my hole.
[spoilers ahead for both lorien legacies and its sequel series!]
there is a LOT of ground to cover here, and i am mostly going to limit myself to sorting characters and themes from the first series, but my initial notes are:
probably one of the biggest overarching themes of the series is toxic birdsec, and the harm it can do to every aspect of a society or a person's life--on both a systematic level and an individual one--right down to their basic humanity. by extension it also goes into similarly fucked up lion and bird primary used as weapons and tools of abuse, and how they interplay with each other.
a large part of this stems from setrákus ra being The Worst Fucking Lion Bird Ever to Live, lmao. he's an interesting example of birdsec interplaying with cannibal badger, and also of a lion bird who's a cheetah in that he uses systems as tools to manipulate people instead of actually believing them. he hands out toxic systems like candy while peppering them with outright lies, and blithely admits that even the one that he's put centuries into building--mogadorian progress, and the great book--is at its heart just a ruse to run his cult on. the truth he pretends to worship and champion isn't external, objective truth--it's an extension of him. he is the ultimate truth. and the only truth he believes in is his cause, which is that he has the right and ability to own, make use of, and do whatever he sees fit with everything in existence. everyone and everything that could possibly be a shiny or a tool belongs to him.
one of the other overarching themes is toxic badger primary and secondary--cannibal badgering AHOY--as well as toxic lion primary, and it is a great deal less intentional than the bird cautionary tale part lmao
five is a bird snake with deeply toxic lion primary and bird secondary models, one of which he picked up after getting involved with a cult, and one of which he's had since his abusive birdsec guardian started amputating his masks by trying to apply actor bird to them. :') his brand of birdsplode and snakeburn make him horribly, horribly vulnerable to the cult, especially combined with focused, one-on-one gaslighting and manipulation from setrákus himself, and he has to burn his bird right to a crisp to break away from it. i am very biased and i have so much to say about my boy, but i plan to go in depth about this later
there are a LOT of lionsecs among the loric garde kids. the only surviving ones who aren't lionsecs are marina's badger and five's snake (the latter of which is heavily villainized, lol); number one is either a lionsec or a snakesec, maggie is either a birdsec or a badgersec, and we don't really see enough of hannu to be sure, but my guess is badgersec. in context, whatever these books are saying here i am not sure i like it lmao
this stands in contrast to the non-garde allies, minus adam, who end up being Part of the Gang. sam and lexa are birdsecs, and sarah and malcolm are both badgersecs.
speaking of adam, he is a lion snake with a cool, calculated double bird performance/model, who has been waiting all his life for a chance to go Absolutely Feral. there are a lot of ways in which he's a real shithead, which track given his life and circumstances up to then but are also real 😬 sometimes, but like, good for him. go ape shitt, kid
nine is an awful, AWFUL double lion who models/performs the worst parts of badger primary; he also uses lionsec stereotypes and methods to misdirect people, so that he can hurt, gaslight, prey on, and abuse them. it's genuinely interesting how he does it, and i could go on for a long time about it, but it's also Infuriating because the authors really want you to love him for being a ~charming jerk with a heart of gold,~ so that is for another post. in the sequel series he also picks up a nasty posthumous birdsec model from sandor to gleefully torture children with so lmfao
there seem to be a lot of birdsecs and badgersecs among the mentor cêpans, which tracks, because, well, mentors. interestingly, it seems to be a pattern so far that the birdsec mentors are either some of the most deeply abusive among them (see: rey, sandor, and ethan even though he's an unofficial cêpan), or the most decent parents of them under the circumstances (see: katarina).
john is a hognose (badgery snake) 'i live here' snake lion, and a VERY loud one. he's set on saving the world mainly a) in order to save his People, or b) because it's what they would want. he also believes STRONGLY in snake values as applied to other people, and absolutely cannot grok that anyone would feel differently--he holds back on killing a major enemy because he's worried about killing a friendly acquaintance's Person--and honestly he can be kind of a huge dick about it lmao. he burns HARD at the end of the first series when sarah dies; in the second, he copes by making an entire community into his circle and no longer gives a shit about the rest of the world outside it, including groups who are in similar if not worse circumstances than his community. Horrific War Crimes Ensue!
rex is an everyone double badger and i love him so much. i love him So Much. he is a wonderful example of how to write a morally dubious character whose dodgy qualities interest me instead of making me grit my teeth and Tolerate Them. his arc could have fixed So Much of the Ending's Bullshit and i will be forever mad that they dumped it in the trash
there is more, oh my god there's so much more, this series has SO many characters in it, but this is a start thank you for coming to my ted talk
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I'm going to sort my family from most recently dead to furthest.
Grandma - Badger Snake. I thought maybe she was a double Badger, but I think she modeled Badger sec because it was expected of her, but she was traditional and involved in her church community, so Badger primary. I say she was a Snake secondary due to her general mischeviousness, go with the flow attitude, and doing things like once tricking me into getting a flu shot by paying for two.
Mom - Double Bird or Bird Badger. Would do a deep dive on any subject she found interesting and once she decided that something was true, good luck changing her mind. She could possibly have been a Badger sec due to building communities wherever she went. Used to clash with her a fair amount, but she also could have been a burnt Lion primary.
Grandpa - This one is the hardest due to him being gone for so long, but he could be the double Badger out of the bunch. Also community oriented.
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flosarbor · 10 months
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"...follow the blue bird... fail means losing your son forever"
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I so love that mystical name for q!Jaiden. It doesnt point a straight but everyone understands who its about.
I wanted to draw her a while ago and finally I had an idea for art!
q!Jaiden design is mostly her Vtuber model plus Bobby's jeans jumpsuit on belt. Gloves are more dense so birds can sit on them. And secondary feather are clipped (one day I will tell about my headcanons on clipped feathers for different q! characters)
I'm really often forgot about headcanon of q!Jaiden's blast scars even if I like this idea... Sounds like a reason to draw her again one day :D
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kedreeva · 8 months
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Thoughts on good omens 2 wings? They seem to have updated their models n thought you’d like to see
I don't think they updated the models, they're still using weird pseudo-primaries instead of proper secondaries, and they still have huge gaps between the feathers which would make it so they'd never be able to fly with them.
THIS:
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should never happen
Look at a swan's wing when partially extended the same way:
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Primaries are only shaped so sharp and thin because they are stiff as fuck and anchored into bone so when the bird moves the tips of its wing bones, the primaries can help steer. Secondaries have MUCH softer, more bendy shafts, and they overlap one another heavily so that the wing becomes like an airplane wing- solid shape for wind to flow over and provide lift.
Do you know how many feathers you have to clip to ground a swan? Five. Five feathers on one wing and the swan cannot fly off.
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Every-other primary, which leaves a bit of a gap between the feathers so it's no longer a solid line.
It's a problem on Aziraphale's wings, too. Not to mention whatever the hell is going on with Aziraphale's underwing coverts pointing the wrong direction:
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Also they still have weird motion problems, where the wings a) often act like they don't have bones, b) the feathers bend like they have no stiffness to them at all and c) they don't fold properly at all. Any bird's folded wing, even removed from the bird, resembles a pointy oval with a bit of a concave innard. I don't have a screencap of how their wings fold up in space (they do I just don't have a pic) but it's pretty terrible. Points in their favor for the primaries folding under the secondaries, but not much else.
Anyway they're pretty but still being designed by people who don't really deal with birds, or else who are stuck with design programs that don't know how to deal with birds. They're beautiful angel wings but not great bird wings. Which I suppose is fine, since they're angels, not birds.
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rivensdefenseattorney · 2 months
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Red Fountain Dormitory + Riven's Apartment
Here's all the boys' rooms + Riven's apartment since he wants to be different so badly.
Brandon's Room
Brandon is definitely a maximalist, he follows the philosophy that blank walls are meant to be filled. He's also a bit of a hoarder, so he has a lot of things he's received from his siblings as gifts scattered around. He also a big movie buff, so he has just about any poster you can imagine.
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Timmy's Room
Timmy sees his room as a secondary workspace. He's often drafting new blueprints & prototypes, or studying for his next exam. He's absolutely fascinated with aircrafts, and has been building models since he was a child. His curiosity often leads him to taking things apart and studying the components.
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Sky's Room
Sky is a simple man, he doesn't really understand a lot about decor, so he lets his friends do it for him. If you see any furniture or decorations in his space, it was most likely put there by Brandon or Stella. His favorite addition however, is the mural that Helia painted for him on the wall. Sky tries his best to make his room inviting for guests-and-strays alike, so he often has a lot of blankets, pillows, and spare bedding. Stella basically treats his room like a secondary home, so he leaves space for her to leave her things.
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Helia's Room
Helia's room is like an art gallery. He has too many sketches and canvases scattered about to count. Helia sometimes forgets where he puts things, but he treats it as a pleasant surprise whenever he eventually finds it.
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Nabu's Room
Nabu's room is a place for him to decompress. After coming to Magix, he needed a space for him that holds some familiarity. He likes to keep the lights to a minimum since he's used to spending a lot of time in dark caves and deep ocean pits, so he often opts to use candles when he can. He also has a lot of ingredients and artifacts scattered about his room.
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Riven's Apartment
Riven likes to keep things simple, so he doesn't have a lot in his apartment outside of necessities. He even made a bookshelf to keep all of his books organized. Eventually, he makes some space for Flora to keep her extra plants since she ran out of space in her room. It somehow turned into her having her own corner in his apartment. He allows Bloom to put books onto his shelf for him to read later. It's also the designated meeting spot for the group, but he doesn't know that yet.
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Bonus
How tidy is everyone? (From Messy to Neat)
Side Note*: This is also the order of who would drive Riven the most insane if they lived together.
Messy
Brandon
Helia
Nabu
Sky
Timmy
Riven
Neat
What type of bird is everyone? (From Night Owl to Early Bird)
Night Owl
Brandon
Nabu
Timmy
Riven
Sky
Helia
Early Bird
__________________________
Winx Rewrite Master Post
Red Fountain Polytechnic
Alfea Dormitory
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drawingpad-studios · 14 days
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DND Race inspired SPR fan species part 1:
Accentas
(DND Race Inspo: Kenku)
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Dark feathers, white chest markings consisting of a brace and a repeating bar to make it look like they're in a suit, decrescendo marked beaks, eighth rest legs, and shiny white stones that they collected to adorn their feather "dress"/"tail coat"
Accentas are one of the two cousins(aka Being a part of the same family in the scientific categorizing sense) of the Harmonians. Being more avian than angelic, like their cousins, the Fortans. Unlike the two species it evolved with, Accentas can't talk outside of parroting the phrases they've heard and they also can't fly due to not evolving wings. Though they circumvent this by using instruments to communicate and living in places where they don't need to fly.
Natural environment:
While you can technically find these anywhere like any other sentient species of Paper Robloxia, you can find the most Accentas in the lower parts of the musical regions. This includes the caves below the musical regions for half of the population of the species. Just really anywhere it's already accessible for ground bound species or can be made accessible for ground bound species.
Communication:
While they can't speak and can only mimic phrases they've heard, mimicking the voice perfectly, they do have a "spoken" language. This language is called Sonette and is only "spoken" through the use of instruments. Basically in the early years of the population, a group of elder Accentas got together and decided to assign words, letters, phrases, and numbers to different "up beats and down beats"/measures. To not have to rely on trying to piece together different phrases hoping they have heard the right phrases to say what they mean. this ended up being passed through generations until it got so popular form of communication to where they have it in their schools, and other schools(where it isn't mostly Accentas) have it as a extra secondary language class. Along with the species being nicknamed the "Conductors" with their way of teaching others the language.
It can be tricky for non Accentas to get the hang of, especially the non musical species. Thou the species is rather understanding of new learners, because not only are you mastering a language, but you're also mastering an instrument if you haven't already.
They also have a writen "language", but this is like how they communicate through phrases. They just cut and connected different letters from different languages they've read to create a jumbled mess of what they wanted to write out. So to understand it, you kinda need to know pretty much most of the languages of Paper Robloxia. This written "language" is often compared to the language the red teapot character speaks.
Religion:
While all of Paper Robloxia is pretty much Polytheism, Accentas are technically both Polytheism and Monotheism. They do believe in the other gods and Duskkar, but they believe that the Great Mother Bird(the "mother" of the gods from the old world) will rise from death and become the one true god again.
Creating statues of this giant origami swan that adorns the center of their cities and their churches, modeling their instruments around parts of the great mother bird(like guitars being modeled in the shape of her wings), and dedicating most of their festivals to said mother bird. They are technically the most religious species, a bit ironic considering there are two species that are angels and demons respectfully.
Reproduction(eggs):
This species, along with its other feathery cousins, reproduce via eggs. Thou the eggs aren't formed via intercourse. While they and their cousin species do have privates that they didn't evolve out, those are only used for pleasure (this wasn't evolved out because of the rise of the Beast of Lust). How they actually reproduce is with a love song that has been established to be the only song to have the effect of egg creation. (It's also effective in the more furry musical species, but this is more about the feathered musical species) This song when translated is named "Love Bounds". which was originally about two lovers from different realms falling in love, the two rising and falling respectively, and becoming wedlock in the middle once they find each other. This IS based off a true story and was written and originally sung by the people in the story.
Once it was discovered that this was how the species reproduced, it was quickly translated and spread across the different musical species. Though unlike the rest of the species, since the Accentas can't really talk of sing, they of course use their instruments. Basically; a mature adult that can make the egg and a mature adult that can provide half the genes of the egg got to play the song. once the song starts visible music notes come from the two's instruments based on the part they play, whole notes for the one that can make the egg and quarter notes for the one that provides half of the genes of the egg. Once one of each touches, the next morning, the egg layer will wake up with a shelled egg in their pouch(where the feather "dress" starts)
Aging:
They pretty much age the same as Harmonians, except due to their flightless bodies, they ended up maturing faster due to how they were easy prey in the past. Where they weren't really able to survive past ~40. So their start of adulthood is ~40 even after they stop becoming prey, compared to Harmonians' adulthood starting at ~60
(all of these DND race inspired species along with my two first SPR species are all open for anyone to use, just like credit me as the species maker or something in the ref of the characters)
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the-phoenix-heart · 3 months
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Sorting Hat Chats - A Ballad of Songbirds and Snakes
Heeeey I'm back again. Hunger Games is one of my recent hyperfixations, so I'm doing a sorting of the latest book/film. I'll only be sorting Coriolanus Snow and Lucy-Gray Baird in this post. And Dr. Gaul oops.
An explanation of the system I am using can be found here. (Credit: @wisteria-lodge )
SPOILERS FOR A BALLAD OF SONGBIRDS AND SNAKES BOOK AND FILM
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LUCY-GRAY BAIRD is a thriving, healthy Snake secondary through and through. She loves performing, she loves playing coy, and she clearly relishes in getting one up on her enemies. This is a woman who turn her death sentence into a concert. Her plan to defeat Reaper, someone larger and deadlier than her, is to piss him off and give him the run around until he dies of exhaustion (or drinks from a poisoned puddle). To get one up on Mayfair when her name is called Lucy-Gray puts a snake in her dress to freak her out and subsequently humiliate her on live TV. No punches held back.
She's described by her actress as "a performer in a hunt," and she is. She always gives off the impression that she is always acting and always authentic in every moment. Snow certainly can never tell if she's lying or not and for all his faults he is smart.
CORIOLANUS SNOW meanwhile is a Bird secondary (I know, oh the irony) and the two secondaries slot in well together. In ABOSAS we see how he is always calculating in every interaction how he can leverage this for the most gain. He wears a carefully manufactured mask playing up whatever trait he has to to get what he wants from the person he is talking to. That's the Actor Bird in him, he can't just become someone like Lucy-Gray can. Which is why Snow works so well as a mentor for her. He can make all the plans he wants and give her every advantage to win, and she can immediately go along with it without skipping a beat.
We also see his Bird secondary on full display when he starts to come into power. He immediately starts making plans for the 11th Hunger Games when he comes back to the Capitol. His signature method for killing people is poison, and in sixty years that never changes. It's a risky plan that always works so why would he change it? And of course we know after he becomes president just how much effort he puts into controlling Katniss with more and more plans.
As for their primaries, well, that's why they constantly misunderstand each other. Coriolanus and Lucy-Gray look at each other and they both see a Snake primary, but those aren't their true sortings. Lucy-Gray is wearing a Snake primary model, and Coriolanus is wearing a Snake primary performance, not even a model.
Lucy-Gray loves the Covey, but at the end of the day when Mayor Lipp wants her dead Lucy-Gray doesn't need to think twice about running away. She knows they can take care of themselves, and she values her own freedom above anything else. It's apparent also in how she treats Billy-Taupe. She loved him once, but the moment he cheated on her she immediately cut him out of her life and doesn't seem to regret that decision. "Without trust you might as well be dead to me."
Lucy-Gray is a Lion primary, and like her secondary it's healthy. Her mantra is "Nothing you can take from me was ever worth keeping." She's another example of the Jack Sparrow style of Lion primary, the Fae lion. Freedom is good and control is bad. It's also why when she leaves Snow she makes it a whole production where she sings him "The Hanging Tree" and runs around him as a way to fuck with him. She knows that Corio isn't the man she thought he was and she wants to show him she knows.
Lucy-Gray is the Yin to Katniss's Yang. Katniss is a famous Snake Lion, and Lucy-Gray is the inverse of that, a Lion Snake. That quote about Lucy-Gray being a performer in a hunt is followed by Katniss being "a hunter in a performance." The revolution in a small way begins with Lucy-Gray and is ended by Katniss. Lucy-Gray loves freedom before all else, and that means she is never going to fight the Capitol like Katniss would, "it's too early for [K]atniss," she says. But Katniss is that Snake primary who loves so deeply and devastatingly that of COURSE she would end up fighting the Capitol.
But I think Lucy-Gray likes Snake primaries. I think she likes how much the value freedom, but also the way they value their people. That's what she sees when she sees Snow, a man who will do anything to protect the people he loves over himself. But that's just a performance Snow puts on, because he knows that looks much more nobler than what he actually is.
Snow actually primary matches Lucy-Gray. When we see him he's a young lion. The impression I get from Snow is entitlement. He thinks because of the way he was born that he just inherently deserves to have what is owed to him. But after it's found out that he cheated to help Lucy-Gray win, he is stripped of what little he had and sent to be a peacekeeper. He doesn't know what he wants anymore, because he can't have what he truly wants, so he convinces himself what he wants is Lucy-Gray. Except, the moment he realizes he can absolutely still get that power he turns on her immediately.
His goals never change, in the end Snow does indeed land on top, as he achieves those goals. He becomes president, and then it becomes all about maintaining power and control. And that's the real crux of his Lion primary. Like Lucy-Gray he is a Fae Lion, but on the opposite end of the spectrum. Power and control are good, and he should have that over everyone else in the world. I also see his primary in his method of choice for killing people. He willingly poisons himself so no one catches on, that is some lion devotion to his cause of control.
But, despite him trying to appear completely composed at all times, you can see that very emotional Lion primary underneath it all. I mean, he's clearly obsessed with screwing over Katniss's life in particular because he sees both Lucy-Gray and Sejanus in her. Meanwhile everything he does that fucks with Peeta is to fuck with her, despite the fact that he was also part of that suicide threat. He doesn't like that emotional Lion I think. What he wants is to maintain control over everything, and the appear as though he has this carefully constructed worldview/ideology. He has these intelligent/convincing arguments on the power of hope and the purpose of the games. It can look very Bird to people, and I think it is. DR. GAUL is absolutely a Double Bird Mad Scientist, and I think Snow adopted a Bird primary model based off of hers.
So...
Lucy-Gray Baird - Lion primary, Snake model/Snake secondary
Coriolanus Snow - Lion primary, Bird model and Snake performance/Bird secondary
Dr. Gaul - Bird primary/Bird secondary
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liltalle · 9 months
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Sorting Hat Chats - Nimona
@sevilemar got me to watch the wonderful new movie Nimona. I'm very excited about it, and I thought I'd try my hand at sorting the main characters, since I haven't seen that done yet. Here are the basic of the system I'm using.
Spoilers below the cut:
This is a very Snake Primary movie overall, so I'm going to start with our most obvious Snake Primaries and work from there.
The titular Nimona is a Snake primary. In her flashback, we see her seeking connection with all the different animals, but it only works when she finds Gloreth. And then Gloreth is her PERSON, they're in love, it's adorable, and then, the most heartbreaking thing that's ever happened to her, Gloreth betrays her. And thus her Snake primary burns. She doesn't connect with anyone else (we might assume) for the next thousand years, and tho she's self-confident and self-sufficient, she admits that the hatred from others makes it hard for her to value herself. Then she hears about Ballister, and she gets very excited, because here's, finally, a potential kindred spirit. She takes Ballister to be the classic burnt Snake/Bird villain archetype, wanting to take revenge on the world that rejected him, and is disappointed when that's not quite him (I'll elaborate when I get to sorting Ballister). Nimona herself is angry with the Kingdom and its rejection of her, but she seems to keep her anger to graffiti and fantasies of revolution, but Ballister, if her new person wants to overthrow the government, she's all on board and will help him however she can. Even when he's not what she expected and doesn't fully accept her yet, sticking with him and helping him is so much better than being alone, and she'll stand by him until he completely rejects and fears her.
Nimona's obstacle to the acceptance she craves is wrapped up in her secondary: She's a Lion. I read once that a shapeshifter Lion secondary would have a distinguishing trait that would be constant through all their forms, and that's obviously Nimona. Her animal forms are consistent over a thousand years, her impression of Ballister has a red streak in his hair and acts like her, and when she properly acts (a bit of a Bird model), as the Demon Baby and Ambrosius, she loses patience and lets herself through pretty quickly, terrifying the Squire and making Ambrosius' death a bit over the top. And her consistent difference from everyone around her is her struggle, she can look similar to all the animals but not so similar that they accept her. Gloreth, miraculously, accepts her human form and her shapeshifting abilities as well... until she doesn't. So she's careful, opening up to Ballister again. She's Nimona, she's defiantly herself, and not defined by any group, but she's reluctant to explain. She does enjoy lying to Ballister, but only as a momentary joke. (And maybe jabbing at his gullibility is related to her burnt tendency to trust people at face value?) She gradually reveals herself, until she's unmasked as Gloreth's monster, and Ballister leaves her.
And now she's broken, she burns entirely, I think, primary and secondary. She takes a form without any of her usual red, and she's not playing a role, she's become the monster they all think she is. And she loses her weakened sense of self-preservation entirely. She is only drawn to the statue of the woman she loved and who betrayed her.
Until Ballister stops her. "I'm sorry. I see you, Nimona. And you're not alone." Ballister knows all her secrets and still sees her true self, her Person finally accepts all of her authenticity... and she returns to herself and falls into his arms.
In light of all this, I was at first confused by her final sacrifice, but then I noticed, first she looks at the screaming crowds, and looks upset, but only after she looks back at Ballister, and sees his horror, does her face turn to resolve. She's always empathized with the people of the Kingdom, especially children (as they feel like her, similarity is a good way for Snakes to connect), but I don't think she's ever really taken them as her problem. But when Ballister fully accepts her, she fully accepts him, which includes, as Snakes tend to, adopting his values. She takes his duty to defend the people as her own. He's a hero, and she's his sidekick.
(Damn, I want to cry again.)
Ambrosius Goldenloin's Snake primary is very clear from his imagined monologue to the Director, so I'll quote it at length here: "I've lost my mind. I've lost everything. The man I love, my best friend." He just says his everything is his Person. Followed by a note of jealousy: "Although now he's got a new best friend. What's that about?" His distrust of Ballister, here and elsewhere, is distinctly framed as "What else is he hiding? Who is the real him?" because if he never knew Ballister, then their connection wasn't real, and his loyalty to him isn't owed. But he isn't sure he's wrong about Bal, and so he keeps trying to make sense of his confusion, and find out if he should still be loyal to him. And he's built Ballister into his sense of self so much that he then asks: "Who am I? A direct descendant of Gloreth? I never asked for that." This man's not a Lion primary, he doesn't find his destiny or heritage meaningful in defining himself. And finally: "Now everyone expects me to arrest Ballister. And if I don't, I'm a traitor to you. And if I do, I'm a traitor to him!" He frames his choice as a binary one between two personal loyalties: to the Director, and to Ballister. They are his People, deciding between them is the only thing that matters. Gloreth, the Institute, the ideals he was taught, they don't even register for him. And Ambrosius deciding which of the two to trust is much of his arc.
His secondary is less explicit, but I think the clearest moment of him problem-solving is trying to catch Ballister on the subway. Todd, a stereotypical Lion secondary, sees an obvious clue and immediately wants to move. But Ambrosius waits, and watches. And his first clue is "He hates freestyle jazz." His skill in this investigation, as he argued before, is that he knows Ballister the best, so he'll have the best chance of catching him. He's invested in Ballister, so he has power around him. And once Ambrosius has thoroughly watched the full clip (and asked a tech where the train is going), only then does he decide where to go. The thoroughness and humility here, coupled with his intro scene giving Ballister such care and support, make me think Ambrosius is a Badger secondary. A Lover archetype for our hero/villain's boyfriend, but a variation who's very conflicted with a whole lot of agency. I love it. (And his sorting matches mine.)
Ballister Boldheart/Blackheart is a wonderful Bird primary, with an arc of transforming his belief system over the course of the movie, who models Snake for the two important Snake primaries in his life.
He starts out with a dream, "I'm here to slay monsters and protect our kingdom." But it's never about his specialness, I think he just absorbed the cultural narrative, and so just did what seemed like the obvious right thing. (Flashbacks to my Bird primary model) By the time he graduates the Institute, they've "brainwashed [him] good", as Nimona says. The Institutional Badgery values of protecting the Kingdom from monsters has become entirely his. And the public's doubt in him gets to him, he has trouble not absorbing their input.
And when it all falls apart, he's immediately concerned with the Truth. He's innocent, this isn't right, he just needs to give the right people the right information and it'll all be fine. He's not the burnt Snake primary villain Nimona expects, his values are still pretty intact despite everyone turning on him. It takes time for them to break down. The plot challenges him one piece at a time. When he sees the video, he edits his system enough to say that "the Institute's not the problem, the Director is." He gradually accepts more and more of Nimona. When Ambrosius rejects him, he decides it's ok to embrace the villain role a bit and have fun.
He definitively turns on Nimona not because of his loyalty to her or to Ambrosius, but because of a piece of paper (so Bird pri) and a deep part of his system: "Gloreth's monster is the embodiment of evil and what the Kingdom needs protection from." Only when he sees Nimona again, understands her, and lets go of this belief can he fully accept her. His early system, "I'm here to slay monsters and protect our kingdom" is half transformed. He's no longer here to slay monsters, he's still here to protect the Kingdom - but by accepting the Monster.
I think he's also a Bird secondary. He builds his own arm in a derelict tower. He makes an innocence wall to connect the dots. He likes making plans and he's initially uncomfortable with Nimona's improvisation when things inevitably go south. There's a particular way he's supposed to do this, honestly, quietly, carefully. But then, when Ambrosius rejects him, he takes up a bit of an Actor mask of the villain role, and he and Nimona start to sync and have fun together. He trusts his training and he's better at swordplay than any of the other knights, because, as Ambrosius said, he worked harder than any of them. And he learns to plan with Nimona, using her shapeshifting as a tool to get the confession from the Director. And him leaving his sword behind, "I don't fight for her anymore", the tools he uses are an important part of his identity.
The Director is definitely an Idealist. Her values are Badgery, about protecting the community from the outgroup, but her final decision to turn the cannon on the city shows that this ideal is inflexible when it comes to protecting actual people. Since we don't see her change, it's hard to tell which Idealist primary she is, but I think she's a Lion. She tells Ambrosius!Nimona that she had a dream as a child, and simply states that Ballister's knighthood would be the first crack in the wall. She has a monologue, but it's not an explanation. And when everyone around her turns on her, she doesn't update, she doesn't change like Ballister does, her convictions are internal and she carries them to the terrible end. And I think she's a Bird secondary. Lasers are her distinctive tools, to kill the Queen, to knock down Ambrosius, and to (try to) kill Nimona. She plots and lies, easily but carefully, on her own, no improvisation and no support from others. Her monologue is just her dropping her mask and speaking her Liony conviction.
Todd (Thoddeus) Sureblade strikes me as a pretty stereotypical Double Lion. He's impulsive, ready to rush off to catch Ballister at the first clue of where he went. He's a Glory Hound, competing with Ambrosius to lead the knights. And he never questions that he's in the right and better than those around him, until the very end. We only see his sad expression, but reading into that, I think the way the final battle ended shook him, and he's done some emotional soul-searching.
And while my sortings for the antagonist characters are more tentative, I enjoy the concept that this story, that's so much about inverting classical tropes, would invert the character archetypes such that Snake and Bird primaries are the heroes and Lion primaries (with Badgery and Glory Hound values) are the villains.
(These are the 5 characters I think we know enough about to sort decently. The Queen, the Squire, and Gloreth don't get much screen time.)
To sum up:
Nimona - Snake/Lion (Bird sec model)
Ambrosius - Snake/Badger
Ballister - Double Bird (Snake pri model)
The Director - Lion/Bird
Todd (Thoddeus) Sureblade - Double Lion
(If anyone else has sorted these characters, or has disagreements, I'd love to hear about it. I'm trying to get better at this.)
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ro-botany · 7 months
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An Attempt at a Semi-Realistic Analysis of Thoron Stab Wounds
Yes, I already made a post about this recently. But in my reply to Ana's musing about the subject of the thoron blade, I largely assumed fire-like behaviour from an electric spell, and it's been itching my brain all day. So let's go over it again:
What would be the effect of getting stabbed with a bolt of electricity? What would that look like if we offered like five more centimeters of realism to this setting?
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If you don't read the full post, my conclusions are basically:
If we treat a thoron bolt like a live wire, then even if it's a relatively weak source of electricity, with that entry placement it's instantly arresting breath, causing severe convulsions, and probably killing him in record time.
I don't care that Chrom has the power of god and anime on his side. There is no way in hell he's speaking or controlling his own movements in this moment.
The best interpretation of the thoron blade stabbing is the interpretation that makes the story feel best to YOU. Ignore me and my math if it doesn't spark (hah) any joy or interest for you.
Content warning: Detailed discussion of electrical shock and burns, and descriptions of such.
Classification of Energy Blades
I generally consider the thoron blade to be a subtype of a broader class of fictional weapons I call energy blades. These are your lightsabers, your halo fireblades, things like that.
Most of these weapons tend to behave like sources of pure heat, and most can have their behaviour modelled like a Hot Knife. The weapon is treated as though it has a physical component -- a sharp blade at its center that handles most of the actual cutting or stabbing -- and the fire/plasma/heat is treated as a secondary effect of the weapon. Narratively this is often the more balanced choice, because it means the weapon puts out a reduced amount of heat energy, which means damage is (mostly) contained to the initial wound site and its immediate surroundings. This is how you get instant cauterization weapons.
The other option is the Literal Flame model, which assumes pure heat energy with no physical cutting component. This is rarely, if ever, used in fiction, because it is overpowered. It works a lot like the acetylene torch analogue I used in my reblog of Ana's post. In short, for a volume of heat energy to be capable of "cutting" flesh, it's effectively vaporizing/instantly melting that flesh. That means it's putting out a LOT of energy. For a heat-based weapon, that means massive amounts of burning around the wound site, penetrating way deeper into the surrounding tissue than you expect, and the sheer heat of the air around the weapon causing widespread surface burns.
But the problem with using heat-based models in this instance is that Thoron is not a pure heat-source. Thoron is electricity, and electricity behaves very differently from pure heat. So if our aim is semi-realism, we ought to model it like electricity.
The Behaviour of Electricity
Fictional electric magic -- thoron included -- rarely behaves like real electricity. So, for our purposes, rather than an actual arc of electrical energy, let's model a thoron blade as a source of electricity.
Validar, through Robin, has effectively jammed a live wire directly through Chrom's lung and kidney. What does that do? To talk about that, we need to talk about how electric shocks work.
For electrical current to flow, you need a circuit. For a body to complete a circuit, it needs to contact two points with different voltage levels. A bird sitting on a high voltage wire has two feet touching points of the same voltage, so, voltage difference 0, the bird is safe. Chrom, however, has a live wire stuck through his kidney and feet on the ground; he's forming a circuit between a high voltage wire and the low voltage ground. Big voltage difference, big problem.
Once you get past the outer layer of skin, two things happen when a person is shocked. One, human bodies use electricity to move and to send nerve signals, so any muscles getting shocked will tense up. And two, humans do conduct electricity but don't do it well, which means there's a lot of heat being generated, which means the tissue getting shocked is also getting burned.
The majority of an electrical current will follow the path of least resistance. In this case, that means the shock initially goes from the impalement site, down through the legs, and out the feet. But electricity follows ALL available paths in some amount, so its not one straight line through the body, it does wider damage than that.
So What's The Damage?
Time to do some math!
(I am not an electrician or a doctor; please bear with me)
To my understanding, injury from electricity is a function of current and duration.
According to my sources, the amount of shock current someone experiences can be estimated using Ohm's law. To do this we need to know the voltage we're dealing with... so we're going to have to fudge some numbers here, since we can't actually measure the voltage of fictional magic spells.
Given thoron is a third tier lightning spell I'm going to say it's powerful, but not anywhere near lightning-from-the-sky powerful. I'll ballpark it around the voltage of... well, an electric chair, of the persuasion that kills you. Best I can tell, that means 2000 volts. You could probably reasonably go higher, but this feels intuitive to me.
My sources also tell me that the average internal resistance of the human body, with no skin in the way, is 1000 ohms. Just an average, not accounting for the different resistances of different tissue types and fluids.
So! To get the strength of the shock current Chrom's getting:
I = V/R = 2000 volts / 1000 ohms = 2 amps.
2 amps of current. Chrom is experiencing approximately 2 amps of steady current over 22 seconds.
I know that 2 amps doesn't seem like a big number. I need you to understand, dear reader, that currents that injure and kill humans are measured in milliamps. I need you to understand the sheer magnitude of how bad this is.
0.03 amps of current causes muscle contractions strong enough that you can't let go of the thing shocking you.
0.15 amps is enough to stop your heart, if the current goes through your heart -- which means death. It's enough to stop your breathing if the current goes through your lungs/diaphragm. It's enough to cause your limbs to tense so hard you are physically thrown.
Much more current than that, or current for more than fractions of a second, and you start talking severe burns.
I need you to understand that we have just directed 2000 milliamps of current through most of Chrom's internal organs for 22 entire gods-damned seconds.
Did I pull that voltage completely out of my ass? Yes. But Chrom is getting shocked directly in the organs for 22 fucking seconds so there is literally no voltage we can pick that isn't completely fucking him over. The exact number is just a question of how singed we want him at the end.
I know he has dragon heritage and general anime dude resilience on his side. I know this. But I cannot stress enough the degree to which that is not helping him here. In fact, things like the mild super strength like he has PROBABLY WOULD MAKE IT WORSE because your muscles contract way harder than you normally can contract them when they're being shocked!
No, Really, What's The Damage?
Best as I can tell, based on my limited understanding of electricity and its effects, here's roughly what happens to Chrom upon getting stabbed by the thoron blade when we pretend like this setting is a smidge more realistic than it actually is.
If you do not want to read graphic descriptions of injury this is your final warning to bail out of this post.
The instant the blade impales him, all the muscles from the bolt to his toes constrict. He instantly stops breathing. His legs and abdomen convulse so hard it throws him away from Robin.
He lands on the ground, and now the current isn't just going through his legs; it's going through any part of him that touches the ground, and that, in the end, is what's lethal.
His entire body locks up. Muscles pull as tight as they can go. He's convulsing on the ground, like a seizure, only worse. The skin around the bolt bubbles and chars. It smells like meat burning.
There's a sound like wood snapping as the force of his own writhing muscles fractures his bones.
He doesn't speak. He doesn't even scream.
It's bloodless and quiet. Twenty two seconds is a long time.
If Chrom was lucky, he died quickly. Heat turning blood to jelly, a lick of current stopping the heart, pain so great his brain knocks out of its own accord to spare him.
If being a son of Naga "helped" at all, gave him any resilience past what is human, it only means he was conscious a few seconds longer. Just enough time to be aware of the loss of control and the razor-sharp fire of nerve pain that erases all thought. With luck, not enough time to consciously realise he's dying, or whose fault it is.
Twenty two seconds is a long time.
The exit wounds on his back, on his limbs, on his head, sear, then bubble, then char in places. The damage around the bolt bubbles and blackens out and out and out. Don't think about what that looks like on the inside. The smell of burning flesh is thick enough to choke on.
He's still convulsing and burning long, long past the point of death. It only stops when the bolt fades.
In Conclusion:
The only thing saving us all from trauma around this cutscene is the T for Teen rating.
Validar could you pick literally any other execution method because holy hell. Robin carries a sword. Why didn't you just use THE SWORD, VALIDAR.
If you choose to model the thoron blade as a Hot Knife, or as a Literal Pinpoint Flame, or as either of those with a secondary mild electric shock effect, those are all extremely good options for how to handle this event. They offer an experience closer to canon with a highly variable level of injury severity. Singe the man to your taste, allow last words or don't, pick your level of blood and bad smells, those do it all.
Live Wire, as described in too much detail in this post, may be a marginally more realistic model if you want to treat thoron as a straight up source of electricity. Live Wire is also probably the most horrifying option of the bunch, and the one that offers everybody involved the least closure, which has it's own narrative value.
In the end, this is naught but applying a little too much realism and math to anime video game, because I find that fun. If this doesn't work for you throw it out. Pick whatever interpretation makes the best narrative for YOU. If you are like me and are fascinated by the most horrifying option, welcome, we can feel terrible about this together now.
Electricity is terrifying, never touch an outlet, rest in charred little pieces Chrom, goodnight everybody.
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reading-sometimes · 16 days
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Equestria Girls: Rainbow Rocks SHC Sorting
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This is part 2 of a 4-part series. An explanation of the SHC system by @wisteria-lodge is here.
Sunset: Badger Lion
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This movie is about Sunset learning how to unburn her Badger primary. It's pretty hard for her, since she feels like she's not part of any group in the first place. Almost everyone in the school hates her because she bullied them for years. She's not a part of the band, while every other member of her friend group is. Everyone in her friend group keeps bringing up how she turned into a demon, describing her demon form as horrifyingly awful. When the new students hate her, she assumes that it was because of something that she did, which would be pretty painful to a Badger primary like Sunset.
She uses her Badger primary pretty well, though. She volunteers to show new students around the school, so that they can know the new her before they heard stories about how she was before she was redeemed. She kept a book that let her contact Princess Celestia, because deep down, she knew that running away from her was a mistake. Eventually, she joins the band. She unburns her Badger primary as the school forgives her, and she feels more like part of a group.
It almost seems like Sunset has a Bird primary model, since she talks about how she's changed completely as a person. It's caused by her dropping her Glory Hound Lion primary model, though. Sunset's Lion secondary primarily appears in her temper and impulsivity, just like how it did in the first movie.
Twilight: Double Bird
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When Twilight can't figure out how to defeat the villains, she immediately assumes that it's all her fault. Everyone expects Twilight to fix everything, so the pressure feels suffocating.
Sunset and Twilight have a nice conversation about how everyone expects them to be something that they're not (Twilight, because everyone sees her as someone who can do everything perfectly, and Sunset, who everyone sees as still being a delinquent). They both don't want to let anyone down. Twilight wants to live up to everyone's perceptions of her, but she's trying to be something that doesn't exist. It's caused by her perfectionism, but also because everyone assumes that she's a Badger primary, even though she's not. Her Badger primary model starts to explode here, and it gets worse throughout the series.
She ties her self-worth to bringing value to her friends, and when she can't do that, she falls apart. “But why wasn't it working? I should know what to do. How could I not know what to do? How could I have failed like this?”
Sunset helps Twilight by saying that no one can do anything alone, and that she needs to rely on her friends. Because this is a Badger primary show, Twilight's Badger primary model is treated as a good thing, even when it causes problems.
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wisteria-lodge · 7 months
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snake primary + slightly burned lion secondary (bird model)
I'm pretty sure I'm a double bird, but I'd like to know your thoughts.
For my primary, the thing that matters the most to me in the entire world is my S/O, he is my top priority
I mean, I certainly hope you mean "top priority [along with myself.]
and I view everyone else as "mattering less" in a hierarchial sort of way. For instance, my best friend is just below him, and everyone else is below her. It's not that I don't like my friends and acquaintances, they just mean less to me *morally*
Interested in where you're getting Bird primary from. Because that sounds pretty Snakey.
(I would never tell anyone they "don't matter" to me though, it's incredibly mean and I care a lot about what people think of me)
Just random people? Not even *your* people. Okay, now we're starting to sound like an External primary. (Bird or Badger.)
HOWEVER, I've gotten the impression that snake primaries have a built moral system outside of "me and my people" that they can drop at a moment's notice when it comes to their people, but I feel like I'm the opposite; I really WANT to be the kind of person who's loyal no matter what, but if my S/O says things I disagree with I have to be true to myself and my beliefs and argue with him about it.
Interesting. You like Snake primaries, maybe even idealize Snake primaries. Because what you're describing is just like... a relationship. A Snake primary might agree to disagree, because in the end it doesn't matter /that much/ to them. But they'd still talk about it.
I can be pretty sensitive with him, but mostly when it's something I believe very strongly for personal reasons, though it can happen over smaller things too. I am willing to listen to his side and understand where he's coming from though, and use subjective language when arguing. And I think about it a lot afterwards, asking myself whether I was right to react the way I did or whether I should have been more mature, whether I was objectively wrong, etc.
Eeeesh. "[too] sensitive" "should have been more mature" "subjective not objective" etc.
You're allowed to feel things. You don't need to explain why you feel. You are also allowed to have a large emotional reaction over something small. (That's why I ask for small, normal, personal anecdotes, examples like that can be extremely telling.) And it just rubs me the wrong way when someone is praised for being mature, or told to be *more* mature. Maturity is a function of how long you have been on planet Earth, and how many decisions you have needed to make while there. That's it. There's no way to bootstrap that, doesn't matter how smart you are. The only way to become more mature is to live more.
I actually spend a lot of time thinking about my actions in general like this. If I come to the conclusion I'm wrong, I'll feel extremely guilty for "not being loyal enough", though I can feel this way even if I'm right, too (I am very hard on myself for no reason). I suffer from OCD, so my morals are made a lot more extreme in my mind, and only apply to me for the most part. So, if I was coming off as unhealthy, that's probably why lol
I can see that.
But, this only happens with my S/O because I trust him so much; I'm not like this around others, tending to stay quiet due to anxiety and keeping my annoyance inside.
That's burned secondary language. "I want to express myself, but I can't. So your two options are speak out (and then obsess over what you said exactly, and end up feeling guilty for speaking out even if you decide you were right.) Or say nothing, and let the annoyance build up. That's one hell of a choice, friend.
I don't think I've always been this invested in loyalty; at some point after hurting the person who was Most Important at the time, loyalty being incredibly important became ingrained in me. But when I was younger, I was a lot more passionate about injustice and got very swept up in the "sjw" stuff, tending to believe whatever I read or was told. My friends would often get annoyed with how much I'd start yelling about something, like incorrect word usage or if someone was insensitive about someone's identity.
I'm wondering if you might have a Lion secondary. You would definitely prefer to argue then keep the peace, and it sounds like when you were younger you were a lot more fiery.
"Tending to believe whatever I read or was told" is young behavior kind of in general, although it hits External primaries hardest. Although this shift from a more Lion systemto something more Snake flavored is definitely something a Bird would do.
And before that, I believed a lot of what I grew up hearing from my mother, about how my bio family only cared about "blood" while she didn't (I'm adopted and grew up not being related to anyone in my family, and therefore have strong opinions on people saying stuff like "real parents" etc). I always told myself that I loved my mother even though it was clear to me that she didn't love me back, and the only way I got out of that situation was finally telling myself that I didn't have to love her and that I had to prioritize myself over everyone else if I was going to get out. I ended up being incredibly stubborn and standing my ground and repeating to myself over and over not to listen to her. Making my own judgements and forming my own opinions came with time and maturity, and I'm hoping my temper continues to dampen and I become better at patience in the future.
This is a story about a Lion secondary protecting you. This, when it really comes down to it, are what Lion secondaries are *for.* That voice that says "This far and no further. I will be stubborn, I will let anything else fall away. It doesn't matter what comes at me, I am just going to repeat what I'm doing until I get OUT." The world needs people like that.
But now you're in a less dire situation. Your Lion secondary is still protecting you, but you need some more nuanced problem-solving techniques as well.
I am closer to the rest of my family now that they have finally cut her out of their lives, because she hurt all of them. Despite her having clear favorites among us kids and having a hierarchy, and me hating that, I do the same thing. I try not to make it as obvious, though.
You're absolutely allowed to have favorite people in your life. You're even allowed to let if effect how you treat them, because everyone involved has a comparable level of power. If they have a problem, they can leave or take it up with you. A child can't do that, which is why treating specifically a child with obvious favoritism is so awful.
(I will note that I've picked up some of my S/O's morals, but only because I care about what he'd think if I did things like kill a bug instead of putting it outside or if I wasted food, etc)
Could be a Bird with a Snakey system. Could also just be a Snake.
I would say that, between abandoning my morals and abandoning my people(/person), that the latter makes me feel way more guilty.
You definitely seem to have a kind of complicated relationship with Loyalists, and Snake primaries in general. On one hand, your mother seems to be kind of a toxic Snake, and you want to make sure that you never do hierarchies in the way that *she* did. On the other hand, you kind of idolize Snakes and wish that you were a Snake, or a better Snake. You also say some things that sound kind of Bird primary, sure. But you say a LOT of things that sound Snake.
Here's my take on you. I think you're a Snake primary who spent some time kind of burned. You might have even done a controlled Burn on purpose to get away from your mother - that is absolutely something that Snakes do, and honestly it's often pretty healthy as long as they don't *stay* burned. I think that when you didn't trust your Snake you built something that felt a little more *constructed,* and you are still at a place where you think you should be a better Snake than you are (which is something I see with slightly burnt primaries.) I also think that in the places where you look really Lion is probably just your secondary getting loud.
I am pretty selfish with people when I first meet them; I often only want to engage in my own interests, and only start caring about the other person's interests and becoming more selfless once we grow closer and I see them as important to me.
Don't beat yourself up, this is just people stuff.
However, I admire people who are able to just care about everyone and be so selfless and loving. I genuinely have no idea how they do that; I have no interest in loving absolutely everyone, I just think it's very impressive that they can. I feel like they are better people than me.
It is honestly very classic for Snake primaries to think that Badgers are Just Better.
As for my secondary, I used to be more impulsive and bad at planning ahead due to a combination of immaturity and ADHD.
I feel like I'm not very good at originality and creating new things, but I AM good at taking something and modifying or improving upon it. I am often thinking of ways I can make something that's meh or already pretty good and make it even better, and will end up fiddling with it to accomplish this. This includes image editing, messing with Tumblr themes, adding things to recipes, etc. I've also learned a lot of things and picked up new skills by doing this!
This is a very Improvisational way of talking about problem solving. Lions and Snakes will often talk about wanting something that they can *respond* to, and can easily get stuck when they have to begin in a void.
I dislike lying, especially when it comes to myself, but I do tend to have "different" sides I show depending on the person I'm interacting with. I am fully myself with my S/O, and mostly myself with my best friend, and everyone else gets a watered down version of me.
This is the Lion secondary "dimmer switch" or "volume dial" metaphor. There's you, and there's slightly toned-down versions of you.
It depends on what I think they're expecting of me or how I want them to perceive me, and I may exaggerate certain parts of myself a little, but I don't l pretend to be something I'm not. And I'm making an effort to be more Me and embrace myself more after putting myself into a box for a long time.
Good. I think that's going to be really good for you.
But, after moving out and getting older, I've had to hone my ability to plan ahead and prepare for things to avoid potential problems, or just make things easier for future me. I am often thinking of plans which usually involve more abstract, unusual ways of going about things based on what is available in terms of skills, resources, people I can ask for help, etc. I've also heard that "collecting shiny people" is something bird secondaries do, and that's something I'm super known for and partially plays into the "hierarchy" stuff I mentioned earlier. I love learning about people and analyzing them; personality typologies are actually a huge interest of mine! and I love being able to know and read people.
It sounds like after moving out you built yourself a lovely Bird secondary model that you really enjoy. Good for you.
I think that's all I have to say. Thanks and hope you're having a good day!
You are very welcome, and I am having a nice day.
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gattnk · 8 months
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About accessories and their secondary functions in Animation and Character Design
Well that title makes it sound way grander than it is, haha! I've no idea how this thing will go since I don't really have experience writing essays in english, but I'll do my best to give it some semblance of order. Shoutout to @haloheadhater who brought the topic out of me and showed interest in my sharing further!
Here's the TL:DR. Characters often wear accessories to complement their outfits, and these items don't just function as a visual representation of their personalities and interests (like real people); they also may have a "mechanical" function, so to speak. This function is much more secondary to visual storytelling, but sometimes designers will strategically place accessories on a character to facilitate their jobs on the long run. It is often a "two birds, one stone" situation, really.
Here's how that works in more detail.
Disguising Joints
Humans have joints all over their bodies, that's fact. It's what allows us to move and bend like we do. When designing toys, we try to imitate just that: articulated dolls, mannequins, marionettes, figurines and puppets have hinges and ball joints so they can be posed more realistically. A sign of care and quality in manufacturing all these is how well these joints are disguised, so they look as "organic" as possible. Screws and hinges get covered up as seamlessly as possible, so these puppets may resemble people more accurately: obvious, open and visible joints quickly break the immersion (and often places them in the uncanny valley). Compare these high-quality doll hands to your basic wooden posable hand models. Notice how the doll hands do their very best to imitate the natural curves of human hands and how the knuckles cover the joints as much as possible even when they're bent. Meanwhile, the joints in the wooden model hands are plainly visible, and the shapes are very stiff-looking, so they don't feel as human.
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Animation is no different! A good animated character manages to suspend disbelief: for however long the character moves on screen, the audience has to feel like this character is alive and real enough to relate to them and their story. Human brains are really good at detecting when something moves wrong, so the more "natural" your character is, the easier it'll be to keep up with them. In puppet animation (often called flash animation thanks to Adobe Flash, now Adobe Animate, popularizing the method), characters are made of cuts, individual pieces held together by joints, much like traditional paper shadow puppets.
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Animators and character designers often place accessories to cover up these cuts between joints, so when the character moves there's less risk of seeing them. My favorite example is vambraces, wristbands, watches and bracelets! Notice how uncommon it is to find a character with naked wrists? Well now you know half a reason! As the years go by and animation softwares improve, there's less need for this trick, or rather, it is often less obvious.
Disguising Texture Seams
Now see, 3D models look gray by default: you have to paint them over, like one of those tabletop figurines, for them to look pretty and presentable. This painting process results in a 2D image (called texture map) that has to be projected onto the 3D model. There is a variety of other maps that control different things, like how the model's surface reflects light (specular and diffuse maps) or if it's a porous, creviced or bumpy surface (bump, normal and/or displacement maps), but let's just focus on the texture map this time.
The process of projecting a 2D map onto a 3D model is called UV Mapping, and it looks similar to sewing patterns. There's plenty of methods to hide the seams in maps, but computers can be a bit unpredictable, and all 3D renders require touch-ups and a post-production process (especially light and reflectiveness). Sometimes though, covering seams with accessories is frankly easier, so CGI artists always keep clothes and items in mind when UV mapping, as well as the natural folds and crevices in the character's model.
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Here's a good example of what I mean (by Thora Tong). This 3D model's UV seams, highlighted in white, were placed in a way that they'd be easily covered by clothes and accessories. Notice the seams on the wrists and ankles, and how the other seams around the body are very similar to the ones you'd see on actual pieces of clothing.
Volume and Foreshortening Guidelines
Drawing perspective is hard as it is, but organic shapes are particularly complicated. Accessories can help disguise certain perspective errors, or help convey the volumes and shapes of the body much more clearly. They are especially useful as guidelines for foreshortening.
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Anything you append to a character is a useful marker for later. The way these items bend alongside the body thanks to perspective is a useful visual key for later. If you're not sure how an arm will look from a certain angle, maybe imagining a bracelet on that same angle would be easier! The bracelets I drew over the naked arm serve the same purpose as the guidelines you see in the image above. This is especially useful for drawings with little to no shading, where conveying the volumes of muscles presents a challenge.
Bonus - Body Lines
When a human fetus is forming, its cells grow in a particular pattern; these patterns that the body cells follow determine the flow of muscles, nerves, and even how the skin folds or how pigmentation distributes itself. There's a variety of body lines, though the most known and studied (as far as I'm aware) are Blaschko's, Kraissl's and Langer's lines. Langer's lines are particularly interesting: they're also known as skin tension lines or cleavage lines, because they indicate the best place for medical incisions on the skin, especially in the forensic field. There's many different models but here's a good example illustrating them.
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Placing accessories following Langer's lines can be really aesthetically pleasing. Since tension lines follow along muscle mass and fat, they also indicate how the skin warps and folds around them. Knowing tension lines is especially useful in terms of studying how the body creases when bending around (and subsequently, clothes too!), so discretely marking them out with accessories can be useful on the long run.
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Japanese animation is especially guilty of using Langer's lines on skin-tight scifi suits. They're simply incredibly useful as design and anatomic guidelines, and they look so good, they easily survive the test of time!
Conclusion
Character design often involves following rules of practicality that viewers seldom notice. This is perfectly fine because they're not really meant to be noticed by anyone, except members of the team of course. Design of any kind should be done under the premise of aesthetics and function working together, and not against/in spite of each other, so it is no wonder that animators and character designers put some thought into meeting both when adding a little "spice" to their designs. Anything and everything you can do as a character designer or animator to facilitate your work on the long run, or that of your team mates, is welcome. Covering seams and joints makes it easier for the guys in postproduction, as they have one less thing to look out for, for example. The animation industry is built on the backs of (often) exploited employees that sacrificed a lot of their time and resources into doing what they love most: deceiving the human eye and brain into believing for just a little bit that what they made is real. Truly wonderful! So next time you're working on a character, try to think about the functionality of what you're including into them. Test your imagination, and see what comes out of your mindful placement of accessories with secondary functions.
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k-she-rambles · 4 months
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since I'm on a temeraire kick...sortinghatchats thoughts!
Laurence: Gryffindor/Hufflepuff with an incredibly strong Bird Primary model. Behaves like a Burned Lion --possibly a deeply underdeveloped one?
Temeraire: Slytherin/Ravenclaw (with a Lion Primary model?)
Granby: Slytherin/Hufflepuff
Tharkay: Ravenclaw/Slytherin, mirroring Temeraire. (not totally certain about his primary)
Jane Roland: Double Snake (aviators tend towards snake it seems
Bonus Rankin my Beloathed: double badger
Laurence analysis under the cut:
• first instinct for Lawrence was Ravenclaw/Gryffindor. I thought 'that man will be himself if it kills him' (ran away twice to join the navy), a sure sign of a Lion Secondary, and he relies heavily on Structures of right and wrong, a Bird Primary trait.
But then I thought about it. Bird Primaries are relatively okay with what they believe in being disproved. They don't like it, but if they find they have to modify or replace some of the moral or philosophical structures they rely on, they're going to be glad to have learned better much sooner than another Primary would.
Lion Primaries though...they carry their beliefs deep in their hearts, and attacks on those beliefs feel, to them, like attacks on their hearts. When Laurence discovers that something he believes is morally wrong, the most positive reaction he ever has is grief. To truly excise something rotten that Laurence believes, you have to cut him open.
As for the good, he feels incredibly guilty for abandoning his Bird structures, but not as guilty as he does when he realizes he's not doing what he knows in his heart to be right.
With his secondary, it's not so much that Laurence will be himself if it kills him, but that he believes in Showing Up no matter what. He's going to be there doing something, no matter where "there" is--he holds himself and those around him to that standard. That's Badger Sec! As a result, Badger Secondaries tend to attract people resources --both allies and enemies. Badgers do this mostly without noticing. If that's not Laurence...
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5mind · 2 months
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Even without the need for absolute secrecy when it came to their secondary hideout, it was still uncommon for Fivemind to have anyone over. So when Chirptune heard voices that did not belong to any of the squadron bots from inside the shoddy little space, she just had to stop by.
Inside the repurpose maintenance room of the unfinished subway tunnel were two teenagers and the yellow ranger of the mechanical squadron. Chirptune recognised the teens, of course. The two of them frequently helped the mechanical squadron out with setting up hero shows. Also one of them was Bayfloat's resident magical girl. Dreamy Cloud Yadanar wasn't in her poofy cloud-inspired get up though, she's in a comfy hoodie and denim shorts. Next to her sat her twin sister, Thandar.
Both girls and Yellow Three were hunched in front of a sticker-covered laptop. Chirptune landed on Yellow's shoulder.
"Whatcha looking at?"
"Some youtuber." Yadanar answered. "He thinks he's got you guys all figured out."
"He's been making some real good points though." Thandar moves the cursor to display the title of the video - [ THE MECHANICAL SQUADRON'S SECRET || WHY WE SHOULD BE WORRIED - PART 1 ]
"No he isn't," Yellow Three interjected. "You know we aren't aliens."
"I mean, aside from that."
The little bar at the bottom of the video indicated that they were 20 minutes into the video essay.
20 minutes out of 2 solid hours.
The guy behind the channel weave05 was a scrawny young man, probably some college student with too much time on his hands. He was talking very excitedly and very fast. Yadanar and Chirptune both mentally deduct 10 points for presentation. Behind the man was an honest-to-god pinboard with thread in multiple colours crisscrossing each other in an convulated web of coincidences mistaken for causation. He actually had some good photos up there though - shots of Yellow Three at his part-time job, blurs of Pink circled in red marker, Red One in action, and so on. Hell, he even has a pic of Antares who was somehow caught in that one bigfoot footage pose.
"Y'know you guys should sue him for defamation or something," Yadanar commented as the video essay started going off tangent into suicide cases around Basalt and Bayfloat. The guy on the screen was very convinced this particular suicide case was actually a murder.
Thandar scoffed, "With what lawyer?"
"I dunno, I'm just saying."
"Chirptune could be a lawyer!" The bird was already starting to get bored with the video. "Chirptune has played Ace Attorney."
"Ooooh, which one?" Yadanar was also starting to get bored with the video.
"Hey," Yellow Three spoke up. "How did he get that footage?"
The video seemed to have swung back on topic, now displaying footage of the mechanical squadron's red ranger inside a cave. Must have been taken a couple weeks ago when Red One took shelter from rain in one of the natural caves on the outskirts of Bayfloat.
"Probably with a drone," Thandar offered.
"Red One would have noticed," the yellow unit countered. "We are aware of most models currently in the market."
"Maybe it's a super new one?"
"Maybe." Yellow Three placed a hand on his chin - a learned gesture. "Not a flying drone."
"Huh? You can tell?"
"Camera moves too wrong for a flier." Fivemind was actually more focused on the visuals of the video than what the theorist was saying. This fucker had been spying on them. But to what extent? "It's terrestial."
"Uh huh..." Thandar on the other hand was actually listening to whatever the hell the theorist was cooking (someone get this man out of the kitchen). They were getting to the good parts.
The video was barely halfway through. The theorist got up on a stool to dettach the pinboard from the wall. He then replaced it with an even more convulated looking pinboard.
Yadanar and Chirptune had long disengaged from all this, they're just talking about videogames now. Thandar's eyes widened with interest. Yellow Three leaned in closer to the screen trying to scan every photo on that pinboard at once.
And now for the next 73 minutes of part 1 of a 9 part , and ongoing, series.
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killercmd · 23 days
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origin -> @xluciifer
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Given Lucifer's reaction, Temperance decides that he must be the tolerant kind of entity. She unlocks her jaws from around him to lick the wound she's left behind, looking up at him with a few inquisitive chirps paired with quick little head tilts from side-to-side much like a small bird. " Cute, " is certainly not something she usually heard unless it was Valentino using the word to describe them. Vox considered them efficient, not cute. When asked about her talkativeness, Temperance simply shakes her head in a wordless 'no' gesture.
As the secondary model, she lacked quite a few of the social functionalities that her predecessor, Humility, had apparently had too much of; so where Humility was too much, one could argue that Temperance was 'too little'. Without a reason and the comfortability to speak, it was unlikely that Lucifer or anyone else would hear her openly speak. Regardless of that, she offers the King a cat-like smile. Yellow irises blink with a soft blip-blip noise, lengthy cable tail swaying in idle circles behind her.
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Whatever it was about how he read in her processors as an angelic trace must have been a false positive, correct ? Even if not, she supposed Vox would know best. He wouldn't drop them off with specific orders to not attack this man if he was an angel. The whole point of their existence was to kill angels and defend Hell. Silence hangs between the two of them for a few moments longer before Temperance decides to draw near again, standing at Lucifer's side though well within range of being touched if he wanted to initiate physical contact.
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