I don't think I've ever really cared about shipping in my life. I'm generally just cool to go with the flow. If something is written well or drawn well then I'm for it.
But I will say. The DC writers trying to push Jon/Irey and Damian/Irey tire me. I am not impressed with the dynamics going on there and the idea of Irey being in the middle of a love triangle is contrived and upsetting.
I felt safe before because Irey is 9, Jon is an adult with a boyfriend and Damian is a teenager. DC wouldn't let that happen. I knew the shipping going on behind the scenes but everything was fine. It couldn't happen.
But then we got alt universe Supersons. The same age as Irey. And Irey blushing at them.
Suddenly everything was very much not okay.
Again, I'm generally cool with whatever but I'm putting my fucking foot down at this one.
No.
I SWEAR TO FUCKING GOD.
NO.
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orvphil: so real
for example used analysis on the following instances
orville's physical reluctance & difficulty kneeling to propose to jane vs. readily swinging right into such a kneel with phil during 'til we meet again
'til we meet again
(see above) noting the "both immediately becoming So happy to be doing this" and "staring at each other for an unbroken ten seconds after finishing the song which was evidently beyond simply a [hold for applause] thing"
having indeed an adorable little meet-cute, which may not be an integral part of every eventual writer/lyricist & composer partnership
when phil drops in at wingate manor and he an orville have a private little wave to each other like =)
sitting next to each other sharing a hay bale and orville gets drinks for them both and phil walks orville home
lucky day
the choreography where orville's at the piano and phil swings it out while rotating it and orville's "walking" while sitting to one side to help (my analysis: going ohhhhh ;w;)
both simultaneously answering "his" when asked whose song it is like the earnest effortless mutual admiration and appreciation huh fellas
margaret talking about protecting your heart from these theatricals; orville Is one of these theatricals, and he loves it; phil watching him / reacting in this moment including his little "hell yeah" move like he had for orville going off in lucky day
their general enthusiasm together / for each other / enjoyment of being around each other and increased ease of operating when around each other
phil wishing orville could hear his music and talking about how orville ruined his own night to save theirs, then remarking "...what a guy!" mmhm
🌈🌈🌈
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Haven’t finished Hannibal yet, on episode 4 of season 3, but I fucking hate how Hannibal is just... good at everything.
Like the bitch doesn’t just play music he composes his own music too. He’s an excellent artist. He’s a gourmet chef. He’s a talented surgeon. A master of words. Somehow just knows fuckin everything. He even swims for gods sake.
I want to see him be bad at something.
Like I want to see him put on a pair of skates and then immediately eat shit.
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the thing I'm eternally undecided about is When does that dragon thing start? Like does it start with Tahir and his willful sacrifice and the ensuing relationship with Daeodon before Tahir's death, and then transition into Twohir and his quest to kill the fucking dragon who's dead lover he's the incarnation of and the Mess that is them trying to figure Their shit our while trying to resurrect Tahir.
Or do I just start with Twohir? Theres more drama and more Story to them beyond the growing pains of a new relationship. but also Tahir is my baby boy and i don't want to relegate him to backstory, and a Lot of Daeodon's vibes just Don't work without the explicit context that his words and his feelings or motivations don't always line up.
Like, without Tahir and the way the two interacted it's Way too easy to assume Daeodon made it rain endlessly for the same reason he stopped the rains entirely years ago. That his only motivation for ruining lives and destroying the forest he's lord and god of is that something was taken away from him and he doesn't care What that thing was, just that it was taken. Because this time around he really does care that it was Tahir specifically he lost.
But leaving Tahir as backstory would also make Daeodon having a heart be more of a reveal? More something Twohir and the reader discover together. But it also make Daeodon way fucking creepier.
Daeodon spends the first handful of interactions he has with Twohir (not including the one where Daeodon broke Twohir's arm) being fucking Weird. Twohir is Tahir's reincarnation, and while the two are Wildly different people, there's situations where it's too easy for Daeodon to just Pretend for a moment. And from Twohir's perspective, the fucking dragon he wants dead and to never be near him again because he considers his fucked up life partially Daeodon's fault, is constantly trying to get close to him and abuse Twohir's willingness to drink at parties and miss the little clues that would give Daeodon in his faunsona away. It's creep behavior. Even with context it's absolutely unacceptable, But with all that context and the reader already having a good insight on who Daeodon is as a person, it's creep behavior that Feels more tragic than disgusting.
But Tahir's side of the story isn't short. It's not something that can just go in a prologue, and it's not at All the same genre as Twohir's. so having the two halves butted up against each other doesn't Feel right.
like tldr: Tahir is my very special boy but how he fucked a dragon and became a love god is kinda boring compared to how his reincation fucked the same dragon, resurrected Tahir, and then also became a love god.
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