Tumgik
#because there’s a mix of good and bad news and stuff just completely unrelated to Taylor
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How I’ve felt since Saturday night
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boypussydilf · 7 months
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well i successfully survived watching the f&c finale a second time
It is not Exclusively Bad. Of course there are things I like about it and think are good. i actually enjoy the majority of episode 9, i think fionna’s “the post office! that was our oldest building…” is a pretty good moment of her Appreciating Things About Her Pre-Existing World And Life, the imagery of fionnaworld manifesting as a dandelion to make a wish on is like my favorite thing ever. and assorted stuff like i like the humor, simon & fionna texting is so fun and awesome, i fucking love the scarab i want to call him a slur, etc…
But I find all of the Actual Plot Stuff either underwhelming, frustrating, or just unearned. The resolution to the Fionnaworld side of the story is so full of self-contradictory mixed messages that it feels completely messageless. And it bugs me more and more that Fionna & Cake’s world is not really saved by anything meaningful Fionna & Cake did? They hand over control of their universe to the people in it, I guess, but they only have that control of their universe because of stuff happening with Simon completely unrelated to them, not because of anything they did. And them giving up that control of their universe does tie in to the idea that their plan to make the world magical again would be taking away control from everyone else in it, making the decision for them… but that would be a lot more meaningful if “Fionna and Cake plan to make this big decision for other people without consulting them” was more of a Main Point. Which it wasn’t, it was a minor detail. It… kind of feels like the same thing that ended up happening to Simon and Betty, actually: the writers taking one thing that is true, but then blowing it up to make it a central focus that it never was, at the expense of dropping the things that have actually been the central focus up to this point. Aaand then they defeat the Scarab only via help from the people Prismo drops into their world, which maybe would be more meaningful if these felt like people Fionna and Cake had befriended and maybe helped on their journey… but they’re not. They’re just random people they ran into briefly. Fionna & Cake don’t really make any meaningful choices, and the stuff they get to do to help out is all… um, because of either Simon or Prismo. So.
And we already well fucking know how I feel about Simon & Betty’s resolution and Simon’s resolution in general. It is so frustrating. The only parts of that that actually, truly feel like good ideas about what should’ve happened are “Simon & Betty go separate ways” and “Simon realizes his life has worth and decides to keep trying”. But we don’t actually have any clear idea of what the fuck happened to Betty to reasonably say that her ending is her Going On To Grow As A Person And Do New Things With Her Life like she might just be dead, in the end instead of putting them on equal footing they just go “Simon gets to learn things and keep going now and Betty can uh… shrug… go away forever.” And their ending feels so out of place with how truly insane and dramatic they have been about each other for the entire history of Adventure Time. No one is going to cry or act like they wish they could just stay together? And then there’s the fact that Simon gets better for Quite Literally No Reason Whatsoever. Nothing prompts this. He just goes Okay! My life has worth. For no reason. And then his entire half of the ending montage just feels like repeated kicks in the nuts to me but maybe the worst part is not a single appearance from Marceline. In what world does a “Happy Ending” montage for Simon NOT INCLUDE MARCELINE?!
In conclusion I can now say that I have watched eps 9&10 two times, the minimum amount of times I have to watch something before my opinion on it is actually solid and based in fact, and I stand by my beliefs. Episode 9 is… fine? Ultimately I don’t feel like much of value happens in it, but I do enjoy most of it. I think I genuinely dislike Cheers as an episode, though. These are strong words coming from me. I cannot think of any other Adventure Time episode that I am not just “neutral on”, “kinda underwhelmed by”, “fine with but don’t feel like we needed it” etc but genuinely dislike. My least favorite episode of Fionna & Cake and probably my least favorite episode of Adventure Time in general.
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sinelanguage · 2 months
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Mori Art Museum— this is the type of museum I typically like but not a subject I like because it can feel on the nose (environmentalism/ecology). it’s not Bad as a topic, it’s just evoking a pretty consistent emotion of “this sucks right” and yeah I Know. that being said, while some things a bit on the nose but a good number of stuff that made me feel disquieted and that’s why I go to museums lol so win overall
The museums itself is on top of a tall tower next to a luxury shopping mall (lol). The view from the tour was completely clouded over when I went, which kind of made for a weird foggy ambiance, where the sky-high views were completely whited out until you walked closer and could look through the clouds to see the city below. Pretty cool atmosphere— the particular curation only used natural light which helped.
THAT being said: there was something so. incredibly funny about going to this conceptual art exhibit and, when leaving and going back to transit and passing by fucking Gucci. My brain did cartwheels and I stood in the crowded subway car going ?????? all the way home.
Pieces that stuck out:
https://m.imdb.com/title/tt14900652/
Night Colonies by Apichatpong Weerasethakul
They were playing a short film about bugs taking over this guys room. There’s kind of this initial ambiguity of is the puttering run sound is bugs or rain, but really it’s both. i don’t know what was captivating about this. they had quotes too which were mostly unrelated, and I didn’t really get the point of, but I did like the close ups of bugs. mostly a vibe. there was another piece next by where you’d walk on shells and you got that noise too, so mostly the quiet bug noise + shells + rain was a good mix. what was the point??? look I don’t know.
Quandary Medicinals Roppongi Jed Geys—
This was a neat way to end the exhibit. One of the cooler and more optimistic pieces— basically this guy put together a map of local (like, in the same neighborhood) medicinal plants, then put plants dried and on display and photos of where they were found. (I can’t find this link online lol. betting I wrote the name down wrong)
https://www.mori.art.museum/en/news/2024/01/7078/
The Disturbance - Monira Al Qadiri: LMAO this piece. ok so this pieces is part of all the promotional materials of the museum, front cover with people posing at all. it generally seems like the prototypical selfie bait for a museum— these giants pearls hanging above just enough to pose under. very stunning, cool to look at, cool to pose with.
the promotional materials fail to emphasize that they MUTTER. it’s so funny. oh my god. sorry people watching was so good. you could watch as people got unnerved. 10/10. muttering pearls killed me.
Some additional things I liked but didn’t get the name (b/c there was a no photo policy and I got nervous):
The maggot cage??? I forgot what this was called and I was in a no photo zone and couldn’t write it down. Anyway there was a box where this guy put maggots in and then a lightbulb at the bottom, so the maggots would turn into flies go to the light die and get shunted out a pipe. dire. then he cast the flies in resin and it’s in a museum, in a little corner away from everything else. this was my biggest “um???? Excuse me???”
overall: enjoyed the vibes here even if the subject matter was not it. glad I went but glad I ditched the group to go because everyone else im traveling with would not have vibed with this HAHA.
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sweetest-honeybee · 3 years
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Down to Dust
Chapter 5
Fic Summary: Grian will have to keep the dragon egg secure for the Watchers. But, they’re not the only ones who want it. On a completely unrelated note, Mumbo will have to deal with a version of himself that's only amplified by his No Killing mindset.
Chapter Summary: After a semi-sleepless night with a mysterious and insult heavy voice, Mumbo admits to Grian that he wasn’t exactly honest when he said nothing happened to him before he gave back the egg.
TW: Sleep deprivation (just in case), insults/degradation, and similar things (it’s not a bad chapter but to those a wee bit sensitive)
Word Count: 1441
Notes: None I don’t think
Enjoy!
——————
Your idiocy astounds me.
Mumbo turned on his side and pulled his knees to his chest. It was still dusk, the middle of the night most likely. At least, it felt like he’d been up for hours. Just as sleep tugged at his eyelids in an almost successful attempt at letting him drift into a peaceful slumber, a voice, and a strange one at that, jabbed itself into the back of his mind. It did nothing more but insult him.
How’ve you become so gullible.
It wasn’t just any voice, he discovered. It was his voice. Of course, that’s what thoughts were most of the time, especially particularly degrading ones. However, it was different from his usual self deprecation. It was a deep, distorted echo of his voice, but he recognized it all too well.
And it wouldn’t stop talking.
He didn’t see you take it, you daft spoon.
It was likely just buzzing nerves after the egg’s outburst. His heart still raced at the very thought of it, and when the egg came to mind, so did the eerie voice. Weird things happened after he got his hands on the egg in the first place. Thus, the voice was a new addition alongside an aching in his limbs and an uncanny…guilt, for lack of a better word. Almost as if he’d done something wrong. Like a child that’s broken their parents’ favorite vase.
Must’ve been the leftover shame from Grian’s scolding.
He sat up, leaning his head back on the cold wall of the van and rubbing his eyes.
Grian’s lied to you like he’s done several times before. You’re a fool to trust him.
Mumbo didn’t feel like listening to the gravelly voice. He pulled his hand away from his face and held it in front of him. The fatigue left it blurred against the interior of the van. Only a soft golden light emitted from the windows behind it from the bases outside. It was a nice glow. A soft, serene warmth that he could almost…almost doze off to…
That egg holds a power unlike anything you’ve seen. A thousand times more than all the redstone you can imagine.
He lifted his head from its slow descent to his chest. Power? What was power to him if he was too tired to use it because the damned voice wouldn’t let him sleep. Half lidded eyes trailed towards the hand that was now in his lap.
Why don’t I get it for you if you’re so frightened of your little bird friend.
Mumbo was dozing again. In this state, he mumbled to himself.
“Don’t even know who you are,” was all that slurred from his lips. He decided to humor the voice anyway. “Just some thought.”
Who I am hardly concerns you.
“You keep insulting me. Why would I listen to-“
Mumbo, it snapped. If you wish to keep questioning me, it’s a futile attempt. My purpose here is to…make a deal of sorts.
“Deal,” the redstoner echoed with a short nod. “I must be very tired. I’m making deals with myself. Mhm, what kinda deal.”
I need a little bit more power. You retrieve the egg, then we can talk more.
“I can’t…get the egg. Grian has it.” He snorted. “If he hid it well this time. Didn’t you say you could just get it?”
If a vexed businessman with less common sense than a beached squid can find it, I’m sure you can. As for the offer, I unfortunately cannot get it alone.
“I’m not very helpful.” Mumbo yawned. “Just some stupid hermit.”
Believe me, I’ve heard, the voice sounded as if it were to roll its imaginary eyes. But, you’re the only stupid hermit that I have the capability to ask. I’m asking for your assistance. You want the egg, yes?
“I…do want the egg.” It just causes issues though, he added to himself. But, it could revolutionize everything if he could experiment with it. Test its limits.
Good, Mumbo, you can use it for all kinds of farms. You love farms. Farms, vaults, walking…bases. The voice cleared its throat. Many things, of course.
“Mhm. I do.”
Do we have a deal, then?
Mumbo nodded silently, more so to please the voice and get on with ending the conversation. But, he was just talking to himself, it wasn’t exactly easy to simply turn off your thoughts.
He pulled the blanket over himself. As long as he got some rest, things could go back to being as normal as Hermitcraft would let them be. It was already looking up for him. The voice quieted for longer and longer until he was successful at his final attempt to sleep.
The next morning, however, he was up much earlier than he certainly wanted to be, having been awake a mere four hours later to a knock at the van’s door.
He groaned, finally having just gotten comfortable in the small space. He threw his legs over the side of the bed and rubbed at his eyes with a wide yawn. He reached over to the other side of the van, opting to pull the door open from his bed. (Having spider-like limbs came in handy once in a while, he supposed.)
At the door was Grian who looked much more awake- no- alive than Mumbo certainly knew he did. The builder initially greeted him with a smile but before a word even partially escaped his mouth, he grimaced at Mumbo. Though, cringe seemed a better word.
“My god you look awful,” he hissed.
“Good morning to you too,” grumbled the redstoner as he pulled himself out of the van. He stretched, earning a chain of pops down his spine which ended in a satisfied sigh.
“You know, I’d say sorry but I’m not joking, you look like the walking dead. Did you sleep at all last night?”
“A bit,” came a simple answer.
“A bit,” Grian mocked. “When someone says they got a wink of sleep, it’s not a literal statement-”
“Do you need something?” Mumbo turned with a huff.
The avian cleared his throat. “Oh yeah, just wanted to check up on you.” The redstoner only raised a brow. “And you’re out of end crystals.”
Mumbo waved a dismissive hand, only to cover another yawn. “I’ll get those soon.” He began to walk to his potato farm when Grian stopped him with a tug of his arm.
“And I um-“ He sighed. “Sorry again about the whole egg thing. I hope that’s not the reason you look so tired.” Rather than ending in a snort or a giggle, he only looked up at the other with an almost regretful expression. A stark contrast to his mood seconds prior.
Ah, Mumbo guessed that he only came to talk more about the egg. The sentiment was nice though.
Too tired to try to lie, however, he shrugged. “Well, it kinda was but not much to do with you.”
Grian pulled away. “Kind of?”
“Yeah, can’t really explain it. Just nerves I guess.” He rubbed at the back of his neck, trying to choose his next words semi-carefully. “But, I um- I wasn’t all that honest when I said nothing happened when the egg did what it did yesterday.”
This only earned a groan from his friend who accompanied the sound by pinching the bridge of his nose. “Jeez, Mumbo, of course you weren’t. What happened?”
“The egg…I don’t know. When that whole thing happened I was kind of…caught in it. I didn’t run fast enough to avoid this weird wave of energy. Weird stuff’s been happening since.”
“Oh,” was all that left Grian’s mouth.
“Oh?” Mumbo gestured for his friend to continue. “Am I- Is that a good thing? Bad thing?”
“Well did it feel bad?” The avian ran his fingers through his hair. His expression seemed a mix between confused and fearful. Still, wide eyes darted in every direction except the other man.
It only made Mumbo anxious. “What? Is something going to happen to me? Did I screw something up?”
“We’ll that’s the thing, I don’t know! The Watchers don’t know either and-“
The redstoner held up a hand to halt Grian’s answer (or lack of), now mirroring the wide eyed horror on his friend’s face. “Hold on The Watchers don’t know?! Grian you’re a Watcher!”
“Ah, not quite-“
“Not quite?!”
“Mumbo!” snapped the builder. He continued in a hushed voice. “Okay, no, we don’t know. Really, you won’t die but the likelihood is that you might’ve just started a potential dimensional war.”
“I did what.”
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gisachi · 3 years
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Hi ^^ I know that your requests are now closed but I was thinking that, given you have written jealous Shinichi, I would very much enjoy some jealous Ran! Maybe you can mix it with one of the prompts? Just throwing the idea out there, no pressure. Delete this if you don't feel like it, it's okay really. Thank you for writing these amazing fics, the shinran fandom is in your debt. ❤️
So this is the last (!!!) and longest (!!!) of the kiss prompts, and I dedicate it to multiple-requests Anon and to this Anon. I hope both of you still see this. It took me a while. ^^;;
P.S. Special thanks to @artycreaty for keeping this in check. You are awesome. 🥰
41. Kisses shared under an umbrella. 46. A lingering kiss before a long trip apart. (6,489 words)
.
.
.
Ran keeps telling herself she has no right to be jealous.
She has hundreds of reasons not to. They’re merely childhood best friends. Life would be much easier if she didn’t involve herself in his business twenty-four seven. Shinichi absolutely doesn’t look at her that way. And so forth.
She wonders why they’re even friends in the first place. If their parents hadn’t enrolled them in the same kindergarten, she was certain they wouldn’t even be on speaking terms. He lives in a world of grisly books and crimes, she in a world of martial and visual arts. Their hobbies don’t overlap. They excel in different fields. They enter the same university with completely unrelated majors. The only bond they have in common is their shared history. Literally bonded since they were four, until now at nineteen.
So when she sees him all jolly around his newfound circle who hold the same interest in Holmes or detective work, it shouldn’t surprise her as much. It’s part of university life, it’s normal, they expand their horizons, and Ran understands that it hits much differently when they bond with people who like the same stuff they do. Something she’s aware they cannot share a hundred percent.
She’s proud of him, and she absolutely has no right to feel jealous, especially when she sees him around taller, prettier, more interesting women from his course block. There is no reason for her to look away with a heavy weight in her chest everytime the women get giggly and touchy while he’s absorbed in narrating his stories.
Everytime she does, she reminds herself of how he didn’t seem to mind when she was casted as the protagonist of their high school play and the leading man was the handsome Araide-sensei. Or how he simply shrugged when she fawned over the brother of a classmate because he looked so much like the karate senpai she was crushing on. Or when she secretly caught Sonoko dragging the detective behind gym after P.E. to confront him about his opinion regarding an upperclassman courting Ran and his only response was, ‘She can like whoever she likes, Sonoko. I’m not her boyfriend.’
He never showed her any sign of jealousy, therefore he must not be into her. Simple as that. So it’s unfair for her to be treating him differently. Getting snarky just because he received sixteen new fan mails again, more now that they’re in uni, and two even coming from the popular criminology seniors he is often teased to? Or ignoring him unprecedentedly just because his eyes followed the back of a woman with long chestnut hair and voluptuous curves? There are plenty of fish in the sea, and he’s bound to be attracted to someone else. This is a pill she ought to learn to swallow eventually.
Eventually.
“Shinichi-kun, you never told us about your scariest case yet, tell us about it?”
Kaori closes her notes and so do the other two girls across her, and Shinichi’s eyes twinkle. He truly seems to enjoy study sessions with the little group they made consisting of some of his and Ran’s coursemates because they love listening to his stories.
“At the top of my head is this murderer disguised as a bandaged man, and he targeted us one by one…” and so the detective drones. Ran pauses typing and reminisces quietly. Ah, that one from summer three years ago. I was almost injured by that crazy man during my sleep but Shinichi woke me up in time.
“Ran-san,” Shun, her friend and coursemate, mutters beside her, also stopping his typing to listen to the detective’s story. “It’s ridiculous how popular Kudou-kun is with the girls. He’s full of wild adventures.”
“Yes, he is,” Ran says, smiling. “He’s been a girl magnet ever since high school.”
She watches as Kaori inches closer to Shinichi, listening attentively, chin on her palm and flirtatious smile on her lips as the detective rants on and on.
For the third time that afternoon, Ran looks away.
.
.
Ran keeps telling herself she has no right to be jealous.
She does, everyday, but it’s hard when he smiles at her, cares for her, holds her in a way she’s never seen him do for anyone else. It gives her hope every time the girls cling to him but he never touches them back, whereas he automatically slings his arm over her shoulder because she’s afraid or cold or he simply feels like it.
Then again, maybe she’s giving herself too much credit. Perhaps it’s a free pass for being around him for too long. She even gets to spend time with him during weekends and holidays. It isn’t special because it’s normal.
And that’s all she’ll ever be, a normal girl in his eyes.
“Ran? She’s pretty special.”
Ran reacts to the mention of her name and catches Shinichi looking at her. “She appears quiet but she can kick anyone’s ass without breaking a sweat. It’s bad if you cross her,” Shinichi gloats with a grin.
“Oh my god, really? We can bring her with us then!” Kaori claps her hands in excitement.
“Ah... But she won’t like that,” he follows up, wary. Ran has missed the topic they were talking about and now she’s curious.
“But ghosts aren’t real and Mouri-san can give them a good beating!”
“Gh-Ghosts?” The color in her cheeks drains, eyes freezing at Shinichi who has probably already expected that reaction, for he sports that same look of concern as those times he had expressed whenever she joined him in his way-past-bedtime elementary school adventures.
“We’ll investigate an abandoned house I always pass by walking home,” Kaori explains. “Last night I saw a faint cigarette light at the second floor window. It might be a fugitive or a homeless person or a ghost, who knows?”
“You don’t need to come if you don’t want to, Ran,” Shinichi assures.
Gulping, Ran contemplates whether going with them will do her any good. It’s a nice change, it’s been a while since she last tagged with Shinichi in his cases. But she isn’t exactly proud of shrieking like a little kid in front of serious criminology majors who may feel like she’ll drag their covert investigation down if she joins.
“...I’ll pass,” she answers meekly, and his coursemates sulk except Shinichi, who offers her a smile of understanding.
“Man, I thought we’ll be able to see Mouri-san in action!”
“That’s ok, maybe next time. We still have Shinichi-kun!”
“Shinichi-kun will protect us, ne?”
“Hah. Right. Invite Hakuba too, use him.”
“Oh c’mooon, Shinichi-kun!”
Ran closes her eyes, struggling to zone their voices out.
In her silence, Ran ponders if she has made a wrong choice.
.
.
Ran has no right to be jealous. So it’s unfair for her to be treating him this way.
The following weekend, Shinichi narrates what happened in their late-night investigation. Hakuba wasn’t there so Shinichi was the only available guy as usual. Ran refuses to hear any more details, both of the haunted house and secretly of the girls chancing onto him during the investigation. Shinichi is puzzled.
“Did I do something wrong?”
“Nah, just swamped with work.”
“On a Sunday?”
“Yes.”
“Want me to assist?”
“No.”
Her replies are curt from the couch of his house, not looking at Shinichi on the other end as she mindlessly cleans up her digital sketches. She hates how snappy she sounds but her brain is too absorbed with conjuring spiteful imaginations to even think of masking her annoyance.
“Ran, hey. Look at me.”
His low voice freezes her from drawing, and she slowly looks up to meet Shinichi’s serious eyes.
When this happens, she knows he’s reading her. She inwardly chants a prayer because now isn’t a good time. Whatever time isn’t a good time. She doesn’t know what to say when she’s aware everything she’s been feeling is irrational and unfair. She’s being selfish.
“You’re… stressed.”
“No, I’m… Eh?”
He scoots closer, an arm’s length away. “Your dark circles are more prominent now, you need a break.” His eyes turn a soft blue. “Let’s have dinner out? My treat.”
Ran is surprised, to say the least. The last time he invited her out was two weeks ago. She’s become so used to seeing him around others that any initiative from him sounds too good to be true.
“But I need to finish this project by tonight.”
“Let’s have food delivery then!” Shinichi announces, not rattled by Ran’s indirect refusal. “I know exactly what you want. Ramen and shaved ice.”
Her eyes thin at the absurdly goofy expression she knows he makes when he’s being mischievous. “Clearly you’re ordering that ramen for yourself. I only like shaved ice.”
“Damn! Miss Detective gets it.” A mile-wide grin stretches across his face, earning an eye roll from the half-smiling woman. “Let’s eat together on your short break, please?”
He leans within a respectful distance and she sees his smile better, pair of kind eyes locking with her overworked ones. “It’s been a while.”
Her heart throbs for him. So much.
She caves - of course she does - and breathes her acquiescence.
After two long weeks, they have dinner together, just them and Shinichi’s ramen and Ran’s donburi and shaved ice, Shinichi taking a spoonful of dessert from the cup when she isn’t looking and Ran snatching a slurp from his take-out bowl and laughing when he catches her.
With how heartfelt his laughter is in her presence devoid of any mysteries, Ran knows she’s probably giving herself too much credit, but for once she wants to believe she is the cause of why Shinichi’s happy.
Just for that night, she gives it to herself.
She’ll change the dark colors of her digital artwork to brighter ones after they eat.
.
.
Despite everything, Ran finds it difficult to contain her recurring jealousy.
The more she shares precious time with him, the more it gets harder to suppress the selfish emotions. What is so unsatisfying about being the best friend is that she is only the best friend. No more no less. At the end of the day, she isn’t the one he gets to cuddle with, to tease then kiss, to tell ‘I love you’ to, romantically.
“I love you.”
Ran feels her heart about to leap out of her chest.
“But please. Stop. Tearing. The. Cushions!”
The little furball he has scooped underneath a throw pillow wiggle from his grasp. The kitten and detective engage in a brief staring showdown before it jumps away to hide under a farther couch.
Snapping out of reverie, Ran watches her childhood friend slink dejectedly onto the partly scratched furniture. He’s fortunate enough that his mother isn’t around to give him a long lecture on Why Pets Aren’t Allowed in the House 101. She can always take Yukiko-san’s role and reprimand him for it, but as for this and the cat, she finds herself not wanting to intervene.
“Kaori-san sure is taking her time with her parent’s permission. By the time she does, Momo would’ve shredded all the pillows in this house.”
“You named the cat?” Ran asks, amused.
“She did.” He thinks for a moment, then sniggers. “Actually I did. I suggested a random name. She took it.”
Ran merely hums. What can she say? They’re getting close. Close enough to team up as parents to an adopted kitten.
“I’m surprised you also agreed to keep Momo when you never took in animals before.”
“Kaori said she’ll treat me to the latest Detective Samonji movie this weekend if I do. Can’t resist that.”
“Just you two?”
“Yeah.”
A beat. Then he turns to her.
“Wanna join? I can ask her to count you in since you’re kinda helpi—”
“N-no need,” Ran quips, “It’s—It’s fine.”
“No really,” Shinichi insists, “Kaori-san has a lot of money, she—”
“I’m going to Tokyo Metropolitan Art Museum with Shun-san this weekend... so... I can’t.”
“Ah.”
Silence.
“It’s, um, for a project,” she bolsters.
“I know.” The faintest smile graces his lips. “It’s your thing. Both of you.”
“Mm.”
He doesn’t say anything else after that.
“Shinichi, you’re a detective, right?” she blurts out of the blue.
“Yeah...and?”
Then deduce what I feel. Here and now.
“Then you’re going to enjoy that movie!” Ran forces a beam, giving Shinichi a thumb of approval. “And you can discuss it with Kaori-san over dinner. I’m sure you two have a lot to say about it.”
Shinichi’s eyes linger on her, reading her like a book, and Ran has her mind reeling again, afraid to be read.
“Yeah, we do,” he finally says, ending the conversation.
Only a few words are uttered the rest of the afternoon.
Momo resurfaces and curls beside Shinichi.
Momo’s purring is loud, but Ran’s shattering heart is louder.
.
.
Ran must not feel jealous. She is not a girlfriend.
Because she isn’t a girlfriend, he’s free to fall for and date anyone else. Who is she to gatekeep him? There are plenty of fish in the sea, and he’s one big catch. Ran believes she’s a big catch, too. With the way she loves dearly, her future boyfriend is going to be very lucky.
Her future boyfriend is not going to be him.
“...mber the required fieldwork in one of my majors I told you? We actually go by batches. The first batch did theirs last month. The second batch was last week… and I— Ran, are you listening?”
“Ah! Yes,” Ran notices they have already reached her station and are now walking two blocks to her apartment. “Your fieldwork, right?”
“...Yeah,” he carries on. “I’m in the last batch... This whole winter break.”
“I see, I understand.” She smiles, getting what he means. No Christmas or New Year’s Eve together. The first time since they’re four. It’s fine, honestly. If it’s a required activity, then there’s really no way to go about it. She isn’t going to lash out just because she can’t be with him in her most favorite time of the year.
“And Hattori-kun and Hakuba-kun will be with you?”
“Hattori did his last month. Hakuba is in the previous batch. I’ll be stuck with the girls.”
Ran’s heart momentarily squeezes. “Where will your fieldwork be?”
“In Akita.”
Her pupils constrict. “That far?”
“Yes... so to cut on expenses, Kaori-san offered her house for me and the others to stay while we’re there—”
Kaori. Again with the tall, beautiful, intelligent Kaori. She bets it’s amazing to spend the holidays doing what he loves and with Kaori beside her, snuggling with him by the fireplace in a romantic snowy night and she might even confess, and it’ll be a great catch for Shinichi, and he’ll return with a girlfriend, and—
“Kaori-san is lucky.” The words flow out of her mouth, unbridled.
Shinichi looks at her. “Lucky?”
Ran remains quiet and keeps walking. It’s dangerous to say anything. She only has one thing in her mind and she doesn’t want to say it out loud. She has no right.
“Ran, hey.”
She doesn’t stop walking.
“Ran.”
She ignores his call.
“Ran… you’re jealous.”
She stops walking.
“Excuse me?”
“...You’re jealous…” Shinichi repeats quietly.
A contrast to his calm tone, his irises beset hers in the cold twilight and Ran attempts to shield herself but her bag and umbrella are in the way. She thinks of turning away but her feet are frigid like icicles, and Shinichi steps closer.
For the third time, he declares, “You’re jealous.”
Hearing her thoughts echo through his words renders her speechless.
It seems to take a moment before Shinichi’s brow arches, lips curl up as his eyes refuse to stray, and she hears a faint exhale even, like he’s exasperated, and suddenly he’s smiling - or is he smirking? sneering? - and...and...
It stings, is her immediate reaction.
For the longest time, she’d wanted him to take a hint. But if she had known this was how he’d react, she’d rather live a life having him oblivious of her emotional struggle. Dealing with that is more tolerable than witnessing him gaze her down in blatant mockery. He sneers as though he’s about to crack a joke and move on and forget such a laughable matter. That’s the last form of acknowledgment she wants for her honest feelings.
Heartbreak and shame and pain build up in her chest like a volcano closing eruption. Water begins to cloud her vision. She clenches her fist tight on her umbrella and Shinichi notices, and he takes another step forward.
“Ran…?”
“I am not, and you’re a fool.”
In a span of a breath, she’s sprinting in the opposite direction, tracing the path where they have walked, ignoring the distant yells of her name behind her. She runs and runs, and as she runs farther, with her thoughts muddy and breath short and dry, she wonders if she may have overreacted.
If he’s done that on purpose, screw him. If not, screw her.
After all, they are merely friends and she has no logical reason to act this way.
“Stop... running... will you!”
She hears heavy footsteps close in. It takes all the energy Ran has to prevent herself from turning her body around but his strong grip overpowers her.
“Let me go!”
“Why are you running?!”
“I can’t...deal with you!”
“Why? Was I right?”
“Right or wrong, it doesn’t matter!”
“Why doesn’t it matter?”
“Because I am your best friend!”
On another occasion, she would’ve successfully jilted away and run farther, but Ran is floored when he yanks her into a one-armed hug, so floored she drops her umbrella to the snowy ground.
“Stop saying that!” he hisses in her ear, frustration apparent.
“What are you— Let me go!”
He hugs her tighter.
“If you don’t let go in three seconds, I will screa—”
“I am happy!”
Ran stops struggling, eyes widening in shock.
Icy huffs tickle her neck as he half shouts, “I’m happy you feel that way!”
“You’re...You’re happy because I’m suffering?”
“What? No! I—”
“Is that supposed to make me feel better? How?” The hurt in her tone is impeccable, prattling muffled against his chest as she spares him no moment to butt in. “You think I wanted to feel this? That I enjoy griping in helpless jealousy? And you’re rejoicing that I am? How full of yourself can you be?!”
“That’s not...You don’t underst—”
“I do understand! I understand that I am so incredibly stupid for catching this disgusting heap of emotions for an obnoxious, stuck-up deduction maniac that is my best friend and maybe it’s better after all that he never, ever sees me the way I see him!”
“Stop saying that, Ran!”
She thinks he has broken away, but he drags her back with an insistent tug, crashing his lips onto hers as she stumbles into his arms.
All willpower rippling through her disintegrates quickly like snow in high heat.
An impatient pop resonates as he separates, eyes slowly opening, breath thick and ragged.
“I know that is not how we explain things, but does that explain anything?”
She hears it. The madness. But more than madness, yearning bleeds through his voice so much that her frustration turns into physical pain. Blinded by an all-consuming ache, she tips her chin and presses her lips back against his, demanding for cure in the wrong place. Shinichi freezes, then relaxes. He moves his hand to her nape, four fingers in her hair, thumb treading her jaw.
They look like a scene in a movie.
Under his umbrella and hidden from view, they communicate through brushing lips and tilting heads. His mouth closing over hers with gentle force, her hands splaying across his chest, heavy with something that makes his heart pound under them.
She is so lost in the chase and his tender embrace that for a second she forgets she is kissing her best friend.
Best friend.
This doesn’t explain anything. It worsens it.
She pulls back, ending what she has so recklessly started. “N-no, I’m— No.”
She pushes him away, gathers the stuff she drops, and runs without looking back.
“Ran!”
He shouts her name. Twice.
On the third call, his footfalls die down. On the fourth, he stops running.
She doesn’t.
.
.
Thirty minutes before midnight, Ran stands outside his gate, boots buried half foot under the snow as she rings his intercom for the second time, thinking to herself how foolish she must be to cut communications with him for a week and then show up his doorstep looking miserable like a stood-up date.
It’s the start of winter break.
He’ll leave for Akita in ten hours.
She needs to give his Christmas present before his departure.
She’s crazy, pathetic, still frustrated, and hurtfully in love.
“Oi. You better have a good explanation for why you’re buzzing at goddamn midnig—”
“Shinichi.”
His surprised gasp is apparent even through the intercom. A rustle follows and with a croaky voice, he responds. “...Ran.”
Surely he isn’t expecting this. Not after the tantrum she threw days ago. He probably thinks she hates him more than ever. But what she truly feels is more overwhelming than all negative emotions combined, and may god grant her all the strength to address it all, tonight.
“May I come in?”
“The house is—The house is a mess I, um. I’m packing my stuff for...”
“I’ll help you.”
“...”
She’ll understand if he decides to turn her down. But the answer that follows the deafening pause is a low and quiet ‘Okay’.
Despite psyching herself hours before she came, courage wanes when he opens the front door and gate in his pullovers. She is welcomed in, and the trip up his room is wordless. Shinichi only talks when he points out that he’s already packed clothes for two days and will need help for two weeks’ worth. He lamely laughs when he instructs her to pick the tops and layers, and he’ll take care of the pants and underwear.
On a normal instance, she would’ve humored him and they would’ve been talking right after. Now she simply pulls an empty smile and then they fall back into silence.
She supposes he’s trying to act unbothered, to treat what happened a week ago as a one-and-done glitch in their friendship, never to be discussed again. She cannot fault him when she’s trying to do the same. But it’s not easy when in the stillness of the night the echo of their altercation howls, raging persistently in their ears.
What has he been thinking of for the past week?
Has he been kept up all night by the words she said and the words he left unspoken?
Are they still friends? Will they still be friends after this?
The kiss... What about the kiss?
So many questions. So little words. So little time.
Ran is seated on the floor, folding shirts and stuffing them neatly in his duffel bag. Her back faces Shinichi who is sorting out bottoms in his cabinet. She senses him sit on the floor, back against her but not touching. Neither dares to speak first.
A ringing phone cuts the silence.
“Mm, still awake. Good for two weeks right? Gotcha. No, I’ll meet you girls at the station, no need to fetch me. Pfft. I can walk. Ok, see you tomorrow.”
If Ran wasn’t so hyperaware of where she is and what she’s done, her mood would’ve shifted to the one she’d been trying to avoid. Now isn’t the time to think about that. Midnight sneaking out to go to his house is something she wouldn’t do even on good days. She scans her bag on the far couch, deliberately bringing a bigger one to hide his gift. Maybe she can just sneak it in his bag and leave once she’s done and he’ll discover it only when he’s prefectures away. Brown has always suited him, and he’ll definitely find the overcoat useful as spare protective gear.
That’s right. She always cares for him like this. She is his best friend first, and... and nothing second.
“Don’t just leave after putting your present in my bag. At this hour, I can’t let you walk home alone,” he says swiftly.
Ran’s eyes fly wide.
“How did you…”
He doesn’t say anything and continues with his business.
Again with the throat-drying silence.
Something in Ran’s gut compels her to speak, but she is surprised when he does first.
“I... I don’t like Kaori-san. If that’s what you’re thinking.”
Ran stiffens, pausing mid-motion from folding. “I’m not…”
He leans his back completely against her and she shudders, voice reverberating through her skin. “Ran, if you could just hear me out.”
Unable to talk and move, she does.
“Kaori-san and the rest... They know I love mysteries. They know I want to build my own private detective agency. They know my favorite Holmes’ story is The Sign of Four. They know how many crimes I solved in Tokyo. All the information about me which anyone can read from the internet and newspaper and from what I told them when they ask, they know. Ran, you know all that. All that and more.”
He angles his head to the ceiling as if he’s talking to someone there. Ran supports his weight, curling to her knees as she silently listens.
“You know of my first ever deduction because Christ, my first deduction was about you. You know of the two cases which haunt me until this day because I watched the culprit die in front of my very eyes. You were with me the nights I locked myself in here thinking about them. You know of the interesting, the boring, the absurd cases, everything, because I told you or you were there. You know of the odd way I play the violin while I ponder over a case. You know I forget to eat when swamped with new books to read. I have three copies of The Sign of Four but the one I keep beside my bed and read almost weekly is the one you gave me on my tenth birthday and that is all I need. You know me for me, Ran. Everything about me that is off the record, the good and the bad, you know all of those. Only you. The same way I do... about you.”
She feels him crane slightly to the side, addressing her.
“Ran.”
“Mm.”
“I love you.”
Ran’s heart almost completely stops beating.
“I love you,” he whispers, “more than I am even supposed to.”
All words seem to have fizzled out of her vocabulary as she sits still, stunned at what she’s hearing.
“I’m happy growing up with you, studying with you, bickering with you, acting stupid with you, investigating with you, eating with you, napping with you, hugging you, holding you, taking care of you, simply... being with you. Before I know it, it’s not the cases or Holmes or mysteries that complete my days, it’s you.
“For you to keep repeating that ‘best friend’ phrase, I…” He lowers his head.
“For who knows how long, I’ve loved you as that and more.”
Someone pinch her because in no way can this be real.
“I was happy thinking you’re jealous because it meant a sliver of chance you feel the same way. We could’ve remedied the misunderstanding easily, Ran. We could’ve talked it over like we always do. But I was stupid and emotions were high and in the end I… kissed you…” he takes another deep breath, “But—but you kissed me back, and my heart couldn’t stay still...”
Pulse drumming loud, Ran tilts her head on the side where he leans, wanting to see the slightest expression he makes as he continues.
“If my deductions are wrong and you’re mad for a different reason, and—and you returned that for a different reason...” she hears the pang of remorse in his tone, “then please forget I ever said anything and I’ll leave myself to die in humiliation once I’m out of your sight.”
He lays one palm flat on the floor and she notices.
“But if my deductions are right and you were indeed jealous, I...” She feels his head swivel enough to feel his warm breath fan across her cheek, before shifting back front and releasing a slow, guttural exhale he’s kept contained within.
“I’ll wait... until you accept it. Accept me.”
Ran may have choked on her throat for how long she’s held her breath.
In spite of herself, she knows she doesn’t need to think of what to say. She had it all in her head before coming here. Yet expressing it out loud is a different matter.
She isn’t ready, but when will she ever be ready? Shinichi undoubtedly isn’t too. Yet here he is, laying the groundwork for her, no holds barred and a stuttering mess at that. How she plans to build from it is the question she asks herself next.
Inhaling as though bracing herself, she places a hand beside him, pinky slightly grazing his.
“I didn’t... You never showed any signs.”
Careful and calm, he extends his little finger over hers. She doesn’t flinch, and both hands crawl closer until two fingers overlap.
“Either I’m a great pretender or you’re incredibly dense.”
“I’m...I’m not dense.”
“I’m a bad actor, then.” He slides his hand further.
“I was trying so hard to be a supportive best friend for you.”
“I sensed that but ignored it because I didn’t want to assume anything.”
“You did though. Now we’re here.”
“Would you rather we aren’t?”
“I would rather we spend the last weeks of this year talking like normal than being stupid idiots before you leave.”
“It’s just two weeks, Ran.”
“Two special weeks I would’ve wanted to spend with my best frien-... with you.”
Without knowing it, his hand has completely nestled atop hers, four fingers curled between her thumb and index finger.
“Ran... You must really hate the idea of falling in love with me.”
“Eh?”
“You’re so wrapped with the thought that we’re simply best friends that you hold your love in chains as though it isn’t permitted to grow.”
“I… I didn’t want to ruin the only connection we have-”
“Two friends falling in love are still friends… They are also more. You cannot ruin an indefeasible connection. Friendship and love may be the only bond we have, but they’re the most important bond of all.”
Ran falls quiet.
“Geez…”
He releases a thick sigh, brushes his thumb across her splayed fingers.
“I have shit art appreciation skills, but I can take you to museums too... as a friend and as a date.” A beat, and a mumble. “Even to better museums than Tokyo Metropolitan Art Museum.”
She darts her head sideways, realizing something.
“Were you also…?”
“No.”
Ran doesn’t suppress the heartfelt giggle that bubbles out.
“Shun-san has a boyfriend, Shinichi.”
“I—” he pauses. “I wasn’t asking.” Ran giggles more.
“Shinichi.”
“Yes.”
“I love you too.”
The hand above squishes hers all too suddenly like he’s been blown away and is needing something to hold onto.
“I came here to give your present and to apologize for being so shallow and for acting without thinking and for a lot of things actually... but now I feel there’s no need, because then I wouldn’t have...” She looks down at their intertwined hands.
Before she can return his squeeze, he recoils.
“Oh, y-you do apologize. Running away like that.” He coughs, and she can practically hear the tripping in his tone.
“Aren’t you already used to it? I’ve done it many times,” she chides.
“No. Apologize,” he insists. “And look at me while you do.”
Ran’s stomach twists, heart kicking up a step.
It’s easy to talk without eye contact, but to be requested so after confessions are exchanged—
“Face me, Ran.”
The familiar voice of yearning strums her heartstrings, tone sounding a lot like a plea than an order and Ran finds her head instinctively craning at an angle, hand coiling on the floor trying to calm her nervous beating heart. She feels him shift behind as well.
She takes all her time to face him, partly unsure what to do, partly knowing exactly what she wants to do. Despite the deliberate slowness of their movements, it is when they lock eyes that time truly seems to stop.
Shinichi appears so different, so soulful. His blue irises glimmering, fixated on nothing but her as she reveres him with matching intensity. The same guy she treats as her best friend looks at her with tender love in his eyes, darting down her lips and up like no best friend ever would.
“I love you,” he says, breathless. “Make me your boyfriend.”
A wave of emotion sweeps over her, heartbeat fluttering in overdrive as they huddle on the floor, bags and clothes and time forgotten.
“From best friend to... such a shift-”
“Nothing will be different.” He rests his forehead on hers, gaze of soft blue patient though more intimate now, knowing what they share is mutual. “We’ll still do what we do... With exclusive romantic commitment and sweet nothings that translate to ‘I love you’ in more ways than one.”
She attempts a jab on his chest but he catches her fist, soft but jesting beam all too apparent and she does but play along.
“What about when we fight?” she asks.
“Same. But...” he slides a thumb over her quiet lips, parting them slightly, “I can do this once we make up.”
“...Like right now?”
“Like right now.”
A genuine smile is the last thing she sees before delicate pair of lips lands on hers, capping their one-week fight and their last night of the year together in the best and most unexpected way imaginable.
.
.
Ran keeps telling herself she shouldn’t be jealous.
Not because they are simply best friends, because they aren’t. Not because life would be easier if she didn’t involve herself in his business twenty-four seven, because it wouldn’t.
Not because Shinichi doesn’t look at her that way, because he does.
She shouldn’t be jealous because she absolutely has no reason to, is all.
“I haven’t forgotten about your present. I was planning to buy yours in Akita.”
“Stop lying, you totally forgot it.”
“I didn’t. Stop that.” Half-mast eyes rake her side profile, and Ran covers a mirthful grin with her mitted hand holding the umbrella, then yawns. Hours of packing and talking and laughing left them with roughly four hours of sleep. It isn’t like she slept the whole period because while sleeping in his room isn’t new, cuddling while they sleep is. Ran couldn’t simply shut her eyes and heart to that.
“I believe though,” he wraps a hand around her free one, pocketing both of them in his brand new overcoat, “I gave half of my present already.”
“Hnn. That doesn’t count as a gift.” Her hand shifted, coddling his own to a warm fit.
“Really?” A smug smirk pulls up his face. “I believe I am a nice present, Ran. That’s why they—”
“Screw this. You are unbelievable. A humbug. Why do people like you.”
“I know. Why do you like me?” Shinichi laughs as he avoids the swing of her umbrella.
From afar, they see Kaori and the girls at the meet-up point outside Tokyo Station, though they seem unaware of their presence yet. Suddenly feeling conscious, Ran feels the urge to disentangle her hand, but Shinichi holds on, firm.
“Why?” He asks in a low voice.
“I dunno… maybe this isn’t the best time…”
“Isn’t now the best time?” His smile is proud and natural, not one ounce of reluctance visible.
Although she gets what he means, that doesn’t free her of shyness and guilt. Somehow she feels like apologizing to Kaori for… she doesn’t know. She just wants to. Letting her see them like this makes her think that she’s giving her an indirect slap on the face. Shinichi certainly won’t agree because ‘What’s with women and their logic?’, but still, whether or not it’s all in her head, Ran needs more time to prepare for this.
But to her surprise, Shinichi lets go of her hand. They are still a few feet from view when he steps in front of her and turns around. “Maah, fine, I get it,” he huffs, then smiles. “Then, just give me your umbrella.”
The moment she does, Shinichi closes their distance and dips his face onto hers. Ran is given no leeway to gasp as loving lips seal her quiet. It isn’t as long as what they shared a week ago, but the emotions are loaded and full, speaking fond thanks and temporary farewell.
She doesn’t realize she has closed her eyes until he separates, and she’s met with the most tender, most angelic expression he wears only on the rarest occasions. He’s saying without telling that her feelings are valid, she doesn’t have to worry,  and he doesn’t have eyes for anyone but her. Somehow, the snow is the sea and fish are swarming around but neither cares because they have already caught each other.
“You don’t have to, silly.” Three layers of pink blanket Ran’s puffy cheeks.
“But I want to.” Grinning, Shinichi hands her back the umbrella. “You don’t like hand-holding. You don’t like being seen. Don’t you think that’s a great compromise?”
“Idiot, many people saw...”
“No, they didn’t!” Upping the duffel bag slung on his shoulder, he steps back and gives her one last goofy beam. “I’ll see you next year, Ran. I’ll call as often as I can.”
Wordlessly, Ran watches Shinichi’s back as he jogs to his waiting companions, who by then have already had their eyes pinned on the approaching figure.
“That is Shinichi-kun! ...And Mouri-san!”
“Ehhh!!?! You’re a thing!”
So much for being subtle, Ran flushes inwardly as she returns the wave the other girls are giving her. At that moment she really does feel immature for her past conduct. All of them are sweet. Even Kaori.
“I knew it Shinichi-kun! Mouri-san is sooo lucky, I’m so jealous!” Ran hears their banter and sees her jab his bicep before acknowledging her. “We’ll take care of him, Mouri-san!”
The Ran from one week ago would’ve had her heart crushed by such declaration, but now she’s nothing but pleased and the smile that forms across her lips is nothing but honest. “Make sure he doesn’t drag your group into a random dead body, Kaori-san!”
“Hey!” surfaces Shinichi’s shout amidst the mincing laughter of the group and the onlooking passers-by, and Ran bids her last wave before they enter the station.
Smiling to herself, Ran returns home, the lingering promise of his kiss committed to memory, knowing that she doesn’t have to get jealous because she has no reason to. Their indefeasible bond is all the assurance she needs.
.
.
.
133 notes · View notes
naivesilver · 3 years
Note
Top five (or ten if you want) Scorpio, Espio and Charmy moments!! i want to know more about these guys :)
Scorpio, we gathered once we stopped laughing about it (briefly. Very briefly. To be honest we're still laughing), is Vector's evil twin who lives in a parallel universe and is played by Tom Hardy. Just so that all the people reading this post can be on the same page as us.
Ashsjskfhjfhjfh I love you. Never change.
Ask me my top 5 anything
So...Chaotix time, uh? Let's see.
1) Zombot Arc (IDW comics)
An easy guess, if you know me at all. Watching these poor sods lose Charmy to a virus, find him for the briefest time and then get torn apart again, only for Espio to have to fight his zombified family until the very end...It was a blow to the stomach after the other, and yet it really gave the reader a sense of how tied they are to each other. Espio especially got a focus that he isn't often on the receiving end of, which was very nice to see.
And now, for the panel that irreversibly broke me:
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2) The case of the Pirate Princess (Sonic Universe)
Genre-mashing at its finest. Three detectives (who are also idiots) are tasked with rescuing a princess (who technically doesn't want to be rescued) from a bunch of pirates (who are actually better at this found family thing than most) and accidentally find a lost treasure in the process. The treasure, by the way, isn't worth squat. And they don't even get paid well. But hey, at least they made new friends!
I dunno, this arc is just so very sweet. They bicker all the fucking time, but in a very peculiar, believable way that most siblings will know at first glance. Plus, they let Charmy be an actual kid in this, and you KNOW I'm a kidfic fan first and a human being second. He asks Espio for spelling help! He makes friends with everyone! He wants reassurances from Vector that he can still be a detective! The entire story ends with them using what little money they got to buy him something! I love them so much!!!!!!
In short: perfect dumbasses, all of them.
3) Hedgehog Hunt (Sonic X)
They're running a cafe in space. Child labor laws apparently don't exist there so Charmy is involved too. Espio refuses service to Doctor Eggman in multiple annoying ways. Vector plays the piano and becomes oddly reminiscent of Morgan when he was playing for Achille Lauro, and THEN goes to buy spaceship parts in a space mall because Sonic and friends are going incognito.
I don't know, man, I don't have an explanation for any of this. It's amazing to see, though.
4) Galactic Gumshoes (Sonic X)
You know when you are assigned a task, set out to complete that task, mix it up with something else and end up completely unrelated shit? This is exactly what happens to them in this episode. They're sent to deliver some clothes and while they're at it they try to kidnap two children. As one does.
It's just so quintessentially them, though. Charmy literally mocks Vector while the guy (who is, lest we forget, his boss and father figure) gets beaten ON HIS OWN SHIP! Espio is so done with everything and the narrative always forgets him! Sonic X was wild, guys, I'm so glad I rewatched it in quarantine.
5) Penders era Archie comics as a whole
Listen. These comics weren't good. In fact, they were ugly as sin and with awful storylines. But they were so atrocious that they accidentally become comedy gold, and I can't NOT mention them.
Charmy was a teenage prince with a betrothed, and his friend overdosed on Lemon Sundrop Dandelion (yes, you're reading the beginning letters correctly). Vector was a misogynist. Espio in the future had a Littlefinger goatee and two daughters whose only purpose was to snog the local bad boy. They don't actually do anything useful beside harassing Knuckles' girlfriend and occasionally eating fast food meals. If I were to make this stuff up no one would believe me, and yet Ken Penders kept a straight face and put it in actual, physical comics.
Dark times for the Chaotix then, folks. Dark times.
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bigskydreaming · 3 years
Text
Also if people instinctively reaching for their “its just my interpretation” arguments as a rebuttal to that post about issue #416 could just not, I’d super appreciate it, thaaaaaanks.
See, the problem I have with that is like....no its not. Its really really not. If your fic or your meta is otherwise DIRECTLY referencing specific story beats of that specific ISSUE, like Dick not having talked to Bruce in over a year, or Dick not knowing Jason even existed until he saw it on the news, or Dick leaving Jason his phone number, or anything of the like.....it is not at all unreasonable for me to expect you to acknowledge the story beats of that very same issue that all of those things are written IN RESPONSE TO. 
You can yell at me about how the firing is just a retcon til the cows come home, but y’know what? It was a retcon that was reiterated IN THAT VERY SAME ISSUE. In it, Dick reiterated what the firing looked like from his perspective, how he waited around for two weeks for Bruce to change his mind before packing up and leaving with opportunities for Bruce to say something every step of the way....THAT is the SPECIFIC sequence of events that Dick’s anger about all of this comes from.
So its extremely disingenuous to try and pair that anger with the pre-Crisis ‘better version’ of events where Dick gives up being Robin all on his own and becomes Nightwing while still on good terms with Bruce...because that version of events has its OWN corresponding aftermath that was written in direct response to THOSE character choices. Like the aftermath where right after becoming Nightwing, Dick turns around and offers Robin to Jason himself, as he of course is already well acquainted with Jason by then. See, that’s kinda part of why Dick and Bruce are on such better terms in that version of events. It has a lot to do with Bruce not adopting a whole other son without so much as a phone call to let Dick know his family had expanded.
Now you can mix and match to your heart’s content, that has NEVER been in question. Especially since as so often said, its a fandom past time to take a match to canon and watch it burn. You don’t have to adhere to aaaaaanything you don’t want to.
BUT.
If you want to talk about INTERPRETING the canon? That is subject to a different set of standards. Because you’re acknowledging that the source material exists as a point of RELEVANCE to you.....and the fact is....the source material is the SAME for everyone discussing it. Now, people can and do have different interpretations of that same material, this is obviously true. But ACTUAL. GENUINE. DISCUSSION of it.....requires that all parties at least discuss those interpretations in good faith, and make an honest attempt to address the material as it is.
And that is not what happens in this fandom. Because you damn well KNOW that for all your talk of the firing just being a retcon......its still the specific version of events the “Dick being mad about Bruce giving Robin to Jason” thing is directly meant to reference and BUILD off of. Retcon or not, it is indisputably the FOUNDATION upon which the other character choices of that very same issue are built atop of.
Because there is another version of events, yes. The pre-Crisis version where Dick gives up Robin. But as I said, that version DOES NOT HAVE Dick angry or resentful....because a key component of it is that all three of them, Bruce, Dick and Jason, are already a family in spirit. There’s a true succession of Robin from Dick passing it down to Jason.
And a lot of you guys know this too. Especially the ones most likely to reach for that “let us have our interpretation!” arguments. Because the Dick Grayson corner of fandom has posted about it a LOT. In fact, we kinda churn out a crap ton of content for this fandom. Headcanons, ficlets, informative posts, etc. And there’s a very curious phenomenon that exists.....
Literally anything I or certain other DG fans post that is inclusive of the whole family, or does not reference any specific event that’s infamous within fandom for pitting Dick against another Batfam member in a ‘who was right, discuss” kinda way.....that tends to circulate WIDELY in fandom. We’re talking upwards of a thousand notes, regularly.
In comparison.....the informative posts that are chock full of panels pointing out how canon actually goes in these specific instances.....tend to top out at a couple hundred max. Its pretty much just fellow DG stans who reblog them. Everyone else, despite them going through the same initial routes of circulation....are very good at pretending they don’t see them.
Because see, misinformation - and make no mistake, that is what we’re talking about here - RELIES on a lack of like.....actual information provided to the contrary to thrive. 
For instance, if it were as common knowledge that in the pre-Crisis version of Dick becoming Nightwing, he makes Jason Robin himself, as it is say.....that the firing Dick as Robin story is ‘just a shitty retcon’......people might start to ask in greater numbers, like, okay, so why DON’T more people write Dick making Jason into Robin after giving it up himself? Why have Dick so bitter at Bruce and/or Jason, if in the only version where Dick gives up Robin, Dick passes it on himself? If you’re gonna go with the one, why not the other?
Because we all know damn well that’s not a difference in interpretation. That’s a conscious CHOICE to TRANSFORM the source material by stitching together two different sides of a cause and effect chasm. The events transpiring after Dick finds out Bruce made Jason Robin himself ARE NOT MEANT to reference the inciting event of Dick giving up Robin himself. You can make that happen, sure. But you have to MAKE it happen. There is no point in the comics where you can honestly, genuinely point to the comics and say this right here shows Dick being mad about this, where ‘this’ is Bruce giving Robin to Jason SPECIFICALLY after Dick gave Robin up, rather than being fired.
A choice has to be made there, for that to happen, if one has the ACTUAL information about how that really played out in the comics rather than just misinformation. And not everyone in fandom trusts everyone else to make the choices they would like them to make with the source material, do they?
After all, isn’t that the REAL root of all this?
See.....its no secret to any of us that nobody’s been all that happy with the actual comics aka source material in years. Meaning most of fandom, myself included, is here for meta and fics based on previously written comics, or our own adaptations of the material.
And fandom, being interactive, unlike canon.....is something that CAN be influenced by other fans.
So why don’t we all just stop fucking pretending that we’re not all trying to influence what the overarching fandom narratives are, shall we?
Oh, you can say this is just me projecting, but I’ve got plenty of instances of hypocrisy to point to that say otherwise. And THAT is the true source of my hostility in so many posts in this fandom.
Because its the very same people who loudly cry “let people have their headcanons” and “let people have their interpretations” and “stop trying to tell people there’s only one true version of canon to go off of” who NEVER. EVER. fail to show up on posts like that last one, the SECOND they start to circulate ‘too widely’ throughout fandom. There is ALWAYS someone waiting in the wings the minute a post like that starts to top a couple hundred notes, ready and raring to shoot it down with some kind of derailment or condescending reminders to everyone who might see it that ‘that’s just a bad retcon for people obsessed with misery porn’ or something like that.
And what exactly should we be calling that? When people show up every single time I make a post about the importance of Robin as a name to Dick, in order to make a big stink about how it being his mother’s name for him is just a retcon? Even though....did I say it wasn’t? Does it being a retcon mean it doesn’t exist? Am I not allowed MY interpretation of a story that very much does exist in canon, am I not allowed to reference other stories where that specific retcon is specifically linked to?
Or how about if I say, post a headcanon about Alfred getting snippy with Bruce about not reaching out to Dick after he leaves home, where within the headcanon itself I specifically reference a clear version of the story where Dick is fired and its eighteen months before he and Bruce speak again? Does this story not exist in canon? Am I not allowed to base stuff of it? It would seem not, given the way people jumped to derail that one by adding in additions about Dick being upset with Bruce about college, which is an entirely different continuity that in no way intersects with the specific events I reference, where they’re estranged for a clear reason that is directly raised within the headcanon itself. People even acknowledge “OP is entitled to any version of continuity they want” in that one, but are like....this one is wrong though, and true fans prefer the one that isn’t just misery porn meant to validate Dick’s teenage angst. With people all too happy to reblog that one while gleefully pointing out the tags that completely derail the post about a clear point in canon by making it entirely about another unrelated point in a different continuity in order to invalidate the initial headcanon or whatever.
Don’t even get me started on when we dare reference stories where Bruce is actually physically abusive to Dick, or when we link Dick’s actions in stories that acknowledge the emotional abuse or neglect of certain key moments in his life TO those inciting moments directly and say “hey its kinda shitty to act like Dick was just being a standoffish brat here when Dick’s attitude is actually directly based on the last time he and Bruce interacted being when Bruce told him to get out and leave his keys.” LOLOL nooooo, that’s not allowed to stand, because see, the ONLY possible reason we could have for even CONSIDERING those stories in character or in continuity, is because of the aforementioned addiction to misery porn or else because we’re just trying to smear Bruce to make our own fave look better.
Never mind that another popular refrain for a lot of the people I’m talking about here is “you don’t know what people are thinking or why they like the things that they like” so, y’know. It is a tad irritating to see that double standard applied, like I mean. Just speaking personally, I’m a survivor of childhood physical and sexual abuse with a lifetime’s worth of C-PTSD and permanent estrangement from my abusive family, so like....those stories where Dick is abused by a figure he never thought would hurt him and now has to reconcile that with still loving and admiring that very same person and still wanting to be family.....like, hey guess what, those themes are part of why his character resonates for me in particular and so they’re kiiiiiinda key for me to explore for a lot of reasons. And given that this fandom looooooves to talk about some people writing dark shit to cope, I find it veeeeeery curious that people are so willing to shut the fuck up and say nothing about incest, rape and pedophilia fics even if they don’t like them themselves......but will still come out of the woodwork to condescend about there being absolutely no valid reason for anyone to ever engage with content where Bruce is abusive even just in one singular instance.....nah. Its literally just cuz of the misery porn addiction.
But see.....the thing at the heart of all this is the simple fact that this hypocrisy doesn’t exist just for the sake of hypocrisy. It exists because we actually all DO know how much power and influence fans can have in an interactive environment like fandom.
After all, the entire reason that Dick Grayson fans are so often posting informative panel-filled posts about what ACTUALLY happens in canon stories that are DIRECTLY cited in many meta, fanfics and headcanons, just.....in a totally backwards way that just so happens to fail to mention that its not intended to be an accurate depiction of the canon its definitely mentioning its in reference to....
The entire reason for this is because of how thoroughly fandom has crafted a specific narrative for Dick Grayson’s character that is based PURELY on their own characterization wants and needs and has very little to do with the actual canon of the character.
Its not a coincidence that so many fans just so happen to genuinely, truly believe that Dick was a grade A asshole to Jason while he was Robin, and there’s a wealth of canon out there somewhere to back it up. No, this happened because of fanFIC narratives where this is the case, and these catching on, and being encouraged by the initial writers of this trope and its fans and so on and so forth until it became the overarching fandom narrative and not only didn’t require any canon basis to be so....it barely ALLOWED for any talk of the contrary. Dick Grayson stans had to yell and churn out posts like that last one for YEARS to make a DENT in this fanon conviction, and do NOT even approach me about it being an issue of tone and ‘if we’d only asked politely’ because lol. No. We did. You can find the clear shift in the tone of my posts from when I first re-entered the fandom years ago to when I just got frustrated with the willful avoidance of WHY so many fans like myself are so annoyed by certain fandom convictions......and even then, it was about the hypocrisy. It was about how loudly other people crow about letting them have their headcanons while literally shouting down ANY post we made about wanting space to just have our CANON-canon.
Pro-tip: that thing where if you just ignore someone long enough on a certain point, they’ll inevitably start to get frustrated and then you can point to their tone as being the problem and claim that was the issue all along? Yeah. Its not slick. This fandom didn’t invent it. Its always very transparent, and very obnoxious. 
But the point is.....fandom absolutely has the ability to override canon narratives with their own version that’s then formative for new entrants to the fandom who never even BOTHER with the source material and just are here for the fic. And so its dishonest as FUCK for people to not only MAKE no distinction between what’s genuinely their interpretation of the canon and what’s their transformation of it, with INTENT......but to weaponize fandom’s aversion to content-criticism to shout down even ATTEMPTS to introduce discussion of the actual source material by claiming oh you’re just trying force your preferred narrative on everyone else. Aka that thing THEY’RE actually doing themselves by once attaining a fandom wide narrative they like, maintaining a stranglehold on it and doing their best to dissuade any narratives to the contrary staking a claim alongside that.
Because again, it all comes back to the fic. See, as a Dick Grayson fan, I’ve made no secret of the fact that I turn to fic for what I can’t get from canon...and its frustrating as hell to see writers that loudly talk of being BETTER than canon and “RIP to canon but my Batfam loves each other” in a lot of cases DELIBERATELY make Dick in particular look WORSE.....and then act like they have no idea what we’re talking about when we try and tell fans who take these narratives at face value that uh, they’re lacking some extremely relevant context and nuance. Or in some cases, outright facts.
And I will happily laugh loudly in the face of anyone who tries to claim that they don’t feel similarly about fics that characterize their own faves in ways they don’t like.
Yeah, try telling me that after years of some of you writing fics that specifically exclude all reference to the events of Nightwing #30 when talking about Dick’s death or Spyral.....while still including every in canon instance of people bagging on Dick for what he only did in canon because of Bruce’s abusive writing. There’s kinda a vested interest in keeping fandom relatively free of talk of Nightwing #30 then.....because weirdly, people who write about a DIFFERENT take that’s not hostile to Dick seem to end up putting the blame on Bruce for that situation. Bizarre, I know. People attributing blame to the character who was actually abusive in the canon and being cranky that the victim of said abuse is held up as the sacrificial lamb in everyone else’s fics? Whodathunkit.
(Also a point of irritation - it never had to be just one or the other. This is where the whole ‘maybe its YOU guys who were projecting all along when you said the only reason we could have for talking about Bruce’s abuse was an intent to smear the character’ bit is a thing. See, fun fact: if you were going to ignore an issue or two in order to completely flip the narrative of what really happened with Spyral and dominate the fandom landscape for a couple of years....it never had to be Nightwing #30 that was the ONLY issue you could leave out in order to not make Bruce look like an abusive asshat. Like, there was always another option right there in front of you. You could have instead chosen to also leave out Grayson #12, aka the one where Dick informs everyone else he’s alive.....then you could very easily just sliiiiiide in reference to Bruce and Dick quietly informing the whole family of his status and his mission while insisting on keeping it quiet for his safety. Voila. NOBODY has to be an asshole then, and the whole family gets to be in the know. But see, most people didn’t actually have a problem with someone being an asshole in that story. They just didn’t want it to be Bruce, and didn’t mind it being his actual victim. 
Even though, lol, just another FYI.....abuse victims having things flipped on them so it looks like they’re the true problem and their abusers are completely innocent is a HUGE thing that happens a lot in real life, so FYI about that FYI.....anyone who does say, gravitate towards Dick Grayson specifically because of how he’s impacted or might be impacted by abuse from his father, like.....is proooooobably not going to have a super fun time with diehard commitment to making this particular fictional character the true mastermind of his family’s misery and abusive instead of the abused. Weird huh.)
And round and round it goes. Where it ends, nobody knows.....because it doesn’t. fucking. stop. The number of ways in which fandom has willfully flipped the narrative so that Dick is the aggressor instead of the aggrieved is just absolutely ridiculous. This guy has been punched by every member of his family except Duke and Alfred, and somehow he’s the one characterized as uncomfy to be around because of how volatile he is. This guy is the only one who has actually been KICKED OUT of the manor, and somehow that gets glossed over and considered out of character while he apparently definitely did very much do this exact specific thing to Tim, I hear.
And like broken records, people squawk ‘let us have our interpretations/headcanons/etc’ any time we try and make a stink about how no, actually, that’s NOT HOW IT WENT....and at the EXACT SAME TIME....most of these exact same people show up on every post that uses ACTUAL information to make Bruce or Jason or Tim or whomever look like the actual problem in a story where they were actually problematic, like, the SECOND a post gets popular enough....to derail, to condescend, to shout it down with how its just a retcon or its out of character or its just a bad take or how fans with taste know better than to take it seriously.
And why do you care? Like, if we’re all supposed to just live and let live and everyone’s allowed their own interpretations, why this everpresent need to show up all the time with a superior, patronizing ‘oof, this is just not good’ the second one of YOUR faves is in the hotseat, while condescendingly boxing out any posts informing people of how no, actually, Dick and Kory’s breakup WAS linked to Mirage and Dick and Donna’s infamous fight WASN’T the way its commonly talked about and oh yeah there was brainwashing there too and etc, etc....see, when WE do that, we’re just overacting stans who can’t stand others not liking our fave. Instead of just....trying to correct misinformation so more fans can at least engage with the character from a starting point of zero instead of a negative integer. 
So why this hypocrisy? Oh yeah, because you don’t WANT the misinformation corrected. Because see, when the misinformation IS corrected, fic writers en masse....make different choices. And that’s why ever since more people started picking up the refrain of “well no actually Dick DIDN’T hate Jason, here’s the proof”.....there’s a lot more stories out there where...shockingly....Dick doesn’t hate Jason. Which bizarrely, does not really work well for the people who WANTED Dick to hate Jason and made a point to SHAPE the narrative to make him hate Jason.....because it wasn’t about that just being their interpretation, and it never was. Because the CHOICE to cut out Dick’s ‘justification for feeling slighted’ by being fired as Robin and pair that specifically WITH Dick resenting Jason for Bruce still making him Robin instead of Dick doing it....that has a narrative cause and effect within a lot of the fics that go with this. It gives Jason eternal underdog status that makes it easy to root for him while positioning someone specifically to blame for that underdog status and unfair playing field, and it also keeps focus off Bruce as the cause of any issues between his sons due to choices HE made, thus one singular figure is positioned as the obstacle to family unity....and that figure isn’t Bruce.
And no canon to the contrary will be acknowledged as legitimate.
Convenient huh?
Especially paired with the ‘thou shalt not con crit on another’s fic’ fandom commandment. Because when you can’t complain about any fanfic depictions whatsoever without immediately and inherently being cast as the rabble-rouser by default.....the ability to shape and dominate a specific fandom narrative becomes veeeeery key. After all, another popular fandom phrase is ‘we’re not the DC writers, complain to them about canon.’ But when there’s no canon complaint to be made to DC specifically, because its not canon we’re actually upset about, and we’re not ‘allowed’ to criticize fandom depictions because people are allowed to have their interpretations......all you have to do is stand your ground and insist that the fandom depictions of Dick are nothing BUT ‘interpretations’ and not acknowledge aaaaaaany of the places where you consciously make the decision to transform canon choices and behavior around him.....and voila. You’ve wrapped everything up in a neat little logic trap. Quite the fait accompli. There’s really no way for anyone to say or do anything ABOUT this little situation here without being ‘disruptive,’ ‘divisive’ and ‘having a negative impact on fandom harmony.’
Its just always gonna be a little weird to me, how much your positivity culture looks a lot like plausible deniability culture instead.
But whatever. That’s just a me problem I guess. Definitely not something anyone else in fandom has anything to do with. Just like they have nothing to do with derailments or condescension or counter arguments to so many of the canon-based Dick Grayson posts I make, and this is also all my doing...wait...hang on. I think I got mixed up again somewhere. Dang it.
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joshslater · 4 years
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Beached
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It's really amazing how the beaches can be so empty when the weather is this good. It's technically winter or spring or whatever, but that just means you can spend all day on the beach without getting heatstroke or sunburn. No one else appears to agree with me though. Someone is walking a dog in the distance in one direction, and some surfers are ignoring the warnings of big waves in the distance in the other direction. Like that would be bad thing in their minds, though just right now it isn't as windy as in the morning. Volatile weather is another drawback of spring weather.
I don't think it is the weather that is keeping people away though. This whole plague thing is really messing with people. The hotel was almost deserted and the room dirt cheap. Flight was cheap too. The plan was to go here with Will, but he chickened out at the last moment. Probably the positivity rates of their "second wave" or whatever. The tickets were refundable, only way they can sell anything these days, but I had already made up my mind to go here. Spring in Rio is better than summer at home, and the summer is decidedly over now, where you are never sure in the morning if you need jeans and hoodie. Here it is shorts and T-shirt every day, and the water is really nice when the waves aren't fatal. I really thought it would be colder the way the ocean looks.
As I walk along the beach in solitude I spot a gaudy, cheap beach chair also alone in the sand. I look up towards the road that goes along the beach. Sometimes there is a bunch of chairs or stuff chained together, waiting for busy days when the owner can charge a coin for a tourist to sit on it, but I don't see anything up there. I take a seat and look out over the crashing waves. There is a zen-like quality sitting on a lone chair on a vast beach, alone in a different country, watching the waves while the warm spring sun smiles down on you. No birds or animals around either, so you just have the white noise of the ocean keeping you at peace. I had fernet and coke in the lobby bar last night and evening has been going slow even before this, but somehow I felt I deserved a break from doing nothing.
I lost track of how long I was sitting there. I have all week after all. I'm taken out of my trance by someone behind me talking agitated in Spanish. No, Portuguese probably, as that's what they speak here. I turn my head and a stereotypical Brazilian beach greaser steps into my view. He wears a loose, pink tank top with Copacabana printed on the front. It reaches almost far enough to hide his green speedos that peeks out every step he takes. Brazilian tan, white teeth, black, slick hair, and a swagger that comes equally from acting macho and years of bodybuilding that prioritized looks over range of motion. "What?" I ask him, mostly just to tell him to speak English.
"This is your chair?" he asks. "Yeah," I say tentatively. At least I'm using it right now. It really was calming to look at the ocean like this. "No. No, it is not your chair," he says in an accusing tone, visibly upset. "You want to sit?" I don't need any trouble. It's soon time for lunch anyway. I start to raise myself from the chair. "No, you sit! You sit!" he almost screams at me, and I fall back into the chair.
I'm confused. Did I sit down again, or did something push me down? He steps towards me, and I again try to get out of the chair, but I'm somehow not strong enough to lift myself. He grabs the front neck of my T-shirt and pulls it up over my head. My arms do nothing to stop him. He then grabs hold of the legs of my shorts and pulls them sharply forward. Again, I can't do anything to stop him. I can move my body, sort of, but it's sapped of all strength.
If things were weird up until now, it just turned impossible. Instead of my Hanes underwear I wear black speedos with yellow print "ca-rio-ca" in front. How the fuck did they end up on me. He doesn't waste any time, but just bunches my clothes together in his hand and angrily marches off towards the road behind me. "Hey! HEY! I don't want this fucking chair." I shout at him while making another failed effort to get out of the chair as he disappears out of view. It's like being stuck with your ass in a big bean bag. I just can't get up somehow. I try to rock sideways to knock the chair on its side so I can roll out of it, but again with no success. Exhausted I fall back into the chair.
It's a cheap-looking foldable beach chair. Some green tubes as a frame with some blue and yellow nylon fabric as a seat, suspended between the tubes. I could see how someone would pick it out for its "Brazilian" colors, but all the shades were totally off compared to the flag. It couldn't be more than $10, probably much less down here. Why would anyone make such a fuss over it? I touch my magically appearing speedos. They appear completely normal. Some type of high tech stretchy fabric with yellow print on top. As I touch the print on the front of the speedos there is like a shock wave through me, like I rubbed the exposed head of my dick. I quickly move my hand back to the dainty armrests, but the damage is already done, at least for now. I can feel the blood inflating my dick, at least partially.
I look back at the ocean, trying to distract myself. I still see the surfers way off in the distance to one side, but I don't see anyone in the other. I'm a bit limited in my field of view though, reclined in the beach chair. Dammit, and I was about to have lunch. Fuck! My wallet is in the shorts. My phone, my credit cards, my cash, my hotel room key, all in the hands of some dude made of muscles and STDs. If he doesn't come back I'd have to walk back to the hotel, wearing only speedos like a fucking douche, tell the lobby staff to get my passport from the room to identify me, and issue a new key card. Then I have to take the laptop and block the credit cards and the phone SIM. I hope you can do that online. If nothing else you can call 800 numbers from Skype, I think. But first I need to get out of this fucking chair.
I make another failed attempt to get up. How can this be happening? Did he poison me somehow? Perhaps I just need to relax for a bit and regain my strength. That doesn't explain how my underwear was swapped out. Perhaps I'm making this more complicated than it has to be. These could be two unrelated events. Perhaps the speedos were somehow in my room, and somehow I put them on this morning without thinking about it. I think I've seen something similar in a store back home. "CA" could just as well mean California. This pair could have been forgotten by someone and then mixed into my laundry somehow, packed in my travel bag by mistake, and then ended up on me without me thinking about it because of the fernet. No, that doesn't make a lot of sense either. If you remove all impossible explanations, the remaining one, however improbable is the right one. It's just so very fucking improbable.
I want to drop it. Thinking about it more won't solve anything, and my current problems notwithstanding the day is still very nice. The slow burn of the spring sun, the smell of sand and salt, the soothing white noise of the ocean, and the wide visuals to go with it all. If I just let go of my predicament it was easy to relax again. That's what I needed to do, right? Just look out and feel the sun rejuvenate me. Despite it being essentially just indoor temperature, I've managed to get a tan. I trace the skin from my knees and up with my eyes. No, this is wrong. I should have tan lines where the shorts and T-shirt ended. I've only been sitting here topless for ten minutes, twenty at the most. There's nothing to tell time. The surfers are gone.
And I really shouldn't look this good sitting down. I don't sit down with a flat belly. I can't remember that I ever did, not that I really paid a lot of attention to how I looked. I try to stand up to have a better look, but only manage to lift a few inches before falling back. "Merda!" I say out loud. Not only did I fall back into the chair, but I managed to pull something. There's a cramp in the abdominal muscles that hurts like hell. I squirm in the unyielding chair and arch my back to make it stop, which results in both my legs cramping at the same time. I let go and fall back into the chair, and raise my legs up and try to shake them. I tense and relax the muscles over and over to make the feeling go away.
When it finally goes away I feel exhausted. I certainly don't want to feel that again. It's like a cosmic force doing everything to keep me in place, docile, and watching the ocean. While I want this to all be over I don't feel like I want to put up a fight. I scratch an itch on my face and feel my beard. I know I shaved less than... I know I shaved this morning, whenever that was. I've done that every morning from when I started to grow facial hair. I know nothing that looks worse. Nothing that looks more like you are taking a shortcut, or don't care. Yet I could clearly feel strands of hair all around my mouth and up the sides of my face. Not just stubble either, but fingertip length beard. The kind that doesn't look like a planned and neatly maintained beard either, but an accidental one. I didn't think I could freak out more when my hand touched the hair behind my ear, and I frantically felt the rest of my head. It was clearly a curly mess, and not just wavy but a tight curl. My hair is straight.
"Olá!" one of the two young surfers greet me. I'd been too preoccupied and had completely missed them walking across the beach towards me. They looked very similar, same height, same short cropped pitch-black hair, handsome white smiles, black and blue Mormaii wetsuit. My startled mind feels blank. I have no idea what to say to them. Somehow, inappropriately I can feel my dick stirring again. "Você quer foder?" I shout back at them. I have no idea what it means. They just keep walking, shaking their heads and ignoring me. What the fuck is going on? Can't I control myself anymore? I haven't since I sat down, I realize. This fucking chair is ruining everything.
I'm angry with it. I start hitting it. At first I'm just feebly pounding the armrests, but then work myself up to start hitting anything I can find. I'm banging the tubes, I'm pulling the synthetic fabric of the seat, I'm trying to pry the joints free. I'm only hurting myself of course, though not bad enough for any visible bruises. After some minutes someone has had enough of my tantrums and I feel a searing pain across my chest, back, and right ribs. I cry out in pain. My noise is met by the constant noise of the ocean. When it stops, just as suddenly as it started I look to either side and all I see is empty beach in both directions.
I'm almost afraid to look, and it is difficult to see well, but the skin has discolored where I felt the pain. On the right side of me is a sentence tattooed in cursive. I can't tell what it says. On my front chest is another large tattoo saying something almost as difficult to read upside down, just below my chin, also in cursive.  "Live fast, die young" I think. I can only imagine what platitudes are on my back. "Carpe Diem?"
My legs are hairy. They've been that for years, but now they are black pubes kind of hairy. Did that happen just now as well? What's with the slow walking? Just do all the things to me and be over with. Arms are hairy too. I'm not even going to be upset anymore. I'll just sit here until it ends, whatever that means. Listen to the ocean and let the sun do its thing. Holy shit, that isn't suntan. I have a different skin color for sure. No. Not upset, just listen to nature and come what may. Let the sun sparkle in the water.
I can also see a sparkle from my right nipple. I feel drained, dazed, and dumb. Did the nipple piercing come with the tattoos and I had just missed it, or did it sneak up on me somehow? I don't really care. I slowly reach for it with my left hand. It feel an explosion of sensations as soon as the vibrations of my touch reverberate into the nipple. It shoots right into my balls, into my spine, into my brain, into my dick. Not quite an orgasm, but definitely not not an orgasm. I can feel the cramp again. The muscles on my front all contracts, but this time it isn't really painful. It's more like when you exert yourself during sports.
As before I arch my back to flex the chest and abs differently to make it go away, but the cramps just spreads. I can feel it in my back as well, and my arms, then finally in my legs. It's like those youtube videos where you can see the muscles moving under the skin all on its own. I just turned to the side and rolled in the sand, unable to control anything. It wasn't pain, but definitely not not pain.
When it finally stops I'm on my back in the spring warm sand, exhausted, panting, looking into the blue sky, hearing the waves crash down at the edge of the beach. I somehow know before I see it. My arms are almost twice as muscular as this morning, my chest and abs chiseled, and my legs are massive.
The sun is getting low. It is probably getting close to dinner time, though it sets early. I sit up in the sand, looking in both directions down the beach. There's nothing but sand. I know how to walk back to the hotel, though I can't remember the name of it, and I think I know what my name is, but I'm pretty sure nothing on that passport will match me. I don't feel like going there though. I really, really need to find someone to fuck. Or be fucked by. I don't care.
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rynnaaurelius · 3 years
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Just Pirated Loki’s First Episode: The Reactions of a Comics Nerd and No-Fun MCU Hater
-Fair warning, I am a Loki fan, but not in the way, um. Pretty much everyone else on this website is
-Bless Tom Hiddleston for being such a fucking delight as Loki but the MCU straight- and cis-washes its Loki so much that I really am exhausted.
-That being said, the shout-out to the Kid Loki comics, also known as the best Loki comics, with the “your role is this” stuff was. . .well. Watch that space.
-Interesting characterization in the MCU! Can’t wait for them to fuck it all up when it threatens to get too interesting!
-God I checked the tags for the show/characters and I remembered why I stay out of the MCU fandom.
-”They killed people!”/”They enslaved a whole town!”/”They tried to take over the world!”/”He told my favorite to shut up!” This is comics, Susan, everyone’s a terrible person on some level. Pick your emotional support war criminal and go. Also, get a sense of humor.
-Lotta people bitching about the time travel logic and TVA logic need to read more comics. Fair warning: this shit’s par for the course. Like, a lot. Marvel’s getting very comics-y with its treatment of the TVA, MCU!Carol Danvers, and the Eternals (re: The whole “They were secretly there the whole time!” thing).
-I’ve seen a lot of yelling over Loki’s characterization/the morality of the TVA and Mobius and IMO it was. . .fine?
-Like, yes, the script wasn’t amazing, but it’s nothing we haven’t seen before. Honestly, it’s better than I was expecting, and the actors did their best.
-Loki seemed fairly in-line from what I remember from 2012.
-The MCU retcons itself about everything every three years, but it looks like they’re going with the theory of Loki having major autonomy during the events of The Avengers. Probably.
-My unpopular opinion on this is that while Thanos certainly did a number on Loki to push him over the edge, supplied him with the army, and gave him this particular plan--none of which is exactly small beans--some version of this was always coming from MCU!Loki, barring major intervention.
-After the first Thor, he was always going to make a play for Earth the second Thor and Odin decided humans were all right. Thanos just happened to set the timetable.
-I mean, he’s been villain material for most of his MCU run, and it’s frankly hilarious how Marvel keeps being forced to bring him back because they can’t do villains for shit and how you can tell when they have to with each shift of his arc trajectory.
-Like everyone else in this godforsaken cinematic universe, his lines suffer from being post-Joss Whedon’s directorial and writing contributions as well as Marvel Main Character-itis, which is not unique to this series.
-Mobius is surprisingly interesting compared with his comics-self.
-*Ducks and hides from the Loki fans*
-He’s clearly working towards something with Loki maybe beyond the whole stopping someone who’s clearly not just your common garden Tom Hiddleston!Loki thing
-What with the interesting mix of de-radicalization techniques and interrogation techniques that probably aren’t completely copacetic under the Geneva Convention, anyway.
-He’s not a Loki fanboy in the comics, but after having to sit through MCU!Wanda, I’m just bracing myself here for the changes. It’s not like Mobius is much of a character in the comics, anyway.
-Like, his morality is of the TVA, but his priorities in keeping Loki alive and un-reset go a bit beyond what his comics self would, probably.
-Anyway, Owen Wilson remains as charismatic as ever and is doing a great job as him, so I like him right now, but jury’s definitely still out on his trajectory.
-So, the TVA.
-Despite the whole fan theory mess with WandaVision, I’m not unconvinced the Time Keepers aren’t secretly the Time-Twisters or something. The organization is more or less like this in the comics, but the emphasis on “Sacred Timeline” is. . .hmph.
-They monitor the multiverse in the comics. They’re not trying to avert its creation, and the Time-Twisters destroy realities as their schtick.
-Also, the multi-verse is coming, so I’m assuming that there’s going to be a twist that acts as an impetus for Loki plus Mobius and friends to blow the organization wide open and cause the multiverse (Probably re-forming the organization and giving Mobius the same surprise promotion as the comics, along with an excuse to bring Gugu Mbatha-Raw back).
-*chanting intensifies* mutants mutants mutants
-They’re gonna fuck up Magneto so bad lmao
Ending Conclusions
-. . .The Big Bad of this phase is absolutely either Mephisto or Kang, right?
-I don’t see how they do Secret Invasion at this point as a feasible Big Bad without a lot of changes, Deviants were Thanos, basically, Doctor Doom can’t happen without the Fantastic Four, and anything directly tied to the mutants is out until they’re brought in.
-Think a decent dark horse candidate for the Phase 4 is also Scarlet Witch/Chthon since she’s confirmed to be reading the Darkhold--which is pretty much No. 1 on the list of Stupid Shit To Never Ever Do In Marvel Comics--upholding the fine comics tradition of Wanda being manipulated by someone evil into doing world-breaking shit.
-I can’t wait for them to straightwash Wiccan and for me to die inside, unrelated news
-It’s episode 1, so there’s a lotta ballgame left, but this is now the second show to bait the MCU Devil, which I honestly want to see if only so I can watch the world burn over it.
-Then again, they might simplify things and just make the being behind the Darkhold Mephisto instead of Chthon, which would. . .track with some things mentioned by the WandaVision showrunners about removing important scenes because stop listening to fans theorize online, dammit. It’s the Hamlet written by monkeys hypothesis played out.
-Ahem.
-Anyway. The music was nice, the actors did a great job, production value looked good, and while this episode was 95% info-dump, they made it pretty digestible.
-Also, the ‘70s-style matte painting used for one scene instead of CGI was a nice surprise and the animation was delightful.
Recommendations:
-If you’re a Loki fan convinced the MCU hasn’t done right by him since Dark World and think Taika Waititi destroyed his character, this show is probably not going to make you especially happy.
-*Checks Tumblr tags again*
-*Winces* I’m so sorry, guys.
-If you’re someone like me, who’s not the biggest MCU fan but still loves the characters and wants to see what ditch this drives into, I think the show is promising.
-If you’re an MCU casual, ditto, but without the ditch part.
-Overall: 8/10 blue-teethed French kids
9 notes · View notes
sazorak · 3 years
Text
Every Game I Played in 2020, Ranked
2020. Boy, what a garbo year huh? Didn't actually play that many games this year all-in-all. Happens! My backlog is getting pretty big, but I just find it hard to focus on games when I could be working on something. Or put off working on something, as it may happen to be at times.
My arbitrary decision from years ago to only attach a numbered ranking to same-year releases is getting increasingly silly, especially given my propensity to wait on playing games until I’m in the right mood, but whatever. That order matters than the dumb numerical numbering anyway.
2015 | 2016 | 2017 | 2018 | 2019
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Later Alligator – 2019 – Steam – ★★
The style of this game is very cute, and the jokes are funny enough. But… ok, look, I’m not one to be precious about what is or isn’t a game. But this really isn’t a game. It’s a series of disconnected, unrelated challenges clipped from Atari Free Mini Game Collection 100, wrapped in a very non-interactive adventure-game. It’s cute, it’s kind of sweet, but it’s dull. Dull dull dull. There’s a pointless, mandatory sliding block puzzle early on that infuriated me by its mere existence. Them giving the ability to skip it because “wow you’re bad at this huh”, which, while accurate, also just sold the whole point meaningless of the “““interactive experience”””.
Also: when a huge part of your game is WOW WE ANIMATED EVERYONE REALLY GOOD, text boxes that reveal word-by-word, far away from the animations that occur when said characters talk? Kind of stinks!
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8. Carrion – 2020 – Steam – ★★
What Carrion does well— the whole “You’re controlling The Thing and just rippin’ people apart!” shtick— is really neat. They made that bootleg The Thing animate real-ass good.
The actual game as a whole though? Kind of garbage. Imagine a Metroidvania with zero actual exploration, where every opportunity you have to venture off the path instead results in immediate railroading with constant, utterly inexplicable one-way pipes. It’s not that it’s linear, it’s that it actively slaps you when you attempt to explore. It’s very frustrating! Add the fact that the tentacle-monster-shtick makes challenging to actually, y’know, move around and control all your bits…  the only reason I finished the game was due to foreknowledge of its extreme brevity.
I think if the game were more open and less obsessed with constantly handing out upgrades, as well as having less of a focus on pure combat, I think I’d have enjoyed it more.
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SD Gundam G Generation Cross Rays – 2019 – Steam – ★★
It is well documented at this point that I am both an active Gundam fan, and as well as an on-again-off-again tactical RPG aficionado. A SD Gundam game appearing on Steam with a good English translation and localization is… exciting, to say the least. That said, I have never had much context for this game series beyond the basic facts that the combat tended to be pretty well animated CG, and that it’s vaguely similar to Super Robot Wars. Turns out… it’s really different from SRW? I dunno how the rest of the series fairs, but Cross Rays is weird as hell.
For one, there’s zero tutorialization at all. None. Almost all of what I’m going to explain here is me figuring stuff out by trial and error, or by reading junk online. Gundam is insanely popular, you’d think they’d be interested in explaining how it all works, but… nope. Even Super Robot Wars has multi-level introductory bits for new folks to show them the rope these days.
So: Cross Rays is a tactical RPG where you can playthrough the storyline of various Gundam AUs. You can play through them in any order. These playthroughs are fairly literal translations of the stories. You take control of the lead mecha from those series, fight enemy mobile suits that show up in SRW-like tactical RPG combat, until all reinforcements cease. Pretty straight forward. There are occasionally mission variants like “prevent enemies from reaching X” or “prevent enemies from destroying Y”, but even those can be just reduced to “kill everything very quickly please.”
But here’s the thing: while there is a story progression, the characters in the story itself actually have no character progression. These characters and mecha are actually considered guests, despite it being ostensibly their story. Instead, you are able to field “permanent” mecha and pilots of your own choosing, which do have progressions. There is no plot justification for this or anything like it. The game does not recognize that it’s weird that during Iron-Blooded Orphans intro where nobody knows what a Gundam even is, you can have 25 Gundams show up at once and just fire lasers at everything. That’s because this game is actually about repeatedly grinding the same set of missions over and over.
Pilots are recruited by completing certain in-mission requirements. Mecha are acquired by either by getting enough kills with the progression-less “guest” mecha, combining mecha you already have gashopon-style, completing certain quests, or by leveling up mecha and then “evolving them”. This is the actual core of the game.
SD Gundam G Generation Cross Rays is basically Disgaea, it turns out? You’re grinding story missions at various difficulty levels in order to complete missions, try to recruit specific pilots, equip them with stats and levels to make them stronger, and then hitting mecha together in a sort of quasi-SMT fusion system until you get all the powerful mobile suits you desire.
The combat itself is kind of… bland? There’s a lot of systems, but they mostly seem in service of making an already easy game easier, or burning through tedium. There are four different difficulty modes, because there’s not actually that many different missions you can play through. The expectation is you’ll just work your way through every story beat while ramping the difficulty up over time to where the “guest” mecha would not be able to handle on their own. In fact, letting the story mecha act out the story beats is actually bad after a point, unless you’re still trying to get those lead mobile suits, or if you’re trying to complete some mission requirement in order to recruit Named Wing Grunt Pilot #246.
There is something to the notion of “I want to get N and N and N and N on a team, piloting weird but powerful mobile suits, and just solo every Gundam AU in a row,” but the whole premise seems kind of against purpose. Why bother recreating story beats at all, then? It’s not like the game even acknowledges any of that going on.
If the point is that I’m supposed to be, like in other grind-heavy tactical RPGs, breaking the systems to my own end in order to proceed… why not make the missions you play challenges focused towards that? The story progression literally only exists to facilitate the mission-based unlock conditions, which makes all the energy put into making them JUST LIKE THE ANIME really damn pointless.  
I like tactical RPGs, I like breaking RPG systems so as to beat hard challenges (I beat all the insanely hard extra bosses in FFXII for crying out loud), I looooove Gundam. I should like this. But I don’t really have the “god, I NEED TO FILL THIS LIST” gene that some folks have… except as an excuse to continue to engage in gameplay I enjoy. The gameplay here seems in service of the collection, rather than the way around.
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7. Pokemon Sword: The Isle of Armor – 2020 – ★★★
Pokemon’s first foray into actually doing DLC is… a mixed bag. As a positive, they’ve improved the Wild Area concept I liked from the main game, and even brought back buddy Pokemon walking behind you. That’s neat. On the other hand: the actual progression in it is completable in like an hour, it doesn’t scale with you, so you’re bound to be over leveled for it, and all the raid stuff, while still conceptually neat, is just as flawed as in the base game. And so, you’re just left with even more new Pokemon to RNG grind on to continue to catch-them-all. Nah, I’m good.
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Astral Chain – 2019 – Switch – ★★★
Platinum knows how to make good character action games. They’ve made a bunch of them. Bayonetta, Nier: Automata, Metal Gear Rising: Revengeance. They also know how to make some kind of mediocre character action games. Transformers: Devastation, Wonderful 101, their various shovelware character action games like Korra. Astral Chain falls somewhere in the middle, I guess?
Astral Chain has all the production of their good games. It has some stylish, cool action. It has a neat core mechanical idea, in that it’s essentially a two-character action game where you control both characters at once. It has a lot of the old mechanics from some of their best games brought in; witch-time last second dodging from Bayonetta, Nier’s shooting-and-slashing combination, the Zandatsu mechanic from Metal Gear Rising, even Wonderful 101’s multi-unit shenanigans. The setting is different, and there’s some neat world flavor all in all.
But, of all games I’ve played over the past few years, Astral Chain made me more vividly angry than any other. It’s not that it’s too hard— far from it, really, I found its combat incredibly mashy. No, the problem is that it has so many shitty mechanics slathered on that it become a chore to get to the “good bits”.
Why would you put forced stealth sequences in your character action game, especially when your movement controls are not suited for it?
Why the HELL would you put platforming sections in your character action game, constantly, especially when your stupid ghost buddy can accidentally yank you off the edge, your auto-combos can just throw you off the edge, or literally anything can knock you off the edge and make you lose life?
Why would you put so many constant excuses into the world to force me use the digital sensor in the game, that also makes it miserable to walk around while using it?
WHO THE LIVING FUCK THINKS THESE SHITTY BOX BALANCING MINI-GAMES ARE FUN???
These games are supposed to encourage me to perfect everything, right? Why keep putting fucking fights you need to complete in order to get an S rank behind backtracking, or Legions I don’t have yet? That isn’t adding replayability, that’s just wasting my time. There are even in-level missions that have fail conditions that you never even know about. Surprise!!! A lot of them involve chasing after guys and catching them with your chain, which is really obnoxious to do!!!! SURPRISE!!!!!!!!!!!!!!
The story is just Bad Evangelion, straight up. Every story beat from Evangelion is here, executed worse. They also make your character have a twin just so they can have a character who can talk and feel emotions, because your boring-ass protagonist is stuck being an emotionless audience cipher. Cool!!!
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Tetris Effect – 2018 – Origin – ★★★
It’s drugs Tetris. I personally don’t use, or have synesthesia for that matter. I imagine this game is better if you do. It’s an enjoyable enough experience but it feels incredibly slight for what I was expecting from it, or even compared to something like Lumines, which has tons of replayability by way of its difficulty. Tetris just isn’t that hard, unless you’re forcing yourself to do weird shit to get points. I WILL NEVER LEARN HOW TO T-SPIN. Never.
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Castlevania Anniversary Collection – 2019 – Steam – ★★★
Kind of an unremarkable Castlevania collection. Neat that it has an official translation of Kid Dracula in there, but also… look, I prefer Metroidvania Castlevanias, OK?
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6. Spelunky 2 – 2020 – Steam – ★★★
I’m not entirely sure why this doesn’t click for me where Spelunky 1 did. More annoying intro levels? Too many fiddly requirements for different ending-progression? Gameplay additions that just make things more annoying? Spelunky 1 was hard, but there was a kind straight-forwardness to it, even with its weird secrets, that made it much easier to grok and continue banging your head against. I’m just not having as much fun with this. Difficulty should be challenging, not a hassle.
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5. Stellaris: Federations – 2020 – Steam – ★★★
This is the year that Stellaris just broke for me.
Federations itself is a good DLC; it adds some really interesting mechanics tied to various types of multi-national unions (the titular federations, as well as the Space UN), as well as the addition of unique “origins” that allow you to further specialize your gameplay. The origins in particular are a great addition that allows more specialization and roleplay.
I’m just tired of the sheer amount of busywork Stellaris forces you to do. Every DLC adds more junk you need to keep an eye on, and the fact that the AI doesn’t even bother with it (compensating with copious economy boosts in order to keep up) makes the whole thing frustrating. It’s like playing fetch with yourself; you just get tired of chasing after your own ball after a point.
I have to wonder if they’re pivoting towards a notional Stellaris 2 at this point? Might not be a bad idea for them, though it is weird with all they talked up adding more origins when Federations came out.  
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4. GranBlue Fantasy Versus – 2020 – Steam – ★★★★
This is probably the fighting game I got most into over the past few years. There’s just this nice, almost Street Fighter-esque ease of execution to the controls, and that Arc Systems Works 3D-as-2D style continues to just do work. I don’t give a single shit about GranBlue Fantasy (frankly, I think I’d enjoy this game more if it wasn’t attached to a property) but the characters are fun enough to play and look at.
The big problem here is two things: no crossplay, and no rollback netcode. In the span of a month, this game became a total ghost town on PC, and it doesn’t sound like PS4 faired that much better. 
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Ring Fit Adventure – 2019 – Switch – ★★★★
I’ve fallen on-and-off this game all year. At its heart: it works, it’s a fun exercise game. I don’t think it really feels like a “game” (in the sense that I’m not really coming to it for riveting gameplay or anything) as much as just a guided exercise experience, but… that’s fine? The in-game story is kind of flat, but funny in the fact of it existing at all. Buff Nicol Bolas and all.
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XCOM 2: War of the Chosen – 2017 – Steam – ★★★★
XCOM2: War of the Chosen is a great answer to what XCOM2 struggled with. As I discussed back in 2016 (Jesus Christ), XCOM2 tried to push against player’s worst instincts by incentivizing them to keep being aggressive through a whole bunch of timers— which, kind of just weren’t fun given how much accidentally walking into an ambush could “ruin” dozens of hours of play. War of the Chosen dials that back in some intelligent ways, by instead making the encounter designs themselves, as well as much more grab-and-bail mission types, encourage players to push ahead instead. Smart!
The addition of the Chosen makes the game feel more alive, and they really do make missions harder— particularly early on. But they’ve somehow accidentally fell into the hole, where XCOM just… isn’t that hard? Early on it’s challenging, particularly with the resource restrictions and all. But they keep giving you more and more options (that aren’t especially meaningful choices) that make your team more and more powerful, without increasing the strength of the enemy as time goes on. By the five-hour mark, you basically know if you’re going to steam roll the game or not.
The amount of additional character and variety in the gameplay is great, I just wish it had a more challenging difficulty curve. Maybe make the meta-layer of when enemies show up more targeted to where players are at. If a player is doing well, ramp up the difficulty, if they’re struggling, pull it back a bit. I should always feel like I’m just barely keeping ahead with XCOM, not like I’m bored. And by the end of War of the Chosen, I was kind of getting bored, really. Oh well.
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3. Animal Crossing: New Horizons – 2020 – Switch – ★★★★
This is probably the video game that I spent the most time with hours-wise this year. I’m not entirely sure why? It’s a nice evolution of New Leaf, in that the crafting, environment shaping, and general quality-of-life improvements made are quite nice. There’s clearly been some thought on how people play these games, and ways to make the experience less frustrating.
… and yet, they kept so much tedium in the game. Like yes, the schedule stretching is the point, I get it. As someone who for some reason decided not to play with the clock, I only just recently finished the fish, fossils, and insects for the museum. But there’s just so many weird, little things that just make it hard to keep coming back to it. It’s like… to what end? When I’ve unlocked everything, and basically seen the entirety of the item list at this point, and the holiday events all being the game meaningless collectathons…. Why? I’m not going to try completing the collection; the museum stuff is about my limit, really (and even the paintings I can probably pass on).
I guess even an idealized, digital representation of a quasi-domestic life has the spiritual emptiness of consumerism-for-consumerism sake. Thanks???
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Hypnospace Outlaw – 2019 – Steam – ★★★★
I grew up on the internet of the early 00s. I had an AngelFire website, mostly consisting of shitty sprite webcomics and hosted Gundam pics. I remember when Google wasn’t really a thing and you would heavily rely on website compilation sites like the Anime Web Turnpike in order to find anything of value online. It was weird, it was wild. It was exciting!
The internet seemed so different back then. There was a ton of garbage online, but also, like… there was a sense of optimism to it. Folks were shitty, there was plenty of bad stuff online, but it felt so disconnected from the fabric of the physicality of real-life that it was at the same time a perfect escape.
I was young when I first got “online”, something like 12. I remember having this notion that the internet was going to be this great equalizer, that it had infinite potential to change how people behave and interact. Boy, huh.
Hypnospace Outlaw is essentially a splendid alternate universe GeoCities recreation, where you’re a volunteer moderator of a grouping of websites on HypnOS, an internet-analog you access while you are sleep. At the surface level, it’s mostly about poking around the weird alternate-historical version of the internet they created, full of kids feuding, bizarre historical divergences, and plenty of amazing bespoke weirdness. All of this is great; there’s an incredible amount of content that’s just great to poke at, listen to, and explore.
Below the surface, there’s also a rolling plotline about the ethics of this industry-owned platform, those who run it, and the way corporations handle new technology, new platforms, and emerging digital societies. There’s a late game turn that’s pretty damn affecting. And as someone who has moderator his share of internet forums in his time, trying to balance ‘do it for the community’ and what your ostensible ‘bosses’ require of you, it was kind of a weird throwback in more ways than one.
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Minecraft – 2011 – PC – ★★★★★
Turns out, Minecraft is really as good still who knew??? Started playing a bunch more of it this year due to Giant Bomb deciding to do so, and yeah: still good!
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2. Hades – 2020 – Steam – ★★★★★
I’ve said it before, and I’ll say it again— Supergiant makes damn good games. I’d been holding off on checking out Hades until its full release due to my tendency to burn out on games easily, and I’m glad I waited. Hades is a fantastic rogue-lite experience. The way it makes narrative progression part of the reiterative, randomized rogue-lite structure is just perfect.
It’s got all the usual Supergiant bullet points. Great characters, voice acting, narration, and music. In terms of gameplay, it’s probably their least ambitious game— playing something like a cousin to their original game, Bastion— but it’s also been polished to a mirror sheen. It just feels really damn good to play, over and over and over.
That being said, the second (final?) ending feels kind of…. Tacked on? It’s fine as a goal to go for while continuing to do the game’s relationship mechanics for additional story bits, but it ends up feeling kind of unfulfilling compared to the payoff of the first one.
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1. Crusader Kings III – 2020 – Steam – ★★★★★
I never could get into Crusader Kings II. Despite my interest, the sheer mechanical heft and unintuitive interface made the game a wall that I just couldn’t get over. I’m sure if I’d dedicated myself I probably could have learned it, but… ehhhhhh.
Crusader Kings III, on the other hand, has a good tutorial, a cleaned-up UI, and a very helpful highlight and tooltip system that make it much easier to understand how to actually play the game through resources inside the game itself. And, as it turns out: I rather love this game.
I mean, conceptually it’s an easy sell, isn’t it? Historical politics is something I enjoy broadly. I liked Stellaris but wish it had more narrative, roleplaying elements. They outright say that “winning” isn’t really the point of the game. Instead, it’s more about emergent storytelling and playing with the different systems and seeing what you can do with it.
My current game has had me taking the Haesteinn dynasty from its Viking origins into England, forming a London-seated Northern Sea Empire that encompasses all of Britannia, Iceland, Holland, Norway, and Denmark. I am currently working on hegemonizing Norse religious control over enough Asatru holy sites to finally reform the religion, such that more unified feudalization can occur. To that end, my current ruler’s predecessor invaded West Francia and conquered the whole of its territory, substantially reducing the foothold of Catholicism in mainland Europe… which seems to have kicked the hornet’s nest, given the Crusade I’m going to need to contend with next time I boot up the game.
Of course, a complicating matter is that my current ruler— the Emperor of the North Sea, King of Ireland and the Danelaw, liege of the King of Denmark, was elected from the extended Haesteinn family via Thing, the Scandinavian council of his erstwhile vassals. Where the previous emperor, the one who manufactured the invasion of Francia, was quite religious and beloved for his adherence to the old ways, I discovered as I took over as his successor that he really, really is into just boning down across Europe. We’re talking constantly attempting to seduce neighboring Queens and Princesses. His vassals are not thrilled with this. They also don’t care for his propensity for torturing people to death, constantly.
I had no real say in this; attempting to stay on top of a dynasty is kind of like riding a bucking-bronco, so many things are only tenuously under your control that some weird shit can happen. This is especially true when you use the systems that make it easier to maintain the coherency of your domain. The Norse religion encouraging concubinage results in you having a lot of kids, which means there’s a lot of domain partition going on (someday, primogeniture, someday). Naturally, using Thing election reduces that, but also makes you sometimes end up having to play Emperor Stabbo-Fucko because they thought he was the best candidate at the time. Hell, I thought he was the best candidate at the time until I discovered just how many people he’d be laying with on the low. But you just have to roll with it.
The way the game forces you to play ball with character traits is great. Doing things that match with the character’s traits makes them lose stress. Doing things against their character increases stress. Too much stress can force you to make the character take up vices (which can make them suffer health or opinion maluses, as well as altering their aptitudes), or even die outright. And sometimes those vices and attitudes can be boons, given they open up opportunities for different character interactions.
Emperor Stab-and-Fuck-Kingdom is perhaps the most relaxed person alive, it turns out, because his sadism makes him really enjoy sacrificing infidels, which makes the gods happy. It also freaks the fuck out of all of his vassals, so they’re a good supplicant mix of both appreciative of my religious sentiments and also utterly terrified of my skull piles. Some especially brave vassals occasionally try to assassinate me, but my lovers keep jumping in front of the knife and saving my life mid-coitus. Iiiiiit happens! :D  
The game can be incredibly fun to just watch, as it becomes emergently weird. Georgia right now is incredibly Jewish in game. I’m not sure how that happened; I guess someone made a random Jewish guy into a vassal, who somehow moved up enough in the world to make it a movement? The Byzantine princes elected a Coptic as Emperor, which over the course of the decade resulted in very accelerated balkanization as Byzantium just lost its shit. The Middle East and notional HRE haven’t really unified in a meaningful way, so I’m curious how things are going to go if/when the Mongols unify and roll-on in.
It’s one of those “Just one more thing” games that can completely devour time. I have more than a few times checked the clock mid-game to see that it’s 4AM and that I’ve totally ruined my sleep schedule in the process of play. Oooooops.
I highly recommend checking it out if you’re curious; the introductory, pre-release video series Paradox put out showing off the game does a pretty good job of showing the core gameplay loop and also how weird it can get.
9 notes · View notes
hydra-collector · 4 years
Text
Whole: Chapter Two
AO3
Fic Page (all chapters listed here)
Second Fic in the Series
Chapters Finished: 6/6
Ship: Intrulogical
Characters: Logan Sanders, Remus Sanders
TW: yelling? panic attacks
Words: 1,392
Summary: Logan still has some bad associations.
They had, indeed, ended up as friends. Things were different than they originally were, for a while (for example, the flirting had seemed to be confined to their first meeting), but they’d somehow settled into the closet dynamic, more or less. It was odd, Logan realized, having such a nearly romantic relationship be… platonic.
He wasn’t mad about it, though. It was comfortable, talking to him. Nothing was weird when they were hanging out. They talked freely about intestines, the deep sea, the weirdest things you could find on the internet, art, sometimes, the best forms of explosions, the most efficient ways of murder… anything. Yet it was all still mixed in with something neither of them could quite understand.
Neither of them were quite sure what their relationship was.
But Remus had been able to pull Logan out of his shell. He still restrained himself from talking above a medium volume, but no one he knew really expected any different.
And one of the things that they discovered they loved was arguing.
Not in an aggressive way, but rather in a debate fashion, but less structured. They loved arguing about all the things you could do with science, even the ethics of it, sometimes. And a few times they’d started arguing about more trivial topics, such as ‘is slime completely gross or can it be helpful sometimes?’ They’d eventually decided, with Remus’s obsession with it, that despite it being a weird trend at one point, it can be used for… interesting pranks. He felt more alive when he was around Remus, more complete.
“Excuse me, Logan, but that ‘weird internet slang’ is incredibly useful for saying stuff in different ways, especially when normal words would be too serious for a situation.”
Remus sat cross-legged on the floor of Logan’s bedroom as his friend collected his phone and joined him.
“I have to disagree. Is alienating thousands of people ‘useful?’ I can get acronyms, but once they become something completely unrelated to what the acronym says it should be I don’t know what to think. With any of these slang terms, we have to acquire meanings from their most-used contexts, and that simply isn’t efficient when you’re trying to learn new words.”
“What do you do when you look stuff up in a dictionary? It gives you sample sentences.”
“But phrases such as ‘wig,’ and ‘slap,’ they don’t follow the normal rules of what I assume they should be. I still don’t fully understand what they mean, and as you’ve seen with my attempts at using flash cards, the definition and example alone doesn’t always help. You need repeated context, and again, it’s not efficient.”
“You learn it, that’s the point! And I know you’re good at learning, you just need to immerse yourself more.”
“That’s my point, though! Language was created to be understandable by a large group of people, and when you restrict that group to a generation, not everyone has access to information about the language! Not to mention many of the phrases don’t make any sense, especially the... what are they called? VSCO girl ones? They’re just- dumb sometimes! Sure use whatever words you like, but how are you supposed to nearly guess what ‘and I oop’ even means?!”
“‘And I oop’ is an ingenious term!”
“FALSEHOOD!”
He clapped a hand over his mouth, horrified with what he’d just done. He scrunched himself up against the wall, hugging his stomach. He couldn’t breathe anymore. He’d fucked up. He’d managed so long and now he was going to start hurting people again, and Remus of all people. Remus, who cared, who tried to help, he couldn’t lose his best friend. Tears filled his eyes, and he pressed in on them, hoping that would make it go away. But he couldn’t talk, he shouldn’t be able to talk.
And it hurt. 
Like it used to.
He wanted to scream so badly, but it was so awful, he’d gotten a taste of letting those feelings free, for a moment, but it wasn’t-
It wasn’t anger. It was joy. He’d spent a moment simply reveling in joy. They were arguing, but grinning at each other, happy just to talk, whether it was debate-like or not.
But it was loud. And it was mean, and it was scary. He’d scared so many people in his life, and now he was scaring Remus, the one person he’d felt comfortable in all those feelings with. The one person he was desperate to love him, and he needed him, someone like him, and he’d driven him away and he was alone again, alone forever, he would never, ever get a boyfriend, or keep his friends, or have anyo-
“Please, Logan, it’s okay, please, you didn’t do anything wrong, just look at me, you’ll be okay.”
Remus’s hand brushed his arm and he flinched away, curling into a little ball on the floor. He wanted to lean back into his arms, to hear that it’s going to be okay in a quiet whisper. But it wasn’t.
“If you don’t want me to touch you, that’s fine. Do you want to do the breathing technique? Logan, please say something.”
He couldn’t manage anything but a whimper, trying to follow along with Remus’s numbers, but he held for too long, he couldn’t breathe-
“Logan, exhale, please, exhale,” he said, probably with concern in his eyes, but Logan’s were shut tight, and he couldn’t breathe, he didn’t know how it was so easy most of the time, it seemed like the most goddamn difficult thing.
“Exhale, I need you to...”
The voice faded out, all that was left was Logan and his mind. His throat, it hurt, it had been so loud, Remus was so loud, he needed it to stop hurting, he needed to be silent, he needed something, he needed someone, he needed Remu-
“LOGAN, BREATHE!”
He could see now, he was crying. His hands were pressed up against his chest, and his breath was still caught. It didn’t help that Remus’s presence made his heart skip a beat, even in the midst of all this. His friend was crying, a miserable expression on his face. He knew he’d hurt him, he tried to breathe but the air refused to go anywhere but in. He felt like he was going to pass out-
“Don’t make me- don’t make me do fucking CPR or something just so you’ll fucking exhale. You need, you need to say something if you won’t- won’t fucking breathe. I need you t- please, you have to breathe.”
“Re-”
“Remus-”
“Remus, Re-”
He said it over and over, again and again until he needed to inhale again. Remus’s eyes filled with bigger tears, and he collapsed into Logan’s chest. Sobs echoed against his body, and he could barely move, beginning to cry himself.
“Lo- what just happened? Did I do something? God, that, you scared me-”
He drew in another sharp breath, pulling away from Remus, trying to escape his grasp. His legs began to fidget again, he needed to hurt himself to stop this. He was awful, scary, miserable, and he hurt people and Remus would never stay, no one wanted to stay-
But Remus held on tight.
He didn’t leave, instead he just held tighter. Logan steadied his breaths for him, just for him, shaking in his arms but grateful, so grateful for the comfort.
“What happened?”
“I- I yelled at you.”
“...Your falsehood?”
He nodded into Remus’s shoulder, the other boy leaning back to look at him.
“You… you weren’t even angry.”
“I can’t- I shouldn’t yell.”
“Why? It’s not like anyone cares how loud we are. And I yell, you don’t mind that.”
“It’s… it’s because…”
“It’s because every time I’ve yelled, someone gets hurt. It happened this time, you said you were scared, but I can’t let anyone be scared of me, especially not you because I-”
“You help me. I… don’t know if I would’ve been able to calm down if you weren’t here.”
“...You don’t hurt me, Logan. You’re hurting.”
Remus leaned forward, nestling his chin on Logan’s shoulder. His face grew warm as he realized it was being squished up against his friend’s. His arms were still shaky as he gripped Remus’s torso back.
“And I don’t want you to ever have to feel like that again.”
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fizzingwizard · 4 years
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I was curious if rewatching Kizuna after not having seen it since it released in late February would change my opinion of it any. It has a little bit. Not a lot, but a little. Spoiler warning!
To recap, I didn’t hate it or anything, it just didn’t amaze me. As far as grown up nostalgia movies based off anime go, it’s pretty solid, I think.
I felt that I enjoyed it more this time around, and I think there are a couple reasons why: first, I’m having a good day, whereas when I saw it in the theater I was in the worst mood ever. :P So there’s that factor that’s totally unrelated to anyone to but me.
Second, we’re now so distant from both Tri and Kizuna that I’m not so inclined to compare them. They really shouldn’t be compared anyway for billions of reasons, but before Kizuna came out it was a natural thing to be doing. There was lots of weird hearsay about Kizuna on the net before the release too, like that a long time Digimon producer had walked on the project etc...
(I guess if you waited till the DVD release/overseas release, it hasn’t been out that long for you... but for those of us who saw it last spring, we’ve got some distance now xP)
So here's how I feel about it now:
I still just don’t enjoy the whole “you grow up and lose your endless potential so your partner disappears” thing. And it’s not even like it doesn’t make sense. In the Adventure universe, what’s always been clear is that wishes, strong belief, passion, are the energy that fuels creation. It was a fun kid’s concept that has grown a lot and reaches I suppose its inevitable grown up meaning in Kizuna. If your view of the future narrows and becomes something like “I’m doing what I’m supposed to be doing as an adult,” it’s easy to see how that would result in a decrease of that energy. And it CAN be renewed. They explain the entire movie in that one blurb at the very beginning (which I actually missed the first time since I got to the theater late) that talks about how change is inevitable and there’s always a new adventure.
It’s a fleshed out idea. Much more well-rounded than those old fanfics that treated Digimon like parental replacements and their disappearance in adulthood was synonymous with growth. I always hated that idea because, like, I get that some fans only really like the kids, but I always loved the Digimon. I think probably the majority of us do? And reducing them like that... it just takes away the fun and the emotional impact of the story. I hate to be hit over the head with metaphor, especially when the metaphor is grossly obvious.
But because of that idea that was so popular while I was growing up, I can’t help but clench my teeth through Kizuna’s interpretation of it, even though it’s so much better developed. Kizuna’s concept makes sense and doesn’t diminish the Digimon partners, not really... but I just don’t want it. The underlying theme that it’s up to the Chosen to continue to choose to be Chosen, in their own way, and continue to try to unlock their unending potential as adults, and then presumably they’ll be reunited with their partners... like it’s good, really, I should like it. I just never wanted it and still don’t.
The way the movie focuses so heavily on Taichi and Yamato bothers me less than it did on first viewing. It helps that I like those two characters a lot. I will always wish we got more of everyone, of course. I’m glad Koushirou was still indispensable. Takeru and Hikari got to be really cool in the opening scene. Seeing Angemon and Angewomon fight together rocked. Sora’s abscene was tough, but makes sense with the theme of the movie and her chosen role. All the characters still seemed like themselves. I’m always going to want more, but I’m grateful for that.
Also on initial viewing, I was underwhelmed by the 02 kids’ role, but now I think they got a pretty good slice of the pie, all things considered. Especially Daisuke and Miyako, who were awesome. I’m still whatever about Ken’s part though and wish they’d picked ANY OTHER HAIRSTYLE.
The pace of the movie is really good. It doesn’t feel rushed or jerky the way parts of Tri did. The first 30-45 min I really do think are stellar - it’s starting with the reveal that Menoa is the bad guy (big surprise, not) that I start to be less interested. It leads to the big battle scene, which is elevated by the emotional and mental trauma that powers Menoa and even powers the Chosen Children she abducts. I definitely would not have preferred a standard Big Bad with no relatable motivations. But I still don’t like Menoa, as a person or a villain. I kind of wonder if Menoa is the result of plans for Himekawa in Tri that never made it...
There’s that bit where the other Chosen are brainwashed, and yet not, because it’s their own wish for things to not have to change that powers them... I get it, I do, but I still wish there were less brainwashing. Menoa really had to reach to pull out that wish so that it was at the forefront of their hearts to the point that they’d attack Taichi and Yamato. So it wasn’t really their decision, unless it’s a sin simply to have conflicting desires. I’m not saying I would have preferred Hikari, for example, to have said completely by her own will “I’m with Menoa and I’m going to attack my brother!” because that would be dumb. Rather, I just find the whole child abduction to Neverland concept boring. The long and short of it I guess is I didn’t enjoy the battle scene that much. Regardless of the story around it, it’s still just an anime battle that ends with yet another new evolution.
We could totally have had interesting stuff for the other characters to do if there weren’t such a requirement that there be a big long battle. Some battle? sure. It’s Digimon. But does it have to be that long? Really? Kizuna’s not being shown to eight year olds during Saturday morning cartoons. It was adult fans in the theater after work. For a story that’s all about unlimited potential, I wonder did Kizuna itself really reach the unlimited potential for Digimon stories? lol.
So those are things I just can’t get around. However, at least we got an enjoyable movie out of it.
I still vastly prefer Tri. Kizuna has better animation, steadier pacing, and a more tied up storyline. But to me, Tri is better partly because of the amount of time it had (six movies to one), the huge risks it took, the great character moments everyone got, and the nontraditional plot. Of course, as I said at the start, it really doesn’t make sense to compare Tri and Kizuna for the simple reason that Tri is a series and Kizuna is a movie. That’s not to say a movie can’t kick a series out of the water - it absolutely can, quality over quantity folks - but in this case I’d argue the amount of time makes a difference. Digimon is a show about 8 individual kids who were all nearly equal in terms of how much they mattered in 99 Adventure. That’s why the extreme focus on Taichi and Yamato in the reboot and in Kizuna bugs me. Tri had time to take on all eight and we still complained that we didn’t also get the four from 02. Kizuna has all 12 of the kids in the main cast for just 90 minutes total, that’s it. For fans whose priorities, like mine, are face time with the characters, getting to know them again, see how they change, and enjoy a mix of the familiar and the different, I just don’t think Kizuna can fulfill all that.
Pretty much, if we had Kizuna without Tri, I’d probably hate it for that reason. But because we got Tri before Kizuna, I feel free to enjoy Kizuna for what it is. Which is overall pretty good if just not my personal desire.
lol how come I just can’t write anything short. xP All that being said, there were tons of things in Kizuna that I loved, the art, the snapshots of the adult relationships between characters, esp Taichi/Yamato, Taichi/Koushirou, Takeru/Hikari. And more than anything, the relationships between children and Digimon. Also loved cool spy Yamato of course. And the whistle. I said all this back in Feb so I’m gonna end now but I did just want to sum up my thoughts after they changed a bit.
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w-k-smith · 4 years
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Once again, tumblr has hidden the version of this post that has links. (Clearly, weird fan fic where ghosts eat candy bars is just *too radical* for this website.) This story is also available on AO3, under the username w_k_smith.
Chapter Two is here of “Don’t Go to the Netherworld!”
In this chapter, Beetlejuice and Lydia make their way through Saturn, but are waylaid by Zagnuts, a boy band, and all the obstacles the desert otherworld has to offer.
Chapter One: “It’s a Wonderful Afterlife” (6/19/20) Chapter Two: “Worm Welcome” (07/03/20) Chapter Three: “Ghost to Ghost” (upcoming) Chapter Four: “To Beetle or not to Beetle?” (upcoming)
Warning:  This story contains depictions of, references to, and discussion of  topics like suicide, untimely death, abuse, and body horror - you know,  like the musical does (though this probably has more). Know your  boundaries, and stay safe.
New chapter under keep reading!
“I don’t understand,” Lydia said, as they crossed from the midnight  of the administrative area, toward the hot afternoon of Saturn, through  the twilight in between. “What’s Saturn? Are we going to the  planet…somehow?”
“Nope. Totally unrelated, and don’t ask me who  named it. Saturn is the part of the Netherworld that acts as a trap for  ghosts who get out of line, like if you try to leave the house you’re  haunting, or jump the line in processing like someone I could mention.  Going through processing would only take a couple steps, but Saturn is  an anti-shortcut from the feverish nightmares of M.C. Escher. It’s a  giant desert, and it’s full of sandworms. Those are snake monsters that  eat ghosts. Foreshadowing?” he muttered to himself.
“This is so weird,” Lydia muttered. “I love it.”
She didn’t seem like she was being sarcastic. Maybe hanging around her wasn’t going to be too terrible.
Unfortunately, he saw trouble ahead.
“Keep your head down,” he whispered to Lydia. “Look dead. Deader than that. And don’t sneeze! Dead people never sneeze!”
“What?”
“Hello, Beetlejuice,”  said five tenor voices in unison. A cluster of expressionless young  white men was drifting through the shadows toward him and Lydia. The  boys had died in their late teens and very early twenties, long enough  ago that two of them sported frosted tips. They were dressed just  differently enough to be distinguishable from one another, in dated  pants and t-shirts with no personality.
“Hey, Boy Inferno,” he grunted.
“What are you doing out here?” they asked. They all floated six inches off the ground, in a formation reminiscent of migrating ducks.
He rolled his eyes. “Just running an errand for Juno. Miss Argentina find that living intruder yet?”
“Not that we’ve heard. Who’s your friend?”
“New  hire. Juno wants her on border patrol. Her name’s Lydia, and she’s  boring. Kids these days, you know, they think eyeliner and TikTok counts  as personality. But them’s the rules: if you add to the work, you have  to help out.”
“Do you want to hear the introduction song, Lydia?”
Geez, they didn’t back off easy. “Save that for people who’ve committed genocide or worse.”
“We were talking to Lydia.”
At his elbow, Lydia scratched the end of her nose. Boy Inferno caught the gesture, and as one, cocked their heads.
“What did you die of…?” they asked her.
“Um,  I don’t want to talk about it,” Lydia said, which was the wrong thing.  All newlydeads ever wanted to do was blather on about how they’d bitten  it.
“OK, you got me!” He stepped between Lydia and the boys. “This  isn’t an approved mission to Saturn. We were actually trying to, ah,  hide out from Juno for a while. She is in a mood today, I tell ya. Just  impossible. She wants me to take a statement from all the recently  deceased who were in line when the alarm went off, and then pinch each  of them really, really hard to see if they still have nerve endings. I’d  rather swallow my own toenails. Remember that time Juno made me swallow  my own toenails? You were there for that, weren’t you? So be a  hive-minded pal and help me stay on the DL. This one already threatened to tattle if I didn’t show her my good hiding spot.” He jerked his head at Lydia.
Boy Inferno blinked.
“Alright, then,” they said, and each voice sounded suspicious. But they drifted back toward the administrative area.
Lydia stared as they went. “Who are those guys?”
“Boy  Inferno is a dead boy band. They didn’t have enough brains or  personality to be individuals when they were a living boy band, and when  their tour bus crashed, the situation got worse.”
“Yikes. And speaking of yikes, what were you saying about sandworms? Are they going to eat us?”
He  waggled one hand back and forth, and started walking. “Eh. It’s  probably OK. You’re alive, so they’ll leave you alone. I’m half-ghost,  half-demon, which confuses them more than anything. We’ll be fine if we  don’t run into a sandworm that’s pissed off or starving.” They were  crossing into Saturn proper. The terrain changed from dark gravel to  rolling sand dunes dotted with twisted rock formations. Wooden doors  hovered here and there, from three feet off the ground to 20 stories  high. There was the light and warmth of a yellow sun, but if you turned  in every direction, you would never see a sun or any other stars in the  royal blue sky.
“Huh. Now I kind of want to meet a sandworm...” Lydia said, looking around like one was going to pop out from behind a dune.
“Yup. That’s definitely foreshadowing.”
“So…what’s it like? Being half-demon? How does that, um, happen?”
He  waved his hands to turn them into sock puppets – one red and bearing a  vague resemblance to Juno, the other a grey blob and as good a  representation as he’d ever had of his father. “Hello, children!” he  said in a screechy voice. “Let’s talk about the occult birds and bees.  When a demon woman tolerates a living human male very much…”
She shoved him. “I know that, gross! I’m ace, but not completely ignorant. I just wondered if you were ever alive.”
He  put his hands back to normal. “Uh-huh. I was alive. Looooong time ago,  though. Long enough that we didn’t pay much attention to what year it  was, and only bathed twice a lifetime, and drank beer instead of water.  Hm. Or maybe that was all just me. Anyway, Juno only had me to see what  would happen if you mixed demon magic with ghost abilities. Turns out,  you get yours truly. She hated the result, and I never got any little  siblings to chase around. But it’s fine with the just the two of us; my  mom has this sweet thing she says to me every day: ‘I wish you had never  been born.’ I think it’s a Swedish pet name.”
“How did you die?” Lydia asked.
“I asked a bunch of annoying questions that weren’t any of my business and someone stabbed me.”
“Ha ha,” she deadpanned. “How far is it, anyway?” she asked, shading her eyes. “I don’t see anything…”
“Distance doesn’t really work like that here, and we could move way, way faster if we were both dead. But it’s pretty damn far.”
She sighed.
*
He  had to give Lydia Deetz this: she was a trooper. She was wearing a  dress, and boots that were very much not made for walking, but she kept  moving, eyes forward, not a single complaint. When her stomach growled  like an angry guard dog, she held her head high and acted like she  didn’t notice.
“OK, time for a break!” he said.
“No!” she said. “We have to keep going.”
“If  you keep going like this, you’re going to collapse, and then you’ll  die, and a sandworm will eat you, and that’s my whole day gone. Sit  down.”
“I don’t need to.”
She was going to give him grey  hairs, she really was. He shook one hand like he was shooing a fly, and  she stumbled backwards until she sat on the closest rock.
Lydia’s eyes bugged. “What am I – what are you –?”
“You’ve never been possessed before?”
She stood back up. He waved his hand again, and she sat.
“No, keep it up,” he said. “This is fun.”
He flicked his fingers, and her expression brightened.
“Beetlejuice, you’re my role model!” she said, in a tone much more chipper than any that had ever come out of her mouth, he was sure. He released her.
Lydia’s face soured like old milk mixed with lemon juice, and she made the fingers-down-the-throat gesture. “I’ll sit for five minutes. Don’t do that again.”
“I  always knew I’d make a great babysitter!” He settled on the other side  of the rock. He folded his hands over his stomach, figuring he’d take a  nap if she stayed quiet.
She didn’t. “My mom would love all this,”  Lydia said. “Her favorite holiday was Halloween. We’d make our own  haunted houses in the garage – but in the summer, when no one in the  neighborhood was expecting it. She liked the weird stuff in the world.  Or – she likes the weird stuff in the world. She doesn’t just avoid it, like most people do. Like my dad does. I think she’ll like you, even.”
He  wanted to make a face at the idea of a well-adjusted person liking him  (though it was a nice feeling, deep in his black heart), but Lydia  couldn’t see him, so it would be wasted effort.
She was quiet for a while, and he thought he was free to drift off to sleep.
“Um…do you have any food?” she asked.
He reached into his jacket and pulled out a handful of Zagnuts. He tossed the kid two. “Here ya go.”
“Why so many Zagnuts?” Lydia asked. “They’re good, but I didn’t think people ate these anymore.”
“It’s the only candy in the vending machines in the Netherworld.”
“Really? Why?”
“Because everything around here is at a baseline of low-grade crappiness. Haven’t you noticed?”
“Are  you really supposed to spend eternity here when you die?” she asked, in  a muffled way that told him she’d bitten off half a candy bar at once.  “It seems like it should either be a whole lot better or a whole lot  worse.”
“You aren’t supposed to spend eternity here; that’s the  point,” he said. He popped a Zagnut into his mouth, and swallowed it  wrapper and all. “You have to move on, eventually.”
“To what?”
“Do I look like a priest? Or a philosopher? Or a TV psychic?”
“The  last one, a little. A bad one. The kind who gets tricked by reporters  to help contact their dead kid, but it turns out the kid is really alive  and just in the next booth over in the Denny’s.”
“Touché. The  point is, nobody around here knows. You hang around the administrative  area until you’re ready to go into the miserable nothingness of the  Abyss, and then you swirl around in the Abyss until…I dunno, something  else happens. Maybe you just stay in the Abyss forever. I don’t plan on  finding out anytime soon.”
“Is that where my mom is?”
“Yup.  If she didn’t come running when you first came through the door, she’s  definitely gone through security. Don’t worry, though. You poke your  head into the Abyss and shout her name a few times, and she’ll come  right out.”
He lied easily. He always had.
“I’m just  surprised she hasn’t tried to contact us,” Lydia said. “I guess she must  be confused, because we moved and everything. My dad dragged me out to  Connecticut, away from New York and all our friends and family, to work  on this stupid gated community project he has in mind. And he took my  annoying life coach with us. She’s friendly and positive,  and keeps trying to make me fill out a star chart. I don’t know why he  thinks she’s helping me. It’s not like there aren’t actual therapists in  Connecticut. I don’t get it.”
He chewed another Zagnut for a  beat, waiting to see if she was making a joke. Then he broke the news.  “Your dad is boinking the life coach.”
“What?!” she said. She whirled around the rock to sit right next to him. “How can you know that?”
“Um, because I’m an adult with a brain.” He grabbed the top of his head and lifted his skull to show his grey matter.
“He isn’t…Dad’s not…” She slumped. “He’s totally sleeping with her.”
“Totally,” he agreed.
“How could he do that? Mom’s only been dead a few months. Well…when he sees Mom – if he just talks to her again – he’ll understand what an ass he’s been.”
“Uh-huh,” he said, non-committedly.
“How much farther do we have?” she asked.
“Long enough to aaaaaaalmost make you give up and collapse in despair.”
She groaned.
For  a second, he thought her groan was superhumanly long and loud, and he  prepared to be impressed. Then he noticed the ground was shaking.
“Looks like it’s our unlucky day!” he said. “Run!”
They  both got to their feet, and made it about five steps before the sand  exploded to their left. A sandworm rose from the earth, its  black-and-white stripes blurring into grey. At the peak of its jump, its  inner head came out of its mouth, eyes glaring, jaw snapping.
It dove back down toward them.
He  dodged one way, and Lydia dodged the other. The spray of sand blocked  out everything, and when it all cleared, the sandworm had risen from the  ground again, undulating in and out of the dunes. Lydia stood in place,  looking all around. But it was hard to know where to run when you were  being attacked by a sandworm.
The sandworm’s chomping heads came out of the ground an arm’s length from Lydia. She yelled, and punched it in the closest eye.
The  heads hissed and thrashed, knocking Lydia down. The sandworm dove down,  and the sand around them whirled and roiled, until he felt like he was  standing in boiling dirt.
When the sandworm rose again, it  accidentally scooped up Lydia. She showed a little more survival  instinct than she had before, and clung to the sandworm’s back.
“Knock it off!”  he heard her say. She nudged the sandworm with her left boot, and the  sandworm turned to the right. But it had had enough of its passenger,  and whipped its body to throw Lydia like a beanbag.
She shrieked as she fell through the air. He stretched his legs, about 20 feet, and caught her.
As  he dragged her back to the ground, he braced himself for another attack  by the sandworm. Maybe if he transformed into something big and scary,  showed some lionfish spines or extra limbs, the worm would leave them  alone. Getting swallowed would be no good. Not only did he usually try  to avoid getting eaten, but sandworms’ digested prey just wound up back in processing…after a wait of at least a decade or so.
The  sandworm jumped over their heads, dove into the ground, and kept going.  Its writhing body upset every dune it plowed through, but it didn’t  double back.
He wasn’t going to look a gift worm in the mouth.
“And don’t come back!” he yelled. “G’on, git! Git!”
Lydia jumped out of his arms. “That was awesome! I thought I was going to die, but it was awesome.”
He  was more tired than he’d been in a while. He was tired like Juno had  been screaming at him for hours. Also, there was a lot of sand in his  shoes. “You did OK But why the hell did you try to punch it in the  face?”
She didn’t look ashamed in the slightest. “I thought it  would be like avoiding a shark attack. That’s what the Discovery guy  said during Shark Week: punch the shark hard in the eye so it leaves you alone.”
“Since when has punching something made it leave you alone?” he asked. “That has never worked when I’ve tried it with people.”
“Because then the shark – or the sandworm – thinks you’re too much of a threat and it ignores you. I made it go away, didn’t I?’
“I  seriously doubt you’re what made it leave, Karate Kid. If a sandworm  had its multiple hearts set on eating us, it would take more than your  mechanical bull riding skills to dissuade it. I don’t know – I’m not so  sure it was all that interested in us.”
“If it wasn’t going for us, why did it come over here?”
“I said I don’t know! I’m not a sandworm scientist.”
“Your hair is changing color,” she said, pointing at his head.
“Can you blame me? I’m pretty pissed off right now.”
She brightened. “It changes color with your mood?”
“Yeah.”
“Can I touch it?”
He  grunted, and tilted his head. She patted some strands on the right side  of his head, which were dark green at the tips, but probably working  their way to red. The cocoon the caterpillar had made behind his ear  popped open, and a death’s-head hawkmoth shot into the air and planted  itself on Lydia’s nose.
“Augh!” she yelped, and fell right on her ass. He doubled over laughing while she tried to get back up with dignity.
“You’ve taken things too far this time, Beetlejuice!”
Once, just once, he’d like to go 48 hours without hearing those words shouted at him.
He turned to see Miss Argentina stomping up a sand dune, clipboard in hand, sash askew, which meant she was really really really upset.
“What have I done this time?” he asked, resigned.
“What have you done this  time?” Miss Argentina pointed at Lydia. “Let’s start with child  endangerment! And the fact that your disappearance has about given Juno  apoplexy.”
“Ah, she loves me.”
“No! She just knows  that if she hasn’t heard from you in twelve hours, it means you’re up to  something! And that means the rest of us suffer! I’m just glad she gave  me clearance to go to Saturn to look for your sorry, sagging ass, so at  least I was able shoo a sandworm away from some newlydeads. I have a  sneaking suspicion you bear some responsibility for that, too?”
“OK,  that is both not fair and completely true,” he said. “And I’ll have you  know I’m doing a good deed. I’m guiding this one around the  Netherworld.” He jerked his head at Lydia.
“And why, in the name of all that is sacred, would you consider that a good idea?”
“Um…”  He faltered. He may have been able to fudge a few details with Lydia,  but Miss Argentina had been around long enough to know how the Abyss  worked.
“Newlydeads…” Lydia said. “That must have been what attracted the sandworm. It wasn’t coming for us after all.”
“Why  did you drag newlydeads with you?” he asked, happy to change the  subject. “What, did you need help shouting at me? Anger backup singers?”
“Of  course not.” Miss Argentina frowned. “But – that’s a good idea.” She  clicked her pen, and scribbled on her clipboard. “I am actually writing  that down. If Boy Inferno is free…”
“Excuse me!” came a woman’s voice from the bottom on the dune. “I’m so sorry – could you wait just a minute?”
“It’s very hard to walk on sand!” came a sexy, nasal male voice from the same direction.
“These  newlydeads have a problem, you see,” said Miss Argentina, her voice  icy. But something was wrong – she wasn’t looking at him. Her gaze was  fixed on Lydia. “Apparently, a living person used their Handbook without  permission.”
Lydia became interested in the horizon. “Huh. That’s weird.”
Miss Argentina jabbed a finger in Lydia’s face. “Oh, don’t even try that on me, living girl. I am not in the mood today.”
“Whoof! We made it.” The newlydead couple crested the dune…and he was smitten.
The  woman was white, a pretty blonde, in a green wrap dress and  suburban-mom-at-the-nice-grocery-store boots. Her companion was a  beautiful Desi man, with light brown skin and a lock of black hair  hanging over his forehead that he immediately wanted to run his fingers through.
“Oooooh…” he said. “Hello, sexy…”
Lydia looked at him with a scientific expression. “Which one?”
“The  Trader Joe’s guardian angels over here. Not that Miss A isn’t pretty  easy on the eyes herself, but she’s a friend of Ellen, know what I mean?  A patron of U-Haul. An adopter of shelter cats. Wrong tree, is what I’m  saying. But she loves me platonically.”
“She doesn’t,” Miss Argentina said.
The couple pushed past him and bent over Lydia.
“Oh, thank goodness!” the woman said.
“Lydia!” said the man. “I’m so glad we found you. We were worried sick!”
“Adam, Barbara?” Lydia said. “What…what are you doing here? You weren’t supposed to go to the Netherworld.”
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Book Review: Now and When
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Rating: ★★★½☆
Blurb: Skyler Finch hates everything about Truman Alexander, pretentious debate geek and her sworn enemy. She does her best to avoid him and focus on the important stuff: friends, school, and her perfect boyfriend. They’re all wonderful, and the future is looking bright. Or is it?
For some unexplainable reason, Skyler's phone is sending her notifications from the future . . . a future in which, to her horror, she appears to be with Truman. She can’t let that happen. But trying to change the future means messing with the present, and what Skyler sees keeps shifting. Forced to work with Truman again and again, Skyler finds that people—like glitchy phones—are full of surprises.
I have mixed feelings. I ended up liking this book, but I'm not quite sure it was worth it the frustration. This is just, at its heart, a frustrating book.
The main character is like "I can't believe I'm so drawn to this guy who's not my boyfriend! Maybe me and my boyfriend aren't as good together as I thought. Maybe I really like this other guy." And you're like, "So you can hold off kissing the new guy until you've dealt with the boyfriend situation, right?" And she's like "Oh no I absolutely cannot. That's a no go. I will be kissing him now." And you're like "That's what I thought you'd say, you typical YA high school plot."
Despite how much I dislike the "cheating out of sheer inability to resist this other person" trope, I think the book handles it pretty well. You can feel Skyler's guilt, and you get the sense of her relationship going downhill even before anybody else gets involved. It's not a great plot line to me and I enjoyed it more once that drama had been resolved, but I don't think it's badly written.
Truman himself is convincingly dislikable when necessary without being an asshole, which is kind of outstanding—so often "enemies to lovers" books have a love interest who was truly cruel to the main character and treat it as a quirky "they are equally to blame!" situation. This isn't that. This book is like hey, they both have reasons to think the other one is aggravating and mean, but neither of them have ever tried to assault, humiliate, or otherwise ruin the other's life. And I'm like cool, I can deal. I am also very inclined toward this kind of "love arguing with this person so much that I might just have to kiss them about it" dynamic, so that’s fun.
I like how the future social media aspect was handled. For example, how the stuff Skyler can see goes beyond instagram to linked webpages, and that how well those webpages are organized and maintained says as much about the future as the photos on them.
I am also always here for complex female friendships! Skyler is often motivated by what her friends want and what she thinks they need, which is a cool part of the book, and one I don’t see a whole lot. But I also had some issues here.
Skyler’s friend Harper gets a decent amount of development and is pretty compelling—she's dealing with depression, recovering from self harm, trying to go back to normal life while everyone else can't stop walking on egg shells around her. She gets to be three-dimensional, sweet and determined and sad and tired. Their friend Jordan, on the other hand, isn't as developed, and I feel like there was a dropped plot line here. Her and Skyler's friction, partly driven by their different ways of coping with Harper's self harm that happened before the book began, seems like it must be driven by more than that, because she gets annoyed by things about Skyler that are completely unrelated. For that reason, I feel like they needed more conflict resolution than the scene about all three of them, because I think there was more, between just her and Skyler, that needed to be addressed.
I look back on the book with much more good to say than bad, but it was just not the most enjoyable reading experience for me.
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moonaft · 4 years
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The Killing Frost - Review
I usually wait for my library to have a copy before reading the latest book. Not this time.
Honestly, this is more of a live blog than a review.
Spoilers up to The Killing Frost and June 2020 for the Patreon stories.
Before I begin, I want to mention that I have physical copies of only some of the books. These are Rosemary and Rue, One Salt Sea, The Winter Long, The Brightest Fell. As of yesterday, I count the Kindle copy of The Killing Frost in that number and will pick up a physical copy eventually. Everything else I borrow from the library, which are usually always available. This series is something I keep re-reading because there’s something new every time I read.
“It doesn’t matter what I wear to the wedding, we both know it’s going to be completely covered in blood before we reach ‘I do’“ and we’re off to a wonderful start. I’m so glad Toby has become genre-savvy. She can now anticipate and plan for being covered in blood. That’s character development.
“My name is October Daye because my mother should never have been allowed to name her own children.” No, your name is October Daye because Eira wanted children named thematically after their parents and the Torquills went for all the months of the year. You can blame September for that one. Or I suppose August is older than January, so blame Simon.
Interesting that she’s accepted that one day she’ll burn out the rest of her humanity.
“Now I live in a house that I own free and clear, thank to Sylvester” Does he still pay property taxes on it, or is that Toby? Does Sylvester have an accountant, and if so, are they fae or human?
Toby, you could definitely get married at the courthouse and then do a fae wedding. They won’t recognize the mortal one but you can still say you’re married. Do Tybalt have any form of human id? I guess they could magic something up and confuse the attendant.
Hi Karen! Something I forgot for my “Open Question” post - why does Stacy have two Seer daughters when Seers have been nearly extinct for centuries?
How’s that for a plot hook? Your seer niece lets you know what you’re doing and with whom. Easy.
After everything Toby’s been through, she has a right to be paranoid when someone knocks at the door after Karen’s done warning her.
Could still be a trap. Negative points for not confirming with Tybalt first.
His date idea is very romantic, I will give him that.
Does Tybalt even have a last name? I don’t remember if he does.
It’s always fun to recognize people before the narrator mentions them by name. Hi Patrick and Dianda! This isn’t suspicious at all.
Does Dianda use the same wheelchair whenever she’s on land? If so, where do they store it? Or do they haul it with them? Is there a storage unit filled with Undersea fae stuff?
Patrick, this isn’t weird at all. You’re digging for something. Given that the summary says Toby needs to invite her legal father to her wedding, I assume you’re trying to make sure he’s there.
I’m not convinced Simon’s trying to wake up Evening. He doesn’t like her, and if losing his way home made him forget August even exists, I’m not sure he’d return to Evening given a chance.
And there’s the actual kicker - by not inviting Simon, Toby allows his boss to claim offense. Evening claiming offense on his behalf is a very very bad thing, and that’s why it’s important he’s there. I am certain Patrick’s parents weren’t at his wedding, but they probably washed their hands of him when they heard who he was marrying. And their liege probably didn’t care about a landless Baron in another Kingdom, so there was no consequence.
The Luidaeg did tell Toby she has to find Simon - along with two other tasks. What happened to those?
Looks like Patrick does have the broad strokes of the plots of The Winter Long and The Brightest Fell - given how much Toby doesn’t tell people, I wasn’t sure. She didn’t tell him about Poppy prior to the Ducky of Ships, after all.
Patrick and Dianda do want him back - looks like I might right that he goes to Saltmist when this all clears up. And they really want him to divorce Amandine, which, yeah. That marriage is not a good one. I firmly believe that if they do divorce, both Toby and August would declare for Simon.
“Bring him home” from Les Mis starts playing. It’s interesting that Dianda is the one telling Toby this.
“You and Tybalt have been banking on my ignorance throughout this whole process, and now your reward is that you have to go with me to look for Simon Torquill, and Tybalt can’t come” I love how she rolls with it. This would have been unheard of in The Winter Long. 
“And yes, I actually wanted him to be there when I did that, if it was even remotely possible.” Aww. It’s a shame her relationship with Sylvester is deteriorating at the same time her relationship with Simon is growing, but it is growing.
I assume Spike, being fae, is also functionally immortal and won’t die of old age.
“I hardly wind up ambushed and alone at all these days.” True, thanks to your ever growing cast of rotating characters.
I love Toby’s continued roasting of Evening and Amandine.
If Evening’s been in the Mists for a thousand years and also popped for Tam Lin in Scotland 500 years ago, how is she getting back and forth between the two? Though she convince Torin to take Saltmist when she was asleep, so maybe she’s just been dreamwalking.
Hi Marcia! What weird things are you going to do this book that no one’s going to pick up on?
Dean and Quentin are cute together.
Wait, this means Toby needs to invite Amandine to her wedding. Fuck.
It’s the Summer Roads key again.
Right, Ceres could do it too. And Toby’s actually thinking of the consequences of her actions.
Quentin will be a force of reckoning on the High King’s throne.
Hi Etienne! You could totally go visit Toby whenever you want.
Randomly appearing magic door - technically, the knowe could bring them directly to the Moon Garden if it wanted to. It wants to bring them to this door, and let them know something’s going on.
Blood for the blood door? Toby has a right to Shadowed Hills, and the knowe knows and likes her. Maybe this is a way of helping with her eventual claim?
“Cool. Good to know. We’re all going to be eaten by weird magic flowers.” “Let’s face it, this isn’t much of a surprise.”
It’s Raysel’s bed/coffin. Given that they’re looking for Evening, I don’t like the parallels to Raysel’s Firstborn. 
Neither Evening nor Simon have an interest in Raysel, but Sylvester doesn’t know that.
I love October’s speech to Sylvester about Rayseline.
It would likely be good for Raysel to spend a year with Toby at her house. She can meet Toby’s teens and live without her parents for a while. Might be awkward when Dean shows up but that’s a conversation they need to have.
Interesting that Raysel’s magic changes - did she get more of her father’s scent?
Summer Roads key is weird, and definitely more plot related than it appears. Given that it’s currently a MacGuffin to get to Evening, that’s pretty powerful.
What is this weird black bubble.
Shit, May got impaled.
So this is where Simon stored Luna and Raysel for 14 years. I personally wouldn’t anchor a formless void holding a Blodynbryd off the Rose Road where she has power, but it ‘worked out’ I suppose.
Toby’s headache is concerning me. I wonder if she’s doing the impossible without knowing it, and that’s what’s causing the magical backlash.
How did Luna and Raysel escape the bubble? There’s been no indication that someone found them, so perhaps they found Simon’s door.
Toby’s talking to Maeve as roses. How is she doing this? Why is Maeve (or part of Maeve?) part of the Rose Road? Didn’t the Luidaeg and Toby turn onto Annis’s Roads at some point during The Winter Long? Did they transition from the Summer Roads part of the Rose Roads into the Winter Roads? Is that even a thing? Why does the Summer Key allow them access to it?
Reviewing TWL again, the Luidaeg used the Key to open Annis’s forgotten road to take a shortcut to Shadowed Hills. Then Luna used the Key to open a Rose Road to Evening. The Key, which “belonged to [Luna’s] grandmother”. Unspecified grandmother. Maybe it’s not a Summer Roads Key afterall.
Roses are the thing that connects all three Branches - Maeve has them, Eira has them, Amandine has them.
Unrelated to the current plot, I think Raysel would be great with flowers. It’s implied that when a mixed blood uses a hope chest to pick one bloodline, they keep something from the missing bloodline. Tybalt’s niece Cailin (Daoine Sidhe/Cait Sidhe -> Cait Sidhe) is extraordinarily good with illusions and can’t shapeshift. August is relatively good with illusions (enough to bind Quentin) and kept her red hair and yellow eyes.
And Maeve (or a representative?) listens to Toby. Wow.
Quentin has strong and unflattering opinions about Evening’s forest scene. I love how the characters feel focusing on the small details. They’ve accepted the impossible and have moved beyond it.
Interesting that there’s no scent of roses before finding Evening’s clearing. Another open question: why does Evening also get apples in addition to roses and snow? What causes the shift between roses+snow and roses+apples? 
And why doesn’t anyone but the Luidaeg recognize that apples are also Evening’s? 
“I wish I’d met Simon and Sylvester’s parents... it doesn’t make sense.” “Most Daoine Sidhe I’ve known have something floral about their magic. Simon doesn’t” Does his mulled cider not count? Fruit isn’t floral? I want to know Septimius’s magic scents as well, because I’m pretty sure Simon got the apple cider from him, via his own mother aka Evening’s daughter Fómhar. The October Daye wiki is failing me on some of these names.
Please let her know that the twins were once changelings this book. Please.
May, I’m sorry you have a literal hole in your body, but I live for magical theory.I need moar.
Hello, Sleeping Beauty. Also, Simon is rather good at archery and I don’t know why that doesn’t come up more often. 
Simon is not looking well. He’s also doing some bizarre leaps of conversation -
October: We came here to look for you.
Simon: Where’s Oleander? 
No one brought up Oleander? I get that the spell is doing weird things to his mind, maybe it’s skipping. 
"who seemed to have stolen most of his memory of who he’d been”
Jossed on him not seeking out Evening, but kinda confirmed on the reason why: he doesn’t give a reason why he’s working with Evening. The spell’s not working as well as it did on August - he is definitely getting confused, if only briefly. 
Is that why he didn’t show up during Night and Silence or The Unkindest Tide? He was stuck in the clearing? What has he been eating? Is he still wearing the same clothes he was in for The Winter Long and The Brightest Fell? 
October: Hey, you can wait here for a hundred years, we just need you to take a trip to see the Luidaeg. It’ll be super quick.
Toby, I love you. 
AND HE REMEMBERS PATRICK. Enough to stand down, at least. But he think’s Patrick’s dead? Oh no no no. Did he think that for most of the last century? This keeps getting sadder. 
At least he’s not hurting May and Quentin. 
I don’t think he sent the Doppelganger in Rosemary and Rue, pretty sure that was Devin. 
He doesn’t remember the events of TBF, interesting. 
Fucking hell, that was too easy. I should have seen it would be too easy. And he thinks Amandine modified Toby’s memory?
I guess May doesn’t need to worry about infection. 
Helpful pixies! Glad to see more of them. Toby better deliver that dinner soon. 
“Also to be fair, the terrible disaster was usually either my fault or happening to me” True words, Toby. 
Hi Walther and Cassie! 
HI Luidaeg!
If her debts are currently balanced, then she did work off the other two from The Unkindest Tide. 
Yeah, pretty sure Simon hasn’t broken the Law yet. 
Emotionally mature Toby strikes again. She’s been so this entire book. The amount of difficult conversations so far is pretty large. 
This focus on Stacy not wanting her kids to date is interesting, unless it’s a red herring. And she grew up with Toby in Shadowed Hills. Not Firstborn, I won’t guess one of the Three - Marianne? But she was fully grown back during the earthquake. Did her fae grandparents have a human partner like Simon and Sylvester’s parents, and her fae parent was also a changeling? They moved away after their child died because they couldn’t deal with the grief? A hope chest moving her blood? How old was October when she met Stacy?
Hi Arden!
Recap time with the Luidaeg. 
A solution with Dianda and Patrick? If he goes and lives in Saltmist, he’s far from people who want to harm him. 
If Simon’s so good at using other people’s blood, then potentially he could use Amandine/August/Toby’s blood to be a poor man’s Dóchas Sidhe. For healing, maybe?
‘Her husband could only hear the ones who belonged to him” - huh, interesting tidbit about Oberon. 
Torquill lore! Finally revealed to Toby!
Off to Goldengreen. Return of the water trauma for Toby, boo. 
Oh my god she’s an otter. So cute! Yes, everyone should be an otter. Bite her, Toby. Do it. 
Marcia! Does Marcia not know that Simon exists as a separate person from Sylvester? Acacia at least understood that Simon wasn’t Sylvester, even if she didn’t get the concept of twins. I’m not surprised she survived Simon’s spells - Evening seemed to completely ignore her in TWL. And Firstborns tend to get mind whammed if they think about her for too long. More evidence for the Titania theory (or Maeve, if she’s in multiple pieces).
That many spells can’t be good. 
I am not surprised that Toby asked how to give Simon her way home. This family has a tendency to pass around debts. 
Also, now would be a good time to call Tybalt. Might be faster than driving to Half Moon Bay. I guess the plan is to steal a Selkie skin and swim to Saltmist since Goldengreen was a bust? But yeah, he’s probably not up to date with TUK if he’s been stuck in the clearing for a year. 
“evil hot potato” good phrase. This stinks a little of self-sabotage.
Diva did need to be shifted, interesting. 
Simon wouldn’t have gotten away with it, there’s nothing natural about a boy eating 6+ bowls of soup, especially if he kept doing it past when he’s physical ill. Poor Quentin.
Interesting that Simon’s not trying to cause harm. His superpowered spells are doing a terrific amount of damage, but nothing that can’t technically be reversed if they have the power to do so. Even Quentin was harmed only because he couldn’t stop eating, and that wasn’t Simon’s intention. 
Dean admittedly is not have a good day. Neither is Quentin. 
Simon under the Luidaeg’s curse is surprisingly self-reflective. I wasn’t expecting that.
Fuck off, Evening.
I didn’t think we’d get the reason behind why the Luidaeg couldn’t lie in this book, that’s nice.
Go Toby, tear this bitch down.
It is interesting that of the three daughters of Titania we’ve met, each one follows a different school of magic. Guess it shows that schools of magic don’t always follow blood.
Evening has been dreamwalking. Stronger when she’s sleeping? Can’t keep her asleep, can’t keep her awake. Can they turn her into a stone?
Confirmation: Titania was banished, and I assume only Oberon could do that.
“Lady, let alone” Maybe in the first blood changing dream, with her father who I think was actually Oberon? I don’t remember.
Tybalt and Walther also aren’t having good days.
I don’t get what Toby’s figured out.
“Rolling emergency that is your ongoing existence” Love it.
Dean’s day is getting better.
There goes the hot potato. I appreciate that Simon’s first action is to get the Luidaeg to reverse it and I’m sure Tybalt isn’t far behind.
Simon’s spending a good portion of the book confused.
Toby just coughed up a pigeon. I can’t determine if that’s weirder than the Luidaeg pulling it out of her chest.
“None of my enemies are remotely that powerful” I’m pretty sure there won’t be a book where Toby travels back in time, but just imagine what a book that would be. And Simon’s mulled cider is back, nice. And confused again.
Seriously? SERIOUSLY? Thornton?? OBERON???
Is his name a play on ‘root and thorn’?
Did he make himself human so Janet could fall in love with him as human? He’s expecting her.
Her name was suppose to be Almandine? And she doesn’t count as home to Toby, no wonder.
She got Oberon lost in Annwn and then pulled him out again. What the fuck.
Confused man remains confused. “He looked like a man who’d just lost everything” Something tells me that isn’t because he’s meeting his father-in-law/a physical god. Did Evening tell him something about Oberon’s return that hasn’t been revealed yet?
Lots of people get to come home today. This is great.
Time to get status reports. Toby is calm in crisis, as long as no one’s actively trying to kill her.
Let the Luidaeg and her father catch up. Wow. I didn’t expect they’d find Oberon with more books left to go.
Toby owes Walther far more than just one pizza - get that boy home and let him sleep.
Way too tired to consider how the car got there. Is it only one day since the Cat in the Rafters? Is this book taking place over the course of a single day? How long were they on the Rose Roads? Everyone needs sleep and food.
I do appreciate Simon taking responsibility for his actions and while apologizing doesn’t fix anything, it is the right thing to do. Toby hasn’t had a chance to tell him about her meeting with Patrick and Dianda, has she? He assumes he’ll be elfshot.
Not that his opinion matters on the Toby/Tybalt relationship, but I like how he’s being supportive.
Get married in the courthouse Toby, The fae won’t recognize it but it takes pressure off the wedding in Toronto so when that goes south, you are still married. Take May, Jazz, Quentin, Raj and whoever else you can grab at short notice.
Good on Toby for checking in on Tybalt and having a difficult conversation.
Back to Goldengreen. Do let Marcia hit Simon, let her do that. Once again, no one remembers that Marcia’s survived things a thin blooded changeling shouldn’t. And Simon doesn’t want to face Patrick and Dianda. It’s been over a hundred years since he last saw them. I wonder how much of the time he thought they were dead?
Changing people into trees can at least be reversed. There’s going to be trauma, but it’s better that everyone in Goldengreen was a tree or toadstool then dead.
“We have access to Oberon now, we can ask him for more Laws if you think we need them.” Oh god. I love this entire chapter, the dialogue is great and too numerous to quote.
And Simon, Patrick, and Dianda aren’t saying anything. Thank you for taking charge of this scene, Toby, otherwise nothing’s going to get done.
“Not that we’re going to get a honeymoon, since someone is inevitably going to try to  murder or abduct us” If you say it and plan for it, it might not happen.
Toby’s little interjection to Dean, the pro-mammal conversation, this chapter is pure good.
Can Simon say Eira’s name now? It choked in his throat during TWL.
Are they really getting into the Janet thing now?
Side-stepped that conversation. Simon definitely wasn’t expecting his best friend and wife to convince to divorce his wife, and then have his step-daughter and her fiance agree as well.
OT3! OT3! Oh man, I didn’t expect this and I love it so much! OT3! Do it! Also, Dean’s day just got weirder.
OT3!
“hey, kiddo we want to open our marriage and include the man who just turned you into a tree” so many difficult conversations to have.
Oh my fucking god, this is everything I could have wanted and didn’t know to ask for.
Wedding time? IS IT WEDDING TIME? “My mother’s divorce proceedings” THAT WORKS TOO.
Glad Toby is still carrying her knife even to this. She’s going to be wearing it to her own wedding.
I still can’t believe Simon’s the one calling for the divorce but good for him. Prior to this, I assumed it would be Amandine insisting on it. I assume the news got to Sylvester and Luna and I would love to know what Sylvester thinks of this.
Hadn’t realized Evening got Quentin fostered to Shadowed Hills because she wanted to marry him and become High Queen.
Fuck off, Amandine. Poor August. Raj gets one line in this book :(
And now it’s confirmed public knowledge that Amandine’s Firstborn.
Called Toby declaring for Simon, and I love how fierce she’s picturing her human father during this.
Also, I firmly believe if August hadn’t disappeared and Amandine still married Jonathan Daye (and Patrick and Dianda hadn’t convinced Simon to divorce her), Simon would have been a part of that. And if Amandine hadn’t told him and just brought October home one day, he would have helped Toby still see her own father.
Patrick and Dianda have gotten him to sleep and eat, good. He wasn’t looking well a couple chapters (a week?) ago.
He’s still trying to protect August to make choosing Amandine easier. I still think she’s choosing him.
CALLED IT.
Hi Oberon! Nobody recognizes you, that’s interesting. And you can calm everyone in the crowd. So you have some power.
“You have no descendant line to stand for you” Is that why Eria’s focused on breeding pure blood Daoine Sidhe? She gets power from everyone who declares for her? My current theory is that she wants to be the true Queen of Faerie, get rid of the Three and rule by herself.
Surprise wedding! Five minutes after Simon got divorced! I love this OT3 so damn much.
Dean, Peter and Toby all agree, August doesn’t say no. Toby has two new step-parents and two step-brothers? I honestly can’t think of Dianda as Toby’s step-mother. She’s Toby’s punchy friend and also the women who married Toby’s step-father/ fae legal father.
Peter’s the one who probably going to spend the most time with Simon, given that he’s still an enemy in Goldengreen. Is August moving down to the Undersea? She can’t stay in the tower anymore. Maybe she can crash at Toby’s or Shadowed Hills or Tamed Lightning if she doesn’t want to stay underwater. Has she seen January since she got home? Or maybe stay at Muir Woods.
I would love to see the dynamics of this new family. And the conversations of the OT3 in the past week.
I’m glad to see Simon and August out of Amandine’s grasp. She was abusive.
Wait, Toby doesn’t need to invite Amandine to her wedding because they’re not legally related anymore. Excellent.
Really wondering how the news is taken at Shadowed Hills.
What a great book. What wonderful surprises. I couldn’t have asked for more. No one died. Lots of trauma from super powered compulsion and shapeshifting to deal with but honestly, things are better for a lot of people.
To me, it feels like Simon’s story has mostly closed. He can rest and be happy with his spouses in Saltmist, and pop up whenever Toby needs info about Evening’s plan or blood magic, like Walther does for alchemist solutions. Staying mostly out of the line of fire. Good for him. I was so concerned he would die as a result of resolving his story.
Review of Shine in Pearl to follow.
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thesffcorner · 4 years
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Pines
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Pines is the first book in the adult mystery/ sci-fi series Wayward Pines written by Blake Crouch. It follows Secret Service Agent Ethan Burke, who wakes up in the small town of Wayward Pines in Idaho, with no memory of who he is, how he got there or even his name. After a few incidents, he regains his memory, but realizes that nothing is as it seems in the idyllic small town, and either everyone is in on a conspiracy or he really is losing his mind. I’ve read one other book by Crouch, Dark Matter and I really didn’t like it. So I was apprehensive going into this series, especially knowing that it was specifically his writing style and characters that I didn’t like; the issue is, Crouch has such interesting and unique premises for his stories, and this one was no different. I have also seen an episode of the show and it looked good (after reading the book, I won’t be watching it), so I wanted to at least read the first book in the series. I am happy to say that I liked this significantly more; not enough to continue the series, but enough to where I was reading out of intrigue, not hatred. I still had major issues with the plot of the novel, as well as Crouch’s writing, but I preferred following Agent Burke, than whatever the professor's name was in Dark Matter. The best way to describe this book is Twin Peaks, mixed with Lost and the Village. It’s a dystopian setting that looks straight out of the Stepford Wives; a small town in Idaho, the idyllic representation of small town Americana, surrounded by nature, with people who all have their place in town and are content with it. Agent Burke comes into town, looking for two missing secret agents: what he finds instead is a nightmare dressed like a daydream (yes, I hate myself too). At first, he has no idea who he is, how he got to the town, or why he’s injured; all he knows is that he has a paralyzing fear from the hospital and just remembers the name Mack. When he does regain more of his memories, he starts to see that people in the town are all acting strange: no one wants to speak to him, they give him faulty or outright false information, he can’t find his badge, his wallet or ID, he can’t reach anyone outside the town and when he tries to escape, he sees that the road curves back into the town and there is no way out. While all of this sounds very interesting, it was actually incredibly frustrating to read. I will give credit to Burke; he actually acts like a normal human would in this situation, asks questions that I found reasonable, gets angry, gets frustrated, which is a giant step up from other works I’ve read where the characters just don’t act human. I still didn’t enjoy the way these conversations went; it felt like being stuck in a poorly written RPG where all the dialogue is circular and the game outright refuses to let you ask the one question that would solve the plot (so a Bethesda game). What I found more frustrating was how the way people treat Burke, especially the sheriff, makes no sense, once we learn Wayward Pines’ secret. I’ll talk more about that at the end, but if we don’t know the twist, the way Burke is being treated is counterproductive to what the sheriff supposedly wants. He wants Burke to stop trying to cause a ruckus, but he’s not letting him leave town, he isn’t giving him his wallet back, won’t let him eat food, has him wander round the town with no detail to keep him in check so.. What’s the point? The stuff that annoyed me about Dark Matter annoyed me here as well. First we have the paper-thin, boring ass female characters. There were 4 notable ones: the nurse, who was the only character I liked because she actually had a personality (power hungry, but still a personality); Kate, the agent who Burke is looking for and had an affair with; Beverly, a local who ends up helping Burke; and Theressa his doting, entirely loyal and personality free wife. I hate the way Crouch writes his female characters, and I also hate how he views marriage. Theressa is so supportive, so self-sacrificing, so completely devoted to Burke that she has NO personality outside of being his wife. Moreover, Burke has cheated on her, been an absent husband, absent parent, has a host of other unrelated trauma that he seems to have never shared with her, that I was beginning to think she was married to someone else. All the sections with her bore me to tears; she’s worse than a cardboard cutout, she’s like an overly attached robot. Then we have Kate and Beverly. Kate is the lover; we know nothing about her other than she now married someone else and like all women Crouch writes, she is completely devoted to her new husband, but would still, secretly tap dat ass, even if it would put her life in danger. Luckily she doesn’t, though I have a feeling it’s because she’s supposed to be like 80 years old. Beverly flirts with Burke, breaks him out of a hospital, solves the case for him, and then gets brutally and unceremoniously killed because she has outlived her usefulness. As for the lead man himself, you’ll be shocked to learn I actually liked him! I know, I liked a male character, who am I? Jokes aside, I found Agent Burke to be a fascinating character. He is all the worst things; he is an adulterer, a bad husband, and an absent father, volatile and stubborn. He is also a veteran who fought in the Gulf Wars and was a PoW, who was brutally tortured. The most effective and affecting scenes in this entire book where the scenes where he flashes back to what happened to him during his captivity, and how his interactions with the sheriff mirrored that. His torturer is a walking, talking cliche; a sadistic, implied to be gay, half-white, half-Arabic man (I half expected his name to be Sayid since we are ripping off Lost so thoroughly). But their interactions and the trauma Burke carries made his character click for me, and I understood why he did the things he did, and made me root for him. Let’s talk about those reveals, so warning SPOILERS. First, we find out that we are actually in the future; Wayward Pines is supposedly the last town on Earth. Humans have evolved (if I had a coin for every time an author didn’t understand evolution) into incredibly intelligent and vicious beasts who roam the Earth like a zombie horde, and Pines was developed as an experiment by a multi billionaire genius scientist. First, we are going to ignore the fact that humans can’t just evolve into monsters like that unprompted, or that the timeline is simply not long enough for that to be the case. We are just going to focus on the sheer dumfuckery that is this concept. This man, hand selected humans from different eras of mankind starting with the 60s, and yet somehow there are 5 people who are all from Burke’s time in this town, who all know each other. K. Second, the way these people are integrated in the town is that they are told their name and where they will work and who they will marry(?), and if they start remembering their past lives, they get threatened by the sheriff. If they break the rules, like try to escape or remove their trackers, the entire town makes a LITERAL PURGE where they are hunted down and brutally killed. Burke was ‘integrated’ 3 separate times because he was so valuable, and kept almost getting himself killed, but other humans? The last humans on Earth? Fuck their life, let’s do some KILLIN! If Burke was so important (and I never once for a second believed he was actually crazy, it was as ineffective of a twist as it was in Glass) why is everyone in the town constantly trying to kill him? He almost dies when he gets attacked by the mutated humans, he is constantly starved, he gets tortured, beaten and at one point they try to LOBOTOMIZE him, and yet the scientist’s grand plan was to make Burke the new sheriff? What? His wife and son are used taken so they can be leverage over him, and yet he is constantly almost killed. Also all those soldiers in the compound… do they also live in Pines? Do they know about the outside world? Or are they always in the compound? And then Burke just gets made to be sheriff and that’s the end. Yeah… no. I was not a fan, in case you couldn’t tell. If you are a lot more forgiving of these things, check it out; perhaps the premise will be strong enough to hook you at the expense of everything else. I will not be continuing the series nor reading anything else by Crouch; we just don’t get along and it’s time for me to stop trying.
goodreads
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