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#because I thought that legend was sooooo cool
skyburger · 1 month
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"fnaf is the scariest game ever" "no its silent hill" "well i think its resident evil" everyone shut up!!!!!! youre all wrong. its actually zack & wiki quest for barbaros' treasure (on the nintendo wii) but only the level "keeper of the ice". that level scared me so bad as a kid and you can tell because its the only individual level i remember the name of off the top of my head. like there is nothing scarier than a) being chased and b) being on a time limit. and you know what this level has? BOTH OF THOSE. this level is still scary to me im like AHHHHH!!!! and then i die
#i had to google horror games after i thought really hard for silent hill and fnaf#because like. resident evil is just not a horror game in my mind... its just cool zombie game...#to be fair though. the only one i actually played a portion of was re6 which is probably the least scary one in the whole series#anyway do the kids still find silent hill and fnaf scary. i dont know.#well the former id say yes given how prevalent ps1 horror has been in recent years#fnaf i have no idea. im a massive wuss so its scary when i play it for myself#but watching someone else play them especially when i know them well isnt scary#and ive watched fnaf videos for YEARS#so i dont know. (old man voice) these damn kids... back in my day we watched markiplier scream at freddy fazbear and we LIKED it!#anyway its objectively a horror game and thata literally fine thats all i needed for this post#MY POINT HERE. my point here#IS THAT HIT ZACK AND WIKI LEVEL KEEPER OF THE ICE. IS SOOOOO SCARY#its not that scary but i see tjat level and im like 3 years old making my mom play this level for me again#and for the record yes me and my sister really did make our mom help us with z&w#she remembers helping us with frost breath the most because we like did notttttt get that one at all#and she could never remember how to do the mirrors based on what combination of stands is there (because tjeres like a few variations)#so she always had to look up a guide 😭😭#my poor mother on fucking gamefaqs or something in like 2010... legends only#anyway if you have no idea what level im talking about (any of my oomfs reading this that isnt end) (hi end) PLEASE look up this level#and i need you to think of like a 5(?) year old making her mom play this game.#this aforementioned child is still a massive wuss as an adult btw. some things never change#anyway watch that level and think about how someone like me. whos already a scaredy cat!#imagine how someone like me felt at age 5 possibly younger playing this level#I WISH I COULD LIKE CONVEY EMOTIONS OVER TUMBLR. why cant i attach a .emotion file to this post#anyway ramble over <- hes said that like a million times today#scariest level in a game ever...!!!!! FUCK that keeper of the ice bitch im GLAD he died#muffin mumbles
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hubrisbracket · 8 months
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Hubris Bracket Side A Poll 3: Trixie Lulamoon (My Little Pony: Friendship is Magic) vs Erin Ruunaser (Aurora Comic)
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Propaganda below (may contain spoilers)
Trixie Lulamoon
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If any mlp character deserves to be in the hubris bracket it should be Trixie. Also she literally didn't even do anything wrong except entertain people (which is literally her job) and was punished just because the mane six couldn't take a fking joke. And, I might be wrong about this- but Trixie was originally only supposed to appear for like one episode but the fans loved her so much they brought her back and she became one of the biggest characters on the show. literal legend. Stream Magic Bitch by Vylet Pony and Magic by The Living Tombstone btw "sometimes you gotta let your ego slip for your own mental health" -Vylet Pony
egotistical magician my beloved... petty stage magician. she has a long standing rivalry with the princess of friendship (twilight sparkle ofc) who is incredibly powerful with actual magic. she tried to run twilight out of town once. it didn't go well. oh also she's besties (gay) with twilight's protege which annoys her to no end. also also she's sooooo trans the entire fandom agrees
Erin Ruunaser
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This man walked directly into a primordial magic storm with an almost 100% death rate because he wanted to look at what's in the middle; he's the current Elemental Magus, and it has definitely gone to his head; he's outsmarted (or tried to outsmart) an eldritch evil that killed the oldest and most powerful gods of his world twice, which possessed him because of his aforementioned storm-walk; and his creator has called him Sicktats McHubris at least once. Also, he acts incredibly smug all the time.
He’s kinda like the avatar, so he thought that it would be a good idea to walk into a magical storm that no person had ever seen the center of. He ended up getting possessed by an ancient god-killing evil and now has to get rid of him. The fandom has nicknamed him Sicktats McHubris, on account of his very cool magical tattoos.
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Hi, i just found your blog and i love your Legend of Korra fics, especially the hcs for a best friend reader x korra! Can i request something between a nonbender fem!reader who's actually best friends with korra and her loving gf Asami. Sometimes it seems that the reader and korra share a singular braincell lol, and she can be quite cheeky and stubborn, she loves to push korra's buttons and see what will happen next. So my idea was that the 3 girls were hanging out together, and then the reader starts teasing korra, maybe about something embarrassing that has happened to her or something, until korra has enough of her crap and tackles her down (or uses her bending or wtv) and tickles the sh!t out of her until she remembers not to destroy the Avatar's dignity right in front of her girlfriend smh.
I need my fluff don't mind me lol. Anyway, feel free to ignore this or not, but if you do write it, thank you so much in advance! you rock :)
Hello Anon! THIS IS SO FLIPPIN CUTE OMG. I'm lowkey getting sibling vibes between Korra and the reader AHHH. okay, another platonic!korra fanfic coming up!
Don’t Mess With The Avatar | Platonic!Korra x Reader
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╰┈➤ PLOT: You were tired of shopping. Asami dragged Korra out to go shopping and Korra dragged you. She was not going shopping without you there for support. When you all lay on the couch watching trash, something told you to tease the Avatar. Rookie mistake. 
╰┈➤ WARNING: A Bit Of Platonic Asami and Korra x Reader (if you squint), Reader Stirs Up Trouble, Cursing, No Use Of Y/N, Barely Proofread
⍣ ೋ Enjoy!⍣ ೋ
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It’s been a day of walking around Republic City, shopping, eating, and talking. Honestly, you were exhausted. The sun was shining down on you all day, your calves ached, and your shoes were starting to mend with the ground. 
You found yourself ecstatic when Asami finally declared it was time to go home. 
Now laying on the couch with your feet propped up on someone’s lap, (you didn’t care to find out who’s), you happily watched tv while munching on the leftovers you three bought earlier today. 
“No! Please Laohan,” the girl on the show begged. She clasped her hands together as she kneeled in front of the tall man. “I wanna be with you! I wanna stay with you!” the girl was dressed in dark green royal wear, in a castle that was decorated with the colors red and brown. 
Korra scoffed. “She should’ve thought of that before she cheated on him!”
“You should’ve thought of that before you cheated on me,” said Laohan, the man in red. He shook his leg to loosen the girl’s grip. He tried to walk away. She wailed and wailed until he was finally able to walk away without her. 
Korra gasped. “He just said what I said! See, I told you he and I are like two peas in a pod.”
“Or the script is terribly predictable,” Asami commented, looking over at her girlfriend with a sly and unamused look. Korra stuck her tongue out.
“Whatever. It just proves Laohan’s an awesome person just like me.”
You cackled, a little louder than intended. 
Korra deadpanned. “What? Am I not an awesome person?” “No, no, you’re a great person, Kor,” you snickered. 
“That’s not what I said though.” the Avatar positioned herself so that she faced you head on. “Loahan is an awesome person, just like me. We’re both cool, great leaders, and we have so much coolness that it translates well in stressful moments such as a lady begging for your love and forgiveness.” the girl gestured to the screen.
Loahan was now in a meeting, ignoring the girl who begged for his forgiveness again. 
“Mm, I’m not so sure about that second one, Korra,” you looked over at her. “I’ve seen you freak out over Asami just because she looked your way.” Asami chuckled as you go on. “This was before you even knew you liked her, by the way.”
The Avatar scoffed. “Okay, so?”
“Sooo, while she may not have been asking for your forgiveness or begging you to wed her, you were still a mess because she was sooooo pretty and it was soooo unfair that Mako had a pretty girlfriend like her and not you,” you smirked, watching the Avatar scramble around with a blush on her face. “Okay, but, that was one time.”
“Au Contarie. It was multiple times. One was when we were having dinner before you two got together, another was when she was riding a motorcycle and took her helmet off and her hair was flowing freely with the wind, and another time was whe--”
“OKAY!” Korra exclaimed. Her face matched the red on Asami’s jacket. “So, there were a couple of times where I freaked out over Asami’s beauty but, can you blame me?” She grabs the fire nation woman by the waist. “She’s pretty, smells nice, and makes some cool ass stuff.” 
Asami awed. She kissed Korra’s cheek and moved some of her hair from her face. “Thank you, Kor. That’s really sweet.”
“Yeah, yeah,” You rolled your eyes. “but you’re still a bit of a wreck. Most definitely not as cool or nonchalant as Loahan.” you paused the tv show. You guys were talking too much. It was important to see every single scene in this show. Look away for one second and suddenly the show’s in a different time period with new characters who speak a different language.  “Okay, now I’m starting to think you just want to embarrass me.” Korra frowned. 
“Nope, just want to squash your ego a bit.”
“Hey now,” Asami started. “Let’s play nice. No need to get all feisty and mean.” 
“I’m not mean! I’m just reliving memories. Like, do you remember that time when we all went out for ice cream and Korra got that triple scoop? And then as we walked back to the car, she tripped over some rocks and then–”
Korra tackled you off the couch and onto the ground. She scrambled as you try to break away from her grip with a laugh. 
“Korra!! Let me go!”
“No! You talk too much and I’ve had enough of you exposing me in front of my girlfriend!!” 
You thought Korra tackling you to the ground was the only thing she was going to do to keep you quiet. Unfortunately, you were wrong. Her hands found their way to your sensitive sides and she started tickling the shit out of you.
You squirmed more and laughter escaped your lips; trying to escape out of her grip was impossible. Though her hands devilishly tickled your sides and messed with the skin, her hold on you was strong. 
It was torture. 
Her fingers skillfully danced across your skin. Her nails made the tickling even worse. She purposefully made sure to graze her fingernails over your stomach as you squirmed underneath her.
With tears in the corner of your eyes, you pleaded the Avatar for mercy.
“Please! Please,” you begged between laughter. “I’ll be good, I promise! I won’t say anything.”
Korra pinned your hands to your sides. Her eyes narrowed as she made eye contact. “You swear?”
You panted. Desperate, you shook your head yes. 
“Eh, I don’t believe you.” Her hands attacked your sides again.
“Korra!” Asami removed her hands from your side. She glared at her girlfriend who was pouting and laughing at the same time.
“Hey, I was having fun!” Korra whined.
“Oh, come on. They deserve mercy. They apologized!”
Asami was right. Your sides ached and tears of laughter slid down your face. Your face probably changed in color from how much you were laughing and the lack of breath you had. You turned onto your side to catch your breath.
Korra groaned. “Fine!” She ripped her hands away from Asami’s. “That better be the last time you try to expose me in front of my girlfriend, got it?” Korra jabbed a finger into your thigh.
You exhaled and waved a hand at her. “Swear. Never again.”
WC: 1,074
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jack-kellys · 1 year
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hello everyone here are the few notes i had from that weird night i keep mentioning (march 29):
alex christian legend hero king tossed himself into buttons for act 2 while fellow legend hero king jordan isaac tossed himself out of buttons and into tommy boy!
* it’s something i didn’t consider bc i’ve never done this show on a professional level like this— each character has a track. like each little ensemble role. because tommy dances here during this part, and he crosses this way, and jordan can’t just do his personal track because tommy has to scab and talk to these people and etc. like that mapping out must be fucking insanity especially considering they have TWO SWINGS ONLY right now bc of past injuries etc. with the moscar debacle this weekend this has become pretty obvious but the way we were like “aw no alex… —where’s jack?? —ALEX????”
the lights came all the way on during intermission that day! so we had intermission for at least 10 extra minutes to switch out tommy for jordan and consequently jordan for alex, which was fine by me bc now i have fully lit pictures of the set for you all.
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jack bromage (tommy boy) nearly dropped zach guest (ike? a swing?) on his fucking head! whoops!!! and then tommy got hurt and disappeared for act 2 LMAO mans needs to be more careful oh my god
*speaking on tommy though as a character in this version: tommy is integral to the newsies. he’s in trousers, takes the east side as a whole to report the strike to, and when he scabs… oh it’s a moment. crutchie is shocked (“tommy?”), finch says his “they think they can just waltz in here and take OUR jobs?” to tommy directly and shoves him down, which is the only act of violence finch rly commits.
*during the brawl, finch hangs back (around woodside’s overhang balc) and surveys. and there’s this one moment when mush is on the ground via wiesel who has a baseballl bat, and mush is pleading w/ wiesel not to hit him. wiesel grips mush’s suspender as if to hit him again and then the cop whistle blows, and wiesel drops mush and mush.. doesn’t get up. you can hear finch say “no.. no no no-” from woodside before running down and checking if mush is breathing, tapping him to wake him up and get up… ahh another newsie was next to mush that finch was checking on too but i wasn’t sure who- and then finch bolts with those two. and it’s when he’s helping those two offstage that crutchie calls for him, romeo, jack. like bro. the ACTUAL CHARACTER in this show is fantastic like that’s so small but literally the only reason finch can’t help crutchie is bc he’s doing his little sub-leader role and he can’t and it’s. sad. i was like oh wow. nuance. directorial thought. like they had to reason out that staging. it makes me think if they went thru the show and were actually like “what is each character doing during this fight” instead of “what is each actor doing during this fight” which is SOOOOO. impressive.
after king of new york, race and finch take the tables off down in front of brooklyn’s seating. i was sitting in brooklyn bc i scored an act 2 spot lmao. race says to finch “i don’t polish the tables, THEY do!” and pointed directly at me with a fire in his mf eyes. i was. startled and i also fell in love
going into headcanon territory rq for mush. there was a little joking snippet a while back on jacob’s insta story q&a with mush punching albert in the context of like “who could beat al in a fight”. so like mush might be a bit younger but maybe he’s a good fighter so finch seeing HIM down that badly during the fight…. slay. i just love it. it scares finch so bad. i wanna write the fight from his pov now
anyway gents this weekend we approach my final time of seeing this show (i’ve gone 5 times oops)… but definitely not my final analysis post. thank u for sticking by and giving them a lot of love it’s very cool they’re all under #analysis
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One thing about me: I like community. I like to make people feel at home and welcome, moreso if they make me feel the same.
About two years ago, the husband and I started a guild on Mobile Legends: Adventure. Gained little traction in english, so we decided to switch over to french and go recruit in those channels.
Nowadays, we're a thriving community of 50 people with very rarely an open spot. I befriended a few of these people and generally just enjoy watching them having fun (I'm guild leader, fyi).
Yesterday, I was chatting with one of our two Swiss players who asked a lot of questions about my writing. Not gonna lie: it made me feel sooooo good that she asked. I do crave attention (don't we all?). And with my plans to get some stuff ready to self-publish, I figured I'd talk about the first story I intend to release.
I narrowed the theme down to: Vampire guy struggles with trauma and ends up encountering a creature more dangerous than himself that ends up playing with his head.
Her response was, basically: that's different, usually Vampires are shown as supreme beings, so it's cool that this one'd get manipulated.
I had to take a mental double take on that. Because: I'm so used to my world that, for me, this sort of situation is like... normal. Vampires are apex predators to be sure, but there's still more dangerous things than them lurking about, and this guy happens to meet such a being (with reason). It never struck me that this story could be interesting just because it shows Vampires in a different light. I guess I can no longer tell if something is 'cool' or 'different' because, well, my nose has been stuck in Aeyuu for so long that it sometimes even affects my perception of RL normal (for example, blue is warm, red is cold, yes my brain sometimes thinks these colours are inverted irl in terms of temperature).
All this to say that it made me happy to hear her thoughts, happy in a way that goes beyond excitement. It's a wide, calm sort of happiness, mingled with hope, mingled with premature contentment that reading my stories might make other people happy (even if the themes tend to be dark and tragic XD). This is the feeling I've been hanging onto lately, to try and get past the utter anxiety and dread of self-pubbing something and it 1. getting hated 2. getting ignored.
In that line of thought, I've finally reached out to an editor (on PillowFort) and gotten the first reactions to this story yesterday. A lot of it is pertinent. It sure as hell drove my anxiety through the roof since, y'know, there was criticism in there... but I'm also glad to finally be taking yet another step forward. And I'm liking their style, be it a bit too brutal for me in places, but then they do see things that I've either overlooked, ignored, or that need a tad better wording to make the meaning/reason clear.
Additionally: today, I find I have 7 more followers on here. Which... wait, just, wow? How? And I check my notificiations and see: oh yeah, I reached out in a nice, encouraging, honestly-me way to people. Not gonna lie: much as that is my personality, I'm also still autistic, chronically tired, and some days I don't have the spoons to socialize, let alone to like people. But when the energy allows, I enjoy just going to the quiet places and leaving a friendly message. Creating a sense of: you belong with the community, too.
This said, I do have plans to 1. write a real writeblr intro sometime, 2. make feedback asks available. With my potential/likely editor not being a pro but someone like me who is self-taught and picks up instinctively on issues, I feel like this is something I want (and am allowed!) to give out in turn.
Creating community, y'know? And the world I want to see, which is a world where people are nice to each other, help each other out, but also get to have boundaries and see them respected without a 'no' turning into an argument or anything. Utopic to be sure, but what's wrong with having ideals?
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shslskaterboy · 1 year
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protagonists for the character questionnaire!
Oh goodness I hope you’re ready for another essay
Makoto my dear boy
Favourite thing? He’s the most some guy ever. Just a little creature. He’s so relatable because who among us hasn’t been in a situation where we feel wildly outclassed and surrounded by people who are cooler and more talented than us? Despite everything he just keeps going, what a legend
Least favourite is people who are wrong about him. How does anyone play that game and say he’s a nothing character? I just don’t get it, stop disrespecting my son
Honestly he’s got way more excellent lines than people give him credit for, but my favourite has to be “I always choose meat over veggies because I’m still in my teens… my meat teens.” Like WHAT are you talking about king I love it
Brotp probably him and Aoi. It’s the positivity besties
Otp is Naegiri. There’s just so much mutual respect between them and the story does a great job of writing them together that I can’t help but love him
Notp is probably just him with anyone that’s not kirigiri, or togami really. Whilst I personally hc Byakuya as aroace I do get why people ship naegami and I do think it’s kinda hilarious
I hc that him and Komaru are besties. Absolutely attached at the hip. They hang out all the time and he loves doing stuff with her, and is so so excited to introduce her to his new friends
The song I associate with him most is Fireflies by Owl City
Favourite art of him is the one where he’s tripping and his shoe just flies the fuck off. What a silly little man I love him
Hajime my beloved (I’m gonna be normal I swear)
To put it as succinctly as possible, he is just my favourite type of guy. He’s such a bitch, he’s so snarky about everything, he’s simultaneously the smartest and dumbest person in any given room, and he actually cares very deeply for things but he won’t readily admit to it. He’s got one of the more interesting arcs to me and in general I find him very relatable. He’s the best, my favourite protagonist probably
Least favourite is maybe less about him and more about Izuru Kamukura, and that is how underused he was. Obviously this is an opinion many people know about me, but it bears repeating because the concept of Kamukura was SO COOL and they barely even touched it and I’m mad about it every single day
Another guy that has so many good lines, but I think my favourite is “I thought I’d finally become someone I could be proud of, not some fucking backup student.” It just hits me so hard every time
Brotp probably him and Fuyuhiko or him and Impostor. I just think those three are the ones in the group with the highest sense of responsibility and they are the tired parents of this silly goofy pack of weirdos
Otp. It’s Komahina. Everyone knows this about me and I will refrain from writing an entire essay about why but suffice it to say. They are prefect
Notp is really anyone who’s not Komaeda, but specifically Nanami and Tsumiki are big on the No list for me
I have so many headcanons that my adhd brain can’t even begin to process them in a cohesive way, so I’ll just say that emo-punk autistic Hinata is my absolute beloved. Also man’s definitely has an anxiety disorder. And nooooo I’m definitely not projecting why do you ask
Unpopular opinion (so far the only character I’ve had one for) is that he’s not bi, he’s just gay. And look I love headcanoning every character ever as bi (again tooooootally not projecting) but whenever I replay/rewatch the game I see him being so gay about the men and being so uninterested in the girls (excepted for the super-forced hinanami stuff that I ignore)
I have sooooo many songs so I had to think about this a lot but I think I’m gonna say the best Hinata song is Life Less Frightening by Rise Against
Every image is the best image of him but specifically this one is so good
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He’s fucking tired of this shit and he wants to be done with this despair nonsense and I love him for it
Shuichi Saihara, whom I am also normal about
It’s so hard to pinpoint why I love Saihara so much, but I think part of it is the fact that underneath his anxious exterior, he is actually very snarky. I’m always a slut for the sarcastic characters and I like the he is that as well as being generally polite to his classmates. He cares deeply and has a tendency to overthink things (totally not relatable) and I just need to give this poor man a HUG
Least favourite thing is how he interacts with Ouma in the canon outside of ftes. A good example of this being when he finds Ouma bleeding from the head on the floor and doesn’t seem to show any actual concern for him, which seems very out of character to me. I just think there was a lot more they could’ve done to build a connection between protag and antag that would’ve served to make the story more interesting, much the way the relationship between Hinata and Komaeda does
Short and sweet, my favourite Saihara line is simply “I refuse.” I am a big supporter of the idea that Shuichi should’ve been allowed to go a little crazy in chapter 6, and his whole telling off hope and despair speech was very fun. He really went “fuck you and your stupid game” and I just love it
Brotp has gotta be Kaito and Maki. I love the training trio and I think they have a great dynamic
Otp is saiouma. And yes I know I just raised a complaint about their lacklustre interactions in the game, but hey, canon can’t hurt me if I don’t look. There is a lot of potential for excellent character dynamics and that’s what I’m gonna focus on
Notp is saimatsu. Sorry anyone who likes them but it’s so comphet to me. Again, that is a gay boy and a lesbian, not a romantic couple
I hc that he really likes singing. Not to a professional degree or anything, but he does it while he works and it serves as a calming vocal stim for him. His voice is definitely very soft and sweet, which doesn’t lend itself well to his preferred genre of music (my sweet sweet emo boy) but that doesn’t stop him from trying
Again, so many songs I could choose from, but I will go with Swing Life Away by Rise Against because he’s just my sweet guy, my love, my boy
And once more, every image of Shuichi is my favourite, but I very specifically love his Serious Face sprite
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I guess the takeaway is I like it when the protags get serious and start to shut shit down
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chryzure-archive · 1 year
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im sorry abt your surgery, ill be there in spirit to hold your hand if you need it <3 wishing you the best and hopefully its just a scare and nothing to worry too much abt!!
as for asks...
i always love your music taste so, 5 songs youve had on repeat lately that make you think of chryzure + chrysijacks? also, if they were each a pair of unlikely animal friends (ie, a pig and a monkey lol) which ones would they be? def feeling rabbit and cat for chryzure.
this question is a very self-indulgent one cus ive been going thru a huge superhero phase but, if they were superheroes which ones would they be? this could either be made-up or existing superheroes-- personally, i think chrysi would be an AMAZING black cat/felicia hardy, she has the white hair and the dark aesthetic to match it :3 i def think azure would be a mutant/x-men (no particular reason, it just seems to match him?) and jacks... well, jacks is just giving me deadpool energy. slutty antihero? i think yes. it'd be cool to know what kind of superhero abilities youd assign to them tho :33
thank you 🖤 please hold my other hand though, they’re cutting up my right one 🤧 hopefully there’s nothing to worry abt since my family has a history of the weirdness w/o the cancer..
chryzure songs:
so good right now // fall out boy (wanted the whole album to make me think of chrysigil, then it jst wound up being chryzure and chrysijacks coded…)
xyz // technoplanet (vv specific vibe, idk why, but instrumentals like this make me go crazy, go wild)
anicent history // the crane wives (teehee! in agony thinking abt them separated)
in my head // mike shinoda, kailee morgue ((bonus song, still alive // demi lovato because screamvi brainrot real….. jst saying the au goes wild!))
cartoon people // billie marten (the vibes themselves……)
chrysijacks songs (he’s more annoying):
chapstick // coin (sorry, juno…:(( sorry jacks ruined this for you)
summer // circadian clock, baethoven (biting him!)
blood in the cut // k.flay (sorry juno pt.2)
hold my like a grudge // fall out boy (part-time soulmate, full-time problem too real for chrysijacks…)
121U // day6 (I DONT WANT TO WANT YOU I DONT WANT TO LOVE YOU!!!!!!!!)
chryzure is kittybunny lovers all the time… they are doing this right now:
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chrysijacks is kitty and fox… sorry, the legend of the archer and the fox is actually abt chrysijacks and chrysi’s the archer and jacks is the fox!! idk what was going on in the books, get ur facts right!
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((more proof is that i had a chrysijacks song called the fox before the book came out + the lyrics imply jacks not wanting to be the fox and hunted down by the archer… explain this 🤨))
oh my god, i looked up black cat and you’re RIGHT, that’s sooo chrysi??? esp the probability thing… explains why azure’s gotten such bad luck over the years.
if i were to make chrysi her own superhero, hmmm….. i feel like she’d summon ghosts and stuff… ??????? idk, i’ve never thought abt it 🫢 i mean, the funniest option is totally that she can bring back the dead and summon ghosts and stuff, but she never fucking uses that in favor of bashing ppl’s heads in w a baseball bat. OH, wait, her fated abilities include causing fear and giving nightmares, so maybe i could do something like that!!! she can keep the ghost summoning thing if she wants. idk what name i’d give her. it’s so hard coming up w a good superhero name. nightmare is too basic + i’m sure there’s thousands of ppl w that superhero name 💀 oh well!
AZURE WOULD SOOOOO HAVE X-MEN VIBES. he gets to go to a special little mutant school and have like minded peers… little special princess boy 🙄 SOME people learned they inflict fear on ppl and had to deal with it ALONE, but it’s fine. it’s rlly okay.
his powers probably are jst spatial manipulation, but he’s good enough at it that it looks like it’s jst telekinesis… and also teleportation :) jst the idea of him tricking ppl he has one power when it’s actually another makes me go crazy, go wild!!! idk what his title would be either. this is HARD, how do comic book writers do it!!!
yes. jacks is a whore. fuck him. i want him dead in a ditch. his powers are making ppl love him and want to obey him? rlly? he gets everything handed to him on a platter???? killing him killing him killing him!!!! he’d be the villain that chrysi and azure have to take down first, but they get there and jacks is jst rlly lameand they’re like, “…….. okay, guess we’ll leave you alive….?” and now he’s a thorn in their side that doesn’t leave ://////
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thegeminisage · 5 months
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tng update time. last night we did "the child" and today i did "where silence has lease"
the child: GOOD. FUCKINGGGGG. LORD
first of all, i watched this after having been awake since 4am and working all day and then getting hate mail on my fanfics. i was so sleep deprived it's unreal. i dissolved into hysterics multiple times
the first time i think was after deanna got impregnated. i did say with my real mouth "i hope it's riker" and then regret it because i didn't actually hope that but truly i think we would have been better off
the second time i can't really remember. i think it was after the kid talked the first time. immediately my primal instincts screamed at me that the child was unholy and unnatural. anyway both times we had to pause for several minutes in order for me to collect myself
why did we have to have a meeting in front of all deanna's peers talking about the changes in her body and whether or not she should get an abortion...like im with worf, abort that thang, but what the fucj
at first i was kind of excited that dr crusher would be leaving because she is an exhausting character to contend with. now i realize i was a fool. with no dr crusher and no tasha yar deanna troi has to take on the role of Every woman. i made a joke in which the punchline was the mother the son and the holy spitroast but i don't think it's as funny without the leadup
also, on the replacement dr: i hate her forever for being mean to data. first mispronouncing his name and then being like ehhh who cares when corrected AND THEN being like wow this bag of bolts can actually get his feelings hurt! i'll kill her
am pleased to say i recognized her from tos not because of her face but because of her voice. score one for the ol' voice acting ear
anyway i kept going i be BEVERLY (upgraded from dr crusher) could have saved deanna's satan baby because at least she can FUCKING PRONOUNCE DATA'S NAME RIGHT. i hope beverly left because picard wouldn't stop making eyes at his ex it would serve him right
wesley was fine in this episode for once.
HIIII GUINAN HIIIIIIII wow she looks so young. just like in sister act, the primary thing i know her from. weird to have her playing shrink to wesley this entire time but i'm sure we'll get more from her later
anyway having deanna speedrun motherhood in 36 hours Because She's A Woman made me for the first time consider skipping some episodes on tng. but i couldn't do my skip/watch list that way so i will SIGH persevere.
where silence has lease: im blogging this as i go. first of all since the first few seconds of this have no dialogue i was excited and thought we were about to get a whedon-eqsue no-dialogue episode but alas. no.
secondly. "im worried about riker AND worf there are certain elements of the klingon psyche its best to be ignorant about" like girl are they fucking?? not quite but almost. riker was sooo dirty. paused the episode to inform cathy of this and got this gem
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anyway, the skeleton prosthetics were good but i ca already feel that this is going to be a "klingons are so big and scary and savage" kind of racism day
worf automatically gaslighting himself about the klingon legend is SO sad especially bc we as viewers KNOW its gotta be true. get vored idiots
why is wesley always on the bridge now instead of geordi...is he just always in engineering now? that is Too sad
THIS BITCH JUST CALLED DATA "IT"?????????????? I WILL KILL HER MYSELF
like i cannot believe she is doubting DATAS ABILITY TO DO HIS JOB more than the fucking SIXTEEN YEAR OLD sitting next to him just bc wesley is human and data isnt. ill fucking kill her. i never thought id say this but i miss beverly
jonathan frakes has asked lots of questions this episode
this freaky ass unreality void thing that doesn't actually exist is sooooo fucking cool. stuff like this is what i like about scifi...sometimes the scifi premise is stupid but sometimes it fucks
WHATEVER RIKER AND WORF HAVE GOING ON IN THIS EPISODE. IS GAY. riker telling him to pull himself together and worf repeating his words from earlier...prolonged eye contact...i wish tng was like this all the time
actually riker is kinda fun in this episode...he keeps giving orders without waiting for picard's okay and he is soooo upset when he gets back from that freaky ship
WHOA THAT CGI FACE WAS FREAKY AND BAD
LMAOOO AT THIS ALIEN GOING AFTER THE DR FOR BEING FEMALE. WHEN DEANNA IS RIGHT THERE. like "your contruction is different" not to the half betazoid or the klingon but to the WOMAN. well if anyone deserves it
wow. love that they got ordered to fuck nasty on the bridge <3 riker and worf should volunteer
SIGHHH of course they kill the random black guy redshirt
started to have respect for picard when once again he was willing to blow up the ship rather than submit to enemy will but then he ruined it by going eeeh idk riker how much time do YOU think we need before the self-destruct? like how much time do they need to prepare to die?? and then riker was like uhh idk 20 minutes? like if you're gonna do it just do it. jesus christ. don't even tell them first it's so much kinder. there are FUCKING children aboard
AND HES JUST GONNA SIT IN HIS QUARTERS AND LISTEN TO MUSIC? INSTEAD OF COMFORTING PEOPLE OR DOING HIS JOB? it's always one step forward two back with this show
THOSE FREAKY HALLUCINATIONS TRICKED ME...it's just like data to ask about death. but it wasn't him!!
the ending to this was actually a little anticlimactic but i did enjoy the journey. too bad it wasn't a big klingon ship eating monster though
one down, five to go 😤
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transboykirito · 1 year
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my (actual) scherzo of the deep night thoughts!! spoilers for the movie, obviously.
okay first of all asuna and argo in this movie were so pure, i love their friendship so much and i’m glad it’s finally being animated. i loved their duel sm, and i LOVED the bit at the start with the three of them eating together - kirito, start bolting the doors so people stop leaving without paying for their food xD
maybe argo and kibaou are the reasons kazuto makes kikuoka buy him expensive food… #canon
the kirisuna!! the scene where she tells him to take a knee??? i was trying not to squeal in the theatre. my grandma actually whispered to me “are they gonna kiss” and i wish i could’ve said yes </3
kirito’s speech about not wanting to be a hero and just wanting to keep himself and his friends safe, and then asuna praising him and thanking him and appreciating him… it was so sweet. i’m not gonna lie, i half expected her to say “well you’re my hero” or something along those lines but i really loved and appreciated what she did say.
and the way neither of them corrected poh when he called asuna kirito’s girlfriend…
and poh oh my GOD!!!!!! the whole theatre gasped (there were like 11 of us okay?) and one guy yelled “OH SHIT IT’S THE POH GUY” which… i don’t know who you are but please know you make me snort my water out of my nose xD seeing these early origin stories for laughing coffin was so cool, i loved it.
agil was so hot in this movie like my first post when i got out of the theatre was literally “i would let agil do anything to me” and i stand by that. he looked so good. i know there is already a mrs mills but like… hello…
mito!! i’ll be honest, i was apprehensive about her going in because i didn’t like how they changed the story to work her into it, but i do like her as an individual character (if that makes sense) so… i actually liked her role in this movie. it felt like a good closure for her and asuna’s relationship to this point. i predicted shortly after the first movie that i thought their relationship would come to friendly acquaintances who nod and say hi in the halls, maybe stop to chat, but don’t really act as besties anymore, and that seems to be the conclusion the films reached.
i’m kinda sad we didn’t get a villain arc for mito though because it would have been sooooo good.
i see people say they aren’t making more progressive movies after this and i’m kinda sad to say i agree. but!! this is wishful thinking, i am aware, i’m holding out for an anime adaption as an actual series, maybe one there’s more out? i think that would be nice.
i enjoyed it overall!! the fight scenes were cool, the characters were good, the soundtrack kept reminding me of legend of zelda so my nerd heart was happy lol. it was good!!
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t4tbruharvey · 2 years
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Yeah the french Harvey was...a choice! The part where Bruce was being nice about his scars in the beginning was neat but the rest was...something.
Making up werewolf lore sounds so fun though!!! And vampire lore too but yes werewolves are very fun especially in combination with identity issues and things like chivalry codes and having to pretend to be someone you're not etc.! And ahh!! The whole idea of your AU sounds so interesting tbh! And magic user Harley and plant curse Poison Ivy sounds so fun too! The plant curse immediately made me think of mandrakes too...plants whose roots look vaguely human shaped and who's painful shrieks when being unearthed could kill people according to legend...I know that's not what you're going for but now I'm just thinking about cursed mandrake Ivy raising from the soil due to witchcraft (having been...a mandrake bewitched by someone lonely who wanted a partner but when she got ripped out of the mother earth her pained shriek killed the witch that created her and..and ..agsvgsfs I'm getting off topic here sorry...) also fae Joker sounds fun too! Unseelie court I'm assuming?
So the thing about the bodies and gender lecture ...there's quite a lot of stuff to talk about ! I'll probably have to write it down separately but one thing I found interesting in regards to gender is that according to our professor in medieval and renaissance times while people believed in there being two genders they also believed that there was only one sex. the explanation for that might go into nsfw territory though so idk if you want to hear it but it's...interesting and to summarize basically renaissance people thought women were 'less developed men'. It's a whole...thing...but yeah it's interesting and maybe could help you with your AU so I'll try my best to write it down in a way that makes sense tomorrow!
hi i feel like every time i go to answer these it's either midnight for me or there's Stuff but hi i'm doing it now sorry for the delay <3
MAKING UP WEREWOLF LORE IS SOOOOO FUN like the sort of progression and the areas they'd gravitate towards, like i'm thinking of it as partially a microcosm of evolution in that they'd form smaller groups in more rural areas where there are forests to hide in, and similar to highwaymen i think they'd target isolated travel routes which means that in a more mountainous area you'd be FUCKED as a villager in the valleys but in more densely populated cities there are probably werewolves AROUND but they're not as likely to attack you because of how difficult it would be to do that stealthily. and so there are very pervasive ideas about werewolves that aren't completely true but aren't completely false either and it lets me make harvey have this intense internal debate about This Whole Thing and the nature of evil and how to remain in a society that no longer wants him – and maybe never has!!! i'm still not sure about what the societal rules about being gay are but there definitely is some form of transphobia because it's MY au and i want to work through MY issues as a form of escapism :-)
the mandrake thing sounds SOOO cool i wanna have something like that in it so badly now omg... like i've already said that ivy was a human who was cursed to have plant abilities but she was also a sorcerer's apprentice/assistant so she could have performed a spell similar to that with a mandrake or saw him do it and then he reversed it for her and OH MY GOD yeah no ok. he pulled an uno reverse with the spell on her but it's hard to just like... reverse the direction of a spell? and THAT'S why she's so fucked up currently. fuck yeah love it when this happens. (fae joker is unseelie court definitely and i think harley might initially mistake him for being from the seelie court depending on how good his glamour is i'm not decided yet)
ONLY ONE SEX??? you HAVE to elaborate oh my god!!! like that sounds vaguely familiar with the ideas about development but still!!! wild!!! au stuff aside that sounds SO super interesting and i'd love to hear about all of the bodies and gender stuff regardless; like it'll definitely help a lot but also that stuff is fascinating in general
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tomwambsmilk · 2 years
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11 and 17!!
11. tell me about your least favourite band or artist
Once again going the musical theatre route here to say as much as I love “Phantom”, “Cats”, and the “School of Rock” musical, Andrew Lloyd Webber can die in a tire fire. Truly a horrendous person all around, and I could write a full essay on why that is, but the cliffnotes:
- is almost singlehandedly responsible for the “Phantom of the Opera” movie turning out as badly as it did, because he insisted on being given an extreme amount of creative veto power with absolutely no knowledge of film as a medium or what makes it good. (Some responsibility does certainly go to Joel Schumacher, but people REALLY underestimate the impact ALW had on this film.) 
- has fucked over SO many actors, INCLUDING the great Patti Lupone, who, long story short, was contracted to play the main character in the original run of “Sunset Boulevard” in London and New York, but had her contract ripped out from under her so the New York role could be given to Glenn Close, who had been cast in LA (after they had refused to let Patti do the LA show herself). There was also a VERY recent debacle with the new Cinderella musical on the West End, where they closed the show early and then he blamed the cast, when in actually the production was fucked from start to finish and it wasn’t at all the cast’s fault. That one is particularly heinous because much of the cast is very early in their careers, and can’t hold their own the way a legend like Patti Lupone might be able to
- sooooo much plagiarism. I can’t even begin to list it all. He’s been taken to court so many times
- questionable relationships with young female ingenues. The phantom in “Phantom” is reportedly a self-insert which... tells you a lot about him, none of it good
- “Love Never Dies”, which is such a nightmare and largely the product of ALW refusing to know when to quit. Also does some really questionable things with the character of Christine that give me some bad vibes. It also gave us “The Beauty Underneath”, which is notable for technically being a song where the phantom realizes this kid is his bastard son, but, uhhhhhhhhhhhhhhhh...... Out of context it is EXCEEDINGLY questionable. That was entirely a case of really badly thought out lyrics and over-enthusiastic performances by both actors (along with a few acting choices that are truly ?????????????), but it is genuinely wild to watch and realize that it went through workshops and months of rehearsals and apparently no one said anything???? WILD. Kind of a bop though, and the staging is pretty cool. Anyways definitely watch it but also don’t say I didn’t warn you
This is a HIGHLY incomplete list, just the things I could remember off the top of my head with minimal fact-checking. Love his music but this dude sucks. 
17.  what song in your playlist sounds like this 💖❤️🥰🤩💘💕 but the lyrics are 🖤🩸⛓💣🗡
Ooh, another one that I think kinda fits this is “Roaring 20s” by P!ATD. It’s got kind of an upbeat energy, but is about anxiety and insecurity and feeling overwhelmed and out of place. It’s also got some really interesting instrumental arrangements, and I think might be my single favourite P!ATD song. 
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kibibarel · 2 years
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can u remind me if there was a reason az was alive for so long like perhaps i’m too casual with my pokémon lore knowledge but w him and cogita are immortals just. accepted as part of this world?
ok so the thing with AZ is that they gave him this absolutely bonkers backstory and a body count and the focus of the climax of the game but they also simultaneously treat him like a complete afterthought of a character and don’t really explain anything about him super well? so it’s really not that weird for you not to know lmao...but the Ultimate Weapon is what made him immortal (he built the Ultimate Weapon SOMEHOW to bring his Floette back to life, which also granted her immortality, and he calls himself “A man condemned to wander forever by the light of the weapon…”)
i think a developer interview like YEARS??? after XY came out double confirmed this by explaining that AZ’s exposure to the Ultimate Weapon is also why he’s so hilariously tall...it’s because that exposure to the weapon made him immortal but didn’t stop him from aging
for AZ, immortality is kind of framed as a karmic punishment...he made and used the Ultimate Weapon to bring back his Floette and wipe out the ones he blamed for her death, but was then basically forced to wander the world without her in grief forever anyway after she left him (in disgust at him for creating the Ultimate Weapon). it's wrong what he did and it's wrong and unnatural that he is alive for this long. he's a Big Sad Boy :(
sooooo no, i don't think that immortals are an accepted part of the Pokemon world at all; AZ had to undergo some messed up magic bullshit to become that way, and he talks about immortality like it’s a curse
given all this, i have to assume that Cogita also underwent some messed up magic bullshit to be as old as she is implied to be...one of the Old Verses says this:
Certainly the land of Hisui bears some resemblance to Sinjoh. Here, where the ancient Sinnoh people were born, I will spend an eternity... until the one with the mission appears.
i think it's still technically just a theory that Cogita wrote the Old Verses herself, but IF SHE DID...this would maybe suggest that she is immortal because she was tasked with being the bearer of exposition for Legends' protagonist. this would also give some explanation for why she shows up so suddenly with all of this knowledge just at the ready at the end of the game...no idea if her immortality was karmic punishment for something like with AZ (although this WOULD be extremely juicy and i would love it so much please Pokemon let me HAVE THIS--) or if some other force just thought she was Super Cool and would be perfect for expositing a whole bunch of lore, but either way this would mean that she is immortal......because she had a role to play in Arceus’ big master plan to slamdunk Volo (who might be Cogita’s son/grandson/some other relation)?
Cogita just waiting around in the Ancient Retreat for thousands of years like
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POV for the no excuses writing meme?
Sooooo I've only posted one partial scene from my Star Wars Legends modern au buttttt I thought it would be fun to go back and rewrite that scene from Anakin Solo's perspective...so here you go!!
“Little Brother!”
Tahiri’s holler echoed across the open scrapyard, easily reaching where Anakin lay on his back under Lowie’s rusty old pickup. With a sigh, he shoved against the vehicle and rolled out from its underbelly, wincing as his wrench clanged against the metal. She’d used his code name; that meant whoever had shown up wasn’t one of their regulars. “What!” he yelled back.
“Customers!”
Well, he’d figured that part out. Rolling his eyes, Anakin hopped up and grabbed the rag he’d left hanging over the truck’s open window. He pushed the sweaty hair back from his forehead, squinting in the bright Arizona sun, but of course couldn’t see into the dark garage from this distance.
The cool air of the shadowed garage washed over him as he stepped inside, a welcome relief from the heat. Tahiri was back on her favorite perch atop Tionne’s old Volkswagon bus. Absently wiping his hands on the rag, Anakin scanned the pair of potential customers: a severe-looking woman with dark skin and black hair in a tight ponytail, and a paler man with dark hair cropped short in a military fashion and a jagged scar through one eyebrow. A shock of white hair marked where the scar presumably continued upwards. Both wore function but nondescript clothing and had the stance and air of law enforcement or military officers, which sent a quiet alarm through Anakin’s mind; Mom should have given him a heads up if that was the case.
“You guys having car trouble?” he asked warily.
“Not exactly,” the woman said. She and her companion reached into their jackets, and Anakin tensed, Tahiri stilling in the corner of his eye, but they only pulled out badges, claiming them to be Agent Shawnkyr Nuruodo and Agent Jagged Fel. “We’re with Interpol.”
Anakin’s eyebrows rose. All the way out in the middle of Bumfuck Nowhere, Arizona, and people were still tracking him down to try to get shady details into his mom’s administration. “Are you serious?”
“One of your frequent fliers witnessed an…incident last month that we’re investigating,” the man, Agent Fel, said. “We just want to ask them some questions, and were told you might know how to find them, Mr …?”
So . . . maybe not anything to do with intrigue or politics, after all?
Anakin rubbed a hand over his face. That was totally the family luck at work, actually. “Mom’s not going to believe this,” he muttered to himself, then dropped his hand to look up at the agents. “Little Brother is fine. That’s what everyone here calls me.” If they didn’t know who he was, he certainly wasn’t going to tell them. It wasn’t any of their business.
Agent Fel, however, was frowning at him slightly. “Anyone ever tell you you look like Han Solo?”
Anakin just stared at him. The question seemed genuine. “I have to admit they do,” he said finally.
“He gets that allllllll the time,” Tahiri piped up cheekily, and simply giggled when Anakin shot her his best glare.
“Who are you looking for?” he sighed, turning back to the agents. He wasn’t going to rat out any of his customers or friends, but he could probably come up with some satisfyingly vague answers.
“We don’t know their name,” Agent Nuruodo said, “but we have a photo of their bike from the scene.” She glanced at her partner, who pulled out his phone, who had the picture ready to go.
And because nothing in Anakin’s life was ever easy, it clearly showed a very distinctive pale violet motorcycle with a stylized komodo dragon painted on the flanks.
He stared at it for a moment, disbelieving. This was not what he’d meant when he said he’d wanted his sister’s bike back in his garage. “That’s Twin One,” he blurted before he could stop himself. Tahiri gasped, scrambling down and shoving past Agent Nuruodo to see for herself.
Jaina, what did you do now?
from this wip ask game!
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Take Your Father to Work Day (S2, E4)
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As many people have said: This is one of the STRONGEST Prodigal Son episodes to date. It was incredible. My time-stamped thoughts for this episode are below. 
I reference Malcolm’s mental health and sexual violence in this one. So if that’s going to be a trigger for you, don’t keep reading.
SPOILERS AHEAD:
0:16 - OMG. Destiny’s Child. Whoever is in charge of the soundtrack for this show needs a raise. Or an award. It’s SOO GOOD.
0:18 - How great is this montage of Martin’s prison life too? I mean the insane mundanity of it combined with “Survivor” and Michael Sheen’s incredible acting is some perfect mix between hilarious, captivating, and just brilliant. 
1:06 - I feel so bad for Mr.David. He has to deal with Martin’s theatrics every day. Poor guy looks done in this episode.
1:35 - CAN HECTOR BECOME A BIGGER CHARACTER?! PLEASE. He’s hilarious and I love him. “Bro. You got your ass jumped at Sunday School.”
2:09 - Wait. What? Jerry’s getting released?!? I mean, I understand that he’s no longer in need of psychiatric care......but he still killed someone. Shouldn’t he just be getting transferred to a different prison?
2:25 - Does Jerry have a death wish?!?! He’s talking about being released in a room full of jealous murderers. Everyone looks sooooo pissed at Jerry. 
2:54 - Martin is such a liar. However - Michael Sheen’s performance is astoundingly good. Like he shines brighter than usual in this episode. 
 3:17 - Poor Malcolm. “What’s going on?” Poor boy looks terrified. 
3:23 - I love everything about this scene. I love how freaked out Malcolm is. I love you extra Jessica is. BUT HANS. Holy shit. I want Hans in every episode. He’s crazy in a good way and such a beautiful comedic relief. 
3:30 - OMG.  “Skinny milennial” might be the best thing anyone has ever called Malcolm. Someone please tell JT and Dani - hell, even Gil. They would tease him forever and I want to see it. 
3:45 - 1) Malcolm is a terrible liar. 2) Jessica knows he’s lying. 3) This story about the wine is interesting. I wonder when and how Malcolm first told Jessica the story. Was it the same night? AND HOW DID ENDICOTT’S BODY END UP IN ESTONIA?!? I WANT MORE INFORMATION ABOUT THAT NIGHT. 
3:54 - “Ainsley and I came back from the hospital after Gil’s stabbing.”....we never saw Ainsley at the hospital. Was she there and left before Malcolm got there? Or is this a plot hole I need to ignore?
4:05 - The way that the flashbacks of Endicott’s murder is spliced into this scene with Malcolm’s cover story is so perfectly executed. It’s so captivating and so so well done.
4:14 - Malcolm’s eyes look quite manic during the retelling of this story. Poor guy is desperate to have everyone believe the story. Poor guy probably wants to convince himself that the story is true. 
4:16 - Wait. What? Ainsley has always been clumsy? .....interesting. I’ve seen no evidence of it but I’ll believe it for the sake of the plot. 
4:23 - “At least one of you has a soul.” Holy shit.  hahaha Hans is brutal. I love him so much. I also love how this line makes me, as a viewer, think “does that mean the writers want me to think that Ainsley doesn’t have a soul?” ...or more likely that she doesn’t feel emotion (which can be interpreted as a lack of a soul). That she’s a psychopath like Martin?
4:27 - OMG. Jessica loves Hans. He speaks to her dramatic rich woman soul. So entertaining. 
4:30 - Poor. Malcolm. This boy is always in some sort of emotional turmoil. For once I wish he was happy (but also I love the emotional whump so if that could continue that would be great). 
4:44 - “It’s so much more than that.” *chef’s kiss* comedic genius.  I would watch a whole episode of Mr.David making fun of Martin. But can we all just take a minute to appreciate that Martin doesn’t seem bothered at all that Mr.David is basically verbally telling him that he sucks? It’s almost like Martin thinks they’re friends?
4:50 - Martin is strangely chill talking to Mr.David in this scene. It’s a little off-putting. He almost seems normal. He’s not putting on his usual theatrics or ranting about doctor stuff. It makes you wonder how many different sides of Martin that Mr.David has witnessed. 
5:01 - “Oh no. Not Jerry.” LMAO. HOLY SHIT. Michael Sheen needs an Emmy. His delivery of that line might be the funniest thing this show has ever given us. hahahahaha
5:29 - Damn. This is not Gil’s month. First Jessica dumps him. Then he has to deal with Martin Whitly in the flesh. That plus the on-going drama of worrying about Malcolm’s mental health and the stress of reintegrating into work after a STAB WOUND.
5:31 - Gil’s face. hahahahaha he’s like, “Kill me. This can’t be happening. I hate everything. I wish the ground would open up and swallow me whole.”
5:37 - “Yeah. Why’d you do it?” GIL. OMG. I’m so proud of Gil for dissing Martin to his face. BUT ALSO I worry that that’s going to give Martin more of a reason to hate Gil. I’m genuinely scared that the writers have Martin escaping as the pre-finale episode and Martin trying to kill Gil as the finale. Maybe Gil shows up trying to save Malcolm, AInsley, and Jessica (whom Martin is trying to abduct or hurt or something) idk I just feel like it’s going to be a likely subplot somewhere. I don’t want an attempt on Gil’s life to become a season finale tradition. 
5:56 - Ew. “Gilly” That is a terrible nickname. I think I threw up a little. 
6:00 - Damn. I love this scene. I could watch Martin and Gil pretending to be civil to each other for years. So entertaining. 
6:29 - hahahahaha OMG. Gil’s reaction to Martin saying, “Thank you” PLUS Edrisa’s sudden excitement at realizing she’s 10 ft away from Malcolm’s Dad - a medical legend, is magical.
6:35 - Not gonna lie. When Edrisa said, “Ok. I’m gonna play it cool.” I had to pause my TV and walk away to calm down. I was experiencing a mixture of second hand embarrassment for Edrisa’s inevitable behaviour, excitement for what is to come, and fear that Martin would be a jerk to our precious Edrisa. 
6:44 - Edrisa and Martin interacting was everything I’d hoped. It was strange, funny, sweet, and disturbing at the same time. The sweet, eccentric girl who attends cuddle parties is getting buddy-buddy with a literal serial killer. Hilarious. Even better is Gil’s background reactions as he desperately tries to keep Edrisa away from the psychopath. hahaha <3 
7:12 - Gil is currently living in a nightmare. hahahahaha 
7:47 - I love this. I love how Malcolm and Ainsley interact. Malcolm is such a good big brother. IDK something about these two adult siblings chilling on a couch and warning each other about Mom’s current rampage reminds me of myself and my younger brother. <3 Warms my cold dead heart. <3 PLUS has anyone else noticed that (as long as Ainsley isn’t hounding Malcolm about a story or airing out his mental health diagnoses like the bs from Q&A) Malcolm is extremely calm around Ainsley. Like maybe the calmest we’ve ever seen him?
8:20 - “Oh Ainsley, that’s a horrible idea.” This is adorable. Malcolm is totally acting like Ainsley’s surrogate dad. He’s trying so hard to protect her. <3 
8:42 - There’s something about the way that Malcolm says, “Hey Gil” that makes my heart swell. Idk why. I just their father/son relationship. So much. And it makes me so happy to see Malcolm having semi-normal interactions with people in general. 
8:48 - This. Is. The. Funniest. Episode. Of. Prodigal. Son. To. Date. Holy shit. The comical dread on Malcolm’s face. Martin’s glee on the phone. Gil’s general “done with life” body language. Ainsley’s utter joy at her luck. MALCOLM DRAINING THE ALKA-SELTZER. Ainsley saying “chug chug”. So perfect. 
9:27 - Is it just me or has Jessica been showing way more concern for her children’s well-being this season? At first I thought it was because she was so happy with Gil....but that’s not a thing anymore (because Jessica is a MORON - seriously if this show gets cancelled before Gil and Jessica are living happily ever after I will riot) so now Idk. 
10:02 - EDRISA WHY DID YOU NOT TELL GIL AND MALCOLM THAT THE SURGEON WAS ON THE PHONE?!? For a hot second, poor Malcolm looks like he thinks he’s hallucinating. 
10:40 - Gil hanging up on Martin and then telling Edrisa that she needs to make new friends is everything. It’s vicious. Gil looks absolutely furious in this scene and I love it. 
11:07 - Yo. Edrisa’s got some baggage. hahaha Malcolm looks soooo uncomfortable with her outburst.
11:18 - I would pay good money to watch Martin and Gil have a pissing match in front of Malcolm every episode. It’s amazing. They’re constantly trying to one-up each other. The tension is palatable. And someone Malcolm is the only one acting like a mature, working adult. Malcolm. My mentally unstable, skinny millennial. 
11:34 - OH SHIT. Martin did not just bring Jessica into this. Oh SNAP. Does Martin know that Jessica dumped Gil?!? 
11:56 - “I’m going to need a little more than that.” Damn. Malcolm looks pissed here. Pretty sure he hates that Martin just brought up Gil/Jessica. Malcolm’s bio-dad and real dad are fighting and it’s very clear that Malcolm is on Gil’s side.
12:17 - The look that Gil and Malcolm share here is perfect. I love it so much. You can see how annoyed they both are, how much they hate that they need Martin on this case, how much neither of them want Martin’s help. <3 
12:23 - SOMEONE GIVE GIL A MEDAL. This man just grit his teeth, smiled, and let MARTIN WHITLY - the man who tried to KILL HIM work on his case. Why? Because Malcolm silently asked him to. Because Gil loves Malcolm and knows that it’s better for Martin to work with them officially than for Malcolm to work with Martin in secret. At least this way he can look out for Malcolm. 
12:42 - “It’s taken Dr. Marsh years...” soooo was Dr. Marsh the name of the Asian doctor leading group therapy last season? Is this just a new actor, same character scenario? OR am I supposed to forget that Asian doctor existed last season? 
13:04 - I can’t tell if Gil hates this whole “father-son in group therapy idea”. He looks kind of like he hates it (although he is looking at Martin in the shot). I’m inclined to think that Gil is worried. He doesn’t like how nice Martin is acting toward Malcolm. He doesn’t want Malcolm to get hurt again. BUT I also think there’s probably a part of Gil that thinks group therapy might be beneficial for Malcolm’s mental health? I mean it was only ever going to be terrible or amazing. Nothing in between. 
13:12 - “They hate you don’t they?” GIL BRINGING THE FIRE. hahahaha angry Gil is really funny.
13:43 - OH HELL YES. More Hector. <3
13:46 - hahaha YES. Hector this is Malcolm - the son. You know, the one you had to role-play? hahaha I feel like Hector is a really cool dude (aside from the murder). 
13:53 - Damn. Hector pays attention in group. He has a lot of info about Malcolm. I would’ve thought the other inmates would just tune Martin out when he starts his monologues. 
13:59 - “He’s got a thing with hands?” hahahaha OMG. How did I never connect the hand thing. DOES Malcolm have a thing with hands? ....I kind of want that to be cannon?
14:00 - “You’re crazier than me.”  Ouch. That must’ve hurt. Think about it - Malcolm is ridden with guilt about Endicott. He’s haunted by what he experienced as a kid and by what his father is. Malcolm believes he’s broken beyond repair. On some level Malcolm thinks he’s crazy. Now a literal killer just told him he’s crazy. That just affirms what Malcolm already believes about himself. :( PLUS right after Hector tells Malcolm that he’s crazy - the camera pans to Martin. MARTIN looks scared. Martin is losing control of the situation and he doesn’t like it. Martin knows on some level that he ruined Malcolm’s mental health. He almost looks a little guilty?
14:31 - FINALLY. We have a cannon occurrence of someone calling Malcolm “Mal” (or “Malc” if you’re going by HULU’s subtitles?). I hope the writers start having people call Malcolm by Mal/Malc more often. 
14:35 - I can’t ignore it anymore.  DID HECTOR HAVE THAT SCAR ON HIS FACE LAST SEASON?!? I DON’T REMEMBER IT. 
14:38 - YES YES. Malcolm looks angry. I LOVE IT. Scream at him Malcolm! Give him hell!
15:03 - Yikes. Malcolm sounds like he’s about to cry here. :( My heart breaks for him. .....I wonder if this is the first time Martin has ever heard how much pain he caused Malcolm straight from Malcolm? Martin looks hella uncomfortable here. 
15:25 - The inmates (literal murderers) empathizing with Malcolm is twisted, beautiful, and haunting. These guys understand how much it sucks to hang out with Martin. These guys can see the real pain in Malcolm’s expression. They know he isn’t lying. Part of me honestly wonders if one of them is going to try and hurt Martin for Malcolm. They looked pissed enough by the end of the conversation that I kind of believe they might. 
16:00 - Malcolm is not acting here. For once he’s not projecting his problems onto potential suspects. He’s just venting to suspects. No pretence. I love it. BUT 100% of me wants to know where Gil is during this session. Is Gil listening? Is the session being recorded for evidence? There’s no way Gil (or Dani) wouldn’t confront Malcolm about this. Even if they just asked him if he’s okay. 
16:10 - hahahaha look at Doctor Marsh. He’s like “ooookkkkkaaaayyyy. I’m a psychiatrist in a psychiatric facility for people who have committed violent crimes. BUT THIS IS THE NUTTIEST THING I’VE EVER SEEN.”
16:12 - Look at the way Martin narrows his eyes. He’s trying to figure out if Malcolm is acting. He’s finally realizing that Malcolm truly hates what Martin subjected him to as a child. I honestly think this interaction will cause Martin to shift his “become a murderer like me” agenda from Malcolm to Ainsley. He’s finally seen the depth of Malcolm’s hatred and pain and knows deep down that Malcolm will never turn into a serial killer. But there’s still hope for Ainsley. That’s not to say that Martin won’t stop gaslighting Malcolm - he totally will.
17:10 - Martin has been at Claremont for 20 YEARS. How is it that he didn’t know a gold card existed?!?
17:21 - I honestly thought Marsh was going to get shanked. For the gold card. No other reason. 
18:07 - It’s not supposed to be funny but Burt freaking out and punching Marsh is HYSTERICAL. hahahahaha
18:10 - That guard who pushed Malcolm out of the room and into a safe area? He’s in my good books. Every time I watch him push Malcolm to safety I want to give him a hug. Just for doing his job. What the hell is wrong with me?!?
18:18 - UGH. I hate that creepy, satisfied look that Martin gives Malcolm. It’s the same look he gave baby Malcolm in the pilot. It’s the “we’re the same” look and it clearly bothers Malcolm. :( 
18:26 - Oh look. 18 minutes into the episode and we finally have a Dani appearance!! annnnnnd no mention of JT. I mean, I get it. He’s on paternity leave. I’m happy for him. BUT TWO EPISODES WITHOUT A JT APPEARANCE IS TORTURE. At least give me a throw away line about how happy JT is or about the baby!?? Honestly - it’s my biggest gripe with this episode. 
18:56 - soooo either Dr. Marsh is a terrible psychiatrist OR you can’t “cure” murderers. 
19:08 - The NYPD knows that Martin cured Jerry?!? HOW? Did Mr. David get Martin to admit to shocking him? Did Mr. David tell the police?!? I don’t remember Martin telling Malcolm. I specifically remember Malcolm saying, “I don’t want to know”
20:02 - Damn. I want Ainsley to go dark so badly. I want to see how badly it would destroy Malcolm and Jessica. I am evil. 
20:52 - Malcolm’s burgundy jacket is gorgeous. That is all.
21:10 - Malcolm knows that Martin wants to escape. This is good. I love this. 
21:55 - THERE’S A WOMENS WARD?!? REVOLUTIONARY INFORMATION. I THOUGHT THEY HAD A SEPARATE HOSPITAL. 
22:00 - Oh wow. Finally - a perk to gender inequality. 
22:52 - This Brightwell scene is so cute. I love watching Malcolm be excited about solving the crime. I love watching Dani gently tease him about how weird he is. I love watching them subtly flirt. Is Malcolm ready for another relationship - hell no. Do I think Dani has forgiven him - not totally. If they got together now it would end badly. But I do want them to be endgame. 
23:11 - Andre is really suspicious throughout this whole scene. I’m convinced that if Dani and Malcolm weren’t too busy flirting Andre would’ve become a suspect really fast. 
23:15 - Why do people get released from psychiatric prisons?!? This is a genuine question. I would’ve thought that everyone in Claremont has committed some seriously heinous crimes and only a very small portion of them are actually sick. The rest of them just pleaded insanity and had good lawyers. But even if they are/were sick. I don’t think the types of mental illnesses that drive people to murder and/or rape is something that can be cured.  Sooo why are they getting released? I guess I just wonder because there’s this guy that’s been in my local news on and off for like 10+ years. He’s molested/raped many young women between the ages of about 16-25. He’s been arrested and released multiple times. He keeps getting released to different major cities in my province (usually a city with a big University) and reoffends within 6 months of being released. Most recently he was arrested last month after being released in October 2020. Clearly he’s going to keep reoffending - so why does he keep getting released? I guess I just don’t understand what the criteria are that allow an inmate who has committed that sort of crime to be released. Here’s a link to one of the more recent news stories if you’re interested: https://vancouverisland.ctvnews.ca/police-warn-of-high-risk-sex-offender-moving-to-victoria-1.5149264
23:23 - hahaha Andre is like, “Yo. This dude is freaky.”
24:15 - Look at how proud Malcolm is of his whole “lobster = murderer” profile. <3 So freaking precious. <3 and Dani looks so amused with him.  <3
24:37 - Sooooo Mr. David isn’t listening to this conversation? He left the room?
24:40 - Jessica going to Martin for parenting help is terrifying. This is a woman in crisis. 
25:20 - But Jessica was right to be paranoid in 97′. She wasn’t being cheated on romantically but her husband was murdering people. 
25:24 - Martin is so selling his kids out here. He knows it. He doesn’t care. He’s having too much fun torturing Jessica. He’s rejoicing at the fact that he gets to play the “I turned the kids to the dark side” card. 
26:40 - Poor Jessica. She looks suspicious and scared. Scared that she raised a killer even though she tried desperately to prevent that very behaviour. 
26:56 - Damn. Martin is having a really good day. First he gets to annoy Gil Arroyo in the flesh. Then Edrisa talks medical with him. Then he gets to work with Malcolm. THEN his ex-wife calls him and he gets to toy with her mind. THEN his daughter, who has literally murdered someone comes to visit him. He is a proud Dad right here and he’s having an amazing day. 
28:00 - Rhonda is terrifying. This girl has perfected the “I’m sweet and unthreatening” while lying and manipulating people. I swear she’s a teenage Queen B personality with a side of violence. 
28:30 - I love how protective Malcolm is of Ainsley. Look how positively livid he is that Marin is talking to her. Malcolm is terrified that Martin is going to purposefully and successfully turn Ainsley into a serial killer. Malcolm doesn’t want to lose his sister. He doesn’t want Jessica to lose her ‘stable’ child.
29:09 - This scares me. This is the kind of Ainsley behaviour from last season that made me believe she is the Whitly child most like Martin. Her ruthlessness and lack of a conscience when it comes to looking for a news story is extremely upsetting. 
30:11 - What the hell happened to Tevin? AND WATKINS?!? We got no closure on those guys. Are they dead? In prison? Is Tevin still in Claremont? Were they transferred to facilities outside of New York State?
30:28 - Malcolm yelling at Martin is perfect. *chef’s kiss* Finally this boy is being honest with his father and he isn’t holding back. 
30:40 - Michael Sheen is an incredible actor. This is an Emmy worthy scene. By Sheen AND Payne.
30:48 - I love how you can see Mr. David just chilling. Sitting outside the door and staring across the hall during this scene. It’s just....can’t he hear the screaming?!? Is he just like, “I can’t take anymore of this today. Not my circus and not my monkeys.”
30:55 - Soooooo this is Martin showing his true colours. There’s definitely a part of Martin that hates Malcolm. I honestly wonder if that part of Martin actively tries/tried to emotionally torture Malcolm now and throughout his childhood. 
31:00 - “And your mother. And you ruined HeR!!!”....does this mean Martin was trying to make Ainsley a serial killer? Maybe after the camping trip when he realized Malcolm was too “weak” to kill anyone? Is this Martin saying that Ainsley is ruined because she didn’t become a serial killer? Or that Ainsley is ruined because she killed Endicott?
31:05 - “But that’s not me.” hahaha OMG. Michael Sheen just flipped between two personalities like nobody’s business. Respect.
31:08 - Martin’s outburst hurt Malcolm. Badly. You can see it all over his face. Even now, when Malcolm is being strong and showing some backbone to Martin, Martin can wound Malcolm with a single phrase. :( 
31:41 - soooo where has Gil been for the past 10 minutes of this episode?
32:02 - Sooooo did Andre kill Jerry for Rhonda? Or did he just know about the murder and keep quiet for Rhonda? Or is his oblivious to the fact that Rhonda killed Jerry? I’m honestly confused here. 
32:20 - Holy shit. Rhonda is crazy. Andre is dead now. Right?
32:48 - Wait. Why did Andre have a gold card? Mr. David only has red. What kind of qualifications does a guard need to get a gold card vs blue, green, or red?!?!
32:55 - Claremont isn’t a punishment for Martin. Solitary is. Martin should live in solitary. He deserves to suffer for his crimes (and the ongoing torture of his son). 
33:05 - How messed up is it that Mr. David’s job is to protect a serial killer? I don’t think I’m brave enough to do something like that. I also don’t know if I could do that for moral reasons. 
33:14 - Damn. That elevator looks like it hasn’t been cleaned since it was installed. It’s sooo much nastier than the hallway outside of the elevator. 
33:50 - Sooo does this mean Martin is eventually going to try and murder someone down here?
33:54 - HE CALLED FOR BACKUP <3 <3 <3 OUR BOY IS GROWING UP AND I’M SO PROUD. <3 
35:40 - FINALLY SOME MALCOLM WHUMP. <3 THIS SEASON HAS BEEN LACKING IT. 
36:00 - This is really interesting to me. I honestly wonder if Martin has some sort of split personality disorder (personality #1: murderous, selfish, psychopath; personality #2: loving, concerned father and lawful doctor). You can see how desperately he wants to escape. But also how much he loves his son. I honestly thought he was going to leave Malcolm to die. 
36:06 - Ugh. Look at his whumped face. <3 <3 <3 ....one thing that I couldn’t stop thinking during all the tazing (which was amazing FYI, I’m not complaining) is this: in QxA (1x07) Mr. David says that he only has a single shot tazer. Why did Andre have a multi-shot tazer? Is this a gold card vs red card thing?
36:40 - WHY THE EFF DOES BACKUP NOT INCLUDE GIL?!?! I KNOW HE’S STILL IN THE BUILDING. 
37:03 - MARTIN, IF YOU TOUCH A HAIR ON DANI’S HEAD I WILL PERSONALLY HUNT YOU DOWN AND KILL YOU MYSELF. He honestly looks like he wants to murder her. 
37:50 - Martin’s speech is not going to help Malcolm’s mental state. At all. 
38:31 - No. No. No. Martin you do NOT get to talk to Dani on a first name basis. Look at how much Dani hates it. 
38:35 - I love how soft Malcolm looks as Martin lifts him up. Look at how Malcolm gently leans into the touch. It breaks my heart. After 20 years Malcolm is still comforted by physical contact with his father. :( 
38:37 - “Put your hands on me again Dr. Whitly, and I’ll blow your head off.” OH HELL YES. Dani is my hero. Iconic. Also - anyone else notice that Dani is chewing gum in this scene (I don’t think she’s chewed gum on camera since the pilot?) it makes her look like so much more of a badass in this scene. 
38:55 - Oh look. The rest of the backup finally showed up. Where were these assholes 5 minutes ago when DANI WAS ALONE? AND WHERE IS GIL?!?!
39:00 - Malcolm thanking Dani is so so precious. And the fact that he’s clearly struggling to breathe and stay conscious is giving me life. ALSO Dani saying, “YOU’re welcome.”?!? *chef’s kiss* :) :) <3
39:30 - So Malcolm definitely knows that Martin almost left him to die so that Martin could escape. 
39:33 - ......Ainsley is currently living with Jessica. Why is Ainsley not at the family dinner? We literally see her in the house in like 30 seconds. 
39:35 - Malcolm in a polo shirt. Malcolm in a polo shirt. Why is it so attractive?!? He looks like a baby cinnamon roll? <3 
39:51 - WHO THE EFF LET AINSLEY INTO THE MURDER BASEMENT?!? WHY AM I EXPECTED TO BELIEVE THAT JESSICA DIDN’T RE-SEAL IT AFTER WATKINS?!?!
40:15 - Jessica desperately tearing apart the living room is heartbreaking. :(
40:29 - Question: Did Jessica send her staff home before she tore apart the living room? Because I can just imagine two of them staring into the living room from the hall like, “She’s finally snapped. Should we call someone?”
41:00 - Jessica is the queen of drama. HOLY SHIT. This reveal was so extra and so perfect. 
41:13 - “I killed him.” “You’re lying.” I love this interaction between Jessica and Malcolm. Malcolm has spent his whole life trying to convince people that he’s not a murderer. To protect Ainsley, his baby sister, he will say the words “I killed him”. Even though that is literally killing a part of Malcolm. Jessica knows it. I love that Jessica can see that Malcolm is lying. She’s not trying to convince herself that he’s innocent. She literally just accused him of murder. She’s scared. Because Malcolm just admitted to killing someone - his biggest fear - and it was a lie. 
41:35 - Watching Bellamy Young’s facial expression as Jessica realizes that Ainsley killed Endicott is a thing of beauty. This woman needs an Emmy too. HELL, CAN WE GIVE THIS WHOLE EPISODE AN EMMY?!?! 
42:00 - Poor Jessica. The guilt she must feel. She’s always thought that Malcolm was the one at risk of being a murderer. He’s a boy (they’re statistically more prone to violence than girls), he was older than Ainsley, he remembers terrible things, Malcolm had continued exposure to Martin throughout his childhood (Ainsley didn’t - I think?). But the child she neglected, the child she thought was safe, the child she thought remained free of Martin’s evil killed someone. It’s a plot-twist that just ripped Jessica’s heart into a million pieces. 
42:30 - Yep. I promise you Malcolm has been psychoanalyzing Ainsley’s past behaviours since the moment she killed Endicott. He’s found traits common to serial killers and he’s terrified that she’ll become one if she remembers what it felt like to kill Endicott. He’s probably kicking himself for not noticing sooner. He’s probably questioning his ability as a profiler and as a big brother. AND the fact that MALCOLM has to protect Jessica AND Ainsley is heartbreaking. It’s way too big a burden. No wonder Malcolm’s mental health is on a downward spiral. 
42:33 - This is the moment Jessica begins grieving for Ainsley. The fear, disbelief, and horror on her face. It’s torture that I can only describe as someone telling a mother that her daughter is dead. Because Ainsley is dead. The person Jessica believed Ainsley was - that little girl is dead. Because Jess just found out the truth. 
42:55 - Jessica is now terrified of her own daughter. That is maybe the most upsetting thing this show has given us. 
43:00 - I saw an interesting theory about how Ainsley is regressing back to her childhood (crawling into bed with Mom, moving back in with Mom) and I must say - that would be a really interesting way for this story to go. Ainsley regressing to a child-like state as she is convicted of murder. As a result she ends up in the women’s ward of Claremont because she can plead insanity. 
This episode was amazing. Seriously, one of the best Prodigal Son episodes to date. Definitely the best of season 2 so far. If you’ve read this far - thanks for hanging out. 
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maschotch · 2 years
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hello my friend, wanted to ask you to rank the team from least favorite to most favorite. and to tell you i hope you have a good day!
ahh ok ok ok like the whole team or just the core 7? fuck it: all of them
jj: explanation here but tldr? white pinterest mom vibes and im nota hashtag feminist girlboss
kate: same reasons as jj but i thought she was funny while she lasted and i liked the human trafficking episode with her niece that was crazy
rossi: racist wealthy italian. "i used to be in the mafia" and "im a war veteran" are his only other personality traits. need i say more? his best moment was when he gave hotch a gun to kill himself ajsdlghsjg
seaver: wattpad energy im sorry gamergirl
matt: breeding kink. my vietnamese and filipino friends have had too many interactions with kpop stannies and koreaboos for me to support wasian kids with white moms im sorry
reid: he's not low on purpose i just don't really like any of the story arcs that surround him specifically and hes the most annoying ab his daddy/mommy issues than anyone else on the team (why cant he be normal about it like morgan lol) and i know enough other people love him to make up for him not being my absolute favorite
alex: another low empathy legend. i find her fascinating and i love lveo lveolevoevlevoelvoevleovelvoe her relationship with reid!!! thats his mom right there!!! (no disrespect diana- a boy can have two moms<3)
stephen: he was such a funky little guy. had that weird dad energy that we've missed since gideon left. didn't deserve to go like that, the scene with monica brings me to tears everytime, i wish he could've been there longer and had a chance to develop his relationships with the rest of the team more
tara: i loooove her she's so cool and smart. i wish she had more storylines about her tho :/ but thats the racism ig lmao
gideon: literally just a fucked up guy he's so goofy and weird. and it's kinda like the opposite of spencer--he's higher on my list bc i know he's low on so many other people's and honestly the weirdo freak deserves better. i want someone to hannibal him so so bad
jordan: ok i thought she was fucking awesome??? i really wish she had stayed longer but i also loved how she always struggled with the job because of how personally she took everything. she looked at this nightmare of a life and said "no thanks :) not for me" and i respect that. but i love her relationships with the team especially emily morgan hotch <3
penelope: ????do i even need to say anything she's gorgeous and funny and literally the glue that holds the team together like this show would not be shit without her in it
morgan: another one i feel like goes without saying he's just such a good man so gentle and sweet and kind and loving and protective. he takes all the hurt he's experienced and uses that to fuel his love and devotion for others. and he's so so smart he just doesn't need to rub it in everyone's face all the time. he's just got that tmasc swag and his tits always steal the show<3
luke: baby boy baby he's my absolute golden boy fr. he's going higher than morgan/penelope which seems a little off but i'm grading on a curve: he didn't really get any storylines and he wasn't there for that long. latino king and im a sucker for sign language. his crush on garcia is sooooo cute and just the way he was always there for her emotionally even when she didnt want him to be.. .giving him infinite gold star stickers
elle: badass cuban?? the way she instantly settled into the bau family?? putting everyone in their place?? how her leaving left a permanent scar on everyone who cared about her?? the potential for vigilante elle?? haircut in the second season?? her smile??? teh gUn HoLsTerskasj j??? what's not to love?? i wish she lasted longer :((((
hotch: hes my boring white man i will hype this bitch up so much!!!!!!WILL defend southern boy hotch to the death. trans man autistic man trying-to-be-better-than-his-father man <3 hes sooooooo expressive and emotionally open especially when he goes -_- i love him so so much
emily: she's so so so smart and hot <3 i love my low empathy queen <3 normally i dont really like ~rich white girl with mysterious international connections~ trope but she manages it perfectly bc its not her whole personality you know? she's all about second chances and trying again and building a new life for herself out of the ashes of her old one and it doesn't always work but she keeps trying anyway and i love love love her
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tasloveskk · 4 years
Text
Some folklore thoughts 💭🌲✨🏳️‍🌈 
Part 1
 I’m going to take it song by song while also tracking key themes in red! Please also feel free to add in your thoughts in the comments, I’m curious to see what else people think folklore is about...
folklore
‘folklore’ is defined as “a body of popular myths or beliefs relating to a particular place, activity, or group of people.” or, by Steve from Taylor’s IC,”the traditional beliefs, customs, and stories of a community, passed through the generations by word of mouth.” Taylor herself in her introduction/prologue says  “A tale that becomes folklore is one that is passed down and whispered around. Sometimes even sung about. The lines between fantasy and reality blur and the boundaries between truth and fiction become almost indiscernible. Speculation, over time, becomes fact. Myths, ghost stories, and fables. Fairytales and parables. Gossip and legend. Someone’s secrets written in the sky for all to behold.”
the 1
- firstly, it’s the best opening track she’s ever had! 👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼
- “I’m doing good, I’m on some new shit” = sounds to me like a conversation you have with an ex, like someone is saying “yeah I’m doing great, I’m dating/doing ‘x’” the first time they run into their ex in a while.
-“I thought I saw you at the bus stop” has BIG “this city screams your name” energy but is also very clever by Taylor because Miss Karlie Kloss is ALWAYS on advertisements on bus stops/literal buses around the globe 🚌
- “I hit the Sunday matinee” to me seems like an inside thing, because obviously as the world biggest pop star, if taylor is going to go to the theatre or cinema, she’ll pick the least busy and most filled with older people which would be the Sunday matinee.
- “you know the greatest films of all time were never made” —> the greatest love stories never get told? happen behind the scenes? There’s something deeper here but I’m still forming the cohesive idea!
- “if you wanted me you really should’ve showed” = showed up or showed for the world, either way Taylor wanted KK to chose her not Josh so they could work but that didn’t happen so now she’s left to wonder.
- “roaring twenties” evokes two clear images for me! 1. They were both in their 20s for the entiretyof their relationship, the best years were spent together and 2. The Roaring 20s were a time of independence, pushing boundaries and breaking the rules of prohibition - which is basically what Taylor and Karlie were doing behind the scenes.
- “if my wishes came true, it would’ve been you” = let’s say, ONLY FOR ARGUMENTS SAKE, that Taylor really IS with Toe, that still means that this song is her yearning for someone else who she always loves more AND had to lose at some point. Looking at her past beards “relationships”, there are only two plausible options - Joe (which seems unlikely seeing as they’re still “together”) or CH who she supposedly wrote “you would’ve been the one if you were a better man” about. Either way doesn’t seem like it fits. However, if you look at it as Karlie is the 1, it becomes clear - it would’ve been fun being best friends and lovers for ever baking cookies and dancing around the kitchen, it would’ve been forever if Karlie hadn’t “married” jerk, it would’ve been her and it still is. 💗
- “in my defense I have none, for never leaving well enough alone” & “I know that I went psycho on the phone, I never leave well enough alone” are about the same moment with the same person = she didn’t leave well enough alone because she kept writing about Karlie and re-engaging us Kaylors as well as I’m sure, she kept up with seeing Karlie or keeping tabs on her to the point where it forced someone to reach out to the other.... she can’t apologise or defend her actions because you can’t explain the things you do for true love.
- “I have this dream you’re doing cool shit” aka starting a podcast, expanding businesses, making headway as an entrepreneur and being a highly-paid and respected international model? Seems straight forward 👀
- “you meet some woman on the Internet and take her home” = 1. Karlie is specifically interested in tech and the internet, it is literally her entire business and 2. if Karlie and Tay did break up, then because Karlie is actually NOT married to Josh, she hooked up with someone she met through the internet somehow (probs social media not an app) and Taylor found out this is probably a snarky comment about that from a jealous ex. Could possibly also be about the dream mentioned above. 💔🔐
- “another day waking up alone” = lost her lover, sleeps alone? Bold claim on opening tack.
- “persist and resist” = very famous feminist saying, civil rights/political echo?
- “the temptation to ask you if one thing had been different, would everything be different today” = this what if mentality continues through the album but personally, I think this is about Kissgate.
- “Rosé flowing with your chosen family” = repeats later, your chosen family could refer to Karlie’s group of friends like Derek and Jourdan etc.
- “would’ve been sweet if it could’ve been me” = flipped perspective, wishes Karlie chose her.
- “dragging up the grave another time” = firstly, THAT pin on her EW jacket now makes more sense. second, Taylor has written about Karlie for 4 straight albums now, she hasn’t let their love story die even if they did.
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cardigan
- “brand new phone” = this is not some story, this is current reality. Taylor hides behind era-specific language and imagery in some other songs but this one is clearly about here and now, and her.
- “sensual politics” to me stands out because only really here and in TLGAD is politics explicitly mentioned and sensual politics to me screams sleeping with someone for political gain or with political connections which certainly sounds like someone...
- “when you’re young, they assume you know nothing” = sounds to me like a lot like a) love story and b) “you don’t know you’re gay, it’s just a PHASE! you’ll grow out of it!” 🏳️‍🌈
- “chase 2 girls, lose the one” = supposedly, when KK and TS met, Taylor was still in love/entangled with Dianna so perhaps she’s reflecting on making the wrong choice?
- CIWYW links: my baby’s high above the whole scene—> heartbeat on the high line, tidbit:as is clear in both Lover & 1989 New York is a sacred place for TS and KK’s love story, the high line is a) a beautiful NYC icon and b) right in between the girls’ two places...
- as mentioned, miss Karlie ELIZABETH Kloss was the brand model for Levi’s and definitely has worn some sequins and black lipstick on cobblestones sooooo.... 🤷🏼‍♀️
- “you drew stars around my scars” = see Drake’s birthday party and the infamous third Polaroid mystery 👀
- “stepping on the last train” could mean one of two things to me; 1. The last resort for KK was marrying J*sh or 2. the last train could represent some goodbye the girls had where KK chose something/someone else over Taylor.
- “peter losing Wendy” is such an interesting metaphor on so many levels but specifically, Wendy loses Peter because she wakes up (from nearly dying but nvm) and grows up and stops believing in Neverland and magic, basically Wendy loses an attachment to Peter because her reality shifts and that’s what gets remembered especially in the Disney version of the story. HOWEVER, the opposite is also true meaning Peter Pan loses Wendy because he can never co-exist with her again, he can never grow up or bring her back to Neverland without either killing her or ruining her. So this idea that someone wanted to change the ending from peter losing Wendy because he had to do what was best for her because he loved her echoes as Karlie didn’t want to marry Jerk or hurt Taylor but had to in order to protect her. Right? 😅
- “leaving like a father, running like water” = Taylor’s parents got divorced and there’s SOME thoughts Scott left the house and Taylor lives with her Mom in Nashville in her teen years.
- “I knew everything when I was young” - Taylor has always know she was LGBT+ 🌈 and also, baby VSFS vibes because as we all know, “we were both young when I first saw you...” send tweet.
- “I knew you’d come back to me” hopefully, HOPEFULLY foreshadows the girls being together/coming out soon !!!!!!! 🤞🏼🤞🏼🤞🏼
- music video wise, I’ll do a break down soon.
TLGAD
- ‘Rebekkah’ refers to the previous owner of Taylor’s Watch Hill, RI house, Rebekah Harkness. She was a divorcee until marrying Standard Oil heir William (aka Bill) Hale Harkness, a new-money dynasty was formed in this time from their profit. There are MANY wild, whimsical stories about ‘Betty’ (which is obviously an extended metaphor of folklore)  that this song tries to re-create/recapture.  
- Taylor is also known as ‘Becky’ due to the popular meme so this is quite literally a play on her own character as well as the previous inhabitants of the house.
- St Louis is not only Rebekkah’s hometown, but also Karlie Elizabeth Kloss’. 
- “the wedding was charming, if a little gouche” seems like a direct shot fired at Karlie’s woodsy photoshoot of 2018 😂😂(ironically, folklore’s key aesthetic is the woods!!)
- “it must’ve been her fault his heart gave out” refers explicitly to William dying of a heart attack in the house, but subtly I feel like this is a dig at the media who constantly blame women for things they cannot control, as they have done with Taylor too many times to even count. 
- “who knows if she never showed up, what could’ve been” seems like Taylor is stuck thinking about what may have happened for her and Karlie if things had been different, see the 1. 
- “she/I had a marvellous time ruining everything” is such an incredibly provoking lyric on two fronts, 1. obviously taylor buying her RI house had a massive impact on an otherwise sleepy holiday town that is now more famous for Taylor’s july 4 parties than anything else and 2. seems introspective or personal, as if the things that ruined everything for Karlie and Taylor were the best and most marvellous parts of their relationship (big sur, kissgate etc.) 
- “flew in all her bitch pack friends from the city” is not only about the friends and celebs Rebekkah was notorious for hosting but also Taylor’s ‘bitches and model’ girl gang circa 2015 which includes one Karlie Kloss. 
- “blew through the money on the boys and the ballet” refers to Rebekkah’s love of wasting her fortune on things, including a ballet company that went under not long after she created it BUT also refers to Taylor paying so many boys to be her beards and PR stunts whilst also spending her money on a certain ex-Ballerina. Also remember her AMA’s performance of Lover/ bts of Shake It Off? 😉😉😉
- “50 years is a long time” - 50 seems deliberate, a bit of a reach but note it WAS the 50th anniversary of Stonewall last year. 🏳️‍🌈
-  “free of women with madness, their men and bad habits and THEN IT WAS BOUGHT BY ME.” - this clearly shows that ALL the songs are being narrated by Taylor, some of the lyrics are about her, some are about these fictional or fantastical characters she’s created but there is her truth behind all of them too. 
- “the loudest woman this town has ever seen” = Taylor is undoubtedly the most famous woman in the town who regualrly causes uproar there (see the Sea Wall debacle and the Taylor Swift Tax)
- in all, the two famed women owner’s of Holiday House have many overlaps and are forever intertwined. 
exile
- “i can see you standing honey with his arms around your body” as the opening line is LOUD. to me, feels like this is about ALL those staged photos of Josh and Karlie uncomfortable/fake as hell on social media. 
- “laughing but the joke’s not funny at all” is something we’ve all thought about Karlie’s marriage before and is about that moment where if you don’t laugh, you’ll cry at the situation. 
- “it took you 5 whole minutes to pack up ... holding all this love out here in the hall” to me is about someone moving out of a shared home, like Karlie from Taylor’s NYC apartment, after a break up or fight. We know it is MORE than likely that the girls’ broke up, for a while or for good, in 2017/18. 
- “I think I’ve seen this film before, and didn’t like the ending” is a lot like “Cause cruelty wins in the movies, I've got a hundred thrown-out speeches I almost said to you” / “All of my heroes die all alone.” which makes me truly believe that delicate > the archer > exile are all the progression of the same love story.  ❤️
- “now I’m in exile seeing you out” = both of them have lost their home, exiled from the relationship.
- “I can see you staring honey, like he’s just your understudy” has a lot to unpack. Firstly, see this photo. Second, as a beard, Joe is quite literally Karlie’s understudy - stepping in only to fill a public void or play her part when she can’t. 
- “like you’d get your knuckles bloody for me” is basically this tweet
- “second, third and hundredth chances” - hopefully this means the girls WILL be together again soon!!! 
- “those eyes add insult to injury” - Taylor has often made explcit reference to her lover’s eyes, but this could also mean the eyes of the public on her every move and relationship not allowing her to properly grapple with break ups. 👁️
-  “i’m not your problem anymore, so who am i offending?” - homophobes love to say wlw or mlm relationships “offend” them or their beliefs, so who could taylor be offending if she’s publicly in a straight relationship? 
- “you were my crown”, Taylor was/is Karlie’s princess, if Karlie is gone, Taylor doesn’t feel like she’s a princess anymore. Likewise, Karlie is Taylor’s sunshine which makes the moody, misty, dark aesthetics all the more relevant to this album. 
- “so I’m leaving out the side door’ - this side door? the other side of the door?
- “all of this time, we always walked a very thin line” between outing themselves and being happy? 
- “I gave so many signs” - Taylor has queercoded EVERY album since her self-titled, she has been dropping hints and signs for years that she is LGBT+ so it must be exhausting to have to keep hiding who she loves. This is repeated so many times - it means a lot. 
- written with William Bowery who nobody can quite identify, but Karlie and Taylor have been to the Bowery many times together and William is mentioned earlier in TLGAD
- this whole song is a duet, a two-sided conversation between lovers - her and karlie both without each other. 
my tears ricochet
- Track 5 is, as per usual, deeply confessional, personal, emotive and moving. 😿😿
- there are lots of theories and layers to this masterpiece of a song, including that it’s in reference to big machine. I personally think every single song of Taylor’s is made up of layers that reflect multiple things in her life and experience so plausibly it can be about multiple things all at once including Sco** and Scumbag as well as Karlie, who was under Scumbag’s management for the majority of the decade. Another theory which with every new listen I think is more and more possible is that this is alternating between Taylor and Karlie’s perspectives. 
- ‘if i’m on fire, you’ll be made of ashes too” whoever is associated with Taylor will ALWAYS be dragged down with her. If she’s being attacked, they will be too. Big 2016 energy. 
- “even on my worst day, did I deserve babe, all the hell you gave me?” could be directed at a lover, or at Big Machine, or even the public for all the shit they’ve said about Taylor over the years. 
- “I swear I loved you ‘till my dying day” seems a lot like the 1, as well as could be about the music and the label she helped build. 
- “I didn’t have it within myself to go with grace.” Taylor was LOUD about her split from Big Machine, she called them out (rightly) and made noise which is not a ‘graceful’ split. 
- “you’re the hero flying around saving face” very easily is about S+S jackasses but deeper than that, while Taylor was under immense attack and criticism, everyone who actually like her music pretended suddenly to hate it and her to stay ‘cool’ 
- “cause if I’m dead to you why are you at the wake?” this lyric becomes especially important in the final verse but essentially those who publicly distanced themself from Taylor still showed up when she was thriving again and/or because they actually truly loved her *uhmm karlie uhmm* 
- “cursing my name, wishing I stayed” either at Big Machine or with Karlie/Taylor. 
- “some to make a diamond ring” > firstly we still have never understood the ring image from the LWYMMD and ME! videos, it is entirely possible this is a continuation of that same symbol/image. Second, I think this hints to Karlie getting ‘engaged’ while still being with Taylor, the rock for the ring in the song was found by the two people gathering stones after all. 
- “you know i didn't want to have to haunt you” both Taylor and Karlie have big reputations all over the world that follow them everywhere. For either one, they will always be haunted by reminders of each other. 
- “you wear the same jewels that I gave you as you bury me” - on the Big Machine side, Taylor made the label professional and big, she is literally the sole reason it succeeded in the music industry so she handed Sco** his fortune and reputation which he still had when he sold her music to Scumbag and got into a very dirty bed with him. From the Karlie side, many people have noted that not only does she wear her black cartier necklace, which is assumed to be from Taylor, but to her ‘wedding’ wore a necklace she’d worn before with Taylor. 
- “when I’d fight you’d tell me I was brave” could refer to Sco** encouraging her in 2016 to defend herself. Could refer to Karlie supporting her behind the scenes. 
- ‘and I can go anywhere I want, just not home” seems like a continuation from exile, as in she’s lost the place she called home because her lover is no longer there but could also mean she can’t go back to her other albums and the house (see the lover music video) that they created as her musical home.
- “you will still miss me in your bones” could be about Sco** losing his money and label without her there to physically support and carry it or about the fact that the love Taylor and Karlie had is so ingrained it’s in their bones forever. 
- “and i still talk to you when I’m screaming at the sky” this lyric has a lot of possible interpretations (i’ve seen one about cursing out God?) but i think it’s similar to “asking the traffic lights if i’ll be alright” as in, it’s Taylor asking the universe to help her make sense of things. 
- “when you can’t sleep at night, you hear my stolen lullabies” suggests a) sco** + scumbag is still haunted by the music they stole from Taylor because it was literally the backbone of the business which is now practically worthless and b) that Karlie is kept awake by the songs Taylor has written for and about her over the years which again were stolen away by the jackasses at Big Machine.  
- “you had to kill me, but it killed you just the same” again, same idea - big machine will never be profitable without her/while they hold her masters hostage. BUT Karlie wise, breaking up with Taylor broke her too? 
- this is where the song changes. it shifts from Taylor’s story to someone else’s, personally I think Karlie. 
- “you turned into your worst fears” as in she settled for the money and sold her values off by marrying Josh. Also, Karlie was under Scumbag’s management for years (part of Taylor’s hatred of him was him keeping the girls’ from doing as they pleased) so by being completely controlled by him, she turned into this completely fake person. Contrast 2014/15 Karlie with 2017/18 Karlie and it so much more all about PR and money. 
- “you’re tossing out blame, drunk on this pain, crossing out the good years” - sco** and scumbag have made so many false excuses for their behaviour and completely erased the good relationship between the Swifts and sco**. Not sure yet what the Karlie side is here but it’s here somewhere. 
- in conclusion, this is about Big Machine and Karlie. As the first song Taylor wrote for the album, I think it’s clear just how incredibly multi-faceted this album is. ☕☕☕
mirrorball
- first off, we can never forget about this and this look from both girls. ✨✨
- “I’ll to show you every version of yourself tonight”, the public and the private sides to them both. this is big glass closet energy in my opinion 
- “and when I break it’s in a million pieces” is so personal and heartbreaking. 2016 and Kaylor breakup vibes. I cannot elaborate at this time. 
- “when no one is around my dear” = the secrecy, forbidden love motif returns and again, if she’s in a hetero relationship, what’s to hide? 
- “you’ll find me on my tallest tiptoes”, Just an fyi, Karlie, a giraffe, is 6′2″, Taylor is 5′10″ -- thats a big difference. 🦒🦒🦒
-  “i know they said the end is near” = end of the relationship or the end of hiding it, either way, it’s a romantic last private moment together, swaying as the room burns down. 
- “i can change everything about me to fit in” = Taylor when she was starting out was forced to create this all innocent, american-girl image of herself. She has had to hide herself to succeed, as she said in Miss Americana, she was muzzled. 
- “you are not like the regulars, the masquerade revelers” = Karlie is different to everyone else, or any other ex, ‘masquerade’ implies masked or hidden figures at a party, very Love Story 
- “and the called off the circus, burned the disco down” = the ‘circus’ could be the media/public, or all the illusions Taylor has cast in order to appear straight. The ‘disco’, and Taylor is the ‘mirror ball’ to her lover means that this isolated existence of just the two of them. 
- “I’m still on that tightrope, I’m still trying everything” for now, she’s still closeted, she’s still trying to have the best of everything. 
- “I’m still a believer, but I don’t know why” believer in everything working out perhaps, or perhaps believing it’s better if she’s in the closet and it’s only the two of them. 
- “never been a natural” = she has completely created herself through years off trying to be what people want, not who she naturally is. 
seven
- “picture me” implies this is retrospective of Taylor, she’s reflecting on her childhood/youth. 
- “I hit my peak at Seven” could either refer to the age 7 or album 7, ‘Lover’ which many critics argued was her best work. 
- “Over the creek I was too scared to jump in” = fear of jumping is something Taylor has discussed in many songs but this is different, the creek represents something she fears will drown her.
- “High in the sky with Pennsylvania under me” = obviously, Taylor was born and raised in rural PA, so this truly is a childhood memory unearthed and explored. It’s personal to Taylor, it’s her story. 👏🏼
- “Are there still beautiful things?”  Recognizing the world isn’t all daisies and rainbows 
- “cross your heart, don’t tell no other” = again, secret keeping and hiding something is a big queer image, ‘cross your heart’ is a quite childish phrase but it’s adult equivalent in Taylor’s world is an NDA, ie swearing people to secrecy is something she's always known... 🔐
- “Although i can’t recall your face, I still got love for you” = this childhood love has faded with time to memories, this girl simultaneously forgotten and remembered. 
- “Your braids like a pattern” = definitely about a girl (1996 rural Pennsylvania was not the kind of place where boys had braids), specific use of YOUR pronoun not ‘my’ or ‘our’ suggesting again it’s about a girl. Very obviously about a first girl crush. 🌈 
- “passed down like folk songs, the love lasts so long” = firstly, reference to Neruda’s poem Taylor used in the red prologue. second, folksongs change slightly from generation to generation but the heart/melody remains the same meaning that in Taylor’s mind, the story of her first girl love has changed but it’s still the same song/story all the years later. also, clearly a reminder of the setting of the song and the album as a whole being folklore. 💛
- “your dad is always mad and that must be why” feels a lot like Love Story and forbidden love, also again rural Pennsylvania in the mid-1990s was not the most liberal place so I can imagine a lot of homophobic ideas that perforated Taylor’s childhood.
- “I think you should come live with me” is such an innocent image of someone in love and wanting to just fix things by bringing them home, it also is like a baby gay version of uhauling 
- “we could be pirates” = pirates are not just a childhood image/motif but also one historically seen as gay, gangs of pirates often had ‘mateolage’ agreements that basically were like widow’s benefits. See John Swann. ☠️
- “you won’t have to cry, or hide in the closet.” = I think this one is explicitly clear but just to be sure, Taylor could’ve said “hide when he lost it, hide if you wanted, hide in the woods too” etc. Read this for a full understanding of why it such a LOUD image to use.  It is VERY DELIBERATE PEOPLE. 🌈🌈🌈
- “just like a folk song, our love will be passed on” = different from the first bridge but deliberate again. Their story, aka Taylor liking girls from a young age will always be talked about, AND their love lives in this song she wrote.
- “picture me in the weeds before I learned civility” = again, given the homophobic attitude, ‘civility’ and straightness should be read as the same so Taylor is saying when she was a child, free in the grass and herself, she wants to always be. 
- “I used to scream ferociously any time I wanted” = she wasn’t muzzled as a child, she could say and be who she wanted, screaming it aloud for everyone to hear but that changed as she grew up. 
- “pack your dolls and a sweater, we’ll move to India forever” = ‘dolls’ again would imply it’s two girls running away together and India is this exocitc far off place to a child, a place where they can be together without anyone knowing them or controlling them. 
August
- Karlie Kloss is born in August. Karlie Kloss posted yesterday about being a Leo (an August born). August belongs to Karlie Kloss. 🦁♌
- “rust on your door” = image of something well-worn, perhaps someone who’s been here too a few times before?
- “whispers of are you sure?” = obviously there is the sexual connotation, but beyond that, what if it’s about Taylor and Karlie going public etc. 
- “never have I ever before” = see above but also the game ‘never have I ever’ evokes youthfulness and sounds almost like a reminder of a fun night with friends. 
- “I can see us lost in the memory” = implies they’re still together, losing themself in the memory together
- “I can see us twisted in bedsheets” = again, sexual imagery but also the intimacy of sharing a bed with the person you love after sex 
- “Like a bottle of wine” = matures the song a bit, the youthfulness of earlier is now more adult. 21 is America’s drinking age, 20s were mentioned early etc. 🍷
- “Cause you were never mine” = the whole of Taylor and Karlie’s relationship, Karlie has publically been dating Josh so she was never solely Taylor’s. 
- “Will you call when you’re back at school?” = Karlie attended NYU in 2015, the height of Kaylor. 
- “back when we were still changing for the better” = instead of changing to adapt/survive or keep up appearances. 
- “wanting was enough” = wanting Karlie without labels was enough, rather than having to go public etc. Many have said for a long time that Karlie and Taylor fought about coming out or not. 
- “cancel plans in case you would call” = sounds like a very love-sick Taylor Swift thing to do. Also waiting on a lover’s call when they constantly are travelling like both Karlie and Taylor do makes sense. ☎️
- “so much for summer love” = cruel summer echo? Summer 2015 was again, peak Kaylor so this could be a specific reference to that period
- “Do you remember? Remember when I pulled up and said ‘get in the car’” another specific reference, comes up again later in Betty, clearly is something personal. 
- “Back when I was still living for the hope of it all” = back as in the past when everything was happening, hope of it all being the hope they’d still end up together. 
TO SUM UP PART 1:
BENEATH ALL FICTION OR MYTH IS FACT & FEELING. Taylor is no longer hiding. Yes, some of these songs are about stories and people not her but there is so much of herself and her own story layered in too. PAY ATTENTION!!! Obviously, these are just my opinions, I’m not Taylor so I cannot know exactly what these songs are about but I think, after years of analyzing her music, these images/themes and deliberate word choice are well-versed in this part of the fandom. It is entirely possible this is the beginning of Taylor’s full, public coming out journey. 
I’ll be back with Part 2 tomorrow.  Stay Tuned!
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