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#beard journey
derlejoe · 1 year
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Cody Price
source: instagram
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petricorah · 6 months
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ngl i did not expect izzy hands to be my favorite character in season 2, but here we are. [id in alt]
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justjensenanddean · 11 months
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Jensen Ackles: A Director’s Journey
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mintaikcorpse · 7 months
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I don't think the fandom talks enough about how Mei can turn into a gigantic fucking dragon
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Just thinking about Ted Lasso as Dorothy and Beard, Nate, and Roy as the Scarecrow, the Lion, and the Tin Man. Have we done this yet?
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zefny4 · 17 days
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him :)
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monopolyjailhouse · 1 month
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darlingofdots · 6 months
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I am not the least bit sorry to say that Admiral Laurence giving orders and arranging supply and battle plans in three different languages is incredibly attractive
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coachbeards · 21 days
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thinking again about ted saying beard's preference for relationships are quick, that they don't last more than five minutes "or they'll lose their flavor" ...
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thinking again about beard saying "in all my happiest memories, i'm single"
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thinking again about ted being the one true constant in beard's life. through relationships, through phases, through experiences, etc. whatever hobbies or lives or masters beard has had, nothing remains in his life like ted does. nothing!!!
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sailor-arashi · 9 days
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derlejoe · 1 year
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Livinho Souza
source: instagram
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crudely-drawn-ben · 2 months
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Between Freiren and Dungeon Meshi we are currently blessed with some great anime featuring truly top-tier dwarf design.
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threadbareturnbacks · 2 years
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Black Sails and Facial Hair - Part 3, (Long) John Silver
One of the important aspects of character creation in Black Sails is that it proports to show not the Pirate Of Legend (a la POTC) but the Origin Of the Pirate Legend. But nothing can be created in a vacuum, you cannot reference pirate legend without engaging in some sort of historical storytelling that connects to the modern audience, which is, at its heart, the stuff of pirate legend. Narrative is an ouroboros, constantly eating its own tale. 
John Silver shows up bright eyed and busy tailed and a perfect picture of a late 18th century sailor, down to the black shoes. His hair is a little too short, but reasonable and he’s rocking just a shade of a five o’clock shadow, but nothing untoward for a merchant ship in 1715. He’s a bag of snakes and like any good bag of snakes, he could get off in any port in the New or Old World and slip into the crowd without being noticed. He is, like Flint in 1704, perfectly suited to his surroundings. Flint’s crew take him at face value, but we know that this is a skin he wears that gives him more freedom than the bewhiskered pirates around him.
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Throughout the first season, he stays pretty well shaved and clean. I mean, look at our boy after 5 days at sea and a shipwreck. This is the face of a man who plans to disappear into civilization as soon as he can.  He even tells Flint, “I’ll find somewhere else to survive” - His appearance isn’t predicated on fitting in or telling a story, it’s predicated on survival. He’s handsome enough, but no one would look twice if they didn’t need to.
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Unfortunately for Silver, everything he says comes true. And when he says “I don’t want to be a pirate”, well, I’ve got bad news for you snake man. He might say that out loud but his face tells a different story. After the capture of the galleon and his little Stomp Stomp routine, he stops shaving. It’s subtle at first. He’s still bright eye’d and bushy tailed (haired). But his hair is longer, his face is rougher. He’s starting to ingratiate himself with the crew, starting to become essential to Flint, starting to even find a place of belonging and in doing so, he drifts further from the safety of anonymity.  
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By the end of S2, he’s teetering on the edge. He’s got the mustache but compared to almost the entire crew, he’s still relatively respectable. However, look at how different it shows up in the light verses the dark. He might look like a citizen in the day, but at night his true self comes through and it’s all pirate.
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Just as Flint’s door is closed at the end of s2, so is Silver’s. He can never again be an anonymous citizen, a snake in the grass. He might be able to integrate, but never again without notice. And he reflects that in his face. A full, patchy beard, very long hair barely brushed or contained - this is not a man who can step off a boat in any city and blend in. He’s clearly not taking care of himself.
Amputees are occasionally depicted in 18th century illustration - often in two distinct ways: The Good - employed and respectable (and clean-shaven) and The Poor - unemployed, whiskered, and dirty. Silver’s decided that since he can’t blend in, he might as well lean into the stereotype.   
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Additionally, there are instances of white men with beards living in the ‘civilized world’, particularly England and North America, but their lives are not easy. The beard is an essential feature of their Otherness, often Jewishness, and choosing to exist with that facial hair is a conscious statement. Whether as a statement of faith or as embracing his new condition, his beard is a clear rejection of reintegration or assimilation.
Contrast Silver’s unruly mop to Flint’s managed goatee, which he keeps neat and clean. The two of them, to an early 18th century observer, would make a terrifying pair, appearing as a mad Jacobean and a feral beggar, both ready to kill and not to be trusted under any circumstance. Quite literally the stuff of cultural nightmares and a sign of society unraveling. 
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Madi’s presence helps a bit, as does his standing as Long John Silver in Nassau. His hair is more managed but the beard does not get any less wild. And he mostly stays this way through the rest of the show.  
(a side note: the slick hair from the doldrums on is actually a factor of the production. Many outdoor scenes were filmed in the wind and to avoid Silver’s hair flying everywhere, it was slicked back, from Fathoms Deep)    
By the time his in the forest, dealing himself his own emotional death knell, he is as uncontained as we see him. The beard and the hair are one, there is no pretense of return or control. He has become undone, he is scrambling to grasp at the last tendrils of his humanity.  
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Which makes his final scene all the more fascinating. Because the last we see of John Silver makes him look downright professional. He’s still rocking the beard, but it’s trimmed, his hair is in a neat tail, he is no longer wearing heavy layers, or even sagging his back all that much. He looks, for lack of a better word, civilized. Certainly far more civilized than we have any right to expect him to look after what we’ve seen.
He’s made his choice. He has chosen the safety of society over the wild uncertainty of war and resistance. He’s back, in essence, where he started. Able to walk into any port in the known world and be just another invalid, returning from war. 
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But the last year has done a number on him. He’ll never fully integrate. He hasn’t quite abandoned his pirate self (the beard remains), but he’s willing to work within the rules. He’ll never be fully in the system, but never fully out of it. He’ll always be on the shore, never on the sea or on land. He’ll always be a character archetype, never a full person. His existence is now essentially liminal, just as he wears a beard and a ponytail, a combination that is exceptionally odd for the period, but just perfect for our last view of the famed pirate king. 
Part 1 - History of Beards
Part 2 - Captain Flint 
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kat-rose-griffith · 11 months
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Oh no no no no Dorothy is going to have to go back to Kansas isn’t he. I’ve known since the beginning that Ted Lasso is a beautifully deconstructed Wizard of Oz, but I’m genuinely not ready for this
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how-now-brown-wow · 2 years
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I went to Mexico and felt kinda sexy for the first time in awhile
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poisoncupids · 2 months
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say what u want about it but jiper really is for people who didn't know they were gay until after the majority of their teen years
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